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Welcome to Cash In The Attic, the programme that helps you hunt | 0:00:02 | 0:00:05 | |
for valuables in your home and then sells them with you at auction. | 0:00:05 | 0:00:08 | |
Today I'm in Kent and to get a feel for the history of this part of the county, I've come to visit | 0:00:08 | 0:00:16 | |
this magnificent Georgian manor house, which is also a renowned music museum - Finchcocks. | 0:00:16 | 0:00:23 | |
Built in 1725, the house was converted into a piano museum | 0:00:23 | 0:00:27 | |
as recently as 1970 by the international concert pianist, Richard Burnett. | 0:00:27 | 0:00:34 | |
An avid collector of antique pianos, he felt that the large rooms | 0:00:34 | 0:00:37 | |
with their high ceilings would make a perfect backdrop for his impressive collection. | 0:00:37 | 0:00:42 | |
Today, Finchcocks is home to over a hundred keyboard instruments | 0:00:42 | 0:00:46 | |
which are on display in the summer months. | 0:00:46 | 0:00:48 | |
Well, let's hope we uncover more valuable collections today as we now go in search of a whole clutch | 0:00:48 | 0:00:54 | |
of antiques that will hopefully perform really well at auction. | 0:00:54 | 0:00:58 | |
Coming up on today's Cash In The Attic, we're speaking Japanese. | 0:01:19 | 0:01:23 | |
SHE SPEAKS JAPANESE | 0:01:23 | 0:01:25 | |
But there's one language that needs no translation. | 0:01:25 | 0:01:29 | |
-This would have belonged to somebody of considerable wealth, I would have thought. -Gosh! | 0:01:29 | 0:01:34 | |
But the question is, will we be fluent when it comes to auction? | 0:01:34 | 0:01:38 | |
-Excellent! -Or absolutely tongue-tied? | 0:01:38 | 0:01:41 | |
Find out when the final hammer falls. | 0:01:43 | 0:01:46 | |
I've left the Georgian splendour | 0:01:47 | 0:01:49 | |
of Finchcocks and travelled to the historic village of Horsmonden | 0:01:49 | 0:01:54 | |
to visit a family who called in the Cash In The Attic team to help them fund a trip to the Far East. | 0:01:54 | 0:02:02 | |
The Hart-Dyke family have lived in this substantial home for many years. | 0:02:02 | 0:02:06 | |
Tim and Kate Hart-Dyke lead hectic lives and are really active in the local community. | 0:02:06 | 0:02:11 | |
Tim teaches English at the local secondary school and Kate is a supervisor at a preschool. | 0:02:11 | 0:02:17 | |
The couple have three children - | 0:02:17 | 0:02:19 | |
Laura who is 14 years, Anna who is 12 and 10-year-old James. | 0:02:19 | 0:02:23 | |
Like all young people, they're full of schemes and dreams | 0:02:23 | 0:02:26 | |
and Laura especially has some far-reaching aspirations. | 0:02:26 | 0:02:30 | |
But before we meet them, where's our expert John Cameron? | 0:02:30 | 0:02:35 | |
-Good morning, John. -Good morning. Fabulous house. What have you got in store for me today? | 0:02:35 | 0:02:39 | |
Well, it's appropriate that the sun is shinning | 0:02:39 | 0:02:42 | |
because we're going to meet a delightful family that hope to send their daughter on a trip to Japan. | 0:02:42 | 0:02:49 | |
The Land of the Rising Sun. Apart from today, it's been a while since I saw the sun rise! | 0:02:49 | 0:02:54 | |
Well, it's been up for a few hours! | 0:02:54 | 0:02:56 | |
So why don't you make a start in the house? I'm going to meet the family. | 0:02:56 | 0:03:00 | |
-Hi, guys! -Hi! -Morning. -Morning. -Hello. | 0:03:04 | 0:03:07 | |
The Hart-Dykes en masse! Now you must be Kate. | 0:03:07 | 0:03:10 | |
-I'm Kate. -You must be Tim. -I am Tim. | 0:03:10 | 0:03:12 | |
So you're the guilty party that's responsible for getting us here. | 0:03:12 | 0:03:15 | |
So why have you called in Cash In the Attic? | 0:03:15 | 0:03:17 | |
Well, I want to raise some money to go to Japan next year on an exchange. | 0:03:17 | 0:03:21 | |
-To Japan?! -Yeah! -Why Japan? | 0:03:21 | 0:03:24 | |
Oh, I had an exchange student over from last year and it really inspired me to go there. | 0:03:24 | 0:03:29 | |
So how are you going to raise the money? | 0:03:29 | 0:03:31 | |
Hopefully by selling my parents' antiques! | 0:03:31 | 0:03:33 | |
Do you really mind, Mum, parting with the family heirlooms? | 0:03:33 | 0:03:37 | |
No, I don't mind. I think it's a good way of raising the money. | 0:03:37 | 0:03:41 | |
And I think she's worth it. | 0:03:41 | 0:03:43 | |
That was the word she wanted to hear. | 0:03:43 | 0:03:45 | |
So how much is this trip going to cost you, do you think? | 0:03:45 | 0:03:48 | |
-Hopefully, 500. -Will that cover the entire cost of the trip? | 0:03:48 | 0:03:51 | |
No, but we're doing lots of fundraising at school. | 0:03:51 | 0:03:53 | |
But the rest of it is coming from Mum and Dad! | 0:03:53 | 0:03:56 | |
-Yes. -No! Where did you get that idea from? | 0:03:56 | 0:03:59 | |
Well, why don't Mum and Dad go and see what they're really prepared to part with, | 0:03:59 | 0:04:04 | |
and you and I go and look for John, because I think he's already started. Come on. | 0:04:04 | 0:04:08 | |
This busy family haven't had much time for their own collecting, | 0:04:08 | 0:04:12 | |
but they have inherited a number of antiques over the years. | 0:04:12 | 0:04:16 | |
They have no idea of their value, so we'll be relying on our man John | 0:04:16 | 0:04:20 | |
to give them a view "through the looking glass". | 0:04:20 | 0:04:23 | |
-John, I want you to meet Laura. -Hello, Laura. -Hello. | 0:04:23 | 0:04:26 | |
This is the very enterprising young lady who's got us here today to raise the money. | 0:04:26 | 0:04:31 | |
-What have you found? -Well, I have a very charming figure of Alice In Wonderland modelled by Royal Doulton. | 0:04:31 | 0:04:37 | |
Laura, what can you tell me about this? | 0:04:37 | 0:04:39 | |
Well, it was my mum's mum's and apparently her husband gave it to her. | 0:04:39 | 0:04:45 | |
Now she was modelled for Royal Doulton by Peggy Davies who, | 0:04:45 | 0:04:48 | |
in her career with Doulton, made over 250 models, | 0:04:48 | 0:04:51 | |
so she's one of their most famous and prolific modellers. | 0:04:51 | 0:04:54 | |
Issued in about 1960, she continued in production until 1981. | 0:04:54 | 0:04:59 | |
1960 is probably significant because Disney released | 0:04:59 | 0:05:02 | |
their version of Alice In Wonderland in the 1950s, so the momentum, the popularity, would have grown again | 0:05:02 | 0:05:09 | |
and Doulton would have been quick to cash in on that. | 0:05:09 | 0:05:12 | |
I've never seen that Royal Doulton figurine before. | 0:05:12 | 0:05:15 | |
Does that mean it's particularly rare? | 0:05:15 | 0:05:17 | |
Well, 20, 21 years as a production run is not a long time, so it would be in the kind of scarcer models | 0:05:17 | 0:05:23 | |
than some of those that would have been issued and stayed in production for 50, 60 years. | 0:05:23 | 0:05:29 | |
I'm going to put an estimate of £40 to £60 on her and hopefully a bit more. | 0:05:29 | 0:05:32 | |
-So that's what I'm going to say. -£40 to £60, do you think your mum would be happy to part with her for that? | 0:05:32 | 0:05:38 | |
-Yes, I think she would be. -And it's a start to the £500, isn't it? | 0:05:38 | 0:05:42 | |
-Definitely is. -But I know you're doing maths at school as well, | 0:05:42 | 0:05:46 | |
so that means we've still got at least 450 quid to go, if not a bit more, | 0:05:46 | 0:05:49 | |
so I think we'd better go and do a bit more hunting, don't you? | 0:05:49 | 0:05:53 | |
What a magic first find. | 0:05:54 | 0:05:56 | |
And while we've been talking, Tim has conjured up another Royal Doulton figurine. | 0:05:56 | 0:06:01 | |
Fair Lady was first produced in 1962. | 0:06:01 | 0:06:04 | |
She might bring us luck at £30 to £40 in the auction. | 0:06:04 | 0:06:06 | |
And Kate has been rifling through the family jewels. | 0:06:08 | 0:06:11 | |
-John? John? -Hello, what have you got there, Kate? -This is my mother's brooch. | 0:06:13 | 0:06:19 | |
-Do you remember her wearing it? -She used to wear it on ball dresses | 0:06:19 | 0:06:22 | |
-when she went out to posh do's, yeah. -So it's not something you wear? -No. | 0:06:22 | 0:06:26 | |
Well, it's a bar brooch, you can see that centrally it's set with | 0:06:26 | 0:06:30 | |
an old mine-cut sapphire there, quite a nice coloured sapphire, if I say so. | 0:06:30 | 0:06:34 | |
It's very typically Edwardian, it's quite light and delicate. | 0:06:34 | 0:06:38 | |
We do see a lot of very delicate but very well made Edwardian jewellery turning up at auction, | 0:06:38 | 0:06:43 | |
which I think, considering its delicacy, is a testament to the silversmiths and goldsmiths. | 0:06:43 | 0:06:48 | |
Now I would suggest at auction, an estimate for this of about £70 to £100. So you'd be happy to sell it? | 0:06:48 | 0:06:54 | |
-Yeah. -Yeah? -It'd be lovely, yeah. -Do you think Mum would approve? | 0:06:54 | 0:06:57 | |
My mum would have approved because she loved the grandchildren | 0:06:57 | 0:07:01 | |
and she'd have loved the money to have gone to something for Laura. | 0:07:01 | 0:07:05 | |
£70 to £100 would be a great contribution towards our total. | 0:07:05 | 0:07:08 | |
-Let's see what else we can find. -OK, let's. | 0:07:08 | 0:07:11 | |
Well, the brooch is lovely, a lovely delicate bit of jewellery, but I'll never wear it and Laura, | 0:07:11 | 0:07:16 | |
she'll never wear it either, so it must go to auction and help Laura get to Japan. | 0:07:16 | 0:07:21 | |
So the brooch is off to auction and it'll be accompanied by some more sparklies. | 0:07:21 | 0:07:26 | |
These gold-link bracelets and Omega watch were also Kate's mother's. | 0:07:26 | 0:07:31 | |
John thinks they could fetch as much as £250 to £350 | 0:07:31 | 0:07:35 | |
as a dealer's lot in the sale. | 0:07:35 | 0:07:37 | |
That's a stunning amount towards Laura's Japanese exchange fund. | 0:07:37 | 0:07:41 | |
I suppose with two teachers in the house I shouldn't be surprised | 0:07:41 | 0:07:45 | |
that there are so many books, but no books on Japan that I can see, Laura. | 0:07:45 | 0:07:49 | |
Tell me about this Japanese trip. How did this happen? | 0:07:49 | 0:07:52 | |
A few months back I had a Japanese exchange student come along called Saikam | 0:07:52 | 0:07:56 | |
and she was really lovely and she taught me some stuff about the culture and it really fascinated me. | 0:07:56 | 0:08:02 | |
And I think it would be such a lovely opportunity to go to Japan. | 0:08:02 | 0:08:06 | |
And how do you feel about going on her own, virtually? | 0:08:06 | 0:08:09 | |
Well, it was a bit scary, but she's quite a mature 14-year-old, so I think she'll be all right. | 0:08:09 | 0:08:14 | |
She's certainly a lot braver than me at that age! | 0:08:14 | 0:08:16 | |
So what can you say in Japanese? | 0:08:16 | 0:08:18 | |
I can say hello - konichiwa, and goodbye - sayonora. | 0:08:18 | 0:08:23 | |
-And "my name is Laura", which is... -SHE SPEAKS JAPANESE | 0:08:23 | 0:08:28 | |
That is very impressive. | 0:08:28 | 0:08:30 | |
So how do you feel, Mum, really about parting with things which are very important to your family? | 0:08:30 | 0:08:36 | |
I think it's worth it. I think a lot of the stuff that we're giving away came from my mother and she would | 0:08:36 | 0:08:41 | |
have wanted the money to be spent on them because they meant so much to her. | 0:08:41 | 0:08:45 | |
So I'm hoping that it's going to be, that'll be all right. | 0:08:45 | 0:08:50 | |
So quite a lot of money still to make, so I think we'd better keep searching, don't you? | 0:08:50 | 0:08:55 | |
-Yes. -I think we better had, yes. | 0:08:55 | 0:08:58 | |
The fact that Kate's mother's things | 0:08:58 | 0:09:00 | |
will be responsible for Laura's school trip to Japan has a wonderful poignancy. | 0:09:00 | 0:09:04 | |
And inspired by our chat, I come across another item that might ring true in the sale. | 0:09:04 | 0:09:09 | |
This grandmother clock just might bring in £80 to £150. | 0:09:11 | 0:09:14 | |
And this carriage clock might also do well. | 0:09:16 | 0:09:18 | |
We're certainly clocking up the antiques, but auctions are notoriously unpredictable. | 0:09:20 | 0:09:25 | |
So if we're to raise that £500 for Laura's trip to Japan, we need to keep up the pressure. | 0:09:25 | 0:09:31 | |
-Tim? -Yes? -This is a very handsome barometer, what can you tell me about it? Where did it come from? | 0:09:31 | 0:09:37 | |
It's been in my father's family for a number of years, about 30 years, | 0:09:37 | 0:09:41 | |
-but beyond that, I couldn't tell you very much about it. -John, have you got a minute? | 0:09:41 | 0:09:46 | |
-Yes, sure. -Take a look at this barometer. | 0:09:46 | 0:09:48 | |
It's a nice case, beautiful case, mahogany with boxwood stringing around there. | 0:09:48 | 0:09:52 | |
Down here at the bottom, we see we have this little receptacle | 0:09:52 | 0:09:56 | |
where we have a spirit level inside, for levelling it up. | 0:09:56 | 0:10:00 | |
You have the maker's name, J Reynolds of Wimborne, down in Dorset. | 0:10:00 | 0:10:03 | |
Makers started to put their names in that place around the last quarter of the 19th century, | 0:10:03 | 0:10:08 | |
putting it around the 1880s, 1890s, something like that. | 0:10:08 | 0:10:11 | |
We have the thermometer up there and in the top, a little feature you don't always see - | 0:10:11 | 0:10:17 | |
the hygrometer for measuring changes in humidity. | 0:10:17 | 0:10:19 | |
Now that won't work any more, it'll be purely aesthetic because in order to use that, they used to put | 0:10:19 | 0:10:25 | |
a head of oat, an oat head in there which would absorb and change as moisture changed. | 0:10:25 | 0:10:31 | |
But that quickly disintegrates so that would be non-functional, but very aesthetic. | 0:10:31 | 0:10:35 | |
So if it went to auction, what sort of a price would it get? | 0:10:35 | 0:10:39 | |
Well, in today's market, I would suggest an estimate of about £150 at the lower end, up to about £250, | 0:10:39 | 0:10:45 | |
somewhere in between that sort of figure. | 0:10:45 | 0:10:47 | |
What do you reckon, Tim, £150 - is that something that can go in the pot for Laura's trip to Japan? | 0:10:47 | 0:10:53 | |
It could do but I think I'd have to think very carefully about it before I made a decision. | 0:10:53 | 0:10:58 | |
-It's got rather special value to you. -It has. | 0:10:58 | 0:11:01 | |
Yes. It was one of these pieces, my father was attached to it, | 0:11:01 | 0:11:05 | |
so I think that I'll have to think carefully about that one. | 0:11:05 | 0:11:08 | |
So shall we put that on the back burner and see what else we can find that might go towards the fund? | 0:11:08 | 0:11:14 | |
And so the search continues, with Laura finding a reminder of times gone by. | 0:11:16 | 0:11:20 | |
John puts an estimate of £40 to £60 | 0:11:20 | 0:11:22 | |
on these cigarette cases. And in the garage, | 0:11:22 | 0:11:26 | |
Tim has found another relic of a bygone era. | 0:11:26 | 0:11:29 | |
-Oh, hi, Tim. -Hi. John, what about this one? | 0:11:29 | 0:11:31 | |
Surely you've got a computer in the house for word processing! | 0:11:31 | 0:11:35 | |
We have and that's why this was underneath the table and has been there for the last five years. | 0:11:35 | 0:11:40 | |
The Imperial Typewriting Company, household name, had their Royal Warrant, | 0:11:40 | 0:11:44 | |
and this particular model would probably date to about the 1930s. | 0:11:44 | 0:11:48 | |
Sadly, nobody uses them today and I'm not sure that anybody still manufactures typewriters | 0:11:48 | 0:11:53 | |
with word processors and computers so affordable these days, but they do turn up at auction. | 0:11:53 | 0:11:58 | |
But in my experience, collectors are looking for something a bit rare, something that perhaps was innovative | 0:11:58 | 0:12:04 | |
but perhaps didn't work in practice, so it had a short production run. | 0:12:04 | 0:12:08 | |
So this is a pretty successful typewriter so it'll be low value. | 0:12:08 | 0:12:13 | |
-I'd be looking at about £20 to £30 for it, something like that. -Excellent, I'm very happy with that. | 0:12:13 | 0:12:18 | |
-You don't mind it going into auction? -Not at all. | 0:12:18 | 0:12:21 | |
Well, it's a welcome contribution towards our target today, but it's not enough. | 0:12:21 | 0:12:25 | |
-So I think we'd better keep on rummaging, don't you? Come on. -OK. | 0:12:25 | 0:12:29 | |
So it looks like we're beginning to build up quite a collection of items here. | 0:12:29 | 0:12:33 | |
But before we finish the search, Laura's found one last antique that could hold some interest. | 0:12:33 | 0:12:39 | |
John, Dad? | 0:12:39 | 0:12:41 | |
-Look at this bowl. -Wow. | 0:12:41 | 0:12:43 | |
That's a super-size punchbowl! Tim, has this ever had any family use or has it been purely decorative? | 0:12:43 | 0:12:49 | |
Certainly not for drinking punch! | 0:12:49 | 0:12:51 | |
But I remember it being in my grandmother's house with a spider plant, a huge spider plant, in it. | 0:12:51 | 0:12:57 | |
And I particularly liked the bowl because of the engravings on the outside. | 0:12:57 | 0:13:02 | |
It's quite an interesting piece. | 0:13:02 | 0:13:04 | |
-Any idea about its age, date, where it came from? -None whatsoever. | 0:13:04 | 0:13:08 | |
Well, it actually dates to the 18th century, so it's well over 200 years old. | 0:13:08 | 0:13:12 | |
It's Chinese, it's hard-paste porcelain. | 0:13:12 | 0:13:15 | |
We have this wonderfully colourful scene | 0:13:15 | 0:13:19 | |
of this Chinese harbour filled with these junk ships here. | 0:13:19 | 0:13:23 | |
But if we move around to this second reserve here, | 0:13:23 | 0:13:26 | |
we have these two very continental figures and these continental buildings. | 0:13:26 | 0:13:30 | |
In terms of the work that's gone into it, there is a lot. | 0:13:30 | 0:13:33 | |
First of all, the piece had to be thrown by the potter then fired. | 0:13:33 | 0:13:36 | |
It's then decorated with this cobalt blue, | 0:13:36 | 0:13:39 | |
then they have to apply the enamels on top, these overglazed coloured enamels. | 0:13:39 | 0:13:44 | |
And then last but not least, the piece has to be gilded over the top again. | 0:13:44 | 0:13:47 | |
So there's a lot of work that's gone into this piece. | 0:13:47 | 0:13:50 | |
You can imagine in the day this would have belonged to somebody | 0:13:50 | 0:13:54 | |
of considerable wealth, I would have thought. | 0:13:54 | 0:13:57 | |
Looking at this piece, it does have some damage. I've noticed several hairline cracks. | 0:13:57 | 0:14:02 | |
You've got a couple of rim chips to the edge. Any idea what it might be worth? | 0:14:02 | 0:14:06 | |
Absolutely none whatsoever, but if I had to hazard a guess, £100, £150? | 0:14:06 | 0:14:11 | |
-I would put an estimate on this of about £200 to £300, something like that. -Gosh. | 0:14:11 | 0:14:16 | |
-So it's a nice thing. -Yes. -Yeah. | 0:14:16 | 0:14:18 | |
And that should go some way to exporting you back the other way! | 0:14:18 | 0:14:21 | |
Somebody sounds very excited at the price there, £200 to £300, John? | 0:14:21 | 0:14:25 | |
-Absolutely. -Fantastic! -That's amazing. | 0:14:25 | 0:14:28 | |
We've had some wonderful things that we've seen with the family today. | 0:14:28 | 0:14:32 | |
-How much was it you were wanting to raise, Laura? -£500. | 0:14:32 | 0:14:36 | |
Well, I can tell you the good news is that if your dad lets the barometer go as well, | 0:14:36 | 0:14:41 | |
you could potentially, on John's lowest estimates, make... | 0:14:41 | 0:14:45 | |
wait for the whoop of joy... £950! | 0:14:45 | 0:14:49 | |
-Wow! -Wow! That's really good. | 0:14:49 | 0:14:51 | |
However, Daddy wants to think about that barometer. | 0:14:51 | 0:14:54 | |
Take that out of the equation and we've still got £800 on John's lowest estimates. | 0:14:54 | 0:14:59 | |
So I think you should start brushing up on the Japanese, madam. | 0:14:59 | 0:15:03 | |
And for the time being, because we've now got to take all of these wonderful things to auction, | 0:15:03 | 0:15:08 | |
should we all say sayonara? | 0:15:08 | 0:15:10 | |
ALL: Sayonara! | 0:15:10 | 0:15:12 | |
Well, that's a splendid total towards Laura's school exchange trip to the Land of the Rising Sun. | 0:15:12 | 0:15:17 | |
Let's hope our items eclipse the rest when it comes to auction. | 0:15:17 | 0:15:21 | |
And they include... | 0:15:21 | 0:15:22 | |
the floral style Edwardian brooch that belonged to Kate's mother. | 0:15:22 | 0:15:26 | |
With delicate filigree metalwork, | 0:15:26 | 0:15:29 | |
we're hoping the buyers will be charmed. | 0:15:29 | 0:15:32 | |
The Chinese porcelain bowl with its rich and detailed decorations. | 0:15:32 | 0:15:37 | |
Despite several hairline cracks and a chip or two, it could bring in... | 0:15:37 | 0:15:43 | |
Still to come on Cash In the Attic, will it be sayonara to our antiques? | 0:15:44 | 0:15:48 | |
-Was it a big wrench to say it could come to auction today? -It was. | 0:15:48 | 0:15:52 | |
-And konichiwa to realising the dream of a trip to Japan? -Wow! -Ahh! | 0:15:52 | 0:15:58 | |
We'll find out when the final hammer falls. | 0:15:58 | 0:16:00 | |
That was such a fun day that we had with Laura and her family | 0:16:05 | 0:16:09 | |
searching through Mum and Dad's antiques and collectibles | 0:16:09 | 0:16:12 | |
to sell here today at Sworders Auction House at Stansted in Essex. | 0:16:12 | 0:16:17 | |
And indeed the whole family is involved in raising money to pay for Laura's exchange trip to Japan. | 0:16:17 | 0:16:23 | |
So hopefully today it will be the bidders who are happy | 0:16:23 | 0:16:26 | |
to exchange their cash for the Hart-Dyke treasures. | 0:16:26 | 0:16:31 | |
These are brand-new salerooms and along with the new premises, | 0:16:31 | 0:16:35 | |
there's a wealth of exciting items on today's catalogue. | 0:16:35 | 0:16:38 | |
Our expert, John Cameron, is hoping that the bidders will be following his estimates to the letter. | 0:16:38 | 0:16:43 | |
My Life In Antiques, by John Cameron! | 0:16:43 | 0:16:46 | |
I don't think I'd use one of these, Angela! | 0:16:46 | 0:16:48 | |
I'm totally used to word correction and grammar checks these days. | 0:16:48 | 0:16:52 | |
So God knows how I would fare with one of these. | 0:16:52 | 0:16:55 | |
The first newspaper office I worked in was full of typewriters like this | 0:16:55 | 0:16:59 | |
and now they're collector's pieces! | 0:16:59 | 0:17:01 | |
It's lacking the top cover, but we've only put a very modest estimate, £20 to £25. | 0:17:01 | 0:17:05 | |
But we've put rather more on that beautiful Chinese bowl, haven't we? | 0:17:05 | 0:17:09 | |
Yes, well, no pun intended, it is a cracking bowl, but it does have a few cracks and chips. | 0:17:09 | 0:17:13 | |
Good export piece, wondering how the market's holding up without the Americans being the strongest buyers. | 0:17:13 | 0:17:19 | |
I tell you what I haven't seen is the banjo barometer, but Dad was very attached to it. | 0:17:19 | 0:17:23 | |
He did seem to be rather loath to give it away, didn't he? | 0:17:23 | 0:17:27 | |
-But I have seen the family, so shall we go and talk to them? -Come on. | 0:17:27 | 0:17:31 | |
Having made their way through the crowds at the entrance, | 0:17:31 | 0:17:35 | |
the Hart-Dykes found a quiet spot where they're casting an eye over their Chinese bowl. | 0:17:35 | 0:17:40 | |
-Morning, family. -Hi, guys. | 0:17:40 | 0:17:43 | |
-Hi. -I have to tell you, and I hope that this keeps those | 0:17:43 | 0:17:46 | |
big smiles on your faces, there's been a lot of interest in this bowl. | 0:17:46 | 0:17:49 | |
-Excellent. -Ooh. -Which is really good news. | 0:17:49 | 0:17:52 | |
-Very good. -It's great, yeah. | 0:17:52 | 0:17:54 | |
But what we haven't seen is the barometer. | 0:17:54 | 0:17:57 | |
I'm afraid I haven't brought it, but John's very much to blame for that, | 0:17:57 | 0:18:01 | |
because he asked me whether I ever tapped it, | 0:18:01 | 0:18:03 | |
and ever since he left the house, I've gone round tapping that barometer. | 0:18:03 | 0:18:07 | |
So it's become part of the family. I couldn't bring it today. | 0:18:07 | 0:18:10 | |
Never mind, we've got lots of other lovely things, so that trip to Japan is one step closer, Laura. | 0:18:10 | 0:18:16 | |
-Shall we go and take our places for the auction? -Yeah. | 0:18:16 | 0:18:19 | |
If you're planning on buying or selling goods at auction, | 0:18:19 | 0:18:22 | |
do be aware that you have to pay commission and possible other charges too, | 0:18:22 | 0:18:26 | |
so be sure to check with your local auction house first. | 0:18:26 | 0:18:29 | |
There's a good turnout here today. Let's hope that the buyers are ready to spend. | 0:18:29 | 0:18:34 | |
We take our position at the back of the room. | 0:18:34 | 0:18:36 | |
With £500 to raise, we're pinning our hopes on the first item, | 0:18:36 | 0:18:40 | |
the sapphire cluster brooch that belonged to Kate's mother. | 0:18:40 | 0:18:44 | |
Was it a big wrench to say it could come to auction today? | 0:18:44 | 0:18:47 | |
It was, it was. It was a big wrench, | 0:18:47 | 0:18:49 | |
-but my mum would have really wanted that because the money would be going to Laura, so yes. -Exactly. | 0:18:49 | 0:18:54 | |
Ain't your mum great? | 0:18:54 | 0:18:57 | |
£40 is bid, I'll take 5, 45, 50... | 0:18:58 | 0:19:03 | |
5, 60... 5, 70... | 0:19:03 | 0:19:07 | |
5, 80, £80... 5, 90... | 0:19:07 | 0:19:11 | |
5, 100... 105 and 10, £110 is bid I'll take 15, 115. | 0:19:11 | 0:19:15 | |
-115! -Commission's lost at £115, 20 where now, 120... 5, 130... | 0:19:15 | 0:19:23 | |
-140, -Wow, £140! | 0:19:23 | 0:19:27 | |
140 on my left, selling at £140, are we all done at 140? | 0:19:27 | 0:19:32 | |
-Yes! -Very good. -Well, done. | 0:19:32 | 0:19:34 | |
Well, that was a glittering start to our sale, | 0:19:34 | 0:19:37 | |
but will our next item make the headlines? | 0:19:37 | 0:19:40 | |
I've £10 bid, I'll take 12 now, at £10 bid, | 0:19:40 | 0:19:43 | |
I'm going to sell at £10, all done at 10? | 0:19:43 | 0:19:46 | |
Not bad for something that was left in the house. | 0:19:48 | 0:19:51 | |
£10 is a good return | 0:19:53 | 0:19:55 | |
when you consider that this typewriter was destined for the tip. | 0:19:55 | 0:19:59 | |
And when the Royal Doulton figure Fair Lady sells... | 0:19:59 | 0:20:01 | |
£35 gentleman's bid. | 0:20:01 | 0:20:04 | |
Another decent price. | 0:20:04 | 0:20:06 | |
-Yeah. -Yes. | 0:20:06 | 0:20:07 | |
For £5 over its lower estimate, we're feeling chuffed. | 0:20:07 | 0:20:11 | |
And these three cigarette cases continue the slow burn... | 0:20:11 | 0:20:16 | |
38... | 0:20:16 | 0:20:18 | |
It's a good price - £38. | 0:20:18 | 0:20:20 | |
..by coming in just under the estimate at £38. | 0:20:20 | 0:20:25 | |
We've been cruising at a steady speed so far and have already found ourselves with a total of £223, | 0:20:25 | 0:20:31 | |
just under half our target of £500 for Laura's exchange trip to Japan. | 0:20:31 | 0:20:36 | |
Our next item is the Royal Doulton Alice in Wonderland. | 0:20:36 | 0:20:40 | |
At £30 to start, I'll take 2, Royal Doulton figure Alice here, 32... | 0:20:40 | 0:20:46 | |
35, 38... £38 is bid I'll take 40, 40 where now? At £38 bid... | 0:20:46 | 0:20:50 | |
-selling at £38, 40... 42. -Two people want it, that's always good. -45... | 0:20:50 | 0:20:56 | |
48, selling at £48. All done at 48. | 0:20:56 | 0:21:00 | |
-Excellent. -Nice price for a Royal Doulton figurine, John. | 0:21:00 | 0:21:03 | |
I think so, at the moment, yes. | 0:21:03 | 0:21:05 | |
Alice certainly brought some magic to our total | 0:21:05 | 0:21:08 | |
and our luck just keeps on going | 0:21:08 | 0:21:10 | |
when this early 20th century carriage clock | 0:21:10 | 0:21:12 | |
sells for double its estimate. | 0:21:12 | 0:21:14 | |
Selling at 140... | 0:21:14 | 0:21:17 | |
Wow! | 0:21:17 | 0:21:19 | |
£140 is a good sale, | 0:21:19 | 0:21:22 | |
and Laura's trip to Japan looks like a very real possibility. | 0:21:22 | 0:21:26 | |
And while we're on the subject of eastern promise... | 0:21:26 | 0:21:28 | |
We've got a pretty hefty price tag on this, John. | 0:21:28 | 0:21:31 | |
I think £200 to £300 should see it get away. | 0:21:31 | 0:21:33 | |
It would have made more a few years ago, | 0:21:33 | 0:21:35 | |
so let's just hope we get to where we are today. | 0:21:35 | 0:21:37 | |
-Be happy with that. -Here it goes. | 0:21:37 | 0:21:39 | |
Lots of interest in this. We start away at £200. | 0:21:39 | 0:21:42 | |
-He's starting it at 200! -At £200 is bid, 220... | 0:21:42 | 0:21:44 | |
-240, 260... 280, 300... 320. -Wheeee! | 0:21:44 | 0:21:50 | |
-340... 360. -Wow! -£360 is bid... eW're out now. | 0:21:50 | 0:21:53 | |
Selling at £360, lot number 80 goes at £360. | 0:21:53 | 0:21:58 | |
Hey! | 0:21:59 | 0:22:00 | |
-Brilliant. What did we say? -It seems my caution was unnecessary, ladies. | 0:22:00 | 0:22:05 | |
There's still demand in the market. | 0:22:05 | 0:22:07 | |
With so many cracks on the bowl, | 0:22:07 | 0:22:09 | |
John was right to keep the estimate low, | 0:22:09 | 0:22:11 | |
but the good news is that the sale surpassed all expectations. | 0:22:11 | 0:22:15 | |
Our next antique is another dark horse. | 0:22:15 | 0:22:18 | |
Classified as brown furniture, | 0:22:18 | 0:22:20 | |
the current market for grandmother clocks like this is slow. | 0:22:20 | 0:22:23 | |
Let's hope we don't wind up with a disappointment here. | 0:22:23 | 0:22:27 | |
There we go, start us away, £40 for it. | 0:22:27 | 0:22:29 | |
£40 is bid, £40 is bid... | 0:22:29 | 0:22:32 | |
I'll take 5, 50... 5, 60... 5, 70... | 0:22:32 | 0:22:37 | |
5, 80... | 0:22:37 | 0:22:39 | |
£80 is bid looking at 85, 90... | 0:22:39 | 0:22:43 | |
-95. -He's still nodding. | 0:22:43 | 0:22:45 | |
-That 100? 100... 110, 120... 130. -He's still nodding. | 0:22:45 | 0:22:49 | |
140... 150, 160... | 0:22:49 | 0:22:52 | |
-170, 180... 190, 200... -Ohhh! | 0:22:52 | 0:22:55 | |
£200 is bid, leaning against the table there, 200... 10 anywhere else? | 0:22:55 | 0:22:59 | |
Selling at £200. All done? | 0:22:59 | 0:23:02 | |
Yes, brilliant! | 0:23:02 | 0:23:04 | |
A super price for a clock of that period. | 0:23:04 | 0:23:06 | |
Unbelievable and fantastic all at the same time. | 0:23:06 | 0:23:11 | |
The buyers are bucking the trends here today and to our benefit. | 0:23:11 | 0:23:14 | |
With the success of the last few sales, we're in full flight to the Land of the Rising Sun. | 0:23:14 | 0:23:19 | |
Our last lot is a bit of a mixed bag though. | 0:23:19 | 0:23:24 | |
-Now John put them all together, as indeed you did, as one lot. -Yeah. | 0:23:24 | 0:23:28 | |
But the auction house says we think we're going to do much better if we put them as four separate lots. | 0:23:28 | 0:23:32 | |
-And I tell you, if we make the money that they think they're going to... -Yeah. -You'll be flying. | 0:23:32 | 0:23:37 | |
-No trouble. -£180, I'll take 190 where now? | 0:23:37 | 0:23:41 | |
Starting at £180! | 0:23:41 | 0:23:44 | |
And there's three more to go. | 0:23:44 | 0:23:47 | |
Maiden bid here of £100, all done. | 0:23:47 | 0:23:50 | |
-Well, that was quick, next bracelet coming up. -Bracelet, £200 is bid... | 0:23:50 | 0:23:54 | |
I'll take 10 where now? | 0:23:54 | 0:23:55 | |
At £200... 210, 220... 230, 240... | 0:23:55 | 0:23:58 | |
Selling at £250, all done? | 0:23:58 | 0:24:01 | |
At the back at 250... | 0:24:01 | 0:24:03 | |
80... 5, 90... 5, 100... | 0:24:03 | 0:24:07 | |
£100 the gentleman's bid, selling £100... All done at £100? | 0:24:07 | 0:24:13 | |
That was amazing. | 0:24:13 | 0:24:15 | |
But I'm not going to tell you how much it has made just yet. | 0:24:15 | 0:24:18 | |
Well, Kate was sure that her mother would have loved the idea | 0:24:18 | 0:24:22 | |
that her jewellery would help to fund Laura's trip to Japan, | 0:24:22 | 0:24:25 | |
and from that series of sales, it seems that her wish has been more than realised. | 0:24:25 | 0:24:29 | |
But just how much have we raised? | 0:24:29 | 0:24:31 | |
How much is the whole trip going to cost, Tim? | 0:24:31 | 0:24:34 | |
Probably about £2,000. | 0:24:34 | 0:24:36 | |
Well, you thought you were going to have to raise another £1,500. | 0:24:36 | 0:24:39 | |
-Yes, yeah. -Well, I think I'm going to hold you down, all of you, | 0:24:39 | 0:24:44 | |
because I wasn't kidding when I said that I think you might be able to fly there under your own steam. | 0:24:44 | 0:24:49 | |
You have made £1,601! | 0:24:49 | 0:24:57 | |
-Ohhhhhh! -Excellent. | 0:24:57 | 0:25:02 | |
-Oh, it's wonderful. -It is wonderful. -Oh, I can't believe that. | 0:25:02 | 0:25:05 | |
It's two weeks later and Kate and the family have had plenty of time to start making their plans. | 0:25:09 | 0:25:15 | |
The auction was fantastic. | 0:25:15 | 0:25:17 | |
We were so excited we got almost... | 0:25:17 | 0:25:19 | |
well, three times the money as we thought we were gonna get so that's just brilliant. | 0:25:19 | 0:25:25 | |
Really good and so exciting. | 0:25:25 | 0:25:26 | |
And as a rehearsal for the big trip, Laura has volunteered to take two Japanese students | 0:25:26 | 0:25:33 | |
on a tour of Penshurst Place, a local stately manor. | 0:25:33 | 0:25:37 | |
They're both on exchange at Laura's school and she's eager to show them around. | 0:25:37 | 0:25:41 | |
You have a fire in the middle of the hall | 0:25:41 | 0:25:43 | |
and the smoke could then just go up through the roof, which is 60 feet high. | 0:25:43 | 0:25:49 | |
Now that Laura has introduced her new friends | 0:25:49 | 0:25:51 | |
to the idiosyncratic nature of historical English country life, | 0:25:51 | 0:25:55 | |
she's looking forward to her own experiences in Japan. | 0:25:55 | 0:25:58 | |
It was really good to talk to the Japanese students | 0:25:58 | 0:26:01 | |
and it gives me an idea of what I'm going to expect out there. | 0:26:01 | 0:26:04 | |
It's just gonna be amazing to go out to a place where the culture is so different. | 0:26:04 | 0:26:09 | |
I'm so looking forward to it and I'm so grateful to my mum and dad for donating all the items | 0:26:09 | 0:26:14 | |
cos it's going towards my dream trip and I just can't wait. | 0:26:14 | 0:26:17 | |
It's just great to know we've been able to send Laura to Japan | 0:26:17 | 0:26:21 | |
because we wanted her to do something with the money that was cultural, | 0:26:21 | 0:26:25 | |
that would help educate her and would give her a wider experience of the world. | 0:26:25 | 0:26:29 | |
What worries me is what she's going to go for next! | 0:26:29 | 0:26:31 | |
That was a sensational result and of course Laura is now lined up for the trip of a lifetime. | 0:26:35 | 0:26:42 | |
If there's something that you'd like to raise money for and you think you have things in the house | 0:26:42 | 0:26:46 | |
that you'd be happy to bring to auction, why not get in touch with the programme? | 0:26:46 | 0:26:49 | |
Just fill in our application form which you'll find on our website | 0:26:49 | 0:26:54 | |
and come and join us on Cash In the Attic. | 0:26:54 | 0:26:57 | |
For more information about Cash In The Attic, including how the programme was made, | 0:27:03 | 0:27:08 | |
visit the website at bbc.co.uk | 0:27:08 | 0:27:11 | |
Subtitles by Red Bee Media Ltd | 0:27:15 | 0:27:18 | |
E-mail [email protected] | 0:27:18 | 0:27:21 |