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Welcome to Cash in the Attic, the show where we hunt | 0:00:02 | 0:00:04 | |
for treasures in your home and then sell them for you at auction. | 0:00:04 | 0:00:08 | |
Today, we are in Surrey and I've just stopped off | 0:00:08 | 0:00:11 | |
at the spectacular Ham House. | 0:00:11 | 0:00:14 | |
A fine Stuart mansion on the banks of the River Thames, | 0:00:15 | 0:00:18 | |
Ham House was built in 1610 for Sir Thomas Vavasour, | 0:00:18 | 0:00:21 | |
Knight Marshal to James I. | 0:00:21 | 0:00:23 | |
After remodelling and refurbishment, the last 300 years | 0:00:23 | 0:00:28 | |
have seen little change to the house or its famous beautiful gardens. | 0:00:28 | 0:00:32 | |
Right, I'm off now, but hopefully we're gonna have | 0:00:32 | 0:00:35 | |
a few more intriguing stories to tell just a few miles from here. | 0:00:35 | 0:00:39 | |
Coming up on today's Cash in the Attic - | 0:00:59 | 0:01:01 | |
our expert's rather pleased with one of his valuations. | 0:01:01 | 0:01:05 | |
That's excellent. I'm really pleased with that. | 0:01:06 | 0:01:08 | |
-Yes. Put that in your pipe and smoke it. -Definitely. | 0:01:08 | 0:01:11 | |
'While another of his estimates makes us all light-headed.' | 0:01:11 | 0:01:14 | |
Go and have a lie down. | 0:01:14 | 0:01:16 | |
We're gonna do some more searching. We'll see you later on. | 0:01:16 | 0:01:20 | |
And there are celebrations all round come auction day. | 0:01:20 | 0:01:23 | |
-(Oh, fantastic.) -(I'm gonna kiss you.) | 0:01:23 | 0:01:27 | |
But will we have reached our target when the final hammer falls. | 0:01:27 | 0:01:30 | |
I've come to New Malden in Surrey to visit an adventurous woman | 0:01:32 | 0:01:36 | |
who wants the Cash in the Attic team | 0:01:36 | 0:01:38 | |
to raise money, so she can take to the skies. | 0:01:38 | 0:01:41 | |
This terraced house is home to drama teacher | 0:01:41 | 0:01:45 | |
and acting coach Sharon White. | 0:01:45 | 0:01:46 | |
Now, Sharon has inherited a wealth of curiosities | 0:01:46 | 0:01:49 | |
and collectables from friends and relatives, | 0:01:49 | 0:01:52 | |
and they're filling every shelf and cupboard in this busy family home. | 0:01:52 | 0:01:56 | |
But, she's decided to turn the clutter into cash for the trip | 0:01:56 | 0:01:59 | |
of a lifetime and she's called her father, Peter, | 0:01:59 | 0:02:02 | |
and the Cash team in to help. | 0:02:02 | 0:02:04 | |
Hi, Jonty. How are you? | 0:02:04 | 0:02:06 | |
-Chris, how are you? -I'm very well. Tough mission for you today. -OK. | 0:02:06 | 0:02:09 | |
We've gotta reunite family members, halfway across the world. | 0:02:09 | 0:02:13 | |
-Right. Where we talking? -OK, do you want some clues? -Yep. | 0:02:13 | 0:02:15 | |
It's the home of the bungee jump. | 0:02:15 | 0:02:18 | |
-Toughie? -Don't know. -The hacker. -I know where you're coming from. | 0:02:18 | 0:02:22 | |
-The All Blacks. -Right. So, it's not Skegness. | 0:02:22 | 0:02:24 | |
A little further. It has got coastlines though. | 0:02:24 | 0:02:27 | |
Now, I want you to have a good look around. | 0:02:27 | 0:02:29 | |
We need some money, some big money and I'll go and meet the family. | 0:02:29 | 0:02:33 | |
That's what I like to see, people at work. | 0:02:35 | 0:02:38 | |
-You must be Sharon and this is Peter. -Hello. | 0:02:38 | 0:02:41 | |
How are you? Nice to meet you. This is what I like to see. | 0:02:41 | 0:02:44 | |
Who's working harder? | 0:02:44 | 0:02:46 | |
-Erm...Me. -Good, that's what I wanna see. | 0:02:46 | 0:02:48 | |
Now, you've contacted us, why? | 0:02:48 | 0:02:50 | |
Because erm...I'm hoping to go to New Zealand with my two boys, | 0:02:50 | 0:02:54 | |
to give them a really great holiday. | 0:02:54 | 0:02:56 | |
And it costs a lot of money! | 0:02:56 | 0:02:58 | |
So, I'm hoping to raise some money, to get them out there. | 0:02:58 | 0:03:01 | |
-How much were you hoping to raise? Realistically? -About £500, £600. | 0:03:01 | 0:03:07 | |
Oh, that's quite a lot, isn't it? | 0:03:07 | 0:03:08 | |
Yeah, because we've got to pay for a month's accommodation | 0:03:08 | 0:03:11 | |
out there and for a hiring of a car, so the boys can have some fun, | 0:03:11 | 0:03:15 | |
and we can sleep somewhere. | 0:03:15 | 0:03:17 | |
-Right. Dad, are you up to this? -Very much so. | 0:03:17 | 0:03:20 | |
She's had some tough times and she's come through them well. | 0:03:20 | 0:03:23 | |
-She's an ace woman. -With the help of this wonderful man. | 0:03:23 | 0:03:27 | |
It all sounds good, but all this mutual appreciation is rubbish. | 0:03:27 | 0:03:31 | |
We've gotta get on with some work. Follow me inside, | 0:03:31 | 0:03:33 | |
-cos this stuff - no good. Inside. -Right. -OK. | 0:03:33 | 0:03:37 | |
Well, Sharon and her sons obviously deserve their global adventure | 0:03:37 | 0:03:41 | |
and with a £600 target, hopefully her collectables | 0:03:41 | 0:03:44 | |
will prove to be just the ticket. | 0:03:44 | 0:03:46 | |
And, we've got our own explorer, of the antiques world that is, | 0:03:46 | 0:03:49 | |
on hand to help. Jonty Hearnden's been in the auction trade all his life | 0:03:49 | 0:03:52 | |
and it looks like he's spotted our first gem. | 0:03:52 | 0:03:55 | |
Jonty's found something already. | 0:03:55 | 0:03:57 | |
I certainly have. Look at this, it's a lovely glass box. | 0:03:57 | 0:04:00 | |
Look at this, with a hinged lid. Beautiful. | 0:04:00 | 0:04:02 | |
Beautiful. Where's it from? | 0:04:02 | 0:04:04 | |
That is from an actor friend of ours, | 0:04:04 | 0:04:07 | |
called Neville Barber, who went to RADA. | 0:04:07 | 0:04:09 | |
It's lovely, it's really charming. | 0:04:09 | 0:04:12 | |
-Now, the first thing to note is that it's not British. -Right. | 0:04:12 | 0:04:15 | |
It's continental, but moreover, it's Italian. OK. | 0:04:15 | 0:04:19 | |
It's Murano, so it's Venetian. | 0:04:19 | 0:04:22 | |
We're looking at a Venetian glass casket. | 0:04:22 | 0:04:25 | |
Date - a little bit difficult to give an exact date, | 0:04:25 | 0:04:28 | |
but I would suggest, really early 20th century. | 0:04:28 | 0:04:31 | |
Open it up, you can see that this is a brass, or gilded, metal rim | 0:04:31 | 0:04:37 | |
and, I don't know if you've really noticed before, | 0:04:37 | 0:04:40 | |
-but you've got these two bobbles on either side... -Right. | 0:04:40 | 0:04:44 | |
..and holes there. Holes on the inside | 0:04:44 | 0:04:46 | |
-and that's for a handle, a drop handle... -Right. | 0:04:46 | 0:04:48 | |
..would've been applied inside there. | 0:04:48 | 0:04:51 | |
So, those drop handles have gone. | 0:04:51 | 0:04:53 | |
-Right. -But somehow, for my money, | 0:04:53 | 0:04:55 | |
it doesn't seem to have detracted from its shape and form. | 0:04:55 | 0:04:58 | |
I just thought it was beautiful. | 0:04:58 | 0:05:00 | |
I don't want to ruin it, we're talking about beauty and stuff, | 0:05:00 | 0:05:03 | |
but how much is it worth? | 0:05:03 | 0:05:05 | |
-Oh, right, OK. -Come on, we wanna see some cash. | 0:05:05 | 0:05:07 | |
-Some money for this trip. -Well, there's no cash on the inside, | 0:05:07 | 0:05:11 | |
but on the outside, the box, because it's in such good order, | 0:05:11 | 0:05:14 | |
there's no chips. Cos when it comes to glass, check for chips, | 0:05:14 | 0:05:17 | |
-because that will seriously affect its value. -Right. | 0:05:17 | 0:05:20 | |
But that has to be £100 to £150 worth of box. | 0:05:20 | 0:05:24 | |
-Wow. -Oooh. -Did you know that? -No, not a clue. | 0:05:24 | 0:05:27 | |
I just thought, it's a beautiful little box, | 0:05:27 | 0:05:30 | |
but I had no idea what it was worth. | 0:05:30 | 0:05:31 | |
Our eyes have lit up, but are you prepared to put that to auction? | 0:05:31 | 0:05:35 | |
'It's a fantastic start, but if we are gonna get that £600 | 0:05:35 | 0:05:38 | |
'for Sharon's trip to New Zealand, we've a long way to go. | 0:05:38 | 0:05:41 | |
'So, it's down to business. Peter's been busy rummaging already | 0:05:41 | 0:05:44 | |
'and finds this unusual Limoges porcelain snuff box. | 0:05:44 | 0:05:48 | |
'Certainly not to be sniffed at, at £40 to £60. | 0:05:48 | 0:05:51 | |
'In the living room, Sharon's made a potentially high-flying find.' | 0:05:52 | 0:05:57 | |
Jonty? | 0:05:57 | 0:05:59 | |
-What have you got? -I've got Chitty, Chitty, Bang, Bang. | 0:05:59 | 0:06:02 | |
Wow, that takes me back. Do you remember the movie? | 0:06:02 | 0:06:04 | |
Yes, I do. | 0:06:04 | 0:06:05 | |
The bit I remember the most is when the car flew off the cliff. | 0:06:05 | 0:06:11 | |
When it flew it was fantastic. | 0:06:11 | 0:06:12 | |
Going to tuck the wings away and have a look on the underside here. | 0:06:12 | 0:06:15 | |
-Can you see? This was made by Corgi toys. -Yeah. | 0:06:15 | 0:06:18 | |
OK, Corgi cars, they were the big rivals to Dinky. | 0:06:18 | 0:06:22 | |
And Corgi cars had all sorts of moving parts to it | 0:06:22 | 0:06:26 | |
and, characteristically, we've got wings that come out. | 0:06:26 | 0:06:29 | |
Fantastic. | 0:06:29 | 0:06:30 | |
Now, this little car has become a bit of a collectors' item. | 0:06:30 | 0:06:34 | |
Simply because of the association with the movie. | 0:06:34 | 0:06:37 | |
And if you've got it in its original box, in mint condition, | 0:06:37 | 0:06:41 | |
its worth well in excess of £100 at auction. | 0:06:41 | 0:06:44 | |
Quite extraordinary. To think, it would have cost a few shillings. | 0:06:44 | 0:06:47 | |
But our little car, here, does have a value. | 0:06:47 | 0:06:50 | |
I'm a little concerned about the bumper missing. | 0:06:50 | 0:06:53 | |
I'm a little bit concerned about the wheel here, this damage here. | 0:06:53 | 0:06:58 | |
Should have the spokes, yeah, on the interior, there. | 0:06:58 | 0:07:02 | |
But somebody should pay, really, between £40 and £60. | 0:07:02 | 0:07:05 | |
But be warned, | 0:07:05 | 0:07:07 | |
the market at the moment, really wants things in mint condition. | 0:07:07 | 0:07:11 | |
Well, the damage may make our expert cautious, but £40 | 0:07:11 | 0:07:15 | |
is still a nice addition to the New Zealand fund. | 0:07:15 | 0:07:18 | |
'I'm pitching in, as well. I found two miniature portraits | 0:07:18 | 0:07:21 | |
'in the dining room. Jonty packs them for auction, | 0:07:21 | 0:07:23 | |
'with a far from miniature £100 to £150 estimate. | 0:07:23 | 0:07:28 | |
'Meanwhile, in the hallway, Peter's proving a bit of magpie.' | 0:07:28 | 0:07:32 | |
-I've found here a shell. -Oh, look at that. | 0:07:33 | 0:07:37 | |
I'm not sure what it's used for, it might be for butter. | 0:07:37 | 0:07:41 | |
Where is this from? | 0:07:41 | 0:07:43 | |
This comes from my mother's mother | 0:07:43 | 0:07:48 | |
and she had it in Deganwy where she lived | 0:07:48 | 0:07:52 | |
and she left it to us. | 0:07:52 | 0:07:55 | |
Lovely, so is this its presentation box as well? | 0:07:55 | 0:07:59 | |
That's the original box that it came in. | 0:07:59 | 0:08:01 | |
Let me just place that back in there so we can see how wonderful it is. | 0:08:01 | 0:08:06 | |
So, here we've got the scallop shell and this is solid silver | 0:08:06 | 0:08:08 | |
because here we have the hallmarks. | 0:08:08 | 0:08:10 | |
I tell you what I really love about this set is its presentation box. | 0:08:10 | 0:08:15 | |
And you are looking round the £50 mark just to sell this item alone. | 0:08:15 | 0:08:18 | |
-Very good amount, that sounds excellent. -What else have you got? | 0:08:18 | 0:08:23 | |
We have two silver cigarette cases here | 0:08:23 | 0:08:25 | |
-which may be of interest to collectors. -OK, now the first thing | 0:08:25 | 0:08:29 | |
I always check out is whether it's solid silver | 0:08:29 | 0:08:31 | |
and you're absolutely right, they are solid silver. | 0:08:31 | 0:08:34 | |
We've got the lion passant there. | 0:08:34 | 0:08:36 | |
Silver, so that's solid silver. | 0:08:36 | 0:08:38 | |
And also often silver cigarette cases of this sort of age are shaped - | 0:08:38 | 0:08:42 | |
to fit into the breast pocket, or the side pocket, often the back pocket as well. | 0:08:42 | 0:08:46 | |
What sort of value would you put on these items? | 0:08:46 | 0:08:50 | |
Well, if an auctioneer was to see these two | 0:08:50 | 0:08:53 | |
he would probably put the two together | 0:08:53 | 0:08:56 | |
so you would get more value. | 0:08:56 | 0:08:57 | |
Because they are solid silver, which is the great, great thing, | 0:08:57 | 0:09:01 | |
a huge difference between these being plated and solid silver | 0:09:01 | 0:09:04 | |
but collectively here we are looking at between £50 and £70 the two. | 0:09:04 | 0:09:09 | |
So, your silver hoard that you've got gathered together here for me | 0:09:09 | 0:09:13 | |
is really between £100 and £150, that sort of ball park. | 0:09:13 | 0:09:16 | |
-Oh, that sounds excellent. -Yes? -I'm really pleased with that. | 0:09:16 | 0:09:19 | |
Put that in your pipe and smoke it. | 0:09:19 | 0:09:21 | |
That's good, excellent. | 0:09:21 | 0:09:23 | |
I don't know about that joke, Jonty, | 0:09:23 | 0:09:25 | |
but £100 for the silver is a fantastic find. Great work, guys. | 0:09:25 | 0:09:30 | |
Now, Jonty's off to explore outside the house | 0:09:30 | 0:09:32 | |
and I'm going to catch up with Mum and Dad taking a quick break. | 0:09:32 | 0:09:36 | |
I wondered where you were, having a bit of tea break while the rest of us were rummaging around. | 0:09:36 | 0:09:41 | |
Well needed. | 0:09:42 | 0:09:44 | |
Now, tell me a little bit more about your trip to New Zealand. | 0:09:44 | 0:09:47 | |
My brother Adam has been out there | 0:09:47 | 0:09:49 | |
for a year, year and a half and he's coming back in February. | 0:09:49 | 0:09:53 | |
I thought it would be a great opportunity to take the boys there | 0:09:53 | 0:09:58 | |
because they've not been on a proper holiday | 0:09:58 | 0:10:01 | |
ever, abroad - and so I'd love to take them somewhere really special. | 0:10:01 | 0:10:04 | |
New Zealand is pretty special but it's well known for its water sports and lively activities. | 0:10:04 | 0:10:10 | |
-Is that up your street? -Absolutely up my street. | 0:10:10 | 0:10:12 | |
Dad, since we were four, has been building boats | 0:10:12 | 0:10:15 | |
and doing all that so I've always been on the water | 0:10:15 | 0:10:18 | |
rowing, canoeing and Adam's always loved that. | 0:10:18 | 0:10:22 | |
Adam used to be a white water rafter. | 0:10:22 | 0:10:26 | |
So, out there he's been surfing and doing all these things. | 0:10:26 | 0:10:29 | |
So, it's a good opportunity | 0:10:29 | 0:10:31 | |
to take the boys out there and do maybe a bit of kite surfing. | 0:10:31 | 0:10:35 | |
-So, what is kite surfing? -Well, it's something I've always wanted to do. | 0:10:35 | 0:10:39 | |
It's a bit mad. I've learnt to actually fly a kite | 0:10:39 | 0:10:42 | |
which is quite amazing because the kites are huge. | 0:10:42 | 0:10:46 | |
The one I've had is three metres, | 0:10:46 | 0:10:48 | |
which is huge, but there are six-metre ones and more. | 0:10:48 | 0:10:52 | |
And basically you fly the kite and then you try and | 0:10:52 | 0:10:55 | |
stand on a board and fly across the water on the board with the kite. | 0:10:55 | 0:10:59 | |
-And are you going on this trip to New Zealand, Dad? -No, I'm not going. | 0:10:59 | 0:11:04 | |
Economy flights for 30-odd hours | 0:11:04 | 0:11:07 | |
are really not my cup of tea | 0:11:07 | 0:11:09 | |
so I'm biding my time until he comes back. | 0:11:09 | 0:11:13 | |
Okey dokey. We need to raise some money. | 0:11:13 | 0:11:14 | |
It doesn't look as if my tea is actually making its way to me | 0:11:14 | 0:11:18 | |
so we better get back in and do some work. | 0:11:18 | 0:11:21 | |
Well, if I'm not getting a cuppa then it's definitely back to work. | 0:11:22 | 0:11:26 | |
Luckily Jonty is leaving no room unrummaged and no shelf unsearched | 0:11:26 | 0:11:30 | |
and he's come up trumps again | 0:11:30 | 0:11:33 | |
with this set of five art nouveau books, price £50 to £100. | 0:11:33 | 0:11:38 | |
Sharon and I are searching upstairs | 0:11:38 | 0:11:40 | |
and I've spotted an interesting looking item. | 0:11:40 | 0:11:44 | |
Come and join us in the bedroom. | 0:11:44 | 0:11:46 | |
A bit of bedtime reading. | 0:11:46 | 0:11:48 | |
I think we've found a fantastic little book here. | 0:11:48 | 0:11:51 | |
Signed by John Gielgud, wow. And you've got a date here. | 0:11:51 | 0:11:56 | |
That looks like 1975 but I know this book happened to be printed in 1979, | 0:11:56 | 0:12:02 | |
so that's rather odd. | 0:12:02 | 0:12:03 | |
So, that must be one of his nines. | 0:12:03 | 0:12:05 | |
Intriguing. | 0:12:05 | 0:12:06 | |
Also if you look at his signature, | 0:12:06 | 0:12:08 | |
I don't know if you've really studied this before | 0:12:08 | 0:12:11 | |
but it has the kind of precise neatness of the man himself | 0:12:11 | 0:12:15 | |
in that it's not this artistic squiggle. | 0:12:15 | 0:12:18 | |
Signatures are all down to how collectable they are. | 0:12:18 | 0:12:22 | |
John Gielgud is such a big name still that his autograph | 0:12:22 | 0:12:26 | |
or his signed books will be very desirable, very, very desirable. | 0:12:26 | 0:12:31 | |
So, Gielgud's worth something - but how much? | 0:12:31 | 0:12:34 | |
-That now has to be worth, at auction £40 to £60. -No. | 0:12:34 | 0:12:38 | |
Yes. | 0:12:38 | 0:12:40 | |
-That's not bad, is it? -For a little book. | 0:12:40 | 0:12:42 | |
That is fantastic news. Go and have a lie down, | 0:12:42 | 0:12:45 | |
dream you're John Gielgud and we better go and do some more searching. We'll see you later on. | 0:12:45 | 0:12:50 | |
I need a lie down after that. | 0:12:50 | 0:12:52 | |
While Sharon recovers we carry on the search and our New Zealand fund | 0:12:52 | 0:12:56 | |
gets another boost from this trio of Beatrix Potter figurines | 0:12:56 | 0:13:00 | |
which Jonty values at £30 to £40. | 0:13:00 | 0:13:02 | |
And Sharon braves the attic and finds this trio of Beswick Winnie the Pooh characters. | 0:13:02 | 0:13:07 | |
They're small in size but not in value, as Jonty gives them | 0:13:07 | 0:13:10 | |
£60 to £100 price tag. | 0:13:10 | 0:13:13 | |
And we're almost finished for the day, | 0:13:13 | 0:13:15 | |
but in the dining room, Jonty's eye for quality has spotted one final lot. | 0:13:15 | 0:13:20 | |
That looks interesting. | 0:13:20 | 0:13:21 | |
A vase for you. This looks interesting here. | 0:13:21 | 0:13:24 | |
-Lovely contrasts. -Yes. | 0:13:24 | 0:13:27 | |
So, can you see on the underside here, see what that says? | 0:13:27 | 0:13:30 | |
-Yes, it says Moorcroft. -William Moorcroft, in the 20th century, | 0:13:30 | 0:13:35 | |
was one of the most prolific designers, a very influential designer | 0:13:35 | 0:13:39 | |
and he really started his business, his craft, at the turn of the century. | 0:13:39 | 0:13:44 | |
The style, the design was very art nouveau. | 0:13:44 | 0:13:49 | |
So, lots of flowers, lots of squirls, lots of organic growth | 0:13:49 | 0:13:54 | |
appearing on the side of his vases and I think that's probably | 0:13:54 | 0:13:58 | |
one of the reasons why a lot of people do like Moorcroft. | 0:13:58 | 0:14:01 | |
It's a bit like Clarice Cliff it's very, very distinctive. | 0:14:01 | 0:14:04 | |
If you want a distinctive price, | 0:14:04 | 0:14:06 | |
this small trinket tray, because that's no more than a little dressing table tray to put your jewellery on | 0:14:06 | 0:14:12 | |
on a dressing table, and this small little vase, | 0:14:12 | 0:14:16 | |
again the design is exactly the same, | 0:14:16 | 0:14:19 | |
collectively you've got in excess of £100. | 0:14:19 | 0:14:23 | |
I heard you were talking about money so we're on our way. | 0:14:23 | 0:14:26 | |
Sounds good. | 0:14:26 | 0:14:28 | |
He always sniffs around when there's money. | 0:14:28 | 0:14:31 | |
-That's understandable. -Exactly. | 0:14:31 | 0:14:32 | |
-It's an attractive subject. -What's it worth? | 0:14:32 | 0:14:35 | |
-These two little pieces of pottery here £120, £150. -Ooh. | 0:14:35 | 0:14:41 | |
-Wow. -How about that? | 0:14:41 | 0:14:43 | |
That's considerable. | 0:14:43 | 0:14:44 | |
That's very surprising. | 0:14:44 | 0:14:46 | |
-It's Moorcroft. It's wonderful. -£120. | 0:14:46 | 0:14:49 | |
We've doing a bit of adding up. Well, we reckon if you go to auction | 0:14:49 | 0:14:54 | |
and get the right prices we've raised a grand total today of £680. | 0:14:54 | 0:15:04 | |
That's going to be great, such a help. | 0:15:04 | 0:15:06 | |
-If it sells, it will be fantastic. -We've got to sell everything for that. | 0:15:06 | 0:15:10 | |
-Yes, of course. -Worth all that rummaging around, then? -Yes. | 0:15:10 | 0:15:14 | |
-Certainly was, that'll be a great help to you won't it. -Really good. | 0:15:14 | 0:15:19 | |
Yes, our day's rummaging through Sharon's cosy home has really paid off, | 0:15:19 | 0:15:23 | |
giving us an impressive haul of items to send to auction. | 0:15:23 | 0:15:27 | |
We've got the colourful Venetian glass casket, | 0:15:27 | 0:15:30 | |
which we're hoping will fetch a sparkling £100 to £150. | 0:15:30 | 0:15:34 | |
The highly collectable Moorcroft vase and tray | 0:15:34 | 0:15:37 | |
with a sizeable £120 to £150 estimate. | 0:15:37 | 0:15:40 | |
And who could forget the quirky and nostalgic Chitty Chitty Bang Bang car | 0:15:40 | 0:15:44 | |
which, despite a bit of damage, | 0:15:44 | 0:15:46 | |
Jonty still valued at £40 to £60. | 0:15:46 | 0:15:49 | |
Still to come on Cash In The Attic, | 0:15:49 | 0:15:52 | |
Jonty is not feeling the love for the saleroom. | 0:15:52 | 0:15:55 | |
No-one in the room liked it. | 0:15:55 | 0:15:56 | |
-They've got no taste. -They haven't. | 0:15:56 | 0:15:58 | |
But he seems to have made it into Sharon's good books. | 0:15:58 | 0:16:01 | |
£10, we can take you out for a drink. | 0:16:01 | 0:16:05 | |
So, let's hope we're all still smiling | 0:16:05 | 0:16:07 | |
when the final hammer falls. | 0:16:07 | 0:16:09 | |
It's been a couple of weeks since we met Sharon and Peter | 0:16:14 | 0:16:16 | |
when we found some great collectables to bring here | 0:16:16 | 0:16:19 | |
to the Chiswick Auction Rooms in West London. | 0:16:19 | 0:16:21 | |
Now, if you remember they want to raise £600 to reunite a family | 0:16:21 | 0:16:25 | |
on an adventure packed holiday. | 0:16:25 | 0:16:27 | |
So, let's hope their lots really take off as they go under the hammer. | 0:16:27 | 0:16:32 | |
It's looking busy in the saleroom, | 0:16:32 | 0:16:34 | |
so I hope that bodes well for Sharon and Peter's items. | 0:16:34 | 0:16:38 | |
Before it all gets going though, I catch up with our Jonty Hearnden | 0:16:38 | 0:16:41 | |
for a quick pre-sale chat. | 0:16:41 | 0:16:43 | |
-Jonty, good to see you. -Chris, how are you? -I'm very well. | 0:16:43 | 0:16:46 | |
I see you're admiring the casket belonging to the White family. | 0:16:46 | 0:16:49 | |
-Have you seen them yet? -No, I haven't | 0:16:49 | 0:16:51 | |
but I've been admiring some of their items in auction. | 0:16:51 | 0:16:54 | |
This is particularly lovely. | 0:16:54 | 0:16:55 | |
And one of the things I was looking out for was the book. | 0:16:55 | 0:16:58 | |
John Gielgud you don't get more dramatic than that. | 0:16:58 | 0:17:01 | |
What a wonderful thing to have | 0:17:01 | 0:17:02 | |
and to have his signature in the front of the book, is really good. | 0:17:02 | 0:17:06 | |
Well, better get into the auction. | 0:17:06 | 0:17:09 | |
Well, Jonty's sounding positive | 0:17:09 | 0:17:11 | |
and I hope his enthusiasm rubs off on our father and daughter duo. | 0:17:11 | 0:17:15 | |
Hello, Sharon, Peter, how are you? | 0:17:15 | 0:17:18 | |
The moment has arrived. We are at the auction rooms. | 0:17:18 | 0:17:21 | |
-How are you feeling? -Quite excited. | 0:17:21 | 0:17:23 | |
Yes, dying to see what happens. | 0:17:23 | 0:17:26 | |
-You are just looking at this for the last time, are you? -This Moorcroft is very attractive. | 0:17:26 | 0:17:30 | |
Now, have we got everything that we looked at from your house? | 0:17:30 | 0:17:33 | |
We haven't brought the Chitty Chitty Bang Bang | 0:17:33 | 0:17:36 | |
because Oscar was quite attached to that. | 0:17:36 | 0:17:39 | |
-So, we left that behind. -So, let me get this straight - it's £600 you want to raise today, isn't it? | 0:17:39 | 0:17:45 | |
-Yes. -Because you want to go off on this madcap adventure holiday in New Zealand, right? | 0:17:45 | 0:17:50 | |
-Yes. -With the two children. | 0:17:50 | 0:17:51 | |
-But not with you? -Not me. | 0:17:51 | 0:17:53 | |
I wanted to doubly make sure you hadn't changed your mind. | 0:17:53 | 0:17:56 | |
A lot of expectation, as you can probably hear the auction is under way | 0:17:56 | 0:18:00 | |
so we better get in there. | 0:18:00 | 0:18:02 | |
If you are buying or selling at auction, remember that charges such as commission | 0:18:04 | 0:18:08 | |
will be added to your bill. So, make sure you check the details | 0:18:08 | 0:18:11 | |
with your local saleroom. | 0:18:11 | 0:18:13 | |
We get into position as our first lot of the day comes under the hammer, | 0:18:13 | 0:18:17 | |
that's the signed John Gielgud book which Jonty valued at £40 to £60. | 0:18:17 | 0:18:21 | |
An Actor And His Time, autobiography of John Gielgud, signed by the author. | 0:18:21 | 0:18:26 | |
£20 for that? 15 to start me then, at 15... | 0:18:26 | 0:18:29 | |
Is it 18? 18 I'm bid... 20... 22... | 0:18:29 | 0:18:32 | |
25... 28... £30... 35... | 0:18:32 | 0:18:35 | |
At £35 to buyer 398. | 0:18:35 | 0:18:37 | |
At 35 and selling now. | 0:18:37 | 0:18:39 | |
-That's good. -It's money in the bank. -It's a dolphin trip. | 0:18:39 | 0:18:43 | |
It's real stuff. | 0:18:43 | 0:18:45 | |
Sharon's clearly keeping her eye on the target | 0:18:45 | 0:18:48 | |
and the book gives us our first step | 0:18:48 | 0:18:50 | |
towards the £600 she needs to go to New Zealand. | 0:18:50 | 0:18:52 | |
Next up is the trio of Beswick Winnie the Pooh figurines | 0:18:52 | 0:18:56 | |
which Jonty valued at £60 to £100. | 0:18:56 | 0:19:00 | |
30 to start me? At £30... 35... Is it 40 now... | 0:19:00 | 0:19:03 | |
£40 I'm bid... | 0:19:03 | 0:19:05 | |
45... | 0:19:05 | 0:19:06 | |
50 if you like... | 0:19:06 | 0:19:08 | |
At £45. 48? Can I tempt you, madam? | 0:19:08 | 0:19:10 | |
You're a sport. | 0:19:10 | 0:19:11 | |
48, I'm bid. | 0:19:11 | 0:19:13 | |
At 48 and 50 in a new place. At £50. | 0:19:13 | 0:19:15 | |
52 I'm taking, 55. 55, I'm bid. At £55, any advance on 55, going. | 0:19:15 | 0:19:22 | |
BANGS GAVEL | 0:19:22 | 0:19:23 | |
£55, that's great. | 0:19:23 | 0:19:24 | |
Just under but that's OK. | 0:19:24 | 0:19:27 | |
A new home for the figurines | 0:19:27 | 0:19:29 | |
and another £55 into the New Zealand fund. | 0:19:29 | 0:19:32 | |
We're all happy with that. | 0:19:32 | 0:19:33 | |
And our good mood continues when the Art Nouveau books | 0:19:33 | 0:19:36 | |
bank us another few pounds. | 0:19:36 | 0:19:39 | |
Any further bids on £40? Going for 40. | 0:19:39 | 0:19:42 | |
Again selling under Jonty's low end estimate, | 0:19:42 | 0:19:46 | |
the bidders seem to be a pretty savvy crowd today | 0:19:46 | 0:19:48 | |
but it would be nice to see them getting a bit more excited | 0:19:48 | 0:19:50 | |
about some of our lots. | 0:19:50 | 0:19:52 | |
Maybe the miniature paintings will get us our first big result. | 0:19:52 | 0:19:56 | |
Now, this lot is the pair of miniatures, isn't it? | 0:19:56 | 0:19:58 | |
Quite an important lot because there's £100 floating on this, | 0:19:58 | 0:20:01 | |
or resting on this I should say. | 0:20:01 | 0:20:03 | |
£40 here. | 0:20:03 | 0:20:04 | |
45, 45 I'm bid. | 0:20:04 | 0:20:06 | |
50. | 0:20:06 | 0:20:08 | |
55? 55. | 0:20:08 | 0:20:09 | |
60? 65. 70? | 0:20:09 | 0:20:12 | |
75? £80. | 0:20:12 | 0:20:15 | |
No more? | 0:20:15 | 0:20:17 | |
At £80 against you. At £80, at 80. | 0:20:17 | 0:20:19 | |
85, anybody else? | 0:20:19 | 0:20:20 | |
-Any more? -BANGS GAVEL | 0:20:20 | 0:20:21 | |
Pass the lot then. | 0:20:21 | 0:20:22 | |
Unsold, that's definitely not the way we wanted the saleroom to go | 0:20:22 | 0:20:26 | |
and we're starting to get a bit concerned | 0:20:26 | 0:20:28 | |
when the quirky snuff box also struggles to find a new home. | 0:20:28 | 0:20:31 | |
Any further bids above £20? | 0:20:31 | 0:20:33 | |
No more interest. | 0:20:33 | 0:20:35 | |
Oh, no. | 0:20:35 | 0:20:37 | |
-That's disappointing, Jonty. -Nobody in the room liked it. | 0:20:37 | 0:20:40 | |
-Nobody liked it. -They've got no taste. -They haven't. | 0:20:40 | 0:20:43 | |
I think our expert had taken rather a shine to that little lot. | 0:20:43 | 0:20:46 | |
Anyway back to business, we're halfway through the sale | 0:20:46 | 0:20:49 | |
and we're a long way short of our £600 target. | 0:20:49 | 0:20:53 | |
But don't panic - next up is another of Jonty's favourite items. | 0:20:53 | 0:20:58 | |
I particularly like the butter dish in its original case, beautiful. | 0:20:58 | 0:21:01 | |
And the silver cases, they are relatively unusual too, | 0:21:01 | 0:21:05 | |
I like the plain one as well. | 0:21:05 | 0:21:06 | |
I'm hoping this is a dealer's lot are they're gonna sell and sell well. | 0:21:06 | 0:21:11 | |
£100 is what we need. | 0:21:11 | 0:21:12 | |
Come on! Come on, something here. | 0:21:12 | 0:21:15 | |
The silver shell-shaped butter dish and knife, | 0:21:15 | 0:21:18 | |
which is boxed, and two silver cigarette cases. | 0:21:18 | 0:21:21 | |
£40 to start me for those, at £40. | 0:21:21 | 0:21:23 | |
£40 I have here. 45. 50. | 0:21:23 | 0:21:25 | |
55, £60, 65, £70. | 0:21:25 | 0:21:28 | |
75, £80, 85. | 0:21:28 | 0:21:30 | |
85, the bidder is seated on the front row. £90 I have. | 0:21:30 | 0:21:34 | |
95. 100. 110. 120. | 0:21:34 | 0:21:37 | |
120 with buyer 220. At £120, any further bids? 120. | 0:21:37 | 0:21:42 | |
That's good, that's good. That's really good. | 0:21:42 | 0:21:44 | |
At last! That was the first of our items to cause a stir | 0:21:44 | 0:21:48 | |
and it's banked us an excellent £120. | 0:21:48 | 0:21:51 | |
If only we had more silver to sell. | 0:21:51 | 0:21:53 | |
Instead we try our luck with the Moorcroft vase and tray, | 0:21:53 | 0:21:56 | |
which Jonty valued at £120 to £150. | 0:21:56 | 0:22:00 | |
£100 for them? 50 to start me. 55? | 0:22:01 | 0:22:05 | |
Is it 60 now for lot 139A? | 0:22:05 | 0:22:07 | |
At £55. Can I take 60 for the Moorcroft? | 0:22:07 | 0:22:10 | |
£60 I'm bid. 65. | 0:22:10 | 0:22:12 | |
£70, 75. | 0:22:12 | 0:22:14 | |
At 75, Against you at 75. | 0:22:14 | 0:22:16 | |
Any advance on 75? | 0:22:16 | 0:22:18 | |
I can't sell them for that. | 0:22:18 | 0:22:20 | |
I was over optimistic. | 0:22:22 | 0:22:23 | |
There's usually nothing wrong with a bit of optimism, | 0:22:23 | 0:22:26 | |
but auctions can be unpredictable at the best of times | 0:22:26 | 0:22:29 | |
and today's no exception. | 0:22:29 | 0:22:30 | |
And our rollercoaster ride continues | 0:22:31 | 0:22:33 | |
as the Beatrix Potter figurines go under the hammer. | 0:22:33 | 0:22:36 | |
15 for those and 18. | 0:22:36 | 0:22:38 | |
At £18. Can I take 20 for the figures? Any advance on £18? | 0:22:38 | 0:22:43 | |
Anybody want them for 20? No? | 0:22:43 | 0:22:45 | |
BANGS GAVEL | 0:22:45 | 0:22:46 | |
Unsold. | 0:22:46 | 0:22:48 | |
That's the fourth item heading back to Surrey. | 0:22:48 | 0:22:51 | |
It's not looking good. | 0:22:51 | 0:22:52 | |
We've only got one item left to try its luck in the saleroom. | 0:22:52 | 0:22:56 | |
You've got high hopes for this. | 0:22:58 | 0:22:59 | |
Yeah, I really like it, I think it should sell well. | 0:22:59 | 0:23:03 | |
Remember, we don't have the handles on the side, | 0:23:03 | 0:23:05 | |
so that might be an issue. | 0:23:05 | 0:23:06 | |
-So cross your fingers. -OK. | 0:23:06 | 0:23:09 | |
-I'm full of confidence. Are you ready for this one? -Yes. -Come on! | 0:23:09 | 0:23:12 | |
£40 for that, at £40. | 0:23:12 | 0:23:14 | |
£45. £50. 55? | 0:23:14 | 0:23:16 | |
£60, 65. | 0:23:16 | 0:23:18 | |
£70, 75. | 0:23:18 | 0:23:20 | |
£80, 85. £90, 95. | 0:23:20 | 0:23:22 | |
100. | 0:23:22 | 0:23:24 | |
£100 I have in the door. | 0:23:24 | 0:23:26 | |
110, 120 I hear. | 0:23:26 | 0:23:27 | |
130, 140. 150. | 0:23:27 | 0:23:29 | |
160, 170. 180. | 0:23:29 | 0:23:33 | |
180 I have, lady's bid. 190. | 0:23:33 | 0:23:35 | |
200. | 0:23:35 | 0:23:37 | |
220. 220, lady's bid. | 0:23:37 | 0:23:38 | |
240? 240 with 289. | 0:23:38 | 0:23:41 | |
260 with 270. | 0:23:41 | 0:23:43 | |
280. 300. 320. | 0:23:43 | 0:23:45 | |
340 if you like. It's at 340. 360. | 0:23:47 | 0:23:50 | |
380 is that? At 360 then with buyer 289. | 0:23:50 | 0:23:53 | |
-At £360, going. -BANGS GAVEL | 0:23:53 | 0:23:55 | |
Yes! | 0:23:55 | 0:23:56 | |
I wanna kiss you. | 0:23:56 | 0:23:58 | |
That is brilliant. I won't kiss you, but that is brilliant. | 0:23:59 | 0:24:02 | |
Thank you, that's fantastic. | 0:24:02 | 0:24:04 | |
That's my car hire in New Zealand. So that's fantastic. | 0:24:04 | 0:24:08 | |
Wow, selling for over double Jonty's highest estimate | 0:24:08 | 0:24:12 | |
the casket has exceeded all expectations. | 0:24:12 | 0:24:15 | |
But will that last minute success be enough to save our final total? | 0:24:15 | 0:24:19 | |
-OK, we've had a good time, haven't we? -We have. It's been fantastic. | 0:24:19 | 0:24:23 | |
A bit of a drama though, serious drama. | 0:24:23 | 0:24:25 | |
We've been up and down, sideways and round. | 0:24:25 | 0:24:29 | |
Let me just get this right. You wanted £600 didn't you? | 0:24:29 | 0:24:32 | |
-Yes. I did. -To raise money towards your trip to New Zealand. -Yes. | 0:24:32 | 0:24:36 | |
We did, as we said, have a few ups and downs. | 0:24:36 | 0:24:39 | |
The exact total you have raised is £610. | 0:24:39 | 0:24:45 | |
Really? I didn't think we'd got it. That's fantastic, thank you so much. | 0:24:45 | 0:24:49 | |
-Oh, well done. -Thank you so much. | 0:24:49 | 0:24:51 | |
Do I get a kiss as well? | 0:24:51 | 0:24:52 | |
That's fantastic. | 0:24:52 | 0:24:54 | |
And you've got £10 to spare. | 0:24:54 | 0:24:57 | |
£10, we could take you out for a drink. | 0:24:57 | 0:24:59 | |
LAUGHTER | 0:24:59 | 0:25:00 | |
Two weeks later Sharon's brought sons Oscar and Theo | 0:25:04 | 0:25:08 | |
to Poole in Dorset for some water sports practice | 0:25:08 | 0:25:10 | |
in preparation for their action-packed trip to New Zealand. | 0:25:10 | 0:25:14 | |
We had a great time on the show, | 0:25:14 | 0:25:16 | |
we raised some money which means we can go to New Zealand | 0:25:16 | 0:25:19 | |
and actually really enjoy it, have a fantastic time out there. | 0:25:19 | 0:25:22 | |
And with kite surfing this family's sport of choice, | 0:25:22 | 0:25:26 | |
it's time to commence training - on dry land at first. | 0:25:26 | 0:25:29 | |
So the position you want to be in is knees nice and bent. | 0:25:29 | 0:25:33 | |
Arms straight and they wanna be wrapped around your knees. | 0:25:33 | 0:25:36 | |
But before long, it's time to take to the water. | 0:25:38 | 0:25:40 | |
Oscar's first to brave the wakeboard, | 0:25:40 | 0:25:42 | |
and after a shaky start he turns out to be a bit of a natural. | 0:25:42 | 0:25:47 | |
The eldest, Oscar, has managed to get up on the water with his board | 0:25:47 | 0:25:54 | |
and successfully stay on for a real good length of time | 0:25:54 | 0:25:58 | |
and he's absolutely thrilled to bits. | 0:25:58 | 0:26:00 | |
Well, Peter's certainly a proud granddad | 0:26:00 | 0:26:03 | |
and once the family perfect their balance | 0:26:03 | 0:26:05 | |
they can move onto training for the kite surfing. | 0:26:05 | 0:26:08 | |
Hopefully in time for their New Zealand trip. | 0:26:08 | 0:26:10 | |
It's going to be so exciting for the boys | 0:26:10 | 0:26:13 | |
to be out there doing all this outdoor sports, | 0:26:13 | 0:26:16 | |
going up glaciers, kayaking and windsurfing. | 0:26:16 | 0:26:19 | |
We're just gonna have the time of our lives. | 0:26:19 | 0:26:22 | |
What a result and what a family. | 0:26:25 | 0:26:29 | |
I hope Sharon has wind in her sails all the way to New Zealand. | 0:26:29 | 0:26:34 | |
Now, if you want to raise some money for something special | 0:26:34 | 0:26:37 | |
and you think you might have some valuables hidden in your house, | 0:26:37 | 0:26:40 | |
why don't you contact us? All the details are online at - | 0:26:40 | 0:26:44 | |
But for now that's it from us. | 0:26:44 | 0:26:46 | |
Good luck and see you next time on Cash in the Attic. | 0:26:46 | 0:26:48 | |
Subtitles by Red Bee Media Ltd | 0:27:03 | 0:27:07 | |
E-mail [email protected] | 0:27:07 | 0:27:12 |