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Welcome to Cash In the Attic, searching out your hidden treasures and selling them at auction. | 0:00:02 | 0:00:08 | |
Today I'm in Oxfordshire and before I get to our final destination, | 0:00:08 | 0:00:12 | |
I've stopped off here to look at one of our finest and most glorious landmarks. | 0:00:12 | 0:00:18 | |
Blenheim Palace is the birthplace of Winston Churchill and home to the 11th Duke of Marlborough. | 0:00:18 | 0:00:24 | |
Built between 1705 and 1724, during the reign of Queen Anne, | 0:00:24 | 0:00:28 | |
it was given to John Churchill as a gift after the Battle of Blenheim. | 0:00:28 | 0:00:33 | |
Set in 2,100 acres, it is surrounded by stunning, sweeping lawns, | 0:00:33 | 0:00:38 | |
a magnificent lake and beautiful formal gardens, designed by Capability Brown. | 0:00:38 | 0:00:45 | |
So let's hope we find plenty of royal antiques that fetch regal sums under the hammer at auction. | 0:00:45 | 0:00:52 | |
'Coming up on today's show: we've got high hopes...' | 0:01:13 | 0:01:17 | |
If this was in perfect condition, you could be looking at as much as £1,000. | 0:01:17 | 0:01:23 | |
'Unearth some real finds...' | 0:01:23 | 0:01:25 | |
That's not a bad result, is it? | 0:01:25 | 0:01:28 | |
'And take a step back in time.' | 0:01:28 | 0:01:30 | |
Hercule Poirot, Agatha Christie... | 0:01:30 | 0:01:33 | |
-'But will our lots have us dancing for joy?' -Yes! | 0:01:33 | 0:01:38 | |
'All will be revealed when the final hammer falls.' | 0:01:39 | 0:01:44 | |
Today I'm in Oxfordshire | 0:01:44 | 0:01:47 | |
and I've come to meet a couple | 0:01:47 | 0:01:50 | |
who want help raising funds for some desperately needed renovations. | 0:01:50 | 0:01:55 | |
This gorgeous house in the heart of Oxfordshire is home to retired electrical engineer John Goodgame | 0:01:55 | 0:02:02 | |
and his wife Margaret. They met and married four years ago and have been renovating their new home together, | 0:02:02 | 0:02:08 | |
but the property is overflowing with their combined possessions | 0:02:08 | 0:02:12 | |
so with Margaret's sister Queenie to help, they've decided to declutter | 0:02:12 | 0:02:17 | |
and put the money towards a rather green-fingered cause. | 0:02:17 | 0:02:22 | |
-Morning, Paul. -Good morning. -I've just been to Blenheim Palace. | 0:02:22 | 0:02:26 | |
-Really? They let you in? -They did, actually! And the rest of the day will be the royal "we". | 0:02:26 | 0:02:33 | |
This looks fantastic, but I know that despite outward appearances, there's still work to be done. | 0:02:33 | 0:02:39 | |
-Let's meet the family. -All right. Let's have a look. | 0:02:39 | 0:02:44 | |
-Ah, here you all are! -Hello! -What a fantastic room. | 0:02:44 | 0:02:50 | |
-Crikey. This is a beautiful house. You're very lucky. -Thank you. | 0:02:50 | 0:02:54 | |
-So you've called in Cash In The Attic. Who's responsible for calling us in? -I did. | 0:02:54 | 0:03:00 | |
Right. OK, Margaret. Why? | 0:03:00 | 0:03:03 | |
Because we want to raise money to build a Japanese garden. | 0:03:03 | 0:03:09 | |
-Why a Japanese garden? -Well, they always intrigued me. | 0:03:09 | 0:03:13 | |
They're so alien to our type of gardens, | 0:03:13 | 0:03:17 | |
but I've seen pictures in books and, yeah, they intrigued me. | 0:03:17 | 0:03:23 | |
OK, so what sort of money are we looking for, Margaret? | 0:03:23 | 0:03:27 | |
-About £500. -Where has all the stuff come from that we'll be looking at? | 0:03:27 | 0:03:32 | |
Because we just got married, as you know, | 0:03:32 | 0:03:36 | |
it's from my house and then from John's house as well. We came to live in this house. | 0:03:36 | 0:03:43 | |
Queenie, some of the money is going towards something about your job? | 0:03:43 | 0:03:48 | |
Well, I'm a student union officer and they help a lot at the college with the student hardship fund. | 0:03:48 | 0:03:55 | |
They said they would donate some money to the student union fund. | 0:03:55 | 0:04:00 | |
Right. So we need to raise £500 to get the money for a Japanese garden, | 0:04:00 | 0:04:04 | |
-plus a donation for the student hardship fund. That sounds great. We'd better get on. -Of course. | 0:04:04 | 0:04:11 | |
Come on, then. Follow me this way. | 0:04:11 | 0:04:14 | |
With eight rooms and three old stables at our disposal, | 0:04:14 | 0:04:18 | |
we should be spoilt for choice today and who better to help us decide what to save and what to sell | 0:04:18 | 0:04:24 | |
than our very own Paul Hayes? | 0:04:24 | 0:04:27 | |
He's worked in the antiques trade all his life and is on the case. | 0:04:27 | 0:04:31 | |
Ah, hello! How are you? I'm not checking my make-up before you say anything! | 0:04:31 | 0:04:37 | |
-I found this lovely little set. It's fantastic. -It's quite nice. -It's from the golden age of travel. | 0:04:37 | 0:04:44 | |
It took a long time to get anywhere. | 0:04:44 | 0:04:48 | |
Even going from Scotland to London might take several days. | 0:04:48 | 0:04:52 | |
You needed travelling items with you. This is remarkable, actually. | 0:04:52 | 0:04:56 | |
What you have to check is the mirror. It's the most usable part. | 0:04:56 | 0:05:01 | |
If the mirrors are cracked and gone, it's quite expensive to repair. | 0:05:01 | 0:05:05 | |
-What's it actually made of? -It's ivorine, an imitation ivory. | 0:05:05 | 0:05:10 | |
Because it's a form of plastic, you can make wonderful shapes, unlike the real material. | 0:05:10 | 0:05:16 | |
This one's very Art Deco. Think of Hercule Poirot and Agatha Christie. | 0:05:16 | 0:05:21 | |
That wonderful golden era. | 0:05:21 | 0:05:23 | |
-What sort of value for this? -Quite a bit. You have two scent bottles, | 0:05:23 | 0:05:28 | |
toothpaste holder, your pastes and powders here, | 0:05:28 | 0:05:32 | |
a comb... Value-wise, £80-£150. How does that sound? | 0:05:32 | 0:05:38 | |
-That would be brilliant. -OK. Let's see what else we can find, then. | 0:05:38 | 0:05:43 | |
'We're off to a promising start. With £500 to raise, there's still a long way to go, | 0:05:43 | 0:05:49 | |
'so we need to spread out and dig deep. Paul's magpie instincts home in on a real rarity.' | 0:05:49 | 0:05:56 | |
-Margaret, who's the huntsman? -I think it's a lighter. -A lighter?! | 0:05:56 | 0:06:02 | |
-How does it work? -Em... | 0:06:02 | 0:06:05 | |
Oh, right. I see. This is clever. It uses the power of gravity. | 0:06:05 | 0:06:10 | |
As you flick it upside down, the top opens and makes the spark, hitting against the flint. | 0:06:10 | 0:06:16 | |
-Yeah. -And that burns and causes the light. That's amazing, isn't it? | 0:06:16 | 0:06:21 | |
You'd keep this on your coffee table or near your paraffin or oil lamps. | 0:06:21 | 0:06:26 | |
It's a very useful thing to have. Nowadays smoking is more taboo | 0:06:26 | 0:06:31 | |
so there's a massive market for historical items. I've never seen that before. | 0:06:31 | 0:06:37 | |
Two people might buy this - anybody interested in the history of smoking | 0:06:37 | 0:06:42 | |
-and anybody into hunting and horse racing. -Right. | 0:06:42 | 0:06:45 | |
-If I said £40-£60, how does that sound? -Yes. | 0:06:45 | 0:06:50 | |
Some bright spark will buy it! | 0:06:50 | 0:06:53 | |
'Hopefully that will burn a hole in our bidders' pockets at auction. | 0:06:53 | 0:06:58 | |
'John's hard at work next door and spots this pair of Art Deco scent bottles, | 0:06:58 | 0:07:04 | |
'which Paul packs off to auction with a very colourful price tag. | 0:07:04 | 0:07:08 | |
'We're making good progress so far. And I've spotted a rather colourful looking figurine.' | 0:07:08 | 0:07:14 | |
I think I've found something here. Very unusual figure. | 0:07:14 | 0:07:19 | |
-A bit of Doulton, is it? Quite nice. -Where's this from, John? | 0:07:19 | 0:07:24 | |
My late wife bought it from a charity shop. She did have a good eye. | 0:07:24 | 0:07:28 | |
She paid £50 for it, | 0:07:29 | 0:07:32 | |
but she knew that it was rare | 0:07:32 | 0:07:34 | |
and it would be worth a lot more. | 0:07:34 | 0:07:39 | |
I've seen a lot of Doulton figures, but never one with all these... | 0:07:39 | 0:07:44 | |
-Is she selling toys? -I think they are actually other Doulton figures. | 0:07:44 | 0:07:50 | |
Pan, the devil, a ballerina, a horse and jockey, | 0:07:50 | 0:07:54 | |
and that looks like maybe Cupid. | 0:07:54 | 0:07:57 | |
I've never seen this figure before. Normally they have a maker's name or a character's name. | 0:07:57 | 0:08:03 | |
There's no name on this one. | 0:08:03 | 0:08:06 | |
-Do you know what she's called? -Yeah, she's called the Sketch Girl. | 0:08:06 | 0:08:11 | |
-OK. Any connection with Sketch magazine? -Yes. | 0:08:11 | 0:08:14 | |
I do know my late wife was... | 0:08:14 | 0:08:17 | |
-..offered an obscene amount of money for her. -When you say an obscene amount, what sort of offer? | 0:08:18 | 0:08:26 | |
-In the late hundreds. -Crikey. | 0:08:26 | 0:08:29 | |
This was made for Sketch magazine. | 0:08:29 | 0:08:32 | |
That's almost like an endorsement. They'd have this figurine commissioned. | 0:08:32 | 0:08:38 | |
That would have meant only a few are in existence. | 0:08:38 | 0:08:43 | |
You are talking 1920s, 1930s. If this was in perfect condition, | 0:08:43 | 0:08:47 | |
you could get as much as £1,000, | 0:08:47 | 0:08:50 | |
-but this one is damaged. See? -Yes. -Her head's been off and the head of the ballerina is off as well. | 0:08:50 | 0:08:57 | |
A damaged piece has to go to auction with a realistic estimate. | 0:08:57 | 0:09:01 | |
-If I say £100, maybe £200? -At the end of the day, money is not everything. -Of course. | 0:09:01 | 0:09:08 | |
-I would have to think seriously. -I'll put it back, safe and sound. | 0:09:08 | 0:09:13 | |
I've got the easy job. You can now find something else. | 0:09:13 | 0:09:17 | |
'We'll have to wait and see if John decides to part with her, | 0:09:17 | 0:09:21 | |
'but £100 would be a much-needed addition to the gardening fund. | 0:09:21 | 0:09:26 | |
'In the meantime, the search continues. | 0:09:26 | 0:09:30 | |
'A beautiful silver mirror catches Paul's attention and is valued at £40-£60. | 0:09:30 | 0:09:36 | |
'Downstairs, Margaret spots a wooden table which will hopefully add a further £50-£80 to the kitty. | 0:09:37 | 0:09:43 | |
'After a successful morning, I whisk John and Margaret off to the garden | 0:09:43 | 0:09:49 | |
'to learn more about their plans.' How long have you lived here? | 0:09:49 | 0:09:53 | |
-We've been...two and a half years? -Yes. -Yeah. | 0:09:53 | 0:09:58 | |
-But you're from here, John? -Yeah, that's right. I was born three houses down. | 0:09:58 | 0:10:04 | |
-So... -And we built the house next door. | 0:10:04 | 0:10:09 | |
I lived there for about 30 years. | 0:10:10 | 0:10:13 | |
-And we moved here. -So how did you two meet? | 0:10:13 | 0:10:18 | |
I was cleaning the windows at his shop. He said, "Somebody's cleaning the windows!" | 0:10:18 | 0:10:25 | |
Just trying to impress the landlord. He said, "Sorry, we haven't met." | 0:10:25 | 0:10:30 | |
And that's how we started going out. | 0:10:30 | 0:10:33 | |
-So you had a beauty therapy shop and he was your landlord? -Yeah. -She asked me out on a date. | 0:10:33 | 0:10:39 | |
And I haven't had any rent since! | 0:10:39 | 0:10:42 | |
It's a lovely garden. Why decide on a Japanese garden? | 0:10:46 | 0:10:51 | |
We didn't want a typical English garden. We wanted something different. | 0:10:51 | 0:10:56 | |
I'd gathered some literature on Japanese gardens and I was drawn towards that. | 0:10:56 | 0:11:03 | |
'Let's hope our bidders are as drawn to John and Margaret's collectables. | 0:11:03 | 0:11:08 | |
'We've got a £500 target to reach. | 0:11:08 | 0:11:10 | |
'The others have been busy inside and Queenie discovers this colourful embroidered piano stool, | 0:11:10 | 0:11:16 | |
'which should hit all the right notes with this price tag. | 0:11:16 | 0:11:21 | |
'In the hall, something shiny has caught John's eye.' | 0:11:21 | 0:11:25 | |
-There you go, Paul. -Let's look. | 0:11:25 | 0:11:27 | |
-Do you know what these are? -Eh, apart from salts, no. | 0:11:27 | 0:11:32 | |
Yeah, that's exactly what they are. Salt cellars. These would go on a dining table of a wealthy family. | 0:11:32 | 0:11:39 | |
These look like solid silver. They're a very good style. Look at that. | 0:11:39 | 0:11:45 | |
See the silver hallmarks? That lion tells me it's solid silver. The other ones are quite indistinct. | 0:11:45 | 0:11:51 | |
We're looking at some time around the turn of the century, 1900. These are really stylish. | 0:11:51 | 0:11:57 | |
-They're from the Arts and Crafts movement. Heard of that? -Yes. | 0:11:57 | 0:12:02 | |
Round about 1880, 1900, there was a group of artists got together | 0:12:02 | 0:12:07 | |
to rebel against mass production. They made items like this, | 0:12:07 | 0:12:11 | |
that looked hand-beaten. They would over-emphasise that these were hand-made. | 0:12:11 | 0:12:17 | |
Those really are fantastic. A matching pair, quite collectable. | 0:12:17 | 0:12:22 | |
-I think you're looking at £100, maybe £150. -Brilliant. | 0:12:22 | 0:12:26 | |
-Is that all right? -Yeah. -But take that with a pinch of salt! | 0:12:26 | 0:12:32 | |
'With time running out, we need some top-notch finds to get a garden to be proud of. | 0:12:32 | 0:12:37 | |
'Not time to fetch your hat yet, John, as Margaret's sister, Queenie, who is helping out today, | 0:12:37 | 0:12:43 | |
'stumbles upon this attractive wooden corner cabinet. | 0:12:43 | 0:12:49 | |
'Not even the stables go unsearched today.' | 0:12:49 | 0:12:53 | |
-Paul, look at this. -Oh, a nice table. Can that go? -Not the table. | 0:12:53 | 0:12:58 | |
-The lamp. -That's lovely as well. Beautiful. Did you have a Victorian look at one point? -Yes. | 0:12:58 | 0:13:04 | |
Let's have a close look at this. | 0:13:04 | 0:13:07 | |
Ah, now then, Lorne, John, step this way. Here we are. I'm going to light up your life. | 0:13:07 | 0:13:12 | |
I found a great oil lamp. These are wonderful items from an age before we had electricity. | 0:13:12 | 0:13:20 | |
This would have been your main source of light in your house, | 0:13:20 | 0:13:25 | |
in your parlour or sitting room. | 0:13:25 | 0:13:27 | |
It adds a lovely mood lighting or a very romantic light. | 0:13:27 | 0:13:31 | |
Is that the original shade? | 0:13:31 | 0:13:34 | |
You find that people marry these up. | 0:13:34 | 0:13:37 | |
These glass shades get broken very easily. Every time you cleaned this or every time you lit it, | 0:13:37 | 0:13:43 | |
you had to take the glass shade off and it gets broken or damaged. | 0:13:43 | 0:13:47 | |
I know one gentleman who spends his life buying bits of oil lamps - | 0:13:47 | 0:13:51 | |
the shade from one lamp, the well from another - to make new lamps. | 0:13:51 | 0:13:56 | |
Lots of people threw these out. They end up in stables and sheds. | 0:13:56 | 0:14:01 | |
-So what sort of value? -This one is a very visual one. | 0:14:01 | 0:14:06 | |
You get very cheap ones for use in the kitchen. This is quite a grand one, used in a nice room. | 0:14:06 | 0:14:12 | |
That adds to its favour. I think £100-£200. It's a nice one. | 0:14:12 | 0:14:17 | |
-If we can get that, I'll laugh all the way to the bank. -Not bad for something in the shed! | 0:14:17 | 0:14:24 | |
You probably want to know how much money you may be making at auction. The total comes to £600. | 0:14:24 | 0:14:30 | |
Very good. I'm very surprised, actually. | 0:14:30 | 0:14:33 | |
I know you're in two minds about the Royal Doulton figure, but that could add another £100. | 0:14:33 | 0:14:40 | |
-So that's not bad, is it? -Very good. | 0:14:40 | 0:14:43 | |
The next time we see you will be at the auction house. 'What a fantastic result. | 0:14:43 | 0:14:48 | |
'Fingers crossed, the garden kitty and the student union fund could soon be in the money | 0:14:48 | 0:14:54 | |
'as we've got a great haul of items. | 0:14:54 | 0:14:56 | |
'There's the immaculate Art Deco ladies' grooming set valued at a respectable £80-£150. | 0:14:56 | 0:15:03 | |
'And the pair of solid silver Arts and Crafts salt cellars, | 0:15:03 | 0:15:08 | |
'complete with matching spoons, estimated at £100-£150. | 0:15:08 | 0:15:13 | |
'But doubt remains about the rare, but damaged Royal Doulton figurine. | 0:15:13 | 0:15:17 | |
'Will Paul's £100-£200 valuation persuade John to let her go to auction? Only time will tell. | 0:15:17 | 0:15:24 | |
'Still to come: our expert's at a loss to explain some of the sales.' | 0:15:24 | 0:15:30 | |
-What's going on? -I've no idea! | 0:15:30 | 0:15:32 | |
-'And resorts to cracking jokes.' -There were 10 of them, but they fell off one by one. | 0:15:32 | 0:15:40 | |
-'John may be laughing...' -I can take that home.. with the other things! | 0:15:41 | 0:15:47 | |
'but will they have reached their target when the final hammer falls?' | 0:15:47 | 0:15:52 | |
It's been a few weeks since we had a good look round John and Margaret Goodgame's property. | 0:15:56 | 0:16:02 | |
With the help of Queenie, we found lots of lovely items to bring here to auction in Sudbury. | 0:16:02 | 0:16:09 | |
They're looking to raise £500 to turn that expanse of back garden into a beautiful Japanese garden. | 0:16:09 | 0:16:17 | |
Let's hope when our items go under the hammer today, the bidders are ready to pay up. | 0:16:17 | 0:16:23 | |
The auction house is filling up and I spot Paul Hayes checking out how our items look in the sale room. | 0:16:23 | 0:16:30 | |
-I can see sparks flying and it's you! -Oh! -I love this. It's a great novelty item. | 0:16:30 | 0:16:36 | |
Yes. These can be very collectable, especially the Art Deco ones with watches in. | 0:16:36 | 0:16:42 | |
-I've had a quick scan, but I can't see that Royal Doulton figure. -It was a particularly rare one. | 0:16:42 | 0:16:49 | |
Hopefully they've brought it. We'll have to wait and see. | 0:16:49 | 0:16:53 | |
-We'll have to delve around. It's very small, as I recall. -Yes! | 0:16:53 | 0:16:58 | |
'That's going to be like looking for a needle in a haystack in here. | 0:16:58 | 0:17:03 | |
'We spot our family saying goodbye to one collectable.' | 0:17:03 | 0:17:06 | |
-Hello! -Hello! -You got here, then? I'm really pleased to see this is in. It's a lovely piece. | 0:17:06 | 0:17:13 | |
Quite unusual to be so complete. | 0:17:13 | 0:17:16 | |
More often than not, there's bits missing or, worse still, broken. But, no, that's a nice example. | 0:17:16 | 0:17:23 | |
Talking about bits that were broken, the Royal Doulton had some damage, | 0:17:23 | 0:17:28 | |
-but it was very rare. Is it something you've decided to bring or not? -I didn't bring it. | 0:17:28 | 0:17:34 | |
-I'm very undecided. -That's fine. The worst thing is to sell an item and then regret it later. | 0:17:34 | 0:17:41 | |
-It's good to be sure. -Are you looking forward to today? -Yes. -Really looking forward to it. | 0:17:41 | 0:17:47 | |
Well, it's filling up. | 0:17:47 | 0:17:49 | |
We'd better find a spot from where to see the proceedings. Follow me. | 0:17:49 | 0:17:55 | |
If you plan on heading to your local auction, be aware that commission and other charges will be added, | 0:17:55 | 0:18:01 | |
so always check the details first. | 0:18:01 | 0:18:04 | |
We take our places just in time as our first lot comes under the hammer. | 0:18:04 | 0:18:10 | |
It's a pair of silver salt dishes with matching spoons. | 0:18:10 | 0:18:14 | |
Will they be to our bidders' taste? | 0:18:14 | 0:18:17 | |
I'm starting this at 30. | 0:18:17 | 0:18:19 | |
£30 I'm bid. At 30. 5. | 0:18:19 | 0:18:22 | |
40. 5. 50. 5. | 0:18:22 | 0:18:25 | |
60. 5. 65 at the back. | 0:18:25 | 0:18:29 | |
-He might let them go for that. -At £65. | 0:18:29 | 0:18:32 | |
I'm selling at £65. | 0:18:32 | 0:18:36 | |
-That's good. -Is that all right? -Yes. | 0:18:36 | 0:18:39 | |
So the silver salt cellars fall some way short of estimate, but the family seem happy enough. | 0:18:39 | 0:18:47 | |
We've got a long way to go to make £500, so let's hope the bidders dig deep. | 0:18:47 | 0:18:52 | |
Now two green opaque bottles. They're not sitting on a wall. | 0:18:52 | 0:18:57 | |
-What do we want, Paul? -About £40. There were 10 of them, but they fell off one by one. | 0:18:57 | 0:19:03 | |
Two opaque green glass square bottles and stoppers. 20? 20 I'm bid. | 0:19:03 | 0:19:09 | |
At 20. At £20. At £20. | 0:19:09 | 0:19:12 | |
At £20. Are we all finished and done? It's a maiden bid of £20. | 0:19:12 | 0:19:19 | |
That's withdrawn. | 0:19:19 | 0:19:21 | |
-They were worth more than £20. -You're glad they didn't sell? OK. | 0:19:21 | 0:19:25 | |
'The bottles fail to find a new home, but our gardeners-to-be didn't seem to mind. | 0:19:25 | 0:19:32 | |
'Next up is our first piece of furniture.' Behind me is our next lot. You won't miss this? | 0:19:32 | 0:19:37 | |
-Not at all. -OK! In that case, let's sell it! | 0:19:37 | 0:19:42 | |
-What do you want, Paul? -About £80. -And I'm starting this at 40. | 0:19:42 | 0:19:47 | |
40 I'm bid. At 40. At £40. | 0:19:47 | 0:19:50 | |
45. 50. | 0:19:50 | 0:19:53 | |
-55. At 55. -55. -On my right at 55. | 0:19:53 | 0:19:56 | |
All finished and done with that at 55? I'm selling at £55. | 0:19:56 | 0:20:02 | |
-There you go. -Well done, Paul. -Sold it. | 0:20:03 | 0:20:06 | |
That's some way under estimate, but they seem relieved to see it sold | 0:20:06 | 0:20:12 | |
and it's a welcome addition. Next up, three Staffordshire figurines | 0:20:12 | 0:20:16 | |
which John and Margaret brought to replace the Royal Doulton lady. | 0:20:16 | 0:20:21 | |
Paul valued them at £40-£60. | 0:20:21 | 0:20:24 | |
I'm starting this at 20. £20 I'm bid. At 20. | 0:20:24 | 0:20:28 | |
-At £20. -Somebody! -It must go up. | 0:20:28 | 0:20:32 | |
Selling at £20. | 0:20:32 | 0:20:35 | |
£20 may not be megabucks, but with a somewhat sleepy sale room, every penny counts. | 0:20:35 | 0:20:42 | |
Will they be more generous for this? | 0:20:42 | 0:20:44 | |
The octagonal table has one fan! | 0:20:44 | 0:20:47 | |
This is a quality table. | 0:20:47 | 0:20:51 | |
For a conservatory or a Victorian home, this is what you look for. | 0:20:51 | 0:20:55 | |
Pretty little table. I'm starting this at 25. | 0:20:55 | 0:21:00 | |
-25 I'm bid. At £25. -No... | 0:21:00 | 0:21:03 | |
-30. -Here we go. -£30. On my right at 30. | 0:21:03 | 0:21:08 | |
At £30. Gong to let it go at £30. | 0:21:08 | 0:21:11 | |
All finished and done at £30? | 0:21:11 | 0:21:14 | |
-There you go. -That's sacrilege. -It is. -Crikey. -Needn't take it home. | 0:21:15 | 0:21:20 | |
Paul's trying to look on the bright side, but £30 is disappointing | 0:21:20 | 0:21:26 | |
and the bidders are driving a hard bargain. Not the easiest morning, | 0:21:26 | 0:21:31 | |
but maybe the silver mirror will catch their attention. Remember, we're looking for £40-£60. | 0:21:31 | 0:21:37 | |
Lot 46 is the Art Nouveau-style hand mirror, decorated with trailing flowers. | 0:21:37 | 0:21:44 | |
Birmingham, 1908. And 20. | 0:21:44 | 0:21:48 | |
£30? At £20. | 0:21:48 | 0:21:50 | |
-I can't understand that at all. -At £20. All finished and done? | 0:21:50 | 0:21:56 | |
-We'll leave that. -That's a mystery to me. I don't know why there was no interest in that. | 0:21:57 | 0:22:03 | |
Unsold is a disappointing result and we're all a bit puzzled. | 0:22:03 | 0:22:08 | |
We're over halfway through the sale, but still have a long way to go to reach the £500 for their garden, | 0:22:08 | 0:22:14 | |
so I hope things pick up. | 0:22:14 | 0:22:17 | |
The next lot is that lovely dressing table set. | 0:22:17 | 0:22:21 | |
-What price do we want? -We hope £80. | 0:22:21 | 0:22:23 | |
We'll see how it gets on. | 0:22:23 | 0:22:26 | |
And 30. £30. At 30. | 0:22:26 | 0:22:29 | |
At £30. At £30. At £30. | 0:22:29 | 0:22:32 | |
-At £30. -Has everyone gone for lunch? | 0:22:32 | 0:22:36 | |
At £30. Are you all finished and done with that at £30? | 0:22:36 | 0:22:41 | |
-Pass that over. -What's going on? -I've no idea, really. Auctions are very strange places. | 0:22:41 | 0:22:48 | |
There are loads of people here, but it's like the lights are on, but nobody's home. You know? | 0:22:48 | 0:22:55 | |
Unsold again! We're really struggling and it's a mystery. | 0:22:55 | 0:22:59 | |
Things get curiouser and they won't splash the cash on our next lot. | 0:22:59 | 0:23:03 | |
The pretty piano stool fails to reach anywhere near its price tag. | 0:23:03 | 0:23:09 | |
£40. All finished at 40? Right, we'll leave that. | 0:23:09 | 0:23:14 | |
That is an absolute shocker. | 0:23:14 | 0:23:18 | |
And we're really in the dark when the oil lamp suffers a similar fate. | 0:23:18 | 0:23:23 | |
At £70, then. All finished and done with? | 0:23:23 | 0:23:27 | |
-It's not going to sell, is it? -No, ladies and gentlemen. | 0:23:27 | 0:23:31 | |
I can take that home... with the other things! | 0:23:31 | 0:23:36 | |
Either laugh or cry, I guess. John's putting a brave face on it, but the Japanese garden is far off. | 0:23:36 | 0:23:43 | |
The sale is almost over and we've got one final item. | 0:23:43 | 0:23:46 | |
Will this finally spark the bidders' attention? | 0:23:46 | 0:23:50 | |
The next lot, I love this. The Dunhill novelty lighter. | 0:23:50 | 0:23:54 | |
Looks like a hunting horn. | 0:23:54 | 0:23:57 | |
-You wouldn't know it was a lighter. -These do very well indeed. One gentleman looked very closely. | 0:23:57 | 0:24:03 | |
-What do you want for this, Paul? -Well, £40 upwards. I hope it fetches a little bit more, but we'll see. | 0:24:03 | 0:24:09 | |
-I'm starting this at 40. 5. 50. -Yes! -5. 60. | 0:24:09 | 0:24:13 | |
5. 70. 5. 80. | 0:24:13 | 0:24:17 | |
5. 90. 5. 100. | 0:24:17 | 0:24:19 | |
And 10. 20. 30. | 0:24:19 | 0:24:22 | |
I'm out. 130. | 0:24:22 | 0:24:24 | |
At £130. | 0:24:24 | 0:24:26 | |
Are you all finished and done with at 130? | 0:24:26 | 0:24:31 | |
-Yes! -That's a great result. | 0:24:31 | 0:24:34 | |
Phew! It took a while, but at last a result to get excited about. | 0:24:34 | 0:24:38 | |
Over three times Paul's original estimate. Talk about a light at the end of the tunnel! | 0:24:38 | 0:24:44 | |
After a rollercoaster sale, how have we done? | 0:24:44 | 0:24:48 | |
The good news is some things did sell, but a lot of things didn't. | 0:24:48 | 0:24:53 | |
What are the options, then, with items that don't sell first time? | 0:24:53 | 0:24:58 | |
You have two options, really. Take them back with you or try to sell them on another day. | 0:24:58 | 0:25:04 | |
It could be just a total fluke. | 0:25:04 | 0:25:07 | |
-Now you wanted £500 to start work on this Japanese garden. We've made £300. -Oh, wow. | 0:25:07 | 0:25:14 | |
-That's not too bad. -Brilliant. | 0:25:14 | 0:25:17 | |
-Is that still going to be a help? -With £300, we could get a lot of things for the garden, | 0:25:17 | 0:25:23 | |
for a Japanese garden. It's good. | 0:25:23 | 0:25:26 | |
What we've decided to do is up the money to the student union to 50%. | 0:25:26 | 0:25:31 | |
-Oh, wow. Thank you! -That's nice, isn't it? | 0:25:31 | 0:25:35 | |
It's been a couple of weeks since John and Margaret raised £300 at auction | 0:25:40 | 0:25:46 | |
and they've wasted no time, but hold on - I thought the idea was for a Japanese garden. | 0:25:46 | 0:25:52 | |
-We made enough money to buy a fountain for the front garden. -We both chose it. | 0:25:52 | 0:25:59 | |
I really like it. John liked another one, but I liked this one, so he bought it for me. | 0:25:59 | 0:26:05 | |
What a gentleman! So with Margaret's fountain in the front garden, | 0:26:07 | 0:26:12 | |
what's happened to John's dream of turning their back garden into a Japanese oasis? | 0:26:12 | 0:26:18 | |
Our rear garden will be ongoing, probably for another 12 months! | 0:26:18 | 0:26:23 | |
So, yeah, when it's all finished, it will look good. | 0:26:23 | 0:26:29 | |
I do hope John and Margaret, over time, achieve their visions of an Oriental landscape. | 0:26:29 | 0:26:35 | |
If you've got something to raise money for, a special project or a trip away, | 0:26:39 | 0:26:45 | |
fill in a form to come on Cash In The Attic. | 0:26:45 | 0:26:50 | |
We'll see you again next time. | 0:26:50 | 0:26:52 | |
Subtitles by Subtext for Red Bee Media Ltd - 2008 | 0:26:59 | 0:27:04 | |
Email [email protected] | 0:27:04 | 0:27:07 |