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Welcome to Cash in the Attic, the programme that joins you in the hunt for hidden valuables around | 0:00:01 | 0:00:06 | |
your home and then sells them with you at auction. | 0:00:06 | 0:00:09 | |
Today I am in the very beautiful northern city of York | 0:00:09 | 0:00:13 | |
but I couldn't resist stopping off to take a much closer look at the very attractive Barley Hall. | 0:00:13 | 0:00:20 | |
The city isn't short of historic buildings but this is something quite special. | 0:00:20 | 0:00:25 | |
An authentic reconstruction of a medieval family house. | 0:00:25 | 0:00:29 | |
The foundations were discovered under a derelict office block in 1984. | 0:00:29 | 0:00:33 | |
And today form the basis of this wonderful living museum. | 0:00:33 | 0:00:38 | |
These discoveries relate to a period in York's history that goes back almost 600 years. | 0:00:40 | 0:00:46 | |
And we are about to uncover a few treasures of our own right now as we head off to our next location, | 0:00:46 | 0:00:52 | |
though I suspect they will be on a rather smaller scale than this. | 0:00:52 | 0:00:57 | |
Coming up on today's Cash In The Attic some rather unexpected finds. | 0:01:18 | 0:01:23 | |
You've had it all these years and that's the first time you've seen it. | 0:01:23 | 0:01:26 | |
I can't believe that. | 0:01:26 | 0:01:28 | |
I'm having to keep our expert in line. | 0:01:28 | 0:01:32 | |
-Paul? -Yes. Oh, dear me, my ears. | 0:01:32 | 0:01:36 | |
And some unbelievable results at auction. | 0:01:36 | 0:01:38 | |
-Gosh. -Do you know what that is, record price, that's amazing? | 0:01:38 | 0:01:44 | |
Let's hope we'll all still be smiling when the final hammer falls. | 0:01:44 | 0:01:49 | |
I'm on way to meet a mother and daughter | 0:01:49 | 0:01:52 | |
who have called in the Cash In The Attic team | 0:01:52 | 0:01:54 | |
because they would like to have a taste of la vie francaise, oo la la. | 0:01:54 | 0:01:58 | |
This large semi on the outskirts of York is home to Claire Winstanley | 0:01:58 | 0:02:02 | |
and her daughter Tamsin, who is a singer and aspiring actress. | 0:02:02 | 0:02:07 | |
Claire is partially deaf which led her to choosing a career as a special needs teacher | 0:02:07 | 0:02:11 | |
and she now works with dyslexic pupils at a sixth form college. | 0:02:11 | 0:02:15 | |
She's a self confessed hoarder but with a rather special European trip | 0:02:15 | 0:02:19 | |
on the horizon, she wants to turn some of the treasures into tickets. | 0:02:19 | 0:02:25 | |
-Good morning, Paul. -Good morning, Angela, how are you? -I'm really good. | 0:02:25 | 0:02:28 | |
Isn't York the most wonderful city with its cathedral, its history and all that varied architecture? | 0:02:28 | 0:02:34 | |
Do you know there is something for everybody in York? | 0:02:34 | 0:02:37 | |
It's a fantastic day out whatever age you are and my kids love it. | 0:02:37 | 0:02:40 | |
-It's near to my home, which is great. -The other side of the Pennines. -Other side, exactly, two hours away. | 0:02:40 | 0:02:45 | |
-And we've got some wonderful things we are going to see today. -Great, OK. | 0:02:45 | 0:02:49 | |
Shall we go and meet the family? | 0:02:49 | 0:02:51 | |
-Morning, Claire, Tamsin, hi. -Morning. -Or should I say, "Bonjour, mesdames"? | 0:02:55 | 0:02:58 | |
Bonjour, Angela. | 0:02:58 | 0:03:00 | |
-I guess you want to be off to Paris, don't you? -We do. | 0:03:00 | 0:03:03 | |
Now, I'm going to ask you about that in just a moment, but if you are going to go to Paris, | 0:03:03 | 0:03:07 | |
how can Cash In The Attic help you to get there? | 0:03:07 | 0:03:09 | |
Well, as Tamsin will tell you, I'm such a hoarder, I've got so much stuff | 0:03:09 | 0:03:13 | |
in the attic, around the house, and so I'm really trying to streamline and get rid of some things. | 0:03:13 | 0:03:19 | |
So, why Paris in particular? | 0:03:19 | 0:03:21 | |
Well, it was my 50th birthday a couple of years ago and we planned to do something a bit different | 0:03:21 | 0:03:25 | |
and we thought we'd go to Paris but then Tamsin was working down in Devon so we couldn't go, | 0:03:25 | 0:03:30 | |
so this is it, a couple of years later, we're treating ourselves. | 0:03:30 | 0:03:33 | |
And we really want to go to Disneyland Paris, so we thought we'd go there. | 0:03:33 | 0:03:38 | |
Your mum's the big kid in the family really, isn't she? | 0:03:38 | 0:03:40 | |
-She is definitely. -I don't hear the words retail therapy here, does that come into it too, Paris? | 0:03:40 | 0:03:46 | |
Of course it does, definitely, definitely. | 0:03:46 | 0:03:49 | |
And how much is all this going to cost? | 0:03:49 | 0:03:51 | |
Well, if you add in the retail therapy it's going to cost hundreds, so £500. | 0:03:51 | 0:03:55 | |
Well, I think we should not chercher la femme but chercher le Paul and get him to work, come on! | 0:03:55 | 0:04:03 | |
Getting Claire and Tamsin some quality time on the Continent is | 0:04:03 | 0:04:07 | |
a wonderful idea so we need to get down to the business of rummaging. | 0:04:07 | 0:04:10 | |
Leading the search today is our expert Paul Hayes. | 0:04:10 | 0:04:14 | |
He's been working in the antiques trade all his life and we find him in the dining room. | 0:04:14 | 0:04:20 | |
-Ah, now then, hello. -Hi. How are you all right? | 0:04:22 | 0:04:24 | |
I told you he'd be hard at work and he's found, is that the smallest | 0:04:24 | 0:04:28 | |
chest of drawers you've got in the house, is it? Where did you get it? | 0:04:28 | 0:04:33 | |
The first flat that my husband and I lived in belonged to this doctor | 0:04:33 | 0:04:36 | |
and she very kindly gave us this as a wedding present, | 0:04:36 | 0:04:40 | |
but it hasn't had a place and it's just sat in the attic for all this time | 0:04:40 | 0:04:44 | |
so I think it needs to go to a better home. | 0:04:44 | 0:04:46 | |
Well, you hit the nail on the head when you mentioned the medical profession. | 0:04:46 | 0:04:50 | |
This is an apothecary set and this is exactly the sort of thing you would find in the early 19th century. | 0:04:50 | 0:04:56 | |
And this would belong to an early form of doctor. | 0:04:56 | 0:04:59 | |
We are so used to now having doctors, the medical profession | 0:04:59 | 0:05:02 | |
having a role each, you'd have a surgeon, a doctor, a pharmacist. | 0:05:02 | 0:05:05 | |
This really goes back to a different time, this was almost quack medicine. | 0:05:05 | 0:05:10 | |
So you would have somebody who would go round, he would diagnose your illness, | 0:05:10 | 0:05:14 | |
he would prescribe something for you, he would have all the implements | 0:05:14 | 0:05:18 | |
you would need to conduct an operation | 0:05:18 | 0:05:20 | |
but also at the same time he would sell you an ounce of tobacco or sweets or something like. | 0:05:20 | 0:05:25 | |
An early pharmacist, if you like. | 0:05:25 | 0:05:27 | |
The outside looks a lot bigger than the inside. | 0:05:27 | 0:05:31 | |
Now then, you spotted it. | 0:05:31 | 0:05:33 | |
In here there's a secret compartment, did you know that? | 0:05:33 | 0:05:36 | |
-I didn't. -OK, you might have seen it already before, there's four bottles on the front here. | 0:05:36 | 0:05:42 | |
But for the ones that are quite dangerous and perhaps a bit more expensive, | 0:05:42 | 0:05:47 | |
if I turn this round here, there's actually a secret compartment | 0:05:47 | 0:05:50 | |
-there, look at that! -You'd never know that! | 0:05:50 | 0:05:53 | |
You've had it all these years and that's the first time you've seen it! | 0:05:53 | 0:05:57 | |
And this one is mid 19th century. It's quite easily done for me today. | 0:05:57 | 0:06:00 | |
It's solid mahogany but on the top it has an inscription, "1855". | 0:06:00 | 0:06:05 | |
That's the golden era, I always think of Sherlock Holmes | 0:06:05 | 0:06:07 | |
and dimly lit streets and somebody wandering around with something like this. | 0:06:07 | 0:06:11 | |
What would that fetch if we took it auction? | 0:06:11 | 0:06:13 | |
If this was complete we are looking at a lot of money, | 0:06:13 | 0:06:16 | |
the fascination tends to be in the bottles. | 0:06:16 | 0:06:19 | |
Some of them are shaped like coffins, different signs, skull and crossbones. | 0:06:19 | 0:06:22 | |
You can imagine the interest that you get there. | 0:06:22 | 0:06:25 | |
But I think value wise you are looking towards the £100 mark, | 0:06:25 | 0:06:30 | |
-but if I said £50 to £100 to give us a chance. -That's fantastic. | 0:06:30 | 0:06:33 | |
-Great. -You'd be happy with that? | 0:06:33 | 0:06:35 | |
-I certainly would. -Well, great start. | 0:06:35 | 0:06:38 | |
£50 in the kitty already is just what the doctor ordered | 0:06:39 | 0:06:43 | |
but with a £500 target to reach, there's a way to go yet. | 0:06:43 | 0:06:46 | |
Tamsin has started her search in the garage | 0:06:46 | 0:06:50 | |
and she tots up the Paris kitty by another £40 to £80 | 0:06:50 | 0:06:54 | |
when she digs out this four piece silver plated tea set | 0:06:54 | 0:06:58 | |
by James Dixon and Son. | 0:06:58 | 0:06:59 | |
Back inside it seems Mr Hayes has spotted another shiny lot. | 0:06:59 | 0:07:05 | |
This is beautiful. Where has this little ornament come from? | 0:07:05 | 0:07:08 | |
My father used to go to these auctions on his day off with one of his friends called Reg Hall, | 0:07:08 | 0:07:13 | |
and Reg gave him this on one of their outings together, | 0:07:13 | 0:07:16 | |
and I gather it's Continental silver. | 0:07:16 | 0:07:18 | |
Well, it certainly looks like silver doesn't it? | 0:07:18 | 0:07:22 | |
Let me just have a look on the bottom. What an interesting item. | 0:07:22 | 0:07:25 | |
Yes, Continental silver. | 0:07:25 | 0:07:27 | |
I can tell that by these three numbers here. | 0:07:27 | 0:07:29 | |
930. | 0:07:29 | 0:07:31 | |
Now, Continental silver is hallmarked | 0:07:31 | 0:07:33 | |
different from what we get here in the British Isles. | 0:07:33 | 0:07:35 | |
What they tend to use is a purity mark. | 0:07:35 | 0:07:38 | |
If you can imagine if you made this from pure silver, the whole thing would collapse if you picked it up, | 0:07:38 | 0:07:43 | |
so what they have to do is mix it with a harder metal to give it its strength. | 0:07:43 | 0:07:47 | |
The ratio is represented by these three numbers, so that means it's 93% pure. | 0:07:47 | 0:07:52 | |
That's a little bit higher than what we have Britain | 0:07:52 | 0:07:56 | |
and that's a good sign it's a Continental silver item. | 0:07:56 | 0:07:59 | |
But one thing I can tell you it's been sold here in the British Isles, | 0:07:59 | 0:08:02 | |
it's been imported and the import mark here is a large letter F, | 0:08:02 | 0:08:06 | |
that means it's foreign. | 0:08:06 | 0:08:07 | |
So, it's come into this country, it's been hallmarked and resold, so it has been sold here. | 0:08:07 | 0:08:12 | |
But what a lovely example. | 0:08:12 | 0:08:13 | |
You're right, it's solid silver, and it's a Roman chariot and it's beautiful. | 0:08:13 | 0:08:17 | |
-Gorgeous. -Well, in the 19th century particularly there was | 0:08:17 | 0:08:20 | |
a fascination with anything to do with the classics and the actual style is called Neo-classical. | 0:08:20 | 0:08:25 | |
It was a rediscovery of everything in ancient Rome and Greece. | 0:08:25 | 0:08:28 | |
This style was really popular and they made lots of candlesticks | 0:08:28 | 0:08:32 | |
with Corinthian columns and Romanesque type things, | 0:08:32 | 0:08:35 | |
so I think that could create a bit of a stir actually. | 0:08:35 | 0:08:38 | |
If I was being quite conservative here, if I said at least £50 up to £100, how does that sound? | 0:08:38 | 0:08:44 | |
-For such a small item, brilliant. -OK, let's ride on. | 0:08:44 | 0:08:48 | |
With Continental silver and a Parisian target, | 0:08:49 | 0:08:52 | |
we are developing a bit of French theme today. | 0:08:52 | 0:08:55 | |
Being partially deaf has not held Claire back one bit | 0:08:55 | 0:09:00 | |
and I am keen to find out a bit more about her life in teaching. | 0:09:00 | 0:09:03 | |
Claire, you have had a very long and varied career as a teacher, | 0:09:03 | 0:09:07 | |
which has sort of taken you towards children with special needs in particular. | 0:09:07 | 0:09:11 | |
I have, I started with primary school teaching and then did some supply work at Tamsin's school. | 0:09:11 | 0:09:17 | |
And then was recommended to become a learning support teacher. | 0:09:17 | 0:09:21 | |
So, I ended up in a secondary school with seven hours of support and it gradually mushroomed | 0:09:21 | 0:09:27 | |
and I applied to run at dyslexic unit that was being set up | 0:09:27 | 0:09:31 | |
in the school, and I did that for eight years. | 0:09:31 | 0:09:34 | |
Very, very rewarding, I'm sure. | 0:09:34 | 0:09:36 | |
Very rewarding, it's lovely to be able to have relationships with the students. | 0:09:36 | 0:09:40 | |
Clearly your eldest daughter Chloe has followed in your footsteps, | 0:09:40 | 0:09:43 | |
and is a teacher but Tamsin you must have inherited the performance gene. | 0:09:43 | 0:09:47 | |
Have you always wanted to be an actress and singer? | 0:09:47 | 0:09:50 | |
Oh, I think so. I started doing ballet when I was about three. | 0:09:50 | 0:09:53 | |
Then I did my first professional production at 11 and since then, | 0:09:53 | 0:09:59 | |
I think I've been bitten by the bug, so... | 0:09:59 | 0:10:01 | |
And it's been extremely successful, cos you've had a wonderful career up until now, | 0:10:01 | 0:10:06 | |
where you've got the next stage in your career, you're a member of a girls' tribute group, | 0:10:06 | 0:10:11 | |
-Girls Aloud only you are Girls Are Loud. -Yeah, that's right. | 0:10:11 | 0:10:17 | |
-Who are you? -I'm Kimberley, the fellow Yorkshire girl. | 0:10:17 | 0:10:20 | |
But it's really good and it's with a great group of girls as well, | 0:10:20 | 0:10:24 | |
four brilliant girls that I do it with, | 0:10:24 | 0:10:26 | |
so it's really good fun actually. | 0:10:26 | 0:10:28 | |
Well, in the meantime we've got this trip to Paris being planned, | 0:10:28 | 0:10:32 | |
what's so special about Paris, Claire? | 0:10:32 | 0:10:34 | |
We really want to go to Disneyland because when the girls were small, | 0:10:34 | 0:10:37 | |
we went to America a couple of times and just loved the whole Disney experience. | 0:10:37 | 0:10:41 | |
So, I'm itching to get there again. So, we want to go to Paris. | 0:10:41 | 0:10:45 | |
Are you happy just to go to Disneyland? | 0:10:45 | 0:10:48 | |
I am definitely but I think we'll be doing a bit of shopping as well. | 0:10:48 | 0:10:52 | |
And of course you are taking your sister Chloe with you. | 0:10:52 | 0:10:55 | |
-Yes. -Is that the call of the Champs Elysees I hear? | 0:10:55 | 0:10:58 | |
No, I think it is Paul saying, "What are you lot doing, why aren't you rummaging?" | 0:10:58 | 0:11:02 | |
Otherwise we'll never get you across the Channel. Come on. | 0:11:02 | 0:11:06 | |
We need to put thoughts of croissants, coffee and shopping | 0:11:06 | 0:11:10 | |
aside now, as we need a lot more finds before we reach that £500. | 0:11:10 | 0:11:16 | |
Paul has been searching upstairs and he's certainly got money in mind | 0:11:16 | 0:11:20 | |
as he's found a gold sovereign necklace, dated 1964 | 0:11:20 | 0:11:24 | |
with a nine carat gold mount and chain. | 0:11:24 | 0:11:26 | |
We're hoping it will turn into £50 to £100 worth of cash | 0:11:26 | 0:11:30 | |
when it goes under the hammer. | 0:11:30 | 0:11:32 | |
In the kitchen Claire has dug out a set of coloured German wine glasses. | 0:11:32 | 0:11:35 | |
They add another £20 to £40 towards the Parisian trip. | 0:11:35 | 0:11:40 | |
Meanwhile, Tamsin's found another lot for our Mr Hayes' attention next door. | 0:11:41 | 0:11:46 | |
-Paul? I think I've got some treasure. -Let's have a look. | 0:11:47 | 0:11:52 | |
Look at these. Now then, do you know what these are? | 0:11:52 | 0:11:54 | |
-Sovereigns. -That's right. | 0:11:54 | 0:11:56 | |
-Are these yours? -Well, one was given to my mum from her great-aunt Dora. | 0:11:56 | 0:12:02 | |
And the other was my grandfather's so it has been passed down through the generations. | 0:12:02 | 0:12:06 | |
-So, these are family heirlooms? -Yeah. | 0:12:06 | 0:12:08 | |
Well, technically this one is a sovereign, this one is a half sovereign. | 0:12:08 | 0:12:12 | |
It's often quite difficult to tell when you find one coin at a time, | 0:12:12 | 0:12:16 | |
when you get two together like that we can see quite clearly the different sizes. | 0:12:16 | 0:12:20 | |
And the idea is that this has twice as much gold in here as this one, so it is worth twice as much. | 0:12:20 | 0:12:26 | |
But this goes back really to a time when we used to use gold as a currency. | 0:12:26 | 0:12:30 | |
Now, when we go on holiday nowadays, we have credit cards and paper money. | 0:12:30 | 0:12:35 | |
At this time the only recognised currency that you could get if you were trading with India or Africa | 0:12:35 | 0:12:40 | |
or Indonesia, something like that, the only currency you could actually use was gold, | 0:12:40 | 0:12:44 | |
it was instantly recognisable. | 0:12:44 | 0:12:46 | |
But what used to happen, you'd go to your grocer's shop or your corner shop | 0:12:46 | 0:12:50 | |
and you would spend one of these. | 0:12:50 | 0:12:51 | |
And the trader would clip the edge of the coin. | 0:12:51 | 0:12:54 | |
Unscrupulously, he would just clip the edge of the coin and just put it back into circulation. | 0:12:54 | 0:12:58 | |
and what would happen at the end of the week, he'd have a little bag full of gold filings. | 0:12:58 | 0:13:02 | |
So, what they did they introduced this little edge, can you see that? | 0:13:02 | 0:13:06 | |
That's called a milled edge and that is on every coin we have today, | 0:13:06 | 0:13:09 | |
-and that prevents that sort of clipping happening. -Oh, I see. | 0:13:09 | 0:13:13 | |
Isn't that lovely? These are 22ct gold, that one weighs eight grams. | 0:13:13 | 0:13:19 | |
So at the present value it's about £5 a gram. | 0:13:19 | 0:13:21 | |
So that coin alone for scrap value is about £40 bullion price in that, | 0:13:21 | 0:13:25 | |
and about £20 bullion price in that. | 0:13:25 | 0:13:28 | |
But as nice desirable coins, they are worth a little bit more. | 0:13:28 | 0:13:32 | |
-Any idea how much they might be worth? -100? | 0:13:32 | 0:13:36 | |
I think you are getting too good at this! | 0:13:36 | 0:13:38 | |
I think you're dead right, if I put a value of £80, £120, someone would buy them as an investment, wear them, | 0:13:38 | 0:13:44 | |
-use them, keep them away and just watch them go up in value. -Excellent. | 0:13:44 | 0:13:48 | |
-Does that sound all right to you. -Brilliant, yeah. -Great. | 0:13:48 | 0:13:50 | |
'Well, the coins really were worth their weight in gold | 0:13:50 | 0:13:53 | |
'and it's another big step towards the £500 target. | 0:13:53 | 0:13:57 | |
'Meanwhile, Claire and I have been carrying on the search | 0:13:57 | 0:14:00 | |
'in another room.' | 0:14:00 | 0:14:02 | |
-So, what have we got there? -A baby's rattle. -It's a baby's rattle? | 0:14:02 | 0:14:06 | |
-Given to me on my christening. -And... | 0:14:06 | 0:14:09 | |
SHE BLOWS WHISTLE | 0:14:09 | 0:14:10 | |
..it's a whistle! Paul. | 0:14:10 | 0:14:11 | |
Yeah? Oh dear, you've hurt my ears. | 0:14:11 | 0:14:13 | |
Take a look at that, | 0:14:15 | 0:14:16 | |
-you say you got it at your christening. -Yeah. | 0:14:16 | 0:14:18 | |
-Who gave it to you? -It was given to me by an adopted great aunt | 0:14:18 | 0:14:22 | |
who used to be very fond of my father, | 0:14:22 | 0:14:24 | |
and she took us under her wing and she gave it to me on my christening. | 0:14:24 | 0:14:28 | |
Well, silver has often been given to child as a christening present, so that fits in definitely. | 0:14:28 | 0:14:33 | |
It's where the expression comes "Born with a silver spoon in your mouth", | 0:14:33 | 0:14:37 | |
so silver is often given as a christening item. | 0:14:37 | 0:14:40 | |
Now this one is solid silver and has a nice piece of coral. | 0:14:40 | 0:14:43 | |
Now that acts actually, almost like a teether, like a teething ring, | 0:14:43 | 0:14:46 | |
and sometimes they are ring shaped but this is stick shaped. | 0:14:46 | 0:14:49 | |
But that would help the child cut their teeth, they would chomp on it | 0:14:49 | 0:14:53 | |
and chew it and that would keep them amused for hours. | 0:14:53 | 0:14:55 | |
The beautiful thing about British silver is that when it's hallmarked, automatically it has a date, | 0:14:55 | 0:15:00 | |
you are able to date it to pretty much a year. | 0:15:00 | 0:15:02 | |
But what I've seen right at the bottom there | 0:15:02 | 0:15:04 | |
is a portrait of Queen Victoria, | 0:15:04 | 0:15:06 | |
and that tells me this was made while she was on the throne in her early years. | 0:15:06 | 0:15:10 | |
So, sometime 1830s, 1850s that sort of time. | 0:15:10 | 0:15:14 | |
It also looks to me, very Indian. | 0:15:14 | 0:15:17 | |
Now we know Victoria was Empress of India. | 0:15:17 | 0:15:19 | |
Would there be an Indian influence in the Victorian era in that, do you think, Paul? | 0:15:19 | 0:15:24 | |
Of course, Queen Victoria was the fashion leader at the time with her being the Empress of India. | 0:15:24 | 0:15:28 | |
Of course there were lots of Indian designs came onto the market, so yes. | 0:15:28 | 0:15:32 | |
But it is British silver, it's not been made in India. | 0:15:32 | 0:15:35 | |
-It is a British example. -So, what sort of value might you put on it? | 0:15:35 | 0:15:38 | |
Well, that's a nice example. It's nice that the coral has survived. | 0:15:38 | 0:15:42 | |
Sometimes these are replaced by bits of mother of pearl or bits of ivory, | 0:15:42 | 0:15:46 | |
but the coral is quite desirable and the fact that it's British silver. | 0:15:46 | 0:15:50 | |
There are two bells missing but at least £50 up to about £80. | 0:15:50 | 0:15:54 | |
Does that sound all right? | 0:15:54 | 0:15:57 | |
-Fantastic. -You'd be happy with that. | 0:15:57 | 0:15:59 | |
I certainly would. | 0:15:59 | 0:16:01 | |
I thought the coral holder was wonky and I thought it's flawed, it's a second. | 0:16:01 | 0:16:06 | |
In fact it's not that at all, it's just the shape of the coral. | 0:16:06 | 0:16:10 | |
And the fact that two of the little bells are missing | 0:16:10 | 0:16:13 | |
I thought would reduce the value, so I'm really thrilled that is raising so much, or could do. | 0:16:13 | 0:16:19 | |
'This house really is proving to be an Aladdin's cave, | 0:16:19 | 0:16:23 | |
'that's another £50 towards the trip. | 0:16:23 | 0:16:25 | |
'There's another good edition when Tamsin digs out this heart shaped pearl pendant necklace. | 0:16:25 | 0:16:31 | |
'Paul hopes that it will win the bidders' hearts at auction, | 0:16:31 | 0:16:35 | |
'and gives it a £30 to £60 price tag.' | 0:16:35 | 0:16:38 | |
Claire, with your father being a clergyman, | 0:16:38 | 0:16:40 | |
being now a retired Bishop, in fact, | 0:16:40 | 0:16:42 | |
the church in general has always had a very strong influence on your life, hasn't it, | 0:16:43 | 0:16:48 | |
but in particular, York Minster Cathedral. | 0:16:48 | 0:16:51 | |
It has. We lived in the shadow of York Minster for a number of years | 0:16:51 | 0:16:54 | |
and that was beautiful, and I went to school at one side. | 0:16:54 | 0:16:57 | |
I went to work in the Minster as well. | 0:16:57 | 0:17:00 | |
My father was given the onerous task of raising £2 million | 0:17:00 | 0:17:03 | |
when the central tower was in danger of collapse. | 0:17:03 | 0:17:06 | |
Of course, £2 million was a heck of an amount, | 0:17:06 | 0:17:09 | |
but one of the schemes they had was a minutes of history scheme, | 0:17:09 | 0:17:12 | |
where people could buy a minute of history. | 0:17:12 | 0:17:14 | |
It cost 60p, it cost 60p to run the Minster for one minute. | 0:17:14 | 0:17:19 | |
In return for this you were given a certificate and you needed a team of calligraphers, | 0:17:19 | 0:17:24 | |
and I was one of the first calligraphers there. | 0:17:24 | 0:17:26 | |
So you gained yet another skill. | 0:17:26 | 0:17:28 | |
I have and it comes in very useful. | 0:17:28 | 0:17:31 | |
I bet it does. As well as the skill you have as being a calligrapher, | 0:17:31 | 0:17:35 | |
you are also a bit of a dancer, because you love to salsa. | 0:17:35 | 0:17:38 | |
I love salsa, yeah. It's very sexy, very good for your hips as well. | 0:17:38 | 0:17:44 | |
I used to go with Chloe, we danced together and it was such fun. | 0:17:44 | 0:17:48 | |
And I just love the beat and the music and everything. | 0:17:48 | 0:17:51 | |
But I'd love to be able to dance like they do on Strictly. Beautiful. | 0:17:51 | 0:17:54 | |
Well, perhaps we can shimmy on down | 0:17:54 | 0:17:57 | |
and find Paul and see what he's up to. | 0:17:57 | 0:18:00 | |
'Dance moves aside, it's time to get our minds fixed firmly on the target | 0:18:00 | 0:18:05 | |
'as we do need a final few items before we can get the girls on their trip to France. | 0:18:05 | 0:18:10 | |
'Luckily, it seems our expert has been busy.' | 0:18:10 | 0:18:14 | |
-Tamsin? -Yeah? | 0:18:14 | 0:18:16 | |
I've found some brooches. Are these yours or your mum's? | 0:18:16 | 0:18:19 | |
They're actually my grandmother's. | 0:18:19 | 0:18:21 | |
-Really? So these are family heirlooms. -They are, yeah. | 0:18:21 | 0:18:24 | |
-Oh, right. -My grandfather used to give them to my grandmother because she actually couldn't wear necklaces | 0:18:24 | 0:18:29 | |
unless it was proper gold, so he used to buy her brooches. | 0:18:29 | 0:18:32 | |
-Do you know I've heard that story before actually. -I bet you have. | 0:18:32 | 0:18:35 | |
But people do have an allergy to semi-precious metals. | 0:18:35 | 0:18:39 | |
But amber itself is over 30 million years old. | 0:18:39 | 0:18:44 | |
-Really? -Isn't that fascinating. | 0:18:44 | 0:18:45 | |
And what happens you know all those pine forests, the pine resin, | 0:18:45 | 0:18:49 | |
what happens the actual sap from the tree over a period of years | 0:18:49 | 0:18:52 | |
-it turns into amber and that's where it comes from. -Oh, right! | 0:18:52 | 0:18:56 | |
And you do see lots of them with prehistoric insects in there, | 0:18:56 | 0:18:59 | |
because when the pine tree was growing it was very sticky, | 0:18:59 | 0:19:02 | |
and of course the insect went down the pine and it became amber, | 0:19:02 | 0:19:05 | |
and they are locked away in there for millions of years. | 0:19:05 | 0:19:08 | |
But this one is pure amber. There is nothing in there at all, it's perfect | 0:19:08 | 0:19:13 | |
and in the shape of a heart as well, | 0:19:13 | 0:19:14 | |
that's always a good typical Victorian symbol of a union or a joining. | 0:19:14 | 0:19:19 | |
I think what makes it very nice, it's every warm. The instant way to | 0:19:19 | 0:19:22 | |
tell amber, it's not like any other gemstone, it's classed really as a gemstone, but officially it isn't. | 0:19:22 | 0:19:27 | |
It's a lot warmer. Most stones are cold to the touch. | 0:19:27 | 0:19:30 | |
And this is gold mounted, of course, because only the best for your grandma. | 0:19:30 | 0:19:34 | |
But how do you feel about selling something like that? | 0:19:34 | 0:19:37 | |
Well, I think they are lovely but I don't think I'm a brooch wearer I prefer necklaces really. | 0:19:37 | 0:19:42 | |
But I think they are attractive. | 0:19:42 | 0:19:44 | |
OK, I think you are looking at least £30 to £50, something like that. | 0:19:44 | 0:19:48 | |
-Excellent. -Does that seem all right to you? -Yeah. | 0:19:48 | 0:19:51 | |
I am sure someone will love it. | 0:19:51 | 0:19:53 | |
Let's keep looking. | 0:19:53 | 0:19:54 | |
'Well, Tamsin may not be a brooch wearer but hopefully there will be some in the saleroom, | 0:19:54 | 0:20:00 | |
'as I think they are rather charming. | 0:20:00 | 0:20:02 | |
'Our search continues and I've found a rather impressive | 0:20:02 | 0:20:06 | |
'collection of coins on the landing. | 0:20:06 | 0:20:07 | |
'Paul hopes it will bank us £30 to £50 when it goes under the hammer. | 0:20:07 | 0:20:11 | |
'And Claire has made a first class addition to the kitty | 0:20:11 | 0:20:15 | |
'when she decides to part with these six albums of stamps as well. | 0:20:15 | 0:20:19 | |
'They get sent off to auction with a £50 to £100 price tag. | 0:20:19 | 0:20:24 | |
'It's nearly the end of our day's rummaging here in York, | 0:20:24 | 0:20:27 | |
'but I hope that Paul hasn't stopped work just yet.' | 0:20:27 | 0:20:30 | |
HE PLAYS PIANO | 0:20:30 | 0:20:32 | |
Paul, what do you reckon? Can we send this to auction? | 0:20:32 | 0:20:35 | |
-That's very nice, isn't it? -Yes. | 0:20:35 | 0:20:37 | |
So is this something that your mum bought or is it yours? | 0:20:37 | 0:20:40 | |
Well, apparently it's been handed down through out generations. | 0:20:40 | 0:20:44 | |
It's from my maternal grandmother, who is from Hull. | 0:20:44 | 0:20:47 | |
And apparently it's actually painted by William Penny | 0:20:47 | 0:20:49 | |
who was from Hull as well. | 0:20:49 | 0:20:51 | |
-Wow, he is actually quite famous. Is it a genuine item, do you think? -I hope so. | 0:20:51 | 0:20:56 | |
Well, there's a William Daniel Penny | 0:20:58 | 0:21:00 | |
and he was well known to be a pier head painter. | 0:21:00 | 0:21:02 | |
In other words he would stand around the harbour in Hull and | 0:21:02 | 0:21:06 | |
paint whatever boats were there at the time. | 0:21:06 | 0:21:07 | |
But he is very famous actually for doing things like steam liners and very rough seas. He was very good | 0:21:07 | 0:21:13 | |
at capturing atmosphere, so dark skies and rough seas especially on the north-east coast. | 0:21:13 | 0:21:17 | |
Very popular. But a little tip here actually. | 0:21:17 | 0:21:20 | |
It says on the front here 91 which will be 1891. | 0:21:20 | 0:21:23 | |
If I turn it round to the back, what I am looking for here | 0:21:23 | 0:21:26 | |
is to make sure that this picture has always been in this frame. | 0:21:26 | 0:21:29 | |
And the way to tell that, you can see these nails here. | 0:21:29 | 0:21:32 | |
Those are as they were in 1891 they have not been removed. | 0:21:32 | 0:21:35 | |
If those had been scratched out or bent around or altered in any way, | 0:21:35 | 0:21:39 | |
then the chances are the painting that's inside has been altered, | 0:21:39 | 0:21:42 | |
so there could have been a bit of skulduggery going on there. | 0:21:42 | 0:21:45 | |
I think that's very nice actually. | 0:21:45 | 0:21:46 | |
So, have you any idea how much you think that might be worth? | 0:21:46 | 0:21:50 | |
I'd like to say £500 but I don't know. | 0:21:50 | 0:21:52 | |
I think you would be right. | 0:21:52 | 0:21:54 | |
A genuine WD Penny is worth at least that sort of money. | 0:21:54 | 0:21:57 | |
But they did have their imitators. | 0:21:57 | 0:21:59 | |
Just in time, come on through. | 0:21:59 | 0:22:00 | |
I'm just saying about your painting here, it's beautiful, isn't it? | 0:22:00 | 0:22:04 | |
-It's lovely. -It wants a bit more further research so I'm being a bit cautious. | 0:22:04 | 0:22:08 | |
If I say sort of £80 to £120, how does that sound? | 0:22:08 | 0:22:12 | |
-Smashing. -Brilliant. -Great. | 0:22:12 | 0:22:14 | |
Another £80 to put in the pot, | 0:22:14 | 0:22:16 | |
but let's in the meantime add our £80 to what we've already looked at. | 0:22:16 | 0:22:21 | |
Your goal was £500, | 0:22:21 | 0:22:23 | |
well, with a bit of "bon chance" and quite a lot of "ooh la la", | 0:22:23 | 0:22:29 | |
we ought be able to make about £560. | 0:22:29 | 0:22:33 | |
Excellent. | 0:22:33 | 0:22:35 | |
Brilliant. | 0:22:35 | 0:22:38 | |
That'll buy a couple of extra bottles of champagne whilst you are in France. | 0:22:38 | 0:22:43 | |
'We've had a great time with the girls today, | 0:22:43 | 0:22:46 | |
'and we've got a fantastic selection of items winging their way to auction. | 0:22:46 | 0:22:51 | |
'There are the coins of all shapes and sizes | 0:22:51 | 0:22:53 | |
'with the highlight being the gold sovereign and half sovereign | 0:22:53 | 0:22:56 | |
'which Paul hopes to turn into £80 to £120. | 0:22:56 | 0:23:00 | |
'The fascinating apothecary case with the hidden compartment | 0:23:00 | 0:23:05 | |
'that Claire had never seen. | 0:23:05 | 0:23:07 | |
'We're looking for £50 to £100 for that wonderful find. | 0:23:07 | 0:23:12 | |
'And, of course there's the beautiful nautical painting | 0:23:12 | 0:23:15 | |
'that could be by WD Penny, | 0:23:15 | 0:23:16 | |
'with an £80 to £120 valuation we are hoping that it sales to success at auction.' | 0:23:16 | 0:23:22 | |
'Still to come on Cash in the Attic, | 0:23:23 | 0:23:25 | |
'our family can't believe their luck with some of their results.' | 0:23:25 | 0:23:31 | |
-Great, congratulations. -That really was yours. | 0:23:31 | 0:23:34 | |
'And some results have emotions flying sky high.' | 0:23:37 | 0:23:40 | |
Amazing. | 0:23:41 | 0:23:42 | |
Do I have to take you down off the ceiling yet? | 0:23:42 | 0:23:45 | |
'But will we have reached our target when the final hammer falls?' | 0:23:45 | 0:23:50 | |
What a lovely day we had with Claire and Tamsin at their home in the historic city of York. | 0:23:54 | 0:24:00 | |
And of course now what we're hoping is that we're going to be able to send them on a girls' weekend | 0:24:00 | 0:24:04 | |
to the glamorous city of Paris. | 0:24:04 | 0:24:07 | |
All of those lovely things that we uncovered in our rummage have been brought to sale today, here | 0:24:07 | 0:24:12 | |
at Bamford's Auction room in Derby, and with a bit of luck we'll be raising £500 towards that trip. | 0:24:12 | 0:24:18 | |
And hopefully when the hammer comes down, Claire will be saying "Je ne regrette rien". | 0:24:18 | 0:24:25 | |
'There are certainly plenty of buyers here today, | 0:24:25 | 0:24:28 | |
'so I hope that bodes well for our family's lots, | 0:24:28 | 0:24:31 | |
'as we've got a fantastic collection up for sale today. | 0:24:31 | 0:24:35 | |
'And of course Paul Hayes is here as well so hopefully he'll make sure everything goes to plan.' | 0:24:35 | 0:24:40 | |
Are you keep us all in order with that whistle today, Paul? | 0:24:40 | 0:24:43 | |
Of course. It's a nice thing, it's one of my favourite items. | 0:24:43 | 0:24:46 | |
It's a most unusual piece. I don't think I've ever seen a baby's rattle quite like that. | 0:24:46 | 0:24:50 | |
Well, the coral actually has a meaning. | 0:24:50 | 0:24:52 | |
It wards off evil spirits so hopefully it will cast a spell over some of the buyers today. | 0:24:52 | 0:24:57 | |
-Oh, you're such a romantic. -I know. | 0:24:57 | 0:24:59 | |
£500 is our total today. We should do quite well. | 0:24:59 | 0:25:01 | |
Yeah, we should. We've got some nice gold items, | 0:25:01 | 0:25:03 | |
the sovereign bits and pieces, nice gold brooch, the silver rattle, the apothecary box. I think we'll do OK. | 0:25:03 | 0:25:09 | |
Oh, I can't wait to see Claire and Tamsin's faces. | 0:25:09 | 0:25:11 | |
And got to send them off to Paris. | 0:25:11 | 0:25:13 | |
-Of course. -Oo la la, let's go find them. | 0:25:13 | 0:25:16 | |
'Let's hope the bidders are as enthusiastic about our lots as I am. | 0:25:16 | 0:25:20 | |
'The auction house is really filling up now so we need to find Claire and Tamsin before the sale gets going. | 0:25:20 | 0:25:25 | |
'I just hope our hoarder hasn't got side-tracked.' | 0:25:25 | 0:25:29 | |
Hi Claire and Tamsin, now you've got to put that back because we are here to sell. | 0:25:29 | 0:25:33 | |
-Aah, can't I buy anything? -No! Have you ever been to an auction before? | 0:25:33 | 0:25:37 | |
I haven't. Very exciting and I'm tempted to buy so much. | 0:25:37 | 0:25:41 | |
It's your things that'll be selling today and we've got some great things to sell too. | 0:25:41 | 0:25:45 | |
We've have some really nice things. | 0:25:45 | 0:25:47 | |
And I particularly like, I'd forgotten all about that lovely silver chariot. | 0:25:47 | 0:25:51 | |
Yeah, so that could go quite well today and you've got some gold items. | 0:25:51 | 0:25:55 | |
And you've put a reserve on a couple of things, haven't you? | 0:25:55 | 0:25:58 | |
Yes, the silver chariot because it was my father's and I don't want it to go for sixpence. | 0:25:58 | 0:26:02 | |
And what about you Tamsin, are you happy to see things going now? | 0:26:02 | 0:26:05 | |
Just get rid of it. More money the better. | 0:26:05 | 0:26:07 | |
Paris, here we come! | 0:26:07 | 0:26:11 | |
Well, actually before Paris we've got to head for that corner over there, | 0:26:11 | 0:26:15 | |
-because your things are about to go under the hammer. -OK. | 0:26:15 | 0:26:19 | |
'In addition to the reserve on the chariot, | 0:26:21 | 0:26:24 | |
'Claire has also put a £50 reserve on the 1960s sovereign necklace. | 0:26:24 | 0:26:29 | |
'As it is more modern than the other sovereigns, | 0:26:29 | 0:26:31 | |
'it might not prove as popular, | 0:26:31 | 0:26:33 | |
'and she wants to make sure it doesn't sell below Paul's £50 to £100 estimate. | 0:26:33 | 0:26:38 | |
'It looks like the sale is about to start, so we found a spot to watch the action unfold, | 0:26:38 | 0:26:44 | |
'and one of our most colourful lots is first up for sale.' | 0:26:44 | 0:26:47 | |
Now, there was a time when these Bohemian hock glasses were | 0:26:48 | 0:26:52 | |
very fashionable. You'd see them on everyone's dining room table. | 0:26:52 | 0:26:55 | |
That's right. They were very sophisticated items to have | 0:26:55 | 0:26:59 | |
and usually a Harlequin set, all different colours, | 0:26:59 | 0:27:02 | |
adds a bit of excitement to your wine drinking and so on. | 0:27:02 | 0:27:05 | |
And they are visual items, so I put these in at £20 to £40. Let's see how we get on. | 0:27:05 | 0:27:10 | |
And 20... 22... start 22... 25... | 0:27:10 | 0:27:12 | |
28... 30... and 2... 35... | 0:27:12 | 0:27:15 | |
38... 40... 2... | 0:27:15 | 0:27:17 | |
5... 8... 50... | 0:27:17 | 0:27:19 | |
50... no. £48 in front, at 48. | 0:27:19 | 0:27:23 | |
-That's great. -Was that ours? | 0:27:23 | 0:27:26 | |
Yes, that really was yours. | 0:27:26 | 0:27:28 | |
'Claire can't believe her luck, | 0:27:30 | 0:27:32 | |
'and it's certainly a great start to our sale. | 0:27:32 | 0:27:35 | |
'I hope the rest of our lots prove just as popular as we've got a £500 target to reach. | 0:27:35 | 0:27:41 | |
'The pair of brooches are going under the hammer next, | 0:27:41 | 0:27:45 | |
'and Paul rather hoped that the bidders would fall in love | 0:27:45 | 0:27:48 | |
'with the heart-shaped amber stone, | 0:27:48 | 0:27:50 | |
'so he gave them a £30 to £50 price tag.' | 0:27:50 | 0:27:52 | |
Again bids on this and £22 starts with me at 22... 25... 28... 30... | 0:27:52 | 0:27:58 | |
2... 35... 38... and 40... | 0:27:58 | 0:28:00 | |
40 is it, 40... and 42... | 0:28:00 | 0:28:04 | |
At the back of the room at £40, 42 anywhere, at 40. | 0:28:04 | 0:28:08 | |
Excellent. | 0:28:08 | 0:28:09 | |
-Right in the middle of your estimate, Paul! -Got one right! -Well done! | 0:28:09 | 0:28:13 | |
Teacher's going to give you a gold star before the end of the day. | 0:28:15 | 0:28:19 | |
Great, looking forward to that, my first one. | 0:28:19 | 0:28:21 | |
Another great sale, | 0:28:21 | 0:28:22 | |
'but don't let this success go to your head just yet, Mr Hayes, | 0:28:22 | 0:28:26 | |
'there's a long way to go before we get the girls their Parisian trip. | 0:28:26 | 0:28:30 | |
'Can we make it three in a row with the silver plated teaset | 0:28:30 | 0:28:33 | |
'which Claire inherited from her father?' | 0:28:33 | 0:28:36 | |
You've got, what, £40 to £80 on it? | 0:28:36 | 0:28:38 | |
Yeah, these really now are used as ornaments. | 0:28:38 | 0:28:40 | |
I mean it is very rare people will have a cup of tea out of them, but they look amazing in the cabinet. | 0:28:40 | 0:28:46 | |
So, £40 is a good buy, I think. | 0:28:46 | 0:28:48 | |
And £40 for it please, 40... | 0:28:48 | 0:28:50 | |
40 is it, 40's bid... and 2... | 0:28:50 | 0:28:52 | |
42... 45... 48... £45 | 0:28:52 | 0:28:56 | |
and standing right at the back, 45... | 0:28:56 | 0:29:00 | |
There you go, how's that? | 0:29:00 | 0:29:01 | |
£45, do you think your father would approve of that? | 0:29:01 | 0:29:04 | |
I think he would, better than sitting in the attic. | 0:29:04 | 0:29:08 | |
'That's the attitude, Claire. | 0:29:08 | 0:29:10 | |
'The family heirlooms really are coming up trumps for us today, | 0:29:10 | 0:29:13 | |
'and long may it continue as there's another of Claire's father's favourite items coming up next.' | 0:29:13 | 0:29:18 | |
We've got the silver chariot coming up now on which you've put | 0:29:18 | 0:29:22 | |
a reserve of £50, which was Paul's lowest estimate on it. | 0:29:22 | 0:29:26 | |
What do you think of this, Paul? | 0:29:26 | 0:29:27 | |
Silver is extremely collectible, bear in mind this is continental silver it doesn't really have | 0:29:27 | 0:29:32 | |
the same collectability as British silver, you can't really date it to a year, like you can here. | 0:29:32 | 0:29:37 | |
But it is such an unusual item, the chariot, | 0:29:37 | 0:29:40 | |
I have never seen one like this before, so I've said £50. | 0:29:40 | 0:29:43 | |
We are in the lap of the gods, the Roman gods in this case. | 0:29:43 | 0:29:47 | |
-And £40... for it, 40... 40...is it. -Starting at £40. | 0:29:47 | 0:29:51 | |
40... is bid and five... 50... 55... 60... 60, no. It's at 55... | 0:29:51 | 0:29:55 | |
and standing right at the back, £55. | 0:29:55 | 0:29:59 | |
There you go, that's gone. | 0:30:00 | 0:30:02 | |
-Over your reserve by £5. -Brilliant. | 0:30:02 | 0:30:05 | |
That's great, very unusual item, that. | 0:30:05 | 0:30:08 | |
-Somebody else can enjoy it. -Yes. | 0:30:08 | 0:30:10 | |
It's another step towards our £500 target, and not a bad result, | 0:30:10 | 0:30:15 | |
but it would be wonderful to see some of our lots reach their | 0:30:15 | 0:30:19 | |
highest estimates today, or even more, of course. | 0:30:19 | 0:30:23 | |
Perhaps our next family heirloom will prove even | 0:30:23 | 0:30:26 | |
more popular. Granny is helping towards | 0:30:26 | 0:30:29 | |
the trip to Paris now, because the gold chain with the lozenge pendant belonged to her, didn't it? | 0:30:29 | 0:30:36 | |
It did. I never saw her wear jewellery, but I remember when she gave it to me. | 0:30:36 | 0:30:40 | |
Not something that you would wear, then? | 0:30:40 | 0:30:42 | |
No, not anymore, so hopefully someone else can benefit from it. | 0:30:42 | 0:30:46 | |
And £22 starts. 22. 25. | 0:30:46 | 0:30:50 | |
28. And 30. And two. 35. | 0:30:50 | 0:30:54 | |
38. 40. And two. 42, is it? | 0:30:54 | 0:30:57 | |
£40 then, standing at 40. | 0:30:57 | 0:31:01 | |
-There you go. How's that? -£40! | 0:31:01 | 0:31:04 | |
Thank you, Granny! | 0:31:04 | 0:31:07 | |
Thank you! | 0:31:07 | 0:31:08 | |
We've had a steady sale so far, but none of our lots have sold sky-high. | 0:31:08 | 0:31:13 | |
As the gold sovereigns take centre stage, | 0:31:13 | 0:31:15 | |
perhaps they'll be the first to break through their top estimate. | 0:31:15 | 0:31:19 | |
Paul certainly has high hopes. | 0:31:19 | 0:31:21 | |
There are two values with sovereigns. | 0:31:21 | 0:31:23 | |
One is the coin value itself, people do collect that, but also, | 0:31:23 | 0:31:26 | |
it's gold, and gold always fluctuates with the price of the moment. | 0:31:26 | 0:31:31 | |
Gold is almost at a world-record high. | 0:31:31 | 0:31:33 | |
Put these in at £80 reserve, expect at least to get that, if not more. | 0:31:33 | 0:31:38 | |
Let's see how we get on. | 0:31:38 | 0:31:39 | |
And again there are bids on this. It starts with me at £120... | 0:31:39 | 0:31:43 | |
-120 already. -Before we even start! | 0:31:43 | 0:31:46 | |
140. 150. 160. 170. 170. | 0:31:46 | 0:31:49 | |
180. 190. 190? No. | 0:31:49 | 0:31:52 | |
190? It's on 180 on commission, then, at 180. | 0:31:52 | 0:31:57 | |
Do you know what? That is a record price, amazing! | 0:31:59 | 0:32:02 | |
Amazing! | 0:32:02 | 0:32:04 | |
Do I have to take you down off the ceiling yet?! | 0:32:04 | 0:32:08 | |
The gold coins didn't let us down, making a whopping £180. | 0:32:08 | 0:32:14 | |
With that outstanding result, I have a feeling our target might be nearly in our sights already. | 0:32:14 | 0:32:18 | |
We've have had some terrific results in that first half of the auction today. | 0:32:18 | 0:32:23 | |
I really am going to have to scrape you off the ceiling, I think, before the day's over. | 0:32:23 | 0:32:28 | |
Now, £500 is the target, isn't it? Well, I think you are going to | 0:32:28 | 0:32:32 | |
have a great time shopping - we're only halfway through. | 0:32:32 | 0:32:34 | |
Any idea how much you've made so far? | 0:32:34 | 0:32:36 | |
-No. -All right. I'm going to hold onto her! | 0:32:36 | 0:32:40 | |
£408 so far! | 0:32:40 | 0:32:42 | |
Fabulous! | 0:32:42 | 0:32:45 | |
Fantastic! Wow! Crumbs! | 0:32:45 | 0:32:49 | |
-That's excellent! -We can go to Australia! | 0:32:49 | 0:32:53 | |
It sounds like Claire's starting to get some far-flung ideas, but it's time to get our feet | 0:32:55 | 0:33:00 | |
back on the ground for now, as the girls take a quick break. | 0:33:00 | 0:33:04 | |
Though Paul is still hard at work. | 0:33:04 | 0:33:07 | |
PLATE CHIMES | 0:33:07 | 0:33:09 | |
You tuning up for a chorus of Food, Glorious Food?! | 0:33:09 | 0:33:12 | |
There is method in my madness. That little ring tells whether an item is damaged, | 0:33:12 | 0:33:16 | |
if there's a crack in this plate. If it doesn't ring... It should ring like that, that's OK. It's perfect. | 0:33:16 | 0:33:21 | |
-Is that a perfect plate? -Well, it isn't, actually, it's a second. | 0:33:21 | 0:33:24 | |
There's a scratch there, proving it's a second. | 0:33:24 | 0:33:27 | |
But it is Crown Derby, and we are in Derbyshire, which is fantastic. | 0:33:27 | 0:33:31 | |
This is made about five miles from this very spot. | 0:33:31 | 0:33:34 | |
You could stand 200 yards away, couldn't you, and look at that and know immediately it was | 0:33:34 | 0:33:39 | |
Crown Derby because of those amazing colours, the blue, the gold, and that lovely orangey colour. | 0:33:39 | 0:33:44 | |
It's like an Imari, a Japanese-inspired pattern. I actually call it | 0:33:44 | 0:33:48 | |
a cigar pattern. It looks like the ribs of the old cigars, remember? | 0:33:48 | 0:33:51 | |
But you can still pick up Crown Derby at auctions for reasonable prices? | 0:33:51 | 0:33:55 | |
Exactly. This is extremely cheap, this is £20-30 a plate, which is nothing. | 0:33:55 | 0:33:59 | |
Cost more in the shops. You could furnish your home very cheaply. | 0:33:59 | 0:34:03 | |
I think you and I could afford fish and chips off that! | 0:34:03 | 0:34:05 | |
I think we could. I could just see it now, mushy peas on the side. | 0:34:05 | 0:34:08 | |
Mushy peas on that? Ugh! | 0:34:08 | 0:34:10 | |
I know how to treat a girl! | 0:34:10 | 0:34:12 | |
It's a good thing the plate wasn't damaged, as that would have really affected its value, but in | 0:34:13 | 0:34:19 | |
perfect condition, even as a second, the plate, along with three others, sold for a total of £233. | 0:34:19 | 0:34:25 | |
Well spotted, Paul. | 0:34:25 | 0:34:27 | |
If all this talk of antiques inspires you to go to auction, then remember that salesrooms | 0:34:28 | 0:34:34 | |
have charges, such as commission, which are added to your bill, whether you are buying or selling. | 0:34:34 | 0:34:38 | |
Your local auction house can give you all the details. | 0:34:38 | 0:34:42 | |
The sale is still in full swing, so it's back to work. | 0:34:43 | 0:34:46 | |
After the first half, we're feeling pleased with ourselves, but we've plenty left to | 0:34:46 | 0:34:51 | |
sell, and I have a feeling that our next lot might be rather popular. | 0:34:51 | 0:34:55 | |
It's lovely when you come into an auction room and see there are lots of people | 0:34:56 | 0:35:00 | |
looking at your items, and there were lots of people looking at | 0:35:00 | 0:35:05 | |
the Victorian silver baby's rattle, | 0:35:05 | 0:35:07 | |
with that lovely bit of coral on the end. | 0:35:07 | 0:35:10 | |
Yes, this is a real nice item. Anyone who is fascinated with childhood, | 0:35:10 | 0:35:13 | |
these are very nostalgic things. | 0:35:13 | 0:35:15 | |
It's not long ago when children would have actually had one of these. | 0:35:15 | 0:35:19 | |
-We did see two ladies looking before. -We did. | 0:35:19 | 0:35:21 | |
So, looking for about £50. | 0:35:21 | 0:35:23 | |
Victorian silver baby's rattle with coral teether there. | 0:35:23 | 0:35:26 | |
£50 for it. 50. 50's bid. | 0:35:26 | 0:35:29 | |
Five. 55. 60. And five. 70. | 0:35:29 | 0:35:33 | |
At £65 seated. 70, is it? 70 anywhere? | 0:35:33 | 0:35:38 | |
At £65. Seated at 65... | 0:35:38 | 0:35:41 | |
-Excellent! -65! | 0:35:42 | 0:35:44 | |
50 was your lowest. | 0:35:44 | 0:35:45 | |
£65 for that rattle! | 0:35:45 | 0:35:48 | |
-Told you they liked it! -All bells and whistles! | 0:35:48 | 0:35:52 | |
Well, the rattle certainly went down a treat, | 0:35:52 | 0:35:55 | |
and we start the second half of our sale at a cracking pace. | 0:35:55 | 0:35:58 | |
Hopefully our next lot will bank us a bit more cash as well. | 0:35:58 | 0:36:02 | |
It's the coin collection, which Paul valued at £30-50. | 0:36:02 | 0:36:07 | |
Here we go, a couple of bids here. 12. | 0:36:07 | 0:36:10 | |
-18. -A couple of bids in! -So it starts at 22. £25, is it? 25. | 0:36:10 | 0:36:15 | |
25 in the room. 25. 28. 30. | 0:36:15 | 0:36:18 | |
-32. 35. -Already up to it! | 0:36:18 | 0:36:21 | |
At £32. Still on commission buy, at 32. | 0:36:21 | 0:36:24 | |
£32 on commission. What was the face value of those coins, I wonder? | 0:36:26 | 0:36:31 | |
About 32 quid! | 0:36:31 | 0:36:33 | |
Well, it seems that Paul was right on the money with that valuation. | 0:36:34 | 0:36:38 | |
As the four stamp albums try their luck on the rostrum, | 0:36:38 | 0:36:43 | |
will they have a similar success? | 0:36:43 | 0:36:45 | |
Claire collected the stamps during her childhood. Paul valued them at a sizeable £50-100. | 0:36:45 | 0:36:51 | |
-So we start at £35. -35, we're in. | 0:36:51 | 0:36:54 | |
40. Five. 50. Five. | 0:36:54 | 0:36:57 | |
60. Five. 70. 70? No. 70? | 0:36:57 | 0:37:01 | |
At £65. Are you all done, 65? Are you quite certain? | 0:37:01 | 0:37:08 | |
All those hours working with those books! | 0:37:08 | 0:37:12 | |
It was worth it! | 0:37:12 | 0:37:13 | |
That's what I like to hear! | 0:37:15 | 0:37:18 | |
It seems he was right again. | 0:37:18 | 0:37:20 | |
The bidders are certainly taking a shine to Claire and Tamsin's lots today, and I have a feeling we've | 0:37:20 | 0:37:26 | |
passed the £500 for their French weekend already, but with three more lots to sell, | 0:37:26 | 0:37:32 | |
the girls could be looking at a real luxury break if our luck continues. | 0:37:32 | 0:37:36 | |
Its one of my favourite lots up next, the charming apothecary box. | 0:37:36 | 0:37:41 | |
Paul valued this at £50-100, | 0:37:41 | 0:37:43 | |
so fingers crossed that the bidders agree. | 0:37:43 | 0:37:45 | |
Three bids on commission, | 0:37:45 | 0:37:46 | |
one at 50, one 70 and one higher. So, 75 starts me. | 0:37:46 | 0:37:51 | |
There we go. | 0:37:51 | 0:37:52 | |
Fantastic! | 0:37:52 | 0:37:53 | |
90. 90. Five. 100. | 0:37:53 | 0:37:56 | |
Well, we've already hit your lowest estimate! | 0:37:56 | 0:37:59 | |
110. 120? It's at 110. | 0:37:59 | 0:38:02 | |
At the back of the room, £110. | 0:38:02 | 0:38:05 | |
-£110! -How's that?! -Fantastic! | 0:38:07 | 0:38:10 | |
Out second item to make more than Paul's highest valuation today. | 0:38:10 | 0:38:15 | |
It's a brilliant result, but there's no time to celebrate just yet, | 0:38:15 | 0:38:19 | |
as our only piece of artwork is coming up for sale. | 0:38:19 | 0:38:23 | |
620 is the late Victorian oil on board, ships in a harbour there, signed WD Penny. | 0:38:23 | 0:38:29 | |
Dated 1901, and £80 for it. 80. | 0:38:29 | 0:38:31 | |
£80. 80's bid. | 0:38:31 | 0:38:34 | |
85. 90. Five. | 0:38:34 | 0:38:37 | |
100. And ten. 110 for you. | 0:38:37 | 0:38:39 | |
110. 120. 130. 140. 150. | 0:38:39 | 0:38:44 | |
-It's one of those names that just... -Yes. | 0:38:44 | 0:38:46 | |
160. 170. 170? It's at 160 to the side. 170? | 0:38:46 | 0:38:52 | |
You're all sure at 160 to the side? At £160. | 0:38:52 | 0:38:57 | |
Fantastic! | 0:38:57 | 0:38:59 | |
That's a pretty penny, that one, in't it! | 0:39:01 | 0:39:04 | |
I think we'll let you off the bad jokes after that result, Paul. | 0:39:05 | 0:39:09 | |
The bidders do seem to be digging deeper and deeper into their pockets as the day wears on, and with just | 0:39:09 | 0:39:14 | |
one item left to sell, will it be bon voyage for Claire and her daughters? | 0:39:14 | 0:39:20 | |
Now we've got a £50 reserve on the gold sovereign that's coming up now, | 0:39:20 | 0:39:23 | |
which is 1964, but bearing in mind how well we did on the sovereigns in | 0:39:23 | 0:39:29 | |
the first half of this auction, am I going to have to nail your feet to the floor again?! | 0:39:29 | 0:39:34 | |
We're excited about this now, aren't we? | 0:39:36 | 0:39:39 | |
I'm coming again next week! | 0:39:39 | 0:39:41 | |
It becomes an illness after a while! | 0:39:41 | 0:39:43 | |
So, £50, but we think we should make more. | 0:39:43 | 0:39:46 | |
Yes, but bearing in mind this one isn't quite | 0:39:46 | 0:39:48 | |
as collectible, with it being 1960s, it's not like an antique sovereign like the other ones were. | 0:39:48 | 0:39:53 | |
But £50-100 in today's market, who knows? Let's see how it gets on. | 0:39:53 | 0:39:58 | |
£60 is bid. 60. And five. | 0:39:58 | 0:40:01 | |
65. 65. 70. And five. | 0:40:01 | 0:40:04 | |
80. 80. Five. 85. 90. | 0:40:04 | 0:40:08 | |
100. And ten. 120. 130. 140. | 0:40:08 | 0:40:13 | |
140. 150 for you. 150? | 0:40:13 | 0:40:16 | |
Are you quite certain? It's at 140. | 0:40:16 | 0:40:17 | |
Lady's bid, then? At £140. | 0:40:17 | 0:40:22 | |
You know what? I've never known a sovereign be worth that sort of money. Incredible! | 0:40:22 | 0:40:26 | |
-Really? -Gosh, yes, never, ever seen that sort of price. | 0:40:26 | 0:40:29 | |
-Honestly, yes. -Thank you! -Well done. | 0:40:29 | 0:40:31 | |
Even our expert was lost for words after that sale. | 0:40:31 | 0:40:35 | |
The sovereigns really came up trumps for us today. | 0:40:35 | 0:40:38 | |
With all of our lots winging their way to new homes, | 0:40:38 | 0:40:40 | |
all that's left for us to do is to see whether the family's trip will be four or five star. | 0:40:40 | 0:40:46 | |
Well, I think you can afford the shows, the shopping, Disneyland and several croissants | 0:40:46 | 0:40:54 | |
on the Champs-Elysees. Because you wanted to raise £500, didn't you? | 0:40:54 | 0:40:59 | |
-Yes, I did. -And we did really, really well at halfway, didn't we? | 0:40:59 | 0:41:02 | |
-We did. -If we add it all up together, it comes to £980! -Never! | 0:41:02 | 0:41:10 | |
-It does! -It's just amazing, thank you so much! | 0:41:10 | 0:41:14 | |
-That's nearly double. -Brilliant. -Fabulous. | 0:41:14 | 0:41:18 | |
Double the shopping, Tamsin! | 0:41:18 | 0:41:20 | |
After nearly doubling their target at auction, Claire and | 0:41:27 | 0:41:30 | |
her daughters Tamsin and Chloe are preparing for their French trip with a continentally-themed night out. | 0:41:30 | 0:41:36 | |
Had a great time at the auction, we got our target, got our money. | 0:41:36 | 0:41:41 | |
We are now able to book our hotel and our holiday in Paris, so we have come | 0:41:41 | 0:41:46 | |
here tonight to have a French meal to get us in the mood for Paris. | 0:41:46 | 0:41:50 | |
The ladies splash out on some authentic French wine and food, | 0:41:50 | 0:41:54 | |
and Tamsin clearly can't wait to hit the streets of gay Par-ee! | 0:41:54 | 0:41:58 | |
We just can't wait to go shopping and to Disneyland, so we're trying to practise our French because | 0:41:58 | 0:42:04 | |
mine's not very good. | 0:42:04 | 0:42:06 | |
-Ass-ette de...cha-ra-cut-erie. -Assiette de charcuterie? | 0:42:06 | 0:42:10 | |
I think Tamsin has a little work to do on her French, but it won't be | 0:42:10 | 0:42:14 | |
long before she's up to speed. | 0:42:14 | 0:42:16 | |
As the ladies sample some top-quality French cuisine, I think their hearts are already in Paris. | 0:42:16 | 0:42:23 | |
I'm feeling very stuffed now, the food was gorgeous. | 0:42:23 | 0:42:25 | |
Mum did lots of French talking, which is always good, so hopefully we'll be fine in Paris. | 0:42:25 | 0:42:30 | |
We've had the most superb meal here, fantastic. We've had French wine and French cuisine, and now we can't | 0:42:30 | 0:42:37 | |
wait to go to Paris and have the real thing there, I'm so excited. | 0:42:37 | 0:42:41 | |
To Paris, cheers. | 0:42:41 | 0:42:43 | |
Subtitles by Red Bee Media Ltd | 0:43:07 | 0:43:10 |