Browse content similar to Bush. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to a very blustery Cash In The Attic. | 0:00:02 | 0:00:04 | |
This is the show that searches out all those hidden treasures | 0:00:04 | 0:00:07 | |
in your home and then we sell them at auction. | 0:00:07 | 0:00:10 | |
Today, I've come to Kent and I'm near Maidstone, | 0:00:10 | 0:00:12 | |
so I couldn't pass through without checking out the wonderful Leeds Castle. | 0:00:12 | 0:00:16 | |
Originally built as the Norman stronghold in 1119, | 0:00:17 | 0:00:20 | |
this is arguably one of the prettiest castles in England, | 0:00:20 | 0:00:24 | |
even on a windy day! | 0:00:24 | 0:00:25 | |
It caught the eye of Henry the VIII who made it the Royal Palace for his wife, Catherine of Aragon in 1278. | 0:00:25 | 0:00:31 | |
Over the next 150 years, the castle and its 500 acres of parkland was home | 0:00:31 | 0:00:36 | |
to no less than six queens. | 0:00:36 | 0:00:38 | |
Fortunately for us, Leeds Castle has been open to the public since 1976 | 0:00:38 | 0:00:43 | |
and now, of course, is famous for its open-air concerts and falconry shows. | 0:00:43 | 0:00:47 | |
And one thing I bet you didn't know is it's actually home | 0:00:47 | 0:00:50 | |
to the world's only antique dog collar museum, | 0:00:50 | 0:00:52 | |
so let's hope we find plenty of quirky items when we go on the hunt for antiques today. | 0:00:52 | 0:00:57 | |
Coming up on today's Cash In The Attic, | 0:01:18 | 0:01:22 | |
Paul's doing financial calculations... | 0:01:22 | 0:01:24 | |
-12 and a half pence. -Yes. -There we go. | 0:01:24 | 0:01:26 | |
-I think you'll definitely get a profit! -Yeah! | 0:01:26 | 0:01:29 | |
..and he's rather taken a shine to one of the lots. | 0:01:29 | 0:01:32 | |
It's wonderful stuff. I wouldn't mind that myself, actually! | 0:01:32 | 0:01:35 | |
Right, there you are. You've got a bidder already! | 0:01:35 | 0:01:38 | |
And some of the results at auction have us grinning from ear to ear! | 0:01:38 | 0:01:42 | |
That's superb! | 0:01:42 | 0:01:45 | |
Let's hope we'll all still be smiling when the final hammer falls. | 0:01:45 | 0:01:50 | |
I've come to Maidstone | 0:01:50 | 0:01:52 | |
to meet a lady who's always putting others ahead of herself, | 0:01:52 | 0:01:55 | |
but today, she's called in the Cash In The Attic team | 0:01:55 | 0:01:58 | |
and it's about time she went first! | 0:01:58 | 0:02:00 | |
This tidy semi in the heart of Kent is home to charity fundraiser | 0:02:00 | 0:02:04 | |
and talented amateur artist, Beryl Bush. | 0:02:04 | 0:02:07 | |
Beryl and her late husband, Leslie, shared a passion for | 0:02:07 | 0:02:11 | |
collecting ceramics and Victoriana and the evidence is clear to see all around her lovely home. | 0:02:11 | 0:02:17 | |
When she heard about a local cause close to her heart, Beryl decided to turn | 0:02:17 | 0:02:22 | |
some of her collectables into cash, and her daughter Alison is on-hand to help. | 0:02:22 | 0:02:27 | |
-Good morning, Paul. -Good morning! -How are you? -Well, thank you. -Good. | 0:02:27 | 0:02:31 | |
We've got a lovely lady today. | 0:02:31 | 0:02:32 | |
She's 72 years old and life has never been busier, | 0:02:32 | 0:02:35 | |
so she works in the local community, she loves painting, all sorts of things. | 0:02:35 | 0:02:39 | |
-How does she find time for all that? -I don't know. She's full of good deeds. | 0:02:39 | 0:02:43 | |
I hope she's got some good antiques for us to look at! | 0:02:43 | 0:02:46 | |
-Let's see if we can find some, shall we? -OK. | 0:02:46 | 0:02:48 | |
-Good morning! -Hello, Lorne. -This is lovely! | 0:02:53 | 0:02:56 | |
-What a lovely feature in your garden, isn't it? -Nice to see you. | 0:02:56 | 0:02:59 | |
-And you. How are you, all right? -Very well, thank you. | 0:02:59 | 0:03:02 | |
I understand you're a lady who does good deeds for others. | 0:03:02 | 0:03:05 | |
What did you have in mind? | 0:03:05 | 0:03:06 | |
Well, this is for the local Scout group, | 0:03:06 | 0:03:11 | |
and they're hoping to build or renovate a new headquarters. | 0:03:11 | 0:03:15 | |
So what sort of figure do you have in mind? | 0:03:15 | 0:03:17 | |
It would be great if we could manage £500. | 0:03:17 | 0:03:21 | |
-OK. -But really...whatever. | 0:03:21 | 0:03:23 | |
-So have you ever been to auction before? -Oh, forever! -Really? | 0:03:23 | 0:03:26 | |
They all grew up in auction rooms! | 0:03:26 | 0:03:28 | |
-Oh, did you? How fantastic! -They're still blowing off the dust! | 0:03:28 | 0:03:32 | |
I think we'd better leave the garden and the very tranquil pond and go and hit the rummage. | 0:03:32 | 0:03:37 | |
Come on and find out! | 0:03:37 | 0:03:38 | |
It certainly sounds like a very worthwhile cause | 0:03:38 | 0:03:42 | |
and I have a feeling this auction addict will have a wealth of items for us to choose from. | 0:03:42 | 0:03:46 | |
Luckily, we've got Paul Hayes on hand to steer us in the right direction. | 0:03:46 | 0:03:51 | |
He's got a passion for collectables of all shapes and sizes, but we find him with food on his mind. | 0:03:51 | 0:03:56 | |
Aah, Mr Hayes, there you are! | 0:03:56 | 0:03:57 | |
There we are! How are you? Nice to meet you. | 0:03:57 | 0:04:00 | |
-Oh, these are lovely! -Yeah, they are! | 0:04:00 | 0:04:02 | |
-Are these items you picked up at auction? -No. | 0:04:02 | 0:04:04 | |
These actually came from friends of ours who have an antique business, | 0:04:04 | 0:04:08 | |
or had - I think they've retired now. | 0:04:08 | 0:04:10 | |
-They are lovely, aren't they? -Certainly. This goes back to a different time. | 0:04:10 | 0:04:14 | |
These are cheese bells. I don't know whether you've heard that expression. | 0:04:14 | 0:04:19 | |
-They get the name because the tops... actually sound like a bell. -Ooh, yes! | 0:04:19 | 0:04:22 | |
Underneath would be a huge piece of Stilton or rare cheese, | 0:04:22 | 0:04:26 | |
and that would allow it to sit on the sideboard and breathe. | 0:04:26 | 0:04:29 | |
It's quite an important part of the Victorian culture - | 0:04:29 | 0:04:32 | |
these are different factories. The main one, when you look at these, you think of Wedgwood. | 0:04:32 | 0:04:37 | |
And Wedgwood was the big inspiration, really, for these items, | 0:04:37 | 0:04:41 | |
but 100% of all Wedgwood items are marked, and there isn't markings on these - | 0:04:41 | 0:04:46 | |
potentially, they could be one of a number of factories. | 0:04:46 | 0:04:49 | |
Different styles - the neo-classical, inspired from the Wedgwood - | 0:04:49 | 0:04:53 | |
it's an unglazed form called Jasperware, | 0:04:53 | 0:04:57 | |
and it gives a great surface to apply these mouldings to it. | 0:04:57 | 0:05:00 | |
But then in the 19th century, the Victorians were obsessed with nature. | 0:05:00 | 0:05:05 | |
-Everything was very much the celebration of the plough... -Hunting. | 0:05:05 | 0:05:09 | |
Yeah, a hunting scene on that one, so everything, really, tells a story. | 0:05:09 | 0:05:13 | |
But if I was to say at least £250, up to about £400 for those - | 0:05:13 | 0:05:19 | |
-how does that sound? -Yes, yes. -OK, so are you happy with that? | 0:05:19 | 0:05:22 | |
I like them, but they've gotta go, so let somebody else enjoy them. | 0:05:22 | 0:05:27 | |
That's the attitude. Nearly half our target in the first item! | 0:05:27 | 0:05:30 | |
This house could prove to be a real Aladdin's cave, | 0:05:30 | 0:05:33 | |
which should stand us in good stead for that £500. | 0:05:33 | 0:05:36 | |
Alison has started her search upstairs - | 0:05:36 | 0:05:40 | |
it looks like she's inherited her mum's knack for antiques | 0:05:40 | 0:05:44 | |
when she finds this collection of silver spoons and salt servers. | 0:05:44 | 0:05:47 | |
Paul values them to a very tidy £70 to £100. | 0:05:47 | 0:05:50 | |
Meanwhile, back downstairs our expert has found something that's got him rather excited. | 0:05:50 | 0:05:56 | |
That's beautiful, isn't it? | 0:05:56 | 0:05:57 | |
Well, this is actually inlaid marble. It's called Pietre Dura. | 0:05:57 | 0:06:01 | |
-Have you heard of that before? -Yes. | 0:06:01 | 0:06:03 | |
Right, so did you actually buy this out in Italy, or...? | 0:06:03 | 0:06:06 | |
-No. It belonged to my sister, my sister Iris... -Right. | 0:06:06 | 0:06:09 | |
-..and she found it on a junk stall in Brixton Market. -Never! | 0:06:09 | 0:06:15 | |
There was a time when you could pick up items like this fairly reasonably, | 0:06:15 | 0:06:19 | |
but what used to happen is they would go out to Florence and Venice and Rome | 0:06:19 | 0:06:23 | |
and you would see these wonderful sites. It's part of the grand tour. | 0:06:23 | 0:06:26 | |
They used to make these like a tourism piece. | 0:06:26 | 0:06:29 | |
You would buy examples of that work. | 0:06:29 | 0:06:31 | |
Now if you can imagine they started with a slice of black marble, and then very delicately, | 0:06:31 | 0:06:36 | |
they carved out the shape, in this case, the flower, | 0:06:36 | 0:06:39 | |
and then replaced the surface with a contrasting marble. | 0:06:39 | 0:06:42 | |
This one looks like it's mounted in silver, perhaps platinum, but I suggest silver | 0:06:42 | 0:06:47 | |
and the top here is overlaid with gold, so it gives a wonderful quality to it. | 0:06:47 | 0:06:51 | |
-How old do you think that is? -I think this is quite old. | 0:06:51 | 0:06:54 | |
I'd say at least 1900, if not sort of 1880, that sort of time. | 0:06:54 | 0:06:59 | |
-Yeah. -She didn't buy it new, she bought it in a second-hand market? -Yeah, two and sixpence. | 0:06:59 | 0:07:03 | |
-So how does that translate in modern money? -12 and a half pence. | 0:07:03 | 0:07:07 | |
12 and a half pence? There we go! | 0:07:07 | 0:07:09 | |
-I think you'll definitely get a profit! -Yeah! | 0:07:09 | 0:07:12 | |
That's been a sound investment and I think you could be looking... | 0:07:12 | 0:07:16 | |
at least £70 to £100, that sort of price. | 0:07:16 | 0:07:18 | |
That's brilliant, absolutely brilliant! | 0:07:18 | 0:07:21 | |
-That sound all right? -It does, absolutely! | 0:07:21 | 0:07:23 | |
The brooch adds another tidy sum towards the Scout hut fund. | 0:07:23 | 0:07:27 | |
There's another welcome addition when Alison | 0:07:27 | 0:07:30 | |
finds this art glass candlestick holder, | 0:07:30 | 0:07:32 | |
originally made in Sweden, and Paul thinks it could make us £15 to £25. | 0:07:32 | 0:07:36 | |
We're flying towards that £500 target, | 0:07:36 | 0:07:39 | |
so I take our busy fundraiser aside for a quick chat. | 0:07:39 | 0:07:44 | |
So tell me how you got involved in charity work? | 0:07:44 | 0:07:46 | |
Well, to celebrate the Millennium, I went on a cruise. | 0:07:46 | 0:07:49 | |
On the cruise, I saw a whole lot of poverty around the world... | 0:07:49 | 0:07:54 | |
Mexico, shanty towns in South Africa, just generally... | 0:07:54 | 0:08:00 | |
and came back thinking that I had far too much, and that I should do something, | 0:08:00 | 0:08:05 | |
and that because I had been told my artwork was good enough to sell, | 0:08:05 | 0:08:08 | |
that maybe I could do something in that way, | 0:08:08 | 0:08:12 | |
you know, among other things, | 0:08:12 | 0:08:15 | |
and I'm very pleased to say that, thanks to my wonderful family and my church family | 0:08:15 | 0:08:20 | |
and the people of Maidstone, and my friends, to date, | 0:08:20 | 0:08:24 | |
-we have sent over £41,000 abroad. -That's amazing, isn't it! | 0:08:24 | 0:08:28 | |
Not just from the artwork, but that's part of it. | 0:08:28 | 0:08:31 | |
The charity we're talking about is closer to home because it involves the Scouts, | 0:08:31 | 0:08:35 | |
so how did you get involved in that one? | 0:08:35 | 0:08:37 | |
One of my neighbours, her husband Ray was the leader of our local Scout troop | 0:08:37 | 0:08:43 | |
and he recently... he tragically died, | 0:08:43 | 0:08:48 | |
and he was much loved and very much missed - a very, very popular leader. | 0:08:48 | 0:08:54 | |
And they were in need of a new Scout hut | 0:08:54 | 0:08:58 | |
and I thought it would be a good thing to do to put some towards that, | 0:08:58 | 0:09:02 | |
because I know it's a lot of money and keeps me out of mischief! | 0:09:02 | 0:09:06 | |
I hope it hasn't kept Paul out of mischief - | 0:09:06 | 0:09:08 | |
we could do with him getting up to mischief and finding lots of stuff, couldn't we? | 0:09:08 | 0:09:13 | |
-We could, yes. -Shall we see how he's getting on? -Yes. | 0:09:13 | 0:09:15 | |
Well, luckily, Paul is still hard at work, | 0:09:15 | 0:09:18 | |
and in the living room, he spots these colourful pink glass vases, | 0:09:18 | 0:09:21 | |
which get packed off to auction with an equally colourful | 0:09:21 | 0:09:24 | |
£50 to £80 price tag. | 0:09:24 | 0:09:25 | |
Meanwhile, Alison has found a rather exciting-looking lot. | 0:09:25 | 0:09:29 | |
That's absolutely beautiful! So is this your mum's? | 0:09:29 | 0:09:33 | |
Yes, yes. I think my father gave it to her at some point in time for an anniversary present. | 0:09:33 | 0:09:39 | |
-I think the quality... It's definitely one Paul should look at. Paul, are you there? -Yeah. | 0:09:39 | 0:09:44 | |
-We've found a lovely pendant, really lovely! -All right. | 0:09:44 | 0:09:47 | |
Look at that bejewelled acorn! | 0:09:47 | 0:09:49 | |
Oh, that's fabulous! Look at that! This is rose gold. | 0:09:49 | 0:09:52 | |
Now it's instantly recognisable by this wonderful pink rose colour. | 0:09:52 | 0:09:57 | |
It's obtained by mixing the gold with copper - | 0:09:57 | 0:10:01 | |
the redness of the copper and the gold together gives it this distinctive colour. | 0:10:01 | 0:10:05 | |
The reason they do that is that if you use this in its pure state - | 0:10:05 | 0:10:09 | |
gold is very, very soft - so to make this little acorn here, | 0:10:09 | 0:10:13 | |
the whole thing would just collapse if you grabbed hold of it, | 0:10:13 | 0:10:16 | |
so it's more durable by adding materials. | 0:10:16 | 0:10:18 | |
And that's classed as nine-carat gold, | 0:10:18 | 0:10:20 | |
so these here are semi-precious stones. | 0:10:20 | 0:10:22 | |
If this would have been in 18-carat gold, | 0:10:22 | 0:10:24 | |
you would have diamonds, emeralds, rubies, sapphires - | 0:10:24 | 0:10:28 | |
it would be extremely, extremely expensive, but what we've got here are seed pearls. | 0:10:28 | 0:10:33 | |
You've got turquoise, you've got garnets and you've got peridots. | 0:10:33 | 0:10:37 | |
OK, so that's a nice example. I'd say at least... | 0:10:37 | 0:10:43 | |
Well, you've got two values. You've got somebody that would buy it for the gold content | 0:10:43 | 0:10:48 | |
but also the intrinsic value is beautiful - it's a nice example, isn't it? | 0:10:48 | 0:10:52 | |
So if I said at least the £200 mark upwards, | 0:10:52 | 0:10:55 | |
you could be looking at as much as £300 or £400 for that little lot. | 0:10:55 | 0:10:59 | |
If she decides to put it in, that is a very generous donation towards the Scout hut. | 0:10:59 | 0:11:03 | |
-Absolutely, yes. -It's lovely, really nice piece. | 0:11:03 | 0:11:06 | |
-You look after that, and let's see if we can find something else. -I'll take it. | 0:11:06 | 0:11:10 | |
Wow! Another massive addition towards our £500 target. | 0:11:10 | 0:11:15 | |
Beryl really does have an eye for antiques. | 0:11:15 | 0:11:17 | |
I carry on the search and find another piece of jewellery to auction. | 0:11:17 | 0:11:21 | |
It might not be as weighty as the necklace, but this pretty silver spaniel-shaped brooch | 0:11:21 | 0:11:25 | |
adds £10 to £15 to our kitty. | 0:11:25 | 0:11:29 | |
And downstairs, Paul has spotted one of Beryl's favourite collections. | 0:11:29 | 0:11:33 | |
So, I've got to ask you, where have all these jugs come from? | 0:11:33 | 0:11:36 | |
Well, everywhere. Presents from friends, from junk shops, | 0:11:36 | 0:11:39 | |
from market stalls, from antiques shops. | 0:11:39 | 0:11:41 | |
-How long have you been collecting them? -More than 30 years. -Really?! -Yes, yes. -Wow! | 0:11:41 | 0:11:47 | |
What was the fascination with these types of jugs? | 0:11:47 | 0:11:50 | |
I just loved the shapes of them, | 0:11:50 | 0:11:52 | |
and the very fact that so much workmanship went into what is an everyday article, | 0:11:52 | 0:11:57 | |
which was used by all sorts of households, not just wealthy people. | 0:11:57 | 0:12:02 | |
The basic idea was, we're so used to, these days, buying beer in cans and bottles, | 0:12:02 | 0:12:08 | |
buying wine in bottles, buying milk in bottles... | 0:12:08 | 0:12:10 | |
Well, nothing came packaged or bottled, or very rarely. | 0:12:10 | 0:12:13 | |
You would have had hand carts with churns on, | 0:12:13 | 0:12:17 | |
people taking their jugs out to them and buying in situ. | 0:12:17 | 0:12:20 | |
Exactly right. Were they expensive when you bought them originally? | 0:12:20 | 0:12:24 | |
-No. I've never paid more than £18 for a single jug. -Really? | 0:12:24 | 0:12:27 | |
You bought quite well then, actually. | 0:12:27 | 0:12:29 | |
I mean, I've paid sort of £30, £40, at least, for jugs like this. | 0:12:29 | 0:12:33 | |
I think what you've got is a great collection of 19th-century useful items. | 0:12:33 | 0:12:39 | |
Obviously, we don't want to sell all of them? | 0:12:39 | 0:12:41 | |
-No. -What if we were to get a selection together to the value of, say, | 0:12:41 | 0:12:45 | |
-£200 worth? I mean, how does that sound? -Possibly, yes. -OK. -Yes. | 0:12:45 | 0:12:50 | |
-So have a think on that, then? -Yes, I would think about it. | 0:12:50 | 0:12:54 | |
It will tug at Beryl's heartstrings to part with any of those jugs, | 0:12:54 | 0:12:57 | |
but what a fantastic addition to our target if she does decide to send any to auction. | 0:12:57 | 0:13:04 | |
Beryl also decides to let these bird figurines fly the nest. | 0:13:04 | 0:13:07 | |
Made in Germany by the famous Goebel Porcelain Company, | 0:13:07 | 0:13:10 | |
they're based on the artwork of a nun called Berta Hummel. | 0:13:10 | 0:13:13 | |
They head off to auction with a £20 to £30 price tag. | 0:13:13 | 0:13:15 | |
It's almost the end of our day with Beryl and Alison, | 0:13:15 | 0:13:18 | |
but not before Paul's made one final find. | 0:13:18 | 0:13:22 | |
What a fantastic book! Look at that, | 0:13:22 | 0:13:24 | |
the Great Exhibition 1851. Was this something that your mum bought? | 0:13:24 | 0:13:29 | |
That's not something she bought, that's something her sister gave her. | 0:13:29 | 0:13:33 | |
-My aunt had that, I think, from her mother-in-law. -Right. | 0:13:33 | 0:13:37 | |
This was founded by Prince Albert, Queen Victoria's husband, | 0:13:37 | 0:13:40 | |
and he was a great patron of the arts and the sciences, | 0:13:40 | 0:13:43 | |
and what he decided to do was to get all the world's businesses and inventors together under one roof | 0:13:43 | 0:13:48 | |
and that become known as the Crystal Palace, | 0:13:48 | 0:13:51 | |
this huge conservatory that they built which was re-housed. | 0:13:51 | 0:13:55 | |
They dismantled it and re-housed it in Sydenham - that became Crystal Palace. | 0:13:55 | 0:13:59 | |
-That's where they get the name from. -Oh, wow. -But what's lovely about this, | 0:13:59 | 0:14:03 | |
it has all the names of the people who did the exhibitions, | 0:14:03 | 0:14:07 | |
all the designs and fashions of the day, | 0:14:07 | 0:14:09 | |
and it was the best of the best. It is absolutely incredible. | 0:14:09 | 0:14:12 | |
But with books, it's all about condition. If I just fold this up - | 0:14:12 | 0:14:16 | |
these illustrations could be used, people could frame those I suppose, | 0:14:16 | 0:14:21 | |
or do something with them, but the binding, unfortunately, has gone completely, hasn't it? | 0:14:21 | 0:14:26 | |
-We've got a cover missing. -Yeah. Do you think this is sentimental to your mum? | 0:14:26 | 0:14:30 | |
I don't think she would be unwilling to part with it, that's the thing. | 0:14:30 | 0:14:34 | |
-All right. Well, I think it's quite a sellable item, actually. Let's go and ask her. Beryl? -Hello! | 0:14:34 | 0:14:39 | |
-Just in time. I've found an interesting old book. -Oh, yes, the 1851 Exhibition. | 0:14:39 | 0:14:43 | |
-There you go! -Crikey! It's seen better days, | 0:14:43 | 0:14:46 | |
if you don't mind me saying. Will it help towards our target? | 0:14:46 | 0:14:49 | |
-It certainly will. If it's OK with you... -Yes. | 0:14:49 | 0:14:51 | |
..I would like to put this into auction with an estimate of at least £30. | 0:14:51 | 0:14:55 | |
-Good gracious! -Up to about £50. Does that sound all right? -Sounds very good. | 0:14:55 | 0:14:59 | |
Quite a fascinating read, I would imagine! | 0:14:59 | 0:15:01 | |
-Wonderful stuff. I wouldn't mind that myself! -There, a bidder already! | 0:15:01 | 0:15:05 | |
OK, well, you wanted £500, didn't you? To go towards the Scouts. | 0:15:05 | 0:15:11 | |
The value of everything going to auction comes to £715. | 0:15:11 | 0:15:13 | |
-Oh, wow! -That's amazing, that's really good! | 0:15:13 | 0:15:16 | |
That doesn't include your jugs, | 0:15:16 | 0:15:18 | |
but if you DID decide to send those to auction, that's another £200, | 0:15:18 | 0:15:22 | |
so it would top it right up to £915. | 0:15:22 | 0:15:25 | |
-Oh, aah, well, that's another story! -So, let's hope on auction day | 0:15:25 | 0:15:29 | |
we can do our very best and get top prices for everything. | 0:15:29 | 0:15:32 | |
Thanks very much indeed. I look forward to that. | 0:15:32 | 0:15:34 | |
We've been really spoilt for choice here today. | 0:15:34 | 0:15:38 | |
Beryl's life of collecting has resulted in a wonderful selection of items for auction. | 0:15:38 | 0:15:42 | |
We're hoping the bidders will take a shine | 0:15:42 | 0:15:45 | |
to the rose gold necklace which Paul valued at £200. | 0:15:45 | 0:15:48 | |
We've all got high hopes for the Wedgwood-style cheese bells, | 0:15:48 | 0:15:51 | |
which are our highest-valued lot at £250 to £400. | 0:15:51 | 0:15:55 | |
Will Beryl be able to part with some of her beloved jug collection? | 0:15:55 | 0:15:59 | |
Paul thinks they could make us another £200 | 0:15:59 | 0:16:01 | |
IF they get to the sale room. | 0:16:01 | 0:16:03 | |
Still to come on Cash In The Attic, | 0:16:05 | 0:16:08 | |
Beryl knows precisely the type of bidder she's hoping for in the sale room. | 0:16:08 | 0:16:13 | |
Yes, well, what we need is a cheesemonger! | 0:16:13 | 0:16:15 | |
-Exactly! -Good point, Beryl! | 0:16:15 | 0:16:17 | |
But she's keeping her eye firmly on the goal. | 0:16:17 | 0:16:20 | |
It would buy a Boy Scout's toggle! | 0:16:20 | 0:16:24 | |
So, will we have reached our target when the final hammer falls? | 0:16:24 | 0:16:29 | |
Now it's a couple of weeks since we met the energetic Beryl Bush at her home in Maidstone | 0:16:29 | 0:16:34 | |
and we found lots of lovely items to bring here to Chiswick Auction House in West London. | 0:16:34 | 0:16:39 | |
Remember, she's looking to raise around £500 | 0:16:39 | 0:16:42 | |
as a contribution to the building of a new Scout hut, | 0:16:42 | 0:16:45 | |
so let's just hope that when the items go under the hammer today, the bidders are feeling very generous. | 0:16:45 | 0:16:50 | |
There's a wonderful selection of items for sale. The bidders are eagerly giving them the once-over. | 0:16:51 | 0:16:57 | |
Paul Hayes is here too, of course, and I find him with his nose buried in a book. | 0:16:57 | 0:17:02 | |
-Morning. -Hello, how are you? -Fine, thanks. That's lovely! | 0:17:02 | 0:17:06 | |
Would you like to buy the latest Emperor's vase? | 0:17:06 | 0:17:08 | |
It's for sale in 1851! What a great book! | 0:17:08 | 0:17:11 | |
-It is. So we're happy that that's going in? -Yes. | 0:17:11 | 0:17:14 | |
I'll be interested to see what money the lovely necklace makes. You know, the acorn? | 0:17:14 | 0:17:18 | |
-Top quality. -It's so unusual. | 0:17:18 | 0:17:20 | |
Jewellery is doing very, very well at the moment. | 0:17:20 | 0:17:23 | |
The struggling point we might have today are the Stilton cheese bells. | 0:17:23 | 0:17:27 | |
-Right. -They're slightly old-fashioned, but we'll see how they get on. | 0:17:27 | 0:17:30 | |
I'll be intrigued to see if she's brought the jugs. | 0:17:30 | 0:17:33 | |
I think she's going to think about those. | 0:17:33 | 0:17:35 | |
Let's meet her and see if she has brought them. | 0:17:35 | 0:17:38 | |
Well, there's only one way to find out. | 0:17:38 | 0:17:40 | |
The sale room is really filling up now but it doesn't take us long | 0:17:40 | 0:17:44 | |
to find Beryl and Alison in the midst of all the activity. | 0:17:44 | 0:17:47 | |
-Good morning! -Ah! -Morning. | 0:17:47 | 0:17:49 | |
-Now, we love these. I think they're absolutely fantastic, great... -So do we! | 0:17:49 | 0:17:54 | |
I just hope somebody spots the quality that's there. | 0:17:54 | 0:17:56 | |
Hmm, hmm. Yes, well, what we need is a cheesemonger... | 0:17:56 | 0:18:00 | |
-Exactly! -Good point, Beryl! | 0:18:00 | 0:18:02 | |
-..who has a speciality cheese shop. -There we are. | 0:18:02 | 0:18:05 | |
Of course, what we don't know is | 0:18:05 | 0:18:07 | |
-whether or not you decided to bring any or all of the jugs? -No, no jugs. | 0:18:07 | 0:18:12 | |
Oh, OK, and what's the reasoning behind that? | 0:18:12 | 0:18:14 | |
They're not in fashion, and I still like them! | 0:18:14 | 0:18:17 | |
Let's hope there's plenty of people that can see the quality we've brought along. | 0:18:17 | 0:18:21 | |
-Hopefully! -And give us some good bids. | 0:18:21 | 0:18:23 | |
-Come on, let's get in position, ready for the auction. -OK. | 0:18:23 | 0:18:27 | |
Remember auction houses charge commission and other fees when you buy and sell with them | 0:18:27 | 0:18:32 | |
so always check the details when you visit. | 0:18:32 | 0:18:34 | |
The auction is about to start so we find a spot | 0:18:34 | 0:18:37 | |
in the corner of the room and get ready for the excitement to begin. | 0:18:37 | 0:18:41 | |
Luckily, we don't have to wait long for our first lot. | 0:18:41 | 0:18:46 | |
We've got small white metal salts, | 0:18:46 | 0:18:48 | |
-a set of Art Nouveau teaspoons and two other items? -Yes. | 0:18:48 | 0:18:51 | |
It sounds like a great lot, actually, for a speculative buyer | 0:18:51 | 0:18:54 | |
-so I'm looking for about £70 to give them a chance, really. -Yes, yes. | 0:18:54 | 0:18:58 | |
Right, so they're on. | 0:18:58 | 0:19:00 | |
Are they worth £30? | 0:19:00 | 0:19:01 | |
Start me with 30, 35, 40, | 0:19:01 | 0:19:03 | |
£40 to those, at £40... | 0:19:03 | 0:19:05 | |
for the silver items, 45 there, £45, £50. | 0:19:05 | 0:19:10 | |
55. In the room, then, at £55. | 0:19:10 | 0:19:12 | |
I'm gonna sell them at 55. | 0:19:12 | 0:19:13 | |
At £55, they're going, then. 55. | 0:19:13 | 0:19:17 | |
Oh. Well, that's 55, OK. All right, OK, at least 55. | 0:19:17 | 0:19:21 | |
Yeah. | 0:19:21 | 0:19:22 | |
It's a bit of a disappointing start. | 0:19:22 | 0:19:24 | |
We need the sale room to dig deeper for the rest of our lots | 0:19:24 | 0:19:27 | |
if we're going to get Beryl £500. | 0:19:27 | 0:19:29 | |
Maybe the continental silver Spaniel brooch | 0:19:29 | 0:19:33 | |
will have a bit more luck finding a new owner. | 0:19:33 | 0:19:36 | |
Paul valued it at £10 to £15. | 0:19:36 | 0:19:38 | |
Lot 28, the little silver brooch. £10, please. £10 for the brooch, | 0:19:38 | 0:19:41 | |
£10 anywhere. | 0:19:41 | 0:19:43 | |
£5. £5 I'm bid. £5, selling for £5. | 0:19:43 | 0:19:46 | |
-At £5. -There we go. | 0:19:46 | 0:19:50 | |
It would buy a Boy Scout's toggle! | 0:19:50 | 0:19:53 | |
That's the spirit, Beryl. | 0:19:53 | 0:19:55 | |
It may be under-estimate, but every pound counts. | 0:19:55 | 0:19:58 | |
Hopefully, the glass candlestick holder | 0:19:58 | 0:20:00 | |
will light our way back towards the target. | 0:20:00 | 0:20:03 | |
-We've got 15 to 25 on this, Paul? -Yeah, and that's really cheap, | 0:20:03 | 0:20:06 | |
but the auctioneer has to be dead straight | 0:20:06 | 0:20:08 | |
and say there's a bit of damage on this, | 0:20:08 | 0:20:10 | |
-so 15 to 25 is a fair estimate. -OK. | 0:20:10 | 0:20:12 | |
That little item there. Is it worth £10? £10, can't go lower than £10. | 0:20:12 | 0:20:16 | |
-Nobody want them? -Come on! -Passing the lot for £10. | 0:20:16 | 0:20:19 | |
-No, it's unsold. -That's unsold, I'm afraid! -Oh, my. | 0:20:19 | 0:20:22 | |
-It just goes to show the tiniest of damage on things... -Yeah. | 0:20:22 | 0:20:25 | |
That's definitely not the result we were looking for. | 0:20:25 | 0:20:28 | |
The bidders are proving to be a very cautious crowd today, but surely, | 0:20:28 | 0:20:33 | |
the lovely 1850s book won't suffer a similar fate? | 0:20:33 | 0:20:35 | |
36A is the illustrated exhibitor, a bound volume of magazines. | 0:20:35 | 0:20:41 | |
Lot 36A, there we go. What's it worth? | 0:20:41 | 0:20:43 | |
Start me for a ten pound note, somebody for £10? | 0:20:43 | 0:20:46 | |
Anybody want this lot for £10? Can't really sell it for less, I'm afraid. | 0:20:46 | 0:20:50 | |
I know it's slightly distressed. Anybody want it for £10? | 0:20:50 | 0:20:53 | |
No? Passing it, I'm afraid, then, for ten. | 0:20:53 | 0:20:56 | |
I've a feeling nobody's viewed it. | 0:20:56 | 0:20:58 | |
-Look at the cover, it doesn't look like anything. -No. | 0:20:58 | 0:21:01 | |
What a shame the bidders didn't give Beryl's book | 0:21:01 | 0:21:04 | |
a closer inspection, but we're glad it didn't sell | 0:21:04 | 0:21:07 | |
for such a small amount. | 0:21:07 | 0:21:08 | |
Things aren't going as well as we hoped so far, | 0:21:08 | 0:21:10 | |
and after four lots, we've only managed to raise £60 towards our £500 | 0:21:10 | 0:21:15 | |
for Beryl's Scout hut donation. | 0:21:15 | 0:21:17 | |
Next to try its luck on the rostrum is the pretty mosaic brooch | 0:21:17 | 0:21:22 | |
which Paul valued at £70 to £100. | 0:21:22 | 0:21:24 | |
What am I bid for that? £30 to go? | 0:21:24 | 0:21:26 | |
30, 35, 40, 5, 50. £50 I'm bid, over there at £50. | 0:21:26 | 0:21:31 | |
At £50 then. | 0:21:31 | 0:21:32 | |
-Oh, well, never mind, on the day... -Yeah... -Swings and roundabouts. | 0:21:32 | 0:21:36 | |
Still a profit on 2s 6d, I'm sure! | 0:21:36 | 0:21:38 | |
It's a bit under-estimate but we're glad to bank a few pounds at last, | 0:21:38 | 0:21:42 | |
especially after two unsold lots. | 0:21:42 | 0:21:44 | |
We hope it's a sign the bidders are finally waking up as our bird figurines look | 0:21:44 | 0:21:48 | |
like they might find new homes. | 0:21:48 | 0:21:50 | |
A little bit of interest in these already, | 0:21:50 | 0:21:53 | |
so I'm starting at £25, we're in at £25. | 0:21:53 | 0:21:56 | |
25, 30, 35, do you want 40? | 0:21:56 | 0:22:00 | |
£35 still with me. | 0:22:00 | 0:22:01 | |
At £35, I've a bid of £35. | 0:22:01 | 0:22:03 | |
On the book at £35 and selling for 35. | 0:22:03 | 0:22:07 | |
Now that's more like it. The birds are followed swiftly | 0:22:07 | 0:22:10 | |
by the pair of pink vases | 0:22:10 | 0:22:12 | |
which don't quite make their £50 to £80 estimate... | 0:22:12 | 0:22:15 | |
£28 seated there, at £28. | 0:22:15 | 0:22:17 | |
I'm going to sell them at 28. | 0:22:17 | 0:22:19 | |
At £28, they're going then. £28. | 0:22:19 | 0:22:22 | |
..but still add another few pounds towards our target. | 0:22:22 | 0:22:26 | |
With the sale room seemingly picking up a gear, | 0:22:26 | 0:22:29 | |
it's time for our most highly-valued lots to take centre stage. | 0:22:29 | 0:22:33 | |
I love these cheese domes. | 0:22:33 | 0:22:35 | |
-How has the auctioneer worked these lots? -Well, what he's done is | 0:22:35 | 0:22:39 | |
he's put the two blue and white ones in together | 0:22:39 | 0:22:41 | |
-and the two stoneware ones in together. -Yeah, yeah. | 0:22:41 | 0:22:44 | |
-Now we wanted about 250 for all four. -Right. | 0:22:44 | 0:22:46 | |
It'll be interesting to see what the effect is overall. First lot coming up. | 0:22:46 | 0:22:50 | |
Lovely quality, these. A bit of interest in them, nevertheless. | 0:22:50 | 0:22:54 | |
-I'm already bid £130, with me at £130... -£130! | 0:22:54 | 0:22:59 | |
..for the cheese domes. £130. | 0:22:59 | 0:23:00 | |
140, 150 with me. | 0:23:00 | 0:23:02 | |
At £150. It's still with me at £150. | 0:23:02 | 0:23:05 | |
£160 there, £170 with me, 180. It's still on the book then at £170. | 0:23:05 | 0:23:10 | |
It's a left bid at £170. | 0:23:10 | 0:23:12 | |
At £170, those two cheese domes. | 0:23:12 | 0:23:14 | |
£170, then. | 0:23:14 | 0:23:17 | |
-Yes! -£170, and that's just for the two blue ones. | 0:23:17 | 0:23:21 | |
It's a fantastic start, and as the second pair | 0:23:21 | 0:23:24 | |
comes under the hammer, it looks | 0:23:24 | 0:23:26 | |
like the collectors aren't done yet. | 0:23:26 | 0:23:28 | |
Like the last, but a different colour, 299A. Nice quality. | 0:23:28 | 0:23:31 | |
What are they worth? Are they worth £100? | 0:23:31 | 0:23:33 | |
-Start me for £80. £80, £85, £90, £95... -Come on, come on! | 0:23:33 | 0:23:38 | |
110? £120, £120 there, and £120, | 0:23:38 | 0:23:42 | |
anybody else? £120. 120. | 0:23:42 | 0:23:46 | |
That takes our total for the four cheese covers to a brilliant £290. | 0:23:46 | 0:23:52 | |
The room finally seems up to speed | 0:23:52 | 0:23:54 | |
and we're hoping it bodes well for our final lot, which I have to say | 0:23:54 | 0:23:57 | |
is one of my favourites. I think this is gorgeous. | 0:23:57 | 0:24:00 | |
I just love the acorn in it. I think it's fantastic. | 0:24:00 | 0:24:03 | |
-I do know she had a reserve on this... -What's the reserve for that? | 0:24:03 | 0:24:06 | |
-£200. -OK. -Fine. Let's see what happens. | 0:24:06 | 0:24:08 | |
310A is the necklace with the acorn pendant | 0:24:08 | 0:24:12 | |
and there's, predictably, a lot of interest. | 0:24:12 | 0:24:14 | |
-There you are! -I'm bid already £200 for it. | 0:24:14 | 0:24:18 | |
-We need to start off at £200. -At least £200! | 0:24:18 | 0:24:20 | |
£200, £210, £220, £230, | 0:24:20 | 0:24:22 | |
£240, £250, £260, £270, | 0:24:22 | 0:24:25 | |
£280, £290, £300, £320, | 0:24:25 | 0:24:29 | |
£340, £360, £380, £400. | 0:24:29 | 0:24:33 | |
£400 for it, at £400 - 20 I'll take. £420, | 0:24:33 | 0:24:37 | |
£440, £460, | 0:24:37 | 0:24:40 | |
£480, £500 with me. Do you want £520? | 0:24:40 | 0:24:44 | |
With me at £500, there's a left bid of 500 on the book. | 0:24:44 | 0:24:47 | |
£500, at £500, then, left bid £500. | 0:24:47 | 0:24:52 | |
-Hee-hee, wow! -That's not bad, and you were worried about it selling for £200! | 0:24:52 | 0:24:58 | |
-Oh, yeah, that's a relief! -Absolutely brilliant! | 0:24:58 | 0:25:00 | |
Beryl was a little lost for words after that sale, | 0:25:00 | 0:25:04 | |
giving us the entire target amount in just one lot. | 0:25:04 | 0:25:06 | |
After this rollercoaster day, it's time for the moment of truth. | 0:25:06 | 0:25:11 | |
Now, you wanted to raise £500, didn't you? As a contribution towards the new Scout hut. | 0:25:11 | 0:25:16 | |
-Yeah. -How do you think it went? | 0:25:16 | 0:25:18 | |
Some of the other things didn't do so well, but I've been so interested, | 0:25:18 | 0:25:21 | |
-I've lost track of what they made. I can't tell you, no idea! -I can tell you. | 0:25:21 | 0:25:25 | |
You've actually made... | 0:25:25 | 0:25:27 | |
-£963! -Ah! -Oh, brilliant! | 0:25:27 | 0:25:31 | |
That's really good, isn't it? I'm really pleased for you. | 0:25:31 | 0:25:34 | |
That's a lot more than you wanted - I hope you're gonna have some of that money, | 0:25:34 | 0:25:38 | |
hold it back and treat yourself. | 0:25:38 | 0:25:40 | |
-No? -No, none of it back. It's all going to the Scouts. | 0:25:40 | 0:25:43 | |
Two weeks after she raised that fantastic £963, | 0:25:48 | 0:25:53 | |
Beryl has come to visit the local Scout Group in their old hut | 0:25:53 | 0:25:56 | |
and reflect on her auction success. | 0:25:56 | 0:25:59 | |
I am really happy with the auction result | 0:25:59 | 0:26:02 | |
and I'm so pleased to say that it will be going towards the activities for the children. | 0:26:02 | 0:26:07 | |
You can see how happy they are in here, | 0:26:07 | 0:26:09 | |
and I'm sure that they're gonna be | 0:26:09 | 0:26:11 | |
even more happy in their big new quarters when it's finished. | 0:26:11 | 0:26:15 | |
They'll be able to store their cycles in there, | 0:26:15 | 0:26:18 | |
storage... | 0:26:18 | 0:26:19 | |
Seeing the plans for the building, | 0:26:19 | 0:26:21 | |
Beryl can see how her contribution will really help the group. | 0:26:21 | 0:26:25 | |
I've just been very privileged | 0:26:25 | 0:26:27 | |
to be able to help out in whatever way I can. | 0:26:27 | 0:26:30 | |
Guys, how excited are you about having a new Scout hut? | 0:26:30 | 0:26:34 | |
ALL CHEER | 0:26:34 | 0:26:35 | |
Well, what a fantastic inspiration Beryl is. | 0:26:40 | 0:26:43 | |
All that money she raised from the auction going to benefit the Scouts. | 0:26:43 | 0:26:48 | |
If you've got a project in mind that you'd like to raise some funds for | 0:26:48 | 0:26:51 | |
by selling your antiques and collectables at auction, | 0:26:51 | 0:26:54 | |
then why not get in touch with Cash In The Attic? | 0:26:54 | 0:26:57 | |
You'll find more details online. | 0:26:57 | 0:27:01 | |
We'll see you again next time. | 0:27:01 | 0:27:03 | |
For more information about Cash In The Attic, | 0:27:03 | 0:27:07 | |
including how the programme was made, visit the website at bbc.co.uk | 0:27:07 | 0:27:12 | |
Subtitles by Red Bee Media Ltd | 0:27:19 | 0:27:22 | |
E-mail [email protected] | 0:27:22 | 0:27:25 |