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Welcome to Cash In The Attic, the show that finds | 0:00:02 | 0:00:04 | |
hidden treasures in your home, then helps you sell them at auction. | 0:00:04 | 0:00:08 | |
Today I'm at Bristol Zoo gardens and they are absolutely fantastic. | 0:00:08 | 0:00:12 | |
They are set in 12 acres, and here you can find more than | 0:00:12 | 0:00:15 | |
450 species of animals, including these gorillas. | 0:00:15 | 0:00:19 | |
Westland lowland gorillas are critically endangered | 0:00:19 | 0:00:22 | |
in the wild and the Zoo Trust is committed to raising awareness | 0:00:22 | 0:00:26 | |
about their plight, and that of the other species here. | 0:00:26 | 0:00:29 | |
But its not just animals you'll find here, the gardens are a riot of | 0:00:29 | 0:00:33 | |
colour with a stunning range of plants on display all year round. | 0:00:33 | 0:00:37 | |
I'd love to sneak off and spend the whole day looking round the zoo | 0:00:38 | 0:00:42 | |
but we've got some finds of our own to make to take to that auction. | 0:00:42 | 0:00:45 | |
Today on Cash In The Attic, | 0:01:06 | 0:01:08 | |
we uncover some unusual items for auction. | 0:01:08 | 0:01:11 | |
It looks to me like an early fondue set. | 0:01:11 | 0:01:14 | |
While other finds might be harder to part with. | 0:01:14 | 0:01:17 | |
I hope we are not going to start a domestic dispute here, | 0:01:17 | 0:01:20 | |
-with Paula wanting it to go. -I know, I know. | 0:01:20 | 0:01:23 | |
But when it comes to the big day, will we stand a chance | 0:01:23 | 0:01:26 | |
-of reaching our target? -I think we'll keep it. | 0:01:26 | 0:01:28 | |
I'd rather not risk losing it. | 0:01:28 | 0:01:31 | |
Find out when the final hammer falls. | 0:01:31 | 0:01:33 | |
I've come just five minutes down the road from the zoo now | 0:01:34 | 0:01:38 | |
to meet a couple who are fascinated by history, | 0:01:38 | 0:01:41 | |
especially tracing their family tree. | 0:01:41 | 0:01:44 | |
This modern residential complex in Bristol's fashionable Clifton | 0:01:44 | 0:01:47 | |
is home to Paula McConnell and her husband, John. | 0:01:47 | 0:01:50 | |
Paula's has been a keen amateur genealogist since the 70s | 0:01:50 | 0:01:53 | |
but John wouldn't place it quite so high on his list of hobbies. | 0:01:53 | 0:01:57 | |
His predilections run more to Formula One and photography. | 0:01:57 | 0:02:01 | |
But one thing they do agree on is the importance of family | 0:02:01 | 0:02:05 | |
and their 26-year-old daughter, Lucy, who is a law student, | 0:02:05 | 0:02:08 | |
is the apple of their eye. | 0:02:08 | 0:02:10 | |
-Jonty, I'm here. -There you are. | 0:02:12 | 0:02:13 | |
This is brilliant, halfway between your house and mine. | 0:02:13 | 0:02:16 | |
-You planned it that way. -I like to. | 0:02:16 | 0:02:18 | |
Is this the right place, it looks rather modern? | 0:02:18 | 0:02:21 | |
It does look very modern, but I've heard that inside | 0:02:21 | 0:02:24 | |
there are lots of bits and pieces and plenty of history. | 0:02:24 | 0:02:27 | |
-So it could be intriguing. -Let's get inside. -Let's do that. | 0:02:27 | 0:02:30 | |
-Hello. -Hi. -Jennie, hello. -What a lovely setting this is. | 0:02:31 | 0:02:36 | |
And you're already at work, this is fantastic. | 0:02:36 | 0:02:39 | |
These are some of our treasures that we've found. | 0:02:39 | 0:02:43 | |
-I've heard you've got quite a few, actually. -Yeah, you'll be interested. | 0:02:43 | 0:02:47 | |
-Who was it who decided to call in Cash In The Attic? -Mine. | 0:02:47 | 0:02:50 | |
-It was yours, really. -Yes. -What do you want to raise the money for? | 0:02:50 | 0:02:54 | |
We want to go to London to take our daughter out for the day. | 0:02:54 | 0:03:00 | |
She's is studying hard there and we just thought it would be nice | 0:03:00 | 0:03:04 | |
to take her to the London Eye, which she's never been to. | 0:03:04 | 0:03:08 | |
-Take her out for a nice meal. -That sounds great. | 0:03:08 | 0:03:11 | |
A day out with your little girl, that will be lovely. | 0:03:11 | 0:03:14 | |
So how much money do you think you need for this day out? | 0:03:14 | 0:03:19 | |
Well, I think we'd need about £500. | 0:03:19 | 0:03:23 | |
-OK, well let's go for it. -Yes. | 0:03:23 | 0:03:24 | |
It may be modern but the neat white interiors provide | 0:03:24 | 0:03:28 | |
a perfect backdrop for all Paula's heirlooms. | 0:03:28 | 0:03:31 | |
Our man Jonty Hearnden is already intoxicated | 0:03:31 | 0:03:34 | |
by one object in particular. | 0:03:34 | 0:03:37 | |
-Aah. -Time for tea. -Yeah, what do you think? -That's great. | 0:03:37 | 0:03:41 | |
And it's on the stand as well. | 0:03:41 | 0:03:44 | |
-It looks to me like an early fondue set. -You're not far off. -Oh, really? | 0:03:44 | 0:03:47 | |
The whole point of the spirit burner, here, is to put your kettle on there, | 0:03:47 | 0:03:52 | |
-like so, to keep your brew nice and warm. -So how old is it then? | 0:03:52 | 0:03:58 | |
Date wise, I suppose we're talking turn of the century, | 0:03:58 | 0:04:01 | |
so maybe late 19th century here. | 0:04:01 | 0:04:03 | |
And you can tell that by this fantastic, wonderful, quality | 0:04:03 | 0:04:07 | |
stylistic handle here, and look at the support, here. | 0:04:07 | 0:04:11 | |
All in the form of branches, nee twigs, sort of Baden Powell-esque. | 0:04:11 | 0:04:16 | |
And it's silver plate because I've been looking all over | 0:04:16 | 0:04:20 | |
for the hallmarks and they're just not there. There are markings here, | 0:04:20 | 0:04:24 | |
this is the maker's name, Maple & Co, were based in Tottenham Court Road. | 0:04:24 | 0:04:28 | |
And the other great thing... look, can I do this? | 0:04:28 | 0:04:31 | |
-It pours perfectly. -Perfect, | 0:04:31 | 0:04:33 | |
-like a little tea urn there. -Wonderful design, isn't it? -Yeah. | 0:04:33 | 0:04:37 | |
-Not a great deal of money but it's going to help. £40 to £60. -Oh. | 0:04:37 | 0:04:42 | |
It's the big difference between silver and plated. | 0:04:42 | 0:04:45 | |
-If this was solid silver you are talking £400 or £600. -Yeah. | 0:04:45 | 0:04:50 | |
-It's got to go? -Please, Jonty. It's got to go. | 0:04:50 | 0:04:53 | |
It's not a bad start. | 0:04:53 | 0:04:54 | |
£40 in the pot, well, literally in the pot, that's what we need. | 0:04:54 | 0:04:58 | |
-Good, ready for the auction? -Yeah, let's do it. | 0:04:58 | 0:05:01 | |
Let's go and look at the rest of the house, | 0:05:01 | 0:05:03 | |
find some more things. Come on. | 0:05:03 | 0:05:05 | |
It's a three bedroom flat but it's very deceptive, | 0:05:05 | 0:05:08 | |
there seem to be rooms everywhere. | 0:05:08 | 0:05:10 | |
And I've already found one little gem. | 0:05:10 | 0:05:12 | |
This hallmarked Edwardian powder compact, | 0:05:12 | 0:05:16 | |
with its gold plate interior, | 0:05:16 | 0:05:18 | |
might fetch £80 to £120 in the auction. | 0:05:18 | 0:05:21 | |
And in another room, Paula has found a real treasure tucked away. | 0:05:21 | 0:05:26 | |
-Jonty? -What have you got there? | 0:05:26 | 0:05:28 | |
It looks like a necklace or something. Ooh. | 0:05:28 | 0:05:31 | |
It's a purse, I think. | 0:05:31 | 0:05:33 | |
You're absolutely spot-on. | 0:05:33 | 0:05:34 | |
Wonderful. These are lady's purses, known as money misers | 0:05:34 | 0:05:38 | |
and they were very fashionable in the mid-19th century | 0:05:38 | 0:05:41 | |
but they kind of went out of fashion by 1880. | 0:05:41 | 0:05:44 | |
So, by definition, this is a mid-19th century lady's purse. | 0:05:44 | 0:05:48 | |
And somewhere inside there should be a slot so you can actually | 0:05:48 | 0:05:51 | |
-put your coins...have you seen? there it is. -Oh, lovely, yeah. | 0:05:51 | 0:05:54 | |
And also known as ring purses, for obvious reasons, | 0:05:54 | 0:05:58 | |
because the ring actually secures the money into its pouch. | 0:05:58 | 0:06:02 | |
-The money literally drops in there, the coins drop in there. -Right. | 0:06:02 | 0:06:06 | |
And the whole point is you could wear it on a belt, or inside a garment. | 0:06:06 | 0:06:10 | |
-Now we're not talking a huge sum of money. -No, no. -All right. | 0:06:10 | 0:06:13 | |
Simply because it's just a wonderful social bit of history, | 0:06:13 | 0:06:17 | |
-rather than something of practical use. -Yeah. | 0:06:17 | 0:06:19 | |
Value, really, we're looking at below the £50 mark. | 0:06:19 | 0:06:22 | |
So anything, sort of, £30, £40 would be fine. | 0:06:22 | 0:06:25 | |
-We'll put that in the auction sale? -Yeah, that's fine. | 0:06:25 | 0:06:28 | |
-You look after that, put that for safe keeping. -OK. | 0:06:28 | 0:06:31 | |
-Off to the auction sale and off to another room. -Yeah, right off we go. | 0:06:31 | 0:06:35 | |
While the purse might attract attention, we are also hoping | 0:06:35 | 0:06:39 | |
that this gentleman's ring will catch someone's eye | 0:06:39 | 0:06:42 | |
at between £80 to £120. | 0:06:42 | 0:06:44 | |
In the hallway Jonty has found a Victorian railway station clock. | 0:06:44 | 0:06:49 | |
Now, items like these are always highly collectible, | 0:06:49 | 0:06:52 | |
and he thinks it could make as much £100 in the sale. | 0:06:52 | 0:06:56 | |
We are making great progress, that's already £330 towards our target | 0:06:56 | 0:07:01 | |
of £500 for Paula and John's trip to London to see their daughter. | 0:07:01 | 0:07:06 | |
Paula's shelves are stacked with history, and it's intriguing stuff. | 0:07:06 | 0:07:10 | |
What's this I've found? | 0:07:10 | 0:07:13 | |
Oh, that's one of my genealogy folders. | 0:07:15 | 0:07:18 | |
This is all part of the work that you've been doing? | 0:07:18 | 0:07:22 | |
-Yeah, that's part of my research into family history. -Good Lord. | 0:07:22 | 0:07:26 | |
Oh, gosh. Tell me, what is it that made you so interested in genealogy? | 0:07:26 | 0:07:31 | |
Mainly because I had such an unusual surname, and I just was intrigued | 0:07:31 | 0:07:36 | |
-to know how it came about and where it came from. -What name was that? | 0:07:36 | 0:07:41 | |
My maiden name was Muddle. | 0:07:41 | 0:07:42 | |
Aah, right, your maiden name, I see. | 0:07:42 | 0:07:46 | |
Muddle? What a wonderful name. | 0:07:46 | 0:07:48 | |
-Are there many Muddles? -Not that many, it's not a very common name. | 0:07:48 | 0:07:53 | |
It originated in Sussex, | 0:07:53 | 0:07:55 | |
that's where most of the Muddles started out. | 0:07:55 | 0:07:58 | |
Have you traced any other Muddles? | 0:07:58 | 0:08:01 | |
I just put a search in, and I came up with this man | 0:08:01 | 0:08:04 | |
who has already done all the Muddle family tree and he'd gone | 0:08:04 | 0:08:10 | |
back to about 1600 and something, so I didn't need to do that. | 0:08:10 | 0:08:15 | |
So is he a Muddle? | 0:08:15 | 0:08:17 | |
-His mother was a Muddle. -Sounds funny when you say it. | 0:08:17 | 0:08:21 | |
Yeah, that isn't his actual name, but my brother is still a Muddle. | 0:08:21 | 0:08:26 | |
Some of the things we are going to be looking at today | 0:08:26 | 0:08:29 | |
and we have found already, are they from the Muddles? | 0:08:29 | 0:08:32 | |
Yes, some of the things were my grandma's and, of course, | 0:08:32 | 0:08:35 | |
she didn't start out as a Muddle, she started out as a Bishop. | 0:08:35 | 0:08:39 | |
-Oh, really? -And then she married a Muddle. | 0:08:39 | 0:08:43 | |
Oh, from Bishop to Muddle in one little step. How wonderful! | 0:08:43 | 0:08:48 | |
Well, with £500 to raise for a day out in London, | 0:08:48 | 0:08:51 | |
we'll be in a muddle if we don't get on. | 0:08:51 | 0:08:53 | |
Luckily while we have been chatting, the others have been searching. | 0:08:53 | 0:08:57 | |
There are a lot of genuinely interesting things in this flat | 0:08:57 | 0:09:01 | |
and I think I've found another jewel of an item. | 0:09:01 | 0:09:04 | |
-What have you got there? -I like this. -Can I have a look? | 0:09:04 | 0:09:07 | |
It is such a beautiful colour. I'm not sure what it is. | 0:09:07 | 0:09:10 | |
I can't smell anything. Oh, hi, John. | 0:09:10 | 0:09:12 | |
Ah, Jennie, you've found Jonty. | 0:09:12 | 0:09:14 | |
-What have I found? -A well. | 0:09:14 | 0:09:16 | |
-A well? -It's an inkwell. | 0:09:16 | 0:09:18 | |
An inkwell. | 0:09:18 | 0:09:20 | |
Paula wants to put this to auction, and I'm not sure. | 0:09:20 | 0:09:24 | |
You are absolutely right, it is an inkwell. The band that wraps around | 0:09:24 | 0:09:29 | |
the outside of it is made of pewter. | 0:09:29 | 0:09:31 | |
Pewter gives the date away when this was made because pewter was used | 0:09:31 | 0:09:36 | |
heavily in the Art Nouveau period. | 0:09:36 | 0:09:38 | |
-This is what we're looking at here. -Wow. -OK. -Art nouveau around | 0:09:38 | 0:09:41 | |
the turn of the century, so this is roughly 100 years in date. | 0:09:41 | 0:09:45 | |
-And what's the lid? -Well, that's brass, but it's stylised... | 0:09:45 | 0:09:50 | |
First of all, it sort of looks like a nut, but its not, | 0:09:50 | 0:09:54 | |
it's actually probably the leaves of the lily because around the outside | 0:09:54 | 0:09:59 | |
we are looking at stylised lilies. | 0:09:59 | 0:10:02 | |
-Ah! -So it's a different interpretation | 0:10:02 | 0:10:04 | |
of a stylised lily just on the lid there. | 0:10:04 | 0:10:07 | |
So what do you reckon its worth? | 0:10:07 | 0:10:09 | |
-Purely a guess, £150? -OK. Jennie, what do you reckon? | 0:10:09 | 0:10:13 | |
Well, I'd say £80. | 0:10:13 | 0:10:16 | |
Well, Jennie, you are closer. In fact, that's the kind of figure | 0:10:16 | 0:10:22 | |
I would put around the £100 mark, say £80 to £120. | 0:10:22 | 0:10:25 | |
So have we twisted your arm? | 0:10:25 | 0:10:28 | |
Well, I don't know. | 0:10:28 | 0:10:30 | |
Paula, she wants to get rid of it. | 0:10:30 | 0:10:33 | |
I'm really not sure and I'd like to think about it still. | 0:10:33 | 0:10:38 | |
Oh, dear, I hope we're not going to start a domestic dispute here, | 0:10:38 | 0:10:42 | |
-with Paula wanting it to go. -I know, I know, but I will... | 0:10:42 | 0:10:46 | |
-Think about it. -I will. I'll give that some thought. -OK. | 0:10:46 | 0:10:49 | |
So we will have to wait until the sale | 0:10:49 | 0:10:52 | |
to see if the inkwell will be sold. | 0:10:52 | 0:10:54 | |
One item John is happy to part with is this decorative pocket watch. | 0:10:54 | 0:10:59 | |
Encased in 18 carat gold, this Swiss timepiece is still | 0:10:59 | 0:11:02 | |
in good working order and Jonty thinks £80 is a fair price. | 0:11:02 | 0:11:07 | |
And in the shed, | 0:11:07 | 0:11:09 | |
he's found another candidate to help raise a few more pounds. | 0:11:09 | 0:11:12 | |
Paula, I have spotted the smallest vanity case I think I have ever seen. | 0:11:12 | 0:11:19 | |
-It's tiny. -Oh, yeah. -It's a leather case, | 0:11:19 | 0:11:21 | |
got a monogram on the top there. Do you know who it belongs to? | 0:11:21 | 0:11:24 | |
Yes, it was my great-aunt, Alice Mary Bishop. | 0:11:24 | 0:11:27 | |
-A.M.B. -Right. | 0:11:27 | 0:11:29 | |
I believe it was given to her by her, I think it was her fiance, | 0:11:29 | 0:11:35 | |
sometime before the First World War. | 0:11:35 | 0:11:38 | |
And what happened to him? | 0:11:38 | 0:11:39 | |
He didn't come back. | 0:11:39 | 0:11:41 | |
It really is in perfect condition. | 0:11:41 | 0:11:43 | |
And if we have a look closely on the inside, | 0:11:43 | 0:11:45 | |
the only thing that is damaged is the tiny bevelled mirror at the back. | 0:11:45 | 0:11:50 | |
For my money that's fine, because a small little bevelled mirror | 0:11:50 | 0:11:54 | |
like that will be fine to replace. | 0:11:54 | 0:11:56 | |
-Right. -What is almost impossible to do | 0:11:56 | 0:11:58 | |
is to replace one of these little bottles here, or even a brush. | 0:11:58 | 0:12:03 | |
Now this is bristle, which is lovely to see, | 0:12:03 | 0:12:06 | |
because really by the time of the Second World War | 0:12:06 | 0:12:09 | |
animal bristle was turned into man-made bristle. | 0:12:09 | 0:12:13 | |
But this here has to be Edwardian and in really very good order. | 0:12:13 | 0:12:17 | |
Because it's so small, I think it holds against it | 0:12:17 | 0:12:21 | |
when it comes to value. So we're talking, sort of, £40 to £60. | 0:12:21 | 0:12:25 | |
-Are you happy to put that in? -Yeah, that's fine. | 0:12:25 | 0:12:27 | |
OK, well, I'll close the box of memories. | 0:12:27 | 0:12:30 | |
Do you know, this flat seems to be stacked with family treasures! | 0:12:30 | 0:12:34 | |
Paula's pulled out another keepsake. | 0:12:34 | 0:12:37 | |
This squeeze box belonged to John's father and hopefully it could bring | 0:12:37 | 0:12:42 | |
us £50 closer to our target of £500. | 0:12:42 | 0:12:45 | |
We've certainly covered a lot of ground today but it looks as if | 0:12:45 | 0:12:48 | |
there might be time to squeeze in one more find. | 0:12:48 | 0:12:51 | |
Guys, have a look at this picture. | 0:12:51 | 0:12:53 | |
Oh, found something good? I hope so, because I'm exhausted. | 0:12:53 | 0:12:56 | |
This is wonderful, look at this. | 0:12:56 | 0:12:58 | |
I am just going to take it out of its frame because the frame has no | 0:12:58 | 0:13:01 | |
relationship to the picture itself. If you see here, it's signed. | 0:13:01 | 0:13:05 | |
That looks like Henry Kaufmann. | 0:13:05 | 0:13:08 | |
It's great that we've got the signature, | 0:13:08 | 0:13:11 | |
because he's a known artist. And we've got the date, | 0:13:11 | 0:13:14 | |
we are talking 1889. We are looking at continental oil on board, here. | 0:13:14 | 0:13:20 | |
If you look at the detail of her facial features, | 0:13:20 | 0:13:23 | |
if you look at the detail of her proportion of her body and head, | 0:13:23 | 0:13:26 | |
the way she sits, the way the light falls onto her facial features, | 0:13:26 | 0:13:30 | |
which is the whole point of doing any human imagery, | 0:13:30 | 0:13:34 | |
it's the face that matters more often than not. | 0:13:34 | 0:13:37 | |
-Well, what's it worth? -My hunch for the value of this picture, | 0:13:37 | 0:13:42 | |
-on the market, ranges between £500 and £800. -Wow. | 0:13:42 | 0:13:47 | |
But I will need that clarified with some more research because | 0:13:47 | 0:13:51 | |
I also need to check to see what the artist has done on the open market. | 0:13:51 | 0:13:55 | |
That will give us more of an indication of the true value | 0:13:55 | 0:13:58 | |
-of this picture. -OK, I won't put the inkwell into our calculations | 0:13:58 | 0:14:02 | |
-because you're not quite sure. -Yeah, I'm not sure. | 0:14:02 | 0:14:04 | |
-WHISPERING -He doesn't want to sell it. | 0:14:04 | 0:14:07 | |
However, that's £80, so we'll put that £80 to one side. | 0:14:07 | 0:14:10 | |
Without the inkwell we hope you will make, not £500, but £1,000. | 0:14:10 | 0:14:15 | |
-That's a lot. -That's really good. | 0:14:15 | 0:14:17 | |
-Are you happy with that? -That should make a good day out. | 0:14:17 | 0:14:20 | |
-Yeah. -Night, weekend, even! | 0:14:20 | 0:14:24 | |
It's been a rummage full of revelations today | 0:14:24 | 0:14:26 | |
and Paula and John have some great objects to take to auction. | 0:14:26 | 0:14:30 | |
They include the silver plated spirit kettle, | 0:14:30 | 0:14:34 | |
a fine example of a late-19th century tea service | 0:14:34 | 0:14:37 | |
We are hoping it will bring us between £40 and £60 | 0:14:37 | 0:14:41 | |
And a glass inkwell, a delightful example of Art Nouveau detailing, | 0:14:41 | 0:14:45 | |
but will it make it to the auction? | 0:14:45 | 0:14:47 | |
We'll have to wait till the big day itself to find out. | 0:14:47 | 0:14:52 | |
Still to come on Cash in the Attic, | 0:14:54 | 0:14:56 | |
it seems that looks are very important. | 0:14:56 | 0:14:59 | |
Should have polished it. | 0:14:59 | 0:15:00 | |
But, as they say, beauty is in the eye of the beholder. | 0:15:02 | 0:15:06 | |
-Proving small is beautiful. -Yeah. | 0:15:06 | 0:15:09 | |
Will everything be coming up rosy? | 0:15:10 | 0:15:11 | |
Find out when the final hammer falls. | 0:15:11 | 0:15:13 | |
It's a few weeks now since we uncovered that lovely selection | 0:15:19 | 0:15:22 | |
of antiques at John and Paula's flat, and today we've brought them | 0:15:22 | 0:15:26 | |
all the way from Bristol to Sudbury, Suffolk, | 0:15:26 | 0:15:29 | |
and to Sworders-Oliver's auction house. | 0:15:29 | 0:15:31 | |
Remember, the McConnells are after £500 for a family day out in London | 0:15:31 | 0:15:35 | |
where their daughter, Lucy, is at university. So let's see | 0:15:35 | 0:15:39 | |
if those heirlooms can win the day, when they go under the hammer. | 0:15:39 | 0:15:44 | |
There are a few people here already looking for bargains. | 0:15:45 | 0:15:48 | |
Jonty's here bright and early, too, and he seems in fine spirits. | 0:15:48 | 0:15:52 | |
-Hey. -Ah, Jennie. -I love that one, I really do. -Good fun, isn't it? | 0:15:52 | 0:15:56 | |
Yes. Actually it looks less clean than it did when we saw it last. | 0:15:56 | 0:15:59 | |
When it comes to silver or silver plate, it doesn't matter when it | 0:15:59 | 0:16:02 | |
comes to the auction room because everyone knows, if you're a dealer, | 0:16:02 | 0:16:06 | |
-it all cleans up and it's all fine. -They had some beautiful items, | 0:16:06 | 0:16:10 | |
a lot of them very small. The inkwell, do you think | 0:16:10 | 0:16:13 | |
-they brought that? -I hope so, it's a beautiful object. | 0:16:13 | 0:16:16 | |
Don't know, it was going to be a bit of tussle. Let's find out, | 0:16:16 | 0:16:19 | |
I think they might have arrived. | 0:16:19 | 0:16:22 | |
With such a variety on offer it promises to be an interesting sale. | 0:16:22 | 0:16:25 | |
If you are planning to buy or sell at auction then please | 0:16:25 | 0:16:28 | |
remember that commission and other charges will apply. | 0:16:28 | 0:16:31 | |
So always check the details with the sale room. | 0:16:31 | 0:16:34 | |
Paula's here, and she's introduced a new friend into the mix. | 0:16:34 | 0:16:38 | |
-Good morning, Paula. -Hi. -You brought the inkwell. | 0:16:40 | 0:16:43 | |
-I'm so pleased about that. -That's lovely, fantastic. | 0:16:43 | 0:16:46 | |
-You're not John. -Where's John? | 0:16:46 | 0:16:47 | |
-No, I'm Tanya, John's working today, so he couldn't make it. -Oh, welcome. | 0:16:47 | 0:16:52 | |
-Thank you very much. -It's great you've brought the inkwell | 0:16:52 | 0:16:55 | |
but I've got some distressing, well, disappointing, | 0:16:55 | 0:16:58 | |
news about the oil painting. | 0:16:58 | 0:17:00 | |
Had a good chat with the auctioneer but his opinion is that his estimate | 0:17:00 | 0:17:05 | |
will be £200 to £300, which is a lot less than I put on it. | 0:17:05 | 0:17:08 | |
I think we'll keep it. | 0:17:08 | 0:17:10 | |
I'd rather not risk losing it, because John's very fond of it. | 0:17:10 | 0:17:15 | |
-It does leave a bit of a hole, I must admit. -Yes. | 0:17:15 | 0:17:17 | |
-How much we were hoping for it? -Up to £800. -Chasm, a chasm we have! | 0:17:17 | 0:17:22 | |
However, you've got some very nice items, and they've just got | 0:17:22 | 0:17:26 | |
to do really well, haven't they? | 0:17:26 | 0:17:28 | |
Yes. Everything's got to sell, and sell well. | 0:17:28 | 0:17:30 | |
Otherwise you'll be having a day out in London in a shop doorway. | 0:17:30 | 0:17:34 | |
Yeah. | 0:17:34 | 0:17:35 | |
And we don't want that, do we? | 0:17:35 | 0:17:38 | |
-No. -OK. Fingers crossed, all will go well. | 0:17:38 | 0:17:40 | |
Let's go and get a good spot for the start of the sale. Come on. | 0:17:40 | 0:17:44 | |
Without our star item the pressure is well and truly on. | 0:17:46 | 0:17:50 | |
I really don't want my prediction coming true, | 0:17:50 | 0:17:53 | |
so we've got our work cut out. On the bright side with some fine antiques in our haul, | 0:17:53 | 0:17:58 | |
we still have a chance of achieving our target of £500. | 0:17:58 | 0:18:02 | |
Items like the pewter encased Art Nouveau inkwell. | 0:18:02 | 0:18:05 | |
John was certainly reluctant to part with it. | 0:18:05 | 0:18:08 | |
You brought it, and now you might be saying farewell to your inkwell. | 0:18:08 | 0:18:12 | |
It's a very lovely piece. Did you have a lot of heartache | 0:18:12 | 0:18:16 | |
-over whether to bring it or not? -Yes, because John's very fond | 0:18:16 | 0:18:20 | |
of that, but we hope it gets a good price. | 0:18:20 | 0:18:22 | |
And I'm starting this at 60... | 0:18:22 | 0:18:26 | |
60, I'm bid... five... 70... | 0:18:26 | 0:18:28 | |
five... 80... | 0:18:28 | 0:18:30 | |
five... 90... | 0:18:30 | 0:18:32 | |
five... I'm out. 95 on my left. | 0:18:32 | 0:18:34 | |
Selling at 95. | 0:18:34 | 0:18:38 | |
-Very good. -Good, £95. -She's happy! | 0:18:38 | 0:18:43 | |
That's an encouraging start | 0:18:43 | 0:18:45 | |
and £15 above Jonty's lowest estimate. | 0:18:45 | 0:18:48 | |
Let's hope our next lot, | 0:18:48 | 0:18:50 | |
the Edwardian vanity case, does just as well. | 0:18:50 | 0:18:53 | |
I know for you it's got so many memories, hasn't it? | 0:18:53 | 0:18:56 | |
Yes, it was my great-aunt's and it was given to her by her fiance | 0:18:56 | 0:19:00 | |
who went off in the First World War and never came back. | 0:19:00 | 0:19:03 | |
20 start. At 20... | 0:19:03 | 0:19:05 | |
at £20... 22... 25... 28... 30... | 0:19:05 | 0:19:09 | |
32... 35... | 0:19:09 | 0:19:11 | |
38... 38 at the back. 40... | 0:19:11 | 0:19:15 | |
42... 45... | 0:19:15 | 0:19:18 | |
45, sitting down. | 0:19:18 | 0:19:20 | |
48... on my extreme left. | 0:19:20 | 0:19:24 | |
At £48, all finished and done at £48. | 0:19:24 | 0:19:28 | |
Well, thanks to Paula's great-aunt, we have a fine result and it is nice | 0:19:30 | 0:19:35 | |
to know the money will go into the pot towards a family reunion. | 0:19:35 | 0:19:38 | |
Next under the hammer is the Victorian coin purse | 0:19:38 | 0:19:41 | |
with an estimate of £30 to £40. | 0:19:41 | 0:19:44 | |
Lot 18, is the stocking purse. | 0:19:44 | 0:19:48 | |
-And I'm bid 22...to start this. -Not bad. -25... 28... | 0:19:48 | 0:19:55 | |
30... two... | 0:19:55 | 0:19:57 | |
with me at 32. At £32. | 0:19:57 | 0:19:59 | |
-£32, that's fine. -At £32, have you all finished and done? | 0:19:59 | 0:20:05 | |
I'm selling at £32. | 0:20:05 | 0:20:08 | |
-I hope you're happy with that. -Yeah, that's fine. | 0:20:09 | 0:20:12 | |
That's definitely one of you who has got a decent meal in London. | 0:20:12 | 0:20:16 | |
We don't have to wait long for one of my favourite items, | 0:20:18 | 0:20:21 | |
the pretty silver kettle, which sells... | 0:20:21 | 0:20:24 | |
I'm selling at £38. | 0:20:24 | 0:20:26 | |
Just short of its estimate. | 0:20:26 | 0:20:28 | |
You should have polished it! | 0:20:28 | 0:20:30 | |
No, wouldn't have made any difference. | 0:20:32 | 0:20:34 | |
I was getting brassed off with it. | 0:20:34 | 0:20:37 | |
After that run of sales, we've made £213, that's nearly halfway | 0:20:37 | 0:20:42 | |
to our target for that day out in London, | 0:20:42 | 0:20:45 | |
and we've only sold four items so far. | 0:20:45 | 0:20:48 | |
Our next lot is an Edwardian gem. | 0:20:48 | 0:20:51 | |
And I'm starting this at 40... | 0:20:53 | 0:20:55 | |
Five... 50... Five... 60... | 0:20:55 | 0:20:59 | |
-Five... 70... -Brilliant. -Five... | 0:20:59 | 0:21:04 | |
80... Five... 90... Five... | 0:21:04 | 0:21:09 | |
95 on my left, at 95... | 0:21:09 | 0:21:12 | |
£95. | 0:21:12 | 0:21:15 | |
Have you all finished and done with that at £95? | 0:21:15 | 0:21:18 | |
-That's good. -Well done. -Proving small is beautiful. | 0:21:19 | 0:21:22 | |
At £15 over the lower estimate that tucked away a pretty penny. | 0:21:24 | 0:21:28 | |
Our next item is not your usual antique. | 0:21:28 | 0:21:32 | |
John's father used to play when he was younger. | 0:21:32 | 0:21:35 | |
When he got old he couldn't lift it so he stopped playing it. | 0:21:35 | 0:21:38 | |
I'm starting this at 30... | 0:21:38 | 0:21:39 | |
£30 I'm bid, at 30... 32... 35... | 0:21:41 | 0:21:45 | |
38... 40... | 0:21:45 | 0:21:46 | |
at £40, with me at 40... | 0:21:46 | 0:21:48 | |
42... I'm out. 42... | 0:21:48 | 0:21:50 | |
on my right, at £42 on my right. | 0:21:50 | 0:21:55 | |
Are you all finished and done? I am going to let it go at £42. | 0:21:56 | 0:22:01 | |
Selling at £42. | 0:22:01 | 0:22:03 | |
You've got your grumpy face on now. | 0:22:04 | 0:22:07 | |
Well, it's the most disappointing sale so far but really £8 under | 0:22:09 | 0:22:13 | |
the lowest estimate isn't so bad. | 0:22:13 | 0:22:15 | |
Our next lot is a bit of a contradiction. | 0:22:15 | 0:22:18 | |
A highly decorative gentleman's ring. | 0:22:18 | 0:22:21 | |
It's very ornate for a man's ring. | 0:22:21 | 0:22:23 | |
So no-one you know has ever actually worn it? | 0:22:23 | 0:22:26 | |
My mother used to wear it, but not very often. | 0:22:26 | 0:22:29 | |
And I'm starting this at 45... | 0:22:29 | 0:22:33 | |
45, I'm bid. At £45. | 0:22:33 | 0:22:36 | |
50... Five... | 0:22:36 | 0:22:38 | |
60... Five... | 0:22:38 | 0:22:42 | |
70... 70... At the back at 70... | 0:22:42 | 0:22:44 | |
at £70. | 0:22:44 | 0:22:47 | |
If you've all finished and done. I'm going to let it go at 70. | 0:22:47 | 0:22:52 | |
Sold for £70. | 0:22:52 | 0:22:54 | |
Just under the estimate. | 0:22:54 | 0:22:55 | |
What was the estimate? | 0:22:55 | 0:22:57 | |
The bottom end was £80. | 0:22:57 | 0:22:59 | |
What do you think? | 0:22:59 | 0:23:00 | |
Yeah, that's OK, | 0:23:00 | 0:23:02 | |
it just sits in my jewellery box and I shall never wear it. | 0:23:02 | 0:23:06 | |
So it's a little short of Jonty's £80 estimate but we are slowly | 0:23:06 | 0:23:11 | |
and steadily totting up the cash towards our target of £500 | 0:23:11 | 0:23:14 | |
for a family break in London. | 0:23:14 | 0:23:17 | |
We are hoping our next lot will do well. Antiques like this are popular | 0:23:17 | 0:23:21 | |
with interior designers and collectors, | 0:23:21 | 0:23:24 | |
-so will they raise their hands? -I'm starting this at 50... | 0:23:24 | 0:23:27 | |
50... I'm bid. At 50... At £50... | 0:23:27 | 0:23:31 | |
55... 60... Five... 70... At £70. | 0:23:31 | 0:23:35 | |
With me at 70... Selling at £70. | 0:23:35 | 0:23:39 | |
That was disappointing, that was £30 below my bottom-end estimate. | 0:23:40 | 0:23:45 | |
We have had a run of items falling short of their estimates but we have | 0:23:45 | 0:23:50 | |
one last lot to go and with its 18 carat gold casing | 0:23:50 | 0:23:53 | |
we are hoping for great things from this little watch. | 0:23:53 | 0:23:57 | |
Do you think it's going to sell? | 0:23:57 | 0:23:59 | |
I think so, yes. I saw somebody looking very interested at it | 0:23:59 | 0:24:02 | |
when I was looking at the items. | 0:24:02 | 0:24:04 | |
I'm going to start this at 60... | 0:24:04 | 0:24:07 | |
Five... 70... Five... 80... | 0:24:07 | 0:24:09 | |
Five... 90... Five... 100... | 0:24:09 | 0:24:13 | |
Five... I'm out... 105... | 0:24:13 | 0:24:15 | |
On my left. At 105... Ten... | 0:24:15 | 0:24:19 | |
15... | 0:24:19 | 0:24:21 | |
115... | 0:24:21 | 0:24:23 | |
at £115... On my left at 115... | 0:24:23 | 0:24:27 | |
If you've all finished and done at £115... | 0:24:27 | 0:24:31 | |
Now, that's more like it! | 0:24:33 | 0:24:35 | |
We're right up there mid-estimate and it's a sizeable sum, too. | 0:24:35 | 0:24:38 | |
But was it enough to reach our target of £500? | 0:24:38 | 0:24:42 | |
-Well, do you think you made your target? -Yes. -No. | 0:24:42 | 0:24:48 | |
A yes, and a no. We have a split decision. | 0:24:48 | 0:24:50 | |
-Well, I'm going to tell you that you have. -Oh, wow. | 0:24:50 | 0:24:53 | |
-You have made more £500. -Oh, really. | 0:24:53 | 0:24:55 | |
Yes. It's all totalled up to £605. | 0:24:55 | 0:24:59 | |
-Oh. -Without the picture. | 0:24:59 | 0:25:02 | |
We got there without the picture, how about that? | 0:25:02 | 0:25:04 | |
Yeah, that's brilliant. I didn't expect it to be as much as that. | 0:25:04 | 0:25:08 | |
It may be a grey day in London, | 0:25:13 | 0:25:16 | |
but Paula's just happy to be with her daughter, Lucy. | 0:25:16 | 0:25:20 | |
I've been wanting to do this for ages, | 0:25:20 | 0:25:22 | |
just to spend some time with Lucy, to look at the sights of London | 0:25:22 | 0:25:27 | |
and enjoy some time together, so here we are. | 0:25:27 | 0:25:30 | |
And the ladies are certainly making the most of their time together, | 0:25:30 | 0:25:34 | |
taking in some of the capital's top attractions. | 0:25:34 | 0:25:37 | |
Wow, it's fantastic. | 0:25:37 | 0:25:41 | |
And they are soon riding high. | 0:25:41 | 0:25:43 | |
Is the Queen in, I wonder? | 0:25:43 | 0:25:45 | |
The flag's not up, so I guess she's not in. | 0:25:45 | 0:25:48 | |
I've always wanted to come on here, but, living in London, | 0:25:48 | 0:25:51 | |
you never get to do all the touristy attractions, so it's a good chance | 0:25:51 | 0:25:54 | |
to come and do something like that with Mum. | 0:25:54 | 0:25:58 | |
But they're not stopping there, they are taking to the river | 0:25:58 | 0:26:01 | |
for a totally different view of London. | 0:26:01 | 0:26:03 | |
It's a very special mother-and-daughter day. | 0:26:03 | 0:26:06 | |
It's been a really nice day. | 0:26:07 | 0:26:10 | |
I've spent time with Lucy, having a look at the London sights. | 0:26:10 | 0:26:13 | |
Weather could have been a bit better. We've spent a bit of money | 0:26:13 | 0:26:17 | |
and we're going to have a really nice girlie day together | 0:26:17 | 0:26:20 | |
and then I'm going to go home and tell John all about it. | 0:26:20 | 0:26:24 | |
I'm sure he wished he could have come but he couldn't. | 0:26:24 | 0:26:28 | |
That was a great result and a great day out for Paula and Lucy. | 0:26:34 | 0:26:37 | |
If you would like to raise money for something special | 0:26:37 | 0:26:40 | |
and you think you might have some collectibles or antiques hidden | 0:26:40 | 0:26:44 | |
around your home, then why not apply to come on the show? | 0:26:44 | 0:26:47 | |
You can find all the details on line at bbc.co.uk. | 0:26:47 | 0:26:50 | |
Good luck, and maybe see you next time on Cash In The Attic. | 0:26:50 | 0:26:55 | |
Subtitling by Red Bee Media Ltd | 0:27:12 | 0:27:15 | |
Email [email protected] | 0:27:15 | 0:27:18 |