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Welcome to Cash In The Attic. We're in Worcestershire, | 0:00:02 | 0:00:04 | |
a county famous for Royal Worcester China, but also famous for this charming little cottage. | 0:00:04 | 0:00:09 | |
This is the birthplace of a man synonymous with all things great and British. | 0:00:09 | 0:00:14 | |
One of our most famous composers, Sir Edward Elgar. | 0:00:14 | 0:00:17 | |
Born in this tradesmen's cottage in 1857, Sir Edward Elgar was a largely self-taught musician. | 0:00:19 | 0:00:25 | |
A uniquely British composer, he began writing music from an early age, | 0:00:25 | 0:00:29 | |
inspired by the life and landscape around him. | 0:00:29 | 0:00:33 | |
The museum is brimming with memorabilia and was set up by Elgar's daughter in 1934. | 0:00:33 | 0:00:38 | |
Since then, the exhibition of his life and works has grown steadily. | 0:00:38 | 0:00:43 | |
Such was Elgar's fame, and now national importance, | 0:00:43 | 0:00:47 | |
that he's even made it on to the back of a £20 note. | 0:00:47 | 0:00:50 | |
Let's hope there's plenty more where this came from as we go in search of antiques to take to auction. | 0:00:50 | 0:00:55 | |
Today on Cash In The Attic, have we found a new expert? | 0:01:18 | 0:01:22 | |
-I think for the pair... -30 quid? | 0:01:22 | 0:01:24 | |
Yeah. She's got it all. She has got it all! | 0:01:24 | 0:01:28 | |
And he keeps hitting a bum note. | 0:01:28 | 0:01:31 | |
DISCORDANT NOTES | 0:01:31 | 0:01:32 | |
-James! -Will he get through the day? | 0:01:32 | 0:01:36 | |
Let's hope that people are still interested in drinking. | 0:01:36 | 0:01:40 | |
Find out when the final hammer falls. | 0:01:40 | 0:01:42 | |
Leaving the Elgar museum behind me, | 0:01:45 | 0:01:47 | |
I'm on my way to meet Melissa and Meg Cox, | 0:01:47 | 0:01:49 | |
a mother and daughter combination who've called in Cash in the Attic | 0:01:49 | 0:01:52 | |
to raise money for something fittingly musical. | 0:01:52 | 0:01:56 | |
This beautiful barn conversion in the Malverns is home | 0:01:57 | 0:02:01 | |
to Turkish-born Meg Cox and her 17-year-old daughter Melissa. | 0:02:01 | 0:02:05 | |
She's been completely blind from an early age, but it hasn't stopped her pursuing her passion for music. | 0:02:05 | 0:02:11 | |
Both Meg and Melissa are antique enthusiasts | 0:02:11 | 0:02:14 | |
and there is evidence everywhere of their auction purchases. | 0:02:14 | 0:02:17 | |
-Morning, James. -Morning. -How are you, mate? | 0:02:19 | 0:02:21 | |
-I'm fine. -I thought I'd bring you to a bit of countryside, what do you think? | 0:02:21 | 0:02:25 | |
It's glorious round here. I'm loving it. | 0:02:25 | 0:02:27 | |
Wait till you get inside that house there, because as you can see, it's a beautiful home, | 0:02:27 | 0:02:32 | |
and it's full of fantastic pieces. We're in the heart of Worcestershire. | 0:02:32 | 0:02:36 | |
Maybe even Worcester China for you. | 0:02:36 | 0:02:38 | |
-That is one of my favourite factories. Let's find out. -Come on. | 0:02:38 | 0:02:41 | |
Whoa, this is all right, isn't it? | 0:02:45 | 0:02:46 | |
It's nice and light and airy. | 0:02:46 | 0:02:48 | |
If you don't find something in here... | 0:02:48 | 0:02:51 | |
No pressure(!) | 0:02:51 | 0:02:54 | |
Now that sounds absolutely beautiful. Melissa, nice to see you. | 0:02:56 | 0:03:00 | |
Hello, Meg, how are you? Now what's all the fuss about? Why have you called Cash In The Attic | 0:03:00 | 0:03:05 | |
-to help you? -Well, I'm looking to get a twelve-string guitar. | 0:03:05 | 0:03:11 | |
A twelve-string guitar? But Meg, looking around here, there are umpteen guitars. | 0:03:11 | 0:03:15 | |
There's one missing, but yes. | 0:03:15 | 0:03:17 | |
What would a twelve-string allow you to do that you can't do with this collection here? | 0:03:17 | 0:03:22 | |
You can play faster. | 0:03:22 | 0:03:24 | |
You've got so much more flexibility. It's louder. | 0:03:24 | 0:03:27 | |
Now, Mum, tell me, how much is this guitar likely to cost us, do you think? | 0:03:27 | 0:03:32 | |
It should cost around £600. | 0:03:32 | 0:03:35 | |
Now, £600 in some areas doesn't sound a lot. | 0:03:35 | 0:03:38 | |
You've got lots and lots of antiques and bits and pieces in your lovely home, Meg. | 0:03:38 | 0:03:42 | |
Supposing we got some change, would you get anything out of this? | 0:03:42 | 0:03:46 | |
I'm sure Melissa has another something up her sleeve that she would like. | 0:03:46 | 0:03:50 | |
Well, I had, but... | 0:03:52 | 0:03:55 | |
I'd like to go to one of the Elton John concerts in Birmingham. | 0:03:55 | 0:03:59 | |
How much would a ticket to his concert cost you, do you think? | 0:03:59 | 0:04:04 | |
About 500, cos it's late. If we booked last year, it would be cheaper. | 0:04:04 | 0:04:07 | |
£500 even now would suggest you're going to get a fairly good seat for that kind of money. | 0:04:07 | 0:04:12 | |
Yeah. The front seat would be preferable, right next to his piano. | 0:04:12 | 0:04:15 | |
James is rooting round your house as we speak, so I think we should see how he's getting on. | 0:04:15 | 0:04:20 | |
-Where is he? -Let's go and find him. Come on. | 0:04:20 | 0:04:22 | |
Let me take your hand. Let's go and have a look. | 0:04:22 | 0:04:25 | |
With 30 years in the business, James Rylands is already getting ahead of himself. | 0:04:25 | 0:04:31 | |
-Here he is. James, rooting away, what have you got there? -What did you find? | 0:04:31 | 0:04:36 | |
I'll tell you what, Melissa, you grab that. | 0:04:36 | 0:04:38 | |
And maybe you could give us some information on it. | 0:04:38 | 0:04:41 | |
Well, it's a statue of a person. | 0:04:43 | 0:04:45 | |
We bought these at an auction about five or six years ago. | 0:04:45 | 0:04:49 | |
-They were actually listed as bronze, but they're not. -Great start. You're absolutely right. | 0:04:49 | 0:04:54 | |
It's a zinc alloy, I forget what it's called. | 0:04:54 | 0:04:58 | |
You're absolutely right. It's called spelter. | 0:04:58 | 0:05:00 | |
-If it was bronze, you wouldn't get the seam, for a start. There's one... -Yeah, you got it. | 0:05:00 | 0:05:06 | |
Melissa's giving you a run for your money! | 0:05:06 | 0:05:08 | |
I've been done out of a job here! I really have! I think it's amazing. | 0:05:08 | 0:05:13 | |
-I don't like him much, but... -I agree with you there as well. | 0:05:13 | 0:05:17 | |
I'm hugely impressed. | 0:05:17 | 0:05:19 | |
Well, what have we got here? We've got a pair of busts | 0:05:19 | 0:05:23 | |
of a sort of Eastern gentleman and this lady, | 0:05:23 | 0:05:26 | |
who I would call an odalisque, | 0:05:26 | 0:05:28 | |
and that is an Eastern, maybe Turkish, which is a nice connection. | 0:05:28 | 0:05:32 | |
-I think for the pair... -30 quid? | 0:05:32 | 0:05:34 | |
Yes. She's got it all. She has got it all! | 0:05:34 | 0:05:37 | |
-Have you done this before? -They are £20 or £30. | 0:05:37 | 0:05:40 | |
They are 20th-century spelter copies of 19th-century originals. | 0:05:40 | 0:05:45 | |
Well, 20 to 30 quid, I mean, it's a start. | 0:05:45 | 0:05:48 | |
Does that get us a couple of strings on our guitar, do you think? | 0:05:48 | 0:05:51 | |
Just got to get the body and the bits of wood. | 0:05:51 | 0:05:53 | |
-We'd better go and find them, in that case. -Come on, after you. | 0:05:53 | 0:05:57 | |
There are stacks and stacks of things here. | 0:05:57 | 0:05:59 | |
This handsome pair of Victorian Staffordshire vases might attract attention | 0:05:59 | 0:06:04 | |
at auction at between 80 and £100. | 0:06:04 | 0:06:07 | |
I'm really enjoying the atmosphere in this house. | 0:06:07 | 0:06:09 | |
It's so tranquil, but it looks like Melissa's found something that's a reminder of less peaceful times. | 0:06:09 | 0:06:15 | |
Cool, didn't know I had these. | 0:06:15 | 0:06:18 | |
Now what have we got here? A couple of medals? | 0:06:18 | 0:06:20 | |
Well, they're Turkish First World War. | 0:06:20 | 0:06:24 | |
Absolutely fantastic. | 0:06:24 | 0:06:26 | |
-They were civilian awards as well, but... -What do you think of those? | 0:06:26 | 0:06:31 | |
God, I haven't seen one of these for a while. | 0:06:31 | 0:06:33 | |
Basically, they're called Liyakats, and it was a medal, | 0:06:33 | 0:06:38 | |
a Turkish medal instituted in 1890. | 0:06:38 | 0:06:40 | |
And it wasn't just military, it wasn't like a war medal. | 0:06:40 | 0:06:44 | |
You could actually have it for civilians as well. | 0:06:44 | 0:06:47 | |
But what have we got here? | 0:06:47 | 0:06:49 | |
On one side, we've got the Turkish coat-of-arms for the Sultan, | 0:06:49 | 0:06:53 | |
and on the other side, there's an inscription in Turkish | 0:06:53 | 0:06:56 | |
that basically says that it's a medal of special merit | 0:06:56 | 0:07:00 | |
for those that have shown loyalty and bravery. | 0:07:00 | 0:07:03 | |
-That one's got a little silver clasp. -Would it have had a ribbon on it? | 0:07:03 | 0:07:07 | |
It would. And some of them actually had a clasp on it which actually had crossed sabres as well. | 0:07:07 | 0:07:12 | |
I think, on something like this, for the two, we'll probably put | 0:07:12 | 0:07:16 | |
quite a conservative value on them | 0:07:16 | 0:07:19 | |
because they are quite a specialist market, if you like. | 0:07:19 | 0:07:23 | |
So I'm thinking a come-buy-me estimate of say £40 to £60 for the two. | 0:07:23 | 0:07:28 | |
A mean estimate, and it can only go up. | 0:07:28 | 0:07:31 | |
A generous man to the core. There we are. | 0:07:31 | 0:07:33 | |
Put those in the pot. You want to carry on rummaging in there, Melissa? | 0:07:33 | 0:07:37 | |
Let's see what else we can find. | 0:07:37 | 0:07:39 | |
And so we'll battle on in a bid to find more objects for Melissa's twelve-string guitar. | 0:07:39 | 0:07:45 | |
There are lots of examples of Meg's Turkish heritage in the house. | 0:07:46 | 0:07:51 | |
This small wine jug and port decanter from the late 1800s | 0:07:51 | 0:07:54 | |
with a plated silver surround could mature into £50 to £80 at auction. | 0:07:54 | 0:07:58 | |
And on the landing, James is resting easy. | 0:07:58 | 0:08:02 | |
Bought in Turkey by Meg's grandfather in 1927 as a nursing chair, | 0:08:02 | 0:08:07 | |
James thinks this pair could fetch as much as £150 to £250. | 0:08:07 | 0:08:12 | |
We're making great progress with £340 towards our £500 target | 0:08:12 | 0:08:17 | |
to buy Melissa that twelve-string guitar. | 0:08:17 | 0:08:20 | |
But whilst Melissa keeps up the search, | 0:08:20 | 0:08:22 | |
Meg is up to something entirely different. | 0:08:22 | 0:08:25 | |
Meg, what on earth are you doing? | 0:08:25 | 0:08:30 | |
I'm just doing the Christmas Braille card - somebody has asked me to do it for them. | 0:08:30 | 0:08:34 | |
So Christmas Braille cards, what a fantastic idea. | 0:08:34 | 0:08:37 | |
And how many Braille cards do you make a year? | 0:08:37 | 0:08:41 | |
Just round Christmas week, I make over 300 because it's not just from England, | 0:08:41 | 0:08:45 | |
-they request them also from Canada, the United States, Australia. -Is it something Melissa helps you with? | 0:08:45 | 0:08:51 | |
Melissa sometimes helps me with it if she hasn't got a lot of school work to do. | 0:08:51 | 0:08:56 | |
But most of it I do myself. | 0:08:56 | 0:08:57 | |
Well, it's perfectly clear to me and everybody here today that Melissa is an extraordinary girl. | 0:08:57 | 0:09:03 | |
It clear that she does not let blindness get in the way of her life at all. | 0:09:03 | 0:09:07 | |
And if anything, it seems to kind of fuel her on. | 0:09:07 | 0:09:10 | |
I tried to get it into her that blindness is not a disability, | 0:09:10 | 0:09:14 | |
it is an ability that she needs to try and make the best of. | 0:09:14 | 0:09:17 | |
I had literally only three years to learn how to read and write Braille before she started school, | 0:09:17 | 0:09:22 | |
-so that I can help her. -It's a wonderful thing to do. | 0:09:22 | 0:09:24 | |
It's great too that Melissa clearly has a hand in this, but it's not about making cards today, is it? | 0:09:24 | 0:09:30 | |
We've got to find plenty of stuff to flog and see if we can get that guitar. | 0:09:30 | 0:09:34 | |
-Hopefully. -Hopefully. Right then, come on, let's have a look. | 0:09:34 | 0:09:38 | |
Meg is obviously an enterprising person and, | 0:09:39 | 0:09:43 | |
inspired after our chat, we're all fired up to continue the hunt. | 0:09:43 | 0:09:46 | |
Well, everyone except Melissa. | 0:09:49 | 0:09:51 | |
DISCORDANT NOTES | 0:09:53 | 0:09:56 | |
James! | 0:09:56 | 0:09:58 | |
Melissa, I think it's fair to say that you'd be able to play it better than I can. | 0:09:58 | 0:10:02 | |
Basically, accordions are members of the hand-held, bellows-driven free-reed aerophone family, | 0:10:02 | 0:10:08 | |
which sounds really complicated but basically everybody just calls it a squeeze box. | 0:10:08 | 0:10:13 | |
And this one's actually stamped Milano on the front here. | 0:10:13 | 0:10:16 | |
And that was from the Milano family, Francesco Milano, | 0:10:16 | 0:10:19 | |
who went to the United States early in the 20th century. | 0:10:19 | 0:10:23 | |
It's actually got this wonderful finish on it of simulated mother-of-pearl and then | 0:10:23 | 0:10:30 | |
shocking pink, all in plastic, which for the Fifties was a really wow material. | 0:10:30 | 0:10:36 | |
But tell me, why didn't you get on with it particularly? | 0:10:36 | 0:10:39 | |
Um...because it's quite a hard instrument to play. | 0:10:39 | 0:10:43 | |
I mean, organs are hard instruments to play because there are pedals and hands and things, | 0:10:43 | 0:10:48 | |
but accordion, it's a different principle altogether. | 0:10:48 | 0:10:51 | |
So what do we think it's worth? Well, bearing in mind we have got the original case that it goes in, | 0:10:51 | 0:10:56 | |
We're probably looking at something like 50 to £80, something like that. | 0:10:56 | 0:11:00 | |
That's good. I only paid 20 for it. | 0:11:00 | 0:11:02 | |
Oh, Melissa, you're in profit already! | 0:11:02 | 0:11:04 | |
I'm just going to put that down there. | 0:11:04 | 0:11:06 | |
My brief musical career is over. | 0:11:06 | 0:11:08 | |
I'm going to find something else and you can carry on making decent music. | 0:11:08 | 0:11:12 | |
It's a delight looking through this house. | 0:11:17 | 0:11:19 | |
Meg clearly made some good buys in the past. | 0:11:19 | 0:11:21 | |
This Worcester vase with a pheasant is a prime example of fine Victorian porcelain | 0:11:21 | 0:11:25 | |
and could fetch as much as 200 to £400 if there is an enthusiastic collector in the room. | 0:11:25 | 0:11:32 | |
Meg has also inherited all sorts of Turkish treasures. | 0:11:32 | 0:11:35 | |
Tell me about this mirror. | 0:11:35 | 0:11:38 | |
It's very nice. Where did it come from? | 0:11:38 | 0:11:40 | |
That got passed down from my grandmother. | 0:11:40 | 0:11:42 | |
This particular one's actually got a secret, hasn't it? | 0:11:42 | 0:11:45 | |
-Yes, they do. -If I take off this little | 0:11:45 | 0:11:47 | |
decorative boss here and turn it over, you have got the most fantastic decoration on the back there. | 0:11:47 | 0:11:56 | |
The idea was, you were considered vain if you looked in the mirror | 0:11:56 | 0:12:01 | |
more than two or three times a day. | 0:12:01 | 0:12:03 | |
And I think I can just see actually a hallmark up here. | 0:12:03 | 0:12:08 | |
Which actually says '900'. | 0:12:08 | 0:12:10 | |
So 900 out of 1000, 90% silver and the other 10% is made up of copper. | 0:12:10 | 0:12:17 | |
And date-wise, I would think it was probably made between the wars, | 0:12:17 | 0:12:21 | |
so probably 60 or 70 years old, something like that. | 0:12:21 | 0:12:25 | |
-So I guess these two on either side are also mirrored on the other side? -They are. | 0:12:25 | 0:12:29 | |
I actually have at least 8 or 9 of them. I absolutely love them. | 0:12:29 | 0:12:33 | |
-Are you happy to send one of them off to auction? -No, that's OK. | 0:12:33 | 0:12:36 | |
I've got some more that I can treasure on later on. | 0:12:36 | 0:12:39 | |
Well, what do we think about value? | 0:12:39 | 0:12:42 | |
I'm thinking, conservatively, I would think it's certainly going to be 60 to £100, so £30 on one side and £30 | 0:12:42 | 0:12:50 | |
-on the other, doesn't sound a lot, does it? -That sounds wonderful. -Good. | 0:12:50 | 0:12:53 | |
It's all adding up and, on reflection, Melissa has decided | 0:12:53 | 0:12:57 | |
that her favourite Elvis mirror | 0:12:57 | 0:12:59 | |
can join her mother's mirror at auction at between 30 and £40. | 0:12:59 | 0:13:03 | |
There's so much to see here but we do need one last item that will have a Midas touch. | 0:13:03 | 0:13:08 | |
James. | 0:13:08 | 0:13:11 | |
-Hi, Melissa. -Look at this. | 0:13:11 | 0:13:12 | |
Oh, now do you know what, that was what I was hoping to see, coming here, | 0:13:12 | 0:13:16 | |
near Worcester, because it's made by the Worcester porcelain factory. Where did it come from? | 0:13:16 | 0:13:22 | |
I don't know, but I think Mum does. | 0:13:22 | 0:13:24 | |
Mum! Mother! | 0:13:24 | 0:13:26 | |
-Hello. -Meg, I like it. Where did it come from? | 0:13:26 | 0:13:29 | |
I bought it from an auction house quite a number of years ago. | 0:13:29 | 0:13:33 | |
I did not realise at the time it was restored. | 0:13:33 | 0:13:35 | |
I can see actually it has got a bit of a restoration on it. | 0:13:35 | 0:13:38 | |
Tell you what I love is the gilding on the body here. | 0:13:38 | 0:13:41 | |
And it's actually gilding in relief, fantastic quality. | 0:13:41 | 0:13:45 | |
And then if I look on the bottom here, we can see the classic Worcester mark. | 0:13:45 | 0:13:50 | |
And this, I can see, has got a little S, and that means you can actually date it to the year 1881. | 0:13:50 | 0:13:57 | |
I think valuation on this, I've got to take into account the damage. | 0:13:57 | 0:14:01 | |
I think I'd be looking at an estimate of between 200 and £400. | 0:14:01 | 0:14:06 | |
That sounds absolutely excellent. | 0:14:06 | 0:14:08 | |
I should say that does sound absolutely excellent. | 0:14:08 | 0:14:10 | |
Well done, matey, 200 to £400? | 0:14:10 | 0:14:12 | |
I think that's halfway towards a guitar, isn't it? | 0:14:12 | 0:14:16 | |
Now then, the grand total though, of everything. We were chasing £600. | 0:14:16 | 0:14:20 | |
How much do think we've raised so far? | 0:14:20 | 0:14:22 | |
-Hopefully somewhere close by. -About that. -About that? | 0:14:22 | 0:14:26 | |
Well, I can tell you, including your estimate on that, on the jug, £880. | 0:14:26 | 0:14:34 | |
-Ooh! Very nice. -That's good, isn't it? | 0:14:34 | 0:14:37 | |
Not only is that the guitar, but it might be half way towards an Elton John ticket. | 0:14:37 | 0:14:41 | |
-Ooh, fantastic. -That's excellent. | 0:14:41 | 0:14:44 | |
I can feel you guys creeping towards the front row at this rate. | 0:14:44 | 0:14:48 | |
-So all we've got to do now, of course, is take it to an auction, James. -Sounds easy, doesn't it? | 0:14:48 | 0:14:53 | |
Wait and see when we get there. | 0:14:53 | 0:14:55 | |
We've kept time beautifully on our rummage and we're hoping our finds | 0:14:57 | 0:15:00 | |
will strike a note with the buyers at auction. | 0:15:00 | 0:15:03 | |
Our chorus line includes... | 0:15:03 | 0:15:05 | |
the 1950s plastic accordion with simulated mother of pearl, | 0:15:05 | 0:15:08 | |
which could squeeze out as much as £50 to £80. | 0:15:08 | 0:15:13 | |
The fine Ottoman-inspired Worcester jug with gilded decoration | 0:15:13 | 0:15:16 | |
could steal the show with an estimate of £200 to £400. | 0:15:16 | 0:15:22 | |
Still to come on Cash In The Attic, James has high expectations. | 0:15:22 | 0:15:28 | |
Well, I was hoping we'd get lots of notes for the accordion. | 0:15:28 | 0:15:32 | |
But is it one wish too far? | 0:15:32 | 0:15:34 | |
They're not bidding, because the prices so far have really been very low. | 0:15:34 | 0:15:39 | |
Find out when the hammer falls. | 0:15:39 | 0:15:41 | |
It's few weeks since we helped Meg and Melissa rummage through | 0:15:46 | 0:15:50 | |
their wonderful collection of antiques in Worcestershire, | 0:15:50 | 0:15:52 | |
which we've brought here to the Chiswick Auction Rooms in west London. | 0:15:52 | 0:15:56 | |
Now remember, Melissa is hoping to raise £600 or so | 0:15:56 | 0:15:59 | |
for a guitar, to help fuel her amazing musical talent. | 0:15:59 | 0:16:02 | |
So let's hope today's bidders are equally inspired, as we watch their items go under the hammer. | 0:16:02 | 0:16:07 | |
This west London auction house is generally humming with activity | 0:16:08 | 0:16:12 | |
but there aren't many people about today. | 0:16:12 | 0:16:15 | |
However, James Rylands is here, keen to squeeze maximum value out of our items. | 0:16:15 | 0:16:20 | |
-Morning, James. -Morning, Jules. -I thought the rummaging was over. You can't help yourself, can you? | 0:16:20 | 0:16:25 | |
The bonus is I'm not going to play it again. | 0:16:25 | 0:16:27 | |
Thank God for that. It's good to see the items here. | 0:16:27 | 0:16:30 | |
This goes very nicely with Melissa's passion for music, but lots of other items. We were in Worcestershire. | 0:16:30 | 0:16:36 | |
-Nice Worcestershire jug. -Yes, and also your favourite medals from Gallipoli. | 0:16:36 | 0:16:41 | |
My passion for militaria. Fantastic. | 0:16:41 | 0:16:43 | |
-How do you think we'll do? -Swings and roundabouts. | 0:16:43 | 0:16:46 | |
A few maybe not up to par but we'll make it up on the other ones. | 0:16:46 | 0:16:48 | |
-The gear's here. Let's see if the girls are here. -Yes, off we go. | 0:16:48 | 0:16:53 | |
Thank goodness the saleroom is beginning to fill up. | 0:16:53 | 0:16:57 | |
There are a few folks about but we do seem to be one down. | 0:16:57 | 0:17:00 | |
Meg is here but where's Melissa? | 0:17:00 | 0:17:02 | |
-Good morning, Meg. -Morning! -Oh, look, a kiss! | 0:17:04 | 0:17:06 | |
Don't I get one? | 0:17:06 | 0:17:08 | |
Kisses all round. Now, there is one thing missing from the picture I see before me and that is Melissa. | 0:17:08 | 0:17:15 | |
Melissa's sitting a GCSE exam today, I'm afraid. | 0:17:15 | 0:17:18 | |
An exam today? What a result that would be, if she passes the exam and we get the money for the guitar. | 0:17:18 | 0:17:23 | |
We're chasing 600 quid. | 0:17:23 | 0:17:25 | |
Our estimate is really, really good so we should get at least that. | 0:17:25 | 0:17:29 | |
-Who knows, maybe a bit extra for those concert tickets. -Oh, yes. | 0:17:29 | 0:17:32 | |
-Hopefully. -Hopefully. | 0:17:32 | 0:17:33 | |
Right. Let's go and see them go under the hammer, shall we? | 0:17:33 | 0:17:36 | |
-Go on, then. -Come with me. | 0:17:36 | 0:17:38 | |
If you're planning to buy and sell at auction, please be aware | 0:17:40 | 0:17:43 | |
VAT and other charges may apply, so remember to double-check the fine print with the auction house. | 0:17:43 | 0:17:50 | |
We take our positions at the back, ready for auctioneer William Rouse to announce the first lot. | 0:17:50 | 0:17:56 | |
We're starting with our Middle Eastern spelter busts | 0:17:56 | 0:17:58 | |
with an estimate of between £20 and £30. | 0:17:58 | 0:18:01 | |
Lot 5a are a pair of modern copper metal busts. | 0:18:01 | 0:18:07 | |
Anybody want them for £10? Surely for £10? | 0:18:07 | 0:18:10 | |
Pair of them for £10? | 0:18:10 | 0:18:11 | |
Anybody want them for £10? | 0:18:11 | 0:18:14 | |
Can't go any lower. Ten I'm bid. | 0:18:14 | 0:18:16 | |
A maiden bid of £10, then. Selling for £10... £12, there. | 0:18:16 | 0:18:19 | |
You want 14, sir? | 0:18:19 | 0:18:21 | |
14, 14. 16. | 0:18:21 | 0:18:23 | |
A slow start. | 0:18:23 | 0:18:25 | |
£14, then. Down there at £14. | 0:18:25 | 0:18:28 | |
14. 217. | 0:18:28 | 0:18:30 | |
Not a lot. | 0:18:30 | 0:18:32 | |
Well, someone got a bargain | 0:18:32 | 0:18:35 | |
but still, it's early days and £14 is only just below estimate. | 0:18:35 | 0:18:40 | |
Our next lot is the pair of impressive Staffordshire vases. | 0:18:40 | 0:18:44 | |
They're that big. You're getting a lot for your money. | 0:18:44 | 0:18:46 | |
And irises are always popular, so just a nice, decorative lot. | 0:18:46 | 0:18:50 | |
Are they worth £30? Start me for 30. | 0:18:50 | 0:18:52 | |
Five, 40. Do you want 45, 45? 50. | 0:18:52 | 0:18:56 | |
55, 60. | 0:18:56 | 0:18:58 | |
65 in front of me. At £65. That's £65, that pair of Victorian vases. | 0:18:58 | 0:19:02 | |
For £65. They're going, then. | 0:19:02 | 0:19:04 | |
£65, they're selling for. 65. | 0:19:04 | 0:19:07 | |
Still a bit below. | 0:19:09 | 0:19:11 | |
It may be below the estimate, but £65 is still a reasonable sum. | 0:19:11 | 0:19:15 | |
But will our next item have the bidders playing along? | 0:19:15 | 0:19:20 | |
I have to say I'm very surprised that Melissa is parting with | 0:19:20 | 0:19:23 | |
any kind of musical instrument, given her passion for music. | 0:19:23 | 0:19:26 | |
Why is she really going to get rid of this? | 0:19:26 | 0:19:28 | |
Because that was the ultimate result I said. | 0:19:28 | 0:19:31 | |
If you want to get something, you've got to get rid of something else. | 0:19:31 | 0:19:34 | |
Here we go, what's it worth? £30 for it? | 0:19:34 | 0:19:36 | |
£20 for it? 20, 22, 24, 26. | 0:19:36 | 0:19:39 | |
£26 for an accordion. | 0:19:39 | 0:19:41 | |
At £26. £28. £30. | 0:19:41 | 0:19:43 | |
Do you want 32? | 0:19:43 | 0:19:45 | |
£30, there, then, at £30. 32. 34. | 0:19:45 | 0:19:48 | |
-Come on. -£34. At £34. At 34. | 0:19:48 | 0:19:51 | |
At £34, then. At 34, then. | 0:19:51 | 0:19:55 | |
Not sold. Well, I was hoping we'd get lots of notes for the accordion. | 0:19:55 | 0:19:59 | |
-It didn't quite work. -Boom boom. | 0:19:59 | 0:20:02 | |
The auctioneer used his discretion here and decided that £34 is not enough for the accordion. | 0:20:02 | 0:20:08 | |
So we're expecting better luck with our next lot. | 0:20:08 | 0:20:12 | |
I'm just hoping today there are going to be | 0:20:12 | 0:20:14 | |
some Worcester collectors, because that's quite a specific lot. | 0:20:14 | 0:20:18 | |
What's it worth? £100 to start me. | 0:20:18 | 0:20:19 | |
100, 110, 120. £120 for that vase. At £120. | 0:20:19 | 0:20:24 | |
130, anywhere? For £120? | 0:20:24 | 0:20:26 | |
For 120? At 120? | 0:20:26 | 0:20:29 | |
Not sold. | 0:20:29 | 0:20:31 | |
They're not bidding because the prices so far have really been very low. | 0:20:31 | 0:20:35 | |
With one of our star lots failing to sell, it's not looking good | 0:20:35 | 0:20:39 | |
for our £600 target for Melissa's 12-string guitar. | 0:20:39 | 0:20:43 | |
And when the next three items - the Turkish seat and stool | 0:20:43 | 0:20:46 | |
with its estimate of £150, | 0:20:46 | 0:20:49 | |
the restored Worcester jug at £200, and the Turkish medals - all fail to sell... | 0:20:49 | 0:20:56 | |
Not sold. | 0:20:56 | 0:20:57 | |
..we're all feeling a little subdued. | 0:20:57 | 0:21:00 | |
Meg appears to be stoic. As an old hand at auction, she knows that they can be terribly unpredictable. | 0:21:00 | 0:21:06 | |
However, our luck may change, as there are still three lots to go. | 0:21:06 | 0:21:10 | |
Next under the hammer is the clever decorative Turkish mirror, in a solid silver frame. | 0:21:10 | 0:21:15 | |
£20. 20 I'm bid, there. 25. | 0:21:15 | 0:21:18 | |
30, 35, 40, 45, 50, 55. £55, nearer to me at 55. | 0:21:18 | 0:21:25 | |
At £55 it's going, then, £55. | 0:21:25 | 0:21:28 | |
At £55 is the bid, then. 55. | 0:21:28 | 0:21:33 | |
Well, I think that was sold. | 0:21:33 | 0:21:35 | |
It's still slightly below estimate. | 0:21:35 | 0:21:37 | |
I think that's a bargain. I really do think that's a bargain. | 0:21:37 | 0:21:40 | |
James is understandably disappointed | 0:21:40 | 0:21:43 | |
with the downward trend but after a bad run, at least it was a sale. | 0:21:43 | 0:21:48 | |
Perhaps the wine jug and bottle with the silver detailing will bring us more luck. | 0:21:48 | 0:21:53 | |
Let's hope that people are still interested in drinking! | 0:21:53 | 0:21:57 | |
I should think somebody is! Probably Meg. | 0:21:57 | 0:22:00 | |
Are they worth £20? Start me for 20, please. | 0:22:00 | 0:22:02 | |
£20. | 0:22:02 | 0:22:04 | |
22, 24, £24 for those jugs at £24. | 0:22:04 | 0:22:09 | |
£24, still with me at 24. | 0:22:09 | 0:22:11 | |
At £24 for the jugs. At £24. | 0:22:11 | 0:22:13 | |
24, then. | 0:22:13 | 0:22:16 | |
Not sold. | 0:22:16 | 0:22:18 | |
Talk about a minor key! They're just not playing our song today. | 0:22:18 | 0:22:22 | |
After nine sales, we are languishing at just £134. | 0:22:22 | 0:22:27 | |
Nowhere near our £600 target for that 12-string guitar. | 0:22:27 | 0:22:30 | |
But what's this? Elvis is in the room. | 0:22:30 | 0:22:35 | |
-Next up we've got what is colourfully listed as an amusing Elvis Presley wall mirror. -OK. | 0:22:35 | 0:22:41 | |
Now, at 30 to 40 quid, surely that should sell, James? | 0:22:41 | 0:22:44 | |
I tell you what, Jules, I'm just hoping, as they say, Elvis has not left the building! | 0:22:44 | 0:22:50 | |
If he does leave, let's hope he leaves with 30 or 40 quid stuck to his back. | 0:22:50 | 0:22:54 | |
What's it worth? Who knows? | 0:22:54 | 0:22:56 | |
£10 for it, please? £10, £12, | 0:22:56 | 0:22:58 | |
£12, at £12 in the room. At £12. | 0:22:58 | 0:23:03 | |
It's all appearing. 14, 16, 18, 20, 22, 24, £24 to my right at £24. | 0:23:03 | 0:23:10 | |
£24. Anybody else, surely? | 0:23:10 | 0:23:13 | |
£26, 28, 30, 32, £32 nearest me, | 0:23:13 | 0:23:20 | |
then, at £32. For the guitar. | 0:23:20 | 0:23:21 | |
For £32. At 32 it's going, then, 32. | 0:23:21 | 0:23:27 | |
-Thank you. -The King lives. -The King lives. | 0:23:28 | 0:23:30 | |
Thank you, Elvis. You've rescued us. Well, nearly. | 0:23:30 | 0:23:34 | |
I think it's safe to say that we're all shook up. | 0:23:34 | 0:23:38 | |
Thank goodness Meg is used to the highs and lows of auctions. | 0:23:38 | 0:23:41 | |
But still, this has to be an unusually bad day. | 0:23:41 | 0:23:44 | |
So how close did we get to the £600 target? | 0:23:44 | 0:23:48 | |
How can I describe today's auction, James? | 0:23:48 | 0:23:52 | |
Bloodbath doesn't even go halfway to describing it, I'm afraid. | 0:23:52 | 0:23:55 | |
We were chasing, we thought, an easy target | 0:23:55 | 0:23:58 | |
of £600 for that guitar but Meg, | 0:23:58 | 0:24:01 | |
it's going to be no surprise to you - many of your items are unsold - | 0:24:01 | 0:24:04 | |
-the now not-so-grand total is, I'm afraid, £166. -Ooh! | 0:24:04 | 0:24:12 | |
Which is so disappointing. | 0:24:12 | 0:24:15 | |
Which isn't going to buy the guitar but maybe it'll go some way towards it? | 0:24:15 | 0:24:19 | |
We can get the first half of the guitar. I'll get the other half. | 0:24:19 | 0:24:23 | |
You're a very, very fine mother. | 0:24:23 | 0:24:26 | |
But there is some good news. You know this concert? | 0:24:26 | 0:24:29 | |
-What Melissa was wanting to go to? -She wanted to go to an Elton John concert, didn't she? -Yes. | 0:24:29 | 0:24:34 | |
We've been on the phone to Elton John's agent and we've got you two | 0:24:34 | 0:24:38 | |
front row tickets, for free, to the concert on the dates that you asked for. | 0:24:38 | 0:24:44 | |
Oh, wicked! | 0:24:44 | 0:24:45 | |
It's good to see after their disappointment, Meg and Melissa are still keen on antiques. | 0:24:54 | 0:24:58 | |
And even though they failed to reach the £600 target, it's nice to know there's a silver lining. | 0:24:58 | 0:25:04 | |
The concert tickets, I think you can say, has definitely made up for the disappointment from the auction. | 0:25:04 | 0:25:11 | |
I think it is worth every single minute of the day. | 0:25:11 | 0:25:15 | |
We cannot wait to be at that concert hall now. | 0:25:15 | 0:25:18 | |
I'm really looking forward to the concert. It's been one of the things I've wanted to do all of my life. | 0:25:18 | 0:25:22 | |
It's one of my ambitions, I suppose. | 0:25:22 | 0:25:26 | |
And there's nothing like sitting in the front row next to a big, powerful set of massive speakers. | 0:25:26 | 0:25:31 | |
With the cash from the auction and Mum's deep pockets, | 0:25:32 | 0:25:35 | |
the dream of a twelve-string guitar is about to become a reality. | 0:25:35 | 0:25:39 | |
I love this guitar. It's super cool. | 0:25:55 | 0:25:57 | |
I think I'm definitely gonna get this one. | 0:25:57 | 0:26:00 | |
I suppose I have to get my hands in my pocket, then, shall I? | 0:26:00 | 0:26:03 | |
-'Thanks, Mum!' -I'm really grateful to my mum and everybody else for | 0:26:03 | 0:26:07 | |
fishing up stuff to get the guitar for me, because I've been banging on about it for the last, like, | 0:26:07 | 0:26:12 | |
30 billion years, and I think she got really, really irritated by it and gave in in the end. | 0:26:12 | 0:26:16 | |
I'm also very happy that she's happy so now she stops nagging me! | 0:26:16 | 0:26:19 | |
Ah, the power of pestering. | 0:26:19 | 0:26:22 | |
I have to confess that was one of the most frustrating auctions I've ever seen. | 0:26:27 | 0:26:31 | |
But it wasn't all doom and gloom. | 0:26:31 | 0:26:33 | |
Melissa and Meg are off to see Elton John courtesy of the great man himself. Front-row tickets! | 0:26:33 | 0:26:38 | |
And as for that guitar, good old Mum has chipped in to ensure | 0:26:38 | 0:26:41 | |
Melissa's musical talents have all the tools that they need. | 0:26:41 | 0:26:44 | |
We wish her all the very best of luck with that. | 0:26:44 | 0:26:47 | |
If you fancy taking your chances in the often heady and sometimes frustrating world | 0:26:47 | 0:26:51 | |
of an auction room, why not come on the show? | 0:26:51 | 0:26:53 | |
Go and check out our application form online at bbc.co.uk | 0:26:53 | 0:26:57 | |
and who knows, next time it could be you on Cash in the Attic! | 0:26:57 | 0:27:01 | |
Subtitles by Red Bee Media Ltd | 0:27:06 | 0:27:07 | |
E-mail [email protected] | 0:27:07 | 0:27:09 |