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Hello! Welcome to Cash In The Attic, | 0:00:02 | 0:00:03 | |
the show that helps find hidden treasure in your home | 0:00:03 | 0:00:06 | |
and sells it for you at auction. | 0:00:06 | 0:00:08 | |
Today I'm in Middlesex. I'm here to see this beautiful building, | 0:00:08 | 0:00:12 | |
Grim's Dyke Hotel, which was the home of Sir William S Gilbert, | 0:00:12 | 0:00:16 | |
half of the famous musical duo Gilbert and Sullivan. | 0:00:16 | 0:00:19 | |
Grim's Dyke was built in 1870 for Victorian painter Frederick Goodall. | 0:00:21 | 0:00:26 | |
It was designed by Norman Shaw, | 0:00:26 | 0:00:29 | |
the man responsible for buildings such as New Scotland Yard. | 0:00:29 | 0:00:32 | |
Its name comes from a nearby Anglo-Saxon trench. | 0:00:32 | 0:00:36 | |
William Gilbert lived in the house | 0:00:37 | 0:00:40 | |
from 1890 to his untimely death in 1911, | 0:00:40 | 0:00:43 | |
the result of a tragic accident whilst trying to save a swimmer having difficulty in the lake. | 0:00:43 | 0:00:49 | |
In 1970, it was converted into a hotel | 0:00:49 | 0:00:53 | |
and designated a building of special historical interest. | 0:00:53 | 0:00:57 | |
Architectural and musical inspiration in the morning | 0:00:57 | 0:01:00 | |
before we set off to find some wonderful antiques to take to auction and make some cash. | 0:01:00 | 0:01:05 | |
Coming up on Cash In The Attic... | 0:01:25 | 0:01:27 | |
We discover where to pick up a quality item for a song. | 0:01:27 | 0:01:30 | |
Sotheby's is a bargain. We should all be going there! | 0:01:30 | 0:01:33 | |
I'm off next week! | 0:01:33 | 0:01:35 | |
Jonty gives some interior design tips. | 0:01:35 | 0:01:38 | |
It's not the most fashionable thing to have on your wall! | 0:01:39 | 0:01:42 | |
And when we get to auction, one of our antiques comes with a warning! | 0:01:42 | 0:01:46 | |
As long as she doesn't open the bottle, she's all right! | 0:01:46 | 0:01:49 | |
But will we end up with smiles all round? | 0:01:49 | 0:01:52 | |
Find out when the final hammer falls. | 0:01:52 | 0:01:55 | |
Leaving Gilbert and Sullivan behind, | 0:01:56 | 0:01:58 | |
I've travelled to the Middlesex town of Pinner, | 0:01:58 | 0:02:01 | |
where I'm about to meet a family | 0:02:01 | 0:02:03 | |
looking to raise money for a day out. | 0:02:03 | 0:02:06 | |
This four-bedroomed property is home to Alan Young, a retired dentist and keen potter, | 0:02:07 | 0:02:13 | |
and his wife, Rachel, a former nurse, now a counsellor and hypnotherapist. | 0:02:13 | 0:02:18 | |
Their daughter Karen is a singer/songwriter and full-time mum | 0:02:18 | 0:02:23 | |
to Charlie, who's five, and Ella, nine. | 0:02:23 | 0:02:26 | |
Karen's husband, Damien, is Australian. | 0:02:26 | 0:02:28 | |
The family was living in Melbourne, but came back to the UK for a visit last year | 0:02:28 | 0:02:33 | |
and have ended up staying longer than planned, | 0:02:33 | 0:02:36 | |
conveniently in the house next door to her parents. | 0:02:36 | 0:02:40 | |
-Jonty! -How are you? | 0:02:40 | 0:02:42 | |
# He is the very model of a modern antiques mastermind! # | 0:02:42 | 0:02:45 | |
-That's as far as I got. It's quite difficult to scan! -It's quite good for you, Alistair! | 0:02:45 | 0:02:51 | |
-Welcome to Pinner. Isn't it lovely? -It's like the countryside. | 0:02:51 | 0:02:55 | |
-We're only ten miles from the centre of London. -Ten miles. -Amazing. | 0:02:55 | 0:02:59 | |
I feel this house is going to be laden with antiques. Come on! | 0:02:59 | 0:03:02 | |
Look at you guys! | 0:03:05 | 0:03:07 | |
Tending your pond. How marvellous! The finest pond in Pinner. | 0:03:07 | 0:03:11 | |
It is! | 0:03:11 | 0:03:13 | |
-Is that your handiwork, Alan? -Yes. -Really? Great! | 0:03:13 | 0:03:16 | |
-Now, this is your house, isn't it? But you live next door? -I do. | 0:03:16 | 0:03:20 | |
-I have the honour of living next door. -Why have you called in Cash In The Attic? | 0:03:20 | 0:03:25 | |
-Well, I have been listening for a long time, many years... -Over the hedge? -Exactly! | 0:03:25 | 0:03:29 | |
..about how we've got to declutter and downsize, and now it's going ahead and happening. | 0:03:29 | 0:03:37 | |
-Do they know about that, or have you sprung it on them? -I told them five minutes ago! | 0:03:37 | 0:03:41 | |
Are you willing accomplices? Willing to declutter? | 0:03:41 | 0:03:45 | |
Yes, my arm has been untwisted now. | 0:03:45 | 0:03:48 | |
The de-cluttering has happened so quickly, my breath is taken away. | 0:03:48 | 0:03:53 | |
But it's a good thing. | 0:03:53 | 0:03:55 | |
-It's good it's in a hurry. -It's doubly good, because you're getting rid of clutter | 0:03:55 | 0:03:59 | |
and raising money. What's the money for? | 0:03:59 | 0:04:02 | |
Well, we've moved back from Australia. | 0:04:02 | 0:04:05 | |
We're here for a limited time, because we're going back to live in Australia. | 0:04:05 | 0:04:10 | |
So we want lots of family time with Mum and Dad | 0:04:10 | 0:04:13 | |
and we'd love to go away for a weekend, have a relaxing time, | 0:04:13 | 0:04:17 | |
an adventure time for the kids. | 0:04:17 | 0:04:19 | |
Just really enjoy some quality time together. | 0:04:19 | 0:04:23 | |
Those adventure park weekends are quite expensive. | 0:04:23 | 0:04:26 | |
How much do you hope to raise? | 0:04:26 | 0:04:27 | |
-£800 is our target. -That'll be quite a weekend! | 0:04:27 | 0:04:31 | |
We'd better get going. Jonty's inside. Leave the pond and let's get cracking. | 0:04:31 | 0:04:35 | |
Alan and Rachel have lived here since 1981. | 0:04:37 | 0:04:40 | |
It's clear to see how much they've accumulated over the years. | 0:04:40 | 0:04:43 | |
They're planning to downsize to a smaller flat, so we've got lots of work ahead. | 0:04:43 | 0:04:49 | |
Our expert, Jonty Hearnden, is already at work. | 0:04:49 | 0:04:52 | |
It doesn't take him long to discover our first find of the day. | 0:04:52 | 0:04:56 | |
-Jonty. -Have a look at this! -What have you found? | 0:04:57 | 0:05:00 | |
It's an amazing tapestry. | 0:05:00 | 0:05:02 | |
If we look at the scene itself, this is Charles I in this macabre scene | 0:05:02 | 0:05:08 | |
where he's obviously about to be beheaded, | 0:05:08 | 0:05:11 | |
and these distressed children have been given the news. | 0:05:11 | 0:05:14 | |
What's the story here, Rachel? | 0:05:14 | 0:05:16 | |
My mother was a historical buff. She was interested in all things historical. | 0:05:16 | 0:05:22 | |
And she bought this at auction, | 0:05:22 | 0:05:26 | |
I believe, in the late 1940s, early '50s. | 0:05:26 | 0:05:32 | |
This is a Victorian tapestry. | 0:05:32 | 0:05:35 | |
The Victorians were the ones that looked back in time | 0:05:35 | 0:05:39 | |
for their artistic inspiration. | 0:05:39 | 0:05:42 | |
The other great thing about this is that it has faded rather naturally. | 0:05:42 | 0:05:46 | |
I'm sure these colours would have been a little bit sharper, | 0:05:46 | 0:05:49 | |
but if a tapestry like this has been exposed to light for any length of time, then it fades badly. | 0:05:49 | 0:05:56 | |
But this is a lovely quality still. | 0:05:56 | 0:05:59 | |
-Where was it kept? -It was kept on the mantelpiece in a north-facing room. | 0:05:59 | 0:06:04 | |
-So not so sunny. -The other interesting part about this tapestry | 0:06:04 | 0:06:08 | |
is that it's in its original frame. | 0:06:08 | 0:06:11 | |
All those indicators show that this is a mid-19th century tapestry. | 0:06:11 | 0:06:16 | |
As far as value is concerned, | 0:06:16 | 0:06:18 | |
it's not the most fashionable thing to have on your wall! | 0:06:18 | 0:06:22 | |
If you think about what people are aspiring to at the moment, | 0:06:22 | 0:06:25 | |
20th-century design, bold colours, | 0:06:25 | 0:06:28 | |
but this Victorian look is not really flavour of the month. | 0:06:28 | 0:06:32 | |
So we have to price it accordingly. | 0:06:32 | 0:06:34 | |
I think it's going to be worth between £80 to £120, so around the £100 mark. | 0:06:34 | 0:06:39 | |
-Are you happy with that? -Yes. That's fine. | 0:06:39 | 0:06:42 | |
-Yes? -If we keep on going like that, we'll be laughing. | 0:06:42 | 0:06:45 | |
-Press on. -It's not "off with his head", it's "off to auction!" | 0:06:45 | 0:06:49 | |
Tapestries may not be fashionable these days, but if this can make at least £80 at auction, | 0:06:51 | 0:06:56 | |
it's a great start. | 0:06:56 | 0:06:58 | |
This ornate white metal umbrella stand | 0:06:59 | 0:07:02 | |
is the type of thing Alan and Rachel are keen to part with in their mission to downsize. | 0:07:02 | 0:07:07 | |
Jonty packs it off to auction with an 80 to £120 price tag. | 0:07:07 | 0:07:12 | |
With this having been the family home for so long, | 0:07:13 | 0:07:16 | |
it's no surprise to stumble across some baby photos upstairs. | 0:07:16 | 0:07:19 | |
I think that face looks familiar. | 0:07:19 | 0:07:22 | |
-Karen. -Yeah? | 0:07:22 | 0:07:24 | |
-Is this you? -Afraid so! -Oh, what an angelic little thing you were! | 0:07:24 | 0:07:28 | |
-Slightly more glamorous there. -That's me doing a Catherine Deneuve impression. | 0:07:28 | 0:07:34 | |
But I've noticed this very elaborate bit of furniture. | 0:07:35 | 0:07:39 | |
Yes. As far as I'm aware, my mother traded it | 0:07:39 | 0:07:42 | |
for a couple of chairs that she had. | 0:07:42 | 0:07:44 | |
This American lady took a fancy to the chairs, and Mum took a fancy to the desk. | 0:07:44 | 0:07:50 | |
It's quite a wacky design, isn't it? When is this from? | 0:07:50 | 0:07:53 | |
We're looking at a lady's writing table. | 0:07:53 | 0:07:56 | |
It was made about 110, 120 years ago. | 0:07:56 | 0:08:00 | |
It's a late-Victorian lady's writing table. | 0:08:00 | 0:08:02 | |
The material they've used, this is walnut. | 0:08:02 | 0:08:05 | |
Interestingly, the top shelf here and the top of this cabinet here is oak. | 0:08:05 | 0:08:11 | |
There's all sorts of design elements to this. | 0:08:11 | 0:08:15 | |
There's a mishmash of ideas. | 0:08:15 | 0:08:16 | |
If we look at our pierced grille on the back here, | 0:08:16 | 0:08:19 | |
that's more Thomas Chippendale, which is mid-18th century. | 0:08:19 | 0:08:23 | |
But further on down below, | 0:08:23 | 0:08:25 | |
we look at these rather elaborate elongated cabriole legs. | 0:08:25 | 0:08:28 | |
Now, that was a French concept, really. But the English copied it and were inspired by it. | 0:08:28 | 0:08:35 | |
So by the mid-19th century, cabriole legs appear on a lot of furniture. | 0:08:35 | 0:08:40 | |
-Not only on tables but chairs as well. -These days, | 0:08:40 | 0:08:43 | |
when we have something made of mahogany, you say it's worth £10. How about this? | 0:08:43 | 0:08:48 | |
-I think we're looking around the £100 mark for this desk. -Wow! | 0:08:48 | 0:08:51 | |
-As much as that? -Estimate in the catalogue £80 to £120. | 0:08:51 | 0:08:55 | |
I think that's a lot of money, but if somebody likes it | 0:08:55 | 0:08:59 | |
and it's going to look good in their house, it deserves to be in a better home. | 0:08:59 | 0:09:04 | |
You're the expert, Jonty! | 0:09:04 | 0:09:06 | |
It's my famous last words. Will it get £100 at auction? We don't know. | 0:09:06 | 0:09:10 | |
-Let's wait and see. -We'll see. | 0:09:10 | 0:09:12 | |
I'll be happy to see the back of it go. | 0:09:12 | 0:09:14 | |
And the fact that it will get in excess of £80, | 0:09:14 | 0:09:18 | |
I think, is a lot for firewood. | 0:09:18 | 0:09:20 | |
The lady's writing desk may not be Karen's cup of tea, | 0:09:21 | 0:09:24 | |
and it may be a mishmash of styles, but it's another step towards our target. | 0:09:24 | 0:09:29 | |
Karen finds this ornate metal mirror on a tripod base. | 0:09:29 | 0:09:33 | |
It's been collecting dust in a spare bedroom, | 0:09:33 | 0:09:36 | |
but Jonty reckons it's worth £40 to £60 at auction. | 0:09:36 | 0:09:41 | |
With the rummage in full flight | 0:09:41 | 0:09:43 | |
and no shortage of items to search through, | 0:09:43 | 0:09:46 | |
I'm keen to find out how Alan and Rachel feel | 0:09:46 | 0:09:48 | |
about the many changes coming up in their lives. | 0:09:48 | 0:09:51 | |
You guys have lived here for 27 years. Are you sad about leaving? | 0:09:51 | 0:09:55 | |
I will be, because you get so familiar with everything. | 0:09:55 | 0:09:58 | |
How are you finding the whole process of de-cluttering? | 0:09:58 | 0:10:02 | |
Actually, quite freeing. | 0:10:02 | 0:10:04 | |
You didn't say that a few months ago! | 0:10:06 | 0:10:08 | |
When I cleared the wardrobes and cleared a lot of stuff to charity shops, | 0:10:08 | 0:10:14 | |
-I really felt lighter! -And how did you meet? | 0:10:14 | 0:10:18 | |
Either end of a dental drill, actually! | 0:10:18 | 0:10:21 | |
-Very unromantic! -It was unromantic! | 0:10:21 | 0:10:24 | |
-You were the dentist. -I was the dentist, this was my patient! | 0:10:24 | 0:10:27 | |
-Totally illegal, I should think! -No, it wasn't! | 0:10:27 | 0:10:31 | |
I'd just started at St Mary's Hospital, nurse training. | 0:10:31 | 0:10:35 | |
-You were a nurse. -Yes. And I'd got a lot of dental problems, | 0:10:35 | 0:10:39 | |
so they sent me to the dental department... | 0:10:39 | 0:10:42 | |
-And there I was. -There he was. -Hello! | 0:10:42 | 0:10:44 | |
Hello, hello! | 0:10:44 | 0:10:46 | |
-So, a romantic root canal, was it? -She came as a patient, sent in by sister-in-charge. | 0:10:46 | 0:10:53 | |
I get a feeling that the Sister was actually engineering | 0:10:55 | 0:10:59 | |
some kind of marriage arrangement. | 0:10:59 | 0:11:01 | |
She felt we were compatible. But she didn't say that till much later. | 0:11:01 | 0:11:05 | |
Has it been good having Karen next door all these months? | 0:11:05 | 0:11:08 | |
-Yes. -Absolutely great. | 0:11:08 | 0:11:10 | |
It's been wonderful having them there. | 0:11:10 | 0:11:13 | |
It's just that I know they're going, so... | 0:11:13 | 0:11:17 | |
-I can't really relax. -It'll be a sad moment, | 0:11:17 | 0:11:21 | |
but we'll do the readjusting then. We'll do the travels in that direction. | 0:11:21 | 0:11:26 | |
I guess we're raising money to have that last bit of close time with Karen and her family, | 0:11:26 | 0:11:31 | |
so we should press on, otherwise it won't happen. | 0:11:31 | 0:11:34 | |
Let's see what Jonty's found. After you. | 0:11:34 | 0:11:37 | |
Alan and Rachel are evidently incredibly close to Karen and her family. | 0:11:37 | 0:11:42 | |
So while they're all still on British soil, | 0:11:42 | 0:11:45 | |
we need to make sure we find enough valuables for auction | 0:11:45 | 0:11:48 | |
so they can fund their wonderful family day together. | 0:11:48 | 0:11:52 | |
It's back to rummaging. | 0:11:52 | 0:11:54 | |
They do say "many hands make light work", | 0:11:54 | 0:11:57 | |
and packed away in an old box, Karen unearths a 12-piece dinner set | 0:11:57 | 0:12:01 | |
by the famous ceramics designer Susie Cooper. | 0:12:01 | 0:12:04 | |
She was one of the most significant designers of the Art Deco period, | 0:12:04 | 0:12:08 | |
but this set is unusual, as it's not in her distinctive bright style. | 0:12:08 | 0:12:13 | |
There's also some damage to the set, | 0:12:13 | 0:12:15 | |
but nonetheless, Jonty thinks it could fetch £70 to £100. | 0:12:15 | 0:12:19 | |
Karen's really on a roll. In the study, she finds another item for Jonty's perusal. | 0:12:20 | 0:12:26 | |
Jonty? | 0:12:26 | 0:12:28 | |
What have we got here? | 0:12:30 | 0:12:32 | |
Let's have a look. | 0:12:32 | 0:12:33 | |
Well, you tell me. | 0:12:33 | 0:12:35 | |
All I know is it's a coal bucket. | 0:12:35 | 0:12:39 | |
Mum bought it in a shop. She was told by the lady who sold it to her | 0:12:39 | 0:12:44 | |
that it was used for storing phone directories. | 0:12:44 | 0:12:46 | |
-Makes sense! -Yes! | 0:12:46 | 0:12:48 | |
So that's all I really know about it, | 0:12:48 | 0:12:51 | |
other than the fact that these lovely gold stripes is something my dad has painted on. | 0:12:51 | 0:12:56 | |
-Thankfully, he didn't make a career out of it! -It is a coal storage bucket, | 0:12:56 | 0:13:00 | |
also known as a purdonium. | 0:13:00 | 0:13:02 | |
It's all made of pressed tin. | 0:13:02 | 0:13:06 | |
It was the new material that could be moulded into different shapes, | 0:13:07 | 0:13:11 | |
including coal purdoniums like this. | 0:13:11 | 0:13:13 | |
Have a look on the inside here. | 0:13:13 | 0:13:15 | |
Originally this would be lined by yet another bucket as well. | 0:13:15 | 0:13:19 | |
-OK. -Shaped in the same way. | 0:13:19 | 0:13:21 | |
So this could be taken out and recharged and refilled | 0:13:21 | 0:13:25 | |
and put back in again. | 0:13:25 | 0:13:27 | |
And on the back here, just there, there would be a little shovel. | 0:13:27 | 0:13:32 | |
I have to say that, at auction, I think this is great fun. | 0:13:32 | 0:13:35 | |
I particularly love the fact we have these wheels on the back, cos that's quite rare. | 0:13:35 | 0:13:40 | |
At auction, I think this will be worth between £60 to £80. | 0:13:40 | 0:13:44 | |
As much as that? Really? | 0:13:44 | 0:13:46 | |
That would be very useful. | 0:13:46 | 0:13:48 | |
It needs to be in a loving home, I think! | 0:13:48 | 0:13:50 | |
-I'll take care of it for you, and we'll find some more stuff. -OK. -Excellent. | 0:13:50 | 0:13:55 | |
Back to the rummage. In the living room, Rachel finds this Lladro figurine of a girl | 0:13:59 | 0:14:04 | |
which her mother got in Spain. She's not sure how much Sheila paid for it, | 0:14:04 | 0:14:08 | |
but Jonty thinks it could fetch a very pleasing £50 to £80. | 0:14:08 | 0:14:12 | |
And in the study, tucked away in an old bookcase, | 0:14:12 | 0:14:16 | |
Alan digs out an unusual box for Jonty's attention. | 0:14:16 | 0:14:20 | |
Jonty, are you there? | 0:14:20 | 0:14:22 | |
Are you around? | 0:14:22 | 0:14:24 | |
Ooh, Alan, what have you got there? | 0:14:24 | 0:14:27 | |
Well, Jonty, this is, in fact, what was said to me, a railwayman's emergency kit. | 0:14:27 | 0:14:34 | |
But I think it has a wider use. It's a first aid kit. | 0:14:34 | 0:14:37 | |
Let's have a look. We've got a book here, too. | 0:14:37 | 0:14:40 | |
This is interesting. "Designed expressly for persons going abroad, | 0:14:41 | 0:14:46 | |
"residents in India and the colonies, | 0:14:46 | 0:14:48 | |
"heads of families, clergymen and others unable to obtain medical assistance." | 0:14:48 | 0:14:53 | |
What else have we got in here? | 0:14:53 | 0:14:56 | |
There's a series of medicaments. One or two of them are quite powerful ones. | 0:14:56 | 0:15:01 | |
So this is just filled with poison, by the looks of it. | 0:15:01 | 0:15:04 | |
-Is that right? -I think, in fact, that usually is the case. | 0:15:04 | 0:15:08 | |
At least, they're telling you. | 0:15:08 | 0:15:11 | |
These were old-fashioned remedies, some of them, but they were quite strong. | 0:15:11 | 0:15:16 | |
They weren't to be used lightly. | 0:15:16 | 0:15:18 | |
And an under-tier, too. Look at that! | 0:15:18 | 0:15:21 | |
Which is showing, I suppose, some of the gear for the bandages and so on. | 0:15:21 | 0:15:26 | |
I think this is definitely worth putting in the auction. How much did you pay for it? | 0:15:26 | 0:15:31 | |
-Dare I tell you? I think it was about -£5. A fiver! | 0:15:31 | 0:15:34 | |
That's a great purchase. | 0:15:34 | 0:15:36 | |
At auction we'll get your money back and lots more. | 0:15:36 | 0:15:38 | |
I think it's worth between £40 and £60 at auction. | 0:15:38 | 0:15:41 | |
-That's good. -Good? -Yes. | 0:15:41 | 0:15:43 | |
As long as it's under lock and key and handled safely, | 0:15:43 | 0:15:47 | |
between here and also in the auction room, it's something we can sell. | 0:15:47 | 0:15:51 | |
-You're happy about that? -Yes, I am. | 0:15:51 | 0:15:54 | |
-Very good news. Another one for the auction. -Thank you very much. | 0:15:54 | 0:15:58 | |
The first aid box, or apothecary set, as it's known, | 0:15:59 | 0:16:02 | |
is certainly an unusual find. | 0:16:02 | 0:16:04 | |
Due to its potentially dangerous contents, one to be handled with care | 0:16:04 | 0:16:09 | |
and kept well out of the reach of children. | 0:16:09 | 0:16:11 | |
It's another step closer to the £800 we need for the family day out. | 0:16:12 | 0:16:17 | |
In the hallway, I find this little table | 0:16:17 | 0:16:19 | |
which unfolds to reveal its true identity. | 0:16:19 | 0:16:22 | |
Jonty values it at a very pleasing £90 to £120. | 0:16:22 | 0:16:26 | |
We're progressing nicely towards our target | 0:16:27 | 0:16:30 | |
for that fun-packed family day out. | 0:16:30 | 0:16:33 | |
What's this I hear? Definitely not the sound of rummaging! Is someone slacking? | 0:16:33 | 0:16:38 | |
Time to investigate. | 0:16:38 | 0:16:39 | |
Is this one of yours? You're a bona fide songwriter, yes? | 0:16:41 | 0:16:45 | |
Yes, I like to think so. | 0:16:45 | 0:16:47 | |
Tell me about that. We don't have any musicians on the show. | 0:16:47 | 0:16:50 | |
Well, before I had children, I had a life. | 0:16:50 | 0:16:54 | |
I had a really nice career going. | 0:16:54 | 0:16:58 | |
I had a really good rock'n'roll life and toured a bit | 0:16:58 | 0:17:01 | |
and sang with loads of different artists and did lots of session work. | 0:17:01 | 0:17:05 | |
Lots of writing. I had a record deal. | 0:17:05 | 0:17:08 | |
Then we were due to release a very big single, | 0:17:08 | 0:17:13 | |
which turned out to be very big for somebody else, unfortunately. | 0:17:13 | 0:17:17 | |
Down to legalities, this other person got to release the single before we did. | 0:17:17 | 0:17:21 | |
-And then had a Number One with it. -No! -I took some time out | 0:17:21 | 0:17:25 | |
and did something completely different, as out-of-work actors and singers do, | 0:17:25 | 0:17:30 | |
which is what I call "trolley-dolly" work. | 0:17:30 | 0:17:32 | |
Sitting on the bonnet of cars, trying to sell a product, basically! | 0:17:32 | 0:17:38 | |
-That's when you met your husband-to-be. -I did. | 0:17:38 | 0:17:42 | |
He was working for the same company and he'd set up the rig. | 0:17:42 | 0:17:46 | |
Us girls would turn up the next day and we'd work the rig. | 0:17:46 | 0:17:51 | |
I took one look at him and thought, "Yeah, he'll do." | 0:17:51 | 0:17:54 | |
-You've been living next door. Then you'll be on the other side of the planet! That's a big wrench. -Yes. | 0:17:56 | 0:18:02 | |
We're trying to make the most of every minute we've got together | 0:18:02 | 0:18:06 | |
and enjoy what we're doing together. | 0:18:06 | 0:18:08 | |
I'm always in here for tea, or Mum and I are having breakfast together. | 0:18:08 | 0:18:13 | |
So it's going to hurt, it's going to really hurt, parting, | 0:18:13 | 0:18:17 | |
but we've just got to do it. | 0:18:17 | 0:18:19 | |
-Our weekend away is going to be the last hurrah. -One of the last hurrahs, yeah! | 0:18:19 | 0:18:23 | |
-Definitely. -We'd better get some money in the pot | 0:18:23 | 0:18:27 | |
-or it'll be a very small hurrah! -It'll be a titter! | 0:18:27 | 0:18:30 | |
It's going to be an emotional day for everyone when Karen and family leave British shores | 0:18:31 | 0:18:36 | |
and return to their lives down under. | 0:18:36 | 0:18:38 | |
But if they're going to have a good sendoff, we must press on | 0:18:38 | 0:18:42 | |
and find those money-making antiques. | 0:18:42 | 0:18:45 | |
Jonty's in his element with so much to look through. | 0:18:45 | 0:18:48 | |
His next selection is this green ceramic lamp with a garden scene on the base. | 0:18:48 | 0:18:53 | |
It belonged to Alan's mother. | 0:18:53 | 0:18:55 | |
Jonty's hopeful it'll tempt the bidders to part with £60 to £80. | 0:18:55 | 0:18:59 | |
And in the hallway, he's excited to discover an official-looking pair | 0:18:59 | 0:19:04 | |
of gentlemen with a Mediterranean history. | 0:19:04 | 0:19:07 | |
-Karen... -Yeah? | 0:19:07 | 0:19:10 | |
What about this pair of figures here? | 0:19:10 | 0:19:13 | |
-Quite interesting. -Yeah. | 0:19:13 | 0:19:15 | |
I believe they're from Spain. | 0:19:15 | 0:19:17 | |
They are a couple of magistrates. | 0:19:17 | 0:19:19 | |
My grandmother picked them up when she was on holiday there. | 0:19:19 | 0:19:22 | |
-She fell in love with them. -It's interesting you say Spain. | 0:19:22 | 0:19:26 | |
Because these figures were actually made in Spain. | 0:19:26 | 0:19:29 | |
You can tell that by turning it upside-down. Look at this. | 0:19:29 | 0:19:33 | |
You can see the mark there. "Lladro. Hand made in Spain." | 0:19:34 | 0:19:38 | |
I'd never have guessed those were Lladro, cos all the Lladro I know | 0:19:38 | 0:19:42 | |
-is very glossy and looks like fast-produced china. -Yes. | 0:19:42 | 0:19:47 | |
Whereas they look a lot more filigree, as they say. | 0:19:47 | 0:19:50 | |
You're absolutely right. Ordinarily, Lladro are these elongated single female figures. | 0:19:50 | 0:19:56 | |
But here, we see the similarity. | 0:19:56 | 0:19:59 | |
Look at their facial figures. See how stretched they are, | 0:19:59 | 0:20:02 | |
like their body and limbs. | 0:20:02 | 0:20:04 | |
Also the colours that they use. | 0:20:04 | 0:20:06 | |
They use these very pastel colours. | 0:20:06 | 0:20:09 | |
Now, simply because this is not a single figure Lladro of a maiden, for instance, | 0:20:09 | 0:20:15 | |
it's unusual. As a consequence, there are collectors for this. | 0:20:15 | 0:20:19 | |
I think these are going to be worth between £100 and £150 at auction. | 0:20:19 | 0:20:23 | |
-Really? That much? -Yeah. | 0:20:23 | 0:20:25 | |
-Really? -Impressive, eh? -Goodness me. I'd never have thought that. | 0:20:25 | 0:20:28 | |
-So we can definitely put them in? -Definitely. Send them away! | 0:20:28 | 0:20:32 | |
-A great find. Let's carry on. -How lovely. -Excellent. | 0:20:32 | 0:20:35 | |
The Lladro magistrates will be presiding over the auction | 0:20:36 | 0:20:39 | |
and hopefully making us a contribution to the family fund. | 0:20:39 | 0:20:43 | |
With our rummage day nearly over, | 0:20:43 | 0:20:46 | |
we're still not quite at our £800 target. | 0:20:46 | 0:20:49 | |
So we have to give our search a last big push. | 0:20:49 | 0:20:53 | |
In the living room, there's a fantastic find right under our noses. | 0:20:53 | 0:20:57 | |
How are you doing, Alistair? | 0:20:59 | 0:21:01 | |
There isn't anything there of much worth. | 0:21:01 | 0:21:03 | |
What about this amazing settee? This is a lovely shape. | 0:21:03 | 0:21:06 | |
Nice back as well. | 0:21:06 | 0:21:08 | |
Rachel, | 0:21:08 | 0:21:10 | |
where is this settee from? Where does it come from? | 0:21:10 | 0:21:13 | |
It belonged to an old family friend. | 0:21:13 | 0:21:16 | |
It came to the fore that she had placed it in Sotheby's for sale. | 0:21:16 | 0:21:21 | |
-And you put your hand up? -Yes, well, we bought it pre-auction. | 0:21:21 | 0:21:26 | |
You mention Sotheby's. Did you pay thousands for it? | 0:21:26 | 0:21:29 | |
No. I hate to tell you, we paid £60! | 0:21:29 | 0:21:33 | |
Oh, I see! Sotheby's is a bargain! We should all be going there! | 0:21:33 | 0:21:37 | |
I'm off next week! | 0:21:37 | 0:21:39 | |
-It's got very unusual feet. -Yes, it has. | 0:21:40 | 0:21:43 | |
When you bought this, what were you told about it? | 0:21:43 | 0:21:46 | |
They described it as a William IV settee. | 0:21:46 | 0:21:49 | |
-But that's all I know. -That's fascinating. | 0:21:49 | 0:21:51 | |
I'm glad to see that Sotheby's are correct! | 0:21:51 | 0:21:55 | |
This is a William IV settee. | 0:21:55 | 0:21:58 | |
You can tell it by its style. | 0:21:58 | 0:22:00 | |
Settees that were slightly earlier than that, | 0:22:00 | 0:22:04 | |
so late 18th-century, early 19th-century, | 0:22:04 | 0:22:06 | |
would have a great symmetry to them. | 0:22:06 | 0:22:09 | |
So here, we still have a scroll end, | 0:22:09 | 0:22:12 | |
but all of a sudden, rather than that outswept look, | 0:22:12 | 0:22:15 | |
you have a shape to them. | 0:22:15 | 0:22:17 | |
If you look at the back here, | 0:22:17 | 0:22:19 | |
a Regency settee may just possibly have a straight back. | 0:22:19 | 0:22:24 | |
But look at this, this heavily carved shell in the middle. | 0:22:24 | 0:22:27 | |
So there's, all of a sudden, a lot more movement. | 0:22:27 | 0:22:30 | |
Well, instead of your £60, in the catalogue, | 0:22:30 | 0:22:34 | |
the estimate in a new catalogue, if you put it for sale right now, | 0:22:34 | 0:22:38 | |
would be more in the region of - wait for this - | 0:22:38 | 0:22:41 | |
-between £400 and £700. -Wow! | 0:22:41 | 0:22:46 | |
Well, the 700 seems to come near to what I had imagined. | 0:22:46 | 0:22:51 | |
But that's only in my imagination. But I'd like to give it a bit of thought. | 0:22:51 | 0:22:56 | |
That's perfectly fine. Take some time to think about it. | 0:22:56 | 0:22:59 | |
Hello! Come on in. | 0:22:59 | 0:23:02 | |
Just in time. We're going to work out how much we've made. It's been a long day. | 0:23:02 | 0:23:06 | |
You've got too much stuff! We were just discussing whether to sell the William IV sofa. | 0:23:06 | 0:23:13 | |
-Do you think it should go, Alan? -I think it should go. | 0:23:13 | 0:23:16 | |
It sounds like a moot point still. | 0:23:16 | 0:23:18 | |
But if we do consider the sofa | 0:23:18 | 0:23:21 | |
and we tot up everything we've done by our concerted efforts, | 0:23:21 | 0:23:24 | |
-we would have made £1,150. -Wow! | 0:23:24 | 0:23:28 | |
Even if you don't sell the sofa, that's still £750 | 0:23:28 | 0:23:32 | |
which is only £50 short of the £800 we wanted to get that family weekend away. | 0:23:32 | 0:23:37 | |
-Wow! -Lovely. | 0:23:37 | 0:23:39 | |
Well, that's so-fa, so good! | 0:23:39 | 0:23:41 | |
Jonty, we should auction that joke, it's so old! | 0:23:42 | 0:23:45 | |
We've had a busy, fun and extremely productive day with Alan, Rachel and Karen in Pinner. | 0:23:47 | 0:23:52 | |
Our impressive array of items for auction include... | 0:23:52 | 0:23:56 | |
..the Victorian tapestry depicting Charles I, | 0:23:57 | 0:24:01 | |
in pretty good condition, if a little faded, | 0:24:01 | 0:24:03 | |
and in its original frame. | 0:24:03 | 0:24:06 | |
We're hopeful it will make us anywhere between £80 and £120. | 0:24:06 | 0:24:10 | |
..the fascinating apothecary set. | 0:24:10 | 0:24:13 | |
It's obvious why Dr Alan fell for its charms. | 0:24:13 | 0:24:16 | |
Jonty reckons it's now worth £40 to £60. | 0:24:16 | 0:24:19 | |
The Victorian lady's writing desk is a mixture of styles, | 0:24:21 | 0:24:24 | |
but Jonty's confident there'll be bidders | 0:24:24 | 0:24:27 | |
who'll part with at least £80 to £120. | 0:24:27 | 0:24:30 | |
Finally, the William IV settee which Rachel bought for a bargain £60. | 0:24:31 | 0:24:37 | |
We'll find out its fate on auction day, | 0:24:37 | 0:24:39 | |
but if it does make the sale, it could raise a whopping £400 to £700. | 0:24:39 | 0:24:46 | |
Still to come on Cash In The Attic, | 0:24:46 | 0:24:49 | |
some fantastic surprises. | 0:24:49 | 0:24:51 | |
-I'm gobsmacked! Thank God -I don't have to carry it home! | 0:24:51 | 0:24:54 | |
But as know all too well, | 0:24:56 | 0:24:58 | |
auctions can be unpredictable. | 0:24:58 | 0:25:00 | |
You don't need any more rainy days! | 0:25:00 | 0:25:02 | |
So, will the sun shine down on us? Find out when the final hammer falls. | 0:25:02 | 0:25:08 | |
It's been two weeks now since we were in Pinner at Alan and Rachel's house. | 0:25:13 | 0:25:18 | |
We were there with Karen, their daughter, who's heading off to Australia. | 0:25:18 | 0:25:22 | |
They want to raise £800 for a big family celebration before she goes to Oz. | 0:25:22 | 0:25:28 | |
They've brought all their treasures to Chiswick Auction House in London, | 0:25:28 | 0:25:32 | |
and we're hoping they'll go "down under" the hammer | 0:25:32 | 0:25:35 | |
and bring them in lots of money. | 0:25:35 | 0:25:37 | |
It's already shaping up to be a busy day in the auction room, | 0:25:38 | 0:25:41 | |
with plenty of bidders crowding round the hundreds of lots on sale today. | 0:25:41 | 0:25:46 | |
Jonty's here and he's busy looking at one of our items with renewed interest. | 0:25:46 | 0:25:52 | |
-Jonty, good morning. -Alistair, how are you doing? | 0:25:52 | 0:25:55 | |
-Very good. Charles I. -I know. Now, what do I do on my day off? | 0:25:55 | 0:25:58 | |
Climb mountains? Swim oceans? No. | 0:25:58 | 0:26:02 | |
-I take a trip round the National Gallery. -Really? -Yes. | 0:26:02 | 0:26:05 | |
And what do I discover? A tiny little etching of this very same scene. | 0:26:05 | 0:26:11 | |
-Really? -It's extraordinary. -By whom? | 0:26:11 | 0:26:13 | |
The original picture was done by an artist known as John Bridges. | 0:26:13 | 0:26:17 | |
He exhibited the picture in 1838 at the Royal Academy. | 0:26:17 | 0:26:21 | |
That's a good story. Can we feed that to the auctioneer and see... | 0:26:21 | 0:26:25 | |
Yes, let him know! But we do have some great items. | 0:26:25 | 0:26:28 | |
Remember the tin coal scuttle? That was great fun. | 0:26:28 | 0:26:31 | |
-Also the sofa, which we don't know if they're bringing. -No. | 0:26:31 | 0:26:34 | |
It was a lovely thing, but it's a question mark if they bring it. | 0:26:34 | 0:26:38 | |
-I think they probably wouldn't have. But let's check. -OK. | 0:26:38 | 0:26:42 | |
We find Alan, Rachel and Karen saying a last fond goodbye | 0:26:43 | 0:26:48 | |
to their coal bucket. | 0:26:48 | 0:26:49 | |
But no sign of the William IV settee. | 0:26:49 | 0:26:52 | |
So Jonty cuts straight to the chase. | 0:26:52 | 0:26:54 | |
The big question is, have you brought that fabulous sofa? | 0:26:54 | 0:26:58 | |
-Well, I didn't. -You didn't? -There were many reasons. | 0:26:58 | 0:27:03 | |
Primarily, it was too heavy to bring. | 0:27:03 | 0:27:06 | |
-It's big. And secondly, I was too attached. -OK. -Alan, | 0:27:06 | 0:27:11 | |
you must be delighted to still have the sofa in your front room? | 0:27:11 | 0:27:14 | |
Absolutely. I didn't have the strength to lift it! | 0:27:14 | 0:27:18 | |
But we do have some fabulous items. | 0:27:18 | 0:27:20 | |
Those really unusual Lladro figures. And I like that quirky little desk. | 0:27:20 | 0:27:25 | |
Oh, yes. The firewood desk! | 0:27:25 | 0:27:28 | |
-A mutant desk! -I won't shout it out loud! | 0:27:28 | 0:27:31 | |
Ready to go to market? | 0:27:31 | 0:27:33 | |
Follow me! | 0:27:33 | 0:27:34 | |
It's not surprising that Rachel decided to keep the settee. | 0:27:37 | 0:27:41 | |
It's a beautiful piece of furniture. But our other items will have to work extra hard | 0:27:41 | 0:27:47 | |
if we're to make our £800 target. | 0:27:47 | 0:27:51 | |
With the auction about to start, we head to the back | 0:27:52 | 0:27:54 | |
to find a spot to watch from. | 0:27:54 | 0:27:56 | |
Our first item is the ornate metal-framed mirror. | 0:27:56 | 0:28:01 | |
105A now, the Regency style decorative brass-framed free-standing table mirror. | 0:28:02 | 0:28:08 | |
Start me £50 for it. £20 for it. £10 for it. | 0:28:08 | 0:28:13 | |
With a ten, a bid at ten, give me 12. | 0:28:13 | 0:28:15 | |
12. 15. 18. | 0:28:15 | 0:28:16 | |
20. 22? | 0:28:16 | 0:28:18 | |
25. 28. | 0:28:18 | 0:28:19 | |
At £25. | 0:28:19 | 0:28:21 | |
The bid's at £25. I'm selling. All done? | 0:28:21 | 0:28:23 | |
Your first lot goes at 25. 588. 25. | 0:28:23 | 0:28:27 | |
Slightly disappointing. I wanted a bit more. | 0:28:27 | 0:28:30 | |
-I'm sure you did, Rachel. -You're making up the difference! Don't worry! | 0:28:30 | 0:28:35 | |
Well, it's a start, even though the mirror sells way under estimate. | 0:28:35 | 0:28:39 | |
We need to do better with our next item, the Oriental-style ceramic lamp | 0:28:39 | 0:28:45 | |
with a garden scene. Valued by Jonty at £60 to £80. | 0:28:45 | 0:28:49 | |
Start me at £20 for it. | 0:28:50 | 0:28:53 | |
£20 for it? | 0:28:53 | 0:28:54 | |
£20 for it? No interest at £20? A bid at £20. £20. | 0:28:54 | 0:28:58 | |
£20. 22. | 0:28:58 | 0:29:00 | |
25. 28. 30. | 0:29:00 | 0:29:02 | |
32. 35. | 0:29:02 | 0:29:04 | |
At £32. Bid at £32. Take 35. | 0:29:04 | 0:29:07 | |
At £32. | 0:29:07 | 0:29:08 | |
At £32, then. | 0:29:08 | 0:29:09 | |
-Sorry, the owner wants more. Not sold. -Unsold. | 0:29:09 | 0:29:12 | |
So that's either going home with you again, | 0:29:12 | 0:29:16 | |
or you can put it back into another sale. | 0:29:16 | 0:29:20 | |
That was a disappointment. | 0:29:20 | 0:29:23 | |
With insufficient bids on the lamp, it goes unsold. | 0:29:23 | 0:29:26 | |
I'm confident that Alan's apothecary set will do much better. | 0:29:27 | 0:29:31 | |
He paid just £5 for it at auction, | 0:29:31 | 0:29:33 | |
and it has a certain charm for the right bidder. | 0:29:33 | 0:29:37 | |
-This is a great, for you, Alan, this must be a great lot. -Interesting. | 0:29:37 | 0:29:41 | |
-The apothecary set. -If you can make gold out of it! | 0:29:41 | 0:29:45 | |
We should call it that. In terms of selling it, it's an apothecary set. | 0:29:45 | 0:29:51 | |
-You think it's a first aid kit. -It is an apothecary set. -Exactly. | 0:29:51 | 0:29:55 | |
Start me at £30 for it. | 0:29:55 | 0:29:57 | |
I'm bid at 30. 32. 35. | 0:29:57 | 0:29:58 | |
38. 40. | 0:29:58 | 0:30:00 | |
42. 45. 48. | 0:30:00 | 0:30:02 | |
At the back at 45. 48 here. 50. | 0:30:02 | 0:30:05 | |
55. 60. | 0:30:05 | 0:30:06 | |
Five. 70. Five. | 0:30:06 | 0:30:09 | |
-Real collectors here. -80. Five. 90. | 0:30:09 | 0:30:12 | |
90. 95. 100. | 0:30:12 | 0:30:15 | |
Ten. 20? £110. | 0:30:15 | 0:30:18 | |
You've bid £110. All done at £110. I think we are. 110 and going. Thanks for the bid. 110. | 0:30:18 | 0:30:23 | |
Some things will always take off. | 0:30:23 | 0:30:26 | |
-The joy of auctions! -Amazing. | 0:30:26 | 0:30:29 | |
That was a fantastic profit for Alan | 0:30:29 | 0:30:31 | |
and a great contribution towards the family day out | 0:30:31 | 0:30:34 | |
as the apothecary set sells for nearly double its top estimate. | 0:30:34 | 0:30:38 | |
The coal bucket, or purdonium, is next under the hammer. | 0:30:38 | 0:30:43 | |
It's been modified by Alan, who took a paintbrush to it! | 0:30:43 | 0:30:46 | |
But maybe his artwork will appeal to the bidders. | 0:30:46 | 0:30:49 | |
We're looking for £60 to £80. | 0:30:49 | 0:30:52 | |
120a, now. An unusual Victorian painted steel fireside coal purdonium. | 0:30:53 | 0:30:57 | |
Lot 120a. Unusual. £50 for it. | 0:30:57 | 0:31:01 | |
£40 for it? Bid at £40. | 0:31:01 | 0:31:02 | |
At £40. Take 42. £40. | 0:31:02 | 0:31:04 | |
42. 45. 48? | 0:31:04 | 0:31:07 | |
50. 55. 60. | 0:31:07 | 0:31:09 | |
It's selling really well. | 0:31:09 | 0:31:11 | |
At £60. Take 65. At £60. All done? | 0:31:11 | 0:31:14 | |
£60. Last time, it's going for £60. Done? 60? You've got it. | 0:31:14 | 0:31:17 | |
-£60. 614. -That's comfortable. | 0:31:17 | 0:31:20 | |
ALL TALK AT ONCE | 0:31:20 | 0:31:23 | |
It was so unusual, I thought it would sell for more. | 0:31:23 | 0:31:26 | |
But it was a bit over-restored! Tell me about the restoration. | 0:31:26 | 0:31:30 | |
-Confess. -It's a picture of Dad's Monet on the front. | 0:31:30 | 0:31:34 | |
You got a bit artistic one day! | 0:31:34 | 0:31:36 | |
-I went mad and put the gold stripes on. -Yes. | 0:31:36 | 0:31:39 | |
-That was a mistake. -The "go-faster stripes"! -Yeah! | 0:31:39 | 0:31:43 | |
£60 is bang on Jonty's low estimate. | 0:31:43 | 0:31:47 | |
Clearly, whoever bought the coal bucket liked Alan's artistic efforts! | 0:31:47 | 0:31:51 | |
Next up is the 12-piece dinner set | 0:31:51 | 0:31:54 | |
which is unusually plain for Susie Cooper. | 0:31:54 | 0:31:57 | |
She and Clarice Cliff were the most significant figures | 0:31:57 | 0:32:00 | |
in ceramics design during the Art Deco period. | 0:32:00 | 0:32:03 | |
We're hoping for £70 to £100 for this lot. | 0:32:03 | 0:32:07 | |
Start me £100 for it. £50 for it? | 0:32:07 | 0:32:10 | |
£50? I'm bid at £50. | 0:32:10 | 0:32:12 | |
Should make double this. I'm bid 55. | 0:32:12 | 0:32:14 | |
60. Five. 70. | 0:32:14 | 0:32:16 | |
Five. 80. Five. | 0:32:16 | 0:32:17 | |
£85. At £85. Take 90. At £85. | 0:32:17 | 0:32:21 | |
At £85. You want 90. | 0:32:21 | 0:32:22 | |
-Nice and quiet. -..100. 110. | 0:32:22 | 0:32:25 | |
120. 130. | 0:32:25 | 0:32:27 | |
140. | 0:32:27 | 0:32:28 | |
-It's like horse racing! -140. 150. | 0:32:28 | 0:32:31 | |
140 is bid. Take 150. Selling for 140. No money at £140 | 0:32:31 | 0:32:34 | |
for the Susie Cooper. All done. At 140. You've got it. 140. | 0:32:34 | 0:32:38 | |
I think that's great, £140. It's very stylish, the Susie Cooper. | 0:32:38 | 0:32:41 | |
-In fashion. -Very pleased. | 0:32:41 | 0:32:43 | |
We had such a quantity of it as well. People pay good money for that. | 0:32:43 | 0:32:47 | |
That was a very pleasant surprise. | 0:32:47 | 0:32:49 | |
Susie Cooper proves to be ever popular. | 0:32:49 | 0:32:52 | |
The dinner set sells for £40 over its top estimate. | 0:32:52 | 0:32:56 | |
I wonder if the lady's writing desk can take us to halfway on a high? | 0:32:58 | 0:33:02 | |
It's a mixture of styles and woods, | 0:33:02 | 0:33:04 | |
but Jonty took a liking to it, | 0:33:04 | 0:33:06 | |
even if Karen didn't, | 0:33:06 | 0:33:08 | |
and valued it at £80 to £120. | 0:33:08 | 0:33:11 | |
£50. Start me at £50, please. | 0:33:11 | 0:33:13 | |
I'm bid at £50. At £50. Take five. At £50. | 0:33:13 | 0:33:16 | |
-Someone wants it. -The bid so far, £50. Take 55. £50. | 0:33:16 | 0:33:19 | |
Done at £50? Can't sell it for that. £50. Make a bid at £50. | 0:33:19 | 0:33:23 | |
That's all I got. At £50. | 0:33:23 | 0:33:25 | |
I'm gobsmacked! | 0:33:27 | 0:33:28 | |
-Thank God I don't have to carry it home! -Somebody liked it. | 0:33:28 | 0:33:32 | |
The desk goes for £30 under its estimate. | 0:33:32 | 0:33:35 | |
But with darkwood furniture tending to struggle in recent times, | 0:33:35 | 0:33:39 | |
it's not a bad result. | 0:33:39 | 0:33:41 | |
It's time to tell Alan, Rachel and Karen | 0:33:41 | 0:33:44 | |
how their fund for their family day out is looking so far. | 0:33:44 | 0:33:48 | |
We're halfway through. | 0:33:48 | 0:33:49 | |
We were banking on you bringing the sofa to make us £800. | 0:33:49 | 0:33:55 | |
But, all things considered, at halfway, | 0:33:55 | 0:33:57 | |
-we've made £385. -Wow! -Wow! | 0:33:57 | 0:34:00 | |
-Which is almost on course. -Great! | 0:34:00 | 0:34:02 | |
So, very good. | 0:34:02 | 0:34:04 | |
We can't rest on our laurels. The second half might be wobbly. | 0:34:04 | 0:34:08 | |
But we've a gap before our next items, | 0:34:08 | 0:34:10 | |
so let's wander round and look at some interesting items. | 0:34:10 | 0:34:13 | |
So far, so good. | 0:34:15 | 0:34:17 | |
We've still got plenty of great items to come today. | 0:34:17 | 0:34:21 | |
If you're thinking about buying or selling at auction, remember charges such as commission and VAT | 0:34:21 | 0:34:27 | |
are added to your bill. Check the details with your local sale room | 0:34:27 | 0:34:31 | |
so you're aware of all the costs. | 0:34:31 | 0:34:34 | |
Today's auction is cracking along at a great pace. | 0:34:34 | 0:34:37 | |
There's little time to browse before the second half of our lots come up for sale. | 0:34:37 | 0:34:42 | |
We head back to our position in the corner of the auction room | 0:34:42 | 0:34:46 | |
for our next item, | 0:34:46 | 0:34:47 | |
the first of our Lladro lots, the figurine of a girl. | 0:34:47 | 0:34:50 | |
Valued by Jonty at £50 to £80. | 0:34:50 | 0:34:53 | |
It's our geisha girl. | 0:34:54 | 0:34:56 | |
The Lladro figurine. It's very unusual, isn't it? | 0:34:56 | 0:34:59 | |
-Have you put a reserve on this? -Yes, £50. | 0:34:59 | 0:35:03 | |
OK. That's my bottom end estimate, so let's see what happens. | 0:35:03 | 0:35:07 | |
Start me here at £50. | 0:35:07 | 0:35:09 | |
Start me at £30. | 0:35:09 | 0:35:10 | |
£30 here. 32 there. 35. 38. | 0:35:10 | 0:35:13 | |
40. 42. 45? | 0:35:13 | 0:35:16 | |
At £42 bid. £42. | 0:35:16 | 0:35:18 | |
I'll take 45. £42. | 0:35:18 | 0:35:19 | |
45 or not? 45. | 0:35:19 | 0:35:21 | |
48? £45. Bid at £45. | 0:35:21 | 0:35:23 | |
-All done at £45? -It's a slow climb. | 0:35:23 | 0:35:25 | |
Next to you. At 45. Bid at 45. 48? | 0:35:25 | 0:35:27 | |
48? £45. At 45. All done at 45, then? Sorry, not sold. | 0:35:27 | 0:35:33 | |
We so nearly made the £50 reserve for the figurine, but not quite. | 0:35:33 | 0:35:37 | |
And so she goes unsold. | 0:35:37 | 0:35:39 | |
Can the Victorian tapestry of Charles I perform better? | 0:35:39 | 0:35:43 | |
Having seen the etching of the scene in the National Gallery, | 0:35:43 | 0:35:47 | |
Jonty's become very enthusiastic about the history. | 0:35:47 | 0:35:50 | |
I have to say that, ordinarily, 19th-century tapestries | 0:35:50 | 0:35:53 | |
I find sometimes a bit OTT. | 0:35:53 | 0:35:55 | |
A bit over-sentimental. | 0:35:55 | 0:35:58 | |
Now, there's obviously huge drama involved in this scene. | 0:35:58 | 0:36:03 | |
But I think the quality is there and I love the frame. | 0:36:03 | 0:36:06 | |
Let's see if we can make our £80. | 0:36:06 | 0:36:08 | |
£100 for it? | 0:36:08 | 0:36:09 | |
£50 for it. It's worth more. I'm bid at £50. Take 55. | 0:36:09 | 0:36:13 | |
At £50. I'll take five. I'll take £50. Five or not. At £50. | 0:36:13 | 0:36:17 | |
Hasn't made £50. Again, it's not sold, I'm afraid. | 0:36:17 | 0:36:21 | |
Do it in fivers if you like. 55. 60 over there? 60. 65. | 0:36:21 | 0:36:24 | |
70. 75. | 0:36:24 | 0:36:26 | |
I'm bid £70. I'll take 75. At £70. You're getting closer. Not enough. | 0:36:26 | 0:36:30 | |
£70. Come and see me after. £70. | 0:36:30 | 0:36:32 | |
What a disappointment! | 0:36:32 | 0:36:34 | |
The bidding fails to reach a high enough price | 0:36:34 | 0:36:36 | |
for the auctioneer to justify selling the tapestry. | 0:36:36 | 0:36:39 | |
That's our second unsold item in a row. Not a good sign | 0:36:39 | 0:36:43 | |
for our family outing. | 0:36:43 | 0:36:45 | |
Plans for a fun-packed weekend away may have to be downsized | 0:36:45 | 0:36:48 | |
to a night of camping in Pinner! | 0:36:48 | 0:36:50 | |
We're praying the metal umbrella stand can improve our fortunes. | 0:36:52 | 0:36:56 | |
It's been in the family for years, | 0:36:56 | 0:36:58 | |
and Jonty reckons it's worth £80 to £100. | 0:36:58 | 0:37:00 | |
A nice cast-iron stick stand here. In the manner of Coalbrookdale. | 0:37:00 | 0:37:05 | |
£50. Start me for it. | 0:37:05 | 0:37:06 | |
A bid at £50. £50. Take 55. At £50. | 0:37:06 | 0:37:09 | |
I'll take five. 55. 60? | 0:37:09 | 0:37:11 | |
Five. 70. | 0:37:11 | 0:37:13 | |
Five. 80. | 0:37:13 | 0:37:14 | |
Five. | 0:37:14 | 0:37:16 | |
80 bid. At £80. Take five. At £80. Are we done? | 0:37:16 | 0:37:19 | |
At £80. Selling. All done. | 0:37:19 | 0:37:22 | |
-At £80. -Well done, Jonty. | 0:37:22 | 0:37:23 | |
Well done. You're making up the difference! | 0:37:23 | 0:37:26 | |
You don't need any more rainy days! | 0:37:26 | 0:37:28 | |
The bids didn't come pouring in for the umbrella stand, | 0:37:28 | 0:37:32 | |
but £80 is right on estimate. That's more like it! | 0:37:32 | 0:37:36 | |
We've got just two items left to sell. | 0:37:36 | 0:37:39 | |
We need them to provide a decent injection of cash | 0:37:39 | 0:37:41 | |
if we've any chance of getting near our £800 target. | 0:37:41 | 0:37:46 | |
The Georgian card table is next under the hammer. | 0:37:46 | 0:37:50 | |
We're gambling on it making us £90 to £120. | 0:37:50 | 0:37:53 | |
-Are you gamblers in your house? -We're card players. | 0:37:53 | 0:37:58 | |
-Are you? -Yes. -Have you played... -Oh, we have used it. -Oh, yes. | 0:37:58 | 0:38:02 | |
So have I, quietly, without you knowing! | 0:38:02 | 0:38:05 | |
£50 for it? I'm bid £50 in five places. | 0:38:07 | 0:38:10 | |
55. 60. Five. | 0:38:10 | 0:38:11 | |
70. Five. 80. Five. | 0:38:11 | 0:38:14 | |
90? | 0:38:14 | 0:38:15 | |
85. At £85. Take 90. £85. I want 90. | 0:38:15 | 0:38:17 | |
90. 95? | 0:38:17 | 0:38:19 | |
100. 110. 120. | 0:38:19 | 0:38:21 | |
£110. You want 120. All done. | 0:38:21 | 0:38:23 | |
£110. Last chance at 110 and going. | 0:38:23 | 0:38:25 | |
110. We'll finish at 110. | 0:38:25 | 0:38:27 | |
110. | 0:38:27 | 0:38:28 | |
You'll probably save £110-worth of gambling! | 0:38:28 | 0:38:31 | |
-You're absolutely right! -It's double or quits! -No sinning any more! | 0:38:31 | 0:38:35 | |
The card table played an ace, selling just under its top estimate. | 0:38:37 | 0:38:41 | |
That's a much-needed £110 in the pot. | 0:38:41 | 0:38:45 | |
Can our final lot of the day, | 0:38:45 | 0:38:47 | |
the Lladro figures of magistrates make us the £100 to £150 estimated? | 0:38:47 | 0:38:52 | |
They look serious about the job in hand! | 0:38:52 | 0:38:55 | |
Often you think of Lladro as those wispy, willowy female figures. | 0:38:56 | 0:39:01 | |
But these are completely different, aren't they? | 0:39:01 | 0:39:05 | |
-It's a discontinued design. -That's good. | 0:39:05 | 0:39:07 | |
-We want £100. -Have you got a reserve on it? | 0:39:07 | 0:39:10 | |
-Yes, we have. The Lladro figures 100 we put on there. -£100. | 0:39:10 | 0:39:15 | |
OK. Let's see if we can get through it now. | 0:39:15 | 0:39:18 | |
£100. Start me for it. | 0:39:18 | 0:39:20 | |
£80 for it? | 0:39:20 | 0:39:22 | |
I'm bid £80. At £80. At 85? | 0:39:22 | 0:39:24 | |
£80. Take five for it. £80. Take five. | 0:39:24 | 0:39:26 | |
At £80. 85, thank you. Want 90. 95. | 0:39:26 | 0:39:30 | |
100. | 0:39:30 | 0:39:31 | |
Should make more. At £95. | 0:39:31 | 0:39:33 | |
Going to sell it for 95. Give me 100 for it. At £95. | 0:39:33 | 0:39:37 | |
All done at 95 and going. For £95. | 0:39:37 | 0:39:39 | |
-319. -He's selling it. He's used his discretion. | 0:39:39 | 0:39:42 | |
There was a definite firm bid at £95. | 0:39:42 | 0:39:44 | |
A big firm bid. Sold. | 0:39:44 | 0:39:46 | |
Lucky for us the auctioneer sold the figures for £5 under reserve. | 0:39:46 | 0:39:52 | |
It was the best offer we were going to get | 0:39:52 | 0:39:54 | |
and it's a vital £95 for our fund. | 0:39:54 | 0:39:58 | |
Today has certainly given us some highs and some lows. | 0:39:58 | 0:40:02 | |
But what does it mean for that all-important family outing? | 0:40:02 | 0:40:05 | |
Well, that was exciting. | 0:40:07 | 0:40:09 | |
We had some reserves and some things not selling. | 0:40:09 | 0:40:12 | |
You get to go home with the Lladro girl | 0:40:12 | 0:40:15 | |
and the geisha vase. | 0:40:15 | 0:40:17 | |
And Charles I. Quite an unusual combination! They're yours to keep. | 0:40:17 | 0:40:22 | |
We didn't quite make our total, | 0:40:22 | 0:40:25 | |
because we were relying on the sofa. That took a big chunk out of our total. | 0:40:25 | 0:40:31 | |
But it's still a very decent showing. | 0:40:31 | 0:40:34 | |
-£670! -Wow! -Wow! | 0:40:34 | 0:40:36 | |
-Really? -Excellent! -Very good. | 0:40:36 | 0:40:38 | |
It's well over. | 0:40:38 | 0:40:40 | |
What will you do on your weekend away? | 0:40:40 | 0:40:42 | |
Mum can get massaged to her heart's content. | 0:40:42 | 0:40:45 | |
She can meditate somewhere! | 0:40:45 | 0:40:47 | |
Dad can come cycling with me, the kids and my husband. | 0:40:47 | 0:40:50 | |
We'll have a great time. Swimming, doing all that kind of thing. | 0:40:50 | 0:40:55 | |
It's been a few weeks since the auction, | 0:41:00 | 0:41:03 | |
and the family have met up to enjoy a fun day out. | 0:41:03 | 0:41:06 | |
It starts with a morning of pampering for the ladies | 0:41:06 | 0:41:09 | |
as Rachel and Karen head to the spa. | 0:41:09 | 0:41:12 | |
Hello. It's Collins and Young. | 0:41:13 | 0:41:17 | |
We've booked up for some treatment. | 0:41:17 | 0:41:19 | |
OK, ladies, if you'd go into here for me. | 0:41:19 | 0:41:22 | |
'It's a timely treat, this, cos Mum's just had a big birthday.' | 0:41:22 | 0:41:27 | |
That was yesterday, so in recovery mode. | 0:41:27 | 0:41:30 | |
She deserves this as a treat. | 0:41:30 | 0:41:32 | |
This is part of her treat. | 0:41:32 | 0:41:34 | |
With a wealth of treatments on offer, | 0:41:34 | 0:41:36 | |
the ladies choose to unwind with a massage and facial. | 0:41:36 | 0:41:39 | |
The treatments were lovely. | 0:41:39 | 0:41:42 | |
-Mine was. -So was mine. Fantastic. | 0:41:42 | 0:41:44 | |
Had a great time. It was very relaxing, | 0:41:44 | 0:41:47 | |
and now we're raring to go, to take the boys out. Their turn. | 0:41:47 | 0:41:51 | |
Then it's off to catch up with the rest of the family for an afternoon at the farm park. | 0:41:53 | 0:41:58 | |
Ooh, look! Look! | 0:41:59 | 0:42:02 | |
Look at this! | 0:42:02 | 0:42:04 | |
There's no shortage of animals for the children to see. | 0:42:04 | 0:42:07 | |
And they even get to watch a cow-milking demonstration. | 0:42:09 | 0:42:12 | |
Then it's time to let off some steam on the go-karts... | 0:42:14 | 0:42:17 | |
..and have fun on the adventure playground | 0:42:19 | 0:42:22 | |
while proud grandparents Alan and Rachel look on. | 0:42:22 | 0:42:26 | |
It's such a precious commodity, time, and for us, particularly, | 0:42:26 | 0:42:30 | |
because we're going to live in Australia. | 0:42:30 | 0:42:33 | |
It's been precious. Real good memories. | 0:42:33 | 0:42:36 | |
It was really fun, yeah. A great day. | 0:42:36 | 0:42:39 |