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Welcome to Cash In The Attic, the show that searches out all those hidden treasures | 0:00:01 | 0:00:06 | |
around your home and then we sell them at auction. | 0:00:06 | 0:00:08 | |
Well, today, I've come to Charleston in Sussex. | 0:00:08 | 0:00:11 | |
And this used to be the place where writers, intellectuals and artists met. | 0:00:11 | 0:00:16 | |
A group otherwise known as the Bloomsbury Group. | 0:00:16 | 0:00:19 | |
A collective of friends and relatives, their work deeply influenced literature and attitudes | 0:00:19 | 0:00:24 | |
towards topics such as feminism and pacifism. | 0:00:24 | 0:00:27 | |
And famous members included Virginia Woolf and EM Forster. | 0:00:27 | 0:00:30 | |
The house's interior was decorated by artists inspired by Italian fresco painting. | 0:00:30 | 0:00:36 | |
And the walled garden reflects southern European style, | 0:00:36 | 0:00:39 | |
with mosaics, box hedges, gravel pathways and ponds. | 0:00:39 | 0:00:42 | |
Well, after seeing such a fantastic collection of art, I'm feeling inspired to find some antiques | 0:00:44 | 0:00:50 | |
and collectables of our own that will raise lots of cash. | 0:00:50 | 0:00:54 | |
Coming up on today's Cash In The Attic. | 0:01:16 | 0:01:18 | |
Our expert is taking a gamble on one of our family's lots. | 0:01:18 | 0:01:21 | |
It could be a safe bet. Yes. | 0:01:21 | 0:01:24 | |
And he seems to think he's the only one rummaging. A lady of leisure. | 0:01:24 | 0:01:28 | |
A lady of leisure. Talking of which, let's go and find Lorne. | 0:01:28 | 0:01:31 | |
But we're all working together come auction day. | 0:01:31 | 0:01:34 | |
Wow, that's great, isn't it? It's picking up. | 0:01:34 | 0:01:38 | |
Let's hope we'll still be smiling when the final hammer falls. | 0:01:38 | 0:01:41 | |
I'm in Haywards Heath and I've come here to meet two fabulous ladies | 0:01:46 | 0:01:50 | |
who have called in the Cash In The Attic team | 0:01:50 | 0:01:52 | |
to help them raise some funds so they can get tree-top views. | 0:01:52 | 0:01:57 | |
Frances Drews runs a B from this beautiful 16th century home in the heart of West Sussex. | 0:01:57 | 0:02:02 | |
She's spent four years renovating the property and its two acres of gardens. | 0:02:02 | 0:02:07 | |
And, although she has created a stunning place inside and out, | 0:02:07 | 0:02:11 | |
there's one final green-fingered touch she wants to add. | 0:02:11 | 0:02:14 | |
So she's called us, and her friend Kim, along to help. | 0:02:14 | 0:02:17 | |
Morning! Good morning. This is great. | 0:02:17 | 0:02:19 | |
It's like Dingly Dell meets Hansel and Gretel. I'm glad you said that. | 0:02:19 | 0:02:23 | |
The house is an antique in its own right. It dates back to the 16th century. | 0:02:23 | 0:02:28 | |
Isn't that fantastic? This, for me, really, epitomises England. | 0:02:28 | 0:02:32 | |
It's absolutely beautiful. I hope it's full of English antiques. | 0:02:32 | 0:02:35 | |
The two ladies are ever so nice. So come and meet them. Ah, good. | 0:02:35 | 0:02:39 | |
Ah, good morning. | 0:02:39 | 0:02:42 | |
You must be Frances. I am. | 0:02:42 | 0:02:44 | |
So you must be Kim. Yes. | 0:02:44 | 0:02:46 | |
I understand you two have been friends for a long time, is that right? Yes. | 0:02:46 | 0:02:50 | |
Kim came to stay with her family for a fortnight when they were | 0:02:50 | 0:02:54 | |
in the process of moving down to Lingfield and we've been friends ever since. | 0:02:54 | 0:03:00 | |
Well, this is an amazing place, so what is your plan? | 0:03:00 | 0:03:04 | |
Well, I'd like to get a tree house, or a tree platform. A budget tree house. | 0:03:04 | 0:03:08 | |
I don't want a roof to it, because I want to be in, amongst the trees. | 0:03:08 | 0:03:13 | |
And I have a pair of oak trees up there, and a tree platform strung between them | 0:03:13 | 0:03:19 | |
would be fabulous. Do you think this is a good idea? It's excellent, | 0:03:19 | 0:03:22 | |
because when you go up to the top there, there's stunning views. | 0:03:22 | 0:03:26 | |
And it would be a lovely place for a gin and tonic. | 0:03:26 | 0:03:29 | |
These things are expensive nowadays. So what sort of price are you. | 0:03:29 | 0:03:33 | |
Mine will have to be a sort of budget one, without a roof on it. | 0:03:33 | 0:03:37 | |
I want more of a platform than a roofy thing, so we're probably looking around ?4,000 to ?5,000. | 0:03:37 | 0:03:44 | |
Crikey, is that what you want to raise today? No, I've not got anything worth that much, | 0:03:44 | 0:03:49 | |
but if we can get ?1,000 towards it, that'd be lovely. | 0:03:49 | 0:03:52 | |
We need to raise ?1,000 towards the tree house then? Yes. | 0:03:52 | 0:03:55 | |
All right, then. Shall we go and see whether Paul has managed to find anything yet? | 0:03:55 | 0:03:59 | |
He'll sniff out the antiques. | 0:03:59 | 0:04:01 | |
That will be lovely. Frances's garden will be a real show stopper if she can get that tree house. | 0:04:01 | 0:04:07 | |
It's all hands on deck so we can get on with the search. | 0:04:07 | 0:04:10 | |
Luckily, we have our expert, Paul Hayes, to help. | 0:04:10 | 0:04:14 | |
With a passion for antiques of all shapes and sizes, he's just the man | 0:04:14 | 0:04:18 | |
we need to help pick out the best items for auction. | 0:04:18 | 0:04:21 | |
There you are! Hello, how are you? | 0:04:21 | 0:04:23 | |
Found something already? One of my favourite items. | 0:04:23 | 0:04:26 | |
I love this, a little miniature painting. | 0:04:26 | 0:04:29 | |
Where did this come from? Is this one of the pieces you've inherited? | 0:04:29 | 0:04:33 | |
Actually, I inherited by accident, really. | 0:04:33 | 0:04:36 | |
It was in this frame behind a photo. | 0:04:36 | 0:04:40 | |
The photo fell off and I found that behind it. | 0:04:40 | 0:04:44 | |
And I started using it as a coaster for my tea or coffee mug. | 0:04:44 | 0:04:49 | |
Wow, you often hear of old masters found hidden behind other paintings and so on. | 0:04:49 | 0:04:54 | |
And that's what you've got here. | 0:04:54 | 0:04:56 | |
This is an original painting. Late 19th century, 1880, 1890. | 0:04:56 | 0:04:59 | |
And it's very Russian. | 0:04:59 | 0:05:01 | |
I suspect it's been a larger panel from the top of a box. | 0:05:01 | 0:05:06 | |
The Russians were very much into that sort of thing. | 0:05:06 | 0:05:09 | |
They would make these wonderful papier mache boxes | 0:05:09 | 0:05:12 | |
and they'd have snow scenes and nobility and Cossacks and so on. But look at the detail here. | 0:05:12 | 0:05:16 | |
This has been a good artist who has done it. You have individual eye lashes and individual whiskers here. | 0:05:16 | 0:05:22 | |
What you've got here is a piece of history. These are wonderful items to have. | 0:05:22 | 0:05:26 | |
It's late 19th century. It's an original painting. It's papier mache. It's Russian. | 0:05:26 | 0:05:32 | |
If I said at least ?80 to ?120, how does that sound? | 0:05:32 | 0:05:37 | |
For something I used to use as a coaster, I think that's... | 0:05:37 | 0:05:40 | |
For something that should be something else, | 0:05:40 | 0:05:43 | |
and has been cut down, I think that's a pretty fantastic result. | 0:05:43 | 0:05:47 | |
It's beautifully done and is really collectable at the moment. | 0:05:47 | 0:05:51 | |
That's a good start. Right, come on, let's see what else we can find. | 0:05:51 | 0:05:55 | |
Have you got any more coasters like that? Sadly, no. Oh, that's a shame. | 0:05:55 | 0:05:59 | |
I don't think Frances will be putting hot drinks on that one any more. | 0:06:00 | 0:06:05 | |
The painting gets us off to a cracking start and we're all keeping our minds firmly focused | 0:06:05 | 0:06:11 | |
on that ?1,000 target as we divide and conquer this beautiful property. | 0:06:11 | 0:06:15 | |
Kim's been hard at work and she's found this swing mirror | 0:06:15 | 0:06:19 | |
which would have been part of a dressing table set. | 0:06:19 | 0:06:21 | |
Paul hopes it will make ?40 to ?60. | 0:06:21 | 0:06:23 | |
Meanwhile, in the hallway, it looks like our expert might have come up trumps himself. | 0:06:23 | 0:06:28 | |
Frances? Yes, Paul? | 0:06:28 | 0:06:30 | |
You've a nice card table here. | 0:06:30 | 0:06:32 | |
Do you ever use this one? | 0:06:32 | 0:06:34 | |
No, I've only recently had it from my parents' house. | 0:06:34 | 0:06:38 | |
Oh, right, so this isn't something you've bought then. No. It's a proper heirloom then. | 0:06:38 | 0:06:43 | |
A lot of the furniture I've got in the house has been collected over a period of years, | 0:06:43 | 0:06:48 | |
A lot of the furniture I've got in the house has been collected over a period of years, | 0:06:49 | 0:06:50 | |
trying to find the right piece of furniture at the right age to go into the bed and breakfast. | 0:06:50 | 0:06:57 | |
It's quite a nice example, isn't it? It's a demi-lune, or half circle. | 0:06:57 | 0:07:02 | |
This dates probably 1890, 1900. | 0:07:02 | 0:07:05 | |
It's a lot newer than the house, obviously. | 0:07:05 | 0:07:08 | |
A couple of things to look for. Over a period of time, the surface can get warped and it can "smile". | 0:07:08 | 0:07:15 | |
Have you heard that expression? No, but I can see what you mean. | 0:07:15 | 0:07:18 | |
Can you see? This is a gap here, it looks like a smile. | 0:07:18 | 0:07:21 | |
And that can be sorted out, but it is quite a costly job to do. | 0:07:21 | 0:07:25 | |
And that is quite a problem, Right. But the actual style is lovely. | 0:07:25 | 0:07:29 | |
You this frieze here. Very classical. | 0:07:29 | 0:07:32 | |
Do you like it? I notice most of the things in your house tend to be a bit older than this one. | 0:07:32 | 0:07:37 | |
It's too young for the house. | 0:07:37 | 0:07:39 | |
And I thought I had a spot for it, but haven't. Do you use it at all? | 0:07:39 | 0:07:45 | |
Only as a side table here, and once I got it back, I thought, "Oh, it's not really right for the house." | 0:07:45 | 0:07:51 | |
With a bit of restoration on this, you could have quite a nice table. | 0:07:51 | 0:07:55 | |
Yes, but would the restoration not be out of kilter with its value? | 0:07:55 | 0:08:00 | |
It would cost quite a lot to do. But at the end of the day, it's a nice example. It's mahogany. | 0:08:00 | 0:08:05 | |
It needs a bit of work, but if I said ?80 to ?120? I'd be happy about that. | 0:08:05 | 0:08:13 | |
It could be a safe bet. Yes! | 0:08:13 | 0:08:17 | |
Well, we've certainly scored highly on that round with another ?80 in the kitty. | 0:08:17 | 0:08:23 | |
I leave the rummaging in Paul's capable hands for a while and catch up with our two ladies. | 0:08:23 | 0:08:28 | |
Now, this is absolutely amazing. | 0:08:28 | 0:08:30 | |
I mean, it is so typically English, isn't it? I mean, this is what most people dream of. | 0:08:30 | 0:08:35 | |
A chocolate-box cottage and these beautiful gardens. How long have you been here, Frances? | 0:08:35 | 0:08:41 | |
I've been here about 15 years. Was it like this when you moved here? | 0:08:41 | 0:08:44 | |
No, the garden had a couple of roses and a rhododendron in it, | 0:08:44 | 0:08:49 | |
and looked absolutely nothing like this whatsoever. | 0:08:49 | 0:08:53 | |
So, apart from the trees, what did you have to do? | 0:08:53 | 0:08:56 | |
Well, first of all, I had 28 lorry-loads of dirt taken out. | 0:08:56 | 0:09:00 | |
I had a JCB in here on three occasions, because on two occasions it sank. | 0:09:00 | 0:09:05 | |
So we had to get it out before we lost it. | 0:09:05 | 0:09:08 | |
And gradually, over a period of years, the planting has gone on. | 0:09:08 | 0:09:16 | |
Do you share the love of gardening? No, I don't. Not as much. | 0:09:16 | 0:09:20 | |
I enjoy walking. And we walk every week and take a map with us and write down where we've been | 0:09:20 | 0:09:26 | |
and then Frances can print it out when we get back and she gives them to the guests | 0:09:26 | 0:09:31 | |
and they can go on the same walks as well. | 0:09:31 | 0:09:33 | |
Oh, how lovely. So it's all around here, is it? | 0:09:33 | 0:09:36 | |
Yes, it is. I bet you see some interesting places, don't you? | 0:09:36 | 0:09:39 | |
We've seen some gorgeous places, yes. | 0:09:39 | 0:09:41 | |
Some of the walks are from here, and others start at various points. | 0:09:41 | 0:09:47 | |
There's usually a hostelry of some description either at the beginning, the middle or the end. | 0:09:47 | 0:09:53 | |
And sometimes in all three places. | 0:09:53 | 0:09:55 | |
Yes. And I won't walk through a field of cows, so we sometimes have to go the long way round! | 0:09:55 | 0:10:00 | |
So this tree house you're having built, it's not in this tree behind us here, it's in the two up there? | 0:10:02 | 0:10:08 | |
Yes, you walk up the 59 oak steps. | 0:10:08 | 0:10:10 | |
Wonderful. And you turn to the left up there, and you come to these two oak trees. | 0:10:10 | 0:10:15 | |
And the reason I don't want a roof on it, because most tree houses have a roof, | 0:10:15 | 0:10:19 | |
is that because I know I have dormice in the area and dormice live in | 0:10:19 | 0:10:24 | |
the canopy of the trees for part of their time. | 0:10:24 | 0:10:29 | |
And, although the chances of seeing a dormouse are remote, in fact, | 0:10:29 | 0:10:34 | |
almost zilch, it would be nice to feel they're not that far away. | 0:10:34 | 0:10:38 | |
That's fantastic, isn't it? I can smell the wood fire burning as well. | 0:10:38 | 0:10:42 | |
I'm hoping Paul has found something we can sell rather than put on the fire. | 0:10:42 | 0:10:46 | |
Shall we go and find out? Yes. | 0:10:46 | 0:10:48 | |
It sounds like the tree house will be the perfect finishing touch to Frances's much-loved garden. | 0:10:48 | 0:10:54 | |
So we need to get back to work and make that ?1,000. | 0:10:54 | 0:10:57 | |
Luckily, our man from Morecombe is never one to lose sight of the target | 0:10:57 | 0:11:01 | |
and he's found an unusual copper beer slops filter. | 0:11:01 | 0:11:04 | |
He's hoping the bidders raise their glasses on auction day | 0:11:04 | 0:11:08 | |
and valued it at ?30 to ?40. | 0:11:08 | 0:11:09 | |
Meanwhile, our tree house fund gets another welcome addition when Frances decides to add | 0:11:09 | 0:11:15 | |
this wonderful wooden table to the auction. | 0:11:15 | 0:11:17 | |
Paul hopes it will make ?80 to ?100. | 0:11:17 | 0:11:20 | |
And next door, our expert spotted another piece of furniture. | 0:11:20 | 0:11:24 | |
Kim? Hello. Do you know where this piece of furniture came from? | 0:11:24 | 0:11:28 | |
This came from an auction. Oh, right. | 0:11:28 | 0:11:30 | |
Did Frances buy many things from auctions? | 0:11:30 | 0:11:33 | |
Yes, she did. She bought this about five or six years ago, | 0:11:33 | 0:11:36 | |
for the bed and breakfast, to put the teas and coffees on. | 0:11:36 | 0:11:40 | |
She going for that antique look to match the house? | 0:11:40 | 0:11:43 | |
Yes, yes. It does blend well with the age of the house. | 0:11:43 | 0:11:47 | |
Old pieces of furniture are very, very difficult to find in original condition. | 0:11:47 | 0:11:52 | |
These legs, that's called bobbin turned. | 0:11:52 | 0:11:55 | |
And that was really fashionable around the year 1600, 1650. | 0:11:55 | 0:12:00 | |
Which is 400 years ago. Oh, wow! | 0:12:00 | 0:12:03 | |
So I suspect what has happened is this frame here is all original, | 0:12:03 | 0:12:06 | |
but it has had a replacement top, which you would expect. | 0:12:06 | 0:12:09 | |
If you look at the bottom, this would have sat on a stone floor | 0:12:09 | 0:12:13 | |
and it would get damp and people would mop around the floor and it would have got water damage. | 0:12:13 | 0:12:18 | |
And the base has rotted away. | 0:12:18 | 0:12:20 | |
So what somebody has done is put on the very small legs on the bottom, to give it a bit of height. | 0:12:20 | 0:12:26 | |
But the bottom is quite rough, actually. | 0:12:26 | 0:12:28 | |
So what you've got is a really old piece of furniture. | 0:12:28 | 0:12:31 | |
It's had a few alterations, and a bit of nip and tuck here and there. | 0:12:31 | 0:12:35 | |
But it's still a beautiful item and those legs are fantastic. | 0:12:35 | 0:12:39 | |
So I'd say at least ?100 to ?150. How does that sound? | 0:12:39 | 0:12:42 | |
It sounds great. All right, let's keep looking. | 0:12:42 | 0:12:45 | |
I'm surprised the table is worth that amount. | 0:12:45 | 0:12:49 | |
She bought it to put the teas and coffees on it. | 0:12:49 | 0:12:52 | |
I hope it goes for that and I'm glad she's getting rid of it, | 0:12:52 | 0:12:55 | |
because she has got too much clutter. | 0:12:55 | 0:12:57 | |
Frances's house is proving to be a real treasure trove. | 0:12:57 | 0:13:00 | |
If we keep this up we're going to be on track for that ?1,000 in no time. | 0:13:00 | 0:13:04 | |
There's yet another top-drawer furniture find when I spot this lovely table with inlaid marquetry. | 0:13:04 | 0:13:11 | |
Paul hopes it could make ?80 to ?100 under the hammer. | 0:13:11 | 0:13:17 | |
Meanwhile, our furniture-lover has another room she wants to show Paul. | 0:13:17 | 0:13:21 | |
Paul, there's a rocking chair. | 0:13:21 | 0:13:23 | |
Oh, that's quite a nice one. | 0:13:23 | 0:13:25 | |
I took a shine to it and realised it had originally been caned. | 0:13:25 | 0:13:30 | |
And because I have done a bit of caning in the past, | 0:13:30 | 0:13:33 | |
I thought that would be a job for a winter's evening. | 0:13:33 | 0:13:36 | |
However, two or three winters have gone, and I still haven't done it. | 0:13:36 | 0:13:40 | |
You say you've done the caning yourself before. And that's quite a difficult? | 0:13:40 | 0:13:45 | |
No, it's just time-consuming. | 0:13:45 | 0:13:47 | |
What I like about this is that it has a great frame. This is probably 1880, 1900. | 0:13:47 | 0:13:52 | |
It's solid mahogany and it has a lovely patina. | 0:13:52 | 0:13:55 | |
You can see where the sunlight has hit it that the bottom is dark, | 0:13:55 | 0:13:59 | |
but where someone has sat on the front here, you can see the wear from the elbows. That's lovely. | 0:13:59 | 0:14:04 | |
I love to find furniture like that. It has a real lived-in feel to it. | 0:14:04 | 0:14:08 | |
Was it very expensive when you bought it? | 0:14:08 | 0:14:11 | |
I can't remember what I paid for it. | 0:14:11 | 0:14:13 | |
Probably ?60 or ?70, something like that. | 0:14:13 | 0:14:16 | |
Which I thought was enough for something that needed hours of work. | 0:14:16 | 0:14:19 | |
What is nice about this one is that the actual rockers aren't huge. | 0:14:19 | 0:14:23 | |
I've seen rocking chairs before where the stretch comes back here | 0:14:23 | 0:14:27 | |
and they take up an awful lot of space in the house. | 0:14:27 | 0:14:30 | |
This looks like a comfortable armchair, but you are able to rock. | 0:14:30 | 0:14:34 | |
The whole idea was, that when you're not rocking the item backwards and forwards | 0:14:34 | 0:14:38 | |
it naturally settles where your centre of gravity is. | 0:14:38 | 0:14:41 | |
So you're constantly in an unstressed state. | 0:14:41 | 0:14:44 | |
Whereas in an ordinary chair you're quite scrunched up or uncomfortable. | 0:14:44 | 0:14:49 | |
This one settles so everything is perfect. What a marvellous invention it must have been. | 0:14:49 | 0:14:54 | |
Well, in its present state I think you're looking at least ?80 to ?120. | 0:14:54 | 0:15:00 | |
I think done up, you could be looking ?150, maybe ?200. | 0:15:00 | 0:15:06 | |
But there is hours and hours of work there. | 0:15:06 | 0:15:09 | |
So it's probably not worth doing. Leave that for somebody else. I think so. A lady of leisure. | 0:15:09 | 0:15:15 | |
Talking of which, let's go and find Lorne! | 0:15:15 | 0:15:19 | |
I'll have you know, I've been working very hard, Mr Hayes! | 0:15:19 | 0:15:22 | |
But I will leave you to hold the fort | 0:15:22 | 0:15:24 | |
because I want to find out a bit more about the lady of the house. | 0:15:24 | 0:15:27 | |
Before you moved here and set up the bed and breakfast business, what did you do? | 0:15:27 | 0:15:33 | |
I've been in travel most of my life. Working for an airline and travel company. | 0:15:33 | 0:15:40 | |
Then I started working as a freelance secretary, | 0:15:40 | 0:15:45 | |
but during that time I did do up a couple of houses. | 0:15:45 | 0:15:50 | |
Although it took me several years to do up each one and then I moved here. | 0:15:50 | 0:15:54 | |
When you first found out about this property, what were your thoughts? | 0:15:54 | 0:15:58 | |
When I first arrived I think I decided I wanted to live here | 0:15:58 | 0:16:03 | |
before I'd even turned the engine off in my car. | 0:16:03 | 0:16:08 | |
And I saw it in the morning, had my surveyor over in the afternoon | 0:16:08 | 0:16:12 | |
and got an offer in by the following morning. | 0:16:12 | 0:16:17 | |
So I really did fall in love with it hook, line and sinker. | 0:16:17 | 0:16:20 | |
What was it like when you bought it and what did you have to do to it? | 0:16:20 | 0:16:24 | |
The renovations took three-and-a-half years. | 0:16:24 | 0:16:28 | |
The fireplace was blocked in. There was just a 1920s fireplace down at the bottom here. | 0:16:28 | 0:16:35 | |
And it took several days to unblock the fireplace. | 0:16:35 | 0:16:41 | |
And to take the paint off the stone here, | 0:16:41 | 0:16:46 | |
which also revealed these areas where people have sharpened their farm implements | 0:16:46 | 0:16:53 | |
and kitchen implements over the years. | 0:16:53 | 0:16:56 | |
And, yes, it was a lovely day when I was finally able | 0:16:56 | 0:17:00 | |
to light a fire in it and see that it did, in fact, draw. | 0:17:00 | 0:17:04 | |
It's a shame to have to leave the roaring fire for more rummaging. | 0:17:04 | 0:17:08 | |
But it's back to work as we need a few more finds before we can put our feet up. | 0:17:08 | 0:17:12 | |
Paul's still on top rummaging form, | 0:17:12 | 0:17:14 | |
and he's found a lovely bookcase with glazed doors. | 0:17:14 | 0:17:17 | |
It would have once been the top part of a bureau | 0:17:17 | 0:17:20 | |
and Paul has given it a ?40 to ?60 price tag. | 0:17:20 | 0:17:22 | |
Meanwhile, Kim and I have been tackling one of the guest bedrooms. | 0:17:22 | 0:17:26 | |
Paul? Yes. | 0:17:26 | 0:17:28 | |
Ah, look at that, that's a real antique, isn't it? | 0:17:28 | 0:17:31 | |
Kim really likes and doesn't think it should be sold. | 0:17:31 | 0:17:34 | |
But Frances has given us strict instructions that | 0:17:34 | 0:17:36 | |
everything should be valued so she can decide. | 0:17:36 | 0:17:39 | |
She's obviously keeping blankets in it, is that what it's for? | 0:17:39 | 0:17:43 | |
Yes, it's a type of coffer. This would be to keep your prized possessions of the house in. | 0:17:43 | 0:17:47 | |
It would be used for things like blankets, curtains, textiles | 0:17:47 | 0:17:51 | |
and they would have been quite expensive commodities. | 0:17:51 | 0:17:54 | |
Judging by the colour of this, this patina, it's probably 1700, 1680. | 0:17:54 | 0:17:59 | |
That sort of time. So it's 300 years old. | 0:17:59 | 0:18:02 | |
They were designed to be part of a dowry. | 0:18:02 | 0:18:04 | |
If you were getting married you'd keep your possessions here, like a wedding present. | 0:18:04 | 0:18:09 | |
And I've seen some of them with a date on it, that would say 1679, or 1700, | 0:18:09 | 0:18:14 | |
and then they'll have two sets of initials and they are the two people who have joined together. | 0:18:14 | 0:18:19 | |
and their possessions would be kept under lock and key in this box. | 0:18:19 | 0:18:22 | |
The carcass itself is solid oak and you can see just how deep and thick the oak is on there. | 0:18:22 | 0:18:27 | |
That's a solid piece of furniture. It will outlive us. It's fantastic. | 0:18:27 | 0:18:31 | |
What is going on here? It looks like this top has been replaced at some point. | 0:18:31 | 0:18:36 | |
Ah, yes. I suspect what has happened here is this carcass itself is all original. | 0:18:36 | 0:18:41 | |
These stretchers are original, because you can see the holes go in the middle. | 0:18:41 | 0:18:45 | |
But this top looks like the end of a table. Oh, yes. So what sort of value would you put on this then? | 0:18:45 | 0:18:51 | |
If this was complete, they are a lot harder to find | 0:18:51 | 0:18:53 | |
and you'd be talking several hundred, but I think, as a nice decorative box. | 0:18:53 | 0:18:59 | |
It's a good, strong, usable piece of furniture, I'd say ?100 to ?150 is a fair estimate on that one. | 0:18:59 | 0:19:05 | |
Is there a chance, that somebody might buy it and take this top off, as it's not right? | 0:19:05 | 0:19:09 | |
Is it ever possible to match anything or restore anything like that, if this wood is so old? | 0:19:09 | 0:19:14 | |
You'd never get it right and people do love to see things in the original condition you find them. | 0:19:14 | 0:19:20 | |
When you start altering things, the value tends to get lost. | 0:19:20 | 0:19:23 | |
And you can spend more money that what the final result will be. | 0:19:23 | 0:19:26 | |
So if it's don't broke, don't fix it, really, just leave it as it is. | 0:19:26 | 0:19:30 | |
That's the secret. Not a bad result. | 0:19:30 | 0:19:32 | |
I'll have to see whether Frances is up for selling that. | 0:19:32 | 0:19:35 | |
We'll keep you out the way, so you can't convince her otherwise! Let's see what else we can find. | 0:19:35 | 0:19:40 | |
Another ?100 sitting at the end of the bed. | 0:19:40 | 0:19:43 | |
There are antiques everywhere you turn in this house, | 0:19:43 | 0:19:47 | |
and Frances decides to let this wooden cupboard go to auction. | 0:19:47 | 0:19:50 | |
She bought it from the headquarters of Thomas Cook, | 0:19:50 | 0:19:53 | |
when she worked there and Paul values it at ?40 to ?60. | 0:19:53 | 0:19:56 | |
We're almost out of time for today's rummage, | 0:19:56 | 0:19:59 | |
but I've spotted an item I don't think Mr Hayes would want to miss out on. | 0:19:59 | 0:20:03 | |
Hi, guys. Oh, look at that. | 0:20:03 | 0:20:05 | |
You're obviously familiar with this, Frances? I am, indeed, yes. | 0:20:05 | 0:20:09 | |
It's absolutely lovely. I've one question before you start, though. | 0:20:09 | 0:20:13 | |
Yes. What's going on here? | 0:20:13 | 0:20:15 | |
Do you know what they are? | 0:20:15 | 0:20:17 | |
No, you tell me. They're called Bible boxes. | 0:20:17 | 0:20:19 | |
They go back to the medieval times when you used to have to hide your family Bibles from visitors. | 0:20:19 | 0:20:25 | |
Oh, that's how you did it! I couldn't see how that operated. | 0:20:25 | 0:20:29 | |
That's right. That's a traditional item you find. | 0:20:29 | 0:20:31 | |
Nowadays you tend to keep your most precious possessions in there. | 0:20:31 | 0:20:35 | |
They're hidden away. I take it they're empty and there's nothing in there? | 0:20:35 | 0:20:39 | |
I'm afraid so. There's no Bible either. | 0:20:39 | 0:20:41 | |
No, this one is the same. But what I love about this one, if I just shut it. | 0:20:41 | 0:20:47 | |
It's made from veneered walnut and that was very expensive. | 0:20:47 | 0:20:51 | |
If you look at an 18th-century item here, the way the walnut has been done, the piece is quite small | 0:20:51 | 0:20:57 | |
and it's placed upside down to make a pattern called butterfly veneering. | 0:20:57 | 0:21:01 | |
Sometimes you get a herringbone effect in the middle here, where they make this wonderful effect. | 0:21:01 | 0:21:06 | |
That's because it was an expensive wood. | 0:21:06 | 0:21:09 | |
So they've made the carcass from oak and veneered it with this wonderful walnut. And it has a lovely patina. | 0:21:09 | 0:21:14 | |
And what is lovely quality about this one is the graduated drawers. | 0:21:14 | 0:21:18 | |
You've got a small, narrow drawer at the top, getting bigger, | 0:21:18 | 0:21:21 | |
bigger again, and bigger again and they're all original. Absolutely beautiful. | 0:21:21 | 0:21:26 | |
If that went to auction I'd love to see that with at least a ?300 to ?500 estimate, just to give it a chance. | 0:21:26 | 0:21:32 | |
But on the day, somebody might take a shine to it. So it's up to you. | 0:21:32 | 0:21:36 | |
How would you feel about selling it at the price Paul has said? | 0:21:36 | 0:21:40 | |
I would like to think it would go for a bit more. | 0:21:40 | 0:21:43 | |
I would like to think for a while as to what sort of reserve ought to go on it. | 0:21:43 | 0:21:48 | |
I think quite a higher reserve than Paul said. | 0:21:48 | 0:21:52 | |
But it's only worth what someone is prepared to pay for it. | 0:21:52 | 0:21:55 | |
I'm not 100% sure about this, although it is a beautiful piece of furniture. | 0:21:55 | 0:22:00 | |
I'll just give Kim a shout, and then we'll see how much we've made. Kim? | 0:22:00 | 0:22:04 | |
We're not 100% sure whether this is going to auction or not. | 0:22:04 | 0:22:10 | |
If it does, it's going to have a reserve. But we've run out of time, I'm afraid, for rummaging. | 0:22:10 | 0:22:15 | |
So it's time to learn how much you may or may not make at auction. | 0:22:15 | 0:22:18 | |
The value of all the items we know are definitely going to go to auction comes to ?750. | 0:22:18 | 0:22:23 | |
That's fantastic. Are you pleased with that? | 0:22:23 | 0:22:26 | |
Yes, it's a good sum. | 0:22:26 | 0:22:27 | |
But were the bureau to pop up to auction it takes us to ?1,050, which is nearer your target. | 0:22:27 | 0:22:34 | |
The ?1,000 will be a great help towards the tree house. | 0:22:34 | 0:22:38 | |
The next time we see you is at the auction house. | 0:22:38 | 0:22:41 | |
Good. Look forward to it. Yes, see you, then. Thank you. | 0:22:41 | 0:22:45 | |
What a stunning property and what a fantastic collection of antiques we've found inside it today. | 0:22:45 | 0:22:51 | |
There's the Russian miniature portrait, or is it a coaster? | 0:22:51 | 0:22:54 | |
Which Paul valued at ?80 to ?120. | 0:22:54 | 0:22:58 | |
And furniture of all shapes and sizes | 0:22:58 | 0:23:01 | |
from the rustic rocking chair, valued at ?80 to ?120. | 0:23:01 | 0:23:05 | |
To the elegant card table, also valued at ?80. | 0:23:05 | 0:23:09 | |
We'll have to wait to see whether Frances decides to sell | 0:23:09 | 0:23:12 | |
that lovely Queen Anne-style writing bureau. | 0:23:12 | 0:23:15 | |
With a massive ?300 to ?500 valuation, | 0:23:15 | 0:23:18 | |
it could take the tree house fund to a luxurious level. | 0:23:18 | 0:23:21 | |
But will Frances decide to part with it? | 0:23:21 | 0:23:23 | |
Still to come on Cash In The Attic. | 0:23:28 | 0:23:30 | |
Some of our items fail to find new owners. | 0:23:30 | 0:23:33 | |
I'm very pleased to be taking it home. | 0:23:33 | 0:23:37 | |
Whilst others fly out of the sale room. | 0:23:37 | 0:23:39 | |
That is good news. Excellent. | 0:23:39 | 0:23:41 | |
Oh, dear, oh, dear. Oh, Lordy! | 0:23:41 | 0:23:44 | |
But will we have reached our target when the final hammer falls? | 0:23:44 | 0:23:47 | |
It's been a couple of weeks since we were at Frances's beautiful, quite idyllic country cottage. | 0:23:49 | 0:23:54 | |
And, with the help of her friend Kim, we've found lots of lovely antiques | 0:23:54 | 0:23:58 | |
that we've brought here, to Chiswick Auctions in west London. | 0:23:58 | 0:24:01 | |
Remember, Frances is looking to raise around ?1,000 towards the cost of building a tree house | 0:24:01 | 0:24:07 | |
so she can enjoy those spectacular countryside views. | 0:24:07 | 0:24:10 | |
Let's hope when the items go under the hammer, the bidders are prepared to pay sky-high prices. | 0:24:10 | 0:24:16 | |
It looks like it's shaping up to be another busy day here at Chiswick, | 0:24:16 | 0:24:20 | |
so I only hope the bidders have come with full wallets. | 0:24:20 | 0:24:23 | |
I find our Paul Hayes eyeing up one of our smallest lots. | 0:24:23 | 0:24:26 | |
Good morning, Paul. Good morning, Lorne. Have you found some bargains? | 0:24:26 | 0:24:30 | |
Yes, do you remember this little fella? I hope he's not too much of a bargain, because he's lovely. | 0:24:30 | 0:24:35 | |
The quality is superb. These Russian paintings are fantastic. | 0:24:35 | 0:24:39 | |
Apparently there has been quite a bit of interest in it. Oh, really? There's a "rush on"(!) | 0:24:39 | 0:24:44 | |
Oh, no! It's far too early for that. | 0:24:44 | 0:24:48 | |
We've also got that enormous chest that was at the bottom of the bed, | 0:24:48 | 0:24:53 | |
but the top was not authentic. No, but it has rustic charm. | 0:24:53 | 0:24:56 | |
If you live in that lovely house, like our family did the item fits in well. | 0:24:56 | 0:25:01 | |
One item I haven't seen here yet, is that fabulous bureau. | 0:25:01 | 0:25:05 | |
Remember that lovely bureau? | 0:25:05 | 0:25:07 | |
I hope they've brought it, because if they haven't we might not make the total. | 0:25:07 | 0:25:12 | |
Which means they might have to break it down to use it to build the tree house! | 0:25:12 | 0:25:16 | |
We leave the bidders browsing and head off to find our family in the sale room. | 0:25:16 | 0:25:23 | |
Good morning. Hello. Look at that. | 0:25:23 | 0:25:24 | |
I wanted to know whether you'd brought the bureau, and the answer is, yes, you have. | 0:25:24 | 0:25:30 | |
It's pride of place under the auctioneer's podium. | 0:25:30 | 0:25:33 | |
You couldn't ask for more, could you? | 0:25:33 | 0:25:35 | |
But it is still a nice piece. And have you put a reserve on it? | 0:25:35 | 0:25:39 | |
Yes, I have, the ?300. | 0:25:39 | 0:25:43 | |
Is there anything you'll be sad to see go? | 0:25:43 | 0:25:46 | |
The only thing I'll be sad to see go is the Russian miniature. | 0:25:46 | 0:25:49 | |
I think it is lovely, but I think it is right to let it go. | 0:25:49 | 0:25:52 | |
So, are you ready for the auction? Yes. Right, OK. | 0:25:52 | 0:25:56 | |
Let's go and make some money. | 0:25:56 | 0:25:57 | |
The bidders are ready and waiting and, as the auctioneer takes to the rostrum, we find our places. | 0:25:57 | 0:26:04 | |
Now, our first lot comes up for sale - the copper beer filter. | 0:26:04 | 0:26:09 | |
I used to work in a pub and I don't remember these. | 0:26:09 | 0:26:11 | |
So is this a Victorian piece then? | 0:26:11 | 0:26:13 | |
It must be old. Yes. | 0:26:13 | 0:26:15 | |
It's solid copper and there's quite a bit of weight there. | 0:26:15 | 0:26:19 | |
Do you remember it being used? No, I bought it because I thought it was an interesting item. | 0:26:19 | 0:26:25 | |
I have been told what the proper name is and I've forgotten. Oh, right. That makes two of us! | 0:26:25 | 0:26:31 | |
?30 to ?40 sounds quite good, because copper is scrapping at a very high price now, | 0:26:31 | 0:26:35 | |
apart from the fact that this is a lovely antique. | 0:26:35 | 0:26:38 | |
So let's see if we can attract a few brewiana dealers. | 0:26:38 | 0:26:41 | |
What is it worth? ?10 for the lot. | 0:26:41 | 0:26:44 | |
Anybody know what they want to do with this for ?10? | 0:26:44 | 0:26:47 | |
Surely, ?10. A maiden bid and it's going to be sold at ?10. | 0:26:47 | 0:26:52 | |
At ?10 it goes, 588. | 0:26:52 | 0:26:54 | |
Oh, dear. | 0:26:54 | 0:26:55 | |
That wasn't very good, was it. Maybe the price of copper's going down, I don't know. | 0:26:55 | 0:27:00 | |
Yes, absolutely fine. | 0:27:00 | 0:27:02 | |
It's not the most exciting start to our day, | 0:27:02 | 0:27:04 | |
but it's the first step towards the ?1,000 for Frances's tree house. | 0:27:04 | 0:27:08 | |
Maybe our next lot will have a bit more success, though. | 0:27:08 | 0:27:12 | |
It's that miniature portrait which Paul valued at ?80 to ?120. | 0:27:12 | 0:27:16 | |
Although Frances is really quite attached to it. | 0:27:16 | 0:27:19 | |
Have you protected it with a reserve? Oh, yes. Which is? ?80. | 0:27:19 | 0:27:23 | |
What do you think, Paul? I think you're very wise to do that. | 0:27:23 | 0:27:26 | |
It doesn't take up a lot of room, but it's a beautiful painting. | 0:27:26 | 0:27:30 | |
You've got the frame at home, if you need to bring it back. | 0:27:30 | 0:27:34 | |
OK, so we need more than ?80 if this is going to sell. | 0:27:34 | 0:27:37 | |
A little Russian portrait. | 0:27:37 | 0:27:40 | |
Start this for ?50. 55, 60, 65. ?65. | 0:27:40 | 0:27:45 | |
70. ?75. It's still with me at ?75. | 0:27:45 | 0:27:49 | |
One more and we'll buy it. | 0:27:49 | 0:27:51 | |
So ?75 then, ?75? | 0:27:51 | 0:27:54 | |
Not sold. | 0:27:54 | 0:27:56 | |
Is that OK with you? I'm actually very pleased to be taking it home. | 0:27:56 | 0:28:00 | |
That's fair enough if you like it and you're attached to it. | 0:28:00 | 0:28:05 | |
One more bid and he would have let that go. But the reserve means ?80. | 0:28:05 | 0:28:08 | |
I'm really happy to be taking the Russian miniature home with me. | 0:28:08 | 0:28:12 | |
It had a reserve of ?80 on it. | 0:28:12 | 0:28:14 | |
It only got to ?75 and I had a little cheer when it didn't make its reserve. | 0:28:14 | 0:28:20 | |
Frances may be pleased, but it's a blow to our target, | 0:28:20 | 0:28:24 | |
especially early on in our day. | 0:28:24 | 0:28:27 | |
It looks like the cupboard might suffer a similar fate. | 0:28:27 | 0:28:30 | |
?14 for the pot cupboard. | 0:28:30 | 0:28:33 | |
?14, anybody want? ?14. | 0:28:33 | 0:28:36 | |
?16, I'll take? For 14. | 0:28:36 | 0:28:38 | |
At 14? Not sold. | 0:28:38 | 0:28:40 | |
Crikey, this isn't going very well for us today. | 0:28:40 | 0:28:43 | |
We're three lots in and only ?10 banked. | 0:28:43 | 0:28:46 | |
Our ?1,000 target seems a million miles away. | 0:28:46 | 0:28:49 | |
Surely the first of our furniture items | 0:28:49 | 0:28:51 | |
will get the bidding back on track? | 0:28:51 | 0:28:53 | |
Our next lot I think is lovely. | 0:28:53 | 0:28:55 | |
It's this 19th century demi-lune card table. | 0:28:55 | 0:28:59 | |
Now these are always so elegant, I think. | 0:28:59 | 0:29:01 | |
What do we want for this, Paul? We're looking at ?80 to ?100. | 0:29:01 | 0:29:05 | |
Remember, this one was smiling at us? There's always a few smiles here today when it sells. | 0:29:05 | 0:29:11 | |
Is it worth ?50? Start me at ?40. | 0:29:11 | 0:29:13 | |
40, 45, 50, ?50 for that card table. | 0:29:13 | 0:29:16 | |
And five? | 0:29:16 | 0:29:18 | |
At ?50 only? Nobody bidding. At ?50. | 0:29:18 | 0:29:23 | |
Not sold, I'm afraid. | 0:29:23 | 0:29:25 | |
Oh, that's not sold either. | 0:29:25 | 0:29:26 | |
Oh, dear, it looks as if the smiling table was a bit too off-putting for these stern bidders. | 0:29:26 | 0:29:31 | |
Can the lovely rocking chair finally win them over? | 0:29:31 | 0:29:36 | |
I'm surprised at you selling this, a lovely rocking chair | 0:29:36 | 0:29:40 | |
by that fantastic fire you had, are you not going to miss that? | 0:29:40 | 0:29:45 | |
I will, because it's an incredibly comfortable chair to sit on. | 0:29:45 | 0:29:49 | |
But it does need re-caning | 0:29:49 | 0:29:53 | |
and I just never seem to get time for these jobs. | 0:29:53 | 0:29:56 | |
Start me at ?40 for the rocking chair. | 0:29:56 | 0:29:58 | |
40, 45, 50? For ?50 for the rocking chair? | 0:29:58 | 0:30:02 | |
?55? For ?50. Anybody bidding? | 0:30:02 | 0:30:05 | |
?50, then? 50? | 0:30:05 | 0:30:07 | |
Not sold. | 0:30:07 | 0:30:09 | |
It might be a project you're going to have to take on board now. | 0:30:09 | 0:30:12 | |
It does look like it. | 0:30:12 | 0:30:15 | |
Oh, dear, another item heading back to Sussex with Frances. | 0:30:15 | 0:30:19 | |
We're having a somewhat disastrous morning and with just one lot left before we break for half-time, | 0:30:19 | 0:30:24 | |
we're hoping for a few more pounds. | 0:30:24 | 0:30:26 | |
Our next lot is another piece of furniture. | 0:30:26 | 0:30:29 | |
It's the display cabinet. | 0:30:29 | 0:30:32 | |
What do you want for that, Paul? | 0:30:32 | 0:30:34 | |
Anything, obviously will do! | 0:30:34 | 0:30:36 | |
?40? A useful piece of furniture. You can put anything in it. | 0:30:36 | 0:30:40 | |
These items are worth this sort of money and you can't force people to buy them, can you? | 0:30:40 | 0:30:45 | |
And we don't want to give them away. No. So let's hope for ?40. OK! | 0:30:45 | 0:30:49 | |
?10 for the display cabinet surely? | 0:30:49 | 0:30:52 | |
?12. | 0:30:52 | 0:30:54 | |
14? 14 there. | 0:30:56 | 0:30:58 | |
16? | 0:30:58 | 0:31:00 | |
?18. Nearest to us at ?18. | 0:31:00 | 0:31:02 | |
It's being sold for ?18. 20 there? | 0:31:02 | 0:31:06 | |
At ?20 then in front of me ?20. | 0:31:06 | 0:31:11 | |
284. | 0:31:11 | 0:31:13 | |
?20! | 0:31:13 | 0:31:15 | |
Goodness. | 0:31:15 | 0:31:17 | |
It may be underestimate but Frances is being practical. | 0:31:17 | 0:31:21 | |
It's just nice to sell something this morning. | 0:31:21 | 0:31:24 | |
It took up space in my kitchen and I wanted to get rid of it. | 0:31:24 | 0:31:29 | |
We're relieved to have made a sale. | 0:31:29 | 0:31:31 | |
Before we head off for a cuppa, let's see how we've done so far. | 0:31:31 | 0:31:35 | |
I don't think I'm going to need a calculator for this one. | 0:31:35 | 0:31:38 | |
Now, I know you wanted ?1,000 towards the cost of the tree house, but frankly, I think | 0:31:38 | 0:31:44 | |
we might have been better off buying all the furniture here and building it ourselves! | 0:31:44 | 0:31:49 | |
We've had a bad time on the furniture front, haven't we? | 0:31:49 | 0:31:51 | |
I know, but at least the furniture is out of the house and I've got some space to swing a cat. | 0:31:51 | 0:31:56 | |
I thought you were going to say you'd got some space to swing an expert. | 0:31:56 | 0:32:01 | |
What's going on? You know, no two auctions are the same. | 0:32:01 | 0:32:04 | |
On another day you'd do well with those pieces. | 0:32:04 | 0:32:07 | |
The auctioneer is struggling with lots of furniture today. | 0:32:07 | 0:32:10 | |
On another day I think you would have got a good price for all of those. | 0:32:10 | 0:32:14 | |
He's done you a favour by not giving them away. | 0:32:14 | 0:32:17 | |
Yes, but unfortunately we did want ?1,000 and so far we've only made... | 0:32:17 | 0:32:21 | |
I don't think I've ever known such a low amount... ?30. I'm so sorry. | 0:32:21 | 0:32:27 | |
Well, it's a good thing I've got a bed and breakfast that's successful, isn't it? | 0:32:27 | 0:32:31 | |
Well, we've got a bit of a break until the second half of the auction, | 0:32:31 | 0:32:35 | |
so let's hope we can make up the difference. | 0:32:35 | 0:32:38 | |
You've spotted a few items. I have, my career, lot 27! | 0:32:38 | 0:32:40 | |
Oh, let's go and have a look. Come on. | 0:32:40 | 0:32:43 | |
While the ladies take a break, our Mr Hayes seems to have been distracted by some champagne, | 0:32:43 | 0:32:50 | |
although, quite what we have to celebrate so far, I've no idea. | 0:32:50 | 0:32:54 | |
Paul, I've always wondered about these vintage bottles, what have you got? | 0:32:54 | 0:32:59 | |
These were in the garden shed belonging to a wine merchant. | 0:32:59 | 0:33:03 | |
They must have been his best stash. A bottle of champagne from 1964. | 0:33:03 | 0:33:07 | |
That's the year before... No, I wasn't born then. | 0:33:07 | 0:33:10 | |
Anyway, what else have you got there? | 0:33:10 | 0:33:12 | |
The one I really like is this bottle of wine which was made in France in 1945. Oh, right. | 0:33:12 | 0:33:18 | |
If you can imagine, at the end of the war, why wasn't this drunk as a celebration? | 0:33:18 | 0:33:22 | |
So that's a very rare find indeed. And Chateau La Tour is very good. | 0:33:22 | 0:33:27 | |
I'm not a great wine drinker. Not a brilliant wine drinker or champagne drinker, | 0:33:27 | 0:33:31 | |
but I can see there is a good few quid here. And they're ?50 to ?80. | 0:33:31 | 0:33:35 | |
I bought lots like this before because they make brilliant presents. | 0:33:35 | 0:33:39 | |
If you know people who do enjoy a glass of wine or a whisky, Well, at ?50 there's potential there. | 0:33:39 | 0:33:45 | |
They might be a bargain buy? Definitely. All right, let's see what happens. | 0:33:45 | 0:33:50 | |
If you're planning on heading to auction, remember that charges such as commission will be added | 0:33:53 | 0:33:59 | |
so check the details with your local sale room. | 0:33:59 | 0:34:02 | |
The second half of the auction is already under way when we get back and after the morning, | 0:34:02 | 0:34:07 | |
we're hoping for a change in fortune. First under the hammer is the wooden swing mirror. | 0:34:07 | 0:34:13 | |
We're looking for ?40 to ?60 for this pretty lot. | 0:34:13 | 0:34:15 | |
Have a look at that, is it worth ?20? | 0:34:15 | 0:34:18 | |
20? 20 I'm bid. | 0:34:18 | 0:34:20 | |
22, 24, 26, 28, ?28 there. At ?28. | 0:34:20 | 0:34:26 | |
At ?28. 30, now I'm bid. 32? | 0:34:26 | 0:34:30 | |
34. | 0:34:30 | 0:34:31 | |
36. ?36 there in the cap. At ?36? | 0:34:31 | 0:34:36 | |
All done at ?36. | 0:34:36 | 0:34:39 | |
GAVEL BANGS | 0:34:39 | 0:34:41 | |
?36. Phew! That's more like it, isn't it? | 0:34:41 | 0:34:43 | |
Thank goodness. | 0:34:43 | 0:34:45 | |
Only slightly short of Paul's ?40 estimate | 0:34:45 | 0:34:48 | |
and ?6 more than our entire earnings from the first half. | 0:34:48 | 0:34:52 | |
We've five furniture lots to sell now and after our bad luck, | 0:34:52 | 0:34:56 | |
we need to keep everything crossed. The blanket box is up first. | 0:34:56 | 0:34:59 | |
This really is a great item. | 0:35:01 | 0:35:03 | |
It's hundreds of years old, if it could only tell a story. | 0:35:03 | 0:35:06 | |
It has got a replacement top, but we're looking for about ?100. | 0:35:06 | 0:35:10 | |
I'm bid ?80 to start, with me. 85? | 0:35:10 | 0:35:12 | |
90. 100. 110. 120? | 0:35:12 | 0:35:18 | |
?120 for that coffer. At ?120. | 0:35:18 | 0:35:22 | |
At ?120 with me at ?120. | 0:35:22 | 0:35:25 | |
At 120, then? Selling it for ?120. | 0:35:25 | 0:35:28 | |
Oh, that's great. | 0:35:28 | 0:35:29 | |
That's more like it. | 0:35:29 | 0:35:31 | |
The first of our items to make over Paul's lowest estimate | 0:35:31 | 0:35:35 | |
and the first big step towards the ?1,000 for Frances's tree house. | 0:35:35 | 0:35:39 | |
Our circular table with large spiral support | 0:35:39 | 0:35:42 | |
doesn't manage to pull in quite so many pounds. | 0:35:42 | 0:35:44 | |
38, to my right. At ?38, it's still cheap for ?38. It can be sold, though. | 0:35:44 | 0:35:50 | |
Selling then. At ?38 it goes. | 0:35:50 | 0:35:53 | |
Failing to achieve even half its lowest estimate, | 0:35:53 | 0:35:56 | |
but with every pound counting today, | 0:35:56 | 0:35:58 | |
it's nonetheless an addition to our kitty. | 0:35:58 | 0:36:01 | |
Maybe our next table will cause more of a stir in the sale room. | 0:36:01 | 0:36:05 | |
Now, next it's furniture, we seem to be sticking with a theme. | 0:36:05 | 0:36:09 | |
It's an "oak side table with a single drawer and bobbin-turned supports. | 0:36:09 | 0:36:13 | |
"Elements of the 17th century." Do explain that to me! | 0:36:13 | 0:36:16 | |
What does that mean? Well, there are parts of it that are from the 17th century, | 0:36:16 | 0:36:20 | |
but over time bits have been replaced. But the actual frame is great. | 0:36:20 | 0:36:24 | |
And those bobbin legs are fantastic. Different, and people love to have different furniture. | 0:36:24 | 0:36:29 | |
Is that why we've got ?100 to ?150 on it? That's right. | 0:36:29 | 0:36:32 | |
But it is a real antique. It's 300 years old. Wow! | 0:36:32 | 0:36:35 | |
248, this has got some fantastic bit of turning on the legs. | 0:36:35 | 0:36:39 | |
Have a look at that. 248. | 0:36:39 | 0:36:41 | |
I've got a little bit of commission interest to start us off at ?80. | 0:36:41 | 0:36:45 | |
At ?80. 90. 95. 100. | 0:36:45 | 0:36:50 | |
110. | 0:36:50 | 0:36:53 | |
In the stripes at ?110. Is that all? | 0:36:53 | 0:36:55 | |
At ?110. | 0:36:55 | 0:36:57 | |
It's going to be sold then for ?110. At ?110 it goes then. | 0:36:57 | 0:37:02 | |
120. ?120 then. | 0:37:02 | 0:37:06 | |
All done? 130. ?130 now. | 0:37:06 | 0:37:11 | |
With the lady still at ?130. | 0:37:11 | 0:37:13 | |
Sure done and finished ?130. | 0:37:13 | 0:37:17 | |
?130! Wow, that's great, isn't it? | 0:37:17 | 0:37:20 | |
Life's picking up! Getting better. | 0:37:20 | 0:37:23 | |
The table with the bobbin legs has gone for ?130 and that is marvellous. | 0:37:23 | 0:37:28 | |
I think we are beginning to move now. | 0:37:28 | 0:37:33 | |
That's a fantastic result. | 0:37:33 | 0:37:35 | |
It seems like the furniture buyers are coming out of the woodwork! | 0:37:35 | 0:37:39 | |
Will they dig as deep for our next furniture lot, though? | 0:37:39 | 0:37:42 | |
The next lot is the marquetry table. | 0:37:42 | 0:37:45 | |
This is lovely, isn't it, Paul? This is one of the better styles, | 0:37:45 | 0:37:49 | |
Inlay with the beautiful flower in the middle. | 0:37:49 | 0:37:51 | |
Yes, ?80 we're looking for on this one. | 0:37:51 | 0:37:54 | |
75 for the little table. At 75? | 0:37:54 | 0:37:56 | |
80. 85. | 0:37:56 | 0:37:58 | |
90. 95. | 0:37:58 | 0:38:00 | |
100 in the room. | 0:38:00 | 0:38:01 | |
At ?100. At ?100 in the room. At 100. | 0:38:01 | 0:38:04 | |
It seems still cheap. 110? | 0:38:04 | 0:38:06 | |
?110. 120 with the lady. | 0:38:06 | 0:38:08 | |
Not expensive at ?120 | 0:38:08 | 0:38:11 | |
but it can be sold. | 0:38:11 | 0:38:13 | |
Going then, at ?120, it sells. | 0:38:13 | 0:38:15 | |
?120, well, that's a bit more like it. Are you pleased with that? | 0:38:15 | 0:38:21 | |
Oh, yes, very. | 0:38:21 | 0:38:23 | |
That's a great addition to our tree-house fund | 0:38:23 | 0:38:26 | |
and the first of our lots to exceed Paul's highest estimate today! | 0:38:26 | 0:38:30 | |
We're almost at the end of this rather unpredictable sale, | 0:38:30 | 0:38:33 | |
but not before our highly-valued lot takes centre stage. | 0:38:33 | 0:38:37 | |
The Queen Anne-style writing bureau which Paul valued at ?300 to ?500. | 0:38:37 | 0:38:41 | |
It was tugging at Frances's heartstrings to part with this one. | 0:38:41 | 0:38:45 | |
I hope the sale room digs deep. | 0:38:45 | 0:38:47 | |
Now it's our piece de resistance, that lovely bureau. | 0:38:47 | 0:38:51 | |
I hope people have spotted the inside as it had those secret drawers. | 0:38:51 | 0:38:55 | |
Yes, the interior is fantastic. And the exterior as well. | 0:38:55 | 0:38:58 | |
Normally, those bits would have lifted and bits of damage on it. It says, "In Queen Anne style," | 0:38:58 | 0:39:04 | |
what does that mean? It's not of the period. | 0:39:04 | 0:39:06 | |
If that was very early 18th century or earlier, you're looking at quite a lot of money. | 0:39:06 | 0:39:11 | |
It's a lot later, but it's still a nice example, isn't it? | 0:39:11 | 0:39:14 | |
A bit of interest in this lot again. | 0:39:14 | 0:39:16 | |
No point in starting it below ?280. We're off to a good start at ?280. | 0:39:16 | 0:39:21 | |
290. With me at ?300. 320? 340? | 0:39:21 | 0:39:28 | |
360. 380. | 0:39:28 | 0:39:31 | |
400. In the room then at ?400. At ?400. Anybody else want to come in? | 0:39:31 | 0:39:36 | |
It's ?400 and 20 I'll take? No. ?400, it sells then. | 0:39:36 | 0:39:40 | |
Oh, ?400. That's superb. | 0:39:40 | 0:39:43 | |
I'm really pleased with that. | 0:39:43 | 0:39:45 | |
Are you? Yes. I am. | 0:39:45 | 0:39:47 | |
Excellent. Oh, dear me. Oh, Lordy! | 0:39:47 | 0:39:50 | |
Wow, what a relief, almost half our target in one sale. | 0:39:50 | 0:39:55 | |
But was it enough to get us near the ?1,000? | 0:39:55 | 0:39:58 | |
Now, obviously you live in the most amazing cottage. | 0:39:58 | 0:40:01 | |
I know you've worked hard to make it what it is today. | 0:40:01 | 0:40:05 | |
But it would be fantastic to get that tree house. | 0:40:05 | 0:40:07 | |
Do you think you're anywhere near your ?1,000 target? | 0:40:07 | 0:40:10 | |
I would be amazed if it was anywhere near the ?1,000, but I'll still have the tree house. | 0:40:10 | 0:40:15 | |
Well, you've got ?874 towards it. | 0:40:15 | 0:40:19 | |
That's not so bad after all, is it? No, I'm quite amazed really. | 0:40:19 | 0:40:23 | |
We've got quite a lot unsold and we managed to make that much money. | 0:40:23 | 0:40:26 | |
I don't know whether I'm pleased or relieved. | 0:40:26 | 0:40:29 | |
A few weeks after raising ?874 on that roller-coaster day at auction, | 0:40:36 | 0:40:42 | |
the time has finally come for Frances to splash out and get work started on the tree house. | 0:40:42 | 0:40:48 | |
Since the auction I've been in touch with a local company who are now making good progress. | 0:40:48 | 0:40:54 | |
They were rained off, because the weather has been so atrocious. | 0:40:54 | 0:40:57 | |
But now progress is good and we're on course for an early finish. | 0:40:57 | 0:41:03 | |
How are you getting on at the moment? | 0:41:03 | 0:41:05 | |
We've got all the main support struts in now, and concreted in down here, because of this slope. | 0:41:05 | 0:41:12 | |
It's a very steep slope. | 0:41:12 | 0:41:14 | |
But the main structure is held by these two oak trees and they're holding the thing together. | 0:41:14 | 0:41:18 | |
A couple of weeks later and the final touches are being made. | 0:41:26 | 0:41:29 | |
The tree house is really taking shape. | 0:41:29 | 0:41:31 | |
Just in time for its first visitor. | 0:41:31 | 0:41:34 | |
I can't wait to get up to the tree house and look at the views. | 0:41:34 | 0:41:38 | |
I've waited for weeks watching them build it. | 0:41:38 | 0:41:41 | |
So it's going to be great when we get up here, I'm sure. | 0:41:41 | 0:41:44 | |
It looks good. | 0:41:44 | 0:41:47 | |
It may not quite be the weather for a gin and tonic, | 0:41:47 | 0:41:50 | |
but both ladies seem pretty impressed with the result. | 0:41:50 | 0:41:54 | |
Ah, isn't it wonderful? | 0:41:54 | 0:41:57 | |
Look at the workmanship. It's really great. And the view. | 0:41:57 | 0:42:00 | |
And the views! | 0:42:00 | 0:42:03 | |
Ah. I think it's better than expected up here. | 0:42:03 | 0:42:05 | |
The views are stunning and you see a lot more than I expected to see. | 0:42:05 | 0:42:10 | |
There's a lake in the distance. | 0:42:10 | 0:42:13 | |
And the garden and the house look splendid from here. | 0:42:13 | 0:42:16 | |
So I'm hoping that I can bring the children up and they'll enjoy some of the summer holidays up here. | 0:42:16 | 0:42:22 | |
The tree house is absolutely splendid. It's more than... | 0:42:22 | 0:42:27 | |
Well, it's much better than I thought it was going to be. | 0:42:27 | 0:42:30 | |
I excited about it, and people are asking me whether it's for the children. | 0:42:30 | 0:42:34 | |
But it's not, it's for the child in me! | 0:42:34 | 0:42:37 | |
Subtitles by Red Bee Media Ltd | 0:42:57 | 0:43:00 |