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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
This is the show that searches out hidden treasures | 0:00:03 | 0:00:06 | |
around your home and then we sell them at auction. | 0:00:06 | 0:00:08 | |
Well, today I've come to the seaside town of Clacton-on-Sea and it's time to take a stroll on the pier. | 0:00:08 | 0:00:13 | |
This very British seaside town enjoyed its heyday in the 1950s and 1960s | 0:00:15 | 0:00:21 | |
when tourists flocked to visit Clacton-on-Sea's sandy beaches, | 0:00:21 | 0:00:26 | |
arcades, funfair and, of course, its now iconic pier. | 0:00:26 | 0:00:30 | |
Built in 1871, the pier was to become the heart | 0:00:30 | 0:00:35 | |
and soul of the resort and it continues to be the town's number one attraction. | 0:00:35 | 0:00:39 | |
Clacton may not be the tourist hotspot it once was, but it's a great British seaside resort, | 0:00:39 | 0:00:46 | |
full of nostalgia and it's nostalgic treasure we're hoping to find today that we can take to auction. | 0:00:46 | 0:00:52 | |
Today on Cash In The Attic, | 0:01:14 | 0:01:15 | |
Jonty is impressed by great taste... | 0:01:15 | 0:01:18 | |
What is very clear he had a very good eye because we have got real, genuine quality here. | 0:01:18 | 0:01:22 | |
There are some emotional decisions to make... | 0:01:22 | 0:01:25 | |
Jean gave these to him as presents so therefore it might be a little bit difficult. | 0:01:25 | 0:01:31 | |
And at auction we're all surprised by some results! | 0:01:31 | 0:01:35 | |
Well, let me just say, you were wrong on your reserve and you were both wrong on your estimate, | 0:01:35 | 0:01:40 | |
but in a positive way, thank goodness. | 0:01:40 | 0:01:42 | |
So, will there be a happy ending when the final hammer falls? | 0:01:42 | 0:01:46 | |
I've come to the East Anglian coast | 0:01:46 | 0:01:48 | |
to meet a couple who have called in the Cash In The Attic team | 0:01:48 | 0:01:51 | |
to help them raise some funds | 0:01:51 | 0:01:52 | |
for someone's artistic aspirations. | 0:01:52 | 0:01:55 | |
Amanda and Gary Peters have been married for two years | 0:01:55 | 0:02:00 | |
and have two gorgeous sons, Ben, who is eight months and Tom, who is nearly two. | 0:02:00 | 0:02:04 | |
Amanda has always been extremely close to her family, | 0:02:04 | 0:02:07 | |
especially her grandmother, Jean, who was recently widowed. | 0:02:07 | 0:02:11 | |
Jean's bungalow is full of a lifetime's collectables, | 0:02:11 | 0:02:15 | |
but she's decided to have a clear-out so Amanda and Gary have called us in to help. | 0:02:15 | 0:02:19 | |
-Good morning, Jonty. -Oh, there you are. How are you doing? | 0:02:20 | 0:02:24 | |
I'm fine. This is near where I live, so I'm happy about that. | 0:02:24 | 0:02:27 | |
Home county, yeah. I have a little confession. | 0:02:27 | 0:02:29 | |
I'm an Essex boy as well. | 0:02:29 | 0:02:31 | |
Jonty, you're far too posh... | 0:02:31 | 0:02:33 | |
-No... -to come from the same area as the likes of us. | 0:02:33 | 0:02:36 | |
-Born in Essex. -Really? Whereabouts? | 0:02:36 | 0:02:38 | |
Brentwood in Essex, where I was born. | 0:02:38 | 0:02:40 | |
-All right, OK. -Not raised, but I was born there. | 0:02:40 | 0:02:42 | |
There is a revelation. | 0:02:42 | 0:02:44 | |
I wonder whether we're going to have any revelations here because the family want to raise some money | 0:02:44 | 0:02:48 | |
for a rather artistic venture, so we do need to find some stuff. | 0:02:48 | 0:02:52 | |
-Let's get working. -Come on, then. | 0:02:52 | 0:02:54 | |
-Good morning, guys. -Hi. -Good morning. | 0:02:57 | 0:03:00 | |
So, I understand you're both fans of antique programmes including Cash In The Attic, is that right? | 0:03:00 | 0:03:05 | |
-Yes. -Yes, we are, just a little bit! | 0:03:05 | 0:03:08 | |
OK, so what has made you decide to call us in, then? | 0:03:08 | 0:03:11 | |
My grandfather passed away fairly suddenly in the summer and he left all sorts of things behind | 0:03:11 | 0:03:17 | |
and too many memories for my grandmother to have about. | 0:03:17 | 0:03:23 | |
She had plans with him to turn this room into a conservatory/artist's room | 0:03:23 | 0:03:29 | |
for her to sit and paint in the garden and for him to look out into the garden. | 0:03:29 | 0:03:34 | |
So how much money, Gary, are we looking to raise, do you think, to do this project? | 0:03:34 | 0:03:39 | |
We think about £400 should just about cover it to get all the paint and bits and curtains and stuff | 0:03:39 | 0:03:44 | |
that she wants in, so the chairs and all that stuff for her painting. | 0:03:44 | 0:03:48 | |
That sounds like a lovely idea, doesn't it? Are we going to be meeting Grandmother today? | 0:03:48 | 0:03:52 | |
I don't think so. She's ever so camera-shy! | 0:03:52 | 0:03:55 | |
Oh, is she? Oh, bless! OK. Well, l really admire you for taking this on then on her behalf. | 0:03:55 | 0:04:00 | |
Well, Grandmother and Grandfather were married for 53 years | 0:04:00 | 0:04:04 | |
and it's just in memory of their love for each other | 0:04:04 | 0:04:06 | |
and the relationship they had and all their hopes for the future. | 0:04:06 | 0:04:10 | |
OK, so we need to raise £400 to turn this into an artist's studio and your challenge for the day, | 0:04:10 | 0:04:15 | |
young man, is going to be to see how closely your estimates come to those of our expert, so shall we get on? | 0:04:15 | 0:04:20 | |
-Yup. -Come on, then. | 0:04:20 | 0:04:23 | |
Amanda's grandmother's house is full of reminders of her late husband, Sam, but she's determined | 0:04:23 | 0:04:30 | |
to part with plenty of items and with the help of her family, realise the dream of an artist's studio. | 0:04:30 | 0:04:36 | |
Our expert, Jonty Hearnden, is already hard at work rummaging in the dining room. | 0:04:36 | 0:04:41 | |
This man lives and breathes antiques and he has already found something | 0:04:41 | 0:04:45 | |
that he hopes the bidders at auction will fork out for. | 0:04:45 | 0:04:49 | |
-Oh, there you are, Jonty! -Aah... -Are you planning on entertaining? | 0:04:49 | 0:04:52 | |
-Look at this! -So where is this collection from, Amanda? | 0:04:52 | 0:04:56 | |
It's from the Silver Vaults in London. My grandfather bought it in the early 1970s. | 0:04:56 | 0:05:00 | |
He didn't cut corners if he went to the Silver Vaults. They're very well-known. | 0:05:00 | 0:05:04 | |
Absolutely, and you can find all sorts of goodies there. | 0:05:04 | 0:05:06 | |
Now, if I pick one of these up, I've had a check | 0:05:06 | 0:05:10 | |
and it's usually clear under an eye glass | 0:05:10 | 0:05:12 | |
but here you can see this is the company who made it, Roberts & Belk. | 0:05:12 | 0:05:16 | |
-Yes. -That's the maker of everything that we see in front of us. | 0:05:16 | 0:05:20 | |
-Oh, right. -Originally, they started off as silversmiths as early as the turn of the 17th and 18th centuries, | 0:05:20 | 0:05:27 | |
but by the turn of the 19th and 20th century, they were known as Roberts & Belk | 0:05:27 | 0:05:32 | |
and obviously this set here is a relatively contemporary set. | 0:05:32 | 0:05:37 | |
So how many people can we seat with this? | 0:05:37 | 0:05:39 | |
It's a full 12-piece service. | 0:05:39 | 0:05:41 | |
-Right. -Including a fish set, dessert set. | 0:05:41 | 0:05:44 | |
I think there are just over a hundred pieces here, in all. | 0:05:44 | 0:05:47 | |
-Wow! -Have you any idea what your grandfather paid for this, Amanda? | 0:05:47 | 0:05:50 | |
He wouldn't say. | 0:05:50 | 0:05:52 | |
No, I bet he wouldn't! | 0:05:52 | 0:05:54 | |
He would never tell my grandmother exactly how much he paid for it, so... | 0:05:54 | 0:05:57 | |
She probably doesn't tell him what she spent on her hair and make-up. | 0:05:57 | 0:06:01 | |
We do have that, so no, I really don't know how much he paid. | 0:06:01 | 0:06:04 | |
So, Jonty, what sort of valuation do you think we might be talking about here? | 0:06:04 | 0:06:08 | |
-Because it's not silver, I can't put a silver price on it. -No. | 0:06:08 | 0:06:11 | |
It's plated, and as a consequence, I can see this selling | 0:06:11 | 0:06:14 | |
for around the £100 mark only because it has to be resold. | 0:06:14 | 0:06:18 | |
Dealers will have to make their profit at the other end as well, so estimate for auction, £100 to £150. | 0:06:18 | 0:06:25 | |
-OK. Are you happy with that? -Not bad at all. | 0:06:25 | 0:06:28 | |
In this market, we just have to be realistic and if we do that, then we can all come up smelling of roses. | 0:06:28 | 0:06:34 | |
£100. Let's see what else we can find. Follow me. | 0:06:34 | 0:06:37 | |
The cutlery set is a great start to the rummage and Amanda is evidently delighted | 0:06:37 | 0:06:42 | |
with Jonty's valuation, but we've got lots to do so we need to press on. | 0:06:42 | 0:06:47 | |
We've spread out around the house and it doesn't take long for me | 0:06:47 | 0:06:50 | |
to spot these two silver-plated Mappin & Webb serving trays. | 0:06:50 | 0:06:53 | |
Sam bought them in London at the same time | 0:06:53 | 0:06:57 | |
that he bought the cutlery set and they should fetch £20 to £30 at auction | 0:06:57 | 0:07:01 | |
and in the hallway, our wannabe antiques expert, Gary gets his first opportunity to guess the estimate. | 0:07:01 | 0:07:09 | |
Gary, where do these prints come from because we've got a set of four prints here | 0:07:09 | 0:07:14 | |
all hanging on the wall there, a work uniform. | 0:07:14 | 0:07:16 | |
I believe it's just another item that Sam acquired whilst he was down in London at the markets, as usual. | 0:07:16 | 0:07:22 | |
And they look like London scenes. You can see very clearly... | 0:07:22 | 0:07:25 | |
Have a look at this, it's very small, but it says Fleet Street. | 0:07:25 | 0:07:28 | |
Come and have a look at this one | 0:07:28 | 0:07:31 | |
and here it says The Strand and it has that wonderful 19th century feel. | 0:07:31 | 0:07:35 | |
There's not a motor vehicle in sight, it's all horse-drawn carriages. | 0:07:35 | 0:07:40 | |
Now, the artist who drew these was a famous engraver from the mid-19th century | 0:07:40 | 0:07:44 | |
and he left his mark, not by a signature but by something else. Take a look at this. | 0:07:44 | 0:07:51 | |
Look at the side of this what looks like a massive great big laundry basket. | 0:07:51 | 0:07:55 | |
It's got the initials, "TSB" | 0:07:55 | 0:07:59 | |
and that's not a savings bank! | 0:07:59 | 0:08:00 | |
And have a look at this, "TSB Boys." OK. Follow me | 0:08:00 | 0:08:06 | |
and it says "TSB Boys" again there, all right? | 0:08:06 | 0:08:11 | |
That is the artist's name, that's where he left his mark. | 0:08:11 | 0:08:14 | |
Clever, isn't it? His name was Thomas Shotter Boys. | 0:08:14 | 0:08:19 | |
He was born in the early 19th century and he died in the 1870s | 0:08:19 | 0:08:24 | |
so essentially what we're looking at here are copies of his works. | 0:08:24 | 0:08:28 | |
They're worth putting in the auction, but we won't get much for them. | 0:08:28 | 0:08:31 | |
What price would you put on these? | 0:08:31 | 0:08:33 | |
I would have said, being as there's four of them, I would have said £10 each, £40 for the four. | 0:08:33 | 0:08:40 | |
I think you're about right. Absolutely spot-on, so for auction values I would put £30 to £40 | 0:08:40 | 0:08:47 | |
and let the market choose where it wants to go with these sorts of pictures | 0:08:47 | 0:08:50 | |
because somebody will buy them, yeah? | 0:08:50 | 0:08:52 | |
-Yeah. -Excellent! Right, well they can remain hanging on the wall just for the time being. | 0:08:52 | 0:08:57 | |
Let's go through there. | 0:08:57 | 0:08:58 | |
With the prints bringing our total to £150 so far, our fund for the artist's studio is growing steadily. | 0:09:00 | 0:09:07 | |
In the kitchen, Jonty finds these four assorted silver and silver-plated napkin rings | 0:09:08 | 0:09:13 | |
which have been tucked away in a kitchen cupboard. | 0:09:13 | 0:09:16 | |
They were an anniversary present to Amanda's grandparents from her mum, | 0:09:16 | 0:09:20 | |
Madeleine, about ten years ago and Jonty hopes they'll make us at least £10 to £20 at auction. | 0:09:20 | 0:09:25 | |
With all our efforts today going towards funding Amanda's grandmother's art studio conversion, | 0:09:25 | 0:09:31 | |
it's clear that both her grandparents have been a huge part of her life | 0:09:31 | 0:09:34 | |
and I'm keen to find out more about them. | 0:09:34 | 0:09:37 | |
Are you there, Amanda? | 0:09:39 | 0:09:40 | |
This is a really lovely bungalow. | 0:09:40 | 0:09:42 | |
-So long have your grandparents been living here for? -They're here for 11 years. | 0:09:42 | 0:09:48 | |
Right, OK. So are they Clacton people? | 0:09:48 | 0:09:50 | |
Well, they moved from Southend in 1979 with my mum to a house near Colchester, | 0:09:50 | 0:09:56 | |
lovely big house in the country and 12 years ago now, | 0:09:56 | 0:10:01 | |
it sort of became too much because we had acres of grass | 0:10:01 | 0:10:04 | |
and my grandfather said he couldn't possibly mow it any more | 0:10:04 | 0:10:07 | |
and the stairs and the whole place got too much for my gran's knees, so they retired to Clacton. | 0:10:07 | 0:10:13 | |
-Do you remember that house? -Yes. I lived there 15 years. -Really? | 0:10:13 | 0:10:16 | |
-I lived with my grandparents. -OK. | 0:10:16 | 0:10:18 | |
So how did that come about? | 0:10:18 | 0:10:20 | |
My mum moved with my grandparents up here and I was born the following year, so we all lived together. | 0:10:20 | 0:10:25 | |
Wow! It must have been great having a childhood somewhere like that? | 0:10:25 | 0:10:29 | |
It was ideal. I had a pony and we had horses and I had lots of trees to climb | 0:10:29 | 0:10:33 | |
and lots of areas to play in so it really was a lovely, lovely childhood. | 0:10:33 | 0:10:37 | |
Do you find it's a role reversal, because your grandparents had a big role | 0:10:37 | 0:10:40 | |
in bringing you up and now you're helping your grandma out? | 0:10:40 | 0:10:44 | |
Yes, it is, and it's nice to be able to do something for them, or for my gran now. | 0:10:44 | 0:10:48 | |
She played a big part, she was actually my head teacher for a year. | 0:10:48 | 0:10:51 | |
She was head teacher for a school that I went to, | 0:10:51 | 0:10:56 | |
so to do things for her, it's nice. | 0:10:56 | 0:10:58 | |
So how important do you think it will be for her to have | 0:10:58 | 0:11:02 | |
this dining room space converted into this conservatory cum studio? | 0:11:02 | 0:11:06 | |
It's something she's wanted for a number of years and something they planned together. | 0:11:06 | 0:11:11 | |
She stopped doing her art and her writing when my grandfather became ill | 0:11:11 | 0:11:15 | |
last year and also when he had a heart attack several years ago | 0:11:15 | 0:11:20 | |
and so she has now, sort of found the freedom to get back into it. | 0:11:20 | 0:11:24 | |
She enjoys sitting there watching the birds and she enjoys her painting so to be able to sit there | 0:11:24 | 0:11:29 | |
comfortably and to paint and to watch the birds in the garden and watch the boys | 0:11:29 | 0:11:33 | |
-playing in the garden, I think will really improve her life. -Excellent. | 0:11:33 | 0:11:37 | |
We're not going to be able to do that, unless we make the money you need | 0:11:37 | 0:11:40 | |
so we had better go and see if the boys have found anything else to sell. | 0:11:40 | 0:11:44 | |
the big boys that is, rather than the small boys! | 0:11:44 | 0:11:46 | |
Having heard just what having her own art studio will mean to Jean, | 0:11:46 | 0:11:51 | |
it's extra motivation to search hard for the rest of the rummage. | 0:11:51 | 0:11:55 | |
We rejoin the hunt for valuables and it's Gary who has unearthed our next find. | 0:11:55 | 0:12:00 | |
It's a collection of decorative display plates | 0:12:00 | 0:12:02 | |
which Jonty values at £10 to £20 and in the bedroom, | 0:12:02 | 0:12:06 | |
Amanda and our expert are on the scent of more items | 0:12:06 | 0:12:09 | |
that her grandmother is happy to send to auction. | 0:12:09 | 0:12:12 | |
-Amanda? -Mmm. -I've got two scent bottles here. | 0:12:12 | 0:12:15 | |
One is silver-necked and one has got a lovely silver top to it. | 0:12:15 | 0:12:18 | |
What do you think...? Ooh, I see we've got a pair! I didn't realise that! | 0:12:18 | 0:12:22 | |
So we've got a pair of scent bottles here, so where are they from? | 0:12:22 | 0:12:25 | |
They're from my grandmother's grandmother. | 0:12:25 | 0:12:27 | |
-She was a health servant in London in the 1910s. -They're lovely! It's so nice to have a pair. | 0:12:27 | 0:12:34 | |
Now, if we have a look at the neck of this particular scent bottle, once upon a time this was space | 0:12:34 | 0:12:40 | |
so that somebody could personalise them by putting one's initials there, but these have been left, | 0:12:40 | 0:12:45 | |
which, to be honest with you, is probably better than having somebody's initials there. | 0:12:45 | 0:12:50 | |
It means that somebody can take possession of these | 0:12:50 | 0:12:53 | |
and not worry about them belonging to somebody else, so let's have a look at this one here. | 0:12:53 | 0:12:58 | |
So here we have a different shape. | 0:12:59 | 0:13:01 | |
we have an oval shape with a silver top. | 0:13:01 | 0:13:05 | |
Now, once upon a time this was a hinged top and it's just become loose | 0:13:05 | 0:13:09 | |
and on the inside we have the lovely glass stopper which is in perfect condition. | 0:13:09 | 0:13:14 | |
Now, around the mid-19th century to the late 19th century these were very, very popular and the reason | 0:13:14 | 0:13:22 | |
for that was that the manufacturers dispensed perfume into containers like this but by the 19th century, | 0:13:22 | 0:13:28 | |
all of that changed because the larger perfume manufacturers | 0:13:28 | 0:13:33 | |
produced bottles themselves which rendered bottles like this superfluous. | 0:13:33 | 0:13:38 | |
Well, I think that it's great to have a pair. | 0:13:38 | 0:13:40 | |
I didn't realise that we had this pair which is really very good news indeed | 0:13:40 | 0:13:44 | |
and we've got this other scent bottle, so we'll sell the three together | 0:13:44 | 0:13:48 | |
and if we put a very teasing price of £40 to £60 on them, I'm sure they'll sell for more than that. | 0:13:48 | 0:13:54 | |
-It seems reasonable. -Are you happy? -Yes. | 0:13:54 | 0:13:56 | |
Well, I'll pop those back down there and see what else we can find. | 0:13:56 | 0:14:02 | |
With that healthy £40 in the pot, we're progressing nicely towards | 0:14:02 | 0:14:06 | |
our £400 target, but there's still plenty of ground to cover. | 0:14:06 | 0:14:10 | |
Downstairs, Amanda picks out this colourful 12-piece Royal Albert dinner set, | 0:14:10 | 0:14:15 | |
bought by her grandfather, Sam many years ago. | 0:14:15 | 0:14:18 | |
Our expert reckons it should fetch us at least £40 to £60 and in the living room, | 0:14:18 | 0:14:24 | |
Gary's passion for watching antiques programmes leads him to discover an item | 0:14:24 | 0:14:28 | |
-that could hold some great potential. -How are we doing, guys? | 0:14:28 | 0:14:33 | |
Hello. I haven't found anything. | 0:14:33 | 0:14:34 | |
-Have you had any luck, Gary? -Yes, I've found this. -Wow! Let's have a look. | 0:14:34 | 0:14:38 | |
-Wow! -That's very nice. -Can I have a look, Gary? | 0:14:38 | 0:14:40 | |
-Yeah, go for it! -So we've got this proud ceramic lion, | 0:14:40 | 0:14:43 | |
but anything that is ceramic, turn it upside down because you learn so much. | 0:14:43 | 0:14:48 | |
Can you see here it says "Beswick, England"? That's really good news for us because Beswick, | 0:14:48 | 0:14:53 | |
at the moment, is selling very well indeed and there's all sorts of reasons for that. | 0:14:53 | 0:14:57 | |
Not only has the factory gone out of business recently, | 0:14:57 | 0:15:00 | |
so they're irreplaceable, but really Beswick had attention to a lot of detail. | 0:15:00 | 0:15:05 | |
I mean look at his face, and look at his teeth, for instance, | 0:15:05 | 0:15:08 | |
and if you touch them, you can see how sharp that is. | 0:15:08 | 0:15:10 | |
-They're sharp, yeah. -They're quite extraordinary, so that's wonderful. Good news. | 0:15:10 | 0:15:14 | |
-So what else have we got here? -We've got a cow. | 0:15:14 | 0:15:17 | |
Can I have a look on the underside? | 0:15:17 | 0:15:19 | |
Now, there's no markings there, but for my money, | 0:15:19 | 0:15:22 | |
that looks like the quality enough for a Beswick animal | 0:15:22 | 0:15:25 | |
so I think that's lovely. Where did these two come from? | 0:15:25 | 0:15:28 | |
They were presents from Amanda's grandmother, Jean, to Sam, her grandfather. | 0:15:28 | 0:15:32 | |
They got the lion for his zodiac sign and the cow because he was a master butcher. | 0:15:32 | 0:15:36 | |
Why does that leave us with a couple of spaniels, a palomino horse and a Shetland pony? | 0:15:36 | 0:15:42 | |
Well, the horse and the ponies, because they had ponies themselves at the stables they used to have. | 0:15:42 | 0:15:48 | |
-OK. -I'm not actually sure about the dogs. -So who gave these to...? | 0:15:48 | 0:15:52 | |
Well, that's where it comes in. | 0:15:52 | 0:15:54 | |
Jean gave these to him as presents, so therefore it might be a little bit difficult... | 0:15:54 | 0:15:58 | |
-Difficult to sell. -To sell them? -But we can always as I say have a chat with her and see what she says. | 0:15:58 | 0:16:03 | |
How much do you think for the collection? | 0:16:03 | 0:16:05 | |
As a little group, we could sell these quite happily and we would | 0:16:05 | 0:16:08 | |
-get £50 to £80 for them at auction, so it would make a difference if she did want to sell them. -Right. | 0:16:08 | 0:16:14 | |
I think it's really important, | 0:16:14 | 0:16:16 | |
obviously, we need to check and make sure she's happy to sell them, or not as the case may be. | 0:16:16 | 0:16:20 | |
-Yeah. -OK, well we can't count on this little lot, then. | 0:16:20 | 0:16:23 | |
-No. -So let's crack on and see what else we can find. | 0:16:23 | 0:16:26 | |
We'll put them back in the cabinet as delicately as we possibly can. Let me put that back there. | 0:16:26 | 0:16:30 | |
With the Beswick animals so strongly connected to Amanda's grandfather, | 0:16:30 | 0:16:35 | |
I don't think any of us will be surprised if Jean decides not to part with them, | 0:16:35 | 0:16:40 | |
but we'll have to wait until auction day to find out. | 0:16:40 | 0:16:43 | |
Jonty decides it's time to tackle the attic and in amongst all the old boxes and newspapers, | 0:16:43 | 0:16:48 | |
he discovers a collection of Poole Pottery | 0:16:48 | 0:16:51 | |
which he hopes will make us £20 to £30. | 0:16:51 | 0:16:53 | |
While our trusty expert carries on searching, we take an opportunity | 0:16:53 | 0:16:57 | |
for a quick break and I'm keen to find out more about Amanda and Gary. | 0:16:57 | 0:17:02 | |
So how long have you two been together? | 0:17:02 | 0:17:05 | |
Well, we've been together nearly four years now and we met in my local petrol station! | 0:17:05 | 0:17:11 | |
Yes, where I work, or worked! | 0:17:11 | 0:17:13 | |
Amanda was a customer who came in | 0:17:13 | 0:17:16 | |
and sort of stopped to have a little chat and it sort of went from there. | 0:17:16 | 0:17:20 | |
We became close friends and it turned into a relationship and then a year later, we got married. | 0:17:20 | 0:17:25 | |
So tell me a little bit about the children? | 0:17:25 | 0:17:28 | |
Our first son, Tom, is 20 months old, arrived a month before our first wedding anniversary. | 0:17:28 | 0:17:33 | |
He was a surprise because we weren't supposed to be able to have children, so it was lovely. | 0:17:33 | 0:17:37 | |
He came along and then three months later, we discovered that our second son, Ben, was on his way as well. | 0:17:37 | 0:17:43 | |
Right, and do they get on? | 0:17:43 | 0:17:46 | |
-Yes, at the moment, they do, yes. -OK, all right. | 0:17:46 | 0:17:48 | |
-Constantly sharing things. -Are you planning to add to the family? -Number three is on the way, | 0:17:48 | 0:17:53 | |
cooking now, so yes, we should have our hands full next year, | 0:17:53 | 0:17:57 | |
and we'll have three children under two and a half! | 0:17:57 | 0:17:59 | |
-Are you mad? -Yes. -Clearly! -She's going to work. | 0:17:59 | 0:18:03 | |
I see. I'm like your rationing here. | 0:18:03 | 0:18:07 | |
-You're going to work? -Yes. And he's... -And you're going to be at home? | 0:18:07 | 0:18:12 | |
Is he very good with the children? | 0:18:12 | 0:18:14 | |
He's fabulous, he's brilliant with our children so yes, he's pretty good. I'm pretty lucky! | 0:18:14 | 0:18:20 | |
It has been very nice for us to have a break, but I want to make sure that Jonty isn't. | 0:18:20 | 0:18:24 | |
Hopefully he's got something else to sell, so shall we go and find him? Come on, then. | 0:18:24 | 0:18:29 | |
I'm full of admiration for Amanda and Gary managing two, | 0:18:30 | 0:18:34 | |
soon to be three, such young children with such great ease. | 0:18:34 | 0:18:38 | |
It's back to the search now and in the dining room, Jonty is keen | 0:18:38 | 0:18:41 | |
to talk to Amanda about an item that's apparently a definite for auction. | 0:18:41 | 0:18:47 | |
Amanda? | 0:18:47 | 0:18:49 | |
Am I right in thinking that this is the table that's got to go, ultimately? | 0:18:51 | 0:18:54 | |
-Yes, it's absolutely got to go because this is the room we're converting. -So where is it from? | 0:18:54 | 0:18:59 | |
My grandparents bought it from John Lewis in the 1970s. | 0:18:59 | 0:19:02 | |
-So they bought it new? -Brand new, yes. | 0:19:02 | 0:19:05 | |
It's interesting, looking at the shape of it, it certainly has that 1970s feel to it. | 0:19:05 | 0:19:09 | |
We've got these two stand-alone supports to this dining table | 0:19:09 | 0:19:14 | |
and then you've got this rather stylish set of I suppose, what, six chairs in all? | 0:19:14 | 0:19:18 | |
Yes, six chairs. | 0:19:18 | 0:19:20 | |
On a similar matching-looking base with these sort of flat feet, | 0:19:20 | 0:19:24 | |
but there is a bit of a problem to it that the chrome itself is perishing | 0:19:24 | 0:19:28 | |
and I don't know if you can see that it's pitting, almost like it's rust coming through. | 0:19:28 | 0:19:32 | |
-Yes, you can see it through the table. -Can you see that? | 0:19:32 | 0:19:35 | |
Now, that's restorable, but it's going to cost a bit of money | 0:19:35 | 0:19:39 | |
and the other thing, look at this massive piece of glass. | 0:19:39 | 0:19:42 | |
It's just one solid piece of glass. | 0:19:42 | 0:19:43 | |
The problem with glass that's been used for over 30 years is, look, we get scratch marks on it | 0:19:43 | 0:19:50 | |
but I believe that this could be brought back into its original state, | 0:19:50 | 0:19:54 | |
and when I say original state, the state that it was when it came out of the shop in the 1970s. | 0:19:54 | 0:20:00 | |
Do you know what they paid for the table? | 0:20:00 | 0:20:02 | |
Yeah, I believe they paid about £300 for it. | 0:20:02 | 0:20:05 | |
-£300? -Which was quite a lot for them back in the early 1970s. | 0:20:05 | 0:20:08 | |
Now, when it comes to price, if this is a "must-go" item | 0:20:08 | 0:20:11 | |
into the auction sale, then it has to be sold at a "must-go" price | 0:20:11 | 0:20:16 | |
so we're not looking at hundreds of pounds, | 0:20:16 | 0:20:18 | |
we're really looking at sort of £50 to £80, that sort of ball park. | 0:20:18 | 0:20:21 | |
That's reasonable for the amount of work to be done. | 0:20:21 | 0:20:24 | |
So, Amanda, if this is going to the auction sale, it really does mean | 0:20:24 | 0:20:28 | |
-we've got to raise some of that cash, OK. -Yes, we'll need a new table! | 0:20:28 | 0:20:31 | |
So you and I go and find some more stuff, eh? | 0:20:31 | 0:20:34 | |
Well, it doesn't sound much for a classic piece of 1970s furniture. | 0:20:34 | 0:20:39 | |
Let's hope Jonty's modest estimate gets the bidders fighting over it on auction day. | 0:20:39 | 0:20:43 | |
Amanda also decides to send this pretty oak occasional table to auction. | 0:20:45 | 0:20:48 | |
It was bought by her grandmother | 0:20:48 | 0:20:50 | |
about 20 years ago and Jonty reckons | 0:20:50 | 0:20:53 | |
it could make us around £20 to £30. | 0:20:53 | 0:20:56 | |
With the rummage nearly over, we could do with one last | 0:20:56 | 0:20:59 | |
substantial find to make sure we reach our £400 target. | 0:20:59 | 0:21:04 | |
Now, Gary, I can't help but notice this whole collection here. | 0:21:04 | 0:21:08 | |
Amanda's grandfather, Sam built it for this. | 0:21:08 | 0:21:10 | |
-The whole display cabinet was built for this collection? -For this collection, yes. | 0:21:10 | 0:21:14 | |
-Of china here? -Yup. -Wow! | 0:21:14 | 0:21:16 | |
Now, it begs the question, before I even pick it up, | 0:21:16 | 0:21:19 | |
is the sort of thing Jean might be now interested in selling? | 0:21:19 | 0:21:22 | |
Yes, I believe so now she's got the point where she's thinking | 0:21:22 | 0:21:26 | |
of redoing the kitchen so therefore, it can more than happily leave. | 0:21:26 | 0:21:29 | |
Let's see what we've got. | 0:21:29 | 0:21:31 | |
So if I take this jug for instance | 0:21:31 | 0:21:33 | |
and turn it upside down and here we see "Mason's Patent Ironstone" | 0:21:33 | 0:21:39 | |
and believe it or not, Mason's Ironstone was patented in 1813... | 0:21:39 | 0:21:45 | |
in fact, July 31st 1813 | 0:21:45 | 0:21:49 | |
so if we have a look and look more closely at the pattern that is used, | 0:21:49 | 0:21:54 | |
it has an oriental feel, even though these flower-heads look quite European, but these flower-heads | 0:21:54 | 0:21:59 | |
have more of a sort of Japanesey feel to them | 0:21:59 | 0:22:02 | |
and everything is touched by the gilding, so can you see | 0:22:02 | 0:22:06 | |
we've got gilding round the rim here and even it's highlighting the stems and the flowers themselves as well. | 0:22:06 | 0:22:12 | |
Now, where does it all come from? | 0:22:12 | 0:22:14 | |
We're not too sure. It's one of these things | 0:22:14 | 0:22:16 | |
that Sam used to pick up on his travels or while he was down in London at auctions and stuff. | 0:22:16 | 0:22:21 | |
Well, what is very clear, he had a very good eye because we've got real genuine quality here. | 0:22:21 | 0:22:26 | |
I think Jean was very fortunate that he brought bits and pieces home on a regular basis. | 0:22:26 | 0:22:31 | |
If we put this whole collection into the auction sale | 0:22:31 | 0:22:33 | |
including even this amazing plate at the top, | 0:22:33 | 0:22:36 | |
then the whole collection has got to be worth between £100 and £150. | 0:22:36 | 0:22:40 | |
Did I hear more money being mentioned? | 0:22:40 | 0:22:42 | |
You did, Lorne, and we've got this amazing collection of Ironstone, | 0:22:42 | 0:22:45 | |
Mason's Ironstone, between £100 and £150. | 0:22:45 | 0:22:48 | |
Well, that will help our total very nicely. | 0:22:48 | 0:22:51 | |
Now, how have you found today? | 0:22:51 | 0:22:53 | |
-It's been really good fun. -Yeah. -Good, OK. | 0:22:53 | 0:22:55 | |
We wanted to raise £400 so we can convert all that space into an artist's studio. | 0:22:55 | 0:22:59 | |
Do you think we're nearly at that figure, Amanda? | 0:22:59 | 0:23:02 | |
I'm not sure. Do you think we might? | 0:23:02 | 0:23:04 | |
Come on, you're "Mr Guesstimate." | 0:23:04 | 0:23:05 | |
-Probably, yeah. -I think we're about there. -You do? -Yeah. | 0:23:05 | 0:23:08 | |
The value of everything going to auction actually comes to £440. | 0:23:08 | 0:23:11 | |
-That's really good! -That's all right. That's not too bad. | 0:23:11 | 0:23:14 | |
Of course, if you decide to bring the Beswick in the end, that will add more and take the total to £490. | 0:23:14 | 0:23:19 | |
-That would be really good. Get more bits for that. -Wonderful, yeah. | 0:23:19 | 0:23:22 | |
-That would be fantastic. -That decision is down to your grandma. | 0:23:22 | 0:23:25 | |
The next time I see you guys will be at the auction house. | 0:23:25 | 0:23:28 | |
Amanda's grandmother's house has provided us with a real variety of treasures to take to auction | 0:23:28 | 0:23:34 | |
and it's clear her late grandfather, Sam had a fantastic eye for antiques and collectables. | 0:23:34 | 0:23:39 | |
Our items for auction include... | 0:23:39 | 0:23:41 | |
the silver-plated cutlery set by Roberts & Belk, | 0:23:41 | 0:23:44 | |
bought from the London Silver Vaults, it could bring in anywhere between £100 and £150. | 0:23:44 | 0:23:50 | |
The 1970s glass-top dining table. It's a little worn, but a snip for anyone after something funky | 0:23:50 | 0:23:58 | |
and retro, valued at £50 to £80, and of course the fabulous collection of Beswick animals. | 0:23:58 | 0:24:02 | |
They clearly have strong sentimental value to Amanda's grandmother | 0:24:02 | 0:24:06 | |
and may not make it to auction, but if Jean decides to part with them, | 0:24:06 | 0:24:10 | |
we're hoping they'll fetch £50 to £80. | 0:24:10 | 0:24:14 | |
Still to come on Cash In The Attic, some results leave our expert far from pleased... | 0:24:14 | 0:24:20 | |
-£32. -That's not good enough. | 0:24:20 | 0:24:23 | |
But our rollercoaster ride isn't all bad news. | 0:24:23 | 0:24:26 | |
I said to you, you get ups and downs. | 0:24:26 | 0:24:28 | |
Fortunately, we've finally had an up! | 0:24:28 | 0:24:30 | |
So, will we have reached our target when the final hammer falls? | 0:24:30 | 0:24:34 | |
It's been a few weeks since we visited Amanda and Gary | 0:24:38 | 0:24:42 | |
and found plenty of nice items to bring here | 0:24:42 | 0:24:44 | |
to Sworders Olivers Auction House in Sudbury, Suffolk. | 0:24:44 | 0:24:47 | |
Now, remember, they're looking to raise around £400 to turn that dining room into an artist's studio | 0:24:47 | 0:24:52 | |
for Amanda's grandmother, so let's just hope the bidders are feeling very artistic and give us a bit | 0:24:52 | 0:24:57 | |
of poetic licence when it comes to money they're prepared to pay when our items go under the hammer. | 0:24:57 | 0:25:02 | |
There's a good variety of lots on sale here today and it's good | 0:25:02 | 0:25:05 | |
to see the saleroom filling up with potential bidders already. | 0:25:05 | 0:25:09 | |
I'm keeping everything crossed that our family's lots find new homes, but is our expert feeling hopeful? | 0:25:09 | 0:25:16 | |
-Hi, Jonty. -Lorne, how are you doing? -I really like these and I've not seen this shape before. | 0:25:16 | 0:25:21 | |
The thing about scent bottles, and the reason people collect them, | 0:25:21 | 0:25:24 | |
is because they did come in all shapes and sizes | 0:25:24 | 0:25:26 | |
and as a collection, they all look so different. | 0:25:26 | 0:25:29 | |
One thing we don't know is whether Grandma is going to come or not. | 0:25:29 | 0:25:32 | |
Yes. I wasn't sure whether they could get the table and chairs | 0:25:32 | 0:25:35 | |
to the auction sale and have they brought the Beswick? | 0:25:35 | 0:25:38 | |
Let's go and find out. | 0:25:38 | 0:25:40 | |
We want to make our family as much money as possible today | 0:25:40 | 0:25:43 | |
so fingers crossed all their items make it to auction. | 0:25:43 | 0:25:47 | |
Before the sale gets going, we catch up with Amanda and Gary saying goodbye to their lots. | 0:25:47 | 0:25:53 | |
-Good morning. -Hello. -How are you, guys, are you all right? -Yes, thank you. | 0:25:53 | 0:25:57 | |
And what have you brought? Did you bring the Beswick in the end? | 0:25:57 | 0:26:00 | |
-She thought long and hard over it, but yes, the Beswick is here. -That's good news. | 0:26:00 | 0:26:04 | |
-The dining room table and chairs? -They're here as well. -The whole lot? -Yes. | 0:26:04 | 0:26:08 | |
-Is there anything left at the house? -No, it's completely empty! -Fantastic! That's what we wanted. | 0:26:08 | 0:26:13 | |
-So are you looking forward to today? -Yes, definitely. | 0:26:13 | 0:26:17 | |
-Yes... Have you been to an auction before? -Never! -Really? -Never been to one. | 0:26:17 | 0:26:21 | |
Both of you? We'll look after you, I promise! | 0:26:21 | 0:26:23 | |
-Yes, yes, don't worry... Even if you sneeze, they don't take a bid that way! -That's all right then! | 0:26:23 | 0:26:28 | |
-It's just a myth, that! If you do put your hand up, they usually do take a bid. -Oh, yes. | 0:26:28 | 0:26:33 | |
So as long as we remember those rules, we'll be all right. | 0:26:33 | 0:26:36 | |
-It's filling up now, which is good news, so shall we go and get in position? -Yes. -Come on, then. | 0:26:36 | 0:26:41 | |
'It's great news that all the items made it to the saleroom today, so roll on some top dollar results. | 0:26:41 | 0:26:47 | |
'We find a spot in the corner and soon our first lot | 0:26:47 | 0:26:50 | |
'comes up for sale - the large collection of Poole Pottery.' | 0:26:50 | 0:26:55 | |
Quite a mixture here, but some nice pieces, and Poole, a very good name. | 0:26:55 | 0:26:59 | |
Yes, and I've put a very low price on it at £20 to £30 in order to entice those buyers. | 0:26:59 | 0:27:04 | |
-And what do you think it will go for, Gary? -I was going between £40 and £50, something like that. | 0:27:04 | 0:27:09 | |
-OK, all right. -I can but hope! -OK. | 0:27:09 | 0:27:13 | |
Six, seven, eight, nine, ten, 12. | 0:27:13 | 0:27:19 | |
£12 nearest to the portrait, 12, at £12. 15. | 0:27:19 | 0:27:23 | |
There's a fresh face at 15, in the doorway at 15. | 0:27:23 | 0:27:28 | |
All finished and done with that at 15. | 0:27:28 | 0:27:32 | |
'Not the best start to our day in the saleroom | 0:27:32 | 0:27:34 | |
'but at least it's the first few pounds | 0:27:34 | 0:27:37 | |
'towards the new art studio. | 0:27:37 | 0:27:39 | |
'We've still got a mountain to climb to reach our £400 target, | 0:27:39 | 0:27:42 | |
'but plenty more lots to sell. Maybe our second lot will be more to the bidders' taste.' | 0:27:42 | 0:27:48 | |
Now, our next lot is the dining room table and chairs. | 0:27:48 | 0:27:51 | |
Now, proper 1970s this, right time to sell, | 0:27:51 | 0:27:54 | |
-very popular, that minimalist look, isn't it? -Absolutely! | 0:27:54 | 0:27:57 | |
Was it a bit of a difficulty getting it out of the house and home? | 0:27:57 | 0:28:01 | |
-Very heavy! -Yes! -Very heavy! -Really? -Very, very heavy. | 0:28:01 | 0:28:04 | |
But that's also a sign of quality, you know. They don't make them like they used to! | 0:28:04 | 0:28:08 | |
-So you don't want this going back home? -No, no, it's never going in that studio again. | 0:28:08 | 0:28:13 | |
-Going to the highest bidder. -No reserve. What do we estimate it at? | 0:28:13 | 0:28:16 | |
-Well, l was hoping to get around the £50 for it, but just let the market decide. -OK. | 0:28:16 | 0:28:21 | |
It's the 1970s smoky-lass dining table and chromium frame together with the dining chairs. | 0:28:21 | 0:28:28 | |
All this lot and 20, £20 somewhere? | 0:28:28 | 0:28:32 | |
Eek! | 0:28:32 | 0:28:33 | |
£20...or £10 to start me. | 0:28:33 | 0:28:35 | |
10 I'm bid, at 10, at £10. | 0:28:35 | 0:28:37 | |
At £10. At £10. At £10. | 0:28:37 | 0:28:44 | |
Are you all finished and done with it, then? | 0:28:44 | 0:28:47 | |
It's a maiden bid of £10. We're going to sell it at £10. | 0:28:47 | 0:28:51 | |
-Disappointing! -Oh, that is... I'm really, really disappointed. £10! -Yes, I know! | 0:28:51 | 0:28:57 | |
-Oh, dear! -It's gone. -You're stunned into silence, Amanda. | 0:28:57 | 0:29:02 | |
That just seems, well... Let's move on swiftly from that and hope you make some more money. | 0:29:02 | 0:29:08 | |
'That's a disastrous result! | 0:29:08 | 0:29:09 | |
After all the effort of getting the table to the auction in the first place, | 0:29:09 | 0:29:13 | |
'our couple didn't want to take it home, but we'd all hoped it would make more than that. | 0:29:13 | 0:29:18 | |
'The bidders haven't been generous so far today | 0:29:18 | 0:29:21 | |
'and it seems there aren't any art lovers in the room either, | 0:29:21 | 0:29:24 | |
'as the set of prints suffer a similar fate...' | 0:29:24 | 0:29:27 | |
At £9, selling, then, at nine. | 0:29:27 | 0:29:29 | |
'..selling for less than a third of Jonty's estimate! | 0:29:31 | 0:29:34 | |
'What's going on here today? | 0:29:34 | 0:29:36 | |
'Surely the Beswick animals will make us some money at last, | 0:29:36 | 0:29:40 | |
'especially as they were tugging at Amanda's heartstrings to let them go.' | 0:29:40 | 0:29:45 | |
Our next lot is the little collection of Beswick animals and we've got a lion, a cocker spaniel | 0:29:45 | 0:29:51 | |
and a Hereford cow, calf and a hound. | 0:29:51 | 0:29:54 | |
-Yes. -I'm not sure how they'd all mix in together. | 0:29:54 | 0:29:56 | |
-You didn't want to part with these. -No, I'll tell you how they're mixed together. | 0:29:56 | 0:30:01 | |
The lion symbolised my grandfather's birth date, which was Leo, and the cow was because he was a butcher. | 0:30:01 | 0:30:06 | |
The dogs, he just simply liked dogs, but no, I was a bit sad for them to go | 0:30:06 | 0:30:10 | |
but my gran said, "They're definitely going." | 0:30:10 | 0:30:13 | |
-No reserve on these. What's the estimate? -Well, I've put around £50 to £80 on it. | 0:30:13 | 0:30:17 | |
And 30 to start me. | 0:30:17 | 0:30:19 | |
£30. | 0:30:19 | 0:30:21 | |
£20, then. £20, I'm bid at 20. | 0:30:21 | 0:30:24 | |
At £20. 22. 25. 25, there, at 25. | 0:30:24 | 0:30:29 | |
28. 30. 32. | 0:30:29 | 0:30:33 | |
At £32. | 0:30:33 | 0:30:36 | |
Are you all finished and done with that at £32? | 0:30:36 | 0:30:38 | |
-£32... -That's not good enough. | 0:30:40 | 0:30:43 | |
'I wholeheartedly agree, Jonty, | 0:30:43 | 0:30:45 | |
'and Amanda understandably looks disappointed. | 0:30:45 | 0:30:48 | |
'Auctions are so unpredictable at the best of times, but things really aren't going our way today. | 0:30:48 | 0:30:54 | |
'We've barely scratched the surface of our £400 target, | 0:30:54 | 0:30:58 | |
'but will the little occasional table have more luck? | 0:30:58 | 0:31:01 | |
'Jonty valued it at a very affordable £20 to £30.' | 0:31:01 | 0:31:04 | |
Ten? I'm bid at ten. | 0:31:04 | 0:31:06 | |
At £10. At £10. | 0:31:06 | 0:31:10 | |
Are you all finished and done with that? It's a maiden bid of £10. | 0:31:10 | 0:31:13 | |
I'm selling at £10. | 0:31:13 | 0:31:17 | |
What's the matter? Nobody's bidding on anything! | 0:31:17 | 0:31:20 | |
-They've got their hands in their pockets! -Bizarre! -Too cold, that's why! | 0:31:20 | 0:31:25 | |
'Well, at least Gary is still smiling, | 0:31:25 | 0:31:27 | |
'but with another sale well under estimate, things aren't improving. | 0:31:27 | 0:31:31 | |
'We're nearly halfway through the sale already and it's a pricey lot up next, so everything crossed!' | 0:31:31 | 0:31:38 | |
Now, pottery comes and goes in terms of fashion. | 0:31:38 | 0:31:40 | |
I'll tell you what, Mason always seems to remain popular, doesn't it, Jonty? | 0:31:40 | 0:31:45 | |
Well, it's been popular ever since it was invented, really - | 0:31:45 | 0:31:48 | |
the beginning of the 19th century so we've had 200 years of popularity here. | 0:31:48 | 0:31:53 | |
It looked fantastic in your grandmother's cabinets, | 0:31:53 | 0:31:56 | |
really fantastic, but when you have to come to value these items, | 0:31:56 | 0:32:00 | |
you value them being seen in a setting like this which is not as grand as your grandmother's kitchen, | 0:32:00 | 0:32:05 | |
and that's the reason why I've put £100 to £150 on the whole collection, all right? | 0:32:05 | 0:32:09 | |
Let's see if we can get there. | 0:32:09 | 0:32:11 | |
I'm starting this at 60. | 0:32:11 | 0:32:14 | |
-Ooh, that's better! -< £60 I'm bid, at 60, at £60. | 0:32:14 | 0:32:18 | |
-There we go! -At £60. | 0:32:18 | 0:32:20 | |
65. 70. | 0:32:20 | 0:32:22 | |
75, 80, 85, 90, 95, 100... | 0:32:22 | 0:32:28 | |
and 10. I'm out. 110. | 0:32:28 | 0:32:32 | |
At £110. | 0:32:32 | 0:32:35 | |
All finished and done with at 110? | 0:32:35 | 0:32:38 | |
-£110, well, what a relief! -There you go! -Well done! | 0:32:38 | 0:32:41 | |
You've got a smile on your face now! | 0:32:41 | 0:32:44 | |
I said to you, you get ups and downs. Fortunately we're finally heading up! | 0:32:44 | 0:32:49 | |
'Phew! At last something has sold for over its estimate. | 0:32:49 | 0:32:53 | |
'£110 is a great price and not before time! | 0:32:53 | 0:32:56 | |
'After that roller-coaster first half, let's see how we've done so far.' | 0:32:56 | 0:33:00 | |
Now, you wanted to raise £400 and I'm afraid so far we've done abysmally. | 0:33:02 | 0:33:07 | |
We've only made £186. | 0:33:07 | 0:33:09 | |
-Not very good. -No. -No, I know. I don't know what's going on, do you? -That's bad news! | 0:33:09 | 0:33:14 | |
-Everyone has got their hands in their pockets. -That's for sure! | 0:33:14 | 0:33:18 | |
Our consolation is that the second half has got your better lots, | 0:33:18 | 0:33:21 | |
so I'm hopeful we'll get the money for those. | 0:33:21 | 0:33:23 | |
In the meantime, I think we all need a nice hot drink, | 0:33:23 | 0:33:26 | |
and I think we need to distribute a few hot toddies around the auction house | 0:33:26 | 0:33:30 | |
and get them bidding again, don't you? Come on! | 0:33:30 | 0:33:33 | |
'It may not be as much as we'd hoped, but it's nearly half our target in the bank | 0:33:33 | 0:33:37 | |
'so it's not all bad news. | 0:33:37 | 0:33:38 | |
'Whilst Amanda and Gary have a well-earned break, | 0:33:38 | 0:33:41 | |
'our Mr Hearnden has spotted a rather intriguing lot.' | 0:33:41 | 0:33:44 | |
-What do you think? -I think they're beautiful. | 0:33:44 | 0:33:47 | |
-They're unusual. -I think the colours are amazing as well. | 0:33:47 | 0:33:51 | |
Now, they are different sizes but I believe these pictures always to have been a pair. | 0:33:51 | 0:33:56 | |
What's so amazing is that these are needlework and stunt work pictures | 0:33:56 | 0:34:01 | |
but they are in their original frames and I believe them to be around the 1855 mark, | 0:34:01 | 0:34:08 | |
and I'll tell you for why. | 0:34:08 | 0:34:10 | |
If you look at this gentleman here, he looks like he's returning home, first of all. | 0:34:10 | 0:34:14 | |
He looks like an officer and the reason why I've dated it around 1855 | 0:34:14 | 0:34:18 | |
is because I believe him to be from the Crimean War | 0:34:18 | 0:34:22 | |
and officers and NCOs were allowed at that point to grow beards, and can you see there he's growing... | 0:34:22 | 0:34:28 | |
He's obviously got growth on his chin there | 0:34:28 | 0:34:31 | |
and if you look at the dress of the ladies, again, that's very sort of 1850/1855 in time, | 0:34:31 | 0:34:37 | |
but they are all hand-stitched and really very beautiful indeed. | 0:34:37 | 0:34:41 | |
-Now, what do you think these will go for, then? -Well, it's very difficult to tell. | 0:34:41 | 0:34:46 | |
Because these are unique images, I think my hunch is that they should do incredibly well. | 0:34:46 | 0:34:51 | |
I think in the catalogue it's like £200 to £300 | 0:34:51 | 0:34:54 | |
but I wouldn't be surprised if they really race through that. | 0:34:54 | 0:34:57 | |
'Jonty has a knack for spotting saleable lots | 0:34:57 | 0:35:00 | |
'and I'm interested to see how they fare on what can only | 0:35:00 | 0:35:03 | |
'be described as an unusually slow day in the saleroom. | 0:35:03 | 0:35:06 | |
'If you're planning on buying or selling at auction, then do remember that charges | 0:35:06 | 0:35:11 | |
'such as commission will be added to your bill, so always check the details with your local saleroom. | 0:35:11 | 0:35:17 | |
'We're back for the second half and after the day we've had so far, | 0:35:17 | 0:35:20 | |
'surely things can only get better!' | 0:35:20 | 0:35:23 | |
I have high hopes for these. They're lovely - the perfume bottles. | 0:35:24 | 0:35:28 | |
Very unusual shape. Where are they from? | 0:35:28 | 0:35:31 | |
They were my great-great-grandmother's. | 0:35:31 | 0:35:34 | |
They were sort of handed down but Gran doesn't want to hand them on any further, so off they go! | 0:35:34 | 0:35:40 | |
£40... | 0:35:40 | 0:35:42 | |
well, £20 then, surely. | 0:35:42 | 0:35:44 | |
£20, I'm bid at £20. Two. | 0:35:44 | 0:35:47 | |
Five. 25 at the back, and 25, 28. | 0:35:47 | 0:35:50 | |
30. | 0:35:51 | 0:35:53 | |
£30, 32, 35, | 0:35:54 | 0:35:58 | |
38, 40, 42, 45, | 0:35:58 | 0:36:03 | |
48, 50, | 0:36:03 | 0:36:06 | |
five, 60. | 0:36:06 | 0:36:08 | |
60, in front of me at 60. At £60. | 0:36:09 | 0:36:13 | |
Are you all finished and done with, then, at £60? | 0:36:13 | 0:36:17 | |
-That's not too bad. -£60, it was a struggle getting there, though, wasn't it? Crikey! | 0:36:17 | 0:36:22 | |
But that was good. I put £40 to £60 on them, so I'm pleased. | 0:36:22 | 0:36:26 | |
-Yes. -Look at that! Got a smile on her face! | 0:36:26 | 0:36:29 | |
'That's more like it! The auctioneer worked hard for us | 0:36:29 | 0:36:32 | |
'and the second half of our sale is off to a strong start. | 0:36:32 | 0:36:36 | |
'Maybe the bidders have enjoyed a half-time hot toddy | 0:36:36 | 0:36:39 | |
'as the auction room really does seem to have warmed up. | 0:36:39 | 0:36:42 | |
'The pictures Jonty showed me fly past their £200 to £300 estimate, | 0:36:42 | 0:36:46 | |
'making a massive £640! | 0:36:46 | 0:36:51 | |
'It's back to our couple's items now, and hopefully the pounds | 0:36:51 | 0:36:55 | |
'will continue to roll in as the serving trays take centre-stage.' | 0:36:55 | 0:36:59 | |
Selling then at £22. | 0:36:59 | 0:37:01 | |
'£2 over Jonty's lower estimate and another step towards our £400 target. | 0:37:01 | 0:37:08 | |
'That's what we like to see! | 0:37:08 | 0:37:09 | |
'Maybe the luck will rub off on our next silver lot - | 0:37:09 | 0:37:12 | |
'the set of napkin rings which Jonty valued at £10 to £20.' | 0:37:12 | 0:37:18 | |
£10. | 0:37:18 | 0:37:21 | |
£10. Well, five, then, surely! | 0:37:21 | 0:37:24 | |
Five I'm bid right at the back at five, at £5. Are you all finished and done with, then? | 0:37:24 | 0:37:30 | |
Six, seven. All finished at £7. | 0:37:30 | 0:37:34 | |
'Oh, dear! That's £3 under estimate and it doesn't seem very much for the napkin rings. | 0:37:34 | 0:37:40 | |
'We're leaving the silver behind now, and we're going to try our luck with some porcelain.' | 0:37:40 | 0:37:45 | |
Our next lot is a collection of plates. Where were these? | 0:37:45 | 0:37:48 | |
These were in my gran's shed at the bottom of the garden. | 0:37:48 | 0:37:51 | |
They used to be up on the walls where we used to live on those horrible display plate thingies, | 0:37:51 | 0:37:56 | |
but there's no room for them in the new place so, yes, they're to go. | 0:37:56 | 0:38:00 | |
And ten. | 0:38:00 | 0:38:02 | |
£5, then. | 0:38:02 | 0:38:03 | |
Come on, more than a fiver! | 0:38:03 | 0:38:05 | |
< £5. | 0:38:05 | 0:38:06 | |
Well, £2, then, for the plates. | 0:38:08 | 0:38:10 | |
Two I'm bid at the back, at £2. | 0:38:10 | 0:38:13 | |
At £2. At £2. | 0:38:13 | 0:38:15 | |
Are you all finished and done with, then, at £2. | 0:38:15 | 0:38:18 | |
-Oh! -Well, I did say they were horrible! | 0:38:20 | 0:38:22 | |
Well, yes, but...£2! | 0:38:22 | 0:38:26 | |
Let's not talk about it! | 0:38:26 | 0:38:28 | |
'Amanda doesn't seem too surprised and although it was a tiny amount, | 0:38:28 | 0:38:33 | |
'I think she's just glad to see them sold. | 0:38:33 | 0:38:36 | |
'We're a long way off from our £400 target | 0:38:36 | 0:38:38 | |
'for Amanda's grandmother's new art studio and we've got just two lots left to sell today, | 0:38:38 | 0:38:43 | |
'so there's a lot riding on these results. | 0:38:43 | 0:38:47 | |
'Hopefully this china will prove more popular than the display plates.' | 0:38:47 | 0:38:51 | |
Right, now, our next lot is the Royal Albert Old Country Roses. | 0:38:51 | 0:38:54 | |
Goodness, this pattern has been going a while, I can tell you! | 0:38:54 | 0:38:57 | |
It's a big dinner service here. What estimate have you put on this, Jonty? | 0:38:57 | 0:39:02 | |
I put £40 to £60 on it. | 0:39:02 | 0:39:03 | |
-And what about you, Gary? -I went with about £40 yeah, hopefully! -OK, let's see. | 0:39:03 | 0:39:08 | |
And I'm starting this at 55. | 0:39:08 | 0:39:12 | |
-60, five, 70, five, 80, five, 90, five... -Here we go! | 0:39:12 | 0:39:19 | |
100, five. | 0:39:19 | 0:39:22 | |
105 with me, at £105. | 0:39:22 | 0:39:25 | |
Ten, 15, 20, five. 130, five, 140. | 0:39:25 | 0:39:32 | |
I'm out. 140 towards the back. | 0:39:32 | 0:39:35 | |
At £140. | 0:39:35 | 0:39:38 | |
Are you all finished and done with at £140? 181. | 0:39:38 | 0:39:42 | |
That's really good! | 0:39:42 | 0:39:44 | |
-£140, I'm so pleased. -I was one off. -You're useless! | 0:39:44 | 0:39:47 | |
-You're both useless! -I just dropped the "one", that's all! -I'm really pleased with that one. | 0:39:47 | 0:39:53 | |
-That's brilliant! -Good. | 0:39:53 | 0:39:55 | |
'That extra "one" makes all the difference, though, Gary, | 0:39:55 | 0:39:58 | |
'as your estimate was £100 short! It's the first of our lots | 0:39:58 | 0:40:01 | |
'to sell so well today and I'm really relieved for our couple. | 0:40:01 | 0:40:05 | |
'With one more lot to go under the hammer, can we end our day on a high?' | 0:40:05 | 0:40:10 | |
OK, now, our next lot is that really extensive collection of cutlery. | 0:40:10 | 0:40:14 | |
Most of it comes in its own little rolls. A lovely, lovely set. | 0:40:14 | 0:40:19 | |
Now, you've put a reserve on that? | 0:40:19 | 0:40:21 | |
Yes, I've put a very small reserve on it of £50 simply because I just think it deserves it. | 0:40:21 | 0:40:26 | |
If Gran doesn't want it back, it will come into ours, so I just think a small reserve is better than nothing. | 0:40:26 | 0:40:32 | |
At £100. | 0:40:32 | 0:40:34 | |
At £100. 110 at the back. | 0:40:34 | 0:40:37 | |
At £110. 120. 130. 140. | 0:40:37 | 0:40:42 | |
150. 160. 170. | 0:40:42 | 0:40:47 | |
170, straight in front of me at 170. | 0:40:48 | 0:40:52 | |
At £170. | 0:40:52 | 0:40:55 | |
Are you all finished and done with, then, at £170. | 0:40:55 | 0:40:59 | |
GAVEL BANGS | 0:40:59 | 0:41:00 | |
Well, let me just say, you were wrong on your reserve and you were both wrong on your estimate... | 0:41:00 | 0:41:06 | |
but in a positive way, thank goodness! £170! | 0:41:06 | 0:41:09 | |
-Thank goodness I was wrong! -I'm so... That's good money for that. | 0:41:09 | 0:41:13 | |
I'm really pleased with that. Really very pleased. | 0:41:13 | 0:41:16 | |
'Amanda can't stop smiling and with a massive addition to the art studio fund, I can see why! | 0:41:16 | 0:41:22 | |
'We've certainly had a bumpy ride at times today | 0:41:22 | 0:41:25 | |
'but with those final two results, perhaps our target is safe, after all!' | 0:41:25 | 0:41:29 | |
Now, you wanted £400 and I'm not quite sure how we've managed this... | 0:41:29 | 0:41:33 | |
-we've actually got £587! -Wow! | 0:41:33 | 0:41:37 | |
-That's good! -Really good! -That's fantastic! That's more than I was expecting! | 0:41:37 | 0:41:41 | |
-Yeah, a lot more! -So was it worth the emotional turmoil? -Yeah! -Yeah! | 0:41:41 | 0:41:47 | |
It was a tough day at auction but we got there in the end | 0:41:51 | 0:41:55 | |
and Amanda and Gary can finally set to work converting the dining room into an art studio for grandma Jean. | 0:41:55 | 0:42:01 | |
We had a great time at the auction. | 0:42:01 | 0:42:03 | |
We've made more than we had hoped for so Gary is painting the room and the room is clear now, | 0:42:03 | 0:42:08 | |
so we're going off to the art shop to see what we can find to go in my gran's new studio. | 0:42:08 | 0:42:12 | |
The family head off to buy supplies, and this time the guest of honour is here herself! | 0:42:12 | 0:42:18 | |
There's all sorts of paints and materials on display, but first stop is a vital piece of equipment. | 0:42:18 | 0:42:24 | |
It's got a handle, so you can carry it. If you do want to go outside and paint, you can. | 0:42:24 | 0:42:28 | |
I'm getting really excited about sitting down in my newly-refurbished dining room-cum-studio | 0:42:28 | 0:42:35 | |
to paint some beautiful pictures. | 0:42:35 | 0:42:39 |