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Welcome to Cash In The Attic, the programme that uncovers | 0:00:02 | 0:00:04 | |
treasures in your home and then sells them with you at auction. | 0:00:04 | 0:00:07 | |
I'm on the north coast of Kent | 0:00:07 | 0:00:09 | |
and I'm about to get a taste of the rather explosive history of the county | 0:00:09 | 0:00:13 | |
because I've come to what is believed to be | 0:00:13 | 0:00:15 | |
the oldest commercial gunpowder mill in Europe. | 0:00:15 | 0:00:20 | |
'Chart Mills in Faversham was at the centre of gunpowder production in Britain | 0:00:20 | 0:00:24 | |
'for almost 400 years | 0:00:24 | 0:00:25 | |
'from the 16th century right through to the Second World War. | 0:00:25 | 0:00:29 | |
'Now fully restored by the Faversham Society, these 18th century mills | 0:00:29 | 0:00:33 | |
'were once part of the Royal Gunpowder Factory | 0:00:33 | 0:00:36 | |
'and supplied the powder for the Battles of Trafalgar and Waterloo. | 0:00:36 | 0:00:39 | |
'You can learn all about the families who tended these mills | 0:00:39 | 0:00:43 | |
'as well as the risky methods used in gunpowder manufacture.' | 0:00:43 | 0:00:47 | |
Well, we're certainly going to have to keep our nose to the grindstone | 0:00:47 | 0:00:51 | |
because we're off in search of a barrel load of antiques to take to auction. | 0:00:51 | 0:00:56 | |
'Today on Cash In The Attic, we rummage through boxes that haven't been touched in years...' | 0:01:18 | 0:01:23 | |
What's the date on the newspaper here? | 0:01:23 | 0:01:25 | |
1997 since you've played with this! | 0:01:25 | 0:01:29 | |
'..Jonty takes rather too much of a shine to one of our items.' | 0:01:29 | 0:01:32 | |
-It's so nice, I think I'll take it with me. -Oh, you'll have to give me some money. | 0:01:32 | 0:01:36 | |
'Not everything goes to plan at auction.' | 0:01:36 | 0:01:39 | |
Not sold. | 0:01:39 | 0:01:40 | |
-Taking it home. -Oh, dear. | 0:01:40 | 0:01:42 | |
Well, you shouldn't have put reserves on them. | 0:01:42 | 0:01:44 | |
-'But there is the odd miracle.' -How about that? | 0:01:44 | 0:01:47 | |
-Well done! -I don't mind that going, actually. | 0:01:47 | 0:01:50 | |
'Will there be a happy ending? | 0:01:50 | 0:01:52 | |
'Find out when the final hammer falls.' | 0:01:52 | 0:01:54 | |
240. | 0:01:54 | 0:01:56 | |
Just a quick jaunt up the coast, | 0:01:56 | 0:01:59 | |
and I've come to the historic town of Whitstable, | 0:01:59 | 0:02:01 | |
where I'm about to meet a couple who are very keen | 0:02:01 | 0:02:03 | |
to take to the skies. | 0:02:03 | 0:02:06 | |
'This five-bedroomed property in Whitstable is home to Wendy and David Warry, who met at university. | 0:02:06 | 0:02:12 | |
'They've lived in the seaside town for 23 years to escape the rat race of London. | 0:02:12 | 0:02:17 | |
'They love the outdoors and with access to this fantastic beach, | 0:02:17 | 0:02:22 | |
'they enjoy plenty of walking with their Rottweiler, Sam. | 0:02:22 | 0:02:26 | |
'Wendy used to work in the hotel industry but she's now a nurse, while David is an engineer. | 0:02:26 | 0:02:33 | |
'Their two grown up children, Andrew and Lisa, have fled the nest | 0:02:33 | 0:02:36 | |
'so in their spare time, Wendy and David pursue their many hobbies.' | 0:02:36 | 0:02:41 | |
-Morning, Jonty. -Hi, how are you? | 0:02:41 | 0:02:43 | |
I'm full of vim and vigour because I've just been to a gunpowder mill. | 0:02:43 | 0:02:47 | |
-Hopefully, I'll find something to go with a bang at auction. -That's the spirit. | 0:02:47 | 0:02:50 | |
Let's go to it. | 0:02:50 | 0:02:52 | |
Morning, David and Wendy, a bit of dog training going on, is there? | 0:02:52 | 0:02:55 | |
We're trying. | 0:02:55 | 0:02:58 | |
It's a good job I like dogs, isn't it? | 0:02:58 | 0:03:01 | |
Why have you called in Cash in the Attic? | 0:03:01 | 0:03:04 | |
We didn't, actually. It was my son Andrew who actually called you. | 0:03:04 | 0:03:07 | |
Why did he do that, Wendy? | 0:03:07 | 0:03:09 | |
Because he thought his dad had been telling him... and myself, | 0:03:09 | 0:03:12 | |
had been going on about all these antiques we've got so he thought he'd call our bluff and... | 0:03:12 | 0:03:17 | |
-do it, I imagine. So that was it. -What are we raising money for? | 0:03:17 | 0:03:20 | |
We're hoping to go on a plane flight over Kent, just a light aircraft, | 0:03:20 | 0:03:24 | |
and possibly take some photographs whilst we're up there. | 0:03:24 | 0:03:27 | |
How much do you reckon this is going to cost then? | 0:03:27 | 0:03:29 | |
About £500. I suspect it'll be about that. | 0:03:29 | 0:03:31 | |
-So that's our target for today? -Yes. | 0:03:31 | 0:03:34 | |
All right. Sam has lost interest completely! | 0:03:34 | 0:03:37 | |
-Shall we go in and see what we can find? -Yes. | 0:03:37 | 0:03:39 | |
-Because I know that Jonty is already hard at work. -Right. | 0:03:39 | 0:03:43 | |
'The Warrys' home is a bit like a TARDIS - | 0:03:43 | 0:03:46 | |
'on the inside, there's a lot of ground for us to cover | 0:03:46 | 0:03:48 | |
'not least in their attic, which is full to bursting. | 0:03:48 | 0:03:52 | |
'But will we be able to uncover valuables suitable for auction | 0:03:52 | 0:03:56 | |
'amongst all this clutter? With the clock ticking, it looks like Jonty's made a timely find.' | 0:03:56 | 0:04:00 | |
-Oh, hi there, Jonty. -Hi. -I see you've found something already. | 0:04:00 | 0:04:03 | |
-I've found a lovely, lovely bowl. -Where does this one come from? | 0:04:03 | 0:04:06 | |
-I got this from my Aunty Kathleen. -And where did she get it? | 0:04:06 | 0:04:10 | |
She got it from her grandmother, who got it from her husband, my late grandfather. | 0:04:10 | 0:04:14 | |
-He was out in Burma for quite a while. -Oh. | 0:04:14 | 0:04:16 | |
-What was he doing out there? -He was in the Diplomatic Service, turn of the century, I think. | 0:04:16 | 0:04:21 | |
So, do you think he brought this bowl back from Burma at that time? | 0:04:21 | 0:04:24 | |
Yes, definitely. Yep. | 0:04:24 | 0:04:26 | |
Well, it's an Oriental bowl, | 0:04:26 | 0:04:27 | |
and what we've got here is three different panels, | 0:04:27 | 0:04:30 | |
and they are completely different. | 0:04:30 | 0:04:32 | |
But if you see on... | 0:04:32 | 0:04:34 | |
-Where is it? -It's rather nice. -It's beautiful. | 0:04:34 | 0:04:36 | |
The closer you look, the more detail you see. | 0:04:36 | 0:04:38 | |
But on this particular panel here, we've got a pagoda. | 0:04:38 | 0:04:42 | |
-The question is, is it Chinese, is it Japanese? -Yeah. | 0:04:42 | 0:04:45 | |
Well, if we have a look on the inside here, we have this peony. | 0:04:45 | 0:04:49 | |
-Is it a peony or a chrysanthemum? -Well, it should be peony because the Chinese love their peonies | 0:04:49 | 0:04:54 | |
and if you look at these painted panels particularly, this is done in a very Chinese way. | 0:04:54 | 0:05:00 | |
-So we think that this is turn of the century? -I think it's a little bit earlier than that, | 0:05:00 | 0:05:04 | |
I think this is more like the beginning of the 19th century. | 0:05:04 | 0:05:07 | |
So when your grandfather acquired it, it would have been antique at the time. | 0:05:07 | 0:05:12 | |
But the downside to it is that we do have a bit of wear, and that's natural wear to the glazing. | 0:05:12 | 0:05:17 | |
Quite unusual, that, but it does occur and it will affect its value. | 0:05:17 | 0:05:21 | |
So obvious wear, which is going to affect | 0:05:21 | 0:05:24 | |
its value, which would be what, do you think, at auction then, Jonty? | 0:05:24 | 0:05:29 | |
-I like enough to still put £100 to £150 on this bowl at auction. -Really? | 0:05:29 | 0:05:33 | |
-So, do you reckon we can take that to auction? -I'm sure, yes, yes. | 0:05:33 | 0:05:37 | |
-Maybe making £150 towards the £500 target. -It's a good step, isn't it? | 0:05:37 | 0:05:41 | |
-Well, at least we've got you on the runway. -Yes. | 0:05:41 | 0:05:45 | |
So, chocks away, Jonty, let's go and see what else we can find. | 0:05:45 | 0:05:48 | |
The Chinese bowl, I'm a little sad, actually, to let that one go but it's something that's | 0:05:50 | 0:05:56 | |
a little bit too big for us to use here | 0:05:56 | 0:05:58 | |
and I'm terrified that we're gonna break it so I'm happy to sell it. | 0:05:58 | 0:06:01 | |
'Our rummage is off the ground with our first item for auction. | 0:06:01 | 0:06:05 | |
'Everyone spreads out to get down to rummaging, and Jonty makes a beeline | 0:06:05 | 0:06:10 | |
'for the attic and quickly digs out a charming pair of opera glasses. | 0:06:10 | 0:06:14 | |
'He's hoping Wendy is going to be able to tell him where they came from.' | 0:06:14 | 0:06:17 | |
-Oh, you found the opera glasses! -Yes. Aren't these great fun? | 0:06:17 | 0:06:20 | |
They're lovely. | 0:06:20 | 0:06:21 | |
Now, a lot of opera glasses that you've seen lying around in people's homes, for instance, are dated really | 0:06:21 | 0:06:27 | |
towards the end of the 19th century, in the beginning of the 20th century, so the Edwardian period. | 0:06:27 | 0:06:33 | |
And they were used not necessarily because the stage was so far away | 0:06:33 | 0:06:37 | |
or that it was badly lit, | 0:06:37 | 0:06:38 | |
but more to the point, that you needed your opera glasses | 0:06:38 | 0:06:42 | |
just to see who was coming in and possibly going out. | 0:06:42 | 0:06:45 | |
You needed them to see who was arriving in the boxes | 0:06:45 | 0:06:48 | |
and who was arriving in the stalls because the whole point was to be seen at the opera, | 0:06:48 | 0:06:52 | |
to be seen at the theatre. | 0:06:52 | 0:06:54 | |
Not actually for looking at what you were seeing. | 0:06:54 | 0:06:56 | |
Well, of course you could take them onto the stage but it was very much part of the social scene. | 0:06:56 | 0:07:01 | |
They come in all different shapes and sizes. This pair are covered in these lovely | 0:07:01 | 0:07:05 | |
segments of mother of pearl, and they're in extremely good order. | 0:07:05 | 0:07:09 | |
And of course, these adjust to your eyesight. | 0:07:09 | 0:07:13 | |
I've had a look through them and they work perfectly. | 0:07:13 | 0:07:16 | |
These are lovely, but they also come in their beautiful original velvet case as well. | 0:07:16 | 0:07:21 | |
They're shaped to the size of the opera glass as well with this lovely cord handle. | 0:07:21 | 0:07:26 | |
So if these were to go into the auction sale, I would say £20 to £30, that kind of ballpark. | 0:07:26 | 0:07:30 | |
-That's very nice. -Are you happy about that? | 0:07:30 | 0:07:33 | |
Yeah, very good. Yeah. | 0:07:33 | 0:07:34 | |
-Right, let's see what else we can spy. -OK, let's go. | 0:07:34 | 0:07:37 | |
'The more we look, the more we find that the Warrys have things tucked away here, there, and everywhere. | 0:07:37 | 0:07:44 | |
'David rescued this mercury barometer for just £1 when his company were going to throw it away. | 0:07:44 | 0:07:50 | |
'Although it's broken, he clearly has an eye for a bargain | 0:07:50 | 0:07:53 | |
'as Jonty reckons it could make us between £40 and £60. | 0:07:53 | 0:07:56 | |
'With so much stuff to wade through, Jonty could be up in that attic for days, | 0:07:56 | 0:08:01 | |
'so while he's hard at work, I take time out with Wendy and David | 0:08:01 | 0:08:04 | |
'to find out more about the relatives responsible for so many of their wonderful heirlooms.' | 0:08:04 | 0:08:10 | |
David and Wendy, you have some lovely things in this house but you're big on photographs, | 0:08:10 | 0:08:15 | |
there's photographs everywhere of you and the children, | 0:08:15 | 0:08:19 | |
and this great family tree with photographs, and there's Grandfather William. | 0:08:19 | 0:08:23 | |
-And, look at those wonderful pictures you've got there of the family, they're fantastic. -Yeah. | 0:08:23 | 0:08:29 | |
Is that him there, is that Grandfather William? | 0:08:29 | 0:08:32 | |
-Yes, yes. -I have to say, he's a very handsome, distinguished-looking man in his Sunday best suit, isn't he? | 0:08:32 | 0:08:38 | |
-I suppose he is. -That's passed down the family, that distinguished looking, as you can see. | 0:08:38 | 0:08:42 | |
So, tell me a bit more about Grandfather William. | 0:08:42 | 0:08:46 | |
What was he actually doing in Burma? | 0:08:46 | 0:08:48 | |
I don't know exactly what he was doing in Burma, but he was in the Diplomatic Service. | 0:08:48 | 0:08:52 | |
So, presumably that was when he started collecting | 0:08:52 | 0:08:55 | |
-all these wonderful Chinese and Japanese bits of porcelain. -Well, certainly some of them. | 0:08:55 | 0:08:59 | |
I think he spent a lot of time living in tents as well, | 0:08:59 | 0:09:02 | |
so I'm not quite sure where he was amassing all the chattels. | 0:09:02 | 0:09:05 | |
But they all came home and got passed down through the family. | 0:09:05 | 0:09:08 | |
Are you both used to going to auctions, Wendy? | 0:09:08 | 0:09:11 | |
Yes, we've been to a few in London mostly when we kitted out the house there. | 0:09:11 | 0:09:15 | |
I didn't know much about it but David had been to quite a few | 0:09:15 | 0:09:19 | |
and off we went and bidded for the settees... | 0:09:19 | 0:09:21 | |
It was good fun, a bit frightening putting your hand up and hoping you're not gonna get caught at £500. | 0:09:21 | 0:09:27 | |
No, it was good experience. | 0:09:27 | 0:09:30 | |
So what was it that brought you out of London to live here in this part of Kent? | 0:09:30 | 0:09:34 | |
David got the offer of a job down this direction | 0:09:34 | 0:09:39 | |
so we had a look round at houses here and really liked this one. | 0:09:39 | 0:09:42 | |
It was nicer to bring the children up, or so we thought to bring them up, and it has proved to be so. | 0:09:42 | 0:09:47 | |
You're near enough to everything to get there fast but you can still | 0:09:47 | 0:09:51 | |
come home and just be in seclusion, really, so it's very nice. | 0:09:51 | 0:09:56 | |
All of these sort of moves that you've had, presumably you've brought a lot of things with you, | 0:09:56 | 0:10:01 | |
so do you collect things yourself, | 0:10:01 | 0:10:02 | |
particularly, or is it literally just things that have been passed down through the families? | 0:10:02 | 0:10:07 | |
-Passed down the families. -Yes, I don't go out in cold blood | 0:10:07 | 0:10:10 | |
-and buy plates and crockery and stuff. -No, we don't. | 0:10:10 | 0:10:14 | |
Well, I think we've got enough, I'm glad we're not collectors. | 0:10:14 | 0:10:17 | |
Yes. That's why the attic's so full. | 0:10:17 | 0:10:20 | |
Well, you'll have 12 less things to worry about after today and, erm... | 0:10:20 | 0:10:24 | |
Well, we will if we find Jonty and see what he's managed to find. | 0:10:24 | 0:10:27 | |
'I'm pleased to hear that I won't have to worry about David and Wendy | 0:10:27 | 0:10:30 | |
'being tempted to buy any items when we get to auction | 0:10:30 | 0:10:33 | |
'as thankfully, they're clearly set on selling. | 0:10:33 | 0:10:37 | |
'Jonty's still hard at work and spots this Royal Doulton vase. | 0:10:37 | 0:10:40 | |
'Inherited from David's Aunt Kathleen, | 0:10:40 | 0:10:43 | |
who was a bit of a hoarder, it should net us | 0:10:43 | 0:10:45 | |
between £40 and £60, | 0:10:45 | 0:10:47 | |
which certainly helps towards | 0:10:47 | 0:10:48 | |
raising the funds for the couple's airborne adventure. | 0:10:48 | 0:10:52 | |
'With Wendy combing downstairs, | 0:10:52 | 0:10:54 | |
'David and I try our luck up in the attic, | 0:10:54 | 0:10:57 | |
'and it proves fruitful when I make a discovery in a box of old newspapers.' | 0:10:57 | 0:11:02 | |
David! Jonty! | 0:11:02 | 0:11:04 | |
Ah, my old steam engine, yes, it's good that. | 0:11:04 | 0:11:07 | |
Is this from your childhood, David? | 0:11:07 | 0:11:09 | |
-Yes, I had this brand new. -Really? -Do you want to take a closer look? -Yeah, it's wonderful. | 0:11:09 | 0:11:13 | |
Now, here we've got Hornby made in England by Meccano. | 0:11:13 | 0:11:16 | |
Meccano was created by Frank Hornby in 1901. | 0:11:16 | 0:11:22 | |
-Right. -Based in Liverpool, and to accompany the Meccano sets, he introduced his toy trains. | 0:11:22 | 0:11:28 | |
OK? The original ones were clockwork just like this one, | 0:11:28 | 0:11:32 | |
-but really as early as 1925, that's really quite early... -Yes. | 0:11:32 | 0:11:36 | |
..the first electric train sets were introduced. | 0:11:36 | 0:11:39 | |
So, this is a Hornby train set made in the early 1950s, so it would have been new at the time, | 0:11:39 | 0:11:43 | |
made of tin, and they were very well known for the 00 gauge, | 0:11:43 | 0:11:49 | |
but this is a wider gauge than that. | 0:11:49 | 0:11:51 | |
I'm just wondering what else there is in here that might go with it. | 0:11:51 | 0:11:54 | |
We've got some sort of rolling stock. There's quite a bit of stuff here. | 0:11:54 | 0:11:57 | |
That's really good news. | 0:11:57 | 0:11:59 | |
-So is this something that we can take to the auction sale? -Yes. -OK, all right. | 0:11:59 | 0:12:03 | |
I'm gonna turn the tables on you. | 0:12:03 | 0:12:05 | |
What do you think this might be worth at auction? | 0:12:05 | 0:12:08 | |
I have no idea at all but if it was worth more than £10, I'll be very pleased. | 0:12:08 | 0:12:12 | |
OK. Angela, I know that you've seen a few locomotives like this | 0:12:12 | 0:12:17 | |
on Cash in the Attic, what do you think it's worth? | 0:12:17 | 0:12:19 | |
I would say, what, between £50 and £100? | 0:12:19 | 0:12:22 | |
OK. If it's all right with you, I'll tell you just before the auction sale starts, | 0:12:22 | 0:12:26 | |
and yes, I hope you are nearer the truth. Let's put them back in the box, shall we? | 0:12:26 | 0:12:31 | |
What's the date on the newspaper here? | 0:12:31 | 0:12:34 | |
1997 since you've played with this! | 0:12:34 | 0:12:37 | |
'Jonty really is a tease, and as we'll have to wait until auction day to discover | 0:12:37 | 0:12:41 | |
'the valuation on the train set, | 0:12:41 | 0:12:44 | |
'we need to crack on if we're going to reach that £500 target. | 0:12:44 | 0:12:47 | |
'Wendy decides that she has no more use for this late Victorian walnut | 0:12:47 | 0:12:50 | |
'sewing table, which at £60 to £80 | 0:12:50 | 0:12:53 | |
'would definitely help us to get her and David airborne. | 0:12:53 | 0:12:57 | |
'We're having a busy old day here in Whitstable but we're only halfway towards our target, | 0:12:57 | 0:13:01 | |
'so together, we're leaving no stone or bowl unturned, | 0:13:01 | 0:13:05 | |
'there's just so much to see.' | 0:13:05 | 0:13:07 | |
-Hey, Jonty? -What have you got? -Well, I've found this in this jewellery box here. | 0:13:07 | 0:13:13 | |
Ah, what's that? | 0:13:13 | 0:13:15 | |
It's beautiful. Isn't that lovely! | 0:13:15 | 0:13:18 | |
We've got a large signet ring here and you've got a cameo in there which is wonderful. | 0:13:18 | 0:13:23 | |
Can you see we've got three classical heads? | 0:13:23 | 0:13:27 | |
So, two are male and one's female, which gives us an indication of date. | 0:13:27 | 0:13:32 | |
If you have a look here, we've got a gold setting | 0:13:32 | 0:13:36 | |
but there's no hallmarks on there because quite simply, I'd suggest | 0:13:36 | 0:13:40 | |
that they've been worn away. | 0:13:40 | 0:13:42 | |
So, this signet ring, which it is, has obviously had, at some point in its life, a lot of use. | 0:13:42 | 0:13:49 | |
Signet rings go back to the Roman times, essentially. | 0:13:49 | 0:13:52 | |
The Romans loved their signet rings and the bigger, the better sometimes, | 0:13:52 | 0:13:57 | |
so that was the fashion then and it kind of repeated itself certainly in the Georgian period. | 0:13:57 | 0:14:03 | |
From a date point of view, first of all, | 0:14:03 | 0:14:05 | |
this is probably about 200 years old. | 0:14:05 | 0:14:08 | |
It's not early 19th century, it's probably at it's latest, 1810. | 0:14:08 | 0:14:16 | |
I reckon this is probably 1760-1780 in date. | 0:14:16 | 0:14:20 | |
-It's so nice, I think I'll take it home with me. -Oh, you'll have to give me some money. | 0:14:20 | 0:14:24 | |
-No. Can we put this into the auction sale? -Yes, please. | 0:14:24 | 0:14:27 | |
Well, value, I think this is worth in excess of £100. | 0:14:27 | 0:14:31 | |
-Ooh. -So more like 100 to even possibly 200 at auction. | 0:14:31 | 0:14:36 | |
-Mmm, that's quite nice. -I'm going to be so excited at the auction sale. -Yes, so am I. | 0:14:36 | 0:14:40 | |
-Isn't that lovely? -Yes. -Right, hold out your hand. | 0:14:40 | 0:14:42 | |
-Don't let it out of your sight until the auction sale. -No, I promise I won't. | 0:14:42 | 0:14:46 | |
-What are we going to do now? -Go through to here. | 0:14:46 | 0:14:49 | |
'What a great find! | 0:14:49 | 0:14:51 | |
'The ring has really helped us to step up the pace. | 0:14:51 | 0:14:54 | |
'Jonty then discovers this mantel clock made by Payne & Co, | 0:14:54 | 0:14:58 | |
'who were London clockmakers in the 1800s. | 0:14:58 | 0:15:02 | |
'He thinks it could add another £40-£60 to our total. | 0:15:02 | 0:15:05 | |
'It feels like we're making some real headway | 0:15:07 | 0:15:09 | |
'so it's time to move the search out into the conservatory | 0:15:09 | 0:15:13 | |
'where I find David and Wendy arm deep in yet more boxes.' | 0:15:13 | 0:15:16 | |
Do I gather you're finding things you didn't even know you had, Wendy? | 0:15:16 | 0:15:20 | |
We are indeed, they're quite interesting, very much so. | 0:15:20 | 0:15:24 | |
-You see? -A surprise. -You never know what you're going to find when the Cash in the Attic team turn up. | 0:15:24 | 0:15:29 | |
Is the bicycle going to auction as well? | 0:15:29 | 0:15:31 | |
-Oh, no, no, that's definitely not going to auction. -No? Why not? | 0:15:31 | 0:15:35 | |
You said that with real passion, David. | 0:15:35 | 0:15:38 | |
-Do you do a lot of cycling together? -No, not at all. | 0:15:38 | 0:15:41 | |
I'm the 3-miler, David does a few more miles than me. | 0:15:41 | 0:15:45 | |
-What long trips have you done, David? -I've done Land's End to John o' Groats twice, | 0:15:45 | 0:15:49 | |
I've done Dover to Cape Wrath twice, | 0:15:49 | 0:15:53 | |
I've done St Davids to Lowestoft once, I've done the Pyrenees sideways once. | 0:15:53 | 0:15:58 | |
Thousands of miles then! | 0:15:58 | 0:16:00 | |
One of the things you do do together is play Bridge. That was how you met? | 0:16:00 | 0:16:03 | |
-Yes, it was, I was learning. -I was. -I thought I must learn to play this game, so was David but he's got | 0:16:03 | 0:16:09 | |
better than me over the years so we kind of play with different people and play socially together. | 0:16:09 | 0:16:15 | |
What about this idea of then going flying in a light aircraft, where does that come from? | 0:16:15 | 0:16:19 | |
Just never done it before, I think, and you can see such a lot of area | 0:16:19 | 0:16:23 | |
from not too high up, and it'd just be good. | 0:16:23 | 0:16:26 | |
Well, if we're going to get you off the ground, we'll have to find more things to take to auction. | 0:16:26 | 0:16:31 | |
-Absolutely, yes. -So let's go and see how Jonty's doing. -OK. | 0:16:31 | 0:16:34 | |
'What an energetic pair they are. | 0:16:34 | 0:16:37 | |
'While Jonty keeps his energy levels up, Wendy's back on the case unearthing this 19th century fan. | 0:16:37 | 0:16:43 | |
'It's another of Grandfather William's souvenirs from Burma | 0:16:43 | 0:16:47 | |
'and Jonty reckons it could make somewhere in the region of £30-£50.' | 0:16:47 | 0:16:51 | |
'Up in that endless attic, David perseveres and uncovers | 0:16:52 | 0:16:56 | |
'something inherited from his aunt that certainly looks old.' | 0:16:56 | 0:16:59 | |
Jonty! | 0:16:59 | 0:17:01 | |
'But does it have any value?' | 0:17:01 | 0:17:02 | |
Ah, you're up in the attic. | 0:17:02 | 0:17:05 | |
Yes, what do you think of this? | 0:17:05 | 0:17:07 | |
-Oh, that's lovely, a sampler. -Really? | 0:17:07 | 0:17:10 | |
How lovely, that really is beautiful. | 0:17:10 | 0:17:12 | |
It's a bit moth-eaten, I'm afraid. | 0:17:12 | 0:17:14 | |
So holes like that are insect infestation and of course, | 0:17:14 | 0:17:17 | |
a lot of these are made by moths, so that's the downside to this sampler. | 0:17:17 | 0:17:22 | |
The plus side is that we have this lovely symmetry, | 0:17:22 | 0:17:24 | |
we have lovely colour definition, because a lot of samplers fade. | 0:17:24 | 0:17:28 | |
-Right. -Again, natural dyes, so natural dyes exposed to light fades. | 0:17:28 | 0:17:31 | |
-Yes. -But here you've got real clarity of colour. | 0:17:31 | 0:17:35 | |
So we've got the date here, | 0:17:35 | 0:17:36 | |
look how early this is, this is over 200 years old, this sampler, | 0:17:36 | 0:17:41 | |
made in 1803 on 5th February, | 0:17:41 | 0:17:45 | |
and here is the girl who made it, Hannah Addison. | 0:17:45 | 0:17:47 | |
-No relation, as far as I'm aware. -No relation at all? | 0:17:47 | 0:17:50 | |
-No. -In the middle here, we have this poem, Of Hope. | 0:17:50 | 0:17:55 | |
"Encourage hope which heals all human care." | 0:17:55 | 0:17:58 | |
I like the sound of that. | 0:17:58 | 0:18:00 | |
And at the top here, like you do see on a lot of samplers, certainly | 0:18:00 | 0:18:04 | |
with younger girls, you have the embroidered alphabet. | 0:18:04 | 0:18:08 | |
-Yeah. -Isn't that wonderful? | 0:18:08 | 0:18:10 | |
So, something we can take to the auction sale? | 0:18:10 | 0:18:12 | |
-Yes, I think so. -If this had been in good order, | 0:18:12 | 0:18:14 | |
-again, I'd be looking at sort of more like £200. -Really? | 0:18:14 | 0:18:17 | |
But I can't put that on this simply because of the damage. | 0:18:17 | 0:18:21 | |
This is still worth selling but it's more around the £50 mark. | 0:18:21 | 0:18:25 | |
-Oh, right. -So you're looking at £40-£60 at auction. -Wow. | 0:18:25 | 0:18:28 | |
-Are you happy about that? -Yep. | 0:18:28 | 0:18:30 | |
It'd be nice to have better home than here. | 0:18:30 | 0:18:33 | |
Let's hope for a good result, eh? | 0:18:33 | 0:18:35 | |
Good. Look after that safely, that one's for the auction sale. | 0:18:35 | 0:18:38 | |
-I'll take it downstairs. -I'm going in here. -OK. | 0:18:38 | 0:18:41 | |
'We're nearly out of time for rummaging | 0:18:41 | 0:18:43 | |
'but there are still plenty of nooks and crannies to explore. | 0:18:43 | 0:18:47 | |
'I think bidders will snap up this pretty Chinese vase and Jonty agrees, | 0:18:47 | 0:18:50 | |
'valuing it at £30-£50. It's all contributing nicely | 0:18:50 | 0:18:54 | |
'towards that flight over Kent. | 0:18:54 | 0:18:56 | |
'In the living room, Wendy's found another item that she hopes might take flight come auction day.' | 0:18:56 | 0:19:02 | |
Jonty, what do you think of these? | 0:19:02 | 0:19:06 | |
Well, we've got a little group of silhouettes going on there and they all look like children, don't they? | 0:19:06 | 0:19:11 | |
Well, if you look closely, they're all heads of Victorian children | 0:19:11 | 0:19:15 | |
and just by looking at the dress and often looking at the hairstyles, | 0:19:15 | 0:19:19 | |
particularly of this girl here, you see those tight curls, | 0:19:19 | 0:19:23 | |
again very fashionable in the mid-19th century, so they have to be 150 years old, these silhouettes. | 0:19:23 | 0:19:29 | |
So, do you know where they're from? | 0:19:29 | 0:19:31 | |
Looking on the back of these, | 0:19:31 | 0:19:33 | |
I can see it's Aunty Hazel's, actually, | 0:19:33 | 0:19:35 | |
it says, "This belongs to Hazel". | 0:19:35 | 0:19:37 | |
She was 93 when she passed away so I would think they were hers of... probably her family. | 0:19:37 | 0:19:45 | |
-So by definition, that won't be Hazel? -No. -That might be her mother? | 0:19:45 | 0:19:48 | |
Yes, I would think it's her, I would think that's what it is. | 0:19:48 | 0:19:51 | |
So I'm assuming because they're all so tied together and they are framed | 0:19:51 | 0:19:55 | |
-so similarly that they would have been the same family group. -Yes. | 0:19:55 | 0:20:00 | |
From the top you start with the oldest boy, so you've got | 0:20:00 | 0:20:03 | |
the slightly larger oval frame here, | 0:20:03 | 0:20:06 | |
all the way down to the bottom where you have the runt of the litter. | 0:20:06 | 0:20:10 | |
But I think they're so charming, and if you look at silhouettes, certainly of the early 19th century, | 0:20:10 | 0:20:15 | |
they have this real sense of how people lived and their dress sense. | 0:20:15 | 0:20:19 | |
There's something very simple but very, very effective about silhouettes. | 0:20:19 | 0:20:24 | |
I suppose you've never really considered value for them? | 0:20:24 | 0:20:26 | |
Not at all, I didn't particularly like them but then when you're here, I thought well maybe they might be. | 0:20:26 | 0:20:32 | |
Yeah, yeah. I think they're definitely worth putting into the auction sale, | 0:20:32 | 0:20:36 | |
and we're looking at, I suppose, between £50 and £80. | 0:20:36 | 0:20:40 | |
-That's very good. -They could really take off. On a good day, we could be talking £100. | 0:20:40 | 0:20:46 | |
Taking off? You're going to leave without us are you, Jonty? | 0:20:46 | 0:20:49 | |
-Hopefully, these guys will. -£100 for these miniatures? | 0:20:49 | 0:20:52 | |
I think the auction catalogue should read more like the £50-£80. | 0:20:52 | 0:20:56 | |
£50-£80 in the catalogue, so let's take the lowest estimate of £50 on those lovely silhouettes, | 0:20:56 | 0:21:00 | |
and if we add that, Jonty, to all the other things | 0:21:00 | 0:21:03 | |
you've looked at today, bearing in mind what you want to raise is £500 for this flight over Kent, | 0:21:03 | 0:21:09 | |
-I reckon we should be able to make at least £550. -Right. | 0:21:09 | 0:21:15 | |
But remember, David, we haven't included the Hornby train set, | 0:21:15 | 0:21:20 | |
which he's being very coy about, | 0:21:20 | 0:21:22 | |
but if we add the tenner that you reckon it's worth, that makes £560. | 0:21:22 | 0:21:26 | |
-But if we go for the £50-£100 that I think it might make, £600? -Sounds good. -Good. | 0:21:26 | 0:21:32 | |
So, if I were you I would fasten your seatbelts because we're off for a bumpy ride. | 0:21:32 | 0:21:39 | |
'It's been a busy but incredibly successful day. | 0:21:39 | 0:21:43 | |
'Ploughing through the Warrys' house, | 0:21:43 | 0:21:45 | |
'we've made some fantastic finds, | 0:21:45 | 0:21:46 | |
'which include this beautiful Chinese bowl | 0:21:46 | 0:21:48 | |
'courtesy of David's late grandfather William. | 0:21:48 | 0:21:51 | |
'He must have had great taste | 0:21:51 | 0:21:52 | |
'as we're hoping it'll bring anywhere between £100 and £150. | 0:21:52 | 0:21:56 | |
'Another Grandfather William donation | 0:21:56 | 0:21:59 | |
'is this pretty 19th century fan. | 0:21:59 | 0:22:01 | |
'If it can set the bidders aflutter, it should make us at least £30-£50. | 0:22:01 | 0:22:06 | |
'And of course the Hornby train set from the attic. | 0:22:06 | 0:22:08 | |
'I can just imagine David playing with this as a boy. | 0:22:08 | 0:22:12 | |
'Jonty's not letting on how much it will make | 0:22:12 | 0:22:15 | |
'but it could be our star item. | 0:22:15 | 0:22:17 | |
'Only time will tell. | 0:22:17 | 0:22:19 | |
'Coming up on Cash in the Attic - | 0:22:19 | 0:22:21 | |
'one of items nearly didn't make it to auction at all.' | 0:22:21 | 0:22:24 | |
-Well, we nearly threw it away. -No! | 0:22:24 | 0:22:26 | |
'Not everything goes our way.' | 0:22:26 | 0:22:28 | |
It's worth more than 50. | 0:22:28 | 0:22:30 | |
'Will there be a happy ending? Find out when the final hammer falls.' | 0:22:30 | 0:22:34 | |
We had such a lot of fun with Wendy and David at that lovely home of theirs in Whitstable | 0:22:39 | 0:22:44 | |
and uncovered a terrific amount of things that we've been able to | 0:22:44 | 0:22:47 | |
bring here today to sell at the Chiswick Auctions in West London. | 0:22:47 | 0:22:51 | |
Now, our intrepid pair are looking for £500 | 0:22:51 | 0:22:54 | |
so that they can have a fun flight in a light aircraft, | 0:22:54 | 0:22:58 | |
so we're rather hoping that the sky will be the limit today when their items go under the hammer. | 0:22:58 | 0:23:03 | |
'There are plenty of people already scouring the auction room | 0:23:03 | 0:23:07 | |
'and there's a huge variety of items for sale. Jonty's tracked down | 0:23:07 | 0:23:10 | |
'one of his favourite finds from rummage day. | 0:23:10 | 0:23:13 | |
'I hope he doesn't get it stuck on his finger | 0:23:13 | 0:23:16 | |
'or we might have to sell him with it.' | 0:23:16 | 0:23:18 | |
That looks very nice on your little pinkie! Are you tempted, Jonty? | 0:23:18 | 0:23:23 | |
-I think it's charming. I don't know whether I'd wear it. -No? -I think it's a bit too dandy for me. | 0:23:23 | 0:23:27 | |
Actually, you can just imagine that, can't you, on the finger | 0:23:27 | 0:23:30 | |
of a Georgian dandy, it would look absolutely wonderful. | 0:23:30 | 0:23:33 | |
But when you think about it, a lot of the things that Wendy and David had | 0:23:33 | 0:23:37 | |
have a real sense of time and place about them, don't they? | 0:23:37 | 0:23:40 | |
Good quality items and unusual, and good quality always sells. | 0:23:40 | 0:23:43 | |
There was that cross-stitch sampler, the opera glasses. | 0:23:43 | 0:23:45 | |
-Lots of fun items. -We're going to have a good day today. -Yes. -Shall we go and meet them? -Yes. | 0:23:45 | 0:23:49 | |
'Remember, if you're going to buy or sell at auction, commission, VAT, and other charges will apply. | 0:23:49 | 0:23:56 | |
'David and Wendy have already arrived and we find them taking | 0:23:56 | 0:24:00 | |
'one last look at David's Hornby train set. | 0:24:00 | 0:24:03 | |
'David and I differed rather widely on our estimates on rummage day, | 0:24:03 | 0:24:07 | |
'but at last, we can get Jonty to put us out of our misery and tell us what he thinks it might make.' | 0:24:07 | 0:24:12 | |
-Wendy and David. -Hi, guys. | 0:24:12 | 0:24:14 | |
-Hello. -One last attempt to play with the trains, you can't resist it can you, David? | 0:24:14 | 0:24:19 | |
-I'll be sad to see it go, yes. -If you remember, | 0:24:19 | 0:24:21 | |
Jonty didn't actually tell us what he thought it was worth, | 0:24:21 | 0:24:24 | |
he challenged us to put a value on it. | 0:24:24 | 0:24:27 | |
Now, David, you were rather dismissive about values, weren't you? You said what, about a tenner? | 0:24:27 | 0:24:32 | |
-A tenner, yes, if that. -And, Angela, what did you say? | 0:24:32 | 0:24:34 | |
-About 50 to 100. -Now, Wendy, we can't leave you out on this one, what do you think this is worth? | 0:24:34 | 0:24:39 | |
-About 120, I would say. -Exactly? | 0:24:39 | 0:24:42 | |
Exactly 120, yes. | 0:24:42 | 0:24:45 | |
Well, I think, Wendy, you're the closest to my valuation, | 0:24:45 | 0:24:48 | |
-and for what it's worth, I think this train set is worth between £100 and £200. -Really? | 0:24:48 | 0:24:52 | |
-Mmm. -But it's not sold yet so none of us are right. | 0:24:52 | 0:24:56 | |
Let's take our places. People have started arriving | 0:24:56 | 0:24:59 | |
and I know there will be train enthusiasts among them. | 0:24:59 | 0:25:01 | |
'It looks like a packed auction today, which gives our items a great chance of selling well. | 0:25:01 | 0:25:06 | |
'I just hope there at least two train enthusiasts who will fight it out over the Hornby train set.' | 0:25:06 | 0:25:11 | |
210 then. | 0:25:11 | 0:25:13 | |
'And we take our positions at the back of the room in time to see our first lot take centre stage. | 0:25:13 | 0:25:18 | |
'It's Aunt Kathleen's Royal Doulton vase, | 0:25:18 | 0:25:22 | |
'and we're looking for £40-£60.' | 0:25:22 | 0:25:24 | |
-Aunty Kathleen must have been something of a collector. -Yes. | 0:25:24 | 0:25:27 | |
Did she have a house full of stuff, do you remember? | 0:25:27 | 0:25:30 | |
Yes. Unfortunately, most of it seemed to have chips on it. | 0:25:30 | 0:25:33 | |
But this one survived. | 0:25:33 | 0:25:34 | |
Or broken and stuck together again. | 0:25:34 | 0:25:36 | |
This was one, this was a really good specimen, actually, so I'm hoping it does well. | 0:25:36 | 0:25:40 | |
Am I bid £20 for the Royal Doulton? | 0:25:40 | 0:25:42 | |
For £20 anywhere? For the bit of Doulton? | 0:25:42 | 0:25:45 | |
20 I'm bid, a maiden bid of 20, 22, 24, 26, 28. | 0:25:45 | 0:25:50 | |
£28 in the red then, at £28. It's selling then for £28. | 0:25:50 | 0:25:53 | |
-It's going for 28, then. -Oh, dear. -£28. -Disappointing. | 0:25:53 | 0:25:58 | |
-That's very disappointing, isn't it? -Yes. | 0:25:58 | 0:26:00 | |
'Well, thankfully Wendy and David | 0:26:00 | 0:26:02 | |
'don't seem too disappointed with that result, | 0:26:02 | 0:26:04 | |
'but selling for £12 under estimate isn't the start we were looking for. | 0:26:04 | 0:26:09 | |
'Let's hope things improve with our next lot. | 0:26:09 | 0:26:11 | |
'We're only looking for £40 for this Payne & Co clock | 0:26:11 | 0:26:15 | |
'which has been stuck in a cupboard at the Warrys' house. | 0:26:15 | 0:26:19 | |
Have we got £20? Start me for 20, please. Anybody want it for £20? | 0:26:19 | 0:26:22 | |
Can't sell it for less than 20. £10 I'm bid. 12, 14, 16, 18, | 0:26:22 | 0:26:26 | |
20, I'll take for £20. Then, at 20. | 0:26:26 | 0:26:30 | |
'Come on, bidders. The clock goes for half its estimate. | 0:26:30 | 0:26:34 | |
'Luckily, David and Wendy | 0:26:34 | 0:26:35 | |
'seem happy to see the back of it for any money.' | 0:26:35 | 0:26:38 | |
Well £20 for a dust gatherer, do you mind that? | 0:26:38 | 0:26:41 | |
-Not really, no. -No! | 0:26:41 | 0:26:43 | |
'Well, let's hope our luck changes and that | 0:26:43 | 0:26:45 | |
'someone appreciates the Victorian silhouettes that are up next. | 0:26:45 | 0:26:49 | |
'Jonty estimated them at £50-£80 but having a strong | 0:26:49 | 0:26:53 | |
'sentimental attachment, Wendy's put a £50 reserve on them.' | 0:26:53 | 0:26:58 | |
£30, 35, £35 now for those silhouettes at £35. | 0:26:58 | 0:27:03 | |
40, I need. At £35 then, it is then...not sold. | 0:27:03 | 0:27:07 | |
-£35, not enough. -They'll be going home with you. -I'm afraid so. | 0:27:07 | 0:27:10 | |
-Back on the wall in the dining room? -Yes. | 0:27:10 | 0:27:12 | |
'Well, I'm surprised there was so little interest in the silhouettes, | 0:27:12 | 0:27:15 | |
'and that no sale is not too healthy for our target. | 0:27:15 | 0:27:19 | |
'Fingers crossed that this | 0:27:19 | 0:27:21 | |
'attractive red Chinese vase will fare better. | 0:27:21 | 0:27:24 | |
I found it stowed away in a cupboard | 0:27:24 | 0:27:26 | |
'but it's very pretty so let's hope it finds a buyer.' | 0:27:26 | 0:27:29 | |
£10 for it. Anybody want the lot for a tenner? | 0:27:29 | 0:27:32 | |
£10, I am bid. 12, 14, 16, 18, | 0:27:32 | 0:27:35 | |
20, £20. | 0:27:35 | 0:27:37 | |
This vase at £20, two I'll take. | 0:27:37 | 0:27:38 | |
For £20 then, at 20. | 0:27:38 | 0:27:41 | |
'Yet another sale below estimate. | 0:27:41 | 0:27:44 | |
'It's proving to be a tough day in the auction room | 0:27:44 | 0:27:46 | |
'and we're all desperately trying to keep positive. | 0:27:46 | 0:27:48 | |
'As David got our next item, | 0:27:48 | 0:27:51 | |
'the mercury barometer, for a song, | 0:27:51 | 0:27:53 | |
'surely we can't really lose on this one.' | 0:27:53 | 0:27:55 | |
We've got such very good weather forecasters on TV these days, | 0:27:55 | 0:27:58 | |
I don't know that we need barometers any more. | 0:27:58 | 0:28:01 | |
-I don't really need it but I bought it from work for £1. -£1? | 0:28:01 | 0:28:04 | |
Yes. I don't think it works either. | 0:28:04 | 0:28:07 | |
Well, if we get £40-£60, which is what Jonty reckons, | 0:28:07 | 0:28:10 | |
that's not a bad return on your money. Shall we see what it does. | 0:28:10 | 0:28:13 | |
£20 for the barometer, that's all it is. 20, 22, 24, 26, | 0:28:13 | 0:28:17 | |
28, £28 for that barometer. | 0:28:17 | 0:28:19 | |
At £28 and 30 I'll take, £28. | 0:28:19 | 0:28:23 | |
All done at £28, 30... At 30 there, and two... No? £30 there. | 0:28:23 | 0:28:28 | |
Going for £30, at £30 it goes. | 0:28:28 | 0:28:30 | |
Lot four for 30. | 0:28:30 | 0:28:32 | |
-£30 and you bought it for a quid, it's not bad. -Yes, not bad. | 0:28:32 | 0:28:35 | |
That's not a bad return on your money, is it? | 0:28:35 | 0:28:38 | |
'£10 under estimate but still a £29 profit for David, | 0:28:38 | 0:28:41 | |
'he's got to be chuffed with that. | 0:28:41 | 0:28:43 | |
'Next up is an item for which we all have very different expectations, it's the Hornby train set, | 0:28:43 | 0:28:50 | |
'which David thinks will be lucky to raise a tenner | 0:28:50 | 0:28:53 | |
'whilst Jonty reckons it could make as much as £100.' | 0:28:53 | 0:28:57 | |
Right, Hornby train set time. | 0:28:57 | 0:28:59 | |
Let's see who's the nearest, shall we? | 0:28:59 | 0:29:01 | |
Little bit of interest in it, I've got a left bid at £75. | 0:29:01 | 0:29:05 | |
-Oh, an opening bid of 75. -At £75 left bid. | 0:29:05 | 0:29:08 | |
At £75 and 80 I can take in the room. At 75, it sells. | 0:29:08 | 0:29:12 | |
-Interesting. -£75. -You're the winner. | 0:29:12 | 0:29:15 | |
-I was closest. -You were. | 0:29:15 | 0:29:17 | |
'Yet again, a sale under estimate. | 0:29:17 | 0:29:20 | |
'It seems that the train buffs weren't here today after all. | 0:29:20 | 0:29:23 | |
'It really has been an uphill struggle this morning with none of our lots achieving their estimate. | 0:29:23 | 0:29:29 | |
'There's no shortage of bidders in the room | 0:29:29 | 0:29:31 | |
'but they just don't seem to have taken a shine to any of our lots. | 0:29:31 | 0:29:34 | |
'At this stage, it's looking like David and Wendy's | 0:29:34 | 0:29:37 | |
'plans for the flight over Kent may have to be downsized to a tea and a bun in the airport cafe. | 0:29:37 | 0:29:43 | |
'Let's hope our luck will change with our next item, | 0:29:43 | 0:29:46 | |
it's the embroidery sampler valued at £40-£60. | 0:29:46 | 0:29:50 | |
David, who was Hannah Addison, whose name is on this Georgian sampler? | 0:29:50 | 0:29:54 | |
Nobody knows, I'm afraid. It was just always hanging up in my Granny's house. | 0:29:54 | 0:29:59 | |
-It was rather nice, wasn't it? -It was. | 0:29:59 | 0:30:01 | |
On the book, I'm already bid £35 for it. With me at 35, | 0:30:01 | 0:30:04 | |
40, 45, | 0:30:04 | 0:30:06 | |
50, in the room at £50, £50. | 0:30:06 | 0:30:09 | |
55 there, now. 60, | 0:30:09 | 0:30:11 | |
65, £65 in the red then at £65, going then for 60. 70 on the telephone. | 0:30:11 | 0:30:17 | |
75 in the red. | 0:30:17 | 0:30:19 | |
Do you want 80 on the telephone? | 0:30:19 | 0:30:21 | |
£80 on the telephone, 85 in the red, | 0:30:21 | 0:30:25 | |
90 on the telephone, 95 in the red, | 0:30:25 | 0:30:29 | |
£95 in the room then, at £95. | 0:30:29 | 0:30:31 | |
-Bit of a war going on. -£95, I'm selling it for 95. | 0:30:31 | 0:30:33 | |
£95. | 0:30:33 | 0:30:35 | |
-Didn't expect that, did you? -That's been sitting in the attic picking up dust. | 0:30:35 | 0:30:39 | |
One thing I have learned today is that holes have obviously gone up in price. | 0:30:39 | 0:30:42 | |
THEY LAUGH | 0:30:42 | 0:30:44 | |
At last, a brilliant result and not before time. | 0:30:44 | 0:30:48 | |
'Despite the moth damage, it seems that the sampler's age along with | 0:30:48 | 0:30:52 | |
'the identity of the sewer make it really desirable. | 0:30:52 | 0:30:54 | |
'That was exactly what we needed to raise our spirits.' | 0:30:54 | 0:30:58 | |
I think it's truly amazing it made as much money as that, | 0:30:58 | 0:31:01 | |
I never really liked it. | 0:31:01 | 0:31:04 | |
The only thing I really liked about it was the history | 0:31:04 | 0:31:06 | |
but I think I'd sooner have the £90, it's much better. | 0:31:06 | 0:31:11 | |
'It's not been the smoothest first half but could our luck be changing? | 0:31:11 | 0:31:16 | |
'We've still got some fantastic items | 0:31:16 | 0:31:18 | |
'but I think we could all use a break. | 0:31:18 | 0:31:20 | |
'First, though, how's the fund doing?' | 0:31:20 | 0:31:23 | |
-Your goal is £500, isn't it? -Yes. -Well, we're sort of on our way. | 0:31:23 | 0:31:26 | |
Bearing in mind we've had a no sale of those lovely silhouettes, so far, we've got £268. | 0:31:26 | 0:31:34 | |
-All right. -Excellent. -Halfway there. -We're halfway there. | 0:31:34 | 0:31:36 | |
So you're sort of halfway in the air. | 0:31:36 | 0:31:38 | |
Yeah, we're definitely halfway. | 0:31:38 | 0:31:40 | |
Got to get up there and back down again, though. We've got lots of wonderful things to come - | 0:31:40 | 0:31:45 | |
a lovely fan that's still to come, the Japanese bowl, | 0:31:45 | 0:31:48 | |
so still lots to play for here and lots for you to go and have a look at, Jonty, too, isn't there? | 0:31:48 | 0:31:53 | |
Yes, there's so much to look at today so I'm off now. | 0:31:53 | 0:31:56 | |
-Right. -Off we go. | 0:31:56 | 0:31:58 | |
'Despite several of our items not selling as well as we hoped, | 0:31:58 | 0:32:01 | |
'we're still on track to reach our target. | 0:32:01 | 0:32:04 | |
'David and Wendy go off for a cup of tea and I go in search of Jonty. | 0:32:04 | 0:32:09 | |
'Always on the lookout for an eye-catching item, he seems to have found an attractive fan.' | 0:32:09 | 0:32:13 | |
-Are you beginning to feel the heat, Jonty? -Well, when it comes to this. | 0:32:13 | 0:32:17 | |
We have a fan in our sale and I just wanted to show you something | 0:32:17 | 0:32:20 | |
that was really genuine fantastic quality, this is it, look at the detail here across the top here. | 0:32:20 | 0:32:26 | |
Now, a fan like this was made in Canton in the southern part of China, | 0:32:26 | 0:32:30 | |
and it was very similar design work | 0:32:30 | 0:32:32 | |
to the vases that they exported in great numbers in | 0:32:32 | 0:32:36 | |
the late 19th century, which is when a fan like this would have been made. | 0:32:36 | 0:32:40 | |
-It's exquisite, isn't it? -Yes. -The detail around the edges where | 0:32:40 | 0:32:44 | |
the pattern is so different from what's going on in the middle, | 0:32:44 | 0:32:48 | |
-and is this ivory down here? -No, this is lacquer. | 0:32:48 | 0:32:50 | |
So. this is all hand painted with layers and layers. | 0:32:50 | 0:32:54 | |
If you rub your finger even across the faces there, can you see that they're raised wood? | 0:32:54 | 0:32:58 | |
-Oh, yes. -So, they're lacquered as well. | 0:32:58 | 0:33:00 | |
When this fan was made, turn of the last century, | 0:33:00 | 0:33:03 | |
fans like this were used for export so Europeans would use this as well. | 0:33:03 | 0:33:07 | |
So, late 1800s, how much do you think it's going to make? | 0:33:07 | 0:33:11 | |
Well, in the catalogue, it's a very low estimate, £100-£200, | 0:33:11 | 0:33:14 | |
-but I can see this selling for between, I suppose, £400-£600. -Wow. -Are you a fan? | 0:33:14 | 0:33:20 | |
I'm definitely a fan. I can't wait to see what that one goes for. | 0:33:20 | 0:33:24 | |
'And we won't have to wait long as the second part of the auction is about to start. | 0:33:24 | 0:33:28 | |
'After our roller coaster first half, we're all anxious to see everything sell. | 0:33:28 | 0:33:33 | |
'We're back in position, ready for our next lot. | 0:33:33 | 0:33:36 | |
'Let's hope it sets a high standard for the remaining items.' | 0:33:36 | 0:33:39 | |
Wendy, the sewing table that's coming up, | 0:33:39 | 0:33:41 | |
it's yours isn't it? | 0:33:41 | 0:33:43 | |
It's a hand-down, it was my grandmother's and then went to my mother and then down to me. | 0:33:43 | 0:33:48 | |
-So it's quite nice. -Do you remember seeing your mother or your grandmother working out of it? | 0:33:48 | 0:33:52 | |
Mainly with my grandmother when we went up to stay with her, so yes, she used it quite a lot. | 0:33:52 | 0:33:57 | |
-I've got a bit of interest in this lot already. -Oh, good. -I'm already bid £65. | 0:33:57 | 0:34:01 | |
-Wow. -65, 70, 75, | 0:34:01 | 0:34:05 | |
£80 at the back there, in the gilt chair at 85, 90. | 0:34:05 | 0:34:08 | |
You thought £20, didn't you? | 0:34:08 | 0:34:10 | |
95, 100, 110, 120. | 0:34:10 | 0:34:14 | |
-120. -120 in front of me, at 120, | 0:34:14 | 0:34:17 | |
130, 130 at the far back, in the gilt chair at £130. | 0:34:17 | 0:34:21 | |
At £130 it goes then. For 130. | 0:34:21 | 0:34:24 | |
130. | 0:34:24 | 0:34:25 | |
'Fantastic! At last things are looking up. | 0:34:25 | 0:34:29 | |
'Selling for more than double its estimate, the table has exceeded | 0:34:29 | 0:34:32 | |
'all our expectations and Wendy's delighted.' | 0:34:32 | 0:34:35 | |
The sewing table's amazing, going for £130, it's much more than I thought it would do. | 0:34:35 | 0:34:40 | |
Though I did quite like using it but equally, so I'm very pleased it's gone for that amount of money. | 0:34:40 | 0:34:46 | |
'I wonder if our next item will grab the bidders' attention, | 0:34:46 | 0:34:51 | |
'it's the pretty pair of mother of pearl opera glasses, | 0:34:51 | 0:34:55 | |
'and these are so elegant.' | 0:34:55 | 0:34:57 | |
22, 24, 26, 28, 30, | 0:34:57 | 0:35:01 | |
32, 34, £34 there. At £34. | 0:35:01 | 0:35:04 | |
-£34, that's great. -Anybody else? 36 there, | 0:35:04 | 0:35:07 | |
38, 40. | 0:35:07 | 0:35:09 | |
-£40! -45, 50. | 0:35:09 | 0:35:12 | |
-At £50 to my right in the hat, £50. -That's wonderful. | 0:35:12 | 0:35:16 | |
Goes at 50. | 0:35:16 | 0:35:17 | |
£50! | 0:35:17 | 0:35:19 | |
I have never seen a pair of opera glasses like that sell for £50. | 0:35:19 | 0:35:24 | |
-Really? -That's wonderful. | 0:35:24 | 0:35:26 | |
'It's a first for Jonty | 0:35:26 | 0:35:27 | |
'but it's becoming a regular occurrence for us now | 0:35:27 | 0:35:30 | |
'as it's the second item to go for more than double its estimate. | 0:35:30 | 0:35:33 | |
'We seem to be on a roll. | 0:35:33 | 0:35:35 | |
'Our next item is rather delicate so it's good to see that it's made it to the auction in one piece. | 0:35:35 | 0:35:41 | |
'It's David's grandfather's bowl, brought all the way back from Burma. | 0:35:41 | 0:35:45 | |
'We want £100- £150 for it, and David and Wendy are | 0:35:45 | 0:35:50 | |
'understandably keen to make sure that it doesn't go for much less.' | 0:35:50 | 0:35:54 | |
You've put a reserve of £90 on that very beautiful large Oriental bowl | 0:35:55 | 0:36:00 | |
because it has some quite sentimental value in your family, doesn't it? | 0:36:00 | 0:36:03 | |
Yes, I'll be very sad to see it go, to be honest. | 0:36:03 | 0:36:06 | |
Is it worth £50? Start with 50, £50, 55. | 0:36:06 | 0:36:08 | |
It's worth more than 50. | 0:36:08 | 0:36:10 | |
55, 60, 65, | 0:36:10 | 0:36:12 | |
£65 for the bowl. At £65. | 0:36:12 | 0:36:14 | |
And 70 anywhere? At £65. Are you all done? £65. | 0:36:14 | 0:36:19 | |
-Taking it home. -Oh, dear. -Well, you shouldn't have put reserves on them, should you? | 0:36:19 | 0:36:24 | |
-I'm quite pleased to take that one home. -You are. | 0:36:24 | 0:36:27 | |
'David is clearly delighted to be taking that home, | 0:36:27 | 0:36:30 | |
'although Wendy might not be quite so happy. | 0:36:30 | 0:36:33 | |
'It's a bit of a blow to our flying fund, unfortunately, | 0:36:33 | 0:36:36 | |
'but it would seem a crime for the bowl to have sold under value. | 0:36:36 | 0:36:39 | |
'Let's cross our fingers for our next lot. | 0:36:39 | 0:36:42 | |
'Jonty was very taken with this Georgian red and gold seal ring | 0:36:42 | 0:36:47 | |
'and it seems that our auctioneer has high hopes for it too.' | 0:36:47 | 0:36:49 | |
It's a good thing. This is one of those particular things where the decoration is carved | 0:36:49 | 0:36:55 | |
out of the stone, the critical thing being the quality of the carving. | 0:36:55 | 0:36:58 | |
In this case, it's good quality carving so I think | 0:36:58 | 0:37:00 | |
we've got every chance of selling this well within the estimate. | 0:37:00 | 0:37:04 | |
David, you didn't really rate this rather nice gentleman's ring, did you? | 0:37:04 | 0:37:10 | |
-Well, we nearly threw it away. -No! -Why? | 0:37:10 | 0:37:13 | |
It didn't look anything, it didn't look as if it was worth anything. | 0:37:13 | 0:37:17 | |
What, you mean that gold and with that nice little thing in the middle? | 0:37:17 | 0:37:20 | |
No, it looked like a wax thing. | 0:37:20 | 0:37:22 | |
I have to say it's one of my favourite pieces that you possess. | 0:37:22 | 0:37:25 | |
A little bit of interest in that, I'm bid £80. | 0:37:25 | 0:37:27 | |
-That's a start, right. -..85, 90, 100, | 0:37:27 | 0:37:30 | |
110, £110 that ring. | 0:37:30 | 0:37:33 | |
120, 130, | 0:37:33 | 0:37:35 | |
140, in the room at £140 against commissions, at £140, | 0:37:35 | 0:37:38 | |
at 150 there, 160, 170, 180, | 0:37:38 | 0:37:44 | |
190, 200, | 0:37:44 | 0:37:45 | |
210, at 210 the gilt chair again at £210, at 210 then. | 0:37:45 | 0:37:53 | |
£210, how do you feel about that? | 0:37:53 | 0:37:55 | |
Wonderful! | 0:37:55 | 0:37:57 | |
'Wendy's in shock and I'm not surprised. | 0:37:57 | 0:38:01 | |
'£210 has exceeded both Jonty's | 0:38:01 | 0:38:04 | |
'and the auctioneer's expectations, selling for over its top estimate. | 0:38:04 | 0:38:08 | |
'We really needed that result as we have just one lot left to sell. | 0:38:08 | 0:38:13 | |
'But before it goes under the hammer, | 0:38:13 | 0:38:15 | |
'Jonty's pick of the sale has its turn in front of the room | 0:38:15 | 0:38:18 | |
'and he's expecting that it'll smash its £100-£200 estimate.' | 0:38:18 | 0:38:21 | |
So, this is the fan that we have looked at in detail, OK, guys? | 0:38:21 | 0:38:25 | |
I can start the bidding anyway at £140, with me at 140, | 0:38:25 | 0:38:28 | |
150, 160, 170, 180, | 0:38:28 | 0:38:31 | |
190, 200, 210, in the room against commissions, at £210. | 0:38:31 | 0:38:35 | |
-210? That's cheap. -In the room at £210, going to commissions then. | 0:38:35 | 0:38:39 | |
-210. -Wow. | 0:38:39 | 0:38:41 | |
'Well, the fan outdid its £200 top estimate | 0:38:41 | 0:38:44 | |
'but Jonty is surprised it didn't fetch more. | 0:38:44 | 0:38:47 | |
'Today's sale really is unpredictable. | 0:38:47 | 0:38:49 | |
'Our final item is our own fan and we'd be thrilled if it made top estimate. | 0:38:49 | 0:38:55 | |
'It's made of ivory but as it dates from before 1947 | 0:38:55 | 0:38:59 | |
'and is in its original worked form, it is legally saleable at auction. | 0:38:59 | 0:39:03 | |
'We're only looking for between £30 and £50, and every little helps on a day like this.' | 0:39:03 | 0:39:08 | |
I'm bid already £30 for it, with me at 30... 5, 40... 5, 50... 5, 60... | 0:39:08 | 0:39:14 | |
-60? -..5, 70... | 0:39:14 | 0:39:17 | |
5, 80. | 0:39:17 | 0:39:18 | |
£80. At 85, 90... | 0:39:18 | 0:39:21 | |
5, 100... | 0:39:21 | 0:39:23 | |
£100, at £100. 110, 120, | 0:39:23 | 0:39:28 | |
-130... -Terrific. -140, 150. -THEY GASP | 0:39:28 | 0:39:32 | |
£150. At 150, | 0:39:32 | 0:39:34 | |
160, 160, 170. | 0:39:34 | 0:39:35 | |
-And still climbing. -180, | 0:39:35 | 0:39:37 | |
190, 200, | 0:39:37 | 0:39:39 | |
220, 240 there. At £240. | 0:39:39 | 0:39:43 | |
-Wow. -For £240. | 0:39:43 | 0:39:45 | |
At 240, I am bid 240 for it. | 0:39:45 | 0:39:47 | |
At £240. | 0:39:47 | 0:39:49 | |
-240. -How about that? | 0:39:49 | 0:39:51 | |
-Well done! -I don't mind that going. | 0:39:51 | 0:39:53 | |
THEY LAUGH | 0:39:53 | 0:39:55 | |
When did you actually use it? I mean, did you used to take it to the theatre or what? | 0:39:55 | 0:39:59 | |
Oh, don't! No, no, just at home when I found it. | 0:39:59 | 0:40:03 | |
I didn't take it anywhere. | 0:40:03 | 0:40:04 | |
So £240's worth of cool air. | 0:40:04 | 0:40:08 | |
'Incredible! Our hearts are all aflutter after that. | 0:40:08 | 0:40:12 | |
'It's not very often we see an item sell for eight times over its lowest estimate. | 0:40:12 | 0:40:17 | |
'Suddenly, this has turned really exciting | 0:40:17 | 0:40:19 | |
'and I can't wait to tell David and Wendy how much we've made.' | 0:40:19 | 0:40:22 | |
Well, we know that you'd made more than half your total by the halfway point. | 0:40:22 | 0:40:26 | |
So, it's £500 to take you up on a flight. | 0:40:26 | 0:40:30 | |
Well, how far do you think you're going to be able to go with... | 0:40:30 | 0:40:34 | |
£898? | 0:40:34 | 0:40:36 | |
-Because that's what you've raised! -That's good, isn't it! Hey! -Well done, well done. | 0:40:36 | 0:40:41 | |
Yeah, we'll have some change then, won't we? | 0:40:41 | 0:40:44 | |
-You could go up in a jumbo jet. -Yeah. -You can go a bit further. -A bigger plane! | 0:40:44 | 0:40:48 | |
Well, very good. That was good. | 0:40:48 | 0:40:51 | |
'A few weeks after their very successful auction, David and Wendy | 0:40:55 | 0:40:59 | |
'arrive at the Biggin Hill School of Flying, | 0:40:59 | 0:41:01 | |
'looking forward to David's dream flight over Kent.' | 0:41:01 | 0:41:05 | |
Well, I'm hoping to actually fly over the house and the area where | 0:41:05 | 0:41:08 | |
we live and take a few pictures, possibly some all the way along. | 0:41:08 | 0:41:12 | |
Before getting into the plane, they sit down with instructor Daryl Watson | 0:41:12 | 0:41:15 | |
so that David can get some vital training in preparation for his flight. | 0:41:15 | 0:41:19 | |
'We have just over 40 knots, 50 knots, 60 knots. | 0:41:21 | 0:41:24 | |
'There's a bit of back pressure on the control yoke, and up we go.' | 0:41:24 | 0:41:28 | |
'Then it's up, up and away as David finally takes to the skies.' | 0:41:28 | 0:41:31 | |
-'Beautiful with the sun over to the horizon, isn't it? -Yeah.' | 0:41:31 | 0:41:35 | |
'The places here on the ground look very different from up here.' | 0:41:39 | 0:41:43 | |
David's brought his camera along to take plenty of snaps as a reminder | 0:41:43 | 0:41:47 | |
of the experience, and to capture the stunning Kent countryside. | 0:41:47 | 0:41:50 | |
'We're just gonna head initially towards the east.' | 0:41:50 | 0:41:52 | |
He even has a go at flying the plane himself. | 0:41:57 | 0:42:01 | |
'You can fell the back pressure as you turn round to the left.' | 0:42:01 | 0:42:04 | |
'Watch for the speed, | 0:42:13 | 0:42:15 | |
'and we're down.' | 0:42:15 | 0:42:16 | |
Back on the ground, and Wendy welcomes him back. | 0:42:17 | 0:42:21 | |
Truly fantastic experience, I wouldn't have missed it for the world. | 0:42:22 | 0:42:26 | |
It was great being able to take control of the plane | 0:42:26 | 0:42:29 | |
up in the sky and bank it one way and the other and go up and down. | 0:42:29 | 0:42:32 | |
I really would like to do it again and hopefully next time we'll have | 0:42:32 | 0:42:35 | |
a nice sunny day and I can take some better pictures. | 0:42:35 | 0:42:38 | |
Well done, Wendy and David. They really were on cloud 9 there. | 0:42:41 | 0:42:45 | |
If there's something you'd like to raise money for and you think you have things at home | 0:42:45 | 0:42:49 | |
that you'd be happy to send to auction, then why not take part in the programme? | 0:42:49 | 0:42:53 | |
You'll find all the details on our website... | 0:42:53 | 0:42:57 | |
And we look forward to seeing you on Cash In The Attic. | 0:42:57 | 0:43:00 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:24 | |
E-mail [email protected] | 0:43:24 | 0:43:25 |