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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
This is the show that helps you find all those hidden treasures | 0:00:03 | 0:00:07 | |
around your home, and then we sell them at auction. | 0:00:07 | 0:00:09 | |
Well, today I'm in Essex to take a look at Mountfitchet Castle near Stansted. | 0:00:09 | 0:00:13 | |
The site here is over 3,000 years old, | 0:00:13 | 0:00:16 | |
but the wooden castle you see today is actually a reconstruction | 0:00:16 | 0:00:20 | |
of the original Norman stronghold, | 0:00:20 | 0:00:22 | |
which was destroyed in an uprising in 1215. | 0:00:22 | 0:00:25 | |
After the attack, the castle site lay forgotten for more than 700 years, | 0:00:25 | 0:00:30 | |
until being rebuilt and opened as a local attraction, | 0:00:30 | 0:00:33 | |
bringing to life the sights, sounds and even the smells of medieval life. | 0:00:33 | 0:00:39 | |
Well, let's hope we can make some remarkable finds of our own | 0:00:39 | 0:00:42 | |
as we go on the hunt for antiques that we can take to auction. | 0:00:42 | 0:00:46 | |
Coming up on today's Cash In The Attic, | 0:01:06 | 0:01:09 | |
a house full to bursting with jewellery leads to some unexpected valuations. | 0:01:09 | 0:01:14 | |
-Oh, wow! -Does that sound right? -Cor! Yeah! | 0:01:14 | 0:01:18 | |
While other items prove less palatable. | 0:01:18 | 0:01:22 | |
With a name like Rennie, they might be quite hard to digest! | 0:01:22 | 0:01:27 | |
But when it comes to auctions, cash is always the best medicine. | 0:01:28 | 0:01:31 | |
Yes! | 0:01:31 | 0:01:33 | |
Well done. Yeah, very good. | 0:01:33 | 0:01:35 | |
So will the smiles remain when the hammer falls? | 0:01:35 | 0:01:39 | |
Well, it's a short march from Mountfitchet Castle | 0:01:40 | 0:01:43 | |
to the village of Hallingbury where I've come to meet a lady | 0:01:43 | 0:01:47 | |
who's decided it's time to sell the family jewels for a well-deserved break. | 0:01:47 | 0:01:52 | |
This charming little bungalow has been the home of Mary Miller for the past 20 years, | 0:01:52 | 0:01:57 | |
but with the sad passing of her husband Bob four years ago | 0:01:57 | 0:02:01 | |
together with her own health concerns, Mary's decided it's time to think about down-sizing. | 0:02:01 | 0:02:06 | |
Luckily, when it comes to digging out items to send to auction, | 0:02:06 | 0:02:09 | |
her good friend Jan is on hand to help, | 0:02:09 | 0:02:12 | |
and with Mary having spent a lifetime acquiring all manner of gems with her husband, | 0:02:12 | 0:02:17 | |
there's an awful lot to sort out before she can leave. | 0:02:17 | 0:02:20 | |
-Morning, Paul. -Good morning. How are you? -I'm fine, thank you. | 0:02:20 | 0:02:23 | |
-I meant to ask you whether you've brought your jeweller's loop. -I certainly have. | 0:02:23 | 0:02:28 | |
-Would you like to borrow it? Always prepared, like a good Boy Scout. -Excellent. | 0:02:28 | 0:02:32 | |
We're going to need it because the lady we're seeing today has got lots of jewellery to sell, | 0:02:32 | 0:02:36 | |
-so if we go in, I'll meet the family and you can get on valuing. -OK. All that glitters is not gold. | 0:02:36 | 0:02:41 | |
-That's why you're here, love. -That's why I'm here! | 0:02:41 | 0:02:44 | |
-Good morning. -Hello! Now, Mary, it's your home, is that right? -Yes. | 0:02:47 | 0:02:51 | |
Right, well, you've called in Cash In The Attic, and we're here now, so what made you call us in? | 0:02:51 | 0:02:57 | |
-This one here. -OK, so what made you call us in, then, Jan? | 0:02:57 | 0:03:00 | |
Mary's going to be moving in about a year's time. | 0:03:00 | 0:03:04 | |
She's going to need to down-size and she's got so much stuff around this house | 0:03:04 | 0:03:08 | |
that she just needs to get rid of a lot of it. | 0:03:08 | 0:03:10 | |
-So where has all the stuff come from, then? -Locally, Devon, | 0:03:10 | 0:03:15 | |
Cornwall, Channel Islands, and of course here. | 0:03:15 | 0:03:18 | |
Now, a lot of it's jewellery, I understand, | 0:03:18 | 0:03:21 | |
-that we're going to be looking at, so are those personal gifts that Bob bought you? -Yes, they are. | 0:03:21 | 0:03:25 | |
-Right. Time to move those on, is it? -Well, I think so, because really I never wear them. | 0:03:25 | 0:03:30 | |
Have you any idea how much money you'd like to raise and what you want to spend it on? | 0:03:30 | 0:03:35 | |
Well, I'd say about 800 to 1,000 if I'm lucky. | 0:03:35 | 0:03:39 | |
I might consider a cruise which I've never had and would love to have. | 0:03:39 | 0:03:44 | |
-Right, OK. -I know I'm aiming high but... -Better to aim high than aim low, I say. | 0:03:44 | 0:03:51 | |
-Well, yes. -Anyway, the onus isn't on you, it'll be on Paul Hayes. | 0:03:51 | 0:03:54 | |
-Why worry? -Let's go and meet him. -OK. -Helping Mary to hopefully raise the funds for a cruise is | 0:03:54 | 0:04:00 | |
a lofty challenge indeed, but in our favour is a lifetime of collectibles in need of clearing. | 0:04:00 | 0:04:05 | |
On top of all the jewellery we're expecting, | 0:04:05 | 0:04:08 | |
it looks like there's plenty of other valuables, including pottery, paintings and even the odd Paul. | 0:04:08 | 0:04:13 | |
-He's already spotted one contender that could help Mary cruise towards her £800 target. -Ah, hello. | 0:04:13 | 0:04:19 | |
-Hello, Paul. -How are you? All right? -Yeah, fine, thank you. | 0:04:19 | 0:04:22 | |
-Good to see you. -That looks like a good piece. | 0:04:22 | 0:04:24 | |
That's one of the jewellery pieces I've been hearing about? | 0:04:24 | 0:04:27 | |
Well, I do think it really belonged to Bob's father, and I think it was his father's. | 0:04:27 | 0:04:33 | |
Well, that does fit in. This is a 19th-century Albert chain | 0:04:33 | 0:04:35 | |
and it's named after Prince Albert who was Queen Victoria's husband. | 0:04:35 | 0:04:41 | |
This would go on your waistcoat and you would attach your | 0:04:41 | 0:04:44 | |
pocket watch to it. But what's on the bottom here is a sovereign, and this is quite an early one. | 0:04:44 | 0:04:50 | |
This doesn't actually belong to the chain itself. | 0:04:50 | 0:04:53 | |
This has been put on afterwards, and it dates 1826 and has a portrait of | 0:04:53 | 0:04:57 | |
George IV, and that's quite rare in the antique world. | 0:04:57 | 0:05:01 | |
He was only on the throne for a very short time, so we usually find | 0:05:01 | 0:05:04 | |
George III or Queen Victoria, but he was right in the middle, right at the beginning of the 19th century. | 0:05:04 | 0:05:09 | |
-And what's on the other end? -Well, here is a compass that helps you to find your way around. | 0:05:09 | 0:05:16 | |
-Can you read that? -From Morecambe to Essex. You need your glasses to see it. | 0:05:16 | 0:05:20 | |
-Do these two attachments make it more saleable? -Yeah. | 0:05:20 | 0:05:24 | |
People are always looking for these fobs, all different types. | 0:05:24 | 0:05:26 | |
You get a standard fob which is just a plain piece of gold which people collect. | 0:05:26 | 0:05:30 | |
Sometimes they have inscriptions and so on. | 0:05:30 | 0:05:32 | |
Then you get sovereigns, you get compasses, you swivels, and this one has a bloodstone on the back. | 0:05:32 | 0:05:38 | |
Can you see that? But this is a beautiful colour. Do you know what they call this gold? | 0:05:38 | 0:05:41 | |
-Rose gold? -That's right, and the reason for that is that, if | 0:05:41 | 0:05:44 | |
you use gold in its pure state, it's far too soft, so what they have to do is to mix it with other metals. | 0:05:44 | 0:05:52 | |
In this case, what they've done is mixed it with a high copper content, | 0:05:52 | 0:05:56 | |
which gives it its wonderful rose or copper finish. | 0:05:56 | 0:05:58 | |
So, overall, what sort of price are we talking about? | 0:05:58 | 0:06:02 | |
Well, this is a very desirable item especially in the current climate, | 0:06:02 | 0:06:05 | |
people are investing heavily in gold items. So I would say at least the £200 mark. | 0:06:05 | 0:06:12 | |
-Are you pleased with that, Mary? -Yes, I think so. -Yeah? Did you think it might be worth a bit more? | 0:06:12 | 0:06:17 | |
-Oh, yes, I did think it was worth more but I don't mind starting at that. -Well, I think you're right. | 0:06:17 | 0:06:22 | |
I'm only taking into account that actual chain, but the sovereign and | 0:06:22 | 0:06:26 | |
-the compass will add value, but 200 minimum. -OK, so 200 into the pot. | 0:06:26 | 0:06:30 | |
-That's not too bad. Let's see what else we can find, shall we? -Right. | 0:06:30 | 0:06:32 | |
A couple of hundred pounds is a great start, but we're going to | 0:06:32 | 0:06:35 | |
need a lot more if we're going to chip away at that £800 target. | 0:06:35 | 0:06:40 | |
A hatchet job won't do, Paul, though I strike gold downstairs with | 0:06:40 | 0:06:44 | |
these rings, two with jewels and one signet, | 0:06:44 | 0:06:46 | |
which together Paul thinks should add £80-£120 to the total. | 0:06:46 | 0:06:51 | |
-And Jan has salvaged something she thinks could help even more. -Paul, what do you think of this? | 0:06:51 | 0:06:57 | |
Mary was going to chuck this out... but I quite like it. | 0:06:57 | 0:07:01 | |
-Oh, well done, you. -It appeals to me, this little thing. -Right, well, this is typically oriental. | 0:07:01 | 0:07:06 | |
It's very minimalist and that fits in with the modern style today. | 0:07:06 | 0:07:11 | |
Everything's clean lines and is very functional. | 0:07:11 | 0:07:14 | |
But of course this would've acted as a cabinet as well as a stool. You can sit on the top of that. | 0:07:14 | 0:07:19 | |
But it looks at some point like it's had a plant on it. Can you see that? | 0:07:19 | 0:07:23 | |
Yeah, I think Mary said when she bought it it was like that, so it's not something she's done. | 0:07:23 | 0:07:26 | |
Well, it's nice she kept it original. | 0:07:26 | 0:07:28 | |
That shows a bit of age to me. | 0:07:28 | 0:07:31 | |
This is called a patina and what's happened, that's shaded the surface of the wood and of course | 0:07:31 | 0:07:35 | |
the sunlight has bleached the rest of it, so you'll end up | 0:07:35 | 0:07:39 | |
with this design, but it gives it a bit of age and a bit of character. | 0:07:39 | 0:07:43 | |
I quite like it. I think it's in its natural state. | 0:07:43 | 0:07:46 | |
-I'd say it was maybe 1900, 1920. -Right? Yeah. | 0:07:46 | 0:07:49 | |
But these nowadays, there's something wonderful about them and I really sympathise. | 0:07:49 | 0:07:53 | |
I can see that you obviously like this piece. | 0:07:53 | 0:07:56 | |
Any idea how much that might be worth? | 0:07:56 | 0:07:58 | |
Oh, I haven't got a clue. Not a clue. | 0:07:58 | 0:08:02 | |
If I said between £80 and £120? | 0:08:02 | 0:08:06 | |
Oh, wow. | 0:08:06 | 0:08:07 | |
That would be fantastic! Yeah. | 0:08:07 | 0:08:10 | |
I'm not sure how many yen that is, probably quite a few. | 0:08:10 | 0:08:12 | |
Yes, several million, I should think. | 0:08:12 | 0:08:15 | |
-All right, well, let's keep looking, eh? -OK, lovely. Thanks, Paul. | 0:08:15 | 0:08:18 | |
This bungalow is a treasure trove of items that Mary and her husband | 0:08:18 | 0:08:21 | |
collected over the years, and while Paul is working at a snail's pace, | 0:08:21 | 0:08:25 | |
Mary unearths another stash of jewellery - a lovely little neck chain and snake bracelet, | 0:08:25 | 0:08:31 | |
which should fetch £50-£70. | 0:08:31 | 0:08:34 | |
And in the bedroom, the snake theme continues. | 0:08:34 | 0:08:37 | |
You've got some lovely rings on there, haven't you? | 0:08:37 | 0:08:39 | |
-Oh, they are nice, yes. -Very unusual. What's the story about this one? | 0:08:39 | 0:08:43 | |
Well, that one Bob had made for me because I saw a single snake | 0:08:43 | 0:08:47 | |
and I liked it so much, so he had the snake with two heads made. | 0:08:47 | 0:08:50 | |
Oh, how romantic. | 0:08:50 | 0:08:52 | |
-So was that a surprise? -Very much so, yes. | 0:08:52 | 0:08:55 | |
-Was he a romantic type? -Well, not... | 0:08:55 | 0:08:58 | |
He wouldn't be in front of a crowd, but he was when we were alone. | 0:08:58 | 0:09:03 | |
You know, very thoughtful and very sort of, um... How can I put it? | 0:09:03 | 0:09:07 | |
..generous and everything you like, you know? | 0:09:07 | 0:09:09 | |
So how did the two of you meet? | 0:09:09 | 0:09:11 | |
Well, I was 17 and Bob was 15 years older than me. | 0:09:11 | 0:09:18 | |
Oh? That was a big age difference, wasn't it, in that day and age. | 0:09:18 | 0:09:22 | |
And he was a... He wasn't actually a door-to-door salesman, but he was manager of a shop | 0:09:22 | 0:09:27 | |
that did door-to-door sales, | 0:09:27 | 0:09:29 | |
and of course he knocked on the door and started talking to me, you know. | 0:09:29 | 0:09:32 | |
-But there was an instant likeness. -Oh, right? | 0:09:32 | 0:09:36 | |
We went out for a drive and we went into a pub, and he bought me... What was it? | 0:09:36 | 0:09:42 | |
Vodka and lime, which I quite liked, and we took it from there. | 0:09:42 | 0:09:45 | |
It was a funny thing because, in that particular pub, we got to learn that they nicknamed us | 0:09:45 | 0:09:52 | |
the vodka-and-lime lovers! | 0:09:52 | 0:09:56 | |
-Oh, excellent. -It was funny, really. | 0:09:56 | 0:09:58 | |
Well, I think, if we're going to raise the £800 that you need, | 0:09:58 | 0:10:00 | |
-we'd better get back to rummaging and see whether Paul Hayes has found something, don't you? -Yes, OK. | 0:10:00 | 0:10:06 | |
-Come on, let's go. -Right. -Paul might be finding things right, left and centre, but it's | 0:10:06 | 0:10:13 | |
Jan who's leading the pack in the hunt for £800 worth of items to take to auction. | 0:10:13 | 0:10:17 | |
She's spotted this stunning aquamarine blue stone ring, | 0:10:17 | 0:10:20 | |
which Paul reckons could be lighting up | 0:10:20 | 0:10:23 | |
some lucky lady's hand for around £100. | 0:10:23 | 0:10:25 | |
Whilst in the lounge, Mary and I are hunting through her many books looking for something interesting. | 0:10:25 | 0:10:31 | |
This is a nice book, Mary. | 0:10:31 | 0:10:33 | |
Is this yours? Alice's Adventures Underground. | 0:10:33 | 0:10:35 | |
Well, there's a little story attached to that. | 0:10:35 | 0:10:41 | |
I bought it in Oxfam, roughly 30 years ago, and I bought it for my son at the price of £10. | 0:10:41 | 0:10:47 | |
It looks like a lovely book to me. Fantastic story. | 0:10:47 | 0:10:50 | |
-So let's see what Paul thinks of it. Paul? -Uh-huh? | 0:10:50 | 0:10:53 | |
-You're going to be late, late for a very important date... -Really?! | 0:10:53 | 0:10:56 | |
-Alice's Adventures Underground, not In Wonderland. -Wow, there you go. | 0:10:56 | 0:11:00 | |
Well, that was the name of the first book, actually. It's not a first edition, is it? | 0:11:00 | 0:11:07 | |
-Well, I don't know. Some say it is and some say it isn't. -It should say in the front here. | 0:11:07 | 0:11:12 | |
"Alice's Adventures Underground being a facsimile of | 0:11:12 | 0:11:15 | |
"the original book afterwards developed into Alice's Adventures In Wonderland." | 0:11:15 | 0:11:20 | |
So it's a later copy, but what it does is print off that wonderful first story. | 0:11:20 | 0:11:27 | |
And look at that - it's even in Lewis Carroll's own writing. | 0:11:27 | 0:11:30 | |
Well, the original idea for Alice In Wonderland, the inspiration | 0:11:30 | 0:11:34 | |
was a girl called Alice Liddell and she used to go to church with | 0:11:34 | 0:11:37 | |
a guy called Ludwig Dodgson, and he wrote under the name Lewis Carroll. | 0:11:37 | 0:11:41 | |
But he based his stories on this girl that he went to church with. | 0:11:41 | 0:11:45 | |
Apparently, he used to wander out for afternoons and he would tell them these fantastic stories of | 0:11:45 | 0:11:49 | |
life, you know, these weird and wonderful things that we now know as Alice In Wonderland. | 0:11:49 | 0:11:54 | |
But what's nice about this, what's unusual about the story is that | 0:11:54 | 0:11:57 | |
Alice actually had brown hair and we associate her now with white hair. | 0:11:57 | 0:12:00 | |
If you look at this piece of paper here - look at that. | 0:12:00 | 0:12:04 | |
You've got a picture of Charles Dodgson who was Lewis Carroll. | 0:12:04 | 0:12:07 | |
There we are - Alice, who at this point was a Mrs Reginald Hargreaves. | 0:12:07 | 0:12:10 | |
So what sort of value do you think this might have, then, Paul? | 0:12:10 | 0:12:14 | |
I think, if I was being realistic here, sort of £30-£50, that sort of price band. | 0:12:14 | 0:12:19 | |
-Hmm. -What do you think of that, Mary? -Well, I'm really not quite sure, you know. I'd like to think about it. | 0:12:19 | 0:12:25 | |
-OK. -It's been in the family for a long time. | 0:12:25 | 0:12:28 | |
You ought to consult with your sons. | 0:12:28 | 0:12:29 | |
-Yes, I think so, yes. -All right, so that's something we may or may not see at auction on the day. | 0:12:29 | 0:12:35 | |
Pretty good investment, though, if it only cost a tenner. | 0:12:35 | 0:12:37 | |
Oh, well, yes, I agree. | 0:12:37 | 0:12:39 | |
Anything else that your keen eye would like to show us? | 0:12:39 | 0:12:41 | |
Um, quite a few things. | 0:12:41 | 0:12:43 | |
-Come on, then. -Can I borrow this? | 0:12:43 | 0:12:46 | |
If Mary's son agrees to send this to auction, someone is going to get | 0:12:46 | 0:12:50 | |
themselves a rare treat indeed, and we're another step closer to getting | 0:12:50 | 0:12:53 | |
Mary the money for her trip, when Paul bags something to sell in a drawer downstairs. | 0:12:53 | 0:12:57 | |
This fob watch and two wristwatches should add £100-£130 to the kitty. | 0:12:58 | 0:13:03 | |
Meanwhile, I find a fun little piggy box, but nothing in it that's going to bring home the bacon. | 0:13:03 | 0:13:08 | |
It's a different story for Paul, though. He's found a box with something very special inside. | 0:13:08 | 0:13:13 | |
-Ah, I see you've found Mary's bracelets. -Yeah, I think Lorne was right, that Mary had lots | 0:13:13 | 0:13:18 | |
of jewellery, didn't she? | 0:13:18 | 0:13:21 | |
-Yeah. -So is this something that she's bought, do you think? | 0:13:21 | 0:13:24 | |
I believe her sister gave it to her about 12, 14 years ago, and I don't think she holds much | 0:13:24 | 0:13:32 | |
-sentimental value towards it, so, er... -Right. | 0:13:32 | 0:13:36 | |
You know...but it's a nice item. | 0:13:36 | 0:13:37 | |
Oh, it's nice to have a sister like that, isn't it? This is lovely. | 0:13:37 | 0:13:41 | |
-Let me just check. Is it gold, do you know? -I believe so. -This says 9ct. Can you see that? | 0:13:41 | 0:13:46 | |
-Yeah. -Do you know what that means? -Nine carat? -That's right, nine carat. | 0:13:46 | 0:13:53 | |
And the way that gold works, if you were to make an item from pure gold, | 0:13:53 | 0:13:58 | |
24 carat, it would be way too soft, so what we have to do is mix it with other metals. | 0:13:58 | 0:14:02 | |
Nine carat actually means nine parts gold, 15 parts base metal. | 0:14:02 | 0:14:08 | |
The whole thing adds up to 24. So it's quite a low carat rating. | 0:14:08 | 0:14:13 | |
When you get on the continent, you get 14 carat, 18 carat, even 22, so it's a lot more expensive. | 0:14:13 | 0:14:19 | |
-And a brooch to match, and those are diamonds. -Oh, I didn't realise. | 0:14:19 | 0:14:22 | |
Well, I think that's in wonderful condition. I can see that being saleable. | 0:14:22 | 0:14:25 | |
And don't forget, it's an instant currency - lots of people buying gold. They can wear it. | 0:14:25 | 0:14:32 | |
If you fall on difficult times or if you're abroad, it's instantly saleable. | 0:14:32 | 0:14:37 | |
It's recognised all over the world. Now, I think you're looking at a nice item. | 0:14:37 | 0:14:40 | |
It's not an antique, but there's something quite nice about it and it's in great condition. | 0:14:40 | 0:14:45 | |
-If I said £200, maybe £250... -Really? -Yeah. How does that sound? -Oh, wow! -Does that sound all right? | 0:14:45 | 0:14:53 | |
Cor! Yeah! | 0:14:53 | 0:14:55 | |
-Oh, I don't think Mary realises. -Well, obviously her sister thought a lot of her. | 0:14:55 | 0:14:58 | |
-That's cost a lot of money. It's cost more than that when it's been bought. -Oh, wow, that's fantastic. | 0:14:58 | 0:15:04 | |
All right, that's great. So you think that can go? | 0:15:04 | 0:15:07 | |
Yes, I'm sure. Best go and tell Mary. | 0:15:07 | 0:15:10 | |
-Excellent. Come on. -Oh, right! | 0:15:10 | 0:15:12 | |
I think Jan's really caught the rummaging bug. | 0:15:13 | 0:15:16 | |
Luckily, in this place, there's something interesting around almost every corner. | 0:15:16 | 0:15:20 | |
Mary's dug out this oil landscape with the signature L Stanley, | 0:15:20 | 0:15:23 | |
which Paul thinks should get her £30-£40 closer to that trip. | 0:15:23 | 0:15:29 | |
Downstairs, we're sifting through box after box of rings, necklaces and brooches. | 0:15:29 | 0:15:34 | |
Wow, you have got a lot of jewellery, haven't you? | 0:15:34 | 0:15:37 | |
Well, yes, I have collected a lot over the years. | 0:15:37 | 0:15:40 | |
-Do you use much of it? -No, I don't. | 0:15:40 | 0:15:43 | |
That's the trouble. | 0:15:43 | 0:15:44 | |
I'm not a jewellery type person. What I usually wear constantly is all I really do wear. | 0:15:44 | 0:15:50 | |
-Now, Jan, do you collect jewellery? -No, I've never been a jewellery person. | 0:15:50 | 0:15:56 | |
You know, it's just... I have costume jewellery but I don't have expensive jewellery, I'm afraid. | 0:15:56 | 0:16:02 | |
So how long have you been friends and how did you meet? | 0:16:02 | 0:16:05 | |
About four years. We met through... I come here and help | 0:16:05 | 0:16:12 | |
Mary out with a few of her chores, and that's how we first met, and since then, I've come here to do | 0:16:12 | 0:16:18 | |
a couple of hours of help with her and I usually stay about four. | 0:16:18 | 0:16:21 | |
Now, obviously, you want the £800. What exactly is that going to go towards? | 0:16:21 | 0:16:26 | |
A cruise. That's what I'd love to do - so relaxed, | 0:16:26 | 0:16:31 | |
you know, compared to here...and the air's so fresh and it's just such a pleasant place to be. | 0:16:31 | 0:16:39 | |
Right, well, if we're going to make all this money at auction, | 0:16:39 | 0:16:42 | |
I think we better find Paul Hayes and see what he's been up to. | 0:16:42 | 0:16:47 | |
Well, whilst we've been having a sit-down, Paul's been a busy boy, but it's Jan | 0:16:47 | 0:16:53 | |
who comes up trumps again, finding these rings, necklaces and pin, which together should fetch £80-£120. | 0:16:53 | 0:16:59 | |
And not to be out-done, Mary's turned up something with a rather | 0:16:59 | 0:17:02 | |
famous connection for Paul to have a look at. | 0:17:02 | 0:17:05 | |
-Ah, here you are. -Hello. -Well, what have you found here? Anything good? | 0:17:05 | 0:17:09 | |
Well, it's a little Faberge necklace. Well, I think it is, anyway. | 0:17:09 | 0:17:14 | |
are. That's right, look at that. Igor Carl Faberge. | 0:17:14 | 0:17:17 | |
-Yes! He was the grandson, I think. -Right, I've got you. | 0:17:17 | 0:17:21 | |
Carl Faberge was THE gold and silversmith working in Russia, | 0:17:21 | 0:17:24 | |
late 19th century, and he made things for the Russian royal family. | 0:17:24 | 0:17:28 | |
Probably the most famous items he made were the Faberge eggs, and one | 0:17:28 | 0:17:33 | |
has sold recently for £9 million, so he's very much in demand. | 0:17:33 | 0:17:40 | |
He's the best in his field, I think. | 0:17:40 | 0:17:42 | |
Let me have a look. | 0:17:42 | 0:17:44 | |
14 carat. Yeah, this is 14 carat and... Hang on a second. It says FM. Do you know what that means? | 0:17:44 | 0:17:49 | |
-Faberge something? -No, that's the Franklin Mint. | 0:17:49 | 0:17:53 | |
Have you heard of the Franklin Mint before? | 0:17:53 | 0:17:56 | |
-Yes, yes. -Right, well, they will have made items like this, obviously | 0:17:56 | 0:18:00 | |
-in the style of the great masters, but they do these collectible items. -Oh, I see. Right. | 0:18:00 | 0:18:05 | |
So what would happen - you would have this in a magazine and you would write off for it | 0:18:05 | 0:18:09 | |
-and you would buy it. -Yes, I know. -But you have got one pearl missing. | 0:18:09 | 0:18:13 | |
-Oh, you're joking. -It's at the bottom there. Can you see? -Oh, gosh, yes. | 0:18:13 | 0:18:16 | |
I just noticed that, so you've got three pearls | 0:18:16 | 0:18:19 | |
and one missing at the bottom, so it needs a bit of restoration. | 0:18:19 | 0:18:21 | |
-Oh, that's a shame. -I mean, there's no age here at all. | 0:18:21 | 0:18:25 | |
I'd say it's 1980s, 1990s, but the Faberge name does... | 0:18:25 | 0:18:27 | |
It's very collectible so that might have a bit of interest there. | 0:18:27 | 0:18:32 | |
Um...but if I was being realistic here, if I said around 100 mark, sort of 60-100, how does that sound? | 0:18:32 | 0:18:39 | |
This is the time to let go, I'm afraid, so it's got to go, one way or another. | 0:18:39 | 0:18:47 | |
Well, you look after that, see if you can find that other pearl. | 0:18:47 | 0:18:49 | |
-I will do, definitely. -All right, and I'll see if I can find something else. -Right, thank you. -Great. | 0:18:49 | 0:18:54 | |
I hope the Faberge pendant does a little better than the estimation. | 0:18:54 | 0:18:59 | |
Um...we just have to see and hope for the best. | 0:18:59 | 0:19:03 | |
Well, it's a shame about the lost pearl but we're not going to let | 0:19:03 | 0:19:07 | |
that get us down as there's still time to find something else to fund that cruise. | 0:19:07 | 0:19:13 | |
And Mary takes another step up the gang plank when Paul spots a well-known name on the wall. | 0:19:13 | 0:19:18 | |
Mary, Jan? Ah, now then. Are these a family heirloom? These are a beautiful pair of | 0:19:18 | 0:19:24 | |
-paintings, aren't they? -I wish they were, but they're not. | 0:19:24 | 0:19:27 | |
-Oh, right. -Again, we bought them in an antique shop. | 0:19:27 | 0:19:31 | |
I thought you were going to say you bought them in Scotland on a holiday. | 0:19:31 | 0:19:35 | |
-They have a very Scottish look about them. -Yeah, well, definitely Scotland. I'd swear it. | 0:19:35 | 0:19:39 | |
Most of these Scottish scenes are done in | 0:19:39 | 0:19:41 | |
the late 19th century, and the reason being was that Queen Victoria had settled at Balmoral. | 0:19:41 | 0:19:45 | |
That was her main place, and of course anything to do with her was very valued, so you get all these | 0:19:45 | 0:19:51 | |
wonderful sketches of Scotland and Scottish themes, lots of jewellery | 0:19:51 | 0:19:55 | |
she used to wear from the Cairngorm Mountains, and it starts the fashion. | 0:19:55 | 0:19:59 | |
Well, these are very well painted and there is an artist's mark. Do you know who this is? | 0:19:59 | 0:20:03 | |
-George Rennie? -So have you heard of him before? -Yes, I have but don't ask from where. | 0:20:03 | 0:20:08 | |
He's what they call a prolific artist. | 0:20:08 | 0:20:10 | |
He would go to Scotland and he would capture these wonderful views and of course sell them on a mass scale. | 0:20:10 | 0:20:16 | |
But I tell you what is nice about these two, actually, is that they're oil paintings. | 0:20:16 | 0:20:20 | |
A lot of people work in watercolour with simple studies like this, but oil's very difficult to work in. | 0:20:20 | 0:20:25 | |
They're lovely and I think also that the frames are original. | 0:20:25 | 0:20:28 | |
These are nice oval frames, typically sort of 1890, 1900. How do you feel about selling them? | 0:20:28 | 0:20:36 | |
Oh, I want to. Yes, I want to sell them. | 0:20:36 | 0:20:39 | |
-Well, if I said £50, sort of £60 each, say 100, maybe £120 for the pair? -Yeah, OK. Yes. | 0:20:39 | 0:20:46 | |
-Great. -I'll go along with that. | 0:20:46 | 0:20:48 | |
With a name like Rennie, they might be quite hard to digest. | 0:20:48 | 0:20:52 | |
THEY LAUGH | 0:20:52 | 0:20:54 | |
-Shall we tell Lorne? -Dear, oh, dear! -Lorne. -Oh, it doesn't stop, does it? | 0:20:54 | 0:20:57 | |
That's just a terrible joke. It really is. | 0:20:57 | 0:20:59 | |
It's enough to give somebody indigestion, your jokes, I tell you. So what have you found there, then? | 0:20:59 | 0:21:05 | |
I found a lovely pair of paintings, Scottish interest. | 0:21:05 | 0:21:08 | |
Looking at around £100 towards the target. | 0:21:08 | 0:21:11 | |
Oh, that's not bad. Are you happy with that price? | 0:21:11 | 0:21:15 | |
-Yeah, I am. -OK. Well, that takes our total today to £1,080. -Really? | 0:21:15 | 0:21:19 | |
-And that doesn't include the Alice In Wonderland book. -Oh, my goodness! I can't believe that. | 0:21:19 | 0:21:24 | |
-That's a good figure, isn't it? -Oh, it is, marvellous, yes. | 0:21:24 | 0:21:28 | |
It certainly is a great result and, with all that gold, there's a every chance this could be a very good | 0:21:28 | 0:21:33 | |
auction for Mary. | 0:21:33 | 0:21:34 | |
Helping her is the Albert chain with compass and gold sovereign, | 0:21:34 | 0:21:38 | |
weighing in at an estimated £200-£250. | 0:21:38 | 0:21:42 | |
The oriental cabinet saved from going overboard will instead | 0:21:42 | 0:21:45 | |
hopefully add £80-£120 to the fund. | 0:21:45 | 0:21:48 | |
And the Franklin Mint Faberge, despite missing a pearl, | 0:21:48 | 0:21:52 | |
should still make a contribution. | 0:21:52 | 0:21:55 | |
Paul reckons the name will trump the damage and bring in £60-£100. | 0:21:55 | 0:21:59 | |
But of course Mary still has to make her mind up about whether she wants | 0:21:59 | 0:22:03 | |
to let Alice's Adventures Underground out of her sight. | 0:22:03 | 0:22:07 | |
Still to come on Cash In The Attic... | 0:22:09 | 0:22:12 | |
Some of the sparkling items charm the bidders... | 0:22:12 | 0:22:15 | |
Are you pleased with that? | 0:22:15 | 0:22:16 | |
Yeah, definitely. | 0:22:16 | 0:22:18 | |
..while others fail to shine. | 0:22:19 | 0:22:21 | |
-Sorry about that. -Oh, £10? | 0:22:21 | 0:22:24 | |
He's let it go for that. | 0:22:24 | 0:22:26 | |
So will we have reached our target when the final hammer falls? | 0:22:26 | 0:22:31 | |
It's been a few weeks since we had a look around Mary's home, | 0:22:35 | 0:22:37 | |
and together with her friend Jan, we found plenty of antiques and | 0:22:37 | 0:22:41 | |
collectibles that we've brought here, to Chiswick Auctions in west London. | 0:22:41 | 0:22:45 | |
Now, remember Mary's looking to raise around £800 towards a holiday so let's just hope that the bidders | 0:22:45 | 0:22:50 | |
are feeling very generous when her items go under the hammer. | 0:22:50 | 0:22:54 | |
They're a knowledgeable crowd, at Chiswick, | 0:22:54 | 0:22:56 | |
especially when it comes to jewellery, so I'm hopeful they'll get excited by what's to come. | 0:22:56 | 0:23:01 | |
Expert Paul Hayes certainly seems happy to see the pendant again. | 0:23:01 | 0:23:05 | |
-Morning. -Ah, good morning. How are you? | 0:23:05 | 0:23:07 | |
Oh, look at that - a nice blue dress to go with a nice pendant. | 0:23:07 | 0:23:10 | |
Oh, thank you very much, | 0:23:10 | 0:23:11 | |
-and it's Faberge no less. Or is it? -Well, it's in the circle of, yes. | 0:23:11 | 0:23:16 | |
It's a relation to Faberge but it's not the original Faberge. | 0:23:16 | 0:23:19 | |
-So you think we can still get some good money for this? -Yeah, I think we can. | 0:23:19 | 0:23:22 | |
It's solid gold and you've got diamonds there AND the family found the missing pearl. | 0:23:22 | 0:23:26 | |
Well, that's got to help. Now, I haven't seen any white rabbits so far this morning, | 0:23:26 | 0:23:30 | |
so I'm not sure whether the Alice In The Underground book is here or not. | 0:23:30 | 0:23:33 | |
Yeah, I mean, that's the origins of Alice In Wonderland. And people love to buy | 0:23:33 | 0:23:37 | |
into that sort of market, but it's not a first edition, which makes | 0:23:37 | 0:23:40 | |
all the difference so, if it's here, it should sell quite well. | 0:23:40 | 0:23:43 | |
OK, let's see if they've got it here. | 0:23:43 | 0:23:47 | |
It's great news about the missing pearl, and hopefully bodes well. | 0:23:47 | 0:23:50 | |
Before everything kicks off, we find Mary and Jan inspecting the oriental cabinet that nearly didn't make it. | 0:23:50 | 0:23:58 | |
-Ah, hello, how are you? -How are you doing? -Fine, thank you. -Fine, thank you, yes. | 0:23:58 | 0:24:03 | |
-Well, this - tell me the story about this again. -I kept thinking, "Oh, what can I do with it?" | 0:24:03 | 0:24:07 | |
so I thought, "Well, nothing's happening, no-one's taken it," | 0:24:07 | 0:24:10 | |
so I was going to take it to the dump. | 0:24:10 | 0:24:12 | |
Then, when Paul came along, it wasn't a dump object, was it? | 0:24:12 | 0:24:17 | |
No, it's amazing how many people do throw away things. | 0:24:17 | 0:24:19 | |
Just because you don't like something doesn't mean | 0:24:19 | 0:24:22 | |
-it's not worth anything, so hopefully this'll go well today. -What have we put on this? | 0:24:22 | 0:24:25 | |
-Sort of £80-£100 -Wow, you wouldn't throw £80-£100 away, would you? -No! | 0:24:25 | 0:24:30 | |
-Now, I'm dying to know, did you bring the Alice In The Underground book? -Yes, I did. | 0:24:30 | 0:24:35 | |
Excellent, and have you put a reserve on that at all? | 0:24:35 | 0:24:38 | |
No, there isn't, actually. | 0:24:38 | 0:24:40 | |
Well, there's a lot of people here, as you can see, so we just need | 0:24:40 | 0:24:43 | |
-to get in position ready for the auction, so shall we? -Yes. -Follow me. -OK. | 0:24:43 | 0:24:48 | |
If, like Mary, you're planning to take your items to auction, then please remember that commission | 0:24:48 | 0:24:54 | |
and other charges may apply, and it can vary enormously from place to place, | 0:24:54 | 0:24:57 | |
so make sure you check the details with the saleroom. | 0:24:57 | 0:25:00 | |
As we take our places, we're just in time for our first lot, and straight away | 0:25:00 | 0:25:05 | |
it's the facsimile of Alice's Adventure Underground, | 0:25:05 | 0:25:09 | |
published 21 years after the original in 1886. | 0:25:09 | 0:25:13 | |
Paul thinks we could be looking at around £30-£50. | 0:25:13 | 0:25:17 | |
This is the origins of the whole story, what we now know as Alice In Wonderland. | 0:25:17 | 0:25:21 | |
This is how it started. People are fascinated by that sort of thing but it's not a first edition. | 0:25:21 | 0:25:26 | |
If it had been a first edition, it would've been different altogether. | 0:25:26 | 0:25:29 | |
-Well, let's see how it goes. -Yeah. | 0:25:29 | 0:25:31 | |
Look, there's a white rabbit, see? | 0:25:31 | 0:25:33 | |
And start me, what, £30 for it? | 0:25:33 | 0:25:35 | |
£30 for it, £20 for it? I'm bid £20, 22, 25, 25, 28... | 0:25:35 | 0:25:39 | |
30, 32, 32, 35, 38... | 0:25:39 | 0:25:43 | |
A bid here of £35. | 0:25:43 | 0:25:45 | |
I'm selling at £35. All done at 35? You got it at 35. | 0:25:45 | 0:25:48 | |
-Hey, how's that? That's great. -£35. | 0:25:48 | 0:25:50 | |
-Very good. -Are you pleased with that? | 0:25:50 | 0:25:52 | |
-Yes, thank you. -There you go. | 0:25:52 | 0:25:54 | |
£35 is just over Paul's lower estimation, | 0:25:55 | 0:25:58 | |
and there's money in the bank for Mary's trip. | 0:25:58 | 0:26:01 | |
Next up is the first of many items of gold we've got today. | 0:26:01 | 0:26:05 | |
If this collection of rings and necklaces hits Paul's estimate of | 0:26:05 | 0:26:08 | |
£80-£120, we could be in for a successful auction. | 0:26:08 | 0:26:13 | |
Lot number 10A now, a mixed lot of gold. Start me at £50, please. | 0:26:13 | 0:26:18 | |
£50 for the lot? I'm bid £50. At £50, take five. | 0:26:18 | 0:26:21 | |
That's 55, 60, 5, 70, 5, 80... | 0:26:21 | 0:26:25 | |
80 there. 85, 90... A bid of £85. | 0:26:25 | 0:26:30 | |
90, new bidder. 95? You've got it at £90 so far. You've got it, sir. | 0:26:30 | 0:26:36 | |
-£90! -Yeah, that's great too. | 0:26:36 | 0:26:37 | |
That's not bad, is it? No. So that's another £90 in the pot. | 0:26:37 | 0:26:43 | |
It's a great result for the gold, £10 above Paul's lower estimate. | 0:26:43 | 0:26:47 | |
Hopefully, a taste of things to come. | 0:26:47 | 0:26:50 | |
But I must say it's the next item that I'm most curious about - | 0:26:50 | 0:26:53 | |
the modern-day Faberge pendant, now complete with | 0:26:53 | 0:26:56 | |
the missing pearl back in place. | 0:26:56 | 0:26:58 | |
-You love this, don't you? -Oh, I think it's beautiful. | 0:26:58 | 0:27:02 | |
Oh, it's really lovely. | 0:27:02 | 0:27:04 | |
But is it a beautiful price, £60-£100, Paul? | 0:27:04 | 0:27:06 | |
Yeah, I'm trying to be realistic, really. Obviously, Carl Faberge | 0:27:06 | 0:27:10 | |
is the world leader in this sort of jewellery, but this isn't that particular Faberge, | 0:27:10 | 0:27:13 | |
but it has got the connection, so £60 seems very reasonable, and it's a very attractive item. | 0:27:13 | 0:27:18 | |
£50 for it? Name's worth more. £50 for it? £40 for it? | 0:27:18 | 0:27:22 | |
I'm bid £40, 42, 45 there, 48, 50, | 0:27:22 | 0:27:26 | |
55, 60, 5, 70, 5, 80, 5, 90... | 0:27:26 | 0:27:32 | |
90, 95, 100. Now at 95, at 95, who'll give me 100 for it? | 0:27:32 | 0:27:39 | |
Your bid, madam, at £95. | 0:27:39 | 0:27:40 | |
At £95 only it goes, all done? | 0:27:40 | 0:27:41 | |
100 back in. 110? | 0:27:41 | 0:27:43 | |
110. 120? £110, sold at £110, 243. | 0:27:43 | 0:27:49 | |
-Are you pleased with that? -Yes, definitely. -So it's going to a new home, | 0:27:49 | 0:27:54 | |
and not yours, unfortunately. | 0:27:54 | 0:27:55 | |
-Oh, I know. -That's a good result, though, isn't it? | 0:27:55 | 0:27:58 | |
Yeah, lovely. | 0:27:58 | 0:28:00 | |
Finding the missing pearl made all the difference | 0:28:00 | 0:28:03 | |
with the Faberge coming in £10 over Paul's top estimate. | 0:28:03 | 0:28:06 | |
Three items down and we're doing well, | 0:28:06 | 0:28:08 | |
with everything so far hitting the target. | 0:28:08 | 0:28:11 | |
Next to attempt to keep up the run is the landscape by L Stanley. | 0:28:11 | 0:28:15 | |
Forest landscape. Is that worth £20? Start me at £20? £10 for it? | 0:28:15 | 0:28:20 | |
Nobody like it? £10 bid. | 0:28:20 | 0:28:23 | |
Who'll give me 12? That's the main bid so far at £10. | 0:28:23 | 0:28:26 | |
I'm going to sell it at £10. At £10, last chance at £10. | 0:28:26 | 0:28:30 | |
It goes at £10 only. | 0:28:30 | 0:28:32 | |
Sorry about that but he's let it go for that. | 0:28:32 | 0:28:35 | |
-Yeah, never mind. -I'm so sorry. That seems so cheap, doesn't it? | 0:28:35 | 0:28:38 | |
-Well, you win and you lose, don't you? -Yeah. | 0:28:38 | 0:28:41 | |
Interest in art today seems pretty poor, | 0:28:41 | 0:28:43 | |
and we're a bit apprehensive about the next lot | 0:28:43 | 0:28:45 | |
as it's more paintings, the two oils from George Rennie. | 0:28:45 | 0:28:49 | |
Now, the next lot I think are absolutely charming. | 0:28:49 | 0:28:53 | |
They're those oval, Scottish pictures. | 0:28:53 | 0:28:57 | |
I think there's something very, very charming about them. | 0:28:57 | 0:28:59 | |
Not particularly fashionable at the moment, | 0:28:59 | 0:29:02 | |
but Scottish artists are doing quite well, aren't they, Paul? | 0:29:02 | 0:29:04 | |
They are. It all comes to really the artist. This guy's known, | 0:29:04 | 0:29:08 | |
he's a good, known Scottish painter. The oval, which is always good. | 0:29:08 | 0:29:11 | |
They look a bit different to the ordinary rectangle ones, | 0:29:11 | 0:29:14 | |
so I put £100 on these, for the pair of Rennies. | 0:29:14 | 0:29:18 | |
OK. | 0:29:18 | 0:29:19 | |
Start me at £50, please. | 0:29:19 | 0:29:20 | |
£50 for the lot. £50? £50 for the... I'm bid £50. | 0:29:20 | 0:29:24 | |
At £50, say 55, £50, take 5. | 0:29:24 | 0:29:28 | |
That's a bid at £50. 55? 55, 60, 5, 70? | 0:29:28 | 0:29:31 | |
-At £65, I'll take 70. -65's too cheap. | 0:29:31 | 0:29:36 | |
At £65, I'm selling at 65, all done at 65 and gone...? | 0:29:36 | 0:29:39 | |
-That's a little less than we wanted for them. -Yeah. | 0:29:39 | 0:29:42 | |
That is a real disappointment. | 0:29:42 | 0:29:44 | |
It's lucky for us we're not pinning our hopes on paintings today. | 0:29:44 | 0:29:47 | |
Fortunately, the saleroom is packed and we're hoping there'll be | 0:29:47 | 0:29:50 | |
much more interest in our next lot - the snake bracelet and chain. | 0:29:50 | 0:29:54 | |
Paul thinks they stand a good chance of snagging us £50-£70. | 0:29:54 | 0:29:59 | |
-So where did these come from? -Well, my husband bought them, as usual. He bought me most of my jewellery. | 0:29:59 | 0:30:04 | |
Ah. But you've had enough of these? | 0:30:04 | 0:30:06 | |
Yeah, I don't wear them, so what's the point? | 0:30:06 | 0:30:09 | |
OK. All right, well, the point is, hopefully, we'll make between £50 and £70. | 0:30:09 | 0:30:13 | |
-Yeah, I hope so. -So fingers crossed. | 0:30:13 | 0:30:15 | |
So far, jewellery seems to be doing quite well, so let's hope we can get some more money for you on that. | 0:30:15 | 0:30:20 | |
Where shall we start? £50? £30? | 0:30:20 | 0:30:23 | |
A bid of £30. Who'll give me 32? At £30... | 0:30:23 | 0:30:26 | |
Two lots at £30. 32. 35. | 0:30:26 | 0:30:28 | |
38. 40. 42. 45. 48. 50? | 0:30:28 | 0:30:33 | |
-£48. 50. 55. -Yes! -60? | 0:30:33 | 0:30:36 | |
60. 65. | 0:30:36 | 0:30:38 | |
It's against you at 65. 70? | 0:30:38 | 0:30:40 | |
70. 75? At £70 for 252. At £70 and selling. | 0:30:40 | 0:30:44 | |
-All done? At £70, are we done? I think we are. £70. -£70! | 0:30:44 | 0:30:48 | |
-That's good, isn't it? -Yes. -It's marvellous, isn't it? | 0:30:48 | 0:30:52 | |
-I hesitated a little bit at the beginning. -Did you? -Yeah, I thought, "He's not going to do it." | 0:30:52 | 0:30:56 | |
But do it he did, and at £20 over estimate, | 0:30:56 | 0:31:00 | |
we're on the way to wiping out the poor performance of the paintings. | 0:31:00 | 0:31:03 | |
As we approach the halfway stage of the auction, it's time for me to tot up the totals | 0:31:03 | 0:31:08 | |
and see how we're getting on raising the £800 Mary's hoping for to see her set sail. | 0:31:08 | 0:31:14 | |
-How did you find it so far? -Very exciting. | 0:31:14 | 0:31:17 | |
-Yes? -Yes, I enjoyed it, no matter what the amount. -And what about you? | 0:31:17 | 0:31:22 | |
Oh, yeah, I'm loving every single minute. It's so exciting. | 0:31:22 | 0:31:25 | |
-You don't know where it's going to go and finish. It's brilliant. -That makes two of us. | 0:31:25 | 0:31:29 | |
-And she's next to Paul that's making her day! -Is it, really? -She's got a crush on him, I think. | 0:31:29 | 0:31:34 | |
Goodness. Right, OK. | 0:31:34 | 0:31:37 | |
-OK, son? -OK. | 0:31:37 | 0:31:39 | |
Right, now we've got over that little bit of a revelation, | 0:31:39 | 0:31:43 | |
-would you like me to reveal how much we've made so far? -Yes, it would be nice to know. | 0:31:43 | 0:31:46 | |
-£380. -Oh, lovely! | 0:31:46 | 0:31:50 | |
-So we're nearly halfway to the figure that you want. -Yes. | 0:31:50 | 0:31:53 | |
We've got a bit of a break, and I know you've seen some pieces that you like the look of. | 0:31:53 | 0:31:57 | |
-Yeah, there are a couple of items I'd like to show you. -OK. | 0:31:57 | 0:32:00 | |
-Come this way, ladies. -Right. -Meet you back here in a second. | 0:32:00 | 0:32:04 | |
It's certainly been quite a first half with some items | 0:32:04 | 0:32:07 | |
failing to reach their estimates, whilst others exceeded expectations. | 0:32:07 | 0:32:11 | |
Fingers crossed there'll be a rush on the rest of the gold | 0:32:11 | 0:32:13 | |
still to come but, in the meantime, Paul's seen some eye-catching military toys | 0:32:13 | 0:32:18 | |
which have been treasured for years, and he thinks they're going to be even more popular in the future. | 0:32:18 | 0:32:23 | |
-Well, boys' toys if ever I've seen them. -What a Christmas this must've been for somebody. | 0:32:23 | 0:32:28 | |
-Look at that. Aren't they wonderful? -Are they all mint, then? | 0:32:28 | 0:32:32 | |
They're all absolutely mint, and the story goes, apparently these came from one collection, | 0:32:32 | 0:32:38 | |
-they had the original boxes and were unwrapped from the original wrapping paper they came in. -No? | 0:32:38 | 0:32:43 | |
-So they're untouched by human hand until they arrived here today. Isn't that wonderful? -Fantastic. | 0:32:43 | 0:32:48 | |
At one time, lead soldiers were going through the roof. What price are we talking about now? | 0:32:48 | 0:32:52 | |
It depends on the regiments. You've got to know what to look for. | 0:32:52 | 0:32:57 | |
You can get certain issues that were only done in short numbers, then it gets very expensive. | 0:32:57 | 0:33:02 | |
The estimates are around £80-£150 per set of soldiers, so do you think it might go for more than that? | 0:33:02 | 0:33:06 | |
Yeah, I think they'll go for at least that. If some are rare, then it'll get interesting. | 0:33:06 | 0:33:12 | |
So let's see how the whole lot goes. | 0:33:12 | 0:33:14 | |
-There's lots to go at. -OK. -But what a fantastic thing. -Right, we'll keep our eyes on that, then. Come on. | 0:33:14 | 0:33:19 | |
Having regained our composure after the first half, we take up our positions at the back of the room. | 0:33:20 | 0:33:25 | |
And first under the hammer is the oriental cabinet | 0:33:25 | 0:33:28 | |
that Mary thinks is worthless, | 0:33:28 | 0:33:30 | |
but Paul disagrees to the tune of £80-£120. | 0:33:30 | 0:33:34 | |
-Paul, do you think they'll make the money on this? -Yes. It fits in with the modern style. | 0:33:34 | 0:33:38 | |
-It's quite minimalist. -I don't think so. -You don't like it at all. | 0:33:38 | 0:33:42 | |
You really don't like this, do you? Goodness gracious. | 0:33:42 | 0:33:45 | |
£50. Who'll start me at £50? I'll pass the lot. £50 for it. | 0:33:45 | 0:33:48 | |
No-one likes it at £50? No-one wants to buy it at £50, then? | 0:33:48 | 0:33:51 | |
Don't like it? No bids, sorry. No bids. | 0:33:51 | 0:33:54 | |
-Oh, no! -There you go. -You've jinxed it! You said you didn't like it and nobody else here likes it either! | 0:33:54 | 0:34:00 | |
So the room agrees with Mary | 0:34:00 | 0:34:01 | |
and it was only a brief reprieve for the cabinet | 0:34:01 | 0:34:04 | |
which will be heading back home to an uncertain fate. | 0:34:04 | 0:34:07 | |
When the cabinet didn't go, I thought, "Well, I'm not surprised because it was really for the tip," | 0:34:07 | 0:34:15 | |
and everyone kept saying how much they liked it. I thought, "How could they like it?!" | 0:34:15 | 0:34:20 | |
I thought it was really awful. But I'm sorry it didn't go because I've got to cart it home! | 0:34:20 | 0:34:27 | |
But Mary's much more hopeful about the next item, the wristwatches | 0:34:27 | 0:34:31 | |
and fob watch owned by husband Bob | 0:34:31 | 0:34:34 | |
that Paul hopes will break the £100 barrier. | 0:34:34 | 0:34:37 | |
Three watches here, number 50A - an Art Deco | 0:34:37 | 0:34:39 | |
gentleman's gold wristwatch, an Avia gold watch | 0:34:39 | 0:34:43 | |
and a gold enamelled fob watch. | 0:34:43 | 0:34:45 | |
Start me cheap at £50 for the lot. £50? A bid of £50. Say 55? | 0:34:45 | 0:34:48 | |
It's in front of me at £50. 55. 60. | 0:34:48 | 0:34:51 | |
5. 70. | 0:34:51 | 0:34:53 | |
5. 80. | 0:34:53 | 0:34:55 | |
5. 90. | 0:34:55 | 0:34:57 | |
5. 100. 110. | 0:34:57 | 0:34:59 | |
120. 130. 140. | 0:34:59 | 0:35:01 | |
150. 160. | 0:35:01 | 0:35:03 | |
150's bid. I'm selling for 150. 160. 160 over there. 170? | 0:35:03 | 0:35:07 | |
Do I see a bid at 170? 180? 180. | 0:35:07 | 0:35:10 | |
190. 200. | 0:35:10 | 0:35:12 | |
Goodness gracious! | 0:35:12 | 0:35:14 | |
210. 220? | 0:35:14 | 0:35:15 | |
At £210, near the doorway. At £210. Are we done at 210? | 0:35:15 | 0:35:19 | |
Are you waving or not? No, at £210. Selling at 210. | 0:35:19 | 0:35:22 | |
-Yes! -Well done. Yeah, very good. -That's superb, isn't it? | 0:35:22 | 0:35:27 | |
-That's made up for the chest. -Yes, absolutely. | 0:35:27 | 0:35:30 | |
That's brilliant. Those are great items. I would love one of those myself - vintage watches... | 0:35:30 | 0:35:34 | |
-Oh, why didn't you say? I'd have treated you! -Oh, well. -If only I'd known. | 0:35:34 | 0:35:38 | |
Sorry, Paul, if you want something, you're going to have to be | 0:35:38 | 0:35:41 | |
a bit quicker with the hints. Instead, the keen bidding | 0:35:41 | 0:35:44 | |
has more than doubled the estimate, | 0:35:44 | 0:35:46 | |
giving us our best result so far today. | 0:35:46 | 0:35:48 | |
When the watches sold, I couldn't believe the price that I got for them. Inwardly, I thought, "Wow!" | 0:35:48 | 0:35:55 | |
you know, and I thought, "Well, that was terrific," | 0:35:55 | 0:35:58 | |
cos that was so unexpected, and I was really pleased. | 0:35:58 | 0:36:01 | |
Well, let's hope our luck holds out as next up is one of our star lots - | 0:36:01 | 0:36:06 | |
the heavy mesh gold bracelet that Paul found in a drawer in the hall. | 0:36:06 | 0:36:10 | |
Two bits in the lot, a bit of weight there as well. £200? | 0:36:10 | 0:36:13 | |
£100? | 0:36:15 | 0:36:16 | |
I'm bid £100. 110. 120. 130. | 0:36:16 | 0:36:19 | |
140. 150. 160. | 0:36:19 | 0:36:21 | |
170. 180. 190. | 0:36:21 | 0:36:23 | |
200. 210. 220? A bid at £210. | 0:36:23 | 0:36:27 | |
Say 220? New bidder. | 0:36:27 | 0:36:28 | |
-230? -230! -A new bidder at £220. | 0:36:28 | 0:36:32 | |
At 220. Last chance but going for 220. | 0:36:32 | 0:36:34 | |
At 220, last chance is gone then. All out? | 0:36:34 | 0:36:36 | |
-220, that's fantastic. -That is, yeah. -That's great. -Excellent. | 0:36:36 | 0:36:42 | |
Paul was spot-on there with the sale coming in | 0:36:42 | 0:36:44 | |
pretty much in the middle of his estimate, | 0:36:44 | 0:36:46 | |
but that's not the only thing he's got right. | 0:36:46 | 0:36:49 | |
As the toy soldiers go under the hammer, most sell around the £80-£120 mark, except for two lots | 0:36:49 | 0:36:54 | |
of mint Royal Marines which, after some feverish bidding, | 0:36:54 | 0:36:58 | |
finally sell for £210 and £260. Let's hope the excitement continues | 0:36:58 | 0:37:03 | |
with our next item - these three rings. We're looking for around £80. | 0:37:03 | 0:37:09 | |
Right, our next lot is the rings. We've got quite a collection - two gold rings, including a signet ring, | 0:37:09 | 0:37:14 | |
-dress ring and a "white metal" ring. What does that mean? -Platinum it is. -Platinum? -There we go. | 0:37:14 | 0:37:20 | |
-Why have they put "white metal" then? -Because it possibly wasn't stamped. | 0:37:20 | 0:37:24 | |
-If the auctioneer can't see a hallmark on it, it'll say "white metal". -Oh, I know that. | 0:37:24 | 0:37:28 | |
Who'll start me at £50, please? There we go, £50. | 0:37:28 | 0:37:31 | |
£50 for a lot of three rings. £50? Is that a bid? | 0:37:31 | 0:37:34 | |
£50. 55. 60. | 0:37:34 | 0:37:36 | |
5. 70. 5. 80? | 0:37:36 | 0:37:39 | |
At £75 here. | 0:37:39 | 0:37:41 | |
At £75. 80? At £75. I'm selling at 75, all done? | 0:37:41 | 0:37:44 | |
At £75, then? 252. | 0:37:44 | 0:37:47 | |
£75. That's not bad at all, is it? | 0:37:47 | 0:37:50 | |
Well, we were hoping for a little more, | 0:37:50 | 0:37:53 | |
but at just £5 under the estimate, £75 will do nicely. | 0:37:53 | 0:37:56 | |
Mary and Jan seem to be having a great time. | 0:37:56 | 0:37:59 | |
Let's hope they're still smiling when the next item goes under the hammer, | 0:37:59 | 0:38:03 | |
the aquamarine ring which Paul has valued at £100-£130. | 0:38:03 | 0:38:08 | |
-So have you worn this? -Sometimes. Not an awful lot. | 0:38:08 | 0:38:12 | |
-OK, so you're not going to miss it, then? -Not really. | 0:38:12 | 0:38:14 | |
-OK, but £100-£150 would be a nice replacement value, wouldn't it? -Yes. -Let's see if we can get that amount. | 0:38:14 | 0:38:20 | |
£100, start me for it? | 0:38:20 | 0:38:22 | |
-£80 for it? -Oh. -Oh, it's all gone quiet over there, hasn't it? £50 for it? | 0:38:22 | 0:38:28 | |
No bids at £50? I'll pass the lot. I'm bid at £50. 55? Take 5 now. | 0:38:28 | 0:38:33 | |
That's a bid? 55, thank you. 60? At £55. | 0:38:33 | 0:38:36 | |
Two bidders so far. I've got £55. Can I sell it? | 0:38:36 | 0:38:40 | |
No? Yes? No? Come and see me after. They want more than 55, so I can't sell it for that. | 0:38:40 | 0:38:44 | |
Sorry. Not sold. | 0:38:44 | 0:38:46 | |
-Oh, I am surprised that didn't sell. -That's a shame. | 0:38:46 | 0:38:50 | |
-It is but, on the other hand, did you really want it to sell for £55? -No. -Well, no, no. | 0:38:50 | 0:38:56 | |
It's a bit of a surprise not to see the ring go, | 0:38:56 | 0:38:58 | |
but we can't afford to be too downbeat | 0:38:58 | 0:39:00 | |
because we still have one item left, | 0:39:00 | 0:39:02 | |
a cracker! It's the Albert chain | 0:39:02 | 0:39:04 | |
with gold sovereign and compass which has the potential | 0:39:04 | 0:39:07 | |
to do very well indeed in a room | 0:39:07 | 0:39:09 | |
that's been keen on gold up till now. | 0:39:09 | 0:39:13 | |
Our next lot, I must admit, is one of my favourites. I think that watch chain is lovely, mainly because | 0:39:13 | 0:39:18 | |
it's got the compass on it, and I think that's a really sweet touch. So was this your late husband's? | 0:39:18 | 0:39:23 | |
-Yes. -Right. Did he used to wear it at all? -No, not at all. | 0:39:23 | 0:39:27 | |
-So just a collector's piece? -Yes. -OK. Do you like it, Paul? | 0:39:27 | 0:39:30 | |
I do but it's not the sort of thing I would wear. | 0:39:30 | 0:39:32 | |
Unless someone bought me a pocket watch for Christmas! They are lovely items. They make nice bracelets. | 0:39:32 | 0:39:37 | |
That's what people buy them for, as bracelets. And those graduated links, they're lovely quality. | 0:39:37 | 0:39:42 | |
£200? £150? A bid at £150. | 0:39:42 | 0:39:46 | |
-Here we go. -A bid here for 150. | 0:39:46 | 0:39:48 | |
160. 170. 180. | 0:39:48 | 0:39:50 | |
190. 200. And 10? At £200. | 0:39:50 | 0:39:53 | |
Bid at 200. Take 10. 210. | 0:39:53 | 0:39:55 | |
220? At £210. | 0:39:55 | 0:39:57 | |
-That's the money at £210. 220. 230. 240? -Fantastic. | 0:39:57 | 0:40:01 | |
240 here. 250. | 0:40:01 | 0:40:03 | |
260. 270. 280? It's against you. Do you want 280? | 0:40:03 | 0:40:09 | |
No. At 270. I see a bid at 270 then. At 270, all done? For 270, last chance again. | 0:40:09 | 0:40:13 | |
You've got it for 270. Are we done at 270? | 0:40:13 | 0:40:15 | |
-£270! -Yeah, lovely. -Oh, I'm so pleased for you. What a result! What a result. | 0:40:15 | 0:40:22 | |
It was the first thing Paul found in the house | 0:40:22 | 0:40:24 | |
and he was absolutely right, giving Mary | 0:40:24 | 0:40:26 | |
£20 more than even the top end valuation. | 0:40:26 | 0:40:29 | |
I have a feeling we've done pretty well today, but how well? | 0:40:29 | 0:40:34 | |
Well, that was a very interesting day because we can safely say | 0:40:34 | 0:40:37 | |
-jewellery, apart from one piece, did very well, didn't it? -Yeah, it did. | 0:40:37 | 0:40:41 | |
And you wanted £800 towards the holiday? Well, you've actually made | 0:40:41 | 0:40:45 | |
£1,155! | 0:40:45 | 0:40:47 | |
Oh, terrific! | 0:40:47 | 0:40:48 | |
-Oh, that is good. -That is good. -Yeah, lovely. | 0:40:48 | 0:40:51 | |
-That's without the ring selling. -I know. I know. -That is good. -And the Chinese cabinet. -Yeah. | 0:40:51 | 0:40:56 | |
-Two items didn't sell and still made that amount of money. -That's right. | 0:40:56 | 0:40:59 | |
-What'll you do with the extra amount? Have a nice meal out? -Possibly, yes. Something like that. | 0:40:59 | 0:41:04 | |
-Yes? Oh, I'm really pleased for you. Well done. -That's fabulous. | 0:41:04 | 0:41:07 | |
It's a couple of weeks since their fabulous day at auction and, no, | 0:41:13 | 0:41:17 | |
Mary's not setting sail for the Mediterranean just yet. | 0:41:17 | 0:41:20 | |
Instead, she's getting in the mood for her fabulous holiday to come | 0:41:20 | 0:41:23 | |
with a spot of sightseeing at one of the country's most beautiful | 0:41:23 | 0:41:26 | |
historic locations, Leeds Castle in Kent. | 0:41:26 | 0:41:30 | |
-Why is it called Leeds Castle in Kent? -It's a fair point, Jan. | 0:41:30 | 0:41:35 | |
Well, the auction was very good. It was a good experience, | 0:41:35 | 0:41:39 | |
went way above the target expected so I was very pleased. | 0:41:39 | 0:41:43 | |
There's a proposed cruise on the agenda, and I thought | 0:41:43 | 0:41:47 | |
this would be a nice way of thanking Jan for helping me. | 0:41:47 | 0:41:52 | |
We thought it would be a really nice place to come together | 0:41:52 | 0:41:56 | |
to sort of celebrate finishing off Cash In The Attic. | 0:41:56 | 0:42:00 | |
Set on the River Len in the heart of Kent, Leeds Castle | 0:42:00 | 0:42:04 | |
has been welcoming lords and ladies, and now Mary and Jan, for over 1,000 years. | 0:42:04 | 0:42:09 | |
Oh, look at this. Oh, imagine having your breakfast here. | 0:42:09 | 0:42:14 | |
Mary loves getting out and seeing the sights, | 0:42:14 | 0:42:17 | |
and the trip has certainly whetted her appetite for the incredible cruise still to come. | 0:42:17 | 0:42:23 | |
Well, it's been absolutely fantastic. The weather's held out as well, it's been great. | 0:42:23 | 0:42:27 | |
We've seen an awful lot, learnt a good bit. | 0:42:27 | 0:42:30 | |
Jan's enjoyed it, I've enjoyed it, | 0:42:30 | 0:42:32 | |
all thanks to the auction, | 0:42:32 | 0:42:34 | |
and I can't wait now to go and book a cruise for a holiday. | 0:42:34 | 0:42:38 |