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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
We're on the trail of hidden treasures around your home we can sell at auction. | 0:00:03 | 0:00:06 | |
Today, I'm in the county where I was born and brought up... | 0:00:06 | 0:00:09 | |
Hertfordshire, | 0:00:09 | 0:00:10 | |
and this is St Albans, a city with a rather unusual claim to fame. | 0:00:10 | 0:00:15 | |
It's said to have more pubs per square mile than anywhere else in England. | 0:00:15 | 0:00:20 | |
But, it's famous for so much more than that. | 0:00:20 | 0:00:22 | |
Inhabited for over 2,000 years, it was the second-largest town | 0:00:22 | 0:00:26 | |
in Roman Britain, when it was known as Verulamium. | 0:00:26 | 0:00:30 | |
Its namesake, St Alban, was the first man in Britain to be martyred | 0:00:30 | 0:00:34 | |
by the Roman occupiers for his Christian beliefs. | 0:00:34 | 0:00:37 | |
The medieval clock tower is thought to be the only one of its kind in the UK. | 0:00:37 | 0:00:40 | |
Famous past residents | 0:00:40 | 0:00:42 | |
include the scientist Stephen Hawking and England footballer, Les Ferdinand. | 0:00:42 | 0:00:46 | |
And one of my old heroes, the singer Donovan, | 0:00:46 | 0:00:49 | |
is said to have learnt the guitar sitting on the steps of the clock tower. | 0:00:49 | 0:00:53 | |
What's more, with a bit of luck, there might be a few more musical treasures where we're heading next. | 0:00:53 | 0:00:58 | |
Coming up on today's Cash In The Attic, John Cameron finds something to get excited about. | 0:01:19 | 0:01:24 | |
Whoa! Now, that's something I haven't seen before. | 0:01:24 | 0:01:27 | |
I find something to get even more excited about. | 0:01:27 | 0:01:30 | |
And emotions run high on auction day. | 0:01:33 | 0:01:36 | |
Poor chap! | 0:01:36 | 0:01:37 | |
Is it because it was your dad's? | 0:01:37 | 0:01:40 | |
Well, yes. | 0:01:40 | 0:01:41 | |
So will we all be left crying? | 0:01:41 | 0:01:43 | |
Find out when the final hammer falls. | 0:01:43 | 0:01:46 | |
Well, I've popped down the road from St Albans now | 0:01:47 | 0:01:50 | |
to the village of Redbourn, and I've come here to meet | 0:01:50 | 0:01:53 | |
a couple who have called in the Cash In The Attic team | 0:01:53 | 0:01:56 | |
to help their son realise his musical ambitions. | 0:01:56 | 0:01:59 | |
This spacious four-bed semi is home to the Agate family. | 0:01:59 | 0:02:03 | |
Meet Les and Sue, and their two sons, 17-year-old Stephen and 11-year-old Jack. | 0:02:03 | 0:02:09 | |
Les and Sue met at catering college when they were just 17 and both are now professionally trained bakers. | 0:02:09 | 0:02:15 | |
Les's other love is music and it's a passion shared by their elder son, Stephen. | 0:02:15 | 0:02:20 | |
Together, they're hoping to strike a chord with our bidders at auction. | 0:02:20 | 0:02:24 | |
-Oh! -Good morning! -Ah, Jennie! How are you? -You look so dapper! | 0:02:24 | 0:02:28 | |
-I love it! You're absolutely gorgeous. Now, are you hungry? -I'm famished! Why? | 0:02:28 | 0:02:32 | |
Because they are both bakers. | 0:02:32 | 0:02:34 | |
-Fantastic! Do you think they'll have a fresh cake in the oven for us? -Well, I'm hoping so. | 0:02:34 | 0:02:38 | |
-And there's a bit of a musical thing going on today. -So that's why we're raising money? -Yeah. | 0:02:38 | 0:02:43 | |
Are you any good on the old Joanna? | 0:02:43 | 0:02:44 | |
-You remember Les Dawson? -Yeah. -Bit like that. | 0:02:44 | 0:02:47 | |
Oh, dear! Well, let's see if we can find some cash in here. | 0:02:47 | 0:02:51 | |
Good morning! How are you? | 0:02:53 | 0:02:55 | |
What's this? I noticed it when I came in. | 0:02:55 | 0:02:58 | |
Oh, it's a cake I made for you. | 0:02:58 | 0:02:59 | |
A Cash In The Attic cake! That's very kind of you. | 0:02:59 | 0:03:03 | |
Now, what are we going to be raising the money for? | 0:03:03 | 0:03:06 | |
My son is in a band. | 0:03:06 | 0:03:07 | |
We have a music room that needs doing up and we'd like to get a proper floor in there. | 0:03:07 | 0:03:11 | |
At the moment it's an old garage which has been partly converted, to make it into a decent room. | 0:03:11 | 0:03:16 | |
-What's your son's name? -Stephen. -Stephen. So he's a bit of a musician, is he? -That's right, yes. | 0:03:16 | 0:03:21 | |
Forget you're his mother... are they any good? | 0:03:21 | 0:03:24 | |
I think they're really good, Yes. | 0:03:24 | 0:03:25 | |
How much money do you think we're going to need to convert the garage? | 0:03:25 | 0:03:30 | |
-To do the floor, certainly roughly about £400. -£400? -Yes. | 0:03:30 | 0:03:33 | |
-That's a do-able target, isn't it? -Yes. -OK. Show me around then, girl. Come on, shall we go this way? | 0:03:33 | 0:03:39 | |
-If you like. -All right, come on, Les. You come too. | 0:03:39 | 0:03:42 | |
It's time to start the search here in leafy Redbourn, | 0:03:42 | 0:03:45 | |
and with ten rooms to scavenge through | 0:03:45 | 0:03:47 | |
and plenty of inherited booty hidden away, it's looking promising. | 0:03:47 | 0:03:51 | |
Luckily our expert John has an eagle eye when it comes to seeking out | 0:03:51 | 0:03:54 | |
valuable collectables, and he's already on the hunt downstairs. | 0:03:54 | 0:03:59 | |
-Whatever are you up to? -Ah-ha! I'm spying this little wee mouse here. | 0:03:59 | 0:04:03 | |
-That is cute! -It's lovely. -What can you tell me about this? | 0:04:03 | 0:04:06 | |
I think it came from my mum. She used to be a dressmaker. | 0:04:06 | 0:04:09 | |
-But what is it? -You put pins in it, I think, like a little pincushion. | 0:04:09 | 0:04:13 | |
-How many pins would go in there? -I know! -It's like one of those quiz questions. | 0:04:13 | 0:04:16 | |
It's typical of the many accessories that were available in the 19C, and earlier than that, for sewing. | 0:04:16 | 0:04:22 | |
We can see its hallmarked silver, it's been cast in two halves and it's hallmarked for Birmingham 1910. | 0:04:22 | 0:04:27 | |
Value-wise, well, I think if we put an estimate of say £80 to £120 on it, | 0:04:27 | 0:04:31 | |
we should get somebody taking a little nibble at that. | 0:04:31 | 0:04:34 | |
-Yes, that would be lovely. -And that's a very good start, actually. | 0:04:34 | 0:04:38 | |
£80 in the pot, actually that's a brilliant start, come to think of it, if the target's £400. | 0:04:38 | 0:04:42 | |
But, more to do, yeah? Come on. | 0:04:42 | 0:04:44 | |
I had an inkling it might raise some money, but I didn't realise it would be as much as that. | 0:04:44 | 0:04:48 | |
Yes, that's very good, impressed with that. | 0:04:48 | 0:04:51 | |
Hopefully this little fellow will have our bidders jumping out of their seats come auction day, | 0:04:51 | 0:04:56 | |
but we need more than one great find if we're going to reach our target | 0:04:56 | 0:04:59 | |
and get Stephen's music room finished. | 0:04:59 | 0:05:01 | |
Hidden away under the stairs, Sue comes across an exceptional | 0:05:02 | 0:05:06 | |
ebony dressing-table set she inherited from her grandmother, | 0:05:06 | 0:05:09 | |
which, together with this colourful Japanese jewellery box | 0:05:09 | 0:05:12 | |
could fetch... | 0:05:12 | 0:05:13 | |
And Les hopes his find will add another coal to the fire. | 0:05:16 | 0:05:20 | |
John! I think I may have found something here. | 0:05:20 | 0:05:24 | |
-What you got there? -Some pipes. | 0:05:24 | 0:05:26 | |
Just the one? You've got another one there, any more? | 0:05:26 | 0:05:29 | |
-I think there's something here as well. -So, who did these belong to? -Sue's grandfather. | 0:05:29 | 0:05:34 | |
They're made of meerschaum. Have you ever heard of meerschaum? | 0:05:34 | 0:05:38 | |
-It's a name that sounds familiar. -Yeah, it's a magnesium silicate, the bowl here. -Right. | 0:05:38 | 0:05:42 | |
It's found around Turkey and it's actually fairly unusual to see them so plain. | 0:05:42 | 0:05:48 | |
You will most commonly see them intricately carved with faces | 0:05:48 | 0:05:52 | |
and things like that | 0:05:52 | 0:05:53 | |
and those novelty pipes are quite sought after. | 0:05:53 | 0:05:56 | |
It is nice that these have retained their original fitted cases, | 0:05:56 | 0:05:59 | |
-and that one there has its little silver mount, which is quite nice. -Yes. | 0:05:59 | 0:06:03 | |
Value-wise, we're not talking any huge sums and I would suggest an estimate of about £20. | 0:06:03 | 0:06:08 | |
-Yes. -Do you think Sue would be happy for us to sell her grandfather's pipes? -I'm sure she would. | 0:06:08 | 0:06:13 | |
Smoking's very unpopular now, so perhaps I'm not that surprised, and as John said they were a plain pipe. | 0:06:13 | 0:06:21 | |
Well, we're more than a quarter of a way there, with a potential £125 towards our target. | 0:06:21 | 0:06:26 | |
But there's no time to waste if we're going to kit out our wannabe rock star | 0:06:26 | 0:06:30 | |
with his very own practice room. | 0:06:30 | 0:06:32 | |
Determined to do my bit, I find this old stereoscopic viewer, | 0:06:32 | 0:06:36 | |
complete with picture cards, old postcards and a map of London. | 0:06:36 | 0:06:40 | |
These 3D viewfinders became hugely popular in the Victorian era. | 0:06:40 | 0:06:43 | |
On a roll, I leave John to the search and steal Les and Sue away for a not-so-musical interlude. | 0:06:48 | 0:06:54 | |
Hello! Your husband's quite a musician, isn't he? | 0:06:59 | 0:07:03 | |
Tell me, Sue, when you're cross with him or with Stephen, do you come in, in secret, and have a right old... | 0:07:03 | 0:07:08 | |
-No, I don't actually. -No? -I should try it, shouldn't I? | 0:07:09 | 0:07:12 | |
You should, I would recommend it. Well, you're really good, Les. Were you in a band? | 0:07:12 | 0:07:15 | |
-Yes, a three-piece band. -Did he serenade you? Is that what attracted you to him? -Well, not with music, no. | 0:07:15 | 0:07:21 | |
-Not at the time, no. -How did you meet? | 0:07:21 | 0:07:25 | |
We actually met at catering college, when we were younger. | 0:07:25 | 0:07:27 | |
Well, you're obviously very good bakers and experienced, so who make the wedding cake? | 0:07:27 | 0:07:33 | |
Jennie, me and Sue, we had a bit of a partnership there and I partly did... | 0:07:33 | 0:07:37 | |
The fruit cake came from the bakery I worked from and Sue did the majority of the icing, to finish it all off. | 0:07:37 | 0:07:43 | |
-Was it good? -Yeah, it was a fabulous cake. | 0:07:43 | 0:07:45 | |
-You haven't lived in this house very long, have you? -No. | 0:07:45 | 0:07:48 | |
-Just under two years. -Two years, and this was a garage, it's now sort of half converted. | 0:07:48 | 0:07:52 | |
-Half converted, yeah. -What else is it that you want to do with it? -We want to turn it into a proper music room. | 0:07:52 | 0:07:58 | |
We want to put a floor in, that's the initial thing we want to do. | 0:07:58 | 0:08:02 | |
Now, Sue, you have not said those words, I haven't heard you say "More! More!" Why is that? | 0:08:02 | 0:08:07 | |
Play ourselves out. | 0:08:07 | 0:08:09 | |
Oh, dear! I do hope Les and Sue have sympathetic neighbours | 0:08:14 | 0:08:18 | |
and Stephen and his band, Small Town Explosion, hit all the right notes for this small town's sake. | 0:08:18 | 0:08:25 | |
There's no stopping me now, I've caught the music bug, | 0:08:25 | 0:08:28 | |
but downstairs it looks as if John's got tea and cake on the mind. | 0:08:28 | 0:08:33 | |
He's stumbled upon this pretty floral ceramic crockery set. | 0:08:33 | 0:08:36 | |
And Sue has carefully unwrapped her great-auntie's china collection, hoping she can swap crests for cash. | 0:08:39 | 0:08:47 | |
Is he an air traffic controller or something? | 0:08:47 | 0:08:49 | |
I don't know, he looks more like a telephone operator or something. | 0:08:49 | 0:08:54 | |
They've all got place names, then? | 0:08:54 | 0:08:56 | |
-Yes. -Where are they all from? -All over the place, all over round the UK, I think. | 0:08:56 | 0:09:00 | |
Well, ladies, I can't tell you how glad I am to see this china unwrapped. So, who had to do it all? | 0:09:00 | 0:09:06 | |
-Me. -Was it all in the attic then? | 0:09:06 | 0:09:08 | |
-Yes. -All wrapped up? -Yes, in little tiny bits, yes. -Oh! | 0:09:08 | 0:09:11 | |
These are very, very typical of collectables of the late 19th century and early 20th century. | 0:09:11 | 0:09:16 | |
It's collectively known as Goss Crested China. | 0:09:16 | 0:09:19 | |
W H Goss were the first factory to produce them in Stoke-on-Trent, and they were cashing in on the growth | 0:09:19 | 0:09:25 | |
of the tourist industry, so people would go off for the weekend | 0:09:25 | 0:09:29 | |
to seaside resorts all around the country | 0:09:29 | 0:09:31 | |
and they would come back with a little memento, with a crest on of where they'd been. | 0:09:31 | 0:09:35 | |
Now, they are still collectable these days but you do see a lot | 0:09:35 | 0:09:38 | |
of the kind of normal items, like these little jugs and vases here with the crests on. | 0:09:38 | 0:09:43 | |
So, collectors these days tend to be looking for something a little different, perhaps a rare crest | 0:09:43 | 0:09:48 | |
or a rare model or a nice combination, | 0:09:48 | 0:09:50 | |
and I can see several here that I think will attract people, | 0:09:50 | 0:09:54 | |
not least these monuments and this little telephone operator here. | 0:09:54 | 0:09:57 | |
For the lot at auction today, I see it at about £40 to £60. | 0:09:57 | 0:10:01 | |
Oh, lovely! That'll be nice. | 0:10:01 | 0:10:03 | |
Well, I'm getting out of here quickly, before it's time to wrap this stuff up. | 0:10:03 | 0:10:07 | |
-Good idea. -I'll leave that to you, Sue. -Thanks(!) | 0:10:07 | 0:10:10 | |
'Charming(!) What a gentleman! | 0:10:10 | 0:10:12 | |
'I don't know. But on the plus side, we are progressing nicely towards our target. | 0:10:12 | 0:10:16 | |
'With plenty of rooms left to search, the sky's the limit and Les thinks | 0:10:16 | 0:10:21 | |
'he might have just the ticket with this nine-carat gold watch chain, | 0:10:21 | 0:10:25 | |
'which John values at £70 to £90. | 0:10:25 | 0:10:29 | |
'Fingers crossed it will get hands twitching come auction day. | 0:10:29 | 0:10:33 | |
'Back in the kitchen, Sue has found something else to throw into the mix that she hopes will appeal to John.' | 0:10:33 | 0:10:39 | |
-How about these? Do you think they'd be worth selling? -Let's have a look. | 0:10:39 | 0:10:42 | |
-Now that, I like, but we'll come back to that. -Right. -First, let's look at this bowl. | 0:10:42 | 0:10:47 | |
It's an Edwardian bowl, with decoration typical of that period, what we call the Rococo Revival. | 0:10:47 | 0:10:52 | |
It's a rose bowl or sugar bowl, and if you flip it up, on the bottom, we can see | 0:10:52 | 0:10:56 | |
it is hallmarked. We've got its assay mark. There's a Chester mark there and a date letter for 1904. | 0:10:56 | 0:11:01 | |
I think at auction we'd be looking at about £50 to £70, something like that. | 0:11:01 | 0:11:06 | |
-That'd be lovely. -Would you be happy to sell it? | 0:11:06 | 0:11:08 | |
Yeah, for that price, that'll be fine. | 0:11:08 | 0:11:11 | |
There's one lot, but this, now this looks like something that I really like. So, you don't use this? | 0:11:11 | 0:11:17 | |
I haven't, personally, no. | 0:11:17 | 0:11:18 | |
It's silver-plated, stainless steel on the inside. It's great. | 0:11:18 | 0:11:22 | |
Take the top off there. | 0:11:22 | 0:11:25 | |
Whoa! Now look at that! Now, that's something I haven't seen before. A lemon squeezer. How ingenious! | 0:11:25 | 0:11:30 | |
That's quite a nice fit as well. It's a nice thing. | 0:11:30 | 0:11:33 | |
How much do you think that one is worth? | 0:11:33 | 0:11:36 | |
I'd say probably about £30 to £40, something like that, but what I would suggest | 0:11:36 | 0:11:40 | |
is putting them together as one lot for about £80 to £120, and hopefully we'll create some competition. | 0:11:40 | 0:11:46 | |
-The person that wants that will have to bid against the person that wants the bowl. -Good. | 0:11:46 | 0:11:51 | |
I think it's only right that we test this before it goes to auction, | 0:11:51 | 0:11:54 | |
-because we won't get another chance. How about I mix you a nice Cosmopolitan? -Oh, yes! -Yeah? -Yeah! | 0:11:54 | 0:11:59 | |
-Let's see if Les wants one as well. -OK, great. | 0:11:59 | 0:12:02 | |
Uh-oh! This is no time to be hitting the bottle, we've still got a long way to go | 0:12:02 | 0:12:06 | |
if we're going to reach that target of £400 | 0:12:06 | 0:12:09 | |
and transform the Agate's garage into a music room for Stephen. | 0:12:09 | 0:12:13 | |
Sue uncovers her mother's nine-carat gold brooch | 0:12:13 | 0:12:16 | |
and six decorative hatpins | 0:12:16 | 0:12:19 | |
that should bring in a welcome £20 to £30 at auction. | 0:12:19 | 0:12:22 | |
And it looks as if John's caught the music bug too. With a bit of luck, | 0:12:22 | 0:12:26 | |
these three beauties should play right into our hands at auction. | 0:12:26 | 0:12:30 | |
Ah, the guitars! Yeah, and a banjo. | 0:12:30 | 0:12:32 | |
I'm hoping these aren't your son's guitars that I've raided here. | 0:12:32 | 0:12:37 | |
- No. - That used to belong to my Uncle Ron | 0:12:37 | 0:12:40 | |
and I learned to play guitar on that when I was very young. | 0:12:40 | 0:12:43 | |
Tell me about these two pieces here. Tell me about the mandolin and the banjo. | 0:12:43 | 0:12:48 | |
The mandolin, that came from my brother and he's an avid car boot sale collector. | 0:12:48 | 0:12:52 | |
-And the banjo? -It came from my granddad on my dad's side. -The mandolin is typically Italian, | 0:12:52 | 0:12:57 | |
Neapolitan school, and they do turn up a fair bit at auction. And the banjo... I just love these. | 0:12:57 | 0:13:03 | |
These were very popular in America at the beginning of the 20th century. | 0:13:03 | 0:13:07 | |
But this one is interesting. | 0:13:07 | 0:13:09 | |
On the surface of things, yes, we can see it's quite nice quality, | 0:13:09 | 0:13:14 | |
it's got rosewood sides and a two-piece rosewood back. | 0:13:14 | 0:13:17 | |
There's some nice mother of pearl and ivory pieces on there, but the | 0:13:17 | 0:13:22 | |
most interesting part of all is the little paper label on the inside. | 0:13:22 | 0:13:27 | |
On there, we can see the maker's name. It's Louis Panormo. | 0:13:27 | 0:13:31 | |
Now, he was of Italian descent but was born in Paris and came | 0:13:31 | 0:13:35 | |
from a family of musical instrument makers, especially stringed instruments. | 0:13:35 | 0:13:39 | |
We've got his name in there, "fecit", | 0:13:39 | 0:13:41 | |
"made it", and we can see "Anno 1832". | 0:13:41 | 0:13:45 | |
Well, for those two there, I suggest an estimate of about £50 to £100 | 0:13:45 | 0:13:50 | |
for the mandolin and the banjo, but for this, even in this condition, | 0:13:50 | 0:13:53 | |
I'd be hoping to get about £250 to £350 for it, and who knows what else more. | 0:13:53 | 0:13:58 | |
-That's good news. -Does that sound good? -Absolutely. | 0:13:58 | 0:14:01 | |
It helps us along, because I can give you the grand total now. That's the end of our rummaging. | 0:14:01 | 0:14:06 | |
You were looking for £400, so that you can do up at least the floor of your garage. | 0:14:06 | 0:14:10 | |
The target we think that you'll get at auction now, the sum you will get, is £695. | 0:14:10 | 0:14:16 | |
Oh, now that would be good! | 0:14:16 | 0:14:19 | |
It was great fun being with you, and we'll pack everything up now | 0:14:19 | 0:14:22 | |
-and see you at the auction. -All right then. | 0:14:22 | 0:14:26 | |
Well, we've had a rocking day here in Redbourn, | 0:14:26 | 0:14:29 | |
and fingers crossed our finds will have the bidders reaching into their pockets come auction day. | 0:14:29 | 0:14:35 | |
We're taking the silver cocktail shaker and Edwardian bowl with us, | 0:14:35 | 0:14:38 | |
which John hopes will fetch £80 to £120. | 0:14:38 | 0:14:42 | |
Also, a stereoscopic viewer, | 0:14:42 | 0:14:44 | |
complete with picture cards, priced at £40 to £60. | 0:14:44 | 0:14:47 | |
The novelty silver pin cushion, | 0:14:47 | 0:14:50 | |
priced at £80 to £120, and the mandolin, banjo | 0:14:50 | 0:14:54 | |
and old Spanish guitar which, | 0:14:54 | 0:14:55 | |
together as one lot, John thinks could bring in £300 to £450. | 0:14:55 | 0:15:01 | |
-80! -Still to come on Cash In The Attic, Sue and Les are pleasantly surprised! | 0:15:01 | 0:15:06 | |
-That's really good. -I'm impressed. -And one of our lots goes missing. | 0:15:06 | 0:15:11 | |
-It's behind you! -Will all be lost when the final hammer falls? | 0:15:11 | 0:15:15 | |
Well, did we have fun with Sue and Les, and today we've brought all | 0:15:22 | 0:15:25 | |
their collectables here to Blyth & Co, at Ely in Cambridgeshire. | 0:15:25 | 0:15:29 | |
They want to finish the conversion of that garage to make it into a lovely music room | 0:15:29 | 0:15:34 | |
and they need £400 to do it, so let's hope there are some | 0:15:34 | 0:15:37 | |
big bidders here today when their items go under the hammer. | 0:15:37 | 0:15:40 | |
The sun's shining here in Cambridgeshire and our bidders are out in force. | 0:15:42 | 0:15:47 | |
With such a fantastic selection of items on show, let's hope they're | 0:15:47 | 0:15:51 | |
eager to part with their cash. | 0:15:51 | 0:15:53 | |
One man who's convinced Les and Sue's items will be a hit with the bidders today is our expert, John. | 0:15:53 | 0:15:59 | |
-Good morning! -Good morning, Jennie! -You've got one of our star items. Do you think they will do well? | 0:15:59 | 0:16:04 | |
-We've got three altogether. -I'm excited about them. We've got makers' names on them | 0:16:04 | 0:16:09 | |
and that Louis Panormo guitar | 0:16:09 | 0:16:10 | |
-is quite early and I think it will generate a lot of interest. -OK, | 0:16:10 | 0:16:14 | |
-fingers crossed for that. I think the family might be over there so let's say hello. -Come on then. | 0:16:14 | 0:16:19 | |
'John's not alone in his admiration for the instruments. | 0:16:19 | 0:16:23 | |
'Our auctioneer, David Parker, fancies their chances too.' | 0:16:23 | 0:16:26 | |
The valuation on the various musical instruments is about right. | 0:16:26 | 0:16:30 | |
They are popular at the moment and achieving good prices | 0:16:30 | 0:16:33 | |
in auction generally, so I have high hopes of these. | 0:16:33 | 0:16:37 | |
Keen to get started, Les and Sue are already here, making sure their | 0:16:37 | 0:16:41 | |
antiques get their place in the limelight. | 0:16:41 | 0:16:44 | |
-Hi, Les! -Hello! | 0:16:44 | 0:16:46 | |
-Are you saying a fond farewell? -Yes, saying farewell to my mum's silver. | 0:16:46 | 0:16:50 | |
Have you put a reserve on those because they are lovely? | 0:16:50 | 0:16:53 | |
-£60 for the pair, so they're in a lot together. -Is that the only item? | 0:16:53 | 0:16:57 | |
There's one on the silver mouse and the Spanish guitar. | 0:16:57 | 0:17:00 | |
OK, so how much have you put on those? | 0:17:00 | 0:17:02 | |
On the Spanish guitar, we did 300, and £80 on the mouse. | 0:17:02 | 0:17:06 | |
-That's fair enough. -Yes, we're right on the bottom estimate and they should get away OK. | 0:17:06 | 0:17:11 | |
They are about to begin, so let's get a good spot. | 0:17:11 | 0:17:14 | |
-OK. -OK, thank you. -Let's hope those reserves will be met, and some. | 0:17:14 | 0:17:17 | |
Now, remember, if you're interested in selling or buying at auction, | 0:17:17 | 0:17:22 | |
bear in mind you will have to pay commission, VAT and other charges. | 0:17:22 | 0:17:25 | |
There are plenty of eager enthusiasts here, and it looks as if | 0:17:25 | 0:17:29 | |
our stereoscopic viewer has caught someone's eye already. | 0:17:29 | 0:17:32 | |
I do hope they decide to bid for it. | 0:17:32 | 0:17:36 | |
It's time to file into place for the first lot of the day - | 0:17:37 | 0:17:40 | |
the poppy print ceramic plate set. | 0:17:40 | 0:17:42 | |
Will it reach John's £20 to £30 estimate? | 0:17:42 | 0:17:45 | |
A ceramic plate set showing... Where is it? Have you got it? | 0:17:46 | 0:17:50 | |
-It's down there! -We've lost them. They're that way! | 0:17:50 | 0:17:53 | |
-Over there! -It's behind you! £10, straight in. | 0:17:53 | 0:17:58 | |
Ten I'm bid. At ten. I'll take two now, 12, 15... | 0:17:58 | 0:18:03 | |
Stick with it, madam. 18, back over this side. | 0:18:03 | 0:18:06 | |
At £18, I sell with the lady on my right at 18. | 0:18:06 | 0:18:09 | |
20, at 20 now, don't lose it! | 0:18:09 | 0:18:11 | |
22, new bidder. At 22. 25, | 0:18:11 | 0:18:14 | |
25, I sell over here, in the red, at £25... | 0:18:14 | 0:18:19 | |
-Hey! £25. -Bang in the middle of your lower and higher estimates. | 0:18:20 | 0:18:25 | |
-Yeah, it's OK. -It's a good start, and £5 over John's lower estimate. | 0:18:25 | 0:18:30 | |
Les and Sue will be singing all the way to the bank if this carries on. | 0:18:30 | 0:18:34 | |
Let's hope our next bid doesn't burst their bubble. | 0:18:34 | 0:18:36 | |
It's Sue's mother's six hatpins | 0:18:36 | 0:18:39 | |
and nine-carat gold brooch, with a joint price tag of £20 to £30. | 0:18:39 | 0:18:43 | |
-At 45 down here. -Come on! | 0:18:43 | 0:18:46 | |
-Very good! -£45, that wasn't bad! | 0:18:46 | 0:18:51 | |
Sold! And for £15 over John's higher estimate. | 0:18:51 | 0:18:55 | |
Next up is the nine-carat gold | 0:18:55 | 0:18:56 | |
watch chain, which John valued at £70 to £90, | 0:18:56 | 0:19:01 | |
and our bidders are wasting no time getting their hands on it. | 0:19:01 | 0:19:04 | |
At £75, I think you mean 80! | 0:19:04 | 0:19:07 | |
It'll look better than that necklace! 75, 80? | 0:19:07 | 0:19:10 | |
Go to 80! At 75. | 0:19:10 | 0:19:14 | |
Ah, insulting the necklace didn't work then! | 0:19:14 | 0:19:16 | |
What a lovely necklace you've got, madam! This would complement it! | 0:19:16 | 0:19:21 | |
I sell at 75... | 0:19:21 | 0:19:24 | |
-That's OK. -Yes, that's very good. | 0:19:25 | 0:19:27 | |
Another good result and within John's £70 to £90 estimate. | 0:19:27 | 0:19:32 | |
Will the silver cocktail shaker and Edwardian bowl do equally well? | 0:19:32 | 0:19:37 | |
Their price tag is £80 to £120. | 0:19:37 | 0:19:40 | |
50, two. At 52, 55, 58, 60. | 0:19:41 | 0:19:46 | |
It goes with the lady at 60... | 0:19:46 | 0:19:50 | |
The shaker and silver bowl may have come in £20 under estimate | 0:19:50 | 0:19:54 | |
but £60 is still a welcome addition to the pot. | 0:19:54 | 0:19:57 | |
So far we've made steady progress, but it's not over yet. | 0:19:57 | 0:20:02 | |
With our total standing at just over £200, we still need to double our money | 0:20:02 | 0:20:07 | |
for Sue and Les to put the finishing touches to that music room. | 0:20:07 | 0:20:11 | |
So, what luck will we have with the ebony dressing table set | 0:20:11 | 0:20:14 | |
and Japanese jewellery box? | 0:20:14 | 0:20:17 | |
Is that it? Goes at £20. | 0:20:17 | 0:20:19 | |
-Not bad, hey? -No, at least I haven't got to pack it up again. | 0:20:19 | 0:20:23 | |
Yeah, quite right! | 0:20:23 | 0:20:24 | |
Well, Sue may be happy but we can't afford to make too many more losses. | 0:20:24 | 0:20:28 | |
Perhaps the collection of crested china that's been wrapped | 0:20:30 | 0:20:33 | |
and unwrapped numerous times of late will do the trick. | 0:20:33 | 0:20:36 | |
Couple of quid I'm bid, two, three, three only, done then at £3. | 0:20:36 | 0:20:40 | |
Take £4 now. Four, five, six, seven, eight, nine, | 0:20:40 | 0:20:44 | |
ten, 12...? | 0:20:44 | 0:20:47 | |
-Unsold. -Oh, dear! | 0:20:47 | 0:20:49 | |
-I'm shocked! Only £12, the highest bid, that's ridiculous! -Oh, no! | 0:20:49 | 0:20:53 | |
It looks as if Les and Sue will have to wrap it all up yet again. | 0:20:53 | 0:20:57 | |
Let's hope there are some smoking paraphernalia enthusiasts here | 0:20:57 | 0:21:00 | |
because we need these two meerschaum pipes to reach John's estimate. | 0:21:00 | 0:21:05 | |
12 anywhere? At £10 only, are you all done then at £10? | 0:21:05 | 0:21:08 | |
Finished at £10. | 0:21:08 | 0:21:10 | |
Not sold, I'm afraid. | 0:21:10 | 0:21:12 | |
-He hasn't sold them. -He didn't sell them. -No. | 0:21:12 | 0:21:15 | |
Another disappointment as the pipes go unsold, | 0:21:15 | 0:21:18 | |
and with a mere £225 | 0:21:18 | 0:21:21 | |
towards the music room fund and only three items left to sell, | 0:21:21 | 0:21:26 | |
the heat is definitely on. | 0:21:26 | 0:21:28 | |
We need our next lot to raise the roof if we're going to get anywhere near our target of £400. | 0:21:28 | 0:21:35 | |
Surely the stereoscopic viewer and picture cards will find a buyer. | 0:21:35 | 0:21:39 | |
-We're hoping £2 turns into £40? -Yes, hopefully. -OK. | 0:21:41 | 0:21:43 | |
Tenner! £10, I'm bid. | 0:21:43 | 0:21:45 | |
10, 12, 15, 18, 20, | 0:21:45 | 0:21:47 | |
22, 25, 28, 30, | 0:21:47 | 0:21:50 | |
32, 35, 38, 40. | 0:21:50 | 0:21:52 | |
At £40 over here. 42. | 0:21:52 | 0:21:54 | |
Wow! That's really good, wow! | 0:21:54 | 0:21:58 | |
55, 60, 65. | 0:21:58 | 0:22:01 | |
-80, 85, 90. -Keep going! Keep going! | 0:22:04 | 0:22:08 | |
100, 110, 120, | 0:22:08 | 0:22:13 | |
-130, 140. -Good Lord! | 0:22:13 | 0:22:15 | |
-With the lady at £150. -Wahey! -That's a good one. | 0:22:16 | 0:22:20 | |
What do you think about that? Give me your reaction. | 0:22:20 | 0:22:23 | |
I think that's really good, I'm really impressed. | 0:22:23 | 0:22:25 | |
That's more like it and over double John's higher estimate. | 0:22:25 | 0:22:28 | |
Well, it looks as if our luck might be changing. | 0:22:28 | 0:22:31 | |
Let's hope the silver mouse pin cushion | 0:22:31 | 0:22:33 | |
doesn't turn out to be an unlucky rat after all. | 0:22:33 | 0:22:37 | |
80. Down here at 80. Take 5 now. | 0:22:37 | 0:22:38 | |
Yes! £80. | 0:22:38 | 0:22:40 | |
I'll sell down here at 80. | 0:22:40 | 0:22:42 | |
85...90...95...100. | 0:22:42 | 0:22:47 | |
I sell down here at £120. | 0:22:47 | 0:22:50 | |
Yeah! Well done! | 0:22:51 | 0:22:53 | |
What a terrific result and bang on John's higher estimate. | 0:22:54 | 0:22:58 | |
That's certainly turned the tables. | 0:22:58 | 0:23:01 | |
Perhaps our final lot will prove to be the icing on the cake | 0:23:01 | 0:23:05 | |
for Les and Sue. With a joint estimate of £300, | 0:23:05 | 0:23:08 | |
will the mandolin, banjo and Spanish guitar | 0:23:08 | 0:23:12 | |
have us dancing in the street, or singing the blues? | 0:23:12 | 0:23:15 | |
I've seen a few people milling around this and I'm hoping | 0:23:15 | 0:23:18 | |
they're still in the room, tucked away in the corner. | 0:23:18 | 0:23:21 | |
Let's start at a reasonable price. Let's start at £100. | 0:23:21 | 0:23:24 | |
100 I'm bid, 110, | 0:23:24 | 0:23:26 | |
120, 130, 140. | 0:23:26 | 0:23:30 | |
Down here at 150, | 0:23:30 | 0:23:31 | |
160, 170, 180, 190. | 0:23:31 | 0:23:35 | |
At 190, 200, | 0:23:35 | 0:23:37 | |
210, 220, 230. | 0:23:37 | 0:23:40 | |
It's against the phone, 240, | 0:23:40 | 0:23:42 | |
250, 260, | 0:23:42 | 0:23:45 | |
270, 280, | 0:23:45 | 0:23:47 | |
290, 300. | 0:23:47 | 0:23:50 | |
At 300 now, with this phone, at £300. | 0:23:50 | 0:23:54 | |
310...320. | 0:23:54 | 0:23:57 | |
-330, 340, 350. -350! -360, | 0:23:57 | 0:24:03 | |
370, 380. | 0:24:03 | 0:24:07 | |
-Come on, come on! -390, | 0:24:07 | 0:24:08 | |
400, 410. | 0:24:08 | 0:24:10 | |
410, this side at 410. | 0:24:10 | 0:24:13 | |
At 410, I sell on this phone. | 0:24:13 | 0:24:15 | |
You're out on the other phone and you're out seated. | 0:24:15 | 0:24:17 | |
Over here at £410. | 0:24:17 | 0:24:20 | |
-Yeah! -Whoa! -Yes! | 0:24:22 | 0:24:24 | |
Brilliant, that's really well done! | 0:24:25 | 0:24:27 | |
-Well done. -Oh, you're feeling very sad! Oh! | 0:24:27 | 0:24:31 | |
Oh, I'm sorry. You poor chap. | 0:24:31 | 0:24:34 | |
Is it because they were your dad's? | 0:24:34 | 0:24:35 | |
-Well, yes. -Yeah, aw! | 0:24:35 | 0:24:38 | |
You did want to sell them? | 0:24:38 | 0:24:40 | |
-Oh, yes. No, it's just sentimental. -Of course. | 0:24:40 | 0:24:45 | |
It's clearly a wrench for Les to part with them | 0:24:45 | 0:24:47 | |
but they've made a stunning £410, so it's really a case of tears of joy. | 0:24:47 | 0:24:54 | |
Well, what a day! Huh? | 0:24:54 | 0:24:55 | |
-How have you enjoyed your auction? -I think that was brilliant. | 0:24:56 | 0:24:59 | |
You were looking for £400 | 0:24:59 | 0:25:01 | |
so that you can get on with the conversion of that garage. | 0:25:01 | 0:25:04 | |
You won't be surprised to know you've made that | 0:25:04 | 0:25:07 | |
because the guitars made that anyway. | 0:25:07 | 0:25:09 | |
I can tell you you've actually made £905! | 0:25:09 | 0:25:13 | |
-Really? -That's really good. Thank you both. | 0:25:13 | 0:25:15 | |
-We've really enjoyed it and thanks. -That's really good. | 0:25:15 | 0:25:18 | |
A couple of weeks later, the floor to the new music room is going down | 0:25:22 | 0:25:26 | |
and not a minute too soon. | 0:25:26 | 0:25:27 | |
The floor's going in as we speak, it's primary that the floor | 0:25:27 | 0:25:31 | |
be put in because it's a practice room for the group. | 0:25:31 | 0:25:34 | |
They were practicing on the garage floor, which is not too good. | 0:25:34 | 0:25:37 | |
With a proper floor, it will help sort the sound out. | 0:25:37 | 0:25:39 | |
The garage, once full of clutter, is unrecognisable thanks to that £905. | 0:25:39 | 0:25:44 | |
With the new floor in place it's time to rock this joint, | 0:25:44 | 0:25:48 | |
and Stephen and his band, Small Town Explosion, | 0:25:48 | 0:25:51 | |
can't wait to start jamming. | 0:25:51 | 0:25:53 | |
The band are really looking forward to going in there and practicing. | 0:25:53 | 0:25:56 | |
It will make a big difference to their sound and obviously | 0:25:56 | 0:25:59 | |
their performance as well because they need to move around and practice | 0:25:59 | 0:26:03 | |
their stage craft as well. | 0:26:03 | 0:26:04 | |
Well, they're clearly enjoying their new venue. | 0:26:08 | 0:26:11 | |
It's been a long time coming and there's no stopping them now. | 0:26:11 | 0:26:14 | |
The floor really looks good, doesn't it? | 0:26:18 | 0:26:19 | |
I'm really pleased with the way it's gone. | 0:26:19 | 0:26:22 | |
It's great that we have a new place to practice as well. | 0:26:22 | 0:26:24 | |
It's enabled him to do a bit of song writing | 0:26:24 | 0:26:26 | |
and more time together so they can cohese together and that, yeah, so it will be really good, I think. | 0:26:26 | 0:26:32 | |
So, that's a good result for Sue and Les and an even better one for the band. | 0:26:40 | 0:26:45 | |
If you'd like to raise money for something special and think you might have | 0:26:45 | 0:26:48 | |
some valuables around your home, then why not apply to come on the show? | 0:26:48 | 0:26:52 | |
You can find all the details online at: | 0:26:52 | 0:26:55 | |
Good luck and maybe see you next time on Cash In The Attic. | 0:26:56 | 0:27:00 | |
Subtitles by Red Bee Media Ltd | 0:27:03 | 0:27:06 | |
E-mail [email protected] | 0:27:06 | 0:27:08 |