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Hello and welcome to the programme that takes you | 0:00:02 | 0:00:04 | |
into people's homes to find items with an intriguing story around them. | 0:00:04 | 0:00:08 | |
But even more important, items that we can take to auction | 0:00:08 | 0:00:11 | |
to raise money so that we can realise the dreams of the owners. | 0:00:11 | 0:00:15 | |
So the next time you're rooting around your own home, | 0:00:15 | 0:00:18 | |
why don't you think to yourself, "Maybe I have some Cash In The Attic?" | 0:00:18 | 0:00:22 | |
On today's Cash In The Attic, | 0:00:45 | 0:00:47 | |
our expert is totally flabbergasted by the location of a priceless heirloom. | 0:00:47 | 0:00:51 | |
What is it doing inside a cupboard in your dance studio?! | 0:00:51 | 0:00:55 | |
He's astounded, and he can't believe what's inside an autograph album of famous signatures. | 0:00:55 | 0:01:01 | |
It looks like it's written on a paper bag. | 0:01:01 | 0:01:03 | |
Yes, that's all we had available. | 0:01:03 | 0:01:05 | |
On auction day, will we be laughing all the way to the bank? | 0:01:05 | 0:01:08 | |
-£190, £200, £210, £220. -I'm amazed. | 0:01:08 | 0:01:13 | |
Find out what happens when that hammer falls. | 0:01:13 | 0:01:18 | |
Now, today, I'm in the very pretty area of Bexhill-on-Sea, | 0:01:18 | 0:01:21 | |
right down on the south coast of England. | 0:01:21 | 0:01:23 | |
And I'm about to visit a lady who's got a total passion for dance. | 0:01:23 | 0:01:26 | |
A bit of the old Strictly Come Dancing, you know. | 0:01:26 | 0:01:29 | |
But she also wants to make a difference to the lives of her four children. | 0:01:29 | 0:01:33 | |
Diana Freedman, who's been dancing since she was a little girl, | 0:01:33 | 0:01:38 | |
is a teacher running two dance schools. | 0:01:38 | 0:01:41 | |
One of the studios is attached to her new home. | 0:01:41 | 0:01:44 | |
It's a large Victorian house which was bought with the idea of moving in | 0:01:44 | 0:01:47 | |
her elderly parents, but very sadly, they both passed away before the renovation work was finished. | 0:01:47 | 0:01:53 | |
Her parents were avid collectors, and the house is filled with their possessions. | 0:01:55 | 0:02:00 | |
Diana lives here with her husband Robert and, of course, their dog, Jazz. | 0:02:02 | 0:02:07 | |
Today, she's joined by her friend Charlotte, who's going to help her search for those hidden treasures. | 0:02:07 | 0:02:13 | |
So, Diana, how are you? | 0:02:13 | 0:02:15 | |
You exercise the dog as well as your students, do you? | 0:02:15 | 0:02:19 | |
-Yes, that's right! -And this is Charlotte? | 0:02:19 | 0:02:21 | |
-Hello. -Are you a teacher at the school? -Yes, I am. | 0:02:21 | 0:02:24 | |
What kind of stuff do you teach? | 0:02:24 | 0:02:26 | |
Everything. Ballet, tap, modern, jazz, musical theatre. Everything. | 0:02:26 | 0:02:30 | |
-You're handy to have around, aren't you? -Oh, yes! | 0:02:30 | 0:02:33 | |
Now, why have you called in Cash In The Attic? | 0:02:33 | 0:02:35 | |
My mum and dad recently passed away, and they'd collected lots of things. | 0:02:35 | 0:02:42 | |
My father hadn't left a will, | 0:02:42 | 0:02:44 | |
but I know he wanted to leave something for the grandchildren | 0:02:44 | 0:02:48 | |
so I thought I'd call in Cash In The Attic for all their different bits and pieces. | 0:02:48 | 0:02:52 | |
Were both your parents hoarders by nature? | 0:02:52 | 0:02:55 | |
Yes, they were, and Dad used to travel abroad a lot, | 0:02:55 | 0:02:58 | |
so he was given a lot of things from different countries. | 0:02:58 | 0:03:01 | |
You obviously have a great mix of things to sell, and potentially take to auction. | 0:03:01 | 0:03:06 | |
How much money would you like to raise? | 0:03:06 | 0:03:08 | |
Well, I'd like to try to raise £1,200. | 0:03:08 | 0:03:12 | |
That's quite a lot. You're aiming high. | 0:03:12 | 0:03:14 | |
-It is quite a lot. -I know you girls are very fit, being dance instructors, | 0:03:14 | 0:03:18 | |
so you'll be able to work hard today to raise the money. | 0:03:18 | 0:03:21 | |
But James Rylands, our expert, is already plundering through cupboards and drawers, | 0:03:21 | 0:03:25 | |
so I think we should join him and see what he's found. | 0:03:25 | 0:03:28 | |
Our Sotheby's-trained consultant, James Rylands, certainly knows his stuff. | 0:03:28 | 0:03:33 | |
And it's not long before he spots the first great find. | 0:03:33 | 0:03:36 | |
Why is it I always catch you, James, sitting down? | 0:03:37 | 0:03:41 | |
Did you actually think I was going to come in my maid's outfit and serve you tea, is that the idea? | 0:03:41 | 0:03:46 | |
In my dreams, Gloria! | 0:03:46 | 0:03:47 | |
In my dreams. I've got everything here, the tea set. All that I'm lacking is the cup and saucer. | 0:03:47 | 0:03:52 | |
-Diana, you move closer because you know more about it than me. -Is this an old family tea service? | 0:03:52 | 0:03:58 | |
Yes, it's my grandmother's. | 0:03:58 | 0:04:00 | |
OK, well, I've looked at the dates and it's hallmarked 1911, 1912. Would that figure? | 0:04:00 | 0:04:04 | |
I think it would. She'd have been quite young then. | 0:04:04 | 0:04:07 | |
Quite often, funnily enough, they were actually | 0:04:07 | 0:04:10 | |
presented as wedding presents, because the idea with this is that | 0:04:10 | 0:04:15 | |
you had your teapot, your jug and your sugar basin, and they really did epitomise the social function. | 0:04:15 | 0:04:25 | |
They were important parts of what class you were. | 0:04:25 | 0:04:28 | |
-And is it solid silver? -It's solid silver, it's made in Birmingham. | 0:04:28 | 0:04:32 | |
But also on the bottom here, I can see a maker's mark. | 0:04:32 | 0:04:35 | |
Stewart Dawson Ltd. | 0:04:35 | 0:04:38 | |
Not only is it sterling silver, as opposed to plated silver, it's also by a good maker. | 0:04:38 | 0:04:43 | |
-Have you used it yourself? -I haven't. | 0:04:43 | 0:04:45 | |
-Never? -No. -Have you cleaned it much since you got it? | 0:04:45 | 0:04:47 | |
No, I haven't, I hasten to say! | 0:04:47 | 0:04:50 | |
Don't worry, Diana, because this is what we'd call "in nice, country-house condition". | 0:04:50 | 0:04:55 | |
In other words, it's not been rubbed to within an inch of its life, | 0:04:55 | 0:04:58 | |
and often that's how people like things at auction. | 0:04:58 | 0:05:01 | |
So now we come to the whole point of money, | 0:05:01 | 0:05:03 | |
-of course. -I think for the tea service in today's market, bearing in mind | 0:05:03 | 0:05:07 | |
other important things like the intrinsic value of silver, | 0:05:07 | 0:05:13 | |
it's melting at a very, very high price. | 0:05:13 | 0:05:16 | |
So we have to take that into account. | 0:05:16 | 0:05:18 | |
Value on it, I think at the moment, it's going to be around £250-£300. | 0:05:18 | 0:05:22 | |
Oh, that's wonderful. Gosh. | 0:05:22 | 0:05:24 | |
Well, that's one child taken care of! | 0:05:24 | 0:05:26 | |
THEY LAUGH | 0:05:26 | 0:05:28 | |
What a fabulous start to the day, | 0:05:29 | 0:05:33 | |
but, you know, we have a long way to go to reach that £1,200 target. | 0:05:33 | 0:05:36 | |
'In the hall, I spot a pair of Chinese cinnabar red lacquer vases. | 0:05:36 | 0:05:39 | |
'This elegant substance comes from the sap of the lacquer tree, and can be coloured | 0:05:39 | 0:05:44 | |
'by adding minerals such as cinnabar, | 0:05:44 | 0:05:46 | |
'which is an ore of mercury. They should fetch between £60-£100.' | 0:05:46 | 0:05:53 | |
Then upstairs in the bedroom, James has discovered something | 0:05:53 | 0:05:56 | |
that many of us will remember from our childhood. | 0:05:56 | 0:06:00 | |
I've got a little collection here of something | 0:06:00 | 0:06:02 | |
that everybody's heard of, Dinky Toys. | 0:06:02 | 0:06:04 | |
The firm was actually started in 1934 by Meccano, | 0:06:04 | 0:06:08 | |
which as every schoolboy knows, was a firm that made construction kits. Very, very popular. | 0:06:08 | 0:06:14 | |
Originally, these only cost around one and sixpence, which in today's money is about 7.5p. | 0:06:14 | 0:06:22 | |
But they've now become real collectors' items. | 0:06:22 | 0:06:25 | |
Just to give you some idea of how collectable these pieces are, | 0:06:25 | 0:06:30 | |
the top price paid for a single Dinky Toy is just under £20,000. | 0:06:30 | 0:06:38 | |
I'm sorry to say these aren't quite in that league, but the boxed ones | 0:06:38 | 0:06:42 | |
here in front, which probably date from the 1950s onwards, they're worth around £50-£80. | 0:06:42 | 0:06:47 | |
What have we got here? Another little collection in the box. | 0:06:47 | 0:06:50 | |
So together, I reckon we're probably looking at £200-£300. | 0:06:50 | 0:06:56 | |
So who's going to buy this collection? | 0:06:56 | 0:06:58 | |
Well, there are younger collectors, but there's still a hardcore of people | 0:06:58 | 0:07:02 | |
who are really trying to rekindle their youth. | 0:07:02 | 0:07:05 | |
All boys' stuff. On a similar toy theme, | 0:07:05 | 0:07:08 | |
Diana has found this bulldozer with a tractor and trailer. | 0:07:08 | 0:07:12 | |
They're not Dinky, | 0:07:12 | 0:07:13 | |
but that other famous British die-cast toy maker, Lesney Moko, who produced Matchbox toys. | 0:07:13 | 0:07:19 | |
We valued it at £50-£80. | 0:07:19 | 0:07:22 | |
Then on the landing, Charlotte comes across a really nice oak box. | 0:07:22 | 0:07:26 | |
It contains a 12-setting Mappin & Webb silver plate cutlery set. | 0:07:26 | 0:07:30 | |
Mappin & Webb is one of the UK's leading retailers of fine jewellery and silverware. | 0:07:30 | 0:07:35 | |
They have the Royal seal of approval, and are purveyors to both the Queen and Prince Charles. | 0:07:35 | 0:07:40 | |
Obviously, we hope that someone will fork out £150-£200 for them at auction. | 0:07:40 | 0:07:46 | |
Diana and her husband moved into this converted schoolhouse just under a year ago. | 0:07:48 | 0:07:52 | |
There's a dance studio on the ground floor where Diana teaches, | 0:07:52 | 0:07:56 | |
and a granny flat on the first floor, which was meant for her parents. | 0:07:56 | 0:07:59 | |
There are just so many rooms to explore. | 0:07:59 | 0:08:03 | |
You know, Diana, I'm almost loath to interrupt you | 0:08:04 | 0:08:07 | |
because it looks like you're having a really nostalgic moment there. | 0:08:07 | 0:08:10 | |
What are you looking at, exactly? | 0:08:10 | 0:08:12 | |
This is my daughter, Emma's wedding, which was only a few months ago. | 0:08:12 | 0:08:17 | |
I was so lucky because Mum and Dad were both there | 0:08:17 | 0:08:21 | |
at the wedding with the rest of the family, which is a lovely memory. | 0:08:21 | 0:08:24 | |
I'm sure it was a very happy day as well. | 0:08:24 | 0:08:26 | |
It was a lovely day. Wonderful day. | 0:08:26 | 0:08:28 | |
Is Emma your youngest daughter? | 0:08:28 | 0:08:30 | |
She's the middle daughter. | 0:08:30 | 0:08:32 | |
So your parents were obviously very glad to see her get married and be happy. | 0:08:32 | 0:08:36 | |
Oh, yes. Over the moon. | 0:08:36 | 0:08:38 | |
So what happened to your dad? | 0:08:38 | 0:08:41 | |
He had a silent heart attack, and was rushed into hospital about a month after the wedding. | 0:08:41 | 0:08:48 | |
He did recover from that, but unfortunately | 0:08:48 | 0:08:51 | |
picked up a chest infection and it was eventually pneumonia. | 0:08:51 | 0:08:55 | |
He couldn't fight off the infection. | 0:08:55 | 0:08:57 | |
-How old was he? -He was 92. | 0:08:57 | 0:09:00 | |
What an innings, eh? | 0:09:00 | 0:09:02 | |
-Wonderful age. -And then Mum? | 0:09:02 | 0:09:04 | |
She had to go into hospital just to have some antibiotics. | 0:09:04 | 0:09:08 | |
While she was there, she fell and broke her hip and had an operation. | 0:09:08 | 0:09:13 | |
And sadly died within about 48 hours of the operation. | 0:09:13 | 0:09:17 | |
So you lost her too? | 0:09:17 | 0:09:19 | |
-Yes. -What was the time span between Mum and Dad? | 0:09:19 | 0:09:22 | |
-It was only nine days. -Nine days?! | 0:09:22 | 0:09:25 | |
You've had such a year of it, haven't you? | 0:09:25 | 0:09:27 | |
Yes, it was so sad. | 0:09:27 | 0:09:29 | |
It's ironic that here we are, sitting right above the dance studio, | 0:09:29 | 0:09:33 | |
you can even hear the children dancing away downstairs. | 0:09:33 | 0:09:36 | |
And this is where your mum and dad were going to live with you. | 0:09:36 | 0:09:40 | |
-That's right. -The fact that your mum loved dance so much, | 0:09:40 | 0:09:43 | |
she'd love to have gone down to see the children, wouldn't she? | 0:09:43 | 0:09:46 | |
Yes. For the few weeks she was here, she did come down and see the children and the mums. | 0:09:46 | 0:09:52 | |
Diana, I'm enjoying the atmosphere and I think that I'm just going to listen | 0:09:52 | 0:09:55 | |
to the children downstairs and have a little flick through your album. | 0:09:55 | 0:09:59 | |
Such a beautiful bride, beautiful day. | 0:09:59 | 0:10:02 | |
Diana's close-knit family have clearly given her great support at this extremely difficult time. | 0:10:04 | 0:10:09 | |
She wants to raise some money to give to her four children. | 0:10:09 | 0:10:12 | |
She feels that her parents would be happy for her | 0:10:12 | 0:10:15 | |
to sell some of the things they had collected over the years, in order to do so. | 0:10:15 | 0:10:19 | |
In a box with a silver tea set, | 0:10:21 | 0:10:23 | |
Charlotte has spotted this Viennese-style painted Pekinese dog. | 0:10:23 | 0:10:27 | |
As you can see, he's wearing a fez and sitting on a Turkish carpet. | 0:10:27 | 0:10:31 | |
Classified as a cold-painted item, it's fired in a kiln, | 0:10:33 | 0:10:37 | |
usually with a clear glaze and then painted afterwards. | 0:10:37 | 0:10:39 | |
The paint, I have to warn you, tends to flake easily. | 0:10:39 | 0:10:42 | |
James reckons this little dog should fetch between £30-£50. | 0:10:44 | 0:10:48 | |
And then James comes across an old autograph album that's in very good condition. | 0:10:48 | 0:10:54 | |
What have you found there? | 0:10:54 | 0:10:56 | |
Actually, Diana, I'm hoping you can tell me. | 0:10:56 | 0:10:59 | |
It's got autographs written on the front, which always intrigues me. | 0:10:59 | 0:11:03 | |
-Where did it come from? -It was my mum's. | 0:11:03 | 0:11:05 | |
-So she collected autographs? -Yes, she did. | 0:11:05 | 0:11:08 | |
I'm just flicking through, looking for well-known signatures. | 0:11:08 | 0:11:11 | |
Most of them seem to date to the 1930s. | 0:11:11 | 0:11:13 | |
Look, here's a name to conjure with. Gracie Fields, we like that. | 0:11:13 | 0:11:19 | |
We like that a lot. Music hall star, and dated 1938, so very much in her prime. Where did that come from? | 0:11:19 | 0:11:26 | |
She probably, you know, waited outside the theatre to see her. | 0:11:26 | 0:11:29 | |
She was a great fan of hers. | 0:11:29 | 0:11:31 | |
-There's another one, you know who that is? -Tony Hancock. | 0:11:31 | 0:11:34 | |
I was there when she got that one. | 0:11:34 | 0:11:37 | |
I was there for that one. | 0:11:37 | 0:11:38 | |
-It looks as if it's written on a paper bag. -Yes, that's all we had available to ask him to write on. | 0:11:38 | 0:11:42 | |
He was one of the most popular comedians of his day. | 0:11:42 | 0:11:48 | |
-Do you know the rarest signature in the world? -No. | 0:11:48 | 0:11:52 | |
William Shakespeare. There are very, very, very few recorded signatures of his, | 0:11:52 | 0:11:57 | |
and if one just happened to come up for auction, | 0:11:57 | 0:12:01 | |
it would probably be worth about £5 million. | 0:12:01 | 0:12:03 | |
-Really? -Oh, yes. | 0:12:03 | 0:12:05 | |
I'm afraid with this, I have to knock a few noughts off, just a few. | 0:12:05 | 0:12:11 | |
I think something like this at auction would probably be worth somewhere in the region of £50-£80. | 0:12:11 | 0:12:17 | |
That's wonderful, gosh. | 0:12:17 | 0:12:19 | |
The album may not contain signatures of Shakespearean value, | 0:12:19 | 0:12:24 | |
but let's hope those auction bidders will part with a sum that would have pleased Tony Hancock. | 0:12:24 | 0:12:29 | |
-Bid me at £30 or I'll pass the lot. -£30. -Oh, no. Come on. | 0:12:29 | 0:12:33 | |
Bid! Oh, we've got two bidders. | 0:12:33 | 0:12:36 | |
But will it be enough money to help Diana fulfil her parents' wishes? | 0:12:36 | 0:12:40 | |
Now, actually, you see, that was a snip for somebody. | 0:12:41 | 0:12:44 | |
All the drama of the auction still to come, | 0:12:44 | 0:12:47 | |
but as our search continues, Diana comes across this gold bar brooch with rubies and diamonds. | 0:12:47 | 0:12:52 | |
Diana's grandmother Ethel wore it when she went to afternoon tea with all the VIPs of the time. | 0:12:52 | 0:12:57 | |
Her husband was a councillor of a London borough, so she had to look smart. | 0:12:57 | 0:13:02 | |
James values it at a very impressive £200-£300. | 0:13:02 | 0:13:06 | |
We're just under £1,000 now, | 0:13:08 | 0:13:10 | |
so we're very close to reaching Diana's £1,200 target. | 0:13:10 | 0:13:14 | |
We may get a little closer with a discovery that Charlotte has made in the kitchen. | 0:13:14 | 0:13:19 | |
James, look what I've found. | 0:13:19 | 0:13:21 | |
Blimey, you found lots. Where did this come from, do you know? | 0:13:23 | 0:13:26 | |
-I'm not sure, but it was handed down in the family. -In Diana's family? | 0:13:26 | 0:13:30 | |
-Yes. -How old do you think it is? | 0:13:30 | 0:13:32 | |
-40 to 50 years? -Keep going! | 0:13:32 | 0:13:35 | |
-60? -It's probably around 140 years old. -Oh, wow! | 0:13:35 | 0:13:40 | |
I reckon this dates to around the 1870s. | 0:13:40 | 0:13:43 | |
We've got, more or less, a complete dinner service. | 0:13:43 | 0:13:47 | |
I can see 12 plates there, 12 small plates. | 0:13:47 | 0:13:50 | |
We've got terrines, these graduated meat platters which are very, very desirable. | 0:13:50 | 0:13:56 | |
It's made in Staffordshire, and on the back, I can see Pandora, which is the name of the pattern, | 0:13:56 | 0:14:03 | |
named after a classical character representing hope. | 0:14:03 | 0:14:06 | |
Underneath here, I can see RH&S which actually Ralph Hammersley & Sons. | 0:14:06 | 0:14:12 | |
He was a manufacturer up in Stoke-on-Trent in Staffordshire, | 0:14:12 | 0:14:17 | |
which is the big potteries area of England where so many of these dinner services were produced | 0:14:17 | 0:14:23 | |
in the 19th century, and indeed in the 20th century. | 0:14:23 | 0:14:26 | |
This is actually made on what we call a transfer print. In other words, it's not hand-painted. | 0:14:26 | 0:14:31 | |
The decoration is just put on using a blue transfer | 0:14:31 | 0:14:35 | |
which is then glazed over it. | 0:14:35 | 0:14:37 | |
The good news is that we seem to have most of the elements of the dinner service here. | 0:14:37 | 0:14:42 | |
The bad news, I'm afraid, is that things like this just aren't as fashionable as they were. | 0:14:42 | 0:14:47 | |
-Do you like it? -Yes, it's not too bad. | 0:14:47 | 0:14:50 | |
You didn't say that with a lot of enthusiasm! | 0:14:50 | 0:14:53 | |
It's not to my liking, really. But, yes, it's nice. | 0:14:53 | 0:14:56 | |
I think we're hoping it would be nice for somebody. | 0:14:56 | 0:15:00 | |
This isn't going to sound like a lot of money, | 0:15:00 | 0:15:03 | |
-but it's probably going to be worth upwards of £100. -Oh. | 0:15:03 | 0:15:06 | |
Which is great, but it would cost a heck of a lot more | 0:15:06 | 0:15:11 | |
to buy something like this from an expensive retail shop today. | 0:15:11 | 0:15:16 | |
-But let's hope someone takes a shine to it. -Yeah. | 0:15:16 | 0:15:19 | |
Come on, you'd better find something else for me, lurking in some cupboard somewhere. | 0:15:19 | 0:15:24 | |
There's always something lurking. | 0:15:24 | 0:15:26 | |
£100 would mean that we're very close to Diana's target. | 0:15:26 | 0:15:29 | |
I take the opportunity to find out a little bit more about Diana's interest in dance. | 0:15:29 | 0:15:34 | |
Wow, this is clearly your dance studio. What a space! | 0:15:34 | 0:15:38 | |
-It's wonderful, isn't it? -Fantastic. | 0:15:38 | 0:15:40 | |
It's like having it in your own sitting room, really. | 0:15:40 | 0:15:43 | |
In your own home, not too far to go to work. | 0:15:43 | 0:15:45 | |
No! | 0:15:45 | 0:15:46 | |
What's the history of it? | 0:15:46 | 0:15:48 | |
It was a primary school, originally, | 0:15:48 | 0:15:51 | |
then a lady called Janice Blake bought the house and ran a dance school here for 30 years. | 0:15:51 | 0:15:57 | |
Which I used to go to when I was six, when it was Janice Blake's school, | 0:15:57 | 0:16:01 | |
me and my two sisters, and stayed here until I was about 15. | 0:16:01 | 0:16:06 | |
-Did you love it? -Oh, I loved it. | 0:16:06 | 0:16:07 | |
Because it was a social thing as well. All my friends were here. | 0:16:07 | 0:16:10 | |
What age were you, Diana, when you started? | 0:16:10 | 0:16:13 | |
I was about six when I started, because my mum used to dance. | 0:16:13 | 0:16:16 | |
She sent me because I was very shy, that's why I originally went to dancing. | 0:16:16 | 0:16:21 | |
-You'd never believe it, would you? -No. -No! | 0:16:21 | 0:16:23 | |
THEY LAUGH | 0:16:23 | 0:16:25 | |
-Did it do the trick? -It did, because I loved performing right from an early age. | 0:16:25 | 0:16:29 | |
-I liked performing on stage. -So you went right on through with dance? | 0:16:29 | 0:16:33 | |
Yes, and I did some cabaret work, but I was really always wanting to teach. | 0:16:33 | 0:16:40 | |
Right from about the age of 13, I wanted to teach. | 0:16:40 | 0:16:42 | |
What's the spectrum of dance you teach here? | 0:16:42 | 0:16:46 | |
We take ballet, tap, modern, jazz, freestyle and musical theatre. | 0:16:46 | 0:16:52 | |
-Everything, really. -All the stage side, yes. | 0:16:52 | 0:16:54 | |
What did you like best. Was it tap, ballet, what? | 0:16:54 | 0:16:59 | |
-I liked the modern jazz best, myself. -Oh, good. | 0:16:59 | 0:17:03 | |
Although ballet was something that I really came into when I was older. | 0:17:03 | 0:17:08 | |
I took my fellowship in the ballet, which I really enjoy. | 0:17:08 | 0:17:12 | |
Yes. Do you know, the biggest row I ever had with my mum when I was a kid | 0:17:12 | 0:17:17 | |
was that she said she couldn't afford the lessons. | 0:17:17 | 0:17:20 | |
I even remember my little tap things. | 0:17:20 | 0:17:22 | |
-See, I remember from when I was even this size! -Yeah. | 0:17:25 | 0:17:28 | |
We could stand here and talk about dance | 0:17:28 | 0:17:30 | |
and memories of dance all day, but we're slacking, so we've got to get at it and make some more dosh. | 0:17:30 | 0:17:35 | |
Shall we go? | 0:17:35 | 0:17:38 | |
James hasn't been wasting any time, either. | 0:17:38 | 0:17:41 | |
He's found this Swiss 18-carat gold keyless half-hunter pocket watch, which Diana found in a sock | 0:17:41 | 0:17:48 | |
under the bed and assumes it was her grandfather's. | 0:17:48 | 0:17:50 | |
Half-hunter means that the watch has a lid to protect the face. | 0:17:50 | 0:17:54 | |
But there's a small, glazed window so the time can be read when the lid is still closed. | 0:17:54 | 0:17:59 | |
James values it between £100-£200, but we haven't finished yet. | 0:17:59 | 0:18:05 | |
Diana, I can see you're engrossed. What have you got? | 0:18:09 | 0:18:12 | |
This is my grandfather in the RAF and these are my great-grandfather's. | 0:18:12 | 0:18:19 | |
-Oh, medals from the First World War. -And my grandfather's. | 0:18:19 | 0:18:22 | |
Your grandfather's, what a nice collection. | 0:18:22 | 0:18:26 | |
Looking at your great-grandfather's medals, I can see here | 0:18:26 | 0:18:29 | |
we've got what was called the Mons Star, which was the 1914 medal. | 0:18:29 | 0:18:35 | |
That was awarded to all the people over in France and Belgium | 0:18:35 | 0:18:40 | |
fighting in the First World War around 1914 and 1915. | 0:18:40 | 0:18:45 | |
To give you some idea of just how many people were involved out there, | 0:18:45 | 0:18:48 | |
they awarded 378,000 of those, | 0:18:48 | 0:18:54 | |
just in that first year of the war. | 0:18:54 | 0:18:57 | |
Also here, I can see some commissions from the First and Second World War. | 0:18:57 | 0:19:03 | |
-So this is your grandfather? -Yes, and he used to fly in the plane. | 0:19:03 | 0:19:06 | |
He was the gunner at the back of the plane in the First World War. | 0:19:06 | 0:19:10 | |
Wow, I can't tell you how brave he must have been to have done that. | 0:19:10 | 0:19:14 | |
I can see what looks like an early biplane crash-landed on the earth. | 0:19:14 | 0:19:18 | |
Presumably, that's his plane? | 0:19:18 | 0:19:20 | |
Yes, my mum told me that he crashed twice, | 0:19:20 | 0:19:24 | |
and walked away. | 0:19:24 | 0:19:26 | |
So it was amazing, really. | 0:19:26 | 0:19:28 | |
It's great to have the medals with the recipient's name engraved on the side, but to have the commissions, | 0:19:28 | 0:19:35 | |
the photographs, it all adds up to a nice collection. | 0:19:35 | 0:19:38 | |
So I think, conservatively, we'd probably estimate between £100-£200. | 0:19:38 | 0:19:44 | |
-That's very good. -And I honestly think they'll go on and make a bit more on that. -Oh, right. | 0:19:44 | 0:19:49 | |
The question is will Diana really want to part with such personal items? | 0:19:49 | 0:19:54 | |
We'll have to see if they make it to the auction on the day. | 0:19:54 | 0:19:58 | |
To ensure we've left no corner unexplored, Diana's taking one last look around the dance studio. | 0:19:58 | 0:20:04 | |
James, what about this? Is this worth anything? | 0:20:08 | 0:20:11 | |
Oh, I like the weight of that. | 0:20:11 | 0:20:14 | |
I'm loving this, Diana. I really am. | 0:20:14 | 0:20:17 | |
Now, let's have a look. | 0:20:17 | 0:20:19 | |
Excellent. Listen, here we go. | 0:20:19 | 0:20:21 | |
SJR, Stephen J Rose, very high quality makers, cigarette case. | 0:20:21 | 0:20:26 | |
Probably made in the 1920s which is when they were operating. | 0:20:26 | 0:20:30 | |
You know what, none of that matters because the important thing is, | 0:20:30 | 0:20:33 | |
looking at the hallmark, it's nine-carat gold! | 0:20:33 | 0:20:38 | |
-What? -That's what we've discovered. | 0:20:38 | 0:20:40 | |
Oh, my goodness, I can hear your excitement all over the house. | 0:20:40 | 0:20:44 | |
-Solid nine-carat gold? -Solid nine-carat gold. Just feel the weight of that. | 0:20:44 | 0:20:48 | |
Oh, my goodness. | 0:20:48 | 0:20:50 | |
I don't think I've ever seen a solid gold cigarette case before. | 0:20:50 | 0:20:54 | |
I think it's amazing to think they carried those round | 0:20:54 | 0:20:56 | |
in their inside pockets. It must have been a heck of a weight. | 0:20:56 | 0:20:59 | |
I could carry it around in rings and bracelets and things. That's amazing, isn't it? | 0:20:59 | 0:21:04 | |
A question, Diana. What's it doing inside a cupboard in your dance studio? | 0:21:04 | 0:21:10 | |
We're still trying to sort things out from Mum and Dad's house. | 0:21:10 | 0:21:13 | |
Some things we just put in the cupboards because we've not had time | 0:21:13 | 0:21:16 | |
-to sort them out yet. -Who did it belong to? | 0:21:16 | 0:21:19 | |
I don't think it can be my father's. | 0:21:19 | 0:21:21 | |
You said early 1900s? | 0:21:21 | 0:21:23 | |
-Yes, probably 1920s. -It must have been his father. | 0:21:23 | 0:21:27 | |
Listen, I haven't got a set of scales here | 0:21:27 | 0:21:30 | |
because the value is all in the gold price and what it's going to melt at. | 0:21:30 | 0:21:34 | |
I'm just going on the weight in my hands, I think we're probably upwards of £500. | 0:21:34 | 0:21:39 | |
-Wow! -That's amazing. -If you asked me if it's a good time | 0:21:39 | 0:21:42 | |
to be selling something like this, the answer is definitely yes, because the gold price is high. | 0:21:42 | 0:21:48 | |
So from something just in your dance studio in the cupboard, not a bad thing to finish off with. | 0:21:48 | 0:21:53 | |
Oh, that's fantastic. You know, the whole day has been really, really interesting | 0:21:53 | 0:21:58 | |
because your parents had obviously collected beautiful things. | 0:21:58 | 0:22:01 | |
Good news because you wanted £1,200, roughly. | 0:22:03 | 0:22:06 | |
You have got... We don't know exactly what everything will go for, | 0:22:06 | 0:22:11 | |
the solid silver, the solid gold, | 0:22:11 | 0:22:13 | |
-but you've got £1,790. -Oh, that's amazing! -Wow! -How about that? | 0:22:13 | 0:22:20 | |
In order to celebrate, I want you to put James through his paces. | 0:22:20 | 0:22:24 | |
-Go, James! -Come on, James! | 0:22:24 | 0:22:27 | |
Take your jacket off, James. I'll hold it. | 0:22:27 | 0:22:30 | |
I'm very worried about this, Charlotte. | 0:22:30 | 0:22:33 | |
So, feet in first. Just bring your arm up to second, and down. | 0:22:33 | 0:22:38 | |
CRACKING | 0:22:38 | 0:22:40 | |
Oh, the bones are...! | 0:22:40 | 0:22:41 | |
Ooh, my back! One's enough! | 0:22:41 | 0:22:44 | |
THEY LAUGH | 0:22:44 | 0:22:46 | |
Yes, I think James should stick to what he knows best. | 0:22:46 | 0:22:49 | |
And if his valuations are correct, we're in for a great day at the auction in a couple of weeks' time. | 0:22:49 | 0:22:54 | |
Here's a quick reminder of some of the things Diana will be taking there. | 0:22:54 | 0:22:58 | |
The solid silver tea service, | 0:22:58 | 0:23:00 | |
which Diana's grandmother used on very important occasions. | 0:23:00 | 0:23:03 | |
That should make £250-£350. | 0:23:03 | 0:23:07 | |
And the brooch which she may well have worn | 0:23:07 | 0:23:09 | |
at the time she was serving the tea, that would add another £200-£300. | 0:23:09 | 0:23:15 | |
Plus a collection of Dinky Toys. | 0:23:15 | 0:23:17 | |
Even though the majority of the cars aren't boxed, | 0:23:17 | 0:23:20 | |
they should still drive away with another £200-£300. | 0:23:20 | 0:23:24 | |
Find out how they all get on when the final hammer falls. | 0:23:24 | 0:23:27 | |
Still to come on Cash In The Attic, this crowd is looking tough, but will they be on our side? | 0:23:28 | 0:23:35 | |
A chance for £180? All done at £170? | 0:23:35 | 0:23:37 | |
£180 back in, you're making me work. | 0:23:37 | 0:23:39 | |
No, no, no. | 0:23:39 | 0:23:41 | |
And will the price of gold rush sky-high? | 0:23:41 | 0:23:44 | |
I think we're happy with it. | 0:23:44 | 0:23:45 | |
We'll soon see how far "upwards" is. | 0:23:45 | 0:23:48 | |
That's for us to know and for you to find out. | 0:23:48 | 0:23:50 | |
It's only been a couple of weeks since we met Diana at her home | 0:23:55 | 0:23:58 | |
in Bexhill-on-Sea and, indeed, her dance studio. | 0:23:58 | 0:24:02 | |
But it was really sad that she lost both her parents so close together. | 0:24:02 | 0:24:05 | |
They left behind some fantastic memories and some quite incredible items | 0:24:05 | 0:24:09 | |
which we brought to Chiswick Auctions here in west London. | 0:24:09 | 0:24:12 | |
Just to recall, Diane wants to raise about £1,200 so let's hope | 0:24:12 | 0:24:16 | |
there are some very eager bidders when our items go under the hammer. | 0:24:16 | 0:24:21 | |
This sale is held every Tuesday, and is very popular with dealers and individuals looking for a bargain. | 0:24:21 | 0:24:27 | |
It always has a great variety of objects for sale, and I know | 0:24:27 | 0:24:30 | |
that one of our items today isn't likely to come along any day of the week. | 0:24:30 | 0:24:35 | |
James already has got his hands on it. | 0:24:35 | 0:24:38 | |
James, you're like Mr Goldfinger standing there, look at you. | 0:24:39 | 0:24:44 | |
Actually, I loved this case on the day, didn't you? | 0:24:44 | 0:24:46 | |
-I did, it's so stylish. -The thing is that I'd actually never seen a solid gold cigarette case before. | 0:24:46 | 0:24:52 | |
What price did you put on it? | 0:24:52 | 0:24:54 | |
We didn't have a set of scales with us, | 0:24:54 | 0:24:56 | |
so I just said it would be worth upwards of £500. | 0:24:56 | 0:24:59 | |
The auction house have now weighed it, are you ready for this, Gloria? | 0:24:59 | 0:25:03 | |
They've got an estimate of between £1,200-£1,500 on it. | 0:25:03 | 0:25:07 | |
-Isn't she going to be pleased? -Oh, my goodness. | 0:25:07 | 0:25:10 | |
That's amazing. Have you told her? | 0:25:10 | 0:25:12 | |
-No. -So we're going to keep this a secret? -Ssh! -What a surprise. | 0:25:12 | 0:25:16 | |
-But gold's doing so well at the moment. -Isn't that amazing? | 0:25:16 | 0:25:19 | |
Yeah. And of course apart from the gold, she has a lot of solid silver. | 0:25:19 | 0:25:23 | |
She's got some great things, a very diverse collection. | 0:25:23 | 0:25:26 | |
-She's got those Dinky Toys as well. -You like the Dinky Toys, don't you? -I do like Dinky Toys. | 0:25:26 | 0:25:31 | |
I think we're going to have some fun today. | 0:25:31 | 0:25:34 | |
I'll have to keep my face straight and not give away the secret. | 0:25:34 | 0:25:38 | |
As usual, the auction rooms are attracting a great number of people | 0:25:38 | 0:25:41 | |
and hopefully that will be good news for Diana. | 0:25:41 | 0:25:45 | |
-Diana and Charlotte, surprise surprise, no dancing today, then? -No. -No teaching? -A day off. | 0:25:45 | 0:25:51 | |
-I loved those little children, those little tiny ones which are so sweet. -So sweet. | 0:25:51 | 0:25:55 | |
Have you been to an auction before? | 0:25:55 | 0:25:57 | |
-No, I've never been at all. -Never ever? | 0:25:57 | 0:25:59 | |
-Never. -Another two auction virgins, see? | 0:25:59 | 0:26:01 | |
We're finding a lot of them these days. | 0:26:01 | 0:26:04 | |
You've got to make the most of them. We're going to have some fun today. | 0:26:04 | 0:26:08 | |
-Are you excited about it? -I'm very excited and a bit nervous. | 0:26:08 | 0:26:11 | |
-A few little tummy nerves, eh? -Definitely. | 0:26:11 | 0:26:14 | |
So you're hoping for £1,200? Yes, that's right. | 0:26:14 | 0:26:17 | |
Quite a lot of money to aim to raise on this programme, isn't it? | 0:26:17 | 0:26:21 | |
I didn't see these on the day, whose medals are these? | 0:26:21 | 0:26:24 | |
-These were my great-grandfather's. -Your great-grandfather's? Yes, from the First World War. | 0:26:24 | 0:26:31 | |
-Diana, did you bring the photographs you were going to copy to go with them? -Yes. I did. | 0:26:31 | 0:26:36 | |
Excellent, because I think that'll help the price. | 0:26:36 | 0:26:39 | |
Are you ready for action? | 0:26:39 | 0:26:40 | |
-Yes, ready to go. -OK, the auctioneer is about to get into position so follow James, and we'll do it. | 0:26:40 | 0:26:46 | |
Off we go. | 0:26:46 | 0:26:47 | |
There are over 700 lots in today's auction, so there's a lot of competition. | 0:26:47 | 0:26:52 | |
But Diana has 12 quality items, so I don't think she needs to worry too much. | 0:26:52 | 0:26:57 | |
Our first one to come up is the Mappin & Webb golden oak canteen of cutlery. | 0:26:57 | 0:27:01 | |
It's priced at £150-£250. | 0:27:01 | 0:27:05 | |
-Where did you find it, or whose was it? -I just found it in my parents' loft in a bag. | 0:27:06 | 0:27:12 | |
Did you? In a bag? Any old plastic bag?! | 0:27:12 | 0:27:14 | |
Yes, in a plastic bag. | 0:27:14 | 0:27:16 | |
You thought, "Hey ho, what's this?" | 0:27:16 | 0:27:18 | |
Brilliant. And what did you make of it, James? | 0:27:18 | 0:27:20 | |
We've got an estimate of £150-£250, but it's actually a really nice, clean set. Really nice oak case. | 0:27:20 | 0:27:26 | |
For someone actually setting up home, it's ready-made. | 0:27:26 | 0:27:29 | |
-I've got four commission bids on this one. No mucking about. -Four commission bids. | 0:27:29 | 0:27:33 | |
-Starting £170, I'll take £180 in the room. -Into the estimate already. | 0:27:33 | 0:27:37 | |
£180 there, £190's my last. £200? Your bid at £200, I'll take £210. | 0:27:37 | 0:27:41 | |
-How about that? -At £200? | 0:27:41 | 0:27:43 | |
No more competition, selling at £200. | 0:27:43 | 0:27:47 | |
-Wow! -£200. | 0:27:47 | 0:27:51 | |
Lying in an old plastic bag. | 0:27:51 | 0:27:53 | |
That's a very reassuring start for Diana. | 0:27:53 | 0:27:57 | |
The bidders obviously have good taste, let's hope they like our next item. | 0:27:57 | 0:28:02 | |
It's the 19th century Pandora dinner service, | 0:28:02 | 0:28:05 | |
estimated at upwards of £100. | 0:28:05 | 0:28:06 | |
Somebody starts me at £70. £70 I'm bid, I'll take £75 now. | 0:28:09 | 0:28:12 | |
-£75, £80. £85? -They're bidding. | 0:28:12 | 0:28:14 | |
-Good. -At £80, I'm bid, I'll take £85 elsewhere. At £80 in front of me. At £80, is that enough? | 0:28:14 | 0:28:19 | |
Selling at £80, all done? | 0:28:19 | 0:28:21 | |
I didn't like that bit. | 0:28:21 | 0:28:24 | |
-They're getting an awful lot for their money, there. -Yeah. | 0:28:24 | 0:28:27 | |
Obviously elegance just isn't as fashionable as it used to be. | 0:28:27 | 0:28:32 | |
OK, next one up is the tapered antique gold bar brooch. | 0:28:32 | 0:28:36 | |
Rubies and diamonds, £200-£300. Where did this come from? | 0:28:36 | 0:28:39 | |
-That's my grandmother's. -You never want to wear it yourself? | 0:28:39 | 0:28:42 | |
No, I just didn't think I'd wear it. | 0:28:42 | 0:28:46 | |
I'd be frightened I'd lose it, to be honest! | 0:28:46 | 0:28:48 | |
So you'd like it to go to a new home? | 0:28:48 | 0:28:50 | |
-Yes. -Start me on the money at £200. | 0:28:50 | 0:28:52 | |
£200 to start me? At £160, we'll see where it goes. | 0:28:52 | 0:28:56 | |
Somebody bid me, surely? At £160. | 0:28:56 | 0:28:58 | |
No bid at £160? I'll move on. | 0:28:58 | 0:29:00 | |
No interest at £160? Disappointing. Not sold. | 0:29:00 | 0:29:05 | |
So Diana, you might be wearing that brooch after all. | 0:29:05 | 0:29:08 | |
-Maybe it was meant to stay with you. -Yes. | 0:29:08 | 0:29:11 | |
You know, I think it's very fitting for something so beautiful | 0:29:11 | 0:29:15 | |
and so treasured by Diana's grandmother | 0:29:15 | 0:29:17 | |
to stay within the family. | 0:29:17 | 0:29:19 | |
Our next item is that small Pekinese dog with a fez, sitting on a Turkish carpet. | 0:29:20 | 0:29:25 | |
Afraid I have to pass that one. | 0:29:25 | 0:29:27 | |
Clearly, nobody wants a Pekinese dog with a fez on a Turkish carpet, but we do have high hopes | 0:29:27 | 0:29:31 | |
for our next lot, which belonged to Diana's late brother. | 0:29:31 | 0:29:35 | |
How lovely it is to see these pristine toys displayed in their best light, and with such | 0:29:35 | 0:29:40 | |
an interest in toys in general, surely they'll attract some healthy bids. | 0:29:40 | 0:29:44 | |
-This one coming up now is the Dinky Toys. -You're in your element, James. | 0:29:44 | 0:29:49 | |
One of my favourites. We've got a few boxed ones and then a nice motley collection of other ones. | 0:29:49 | 0:29:53 | |
The estimate, £200-£300, let's hope all the collectors are here. | 0:29:53 | 0:29:58 | |
-£200, start me. -He's asking for the low estimates. -£160. | 0:29:58 | 0:30:01 | |
No bids at £160, I'll move on. | 0:30:01 | 0:30:04 | |
No bids at all at £160? Well below estimate. | 0:30:04 | 0:30:06 | |
-No interest at £160, then? -No, no, no! | 0:30:06 | 0:30:09 | |
-I'm afraid I'm going to have to pass that one. -James! | 0:30:09 | 0:30:13 | |
I'm going to stamp my little feet and cry. | 0:30:13 | 0:30:17 | |
That is unbelievable. | 0:30:17 | 0:30:19 | |
There obviously aren't any toy fans in today | 0:30:19 | 0:30:22 | |
which doesn't bode well for our next lot. | 0:30:22 | 0:30:25 | |
The Lesney Moko tractor, bulldozer and trailer. | 0:30:25 | 0:30:28 | |
The good thing is they've actually got their original box. | 0:30:28 | 0:30:32 | |
-Did they belong to your brother as well? -Yes, they did. | 0:30:32 | 0:30:35 | |
He must have been a very restrained child because they haven't been used very much. | 0:30:35 | 0:30:39 | |
That's what is hopefully going to help their value. | 0:30:39 | 0:30:43 | |
For this little lot, start me on the money at £50. | 0:30:43 | 0:30:45 | |
£50 to start me. £40... | 0:30:45 | 0:30:49 | |
£50 I'm bid, there. £55 now? £55, £60. | 0:30:49 | 0:30:51 | |
£65, £70. £75, £80. £85, £90. | 0:30:51 | 0:30:55 | |
£95, £100. £110, £120. | 0:30:55 | 0:30:58 | |
£130, £140. £150, £160. £170, £180. | 0:30:58 | 0:31:01 | |
£190, £200. £210, £220. | 0:31:01 | 0:31:05 | |
-I'm amazed. -£240, £250. £260, £270. | 0:31:05 | 0:31:08 | |
£280, £290. £300, £310. £320, £330? | 0:31:08 | 0:31:12 | |
£320 in the heights, at £320. | 0:31:12 | 0:31:16 | |
Is that the money? £320, I'll take £330 now. | 0:31:16 | 0:31:19 | |
-Last chance, selling at £320. -Wow! | 0:31:19 | 0:31:22 | |
Excuse me, there's no logic in that, is there? | 0:31:22 | 0:31:25 | |
The Dinky ones didn't sell, and this just raced ahead. Why is that? | 0:31:25 | 0:31:29 | |
-I think the bottom line is obviously Lesney Moko tractors are a little bit rarer than I thought. -OK. | 0:31:29 | 0:31:36 | |
I like my Dinky Toys, the cars, but obviously the money is in the tractors. Love 'em. | 0:31:36 | 0:31:41 | |
Absolutely, and you never know what something is worth until it's sold. | 0:31:41 | 0:31:46 | |
We certainly didn't see that one coming. But it's given a huge boost to Diana's fund. | 0:31:46 | 0:31:50 | |
-Knowing that you're both auction virgins, are you enjoying the auction? -Yes, very much. | 0:31:50 | 0:31:54 | |
Good. Have the nerves settled a bit? | 0:31:54 | 0:31:57 | |
-A bit. -Mind you, you've had some ups and downs. | 0:31:57 | 0:32:00 | |
But you, in an ideal world, wanted £1,200. | 0:32:00 | 0:32:03 | |
But at the halfway stage, bearing in mind that some things didn't sell, you still have £600. | 0:32:03 | 0:32:11 | |
So you're halfway there already. | 0:32:11 | 0:32:13 | |
-That's brilliant. -Not bad, eh? Halfway there at the halfway point. | 0:32:13 | 0:32:17 | |
What are we going to do, James? | 0:32:17 | 0:32:18 | |
There's something in this auction I want to show you, let's go and have a look. | 0:32:18 | 0:32:22 | |
He's always got something to show us, so let's have a look. | 0:32:22 | 0:32:25 | |
It makes it all exciting. | 0:32:25 | 0:32:27 | |
If, like Diana, for you're keen to raise money by selling at auction, I think you should bear in mind | 0:32:27 | 0:32:32 | |
that there are various charges to be paid for, including commission. | 0:32:32 | 0:32:35 | |
That commission can vary from one saleroom to another, so it's always worth checking in advance. | 0:32:35 | 0:32:42 | |
While Diana and Charlotte enjoying a well-earned break, James has got his eye on a very attractive timepiece. | 0:32:42 | 0:32:48 | |
Look, Gloria, here's something I want to show you. | 0:32:48 | 0:32:50 | |
You've heard in the auction business about pieces that are married up? | 0:32:50 | 0:32:54 | |
-Yes? -This piece here, this clock, is more about polygamy. | 0:32:54 | 0:32:57 | |
It's a multiple marriage, lots of partners. | 0:32:57 | 0:33:01 | |
Basically what we've got here is a nice, English brass, | 0:33:01 | 0:33:04 | |
18th century longcase, or grandfather clock, face. | 0:33:04 | 0:33:08 | |
-Like this one? -Just like this one. | 0:33:08 | 0:33:11 | |
What's happened is that the wooden case has obviously fallen to bits, | 0:33:11 | 0:33:15 | |
and someone's come along and said, "We've still got a nice clock here." | 0:33:15 | 0:33:18 | |
They've made a new case for it, but turn it round... | 0:33:18 | 0:33:21 | |
..and in the back, it's got a chiming, | 0:33:23 | 0:33:26 | |
three-train German movement in it, dating to about 1900. | 0:33:26 | 0:33:30 | |
So it's a complete mish-mash. | 0:33:30 | 0:33:32 | |
Surely no antique clock dealer or person interested in clocks would want an amalgam like that? | 0:33:32 | 0:33:37 | |
Someone is either going to buy it for the face, or think, "Well, it's a bit of fun." | 0:33:37 | 0:33:42 | |
It's not a timepiece I'd like on my mantelpiece. | 0:33:42 | 0:33:45 | |
I haven't got a mantelpiece big enough to take it! | 0:33:45 | 0:33:48 | |
Let's get back to the auction. | 0:33:48 | 0:33:50 | |
It looks like the bidders agreed with me, because the clock | 0:33:50 | 0:33:54 | |
didn't reach its £250 asking price and remained unsold. | 0:33:54 | 0:33:58 | |
Diana has got six items left, including the solid silver tea set, | 0:33:58 | 0:34:02 | |
not forgetting, of course, the very famous solid gold cigarette case. | 0:34:02 | 0:34:06 | |
We're keeping it a secret, that the value of this has more than doubled. | 0:34:06 | 0:34:10 | |
So if all goes to plan, Diana could be laughing all the way to the bank. | 0:34:10 | 0:34:15 | |
Our next lot on the podium is the collection of war medals | 0:34:15 | 0:34:17 | |
from Diana's grandfather and great-grandfather. | 0:34:17 | 0:34:21 | |
I saw those medals earlier on. | 0:34:23 | 0:34:25 | |
Absolutely. These are with all the documentary evidence, | 0:34:25 | 0:34:28 | |
and the photographs that you copied, so let's hope it makes a difference. | 0:34:28 | 0:34:31 | |
We've got an estimate of £100-£200, for your grandfather's | 0:34:31 | 0:34:35 | |
and great-grandfather's medals from the First and Second World War. | 0:34:35 | 0:34:38 | |
Start me on the money at £100, somebody. | 0:34:38 | 0:34:40 | |
£80, then, let's see where it goes. At £80. £80, I'm bid. £85, £90? | 0:34:40 | 0:34:45 | |
There is a couple I can see bidding. | 0:34:45 | 0:34:47 | |
-Do you see them? -£120? At £110 in the gallery door, I'll take £120 now. | 0:34:47 | 0:34:53 | |
£110. Is that the money? All done? | 0:34:53 | 0:34:55 | |
£120 up on high now. £130. £140? | 0:34:55 | 0:34:57 | |
£130, the original bid. | 0:34:57 | 0:34:58 | |
I'll take £140 now, last chance. | 0:34:58 | 0:35:01 | |
-£130, selling, all done? £140, in time. £150, £160. £170. -See how it can change. | 0:35:01 | 0:35:06 | |
£180? £170 then, with the original bidder. | 0:35:06 | 0:35:09 | |
Last chance, for £180. | 0:35:09 | 0:35:11 | |
All done at £170? £180 back in, you're making me work. | 0:35:11 | 0:35:14 | |
£190? £200. | 0:35:14 | 0:35:17 | |
£190 then, all done? He's done enough, £190? | 0:35:17 | 0:35:20 | |
Last chance and selling at £190. | 0:35:20 | 0:35:22 | |
All done? | 0:35:22 | 0:35:24 | |
Diana, what do you think? | 0:35:24 | 0:35:26 | |
That's good. | 0:35:26 | 0:35:28 | |
Right on the top end of the price. | 0:35:28 | 0:35:29 | |
-Absolutely. -Only £10 underneath. | 0:35:29 | 0:35:32 | |
-£10 under the top estimate. -I'm pleased with that. | 0:35:32 | 0:35:35 | |
Your grandfather and your great-grandfather, you've done them proud, | 0:35:35 | 0:35:39 | |
-which is great. -Yes, you have. | 0:35:39 | 0:35:40 | |
It's good money, but it must be hard, nevertheless, to part with such personal items. | 0:35:40 | 0:35:45 | |
However, it's for a very good cause. The next lot is from Diana's mother. | 0:35:45 | 0:35:49 | |
The autograph album, priced £50-£80. | 0:35:49 | 0:35:54 | |
We've got everybody from Gracie Fields | 0:35:54 | 0:35:57 | |
to Clementine Churchill, Winston Churchill's wife, to Tony Hancock, who's my absolute favourite. | 0:35:57 | 0:36:04 | |
-Yes. -Diana, you realise that Gloria is an expert on this because her autograph is very collectable! | 0:36:04 | 0:36:10 | |
No, the thing is, if somebody doesn't ask me for it, I chase them until they do. | 0:36:10 | 0:36:15 | |
For this little lot, start me at £30, please. Let's see what goes. | 0:36:15 | 0:36:18 | |
At £30, start me. | 0:36:18 | 0:36:20 | |
£30. | 0:36:20 | 0:36:22 | |
Oh, no, come on, bid. | 0:36:22 | 0:36:24 | |
-Oh, we've got two bidders. -Still cheap. £38? | 0:36:24 | 0:36:27 | |
At £35. £38 there. £40? | 0:36:27 | 0:36:31 | |
At £38. | 0:36:31 | 0:36:33 | |
Surely £40? At £38, are we all done? | 0:36:33 | 0:36:36 | |
I'm going to sell it at £38. | 0:36:36 | 0:36:38 | |
-Actually, that was a snip for somebody considering they're such famous names. -It was. | 0:36:39 | 0:36:45 | |
A lot of collecting in there, so I'm a bit disappointed on your behalf. | 0:36:45 | 0:36:49 | |
I am too. You should have got her to sign it. | 0:36:49 | 0:36:51 | |
If Gloria had signed the book... | 0:36:51 | 0:36:53 | |
I don't think so! | 0:36:53 | 0:36:55 | |
I think my autograph would have DEVALUED it even more. | 0:36:55 | 0:36:58 | |
Next up is something that Diana's grandmother used to serve tea to the bigwigs of the time. | 0:36:58 | 0:37:04 | |
Diana, we all love this tea set because it's solid silver. | 0:37:04 | 0:37:10 | |
It depicts that whole era of elegance. | 0:37:10 | 0:37:12 | |
I just wish, though, that these tea services were more fashionable | 0:37:12 | 0:37:16 | |
and that more people actually took time to take tea. | 0:37:16 | 0:37:21 | |
Start me at £200, somebody. | 0:37:21 | 0:37:22 | |
£200, start me, I shan't go lower. | 0:37:22 | 0:37:25 | |
Well below estimate at £200. £200, I'm bid. I'll take £210 now. At £200. | 0:37:25 | 0:37:29 | |
£210, £220. £230? £240. Still cheap. | 0:37:29 | 0:37:34 | |
£250? £240, shaking your head. | 0:37:34 | 0:37:37 | |
£250 in a new place, £260. | 0:37:37 | 0:37:40 | |
£270? £260 then, original bid. Any more competition at £260? | 0:37:40 | 0:37:45 | |
Are we all done? £260 and selling. | 0:37:45 | 0:37:49 | |
At just over James's lowest estimate, I feel | 0:37:49 | 0:37:52 | |
that Diana's grandmother would've been pleased with that sale. | 0:37:52 | 0:37:55 | |
The next lot is the only one that Diana will be sorry to see go. | 0:37:55 | 0:38:00 | |
The red lacquer vases. | 0:38:00 | 0:38:01 | |
The decorative cinnabar vases, 250A. | 0:38:01 | 0:38:03 | |
Start me on the money at £100? | 0:38:03 | 0:38:06 | |
£100? £80, then. | 0:38:06 | 0:38:09 | |
Dare I go to £70? Nobody going to bid me at £70? I'll move on. | 0:38:09 | 0:38:13 | |
No interest at £70 then, all done? | 0:38:13 | 0:38:15 | |
Unsold, I'm afraid. | 0:38:15 | 0:38:17 | |
There you go, they're going back to sit in your hall. Just as well you quite like them! | 0:38:17 | 0:38:23 | |
Yes, I do like them. | 0:38:23 | 0:38:24 | |
Yes, they're going home, | 0:38:24 | 0:38:26 | |
but I don't think Diana's too disappointed about this non-sale. | 0:38:26 | 0:38:31 | |
However, she does need another £112 to reach her target of £1,200, and she only has two more items to go. | 0:38:31 | 0:38:38 | |
-The pocket watch is up next, at £100-£200. -Lot number 260A, | 0:38:38 | 0:38:41 | |
a 19th century 18-carat hallmarked half-hunter gentleman's pocket watch. | 0:38:41 | 0:38:45 | |
What shall we say on this? | 0:38:45 | 0:38:47 | |
Start me at £100, please. £100 I'm bid, I'll take £110 now. | 0:38:47 | 0:38:50 | |
£110 there, £120? £130, £140? | 0:38:50 | 0:38:54 | |
£130 I'm bid, I'll take £140. | 0:38:54 | 0:38:56 | |
£140 up on high, £150. £160? | 0:38:56 | 0:39:01 | |
£150 then, last chance. All done? | 0:39:01 | 0:39:04 | |
£160 in the doorway. £170. £180? | 0:39:04 | 0:39:07 | |
I can't see you. £170 I'm bid in front. I'll be selling at £170, last chance. | 0:39:07 | 0:39:12 | |
£180, back in. £190? In the doorway at £180. | 0:39:12 | 0:39:16 | |
Is that the money, at £180? Last chance to all. At £180 and selling. | 0:39:16 | 0:39:20 | |
£180, you did pretty well with your estimate, James. | 0:39:20 | 0:39:23 | |
That's well within it. I'm glad they're still appreciated. | 0:39:23 | 0:39:26 | |
Yes, that's good. And yet another quality item from Diana's collection gets a great price. | 0:39:26 | 0:39:32 | |
Now it's time for the solid gold cigarette case. | 0:39:32 | 0:39:35 | |
Remember, it's now been valued at between £1,200, and £1,500. | 0:39:35 | 0:39:40 | |
I can't wait to see Diana's face when she realises what it's worth. | 0:39:40 | 0:39:44 | |
You probably remember we didn't have a set of scales with us when we were there. | 0:39:44 | 0:39:48 | |
Well, the auction house weighed it and I think it's fair to say | 0:39:48 | 0:39:53 | |
that it's worth a tad more than the value we put on it. | 0:39:53 | 0:39:58 | |
As you probably remember, all I said was it would be worth £500 upwards. | 0:39:58 | 0:40:03 | |
We'll soon see how far "upwards" is. | 0:40:03 | 0:40:05 | |
-That's for us to know and for you to find out. -Oh, right. | 0:40:05 | 0:40:09 | |
What shall we say, start me at £1,000, somebody? | 0:40:09 | 0:40:11 | |
-1,000? -£1,000, whoa! | 0:40:11 | 0:40:14 | |
At £1,100, there. | 0:40:14 | 0:40:16 | |
£1,200. £1,300? I can't see you. | 0:40:16 | 0:40:20 | |
At £1,200 to my left, I'll take £1,300 now. Is that the money? | 0:40:20 | 0:40:23 | |
£1,200, last chance and selling. | 0:40:23 | 0:40:27 | |
-£1,250 I'll take. £1,300? -£1,250. | 0:40:27 | 0:40:29 | |
At £1,250 in front of me. | 0:40:29 | 0:40:32 | |
Last-chance then, selling at £1,250. | 0:40:32 | 0:40:35 | |
-What do you think? -Wow! -Brilliant. | 0:40:35 | 0:40:37 | |
Gosh, that's double. Over double. | 0:40:37 | 0:40:40 | |
And that was your target, so you got your complete target in one sale. | 0:40:40 | 0:40:46 | |
-Yes. -Isn't that astonishing? | 0:40:46 | 0:40:48 | |
Oh, that's amazing. That's great. | 0:40:48 | 0:40:50 | |
-Do you need us to give you a bit of a recovery now? -Smelling salts. | 0:40:50 | 0:40:54 | |
What a result, and I think that's the highest amount | 0:40:54 | 0:40:57 | |
for a single item at auction | 0:40:57 | 0:40:59 | |
I've come across in Cash In The Attic. | 0:40:59 | 0:41:02 | |
James, did we have a good time or not? | 0:41:02 | 0:41:04 | |
We had a great time, just watching the reactions on your faces was worth a million dollars. | 0:41:04 | 0:41:09 | |
Now we come to the total. You got your £1,200 as you know, just with the cigarette case. | 0:41:09 | 0:41:15 | |
But your final total is... Are you ready? | 0:41:15 | 0:41:19 | |
-£2,518. -Oh, wow! -Brilliant. | 0:41:19 | 0:41:23 | |
£2,518, and you're going home with some stuff that didn't sell. | 0:41:23 | 0:41:28 | |
You're going home with diamonds, Dinky Toys and all sorts of things of value. | 0:41:28 | 0:41:33 | |
-Yes, the girls will be pleased, won't they? -They will be, definitely! | 0:41:33 | 0:41:37 | |
They'll be round to your house really quickly. | 0:41:37 | 0:41:39 | |
Yes, exactly! | 0:41:39 | 0:41:41 | |
With just a fraction of that amazing total, Diana's chosen Theatreland in London's West End | 0:41:45 | 0:41:50 | |
to bring her three daughters on a very special night out. | 0:41:50 | 0:41:53 | |
Tickets, please. | 0:41:55 | 0:41:57 | |
Thank you, thank you very much. | 0:41:59 | 0:42:01 | |
Unfortunately, my stepson couldn't come today, because he's working late, | 0:42:01 | 0:42:05 | |
but it's lovely to all get together and go out for the evening. | 0:42:05 | 0:42:08 | |
It's really enjoyable. | 0:42:08 | 0:42:11 | |
They've got three hours ahead of great, great entertainment, | 0:42:11 | 0:42:15 | |
so let's hope that this dancing family aren't too critical of the choreography. | 0:42:15 | 0:42:20 | |
It was amazing. | 0:42:20 | 0:42:21 | |
-The show was fantastic. -Hilarious. -One of the best things I've ever seen. | 0:42:21 | 0:42:24 | |
Grandmother would be dancing in the aisles, wouldn't she? | 0:42:24 | 0:42:28 | |
Yes, very well choreographed! | 0:42:28 | 0:42:29 | |
E-mail [email protected] | 0:42:58 | 0:43:01 |