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Welcome to Cash In The Attic, the show that finds hidden treasures in your home | 0:00:02 | 0:00:05 | |
and helps you sell them at auction. | 0:00:05 | 0:00:07 | |
Now, today, we are in Chislehurst, in Kent. | 0:00:07 | 0:00:10 | |
And beneath us here are the Chislehurst Caves, which have been dug over a period of 8,000 years. | 0:00:10 | 0:00:16 | |
The Chislehurst Caves are a labyrinth of dark, mysterious passageways, | 0:00:18 | 0:00:22 | |
which have been cut by hand from the chalk deep beneath the village. | 0:00:22 | 0:00:27 | |
They stopped mining here in the early 19th century. | 0:00:27 | 0:00:30 | |
But during the Second World War, the mines were turned into a massive air raid shelter. | 0:00:30 | 0:00:36 | |
And since then, we've had rock concerts here in the 1960s. | 0:00:36 | 0:00:39 | |
But for now, it's a popular local attraction. | 0:00:39 | 0:00:43 | |
So, from these caves, steeped in history, it's off to our next | 0:00:45 | 0:00:48 | |
location, where hopefully we'll find some items with history of their own that we can take to auction. | 0:00:48 | 0:00:53 | |
I've got to find my way out of this place first. | 0:00:53 | 0:00:56 | |
Now, where is the exit? | 0:00:56 | 0:00:58 | |
Coming up on Cash In The Attic - for once, our expert is lost for words. | 0:01:21 | 0:01:26 | |
-What is it? -But he does have a surprise for the lady of the house. | 0:01:26 | 0:01:30 | |
Harrods? I have never been through Harrods' door! | 0:01:30 | 0:01:33 | |
-Well, apparently... -And will our couple make their target, or will they be pipped at the post? | 0:01:33 | 0:01:39 | |
-We're under starter's orders. -We're on a winner. | 0:01:39 | 0:01:42 | |
We're out in the bright sunshine now, thank goodness. | 0:01:42 | 0:01:44 | |
I'm a few miles down the road, in West Wickham. | 0:01:44 | 0:01:47 | |
And we're going to meet Anne and Raymond Wright, who called | 0:01:47 | 0:01:49 | |
the Cash In The Attic team because they want to raise some money for a very special move. | 0:01:49 | 0:01:55 | |
Raymond Anne Wright were childhood sweethearts, having met at the tender age of 15 and 16. | 0:01:55 | 0:02:02 | |
Married for over 30 years, they now have two children, | 0:02:02 | 0:02:06 | |
Angela and younger brother Barry. | 0:02:06 | 0:02:08 | |
We hope there will be lots of exciting collectibles inside this house that we can take to auction. | 0:02:08 | 0:02:14 | |
James, James, James. | 0:02:16 | 0:02:17 | |
-Chris, where have you been? -I'm sorry I'm late. | 0:02:17 | 0:02:19 | |
I got a bit lost in the caves. | 0:02:19 | 0:02:21 | |
-Caves? -Chislehurst Caves, just round the corner. | 0:02:21 | 0:02:25 | |
-You don't look much like a caveman to me. -I'm not a caveman. | 0:02:25 | 0:02:28 | |
I was a bit overdressed for the occasion. We've got some good news. | 0:02:28 | 0:02:30 | |
Plenty of work to do for you today. | 0:02:30 | 0:02:32 | |
This couple behind us love horse racing. | 0:02:32 | 0:02:34 | |
Well, who's going to be first past the finishing post? | 0:02:34 | 0:02:37 | |
It'll be you, cos I'm going to give you a head start. Come on. | 0:02:37 | 0:02:39 | |
Hello, everybody. The sun's out, we've got a pond here. | 0:02:43 | 0:02:48 | |
Now, I know you're Raymond, | 0:02:48 | 0:02:50 | |
and who's this one? | 0:02:50 | 0:02:52 | |
-That's my daughter Angela. -Angela, nice to meet you. -Hello. | 0:02:52 | 0:02:55 | |
It's a family affair, obviously. So who phoned Cash In The Attic? | 0:02:55 | 0:02:58 | |
-I called Cash In The Attic. -Why did you call us? | 0:02:58 | 0:03:01 | |
My wife and myself, our health is not as good as we'd like to be. | 0:03:01 | 0:03:05 | |
We have a house in Cyprus which is fully furnished, and we've decided to retire out there. | 0:03:05 | 0:03:10 | |
-So you've got to get rid of some stuff. -We have, yes. -So, Anne, how long have you lived here? | 0:03:10 | 0:03:14 | |
35 years in this house. | 0:03:14 | 0:03:16 | |
35 years. So what sort of things are we going to find? | 0:03:16 | 0:03:19 | |
Well, loads of things, actually, you know. | 0:03:19 | 0:03:22 | |
You'll probably find lots of interesting things which you gather | 0:03:22 | 0:03:25 | |
yourself, and you just poke them away. | 0:03:25 | 0:03:27 | |
-Are you willing to give it all up? -I've got to. It's a case of got to. | 0:03:27 | 0:03:32 | |
So, how much money do we want to raise today? | 0:03:32 | 0:03:34 | |
Approximately £1,000. | 0:03:34 | 0:03:36 | |
So we are going to have to work hard. And where is this money going? | 0:03:36 | 0:03:40 | |
We're going to take our friends out for a slap-up meal at | 0:03:40 | 0:03:43 | |
a restaurant run by Cypriot people that we know very well. | 0:03:43 | 0:03:48 | |
And then the rest of the money will be updating our house that we are going to live in in Cyprus. | 0:03:48 | 0:03:52 | |
So, Angela, it looks as if we're in for some hard work. Are you ready to get your hands dirty? | 0:03:52 | 0:03:56 | |
-Definitely. -Are they likely to let things go, or will they want to keep stuff? | 0:03:56 | 0:04:00 | |
I think they're going to let everything go. | 0:04:00 | 0:04:02 | |
Cos they really want to have their new life in Cyprus, so, yeah. | 0:04:02 | 0:04:07 | |
-Are you ready to do some work? -We are. -Yes. | 0:04:07 | 0:04:09 | |
Grab your teas, cos that's the last bit of fun you're going to have. | 0:04:09 | 0:04:13 | |
And follow me. | 0:04:13 | 0:04:15 | |
Raymond has been in the photography business for over 50 years, and a racing photographer for the past 30. | 0:04:17 | 0:04:23 | |
Anne is also his right-hand lady, dealing with the secretarial side of the business. | 0:04:23 | 0:04:28 | |
Now retired, they've decided to pack up and move to sunnier climes. | 0:04:28 | 0:04:33 | |
Looking around, I can see all sorts of memorabilia, antiques and collectibles, scattered around | 0:04:33 | 0:04:38 | |
this house, ready for James to cast his expert eye over. | 0:04:38 | 0:04:42 | |
Talking of James, it's time to track him down. | 0:04:42 | 0:04:44 | |
In nearly 30 years of working with antiques, his specialisms include statuary, clocks and works of art. | 0:04:44 | 0:04:51 | |
So our first item might be right up his street. | 0:04:51 | 0:04:55 | |
Where is he? Ah! | 0:04:55 | 0:04:56 | |
James, here you are. Imagine my surprise. | 0:04:56 | 0:04:59 | |
Straight into a bit of racing. | 0:04:59 | 0:05:01 | |
Great photos. Who took these? | 0:05:01 | 0:05:03 | |
I took those, over a period of 10, 12 years ago. | 0:05:03 | 0:05:06 | |
I was just looking at these. Because I can see here, we've got | 0:05:06 | 0:05:09 | |
one, two, three former champion jockeys. | 0:05:09 | 0:05:12 | |
We've got Frankie Dettori here, and then Willie Carson over there. | 0:05:12 | 0:05:14 | |
And then we've also got Richard Dunwoody. | 0:05:14 | 0:05:18 | |
But the interesting thing, Ray, is that these are not taken in | 0:05:18 | 0:05:21 | |
the normal way you would expect a jockey to be depicted. | 0:05:21 | 0:05:23 | |
No, I used to do a lot of these for Question Of Sport. | 0:05:23 | 0:05:26 | |
I've got about 500 on file, which they use in their programmes. | 0:05:26 | 0:05:29 | |
-The mystery guest. -It all makes sense now. What's going on here? | 0:05:29 | 0:05:33 | |
Well, unfortunately, he broke his foot, which he thought was rather | 0:05:33 | 0:05:35 | |
funny, and here he is hopping around for me, for taking a picture. | 0:05:35 | 0:05:38 | |
Fantastic. | 0:05:38 | 0:05:41 | |
They are great photographs, but how much, James, are they worth? | 0:05:41 | 0:05:43 | |
I have to say that it's a really tricky one to answer. | 0:05:43 | 0:05:47 | |
I think there are one or two things to remember. First of all, we're talking about racing. | 0:05:47 | 0:05:51 | |
And that is the sport of kings. | 0:05:51 | 0:05:53 | |
There's more money in this sport than virtually any other one. | 0:05:53 | 0:05:57 | |
As such, there are always going to be passionate collectors who want to have this sort of memorabilia. | 0:05:57 | 0:06:03 | |
Not just the skill of your photography here, Ray, but also | 0:06:03 | 0:06:06 | |
the fact that each of them has actually been signed. | 0:06:06 | 0:06:09 | |
So that elevates it above the status of being a mere photograph, even one taken by Ray. | 0:06:09 | 0:06:14 | |
But trying to value these, not an easy task. | 0:06:14 | 0:06:18 | |
I'll have to be mean, though. | 0:06:18 | 0:06:19 | |
If we start off with, if you like a starting price, of 25 quid each. | 0:06:19 | 0:06:24 | |
So, let's say £100-£200. But I think that's probably being very mean. | 0:06:24 | 0:06:29 | |
-So are you happy with that? -I'm very happy. I think I'm | 0:06:29 | 0:06:34 | |
-on a winner. -Very good. We're up and running. | 0:06:34 | 0:06:36 | |
But a lot of work to be done. We're far from that winning post. | 0:06:36 | 0:06:39 | |
I want to find out more about your photography history later on. But let's get going. Come on. | 0:06:39 | 0:06:44 | |
It looks like James has jumped the first fence in today's rummage. | 0:06:44 | 0:06:48 | |
£100-£200 is a fantastic start, but we've got a long way to go before we reach that final furlong. | 0:06:48 | 0:06:54 | |
So we all split up and take on various parts of the house. | 0:06:54 | 0:06:57 | |
Ray has dug out more of his professional photos, and has decided to send | 0:06:57 | 0:07:01 | |
this signed Sir Alex Ferguson photo that he took at Ascot. | 0:07:01 | 0:07:05 | |
James gives it an impressive £30-£50. | 0:07:05 | 0:07:09 | |
And it looks like James is on to a winning streak today, discovering | 0:07:09 | 0:07:12 | |
yet another item that's hidden away under the stairs. | 0:07:12 | 0:07:16 | |
Oh, Anne, look what I've just found. | 0:07:19 | 0:07:21 | |
Oh, my goodness. | 0:07:21 | 0:07:23 | |
-A heavy box. -Very heavy. -So, Anne, where did this come from? | 0:07:23 | 0:07:27 | |
My mother-in-law and father-in-law. | 0:07:27 | 0:07:30 | |
Roughly, when did they get married? | 0:07:30 | 0:07:32 | |
I think it was about 1936. | 0:07:32 | 0:07:35 | |
Because that's the sort of thing they may have had as a wedding present? | 0:07:35 | 0:07:38 | |
Yes, I think it was a wedding present, actually. | 0:07:38 | 0:07:41 | |
That would actually figure, because what we've got | 0:07:41 | 0:07:43 | |
here is what we call a canteen of cutlery. | 0:07:43 | 0:07:46 | |
-Mm-hm. -It's actually made, Robert Mosley, Sheffield. | 0:07:46 | 0:07:51 | |
And Sheffield was the city in England which is renowned for its cutlery, from the 18th century | 0:07:51 | 0:07:56 | |
onward, and especially in the 19th and 20th century, it was exported all over the world. | 0:07:56 | 0:08:01 | |
-Right. -I mean, you just don't see things like this today. | 0:08:01 | 0:08:05 | |
No. The only thing missing off of that is the steel. | 0:08:05 | 0:08:08 | |
Because my father-in-law used to always use the steel. | 0:08:08 | 0:08:11 | |
-Right. Yes. -And obviously he didn't put it back in there. | 0:08:11 | 0:08:13 | |
Well, it's just a small thing. That could actually be replaced. | 0:08:13 | 0:08:16 | |
But what I love about these things is that they gave you everything. | 0:08:16 | 0:08:20 | |
-Oh, yes. -Because if I pull out the drawers, we've got all of the spoons, dessert spoons and forks. | 0:08:20 | 0:08:25 | |
And here's something I love, you just don't seem nowadays. | 0:08:25 | 0:08:28 | |
-You've even got the knife rests in there. -Yes! | 0:08:28 | 0:08:31 | |
And there's another drawer as well. | 0:08:31 | 0:08:34 | |
And we've got tablespoons, soup ladles, source ladles, it's all there. | 0:08:34 | 0:08:39 | |
And all labelled. | 0:08:39 | 0:08:42 | |
Looking at the construction of this, you can see it's made with all these different layers of wood. | 0:08:42 | 0:08:47 | |
It's real quality. | 0:08:47 | 0:08:50 | |
All of that's the good news. | 0:08:50 | 0:08:52 | |
-In some ways, the slightly bad news is that it's not silver, it's not solid silver, sterling silver. -No. | 0:08:52 | 0:08:58 | |
It's actually silver plate. | 0:08:58 | 0:08:59 | |
And on the back, we've actually got the maker's initial, Robert Mosley & Son. | 0:08:59 | 0:09:03 | |
And then EP, which stands for electric plate. | 0:09:03 | 0:09:06 | |
Value on this... | 0:09:06 | 0:09:08 | |
We'd probably put an estimate of between £100 and £200. | 0:09:08 | 0:09:10 | |
Brilliant. That's lovely. | 0:09:10 | 0:09:12 | |
Which is, you know, it's a sizable chunk of money, in terms of where we want to be. | 0:09:12 | 0:09:17 | |
-Yes. -Of course, the other side is, it's actually a fraction of what it would cost you if you went | 0:09:17 | 0:09:21 | |
to somewhere posh like Harrods to buy this new today, you'd be paying... | 0:09:21 | 0:09:24 | |
Harrods? I have never been through Harrods' door! | 0:09:24 | 0:09:27 | |
Haven't you? Apparently, this would cost you a lot of money! | 0:09:27 | 0:09:30 | |
But I tell you what, we are never satisfied. | 0:09:30 | 0:09:32 | |
So let's go and find something else. | 0:09:32 | 0:09:35 | |
You see, Anne, you don't need a posh shop, there's perfectly decent stuff like this being sold at auction. | 0:09:35 | 0:09:40 | |
Not bad. No, not me, the mirror! | 0:09:40 | 0:09:43 | |
And James agrees, giving it a handsome £60-£80 price tag. | 0:09:43 | 0:09:47 | |
Everyone's on the hunt to find antiques and collectibles. | 0:09:47 | 0:09:51 | |
With a target of £1,000, we need time on our side. | 0:09:51 | 0:09:56 | |
James, what do you think about this wall clock? | 0:09:58 | 0:10:00 | |
It's a handsome piece. Where did you get it? | 0:10:00 | 0:10:03 | |
My mum bought it for my father for their 30th wedding anniversary. | 0:10:03 | 0:10:07 | |
And she particularly liked it because it's | 0:10:07 | 0:10:09 | |
got the initials R&A on it, which is obviously my mum and dad's initials. | 0:10:09 | 0:10:13 | |
Raymond and Anne. | 0:10:13 | 0:10:15 | |
Oh, with Cupid's arrow as well. | 0:10:15 | 0:10:17 | |
I like that. | 0:10:17 | 0:10:19 | |
It's not old, but it's a copy of | 0:10:19 | 0:10:23 | |
a 19th century Viennese regulator, which were very popular over in Vienna, in Austria, and in Germany. | 0:10:23 | 0:10:30 | |
And what they were is, they were really precision timepieces, | 0:10:30 | 0:10:35 | |
so they had very, very complicated movements inside them. | 0:10:35 | 0:10:38 | |
-If you see the pendulum there, can you see there are different coloured metals? -Yes. | 0:10:38 | 0:10:44 | |
That is what we call a bimetallic, compensated pendulum, which sounds very complicated. | 0:10:44 | 0:10:51 | |
-It does. -But what that means is that different metals expand and contract | 0:10:51 | 0:10:56 | |
at different speeds, depending on whether it's hot or cold. | 0:10:56 | 0:10:59 | |
It makes the pendulum shorter or longer. | 0:10:59 | 0:11:02 | |
And this makes it go at a different speed. | 0:11:02 | 0:11:04 | |
And so they are made of different metals, and one compensates out the other. | 0:11:04 | 0:11:08 | |
So it's a better way of it keeping time. Good sign of quality. | 0:11:08 | 0:11:12 | |
I think the important thing to say is that because it's | 0:11:12 | 0:11:16 | |
actually a new copy, it doesn't have a full retail value, which it would have had when they bought it. | 0:11:16 | 0:11:21 | |
And it doesn't have an antique value. So it's going to be, erm, | 0:11:21 | 0:11:25 | |
more of a decorative price. | 0:11:25 | 0:11:27 | |
I would think we should probably be looking at between £50 and £80 - | 0:11:27 | 0:11:31 | |
which will be less, a lot less, than what they paid for it. | 0:11:31 | 0:11:34 | |
I think they will be very pleased. | 0:11:34 | 0:11:36 | |
OK, well, here's to many more happy wedding anniversaries, out in sunny Cyprus! | 0:11:36 | 0:11:41 | |
Lovely. | 0:11:41 | 0:11:44 | |
Now, James has told me that R&A doesn't stand for Raymond and Anne, | 0:11:44 | 0:11:47 | |
but for retard and advance, which is an indicator for the adjustment of the pendulum speed. | 0:11:47 | 0:11:53 | |
Some of the items they have in this house were bought at auction, and this reproduction Georgian-style | 0:11:53 | 0:11:58 | |
half-moon table, reminiscent of Queen Anne style, will be repaying a visit, with a price tag of... | 0:11:58 | 0:12:03 | |
It's not every day you meet childhood sweethearts, and I'm eager | 0:12:05 | 0:12:09 | |
to find out how Raymond and Anne's relationship began. | 0:12:09 | 0:12:13 | |
There's some wonderful photos around. It's a very happy home. | 0:12:15 | 0:12:18 | |
-How did you two meet? -Well, I met Ray when I was 15 and he was 16. | 0:12:18 | 0:12:25 | |
We just sort of went on from there. And then he followed me to Southend. | 0:12:25 | 0:12:29 | |
Followed me to Manchester. | 0:12:29 | 0:12:31 | |
And that's where we got married, up in Manchester. | 0:12:31 | 0:12:34 | |
So he must have been keen. | 0:12:34 | 0:12:36 | |
So you couldn't shake him off. Were you romantic? | 0:12:36 | 0:12:39 | |
I let others say. | 0:12:39 | 0:12:41 | |
-Was he romantic? -No. | 0:12:41 | 0:12:44 | |
What was wrong with you, young man? | 0:12:44 | 0:12:46 | |
So, tell me about your career, how did you get into photography? | 0:12:46 | 0:12:50 | |
I started doing weddings, which we did for quite a number of years. | 0:12:50 | 0:12:54 | |
Weddings slowed down a bit. And then I started doing football, going to different football matches. | 0:12:54 | 0:13:00 | |
Football only runs for about nine months of the year, and then you've got two or three months of nothing. | 0:13:00 | 0:13:05 | |
So I thought, well, I'll start taking up racing, which was 12 months a year. | 0:13:05 | 0:13:09 | |
They say racing's the sport of kings, and you got | 0:13:09 | 0:13:11 | |
a bit of the Royal Family as well in your camera. | 0:13:11 | 0:13:13 | |
Yes. The late Queen Mother, absolutely charming woman. | 0:13:13 | 0:13:16 | |
I used to send her pictures from Sandown of presentations, and | 0:13:16 | 0:13:21 | |
within two to three days, she would write me back a letter. | 0:13:21 | 0:13:23 | |
I think I got about 13, 14 letters from the Queen Mother, which I'm very privileged | 0:13:23 | 0:13:28 | |
-to have. -So this £1,000 that we're hoping to raise today, and at auction, | 0:13:28 | 0:13:33 | |
it's not obviously for the trip. But it's to say goodbye. | 0:13:33 | 0:13:37 | |
Yes. To our best friends. | 0:13:37 | 0:13:40 | |
Not that we're going to cut them off altogether. | 0:13:40 | 0:13:43 | |
But it's just to say thank you. | 0:13:43 | 0:13:45 | |
So what is this chapter in Cyprus for you, what does it represent? | 0:13:45 | 0:13:49 | |
-A new life. -A new life. | 0:13:49 | 0:13:51 | |
There's something magical about this Cyprus, I'm going to have to find out a bit more about it later. | 0:13:51 | 0:13:55 | |
They call it the love island. | 0:13:55 | 0:13:57 | |
Wow! I definitely want to know more about it. | 0:13:57 | 0:14:00 | |
In the meantime, I think we'd better raise that cash. | 0:14:00 | 0:14:04 | |
Come on. | 0:14:04 | 0:14:06 | |
After all they've been through together, their plan to retire to the island of love is a great idea. | 0:14:06 | 0:14:11 | |
And daughter Angela will be sad to see them go, but she still carries on the search. | 0:14:11 | 0:14:17 | |
She decides to let the dining table and chairs go off to auction. | 0:14:17 | 0:14:20 | |
They're far too big to ship to Cyprus, and £200-£400 will help tremendously. | 0:14:20 | 0:14:26 | |
So far, we've made £620. | 0:14:26 | 0:14:30 | |
But with so much stuff to clear out before their move abroad, we are feeling slightly confident. | 0:14:30 | 0:14:36 | |
Was this another one of your photos? | 0:14:36 | 0:14:39 | |
No, unfortunately, it wasn't. It's one of the horses which was lucky enough to win for me at Brighton. | 0:14:39 | 0:14:43 | |
-That's your horse? -Yes, that's my horse, called September Snap. | 0:14:43 | 0:14:46 | |
Because we bought it in September. And because I take pictures, it's called Snap. | 0:14:46 | 0:14:51 | |
-So you're a multi-millionaire now? -Yes, exactly. | 0:14:51 | 0:14:54 | |
We don't need the money, James! | 0:14:54 | 0:14:56 | |
We do need the money! That's why I want to talk to you about this. | 0:14:56 | 0:15:00 | |
Ray, where did it come from? | 0:15:00 | 0:15:02 | |
My next-door neighbour runs an auction house, and I bought it some 12 years ago. | 0:15:02 | 0:15:06 | |
I liked it, so I bought it. | 0:15:06 | 0:15:08 | |
-Do you know what it's actually the official name for a bit of furniture like this? -It's a Davenport. | 0:15:08 | 0:15:13 | |
-It's a Davenport. -Yes. | 0:15:13 | 0:15:14 | |
Fully enough, Davenport was actually a person, Captain Davenport. | 0:15:14 | 0:15:19 | |
And some time sort of, I think, in the 1830s or 1840s, he commissioned this sort of desk to be made. | 0:15:19 | 0:15:26 | |
Can you remember, what did you go for it? | 0:15:26 | 0:15:28 | |
125. That's 12 years ago. | 0:15:28 | 0:15:30 | |
That absolutely figures, because that's actually roughly what it's worth now. | 0:15:30 | 0:15:35 | |
I think what's happened in the meantime is that 12 years ago, | 0:15:35 | 0:15:38 | |
prices were rising for antiques and good reproductions. | 0:15:38 | 0:15:42 | |
And then round about the year 2000, they dropped off, because everyone became minimalist. | 0:15:42 | 0:15:47 | |
And now they are beginning to rise again. | 0:15:47 | 0:15:49 | |
So you've just sort of caught up with yourself. | 0:15:49 | 0:15:52 | |
I'd put an estimate on this of between £100 and £200. | 0:15:52 | 0:15:54 | |
The good news is, it hasn't lost any money over 12 years. | 0:15:54 | 0:15:57 | |
Let's hope we have another winner. | 0:15:57 | 0:15:59 | |
Come on, let's go and look for some more. | 0:15:59 | 0:16:01 | |
That's a tidy little sum. And Angela comes across a gem | 0:16:05 | 0:16:07 | |
when she discovers this wonderful diamond ring that once belonged to her grandfather, worth a stunning... | 0:16:07 | 0:16:13 | |
The team are uncovering all sorts of family heirlooms and memorabilia. | 0:16:17 | 0:16:21 | |
Anne's finds should send the bids flying on auction day. | 0:16:21 | 0:16:24 | |
What have you got there? | 0:16:24 | 0:16:26 | |
I like intriguing envelopes. | 0:16:26 | 0:16:28 | |
What little secrets does this have? | 0:16:28 | 0:16:32 | |
Ooh! Concorde! | 0:16:32 | 0:16:34 | |
-Fantastic! -Yes. I treated Ray to a Christmas present. | 0:16:34 | 0:16:38 | |
You posted him off on Concorde, or both of you? | 0:16:38 | 0:16:41 | |
-No, no. -Just him? -Yes. | 0:16:41 | 0:16:43 | |
What a nice present. | 0:16:43 | 0:16:45 | |
Well, he loved the Concorde, and it used to fly over here every day. | 0:16:45 | 0:16:48 | |
So, I arranged a trip for him through the travel agent. | 0:16:48 | 0:16:51 | |
And he actually went up into the cockpit. | 0:16:51 | 0:16:54 | |
They said, would anyone like to go up? | 0:16:54 | 0:16:56 | |
-And Ray was there. -I bet he was. | 0:16:56 | 0:16:59 | |
Well, there is huge nostalgia interest in Concorde. | 0:16:59 | 0:17:01 | |
The point being that already, even though it's only five or six years since it stopped flying, | 0:17:01 | 0:17:08 | |
-the nostalgia is huge. -Oh, yes. | 0:17:08 | 0:17:12 | |
You've got the complete package year, with the bonus of a couple of photographs which Raymond took. | 0:17:12 | 0:17:17 | |
I think, again, being mean, probably £40-£60. | 0:17:17 | 0:17:21 | |
-And I would sort of expect it to fetch more. -That would be brilliant, yeah. | 0:17:21 | 0:17:24 | |
-How does that sound? -That's lovely, yeah. | 0:17:24 | 0:17:26 | |
It probably cost you a few bob more than that to post him up in the sky, | 0:17:26 | 0:17:29 | |
-but it's quite nice to get a bit of money back. -Yes! | 0:17:29 | 0:17:31 | |
-But anyway, we must find more. -Yes. Certainly. | 0:17:31 | 0:17:36 | |
It was such an impressive aircraft, so I'm not surprised there's demand for Concorde memorabilia. | 0:17:36 | 0:17:41 | |
Ray and Anne have had this blue-and-yellow comfy chair for 13 years. | 0:17:41 | 0:17:46 | |
Its chunky features and carved decoration | 0:17:46 | 0:17:48 | |
are reminiscent of the art nouveau styles of the late Victorian era. | 0:17:48 | 0:17:53 | |
Raymond and Anne are happy to let someone else enjoy it. | 0:17:55 | 0:18:00 | |
Let's go out in the garden again, leave James inside. | 0:18:01 | 0:18:04 | |
Isn't it beautiful? | 0:18:04 | 0:18:06 | |
Yes, lovely. | 0:18:06 | 0:18:07 | |
Why would you want, Ray, to be going off to Cyprus? | 0:18:07 | 0:18:11 | |
Well, we have an all-year-round climate. | 0:18:11 | 0:18:13 | |
It's very good for our health. | 0:18:13 | 0:18:15 | |
With me being diabetic, and I had a heart attack. | 0:18:15 | 0:18:18 | |
The food is fresh. We're going to go for it. | 0:18:18 | 0:18:20 | |
-Do you love it, too, Anne? -Yes. I never want to get back on the plane. | 0:18:20 | 0:18:23 | |
I always say to him, you're gonna have to drag me to the airport. | 0:18:23 | 0:18:26 | |
And then when we are sitting on the plane, the last time I went, do we really have to go home? | 0:18:26 | 0:18:30 | |
Have I really got to get on this plane? | 0:18:30 | 0:18:32 | |
But you do realise you're going to leave someone behind? | 0:18:32 | 0:18:35 | |
-How do you feel about it? -I'll miss them terribly. | 0:18:35 | 0:18:37 | |
I'm quite upset about it, but I'm happy for them, because they deserve everything that they're going to get. | 0:18:37 | 0:18:42 | |
So you've got to let them go, haven't you? | 0:18:42 | 0:18:46 | |
-She's getting emotional. -I know. | 0:18:46 | 0:18:48 | |
It's being with you. | 0:18:48 | 0:18:50 | |
So, Anne, what is it about Cyprus? | 0:18:50 | 0:18:52 | |
You've got great weather, but what else is it that you love? | 0:18:52 | 0:18:55 | |
You can't put it into words, really. | 0:18:55 | 0:18:58 | |
I mean, Angela used to say to me, I don't know why you keep going back. | 0:18:58 | 0:19:03 | |
And then, when we phoned up home, she said we sounded like a couple of teenagers. | 0:19:03 | 0:19:07 | |
She said, what is in the water out there? | 0:19:07 | 0:19:10 | |
But no, we just love it. You can't describe it until you've been. | 0:19:10 | 0:19:14 | |
But the people that do go, they say, I'm going back again. | 0:19:14 | 0:19:18 | |
And that's how we started. | 0:19:18 | 0:19:20 | |
A little bird was telling me that it's not just you three | 0:19:20 | 0:19:23 | |
that love Cyprus, but your son Barry as well, I hear? | 0:19:23 | 0:19:26 | |
This year, he took his girlfriend out there. | 0:19:26 | 0:19:29 | |
He asked, could he go for a week? We said, yes, of course you can, the place is there. | 0:19:29 | 0:19:33 | |
-And he proposed to her and got engaged. -So it's a romantic place. | 0:19:33 | 0:19:36 | |
Very. | 0:19:36 | 0:19:38 | |
-Even he gets romantic. -Look out there, Angela, do you want a bit of romance out there? | 0:19:38 | 0:19:43 | |
I don't mind. | 0:19:43 | 0:19:45 | |
Shall we go and do one more last bit of rummaging? | 0:19:45 | 0:19:47 | |
-Yes. -Come on. | 0:19:47 | 0:19:49 | |
Mmm. Sun, sea and romance - a perfect combination. | 0:19:49 | 0:19:53 | |
I'm getting quite envious. Anyway, we're coming to the end of our day, and pulling out | 0:19:53 | 0:19:57 | |
all the stops to raise as much money for Ray and Anne's move abroad. | 0:19:57 | 0:20:03 | |
Well, Ray, I have to say, with this, you have got my undivided attention. | 0:20:03 | 0:20:08 | |
What is it? | 0:20:08 | 0:20:10 | |
It's a horse game which my father used to use during the war. | 0:20:10 | 0:20:12 | |
And people used to bet a penny on each horse. | 0:20:12 | 0:20:15 | |
A penny was a lot of money then, and that's how he made his money. | 0:20:15 | 0:20:18 | |
Fantastic. | 0:20:18 | 0:20:20 | |
What's fascinating for me, | 0:20:20 | 0:20:21 | |
written on the top here is Ascot, The Racing Game, by Jaques & Son. | 0:20:21 | 0:20:26 | |
And they are the oldest established makers of sporting goods and games in the world. | 0:20:26 | 0:20:34 | |
They were founded in 1795, by Thomas Jacques. | 0:20:34 | 0:20:38 | |
They've made all sorts of things over the centuries. | 0:20:38 | 0:20:40 | |
They are perhaps most well-known now for making things like croquet sets. | 0:20:40 | 0:20:44 | |
But always of the best, best quality. | 0:20:44 | 0:20:47 | |
The other thing I like about them is that they are still run | 0:20:47 | 0:20:50 | |
by members of the Jacques family, over 200 years later. | 0:20:50 | 0:20:53 | |
This particular game I think is probably Edwardian. | 0:20:53 | 0:20:56 | |
It's round about 1900, 1910. | 0:20:56 | 0:20:59 | |
So it's about 100 years old. And I think if it's being used, it really has stood the test of time. | 0:20:59 | 0:21:05 | |
Fantastic quality mahogany box. | 0:21:05 | 0:21:07 | |
And inside it is a clockwork mechanism which winds the pieces | 0:21:07 | 0:21:11 | |
of string in, which the lead painted horses are attached to. | 0:21:11 | 0:21:15 | |
And then you've got your very own rolled-out racetrack. | 0:21:15 | 0:21:17 | |
So it's a complete racehorse track in portable form, which I really like. | 0:21:17 | 0:21:22 | |
What is it worth? Well, I'm going to be conservative and say around about £30-£50. But I am being mean. | 0:21:22 | 0:21:26 | |
Because I think it will probably do a lot better than that. | 0:21:26 | 0:21:30 | |
I really do. So, why don't we give it a whirl? | 0:21:30 | 0:21:32 | |
No, I'll tell you what, let's get everybody else in, and then you can give us a demonstration. | 0:21:32 | 0:21:37 | |
Chris? | 0:21:37 | 0:21:39 | |
Hello, mate. What have we got here? | 0:21:39 | 0:21:41 | |
Listen, we are literally under starter's orders here. | 0:21:41 | 0:21:44 | |
Ray is just going to show us how this all works. | 0:21:44 | 0:21:47 | |
And I think you have all got to place your bets. | 0:21:47 | 0:21:50 | |
Well, I've run out of cash, so you'll have to lend me some money. | 0:21:50 | 0:21:53 | |
Same old story. But before we do that, we'd better have a tot-up. | 0:21:53 | 0:21:57 | |
-Are we exhausted? -Yes. | 0:21:57 | 0:21:59 | |
You've caught the sun in the garden, I can see that. | 0:21:59 | 0:22:02 | |
-We've put everything up. How much did we get for this, by the way? -About £30-£50. | 0:22:02 | 0:22:06 | |
-Is that all? -Well, I'm playing things mean. Long odds, that means you win more money. | 0:22:06 | 0:22:10 | |
Well, that makes a grand total, from all of your rummaging - I know you were aiming for £1,000... | 0:22:10 | 0:22:16 | |
Well, we reckon, conservatively, we could come up with £1,120. That's not too bad, is it? | 0:22:16 | 0:22:24 | |
That's a grand total. | 0:22:24 | 0:22:26 | |
-I like it, Ray. -Spoken like a sporting man. | 0:22:26 | 0:22:28 | |
Exactly. Now, we're going to race off to the auction house. But before that, we've got a big race here. | 0:22:28 | 0:22:33 | |
-Away you go. -They are under starter's orders, and they're off! | 0:22:33 | 0:22:37 | |
Hey! | 0:22:39 | 0:22:41 | |
As much as I hate goodbyes, we'll all be glad to see our items sell and move on to pastures new. | 0:22:43 | 0:22:49 | |
There's the canteen of cutlery that James thinks is posh enough to be in Harrods! | 0:22:49 | 0:22:53 | |
And there's the Sir Alex Ferguson-signed photograph. | 0:22:57 | 0:23:01 | |
Let's hope there's some Man U fans in the sale room. | 0:23:01 | 0:23:06 | |
And the Concorde memorabilia should reach the skies. | 0:23:06 | 0:23:09 | |
Still to come on Cash In The Attic - will the auction spring a few surprises on us? | 0:23:17 | 0:23:22 | |
Yes! | 0:23:22 | 0:23:24 | |
And will some results be too painful for our couple? | 0:23:24 | 0:23:27 | |
-No! -No! | 0:23:27 | 0:23:30 | |
Emotions run high, but will the outcome be good? Are you in shock? | 0:23:30 | 0:23:35 | |
-Yes. I am, yes. -Find out, when the final hammer falls. | 0:23:35 | 0:23:38 | |
It's been a few weeks since we had a good old rummage around Ray and Anne's house in Kent. | 0:23:43 | 0:23:47 | |
And my goodness, did we find a rich array of items? | 0:23:47 | 0:23:50 | |
We've brought them all here to the Hampshire Auctions in Andover. | 0:23:50 | 0:23:53 | |
Ray and Anne want to raise around £1,000 for an enormous | 0:23:53 | 0:23:56 | |
farewell dinner, before they head off to Cyprus. | 0:23:56 | 0:23:58 | |
So let's hope everyone here is in good mood, and very generous, as their items go under the hammer. | 0:23:58 | 0:24:05 | |
It's good to see our expert, James, is here nice and early. | 0:24:05 | 0:24:08 | |
And he certainly looks ready for the day ahead. | 0:24:08 | 0:24:11 | |
I reckon he's just a big kid at heart. | 0:24:11 | 0:24:14 | |
And I bet I know what he's looking at. | 0:24:14 | 0:24:18 | |
Ah, James, I thought I might find you here. | 0:24:18 | 0:24:21 | |
You've got to stop playing silly games! | 0:24:21 | 0:24:24 | |
You think horseracing's silly? | 0:24:24 | 0:24:26 | |
-It's the sport of kings! -You do love this item, don't you? | 0:24:26 | 0:24:30 | |
I think it's a cracker, I really, really do. Just wonderful quality. | 0:24:30 | 0:24:34 | |
Having a look around here, there seems to be a lot of furniture... | 0:24:34 | 0:24:37 | |
We've got a lot of furniture coming as well. They're clearing | 0:24:37 | 0:24:40 | |
their house so we've got a lot - dining room tables, chairs, lots of things. | 0:24:40 | 0:24:45 | |
I'm scared when I talk about furniture, because it could be hot or cold in an auction room. | 0:24:45 | 0:24:48 | |
My only worry is that it's not antique furniture. | 0:24:48 | 0:24:52 | |
Theirs is modern reproduction - good quality, but modern reproduction. | 0:24:52 | 0:24:56 | |
-Let's just hope someone's furnishing a house. -Shall we go and see? -Yes. | 0:24:56 | 0:24:59 | |
Come on. We all know it can be touch and go when selling reproduction furniture at auction. | 0:24:59 | 0:25:06 | |
So we'll have to wait and see what the day brings. | 0:25:06 | 0:25:09 | |
I wonder if Raymond is having a few regrets about letting go of his photographic handiwork? | 0:25:09 | 0:25:13 | |
Hello, gang. Nice to see you again. | 0:25:16 | 0:25:18 | |
-Nice to see you. -Old Frankie there, one of your favourites? | 0:25:18 | 0:25:20 | |
Yes, first jumping at Ascot. | 0:25:20 | 0:25:23 | |
Have you been to an auction before? | 0:25:23 | 0:25:25 | |
I haven't, no. | 0:25:25 | 0:25:26 | |
But you have? You've bought some stuff. | 0:25:26 | 0:25:28 | |
About 400 times to auction houses. | 0:25:28 | 0:25:32 | |
-400 times to auction houses. You know you've got to not buy anything today. -Oh. | 0:25:32 | 0:25:35 | |
-I've tied his hands down. -That's good, Anne. | 0:25:35 | 0:25:38 | |
Because we want to make big money, not spend big money. | 0:25:38 | 0:25:42 | |
This could be a long day, James. | 0:25:42 | 0:25:43 | |
I'm just hoping we'll be jumping for joy, just like Frankie, by the end of the day! | 0:25:43 | 0:25:48 | |
Anything you're looking forward to today? | 0:25:48 | 0:25:50 | |
Well, what I think's nice, Chris, is that Ray and Anne have got | 0:25:50 | 0:25:54 | |
a nice cross-section of things, from silver to furniture, whatever. | 0:25:54 | 0:25:58 | |
You're selling up house. Made. | 0:25:58 | 0:25:59 | |
-Right, so we're looking for some young couples in the audience today. -That would be very nice. | 0:25:59 | 0:26:03 | |
-Right. Ready for the auction? -Yes. -Come on, let's go. | 0:26:03 | 0:26:06 | |
As the sale room begins to fill with bidders, we take our places in the | 0:26:06 | 0:26:10 | |
corner of the room for the first lot. It's the canteen of cutlery. | 0:26:10 | 0:26:13 | |
-You really like this, James, don't you? -It was such a clean lot. | 0:26:13 | 0:26:18 | |
And obviously, it belonged to Ray's parents, and it had been very, very well looked-after. | 0:26:18 | 0:26:22 | |
It had all the original labels, didn't it, Anne? | 0:26:22 | 0:26:25 | |
-Yes. It tickled me, that. -So, great condition. | 0:26:25 | 0:26:27 | |
And the fact it's still got its original box, which a lot of them don't have. So, a nice clean lot. | 0:26:27 | 0:26:32 | |
-I think it could do well. Estimate, £100-£200. -Fingers crossed. | 0:26:32 | 0:26:36 | |
Quite a few commission bids here. | 0:26:36 | 0:26:38 | |
-We like that. -Straight in at £150. | 0:26:38 | 0:26:43 | |
Ooh! Yes! | 0:26:43 | 0:26:45 | |
170 I'll take. 180 here. | 0:26:45 | 0:26:48 | |
-190... Finally 200... -Top estimate... | 0:26:48 | 0:26:51 | |
-At £210, then? Surely 220? -Brilliant. | 0:26:51 | 0:26:55 | |
Well, well - how about that? | 0:26:55 | 0:26:57 | |
-What a shock. -Hey? | 0:26:57 | 0:26:59 | |
-What a shock. -Are you in shock? | 0:26:59 | 0:27:01 | |
Yes, I am. | 0:27:01 | 0:27:02 | |
What a great start to the auction! James was right. | 0:27:02 | 0:27:05 | |
It's a quality item, and our bidders were prepared to battle it out and pay the top price for it. | 0:27:05 | 0:27:11 | |
Next up, it's the dining table and chairs. We are all relying on a couple furnishing their new home. | 0:27:11 | 0:27:16 | |
£200-£400 - it's a bargain! | 0:27:16 | 0:27:19 | |
James, always a bit worried about the furniture. | 0:27:19 | 0:27:22 | |
But we've got a huge dining room table, and six chairs. | 0:27:22 | 0:27:26 | |
Chris, it's a fantastic package. | 0:27:26 | 0:27:27 | |
OK, it's not old, but it's, you know, hand-carved in wood, nicely upholstered. | 0:27:27 | 0:27:33 | |
It's actually the complete package. And if you want nice furnishing things, it's not expensive. | 0:27:33 | 0:27:38 | |
Beautiful legs on it. | 0:27:38 | 0:27:40 | |
You like saying that to the men, don't you? | 0:27:40 | 0:27:42 | |
You don't have to talk about me. | 0:27:42 | 0:27:45 | |
Start me at £100. | 0:27:46 | 0:27:48 | |
-100 I have, 110 I will take. -We need to be a bit more than that. | 0:27:48 | 0:27:52 | |
£100 only, then, at £100... | 0:27:52 | 0:27:57 | |
-Ooh. -Mmm. | 0:27:57 | 0:27:59 | |
No, I don't think he sold that. | 0:27:59 | 0:28:01 | |
The auctioneer used his discretion, and decided not to sell it for less than it's worth. | 0:28:01 | 0:28:06 | |
So that's unfortunately going home with Raymond and Anne. | 0:28:06 | 0:28:09 | |
Now, will we have better luck with our next piece of furniture, the half-moon table? | 0:28:09 | 0:28:13 | |
It's a nice furnishing piece. So, if the people are here, it'll go. | 0:28:16 | 0:28:20 | |
If they ain't, it won't. | 0:28:20 | 0:28:22 | |
-Simple as that. -I've got 50 bid on this. | 0:28:22 | 0:28:25 | |
At £50 only. Five, I'll take. | 0:28:25 | 0:28:28 | |
Five, I have. At 55, 60 is there. | 0:28:28 | 0:28:31 | |
At £55, then. | 0:28:31 | 0:28:33 | |
I'm afraid that's not quite enough. | 0:28:33 | 0:28:36 | |
I don't think he's sold that. | 0:28:38 | 0:28:40 | |
He hasn't sold that. | 0:28:40 | 0:28:42 | |
Uh-oh. So, our fears for the furniture are being realised, as two pieces fail to sell. | 0:28:42 | 0:28:49 | |
That's £150 down so far. And I'm hoping that this isn't going to be an ongoing theme. | 0:28:49 | 0:28:54 | |
Because up next is the Davenport bureau. | 0:28:54 | 0:28:56 | |
£55, then. | 0:29:00 | 0:29:02 | |
Didn't sell again. | 0:29:02 | 0:29:04 | |
Didn't sell. | 0:29:04 | 0:29:07 | |
This furniture today is not going, is it? | 0:29:07 | 0:29:09 | |
It's a great pity, isn't it, Anne? But I think what it shows is that obviously here today, we haven't got | 0:29:09 | 0:29:15 | |
that young married couple who are just setting up their first home. | 0:29:15 | 0:29:18 | |
But that's auction. Sometimes you get them, sometimes you won't. | 0:29:18 | 0:29:20 | |
Obviously, because it's new, it's not something that will be bought by an antique dealer. | 0:29:20 | 0:29:25 | |
It's very much the sort of modern furnishing piece. | 0:29:25 | 0:29:27 | |
Ouch! That's a hat-trick, and a real knock to our confidence. | 0:29:27 | 0:29:31 | |
After James' comments, we're finding it difficult to hold out any hope for our next item, because | 0:29:31 | 0:29:36 | |
it's another piece of furniture - the blue and gold chair that's been in the family for over 30 years. | 0:29:36 | 0:29:43 | |
Let's keep our fingers crossed. | 0:29:46 | 0:29:48 | |
If I can start at £50. 55 I'll take. | 0:29:48 | 0:29:51 | |
At £50 only. Five I have. | 0:29:51 | 0:29:53 | |
-At 60. And five. -Yes. | 0:29:53 | 0:29:57 | |
At five, it's yours, madam. At 75, I'm out. Is there 80? | 0:29:57 | 0:30:01 | |
£75, then, I will sell for 75. | 0:30:01 | 0:30:05 | |
Yes! | 0:30:05 | 0:30:07 | |
That is £5 under James's lower estimate but at least it sold. | 0:30:07 | 0:30:12 | |
So far we have made £285 towards the move to Cyprus and we can't forget that meal for the friends. | 0:30:12 | 0:30:19 | |
Thankfully, our next item isn't furniture. | 0:30:19 | 0:30:21 | |
Let's hope this unique little piece will spur on a flutter. | 0:30:21 | 0:30:26 | |
-You love this. -Ray was taking side bets. | 0:30:28 | 0:30:31 | |
The Ascot racing game. When did it date from? | 0:30:32 | 0:30:34 | |
I think it dates to the early part of the 20th century, but your dad had in the 1930s. | 0:30:34 | 0:30:39 | |
'30s, yeah. Penny bets. | 0:30:39 | 0:30:43 | |
We've got £30 to £50 on it so quite specialised thing but | 0:30:43 | 0:30:48 | |
we are under starter's orders, let's see how we get on. | 0:30:48 | 0:30:51 | |
Here I'm straight in at £45. | 0:30:51 | 0:30:53 | |
We are under starter's orders. | 0:30:53 | 0:30:57 | |
Five, I'm out, at 65, 70, is there? | 0:30:57 | 0:31:01 | |
70 I have, 5? | 0:31:01 | 0:31:03 | |
80, five. 90. | 0:31:03 | 0:31:07 | |
And five. 100. 110. 120. | 0:31:07 | 0:31:13 | |
130. 140. | 0:31:13 | 0:31:16 | |
And it's good to firm. 150. | 0:31:18 | 0:31:20 | |
At £140, I'm selling. | 0:31:20 | 0:31:23 | |
-Yes! -That's a winner. -That is a winner and a half. | 0:31:23 | 0:31:27 | |
First past the post. | 0:31:27 | 0:31:30 | |
Your old dad would be proud on that because | 0:31:30 | 0:31:33 | |
that's probably more money than he made on betting when he played it. | 0:31:33 | 0:31:36 | |
He made pennies during the war playing that. | 0:31:36 | 0:31:38 | |
That's a lot of pennies, old pennies, to get up to 140 quid. | 0:31:38 | 0:31:42 | |
Yes. I am extremely pleased that the game did so well selling more than | 0:31:42 | 0:31:46 | |
four times over its lower estimate but how have we done so far? | 0:31:46 | 0:31:51 | |
-OK, it is half-time, and as a sports photographer, what do we do at half-time? -Have a lemon. | 0:31:51 | 0:31:55 | |
Have a lemon, some orange, cup of tea, it's time for that, James. | 0:31:55 | 0:31:58 | |
-Suits me! -Now, we wanted to raise £1,000, it was a big ask and at | 0:31:58 | 0:32:04 | |
-the halfway stage, with everything gone, we are at £425. -Brilliant. | 0:32:04 | 0:32:11 | |
-Big items to come, haven't we? A Frankie Dettori picture? -Yes. | 0:32:11 | 0:32:13 | |
High hopes, James. | 0:32:13 | 0:32:16 | |
-As always. -It's time now for the lemon, the orange, cup of tea. | 0:32:16 | 0:32:20 | |
-I wouldn't mind a rub-down, are you ready? -Yes! | 0:32:20 | 0:32:22 | |
I won't be joining you on that one, Chris. | 0:32:22 | 0:32:25 | |
If, like Raymond and Anne, you want to raise cash for a new life abroad and are | 0:32:25 | 0:32:30 | |
thinking of heading to auction, please remember that commission | 0:32:30 | 0:32:32 | |
and other charges may apply so check the details with the auction house. | 0:32:32 | 0:32:37 | |
As Raymond and Anne head off for a well-earned sit down, James wants to show me something interesting | 0:32:37 | 0:32:42 | |
coming up in today's auction and like our couple, he clearly has travelling on his mind. | 0:32:42 | 0:32:48 | |
Chris, just have a look at this. | 0:32:51 | 0:32:54 | |
It caught my eye. | 0:32:54 | 0:32:56 | |
-It is beautiful, isn't it? -There is a lot of work gone into this. | 0:32:56 | 0:33:00 | |
It is a hardwood chest with probably satinwood or some similarly exotic wood panels. | 0:33:00 | 0:33:06 | |
-Do you know where it comes from? -It looks, it has a sort of Chinese feel but I could be completely wrong. | 0:33:06 | 0:33:11 | |
No, you are spot on. | 0:33:11 | 0:33:13 | |
You look at the outside, you look at how intricately carved it all is. | 0:33:13 | 0:33:16 | |
Lots of decoration. An awful lot of work has gone into this. | 0:33:16 | 0:33:20 | |
You may say junk, but it is all these junks plying | 0:33:20 | 0:33:22 | |
their trade on the outside here with very Chinese type foliage. | 0:33:22 | 0:33:29 | |
The real secret lies on the inside. | 0:33:29 | 0:33:32 | |
If I lift up the lid there. | 0:33:32 | 0:33:34 | |
Just have a sniff. | 0:33:34 | 0:33:37 | |
Like a perfume or spicy or something. | 0:33:38 | 0:33:41 | |
I'll tell you what it is, it's lined with camphor wood and camphor wood has similar properties to mothballs. | 0:33:41 | 0:33:49 | |
Because these were quite often used out in the colonies, it was very good for storing your clothes, | 0:33:49 | 0:33:55 | |
blankets, things like that in knowing the moths wouldn't get them because moths hate camphor. | 0:33:55 | 0:34:00 | |
The reason it has this lift up tray is because it aerates it. | 0:34:00 | 0:34:03 | |
It gets a bit of air and stops the moths from getting at it. | 0:34:03 | 0:34:10 | |
It smells a lot better than mothballs, I can tell you. | 0:34:10 | 0:34:12 | |
It's more natural, isn't it? So, quite attractive on the outside, very practical inside. | 0:34:12 | 0:34:18 | |
A lot of these were brought back over the last 100 years or so by people in the Colonial Service | 0:34:18 | 0:34:25 | |
or people working out there and more latterly in the last 20 years by people on holiday. | 0:34:25 | 0:34:31 | |
Has it got much value, do you think? | 0:34:31 | 0:34:32 | |
Estimates in the catalogue, £80 to £100. | 0:34:32 | 0:34:36 | |
Not a lot when you think about the work that has gone into it | 0:34:36 | 0:34:39 | |
-but I think that is probably what it will fetch. -It is a bargain, really. | 0:34:39 | 0:34:43 | |
It is a bargain and you come out smelling of roses... or camphor! | 0:34:43 | 0:34:46 | |
Very good! With the second part of the auction about | 0:34:46 | 0:34:50 | |
to begin, we retake our position, eagerly awaiting the next lot. | 0:34:50 | 0:34:54 | |
It's the clock that was an anniversary present which James thinks could fetch £50 to £80. | 0:34:54 | 0:34:59 | |
With this, the question is whether someone | 0:34:59 | 0:35:02 | |
wants to buy it as a furnishing item rather because it's not an antique. | 0:35:02 | 0:35:06 | |
I've got 35 to start. | 0:35:06 | 0:35:08 | |
Eight I'll take, 38. And 40. | 0:35:08 | 0:35:10 | |
42. | 0:35:10 | 0:35:13 | |
-45, 48. -He's on a roll. | 0:35:13 | 0:35:16 | |
50, finally. 55, I'm out at £55. | 0:35:16 | 0:35:21 | |
Is there 60? | 0:35:21 | 0:35:22 | |
At £55 only. 60 I'll take. | 0:35:22 | 0:35:25 | |
£55, then. | 0:35:25 | 0:35:27 | |
55, you know what, I think it's still a result. | 0:35:28 | 0:35:32 | |
It's a modern piece. | 0:35:32 | 0:35:35 | |
The second half has got off to a great start with that clock selling, but we need | 0:35:35 | 0:35:39 | |
our run of luck to keep ticking over if we are going to raise that £1,000 for the move to Cyprus. | 0:35:39 | 0:35:45 | |
Next up is a great item and one that means a lot to Raymond. | 0:35:45 | 0:35:49 | |
Up next we've got... And I hate saying his name because I get scared as a sports reporter, | 0:35:49 | 0:35:53 | |
Sir Alex Ferguson, a photograph of him, how did that come about? | 0:35:53 | 0:35:57 | |
I did him at Royal Ascot. | 0:35:57 | 0:35:59 | |
There were no problems at all. | 0:35:59 | 0:36:01 | |
You're obviously not a sports reporter. James, what do you reckon? | 0:36:01 | 0:36:04 | |
Like it or not, anything to do with Man United is going to have a certain cachet. | 0:36:04 | 0:36:10 | |
We got 30 to £50. | 0:36:10 | 0:36:12 | |
Are there any Man U fans in the room? We're about to find out. | 0:36:12 | 0:36:15 | |
A photograph of Alex Ferguson with signature. | 0:36:15 | 0:36:19 | |
He should be hailed in history as a god, I truly believe. | 0:36:19 | 0:36:22 | |
I think the auctioneer is a Man U fan. | 0:36:22 | 0:36:25 | |
Start me at £30. | 0:36:25 | 0:36:27 | |
20 to get it going. No interest at 20. | 0:36:27 | 0:36:30 | |
Surely, at £20, just for the signature it's worth that? | 0:36:30 | 0:36:33 | |
No interest at 20? I'll have to pass the lot, I'm afraid. | 0:36:33 | 0:36:37 | |
Oh, no! | 0:36:37 | 0:36:39 | |
I think we've answered our question. | 0:36:39 | 0:36:41 | |
The wrong part of the country. | 0:36:41 | 0:36:43 | |
If I shout Chelsea do you think we'll get a bigger reaction? | 0:36:47 | 0:36:50 | |
-I think we would. -I think that's what it's down to, is that there are no Man U fans. | 0:36:50 | 0:36:54 | |
I don't think Andover... | 0:36:54 | 0:36:56 | |
-I think they're too far away. -Matt Le Tissier, or something like that, we might have got away with it. | 0:36:56 | 0:37:00 | |
Never mind, you have still got the photo and signature. | 0:37:00 | 0:37:04 | |
I've got to say I'm surprised with that but as James pointed out, we probably needed to be | 0:37:04 | 0:37:08 | |
further north to get those Manchester United fans bidding. | 0:37:08 | 0:37:12 | |
And when the collection of sports photos taken by Raymond are shown before the room... | 0:37:12 | 0:37:18 | |
..they too fail to sell and now we have made just | 0:37:19 | 0:37:22 | |
£480 towards the £1,000 target, but maybe Raymond will find a specialist collector to buy them later on. | 0:37:22 | 0:37:30 | |
But onwards and upwards. | 0:37:30 | 0:37:31 | |
Next to go under the hammer, we have Concorde memorabilia. | 0:37:31 | 0:37:35 | |
Raymond got this when he flew supersonic back in 1991. | 0:37:35 | 0:37:39 | |
We are all hoping that this will take off. | 0:37:39 | 0:37:41 | |
We've got a whole collection here, haven't we? | 0:37:41 | 0:37:43 | |
Yes, we got paperweights, we've got menus, the story of Concorde. | 0:37:43 | 0:37:48 | |
Just a nice package. Of course, the big question here is, in | 0:37:48 | 0:37:51 | |
general auction, will there be those specialist, specialist collectors? | 0:37:51 | 0:37:55 | |
-We will find out. -I have got 32 on this. | 0:37:55 | 0:37:58 | |
-34, I'll take. -Good. It's a start. | 0:37:58 | 0:38:01 | |
34, 36, 38. | 0:38:01 | 0:38:05 | |
Stuck on 39 again. 40 it's yours. | 0:38:05 | 0:38:06 | |
40, I'm out. 42 new place. | 0:38:06 | 0:38:09 | |
45, 48. | 0:38:09 | 0:38:12 | |
£45, 48 is there? | 0:38:12 | 0:38:14 | |
£45, I'm selling. | 0:38:14 | 0:38:17 | |
Hey, that's not too bad, is it? | 0:38:17 | 0:38:20 | |
Well, we knew it would fly, didn't we? | 0:38:20 | 0:38:22 | |
Not any more! | 0:38:24 | 0:38:26 | |
True! | 0:38:26 | 0:38:28 | |
Hey, you two, stop stealing my punch lines but he's right. | 0:38:28 | 0:38:31 | |
It did indeed fly and we are all happy with the sale. | 0:38:31 | 0:38:35 | |
Next to hit the runway is that diamond ring. | 0:38:35 | 0:38:36 | |
It is a one-off commissioned by Raymond's dad, so we're hoping this might change everything. | 0:38:36 | 0:38:44 | |
It belonged to your father, Ray, estimate 250 to 500, a wide estimate. | 0:38:44 | 0:38:49 | |
150 bid, 160 I will take. | 0:38:49 | 0:38:51 | |
At £150, 160 is there. | 0:38:51 | 0:38:54 | |
£150 only. | 0:38:54 | 0:38:58 | |
150, so we're not going to sell for that, are we James? | 0:38:58 | 0:39:01 | |
No, I'm glad he hasn't sold it because an estimate of 250 upwards, that is worked out on the carat | 0:39:01 | 0:39:07 | |
size, the diamonds, the colour, the clarity and the gold and obviously, no jewellery people here today. | 0:39:07 | 0:39:13 | |
I think we will save that for another day. | 0:39:13 | 0:39:15 | |
And it's not as if it's taking up room, is it? | 0:39:15 | 0:39:17 | |
-No. -Yes, a lot of room. -What do you mean? | 0:39:17 | 0:39:19 | |
We are moving to a doll's house! | 0:39:19 | 0:39:22 | |
Moving on, and it is our last item that I found, the antique mirror valued at 60 to £80. | 0:39:22 | 0:39:29 | |
-What did you pay for it, Ray? -I paid approximately £50 about ten years ago from an auction house. | 0:39:29 | 0:39:34 | |
-Ten years ago. -Well, I'll tell you what happened in the meantime. | 0:39:34 | 0:39:37 | |
Ten years ago, prices went up like that, about eight years ago | 0:39:37 | 0:39:41 | |
they went down like that and now they are coming back up. | 0:39:41 | 0:39:43 | |
-It will be interesting to see whether they are up to the same sort of level. -It is about there, is it? | 0:39:43 | 0:39:48 | |
It is about there! | 0:39:48 | 0:39:50 | |
-Just like that. -Where was it? I didn't see. -Just like that. | 0:39:50 | 0:39:55 | |
I'm straight in at £60 on this. | 0:39:55 | 0:39:59 | |
65, I'll take. 65 there is. | 0:39:59 | 0:40:01 | |
At 65, I'm all out, 70, new place. | 0:40:01 | 0:40:04 | |
75 and 80. And five. And 90. | 0:40:04 | 0:40:08 | |
And five. 100. | 0:40:08 | 0:40:10 | |
At £95, 100 is there. | 0:40:10 | 0:40:14 | |
At £95, I'm selling. At £95. | 0:40:14 | 0:40:17 | |
Hey, that's good. It wasn't there, it was there! | 0:40:17 | 0:40:19 | |
I think you've got a new career as antique dealer. | 0:40:21 | 0:40:24 | |
Brilliant. | 0:40:24 | 0:40:27 | |
Well done, you. | 0:40:27 | 0:40:29 | |
That is great and a brilliant end to the sale. | 0:40:29 | 0:40:32 | |
The mirror wowed the bidders so now it is time to reflect on | 0:40:32 | 0:40:35 | |
today's auction and find out just how much we have raised. | 0:40:35 | 0:40:40 | |
Well, that's it. Full-time whistle gone, the chequered flag, the race | 0:40:40 | 0:40:44 | |
is over, whatever sporting analogy you use, it is over. | 0:40:44 | 0:40:48 | |
It has been a tough one, James, along the way? | 0:40:48 | 0:40:50 | |
I agree it has been tough, especially on the furniture. | 0:40:50 | 0:40:53 | |
There just weren't the people here for those nice, decorative but not antique pieces of furniture you had. | 0:40:53 | 0:40:58 | |
OK, but it is going back with you, you haven't lost it, which is the thing you have to remember. | 0:40:58 | 0:41:03 | |
But it is full-time. Do you want to know the score? | 0:41:03 | 0:41:06 | |
-Yes, please. -You wanted to raise £1,000, didn't you? -Please. | 0:41:06 | 0:41:11 | |
Well, the grand total from everything we have sold is £620. | 0:41:11 | 0:41:18 | |
-Not too bad. -A little "ow" | 0:41:18 | 0:41:21 | |
-there. -No. No ow, was there? | 0:41:21 | 0:41:23 | |
Do we all get one? | 0:41:23 | 0:41:25 | |
Yes, please! | 0:41:25 | 0:41:27 | |
I think that's not too bad and remember, you do take the stuff home, James. | 0:41:27 | 0:41:31 | |
It's quite difficult because you think you lose it. | 0:41:31 | 0:41:33 | |
Or it goes into the next auction. | 0:41:33 | 0:41:35 | |
Hopefully on that occasion the right people will be here and it will make even more. | 0:41:35 | 0:41:39 | |
-That's what we're going to do, actually. -OK, good. | 0:41:39 | 0:41:41 | |
We need to empty our house not fill it back up again. | 0:41:41 | 0:41:44 | |
-Right, right, right. -OK, to the next auction and then inevitably, Cyprus. | 0:41:44 | 0:41:48 | |
-Cyprus here we come, well done. -Thank you. | 0:41:48 | 0:41:51 | |
Well, as promised, Raymond and Anne are treating | 0:41:55 | 0:41:58 | |
their friends to a farewell meal in their favourite restaurant. | 0:41:58 | 0:42:01 | |
They may not have reached their target, but guess what, it isn't spoiling the mood. | 0:42:01 | 0:42:05 | |
We didn't quite make as much as we thought we would do, but we've thoroughly enjoyed our day. | 0:42:05 | 0:42:10 | |
-Yeah. We're not disappointed. -We're not disappointed, we had too much fun for that. -Yes. | 0:42:10 | 0:42:16 | |
Thank you, guys, for being there whenever we needed you. | 0:42:16 | 0:42:20 | |
You're welcome, darling. | 0:42:20 | 0:42:22 | |
And we will miss you! | 0:42:22 | 0:42:26 | |
They'll be up next day! | 0:42:26 | 0:42:29 | |
Well, let's wish them all the best in Cyprus. | 0:42:29 | 0:42:32 |