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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
We're on the trail of treasures hidden around your home | 0:00:03 | 0:00:05 | |
that we can help you sell at auction. | 0:00:05 | 0:00:06 | |
And today, we brought you to Warwickshire. Warwick Castle was a great place to visit. | 0:00:06 | 0:00:11 | |
It's a magnificent building, dating right back to William the Conqueror and 1068. | 0:00:11 | 0:00:17 | |
And it was William the Conqueror who realised | 0:00:18 | 0:00:20 | |
the strategic importance of the site, | 0:00:20 | 0:00:22 | |
establishing a moat and a fort. | 0:00:22 | 0:00:24 | |
It became a symbol of great power in medieval England. | 0:00:24 | 0:00:28 | |
The castle was the Earl of Warwick's seat | 0:00:28 | 0:00:30 | |
and it has many royal connections. | 0:00:30 | 0:00:33 | |
Queen Elizabeth I visited here and in the 15th century, | 0:00:33 | 0:00:37 | |
was used to imprison King Edward IV. | 0:00:37 | 0:00:39 | |
Today, it's a showcase of living history with a packed armoury | 0:00:39 | 0:00:43 | |
and grand living quarters. | 0:00:43 | 0:00:45 | |
As I head to meet the ladies taking part in today's programme, | 0:00:45 | 0:00:49 | |
let's hope we can uncover some fascinating historical pieces to take to auction. | 0:00:49 | 0:00:53 | |
Coming up on Cash In The Attic, could John find himself at the centre of a bidding frenzy? | 0:01:16 | 0:01:22 | |
Do we get you valued? Are you worth anything? | 0:01:22 | 0:01:24 | |
What a good idea. Are there really felines everywhere? | 0:01:24 | 0:01:28 | |
There's no cats on it, that's why. | 0:01:28 | 0:01:30 | |
I would sort of argue with that, John, because if you look closely... | 0:01:30 | 0:01:33 | |
Au contraire, there are. | 0:01:33 | 0:01:36 | |
But when we get to auction, who'll be the cat that's got the cream? | 0:01:36 | 0:01:40 | |
-£100! -That's brilliant, isn't it? | 0:01:40 | 0:01:44 | |
Find out when the hammer falls. | 0:01:44 | 0:01:47 | |
I've come a few miles down the road now to the village of Wellsbourne | 0:01:47 | 0:01:51 | |
to meet a lady who's called in the Cash In The Attic team, | 0:01:51 | 0:01:54 | |
rather nobly, to help raise money for her friend's new bathroom. | 0:01:54 | 0:01:59 | |
Pat Williams is a flamboyant 73-year-old, | 0:01:59 | 0:02:02 | |
with a passion for cats. | 0:02:02 | 0:02:04 | |
She lives alone and over the years, she's become close friends | 0:02:04 | 0:02:07 | |
with her neighbour, Debs. | 0:02:07 | 0:02:08 | |
And it's because of Debs that we're here, today. | 0:02:08 | 0:02:12 | |
Pat wants to help her out. They've been through a lot together | 0:02:12 | 0:02:15 | |
and it's made their friendship very strong. | 0:02:15 | 0:02:18 | |
-John. -Good morning, Jennie. | 0:02:19 | 0:02:21 | |
I've been at Warwick Castle. It's gorgeous. | 0:02:21 | 0:02:23 | |
Oh, what a beautiful place to be on a lovely day. Historic Warwick. | 0:02:23 | 0:02:27 | |
Absolutely. Shakespeare country, but the downside to all this beauty | 0:02:27 | 0:02:30 | |
is that this little area is right by a river and quite regularly, | 0:02:30 | 0:02:34 | |
this little place gets flooded, | 0:02:34 | 0:02:36 | |
so we're here to add to a flood-fund. | 0:02:36 | 0:02:39 | |
It sounds like a very worthwhile cause. | 0:02:39 | 0:02:41 | |
Hopefully, we'll find something worthwhile to sell. | 0:02:41 | 0:02:43 | |
I hope so, too, but why don't you have a look round and I'll meet the ladies. | 0:02:43 | 0:02:48 | |
Hello, ladies. | 0:02:48 | 0:02:50 | |
-Hi. -Hello, Jennie. | 0:02:50 | 0:02:51 | |
-You must be Pat. -I am. | 0:02:51 | 0:02:53 | |
-And Debs. -I am. | 0:02:53 | 0:02:55 | |
This room, it's a vision of colour, I must say, and so are you. | 0:02:55 | 0:02:59 | |
-So are you. -It's true. | 0:02:59 | 0:03:01 | |
Touche. | 0:03:01 | 0:03:02 | |
-I'm on message, obviously. -This is drab Deb. | 0:03:02 | 0:03:04 | |
Yes. Drab Deb. Yes. | 0:03:04 | 0:03:05 | |
So tell me, you've called us in, Pat. Now, why am I here? | 0:03:05 | 0:03:08 | |
I know it's something to do with floods. | 0:03:08 | 0:03:10 | |
Deb and I suffer badly from flooding and we really want to get some money | 0:03:10 | 0:03:16 | |
towards protecting ourselves should it happen again. | 0:03:16 | 0:03:18 | |
-You've suffered some quite bad damage? -We suffered very badly. | 0:03:18 | 0:03:21 | |
We had about three foot of water, actually, in the property. | 0:03:21 | 0:03:25 | |
Our bathroom is downstairs and obviously, when we're flooded, | 0:03:25 | 0:03:29 | |
the bathroom and the toilet cannot be used. So by having a bathroom | 0:03:29 | 0:03:33 | |
put upstairs, we should be able to stay in our home. | 0:03:33 | 0:03:37 | |
How much do you think we might be able to raise? | 0:03:37 | 0:03:40 | |
-Up to 700... do you think? -I guess. | 0:03:42 | 0:03:44 | |
£700. | 0:03:44 | 0:03:45 | |
-Yes. -That would help? -Yes. | 0:03:45 | 0:03:47 | |
-What specifically, is the money going to go towards? -Deb's bathroom. | 0:03:47 | 0:03:51 | |
All right. £700 is our target. We're going to add to that | 0:03:51 | 0:03:55 | |
-flood-fund the best we can. -Yes. | 0:03:55 | 0:03:57 | |
So, in your glorious leggings, will you show me round the house? | 0:03:57 | 0:04:00 | |
-Of course I will. -OK. We'll see what we can get. After you, Debs. -Thank you. | 0:04:00 | 0:04:05 | |
Pat's cosy bungalow is a shrine to her feline friends. | 0:04:05 | 0:04:08 | |
And she's decorated it brightly with her own unique style and taste. | 0:04:08 | 0:04:13 | |
It's reassuring to know that we | 0:04:13 | 0:04:15 | |
have antiques and collectables expert, John Cameron, on hand. | 0:04:15 | 0:04:18 | |
And that some ceramic pieces have already caught his eye. | 0:04:18 | 0:04:21 | |
I must say, your house is so colourful, it really is. | 0:04:25 | 0:04:27 | |
-And look... John. -Hi, ladies. | 0:04:27 | 0:04:29 | |
-Good heavens. Hello. -This is Pat. | 0:04:29 | 0:04:32 | |
-What have you found? -The last thing I thought I'd find | 0:04:32 | 0:04:34 | |
hiding amongst all these cats are three birds. | 0:04:34 | 0:04:37 | |
My goodness. Well, can I ask a question first? | 0:04:37 | 0:04:39 | |
-Of course. -Do we get you valued? Are you worth anything? | 0:04:39 | 0:04:42 | |
Oh, what a good idea. What shall we value him at? | 0:04:42 | 0:04:45 | |
Where shall we sell him? I don't know. | 0:04:45 | 0:04:47 | |
There's no comparison. | 0:04:47 | 0:04:50 | |
These are certainly something we could sell, | 0:04:50 | 0:04:52 | |
if you're happy to sell them. Where do they come from, Pat? | 0:04:52 | 0:04:55 | |
Well, my uncle, he had a gift shop in Lynmouth High Street | 0:04:55 | 0:04:59 | |
and so, of course, he sold all those sort of things and I would guess | 0:04:59 | 0:05:02 | |
-they were just a relic of stuff that didn't sell when he gave up. -They're made by Beswick... | 0:05:02 | 0:05:07 | |
very famous factory pottery from Longton in Staffordshire, | 0:05:07 | 0:05:11 | |
which started in about 1894 and continued right up until 2002... | 0:05:11 | 0:05:17 | |
but they're probably most famous for their pottery models of birds, | 0:05:17 | 0:05:20 | |
animals, farm animals, dogs and that sort of thing, | 0:05:20 | 0:05:23 | |
which were very, very popular and are still collected today. | 0:05:23 | 0:05:27 | |
These are my favourite kingfishers because they're lovely and colourful. | 0:05:27 | 0:05:31 | |
This set were modelled by probably the most famous modeller, | 0:05:31 | 0:05:34 | |
Arthur Grennington, who joined Beswick in around 1938, '39. | 0:05:34 | 0:05:38 | |
They were issued then and they continued in production | 0:05:38 | 0:05:41 | |
up until about 1971, so a good 32 years there. | 0:05:41 | 0:05:45 | |
So, difficult to date them in between that, | 0:05:45 | 0:05:48 | |
-but they're all hand finished and I think they're absolutely charming. -Is it something you'd part with? | 0:05:48 | 0:05:53 | |
Yes. I mean, you can't collect everything. | 0:05:53 | 0:05:56 | |
And a house this size, I really don't | 0:05:56 | 0:05:58 | |
want anything other than cat paintings. Thank you. | 0:05:58 | 0:06:02 | |
Good. Well, we're off to a good start, then. | 0:06:02 | 0:06:04 | |
Value-wise, today, I think we'd be looking at about £80-£120 for these. | 0:06:04 | 0:06:08 | |
-Lovely. -All right. Good start. -OK. -Where shall we go now? | 0:06:08 | 0:06:12 | |
-Where would you like us to go? -You lead and we shall follow. Come on. | 0:06:12 | 0:06:15 | |
-Right. -OK. | 0:06:15 | 0:06:18 | |
These kingfishers are generally used as wall ornaments | 0:06:18 | 0:06:21 | |
and £80 is a reflection of how collectable they are. | 0:06:21 | 0:06:24 | |
Pat's certainly got flair for amassing all sorts of knick-knacks. | 0:06:24 | 0:06:29 | |
Debs has had a rummage through everything in her house, as well. | 0:06:29 | 0:06:32 | |
And she's found some pieces | 0:06:32 | 0:06:33 | |
that she's hoping can be taken to auction. | 0:06:33 | 0:06:36 | |
Do you know, there's definitely an animal theme emerging here. | 0:06:36 | 0:06:39 | |
John, I've brought this from home. | 0:06:42 | 0:06:46 | |
Thank the maker. Something other than a cat. | 0:06:46 | 0:06:49 | |
What a charming fellow. What can you tell me about him, Debs? | 0:06:49 | 0:06:54 | |
We inherited him about two years ago from my husband's late uncle. | 0:06:54 | 0:06:58 | |
And we have many things. | 0:06:58 | 0:07:00 | |
He just doesn't fit into our home and I'm frightened of him being | 0:07:00 | 0:07:04 | |
damaged, so I thought the best thing was to put him up for auction. | 0:07:04 | 0:07:07 | |
Look at him. He's glaring up at these | 0:07:07 | 0:07:09 | |
cat pictures all around, isn't he, thinking "Let me at 'em, let me at 'em." | 0:07:09 | 0:07:13 | |
No. He's too good a dog for that. He wouldn't dare. | 0:07:13 | 0:07:17 | |
I've seen him before. He's known as a fireside model. | 0:07:17 | 0:07:19 | |
And he's by Beswick. We can see that on the bottom. | 0:07:19 | 0:07:22 | |
There's the mark. And these were literally to sit at the fireside. | 0:07:22 | 0:07:26 | |
They were bigger than their standard models and they'd sit there staring | 0:07:26 | 0:07:29 | |
at you with their adoring eyes. | 0:07:29 | 0:07:32 | |
Isn't he fantastic? Actually been cast in a mould. | 0:07:32 | 0:07:35 | |
-You can see down the back there, there's a seam. -Oh, yes. Yes. | 0:07:35 | 0:07:39 | |
It takes a lot of skill to be able to produce those | 0:07:39 | 0:07:42 | |
moulds and when you consider some of Beswick's other more complex models, | 0:07:42 | 0:07:47 | |
certainly the horses, it really does require a great deal of skill to | 0:07:47 | 0:07:51 | |
produce those moulds from the artist or the modeller's original model. | 0:07:51 | 0:07:55 | |
He was made by Arthur Halem. | 0:07:55 | 0:07:58 | |
Now, Halem's fame at Beswick rests upon his skill as a mould maker. | 0:07:58 | 0:08:03 | |
He started at Beswick | 0:08:03 | 0:08:05 | |
in the 1920s as a 14 year old apprentice mould-maker... | 0:08:05 | 0:08:08 | |
went on to become head of that department and also became a modeller. I think he's wonderful. | 0:08:08 | 0:08:12 | |
I really like him. Lovely condition. At auction, I think I'd be looking | 0:08:12 | 0:08:17 | |
at about £60-£80 for him. | 0:08:17 | 0:08:19 | |
I'd be very happy with that. | 0:08:19 | 0:08:21 | |
-Excellent. So we'll leave him here and shall we go and see what the others have turned up? -Right. | 0:08:21 | 0:08:27 | |
Ceramics are proving popular today and £60 is a solid valuation | 0:08:27 | 0:08:32 | |
that will help us meet our target of £700. | 0:08:32 | 0:08:35 | |
Pat's finding all sorts of eccentric pieces in every corner of her house. | 0:08:35 | 0:08:40 | |
And tucked away in a bottom drawer, John finds three ceramic | 0:08:40 | 0:08:44 | |
flying ducks. They're Falcon Ware from the Falcon Pottery in Stoke. | 0:08:44 | 0:08:49 | |
And Debs inherited them from her uncle. | 0:08:49 | 0:08:51 | |
John values them at £20-£30. | 0:08:51 | 0:08:54 | |
There you are. What are you doing? Taking a sneaky little break? | 0:08:57 | 0:09:01 | |
Well, not really, Jennie. We were reliving the horrors | 0:09:01 | 0:09:05 | |
-of the '98 flood. -Oh, wow. | 0:09:05 | 0:09:08 | |
-Join in and have a look. -Good gracious. | 0:09:08 | 0:09:12 | |
Whose car is this, then? | 0:09:12 | 0:09:13 | |
This was my husband's car and the water is still rising. | 0:09:13 | 0:09:16 | |
The water actually came just to the top of the door. | 0:09:16 | 0:09:20 | |
Wow. It must have been a write-off, then. | 0:09:20 | 0:09:21 | |
-Yes. It was. Yes. -Gosh. Is that as high as it got? | 0:09:21 | 0:09:25 | |
No. No. It got higher than that. | 0:09:25 | 0:09:27 | |
It got to... can you see... the damp mark? | 0:09:27 | 0:09:31 | |
Gracious me. So this is the flood in '98. | 0:09:31 | 0:09:35 | |
What was it like? How bad was it? | 0:09:35 | 0:09:36 | |
It threw it down every second of the day. | 0:09:36 | 0:09:41 | |
I was praying, please, stop it, please stop, please stop. | 0:09:41 | 0:09:44 | |
-So, did the water come in really suddenly? -Yeah. I mean, | 0:09:44 | 0:09:49 | |
it came so quickly my husband came out of the house, went to the car | 0:09:49 | 0:09:53 | |
to move it to put it on safe ground and no sooner had he got in the car, | 0:09:53 | 0:09:57 | |
-the water was there and he couldn't move. -So this whole experience, presumably, | 0:09:57 | 0:10:01 | |
has brought you closer. I think you've known each other quite some time. | 0:10:01 | 0:10:05 | |
We have known each other a number of years | 0:10:05 | 0:10:07 | |
but we'd never really got close until the flooding. | 0:10:07 | 0:10:10 | |
And Pat really looked after us. | 0:10:10 | 0:10:12 | |
She's been a great friend, she really has. | 0:10:12 | 0:10:16 | |
She invited us for meals and she fed us to give our family a break, | 0:10:16 | 0:10:20 | |
so they didn't have to keep putting up with us. | 0:10:20 | 0:10:23 | |
If we're going to actually raise the money for your bathroom, | 0:10:23 | 0:10:26 | |
-then we can't sit here all day. Better go and do some more rummaging. Come on, girls. -OK. | 0:10:26 | 0:10:31 | |
-Where haven't we been? That's the question. -Oh, lots of places. | 0:10:31 | 0:10:35 | |
There can't be many worse experiences than watching your home be ruined by the force of nature. | 0:10:35 | 0:10:41 | |
Pat and Debs didn't want to move away. | 0:10:41 | 0:10:43 | |
They were determined to stay in their houses, | 0:10:43 | 0:10:46 | |
but repairs and renovations have cost them a small fortune. | 0:10:46 | 0:10:49 | |
Pat has spent thousands on flood prevention measures for her cottage. | 0:10:49 | 0:10:54 | |
While she heads to the garage, Debs spots this Morris Wilson | 0:10:54 | 0:10:58 | |
cat picture. | 0:10:58 | 0:10:59 | |
It's valued at £170-£200, which is a big boost to the bathroom fund. | 0:10:59 | 0:11:05 | |
I just hope Pat's happy to let it go. | 0:11:05 | 0:11:08 | |
John, Jennie, come and have a look at this. | 0:11:08 | 0:11:12 | |
My God, it's not a cat. I have been looking at so many cats, everywhere. | 0:11:12 | 0:11:17 | |
-There's one underneath, Jennie. -Can I have a look? -It's a bit wobbly. | 0:11:17 | 0:11:22 | |
-Oh, right. Where's this been hiding? -It was in the same place as the kingfishers. | 0:11:22 | 0:11:26 | |
I found it in my uncle's house, but I do remember it. | 0:11:26 | 0:11:29 | |
For quite a long time, it sat in the hall by the telephone. | 0:11:29 | 0:11:32 | |
I don't know whether he... I shouldn't think he would, he was rather a large gentleman | 0:11:32 | 0:11:37 | |
-and I don't think he'd have sat on it to answer his telephone. -Was he really big and broad? -A bit, yes. | 0:11:37 | 0:11:42 | |
-Quite a large gentleman. -Doesn't look like it'll take a lot of weight. | 0:11:42 | 0:11:46 | |
No. It's got a bit of damage to it. So, you're not a wool spinner are you, Pat? | 0:11:46 | 0:11:50 | |
I was thinking I might do that after my media career, when that flops... | 0:11:50 | 0:11:54 | |
-maybe I'll go to wool spinning. -Well, they're referred to often as Welsh spinning stools. | 0:11:54 | 0:12:00 | |
Although they do appear in other areas, | 0:12:00 | 0:12:02 | |
they are often associated with Welsh because of the extensive sheep farming. | 0:12:02 | 0:12:05 | |
Now, they go back as far as the 17th century and probably earlier, but this dates to a bit later. | 0:12:05 | 0:12:11 | |
This is 19th century and we can tell that for a couple of reasons. One, | 0:12:11 | 0:12:16 | |
the carving is still quite crisp and what I would call laboured. | 0:12:16 | 0:12:21 | |
-You can see the stiffness to the leaves. -Yes. | 0:12:21 | 0:12:24 | |
Almost looks like the bottom part has a bit more age to it | 0:12:24 | 0:12:28 | |
and slightly different colour, so possibly, possibly, this has been replaced. | 0:12:28 | 0:12:34 | |
And one other clue here underneath, | 0:12:34 | 0:12:36 | |
if you turn it over again... are those screwheads. | 0:12:36 | 0:12:39 | |
If you have a look, the slots are very perfectly in the centre. | 0:12:39 | 0:12:43 | |
Now, that means they're machine-cut. | 0:12:43 | 0:12:45 | |
So we know, again, we are post-Industrial Revolution. | 0:12:45 | 0:12:49 | |
Had they been hand-cut Georgian or earlier screws, then there's no way | 0:12:49 | 0:12:53 | |
the cutter would get those slots dead centre and that's a clue to a piece of furniture's age. | 0:12:53 | 0:12:57 | |
But normally they make around £50 plus but because of the damage, | 0:12:57 | 0:13:02 | |
I'm going to say £30-£50, but it's a nice decorative piece | 0:13:02 | 0:13:05 | |
and I'm happy to sell it if you're happy to part with it. | 0:13:05 | 0:13:08 | |
Well, it's a shame it's here in a house it doesn't suit. | 0:13:08 | 0:13:11 | |
It would be lovely for somebody to give it a loving home. So, OK. | 0:13:11 | 0:13:17 | |
-It will go to the auction and we will go in there and see what else we can find. -OK. | 0:13:17 | 0:13:21 | |
OK. While Debs is in the garage still going through the pieces | 0:13:23 | 0:13:27 | |
she's brought today, John is digging deep to find some gems. | 0:13:27 | 0:13:31 | |
I come across these two rings. | 0:13:31 | 0:13:34 | |
They belong to Deb's mother-in-law and John gives them a value of £70-£90. | 0:13:34 | 0:13:39 | |
Debs has a couple more pieces she wants an expert opinion on. | 0:13:39 | 0:13:43 | |
John. John. | 0:13:43 | 0:13:45 | |
-John's not here. -He is! I've just found these, John. I've brought them across from home. -Right. | 0:13:45 | 0:13:51 | |
So, where did they come from? | 0:13:51 | 0:13:53 | |
Again, they were inherited to us from my husband's late uncle. | 0:13:53 | 0:13:56 | |
-What do you know about them? -I know they are Wedgwood but that's all I do know. | 0:13:56 | 0:14:00 | |
Well, they are Wedgwood but they're not the Josiah Wedgwood that's known to be a real household name. | 0:14:00 | 0:14:06 | |
This is Enoch Wedgwood, | 0:14:06 | 0:14:08 | |
still from the Staffordshire area, but Enoch Wedgwood was in Tunstall. | 0:14:08 | 0:14:13 | |
Question, do they suit your decor? Do you have them up at home? | 0:14:13 | 0:14:16 | |
No. I don't. They don't suit my decor, at all. | 0:14:16 | 0:14:19 | |
They're not my sort of thing. I think they're not pretty. | 0:14:19 | 0:14:23 | |
They're bulky. They're too fussy. | 0:14:23 | 0:14:27 | |
Well, that's pretty consistent with current demand. | 0:14:27 | 0:14:29 | |
They have been around character jugs, or squire jugs as they were | 0:14:29 | 0:14:32 | |
called in the 18th century, for well over 200 years. | 0:14:32 | 0:14:36 | |
Now, Dalton are really credited with repopularising the character jugs and the Toby jugs | 0:14:36 | 0:14:41 | |
at the end of the 19th century, with most successful things. | 0:14:41 | 0:14:45 | |
Other factories are quick to follow. | 0:14:45 | 0:14:47 | |
So these would have dated after that. | 0:14:47 | 0:14:49 | |
If we look at the mark, it may give us a bit of a clue to age, there. | 0:14:49 | 0:14:54 | |
We can see Wedgwood and Co Ltd. | 0:14:54 | 0:14:56 | |
I know they added Limited after 1900 | 0:14:56 | 0:14:58 | |
so they've got to be after that date. And in the '60s, they added | 0:14:58 | 0:15:01 | |
Tunstall to the mark, so we're between those dates. Looking at that | 0:15:01 | 0:15:06 | |
England, under the mark, I'm going to suggest these are probably 1920s. | 0:15:06 | 0:15:10 | |
This one, the shepherd, has a bit of a chip to his hat, there. | 0:15:10 | 0:15:15 | |
The Lord Mayor seems to have fared better... | 0:15:15 | 0:15:18 | |
probably done less, I guess. But they are quite nice and there | 0:15:18 | 0:15:21 | |
are people that collect them, but as we said, we've got to consider | 0:15:21 | 0:15:24 | |
their condition and the current demand for them. | 0:15:24 | 0:15:27 | |
So I think I'd be putting about £25-£50 on them, something like that. Would you be OK with that? | 0:15:27 | 0:15:32 | |
That would be fine with me. | 0:15:32 | 0:15:34 | |
Well, it's nice to see them, especially amongst all these cats. | 0:15:34 | 0:15:37 | |
-And not that I don't love cats, I do, but... -I'm sure you do. | 0:15:37 | 0:15:40 | |
You don't think you've got anything else un-cat related that you could bring over? | 0:15:40 | 0:15:44 | |
-Shall we go and see? -Come on, then. -OK. | 0:15:44 | 0:15:48 | |
John discovers more Royal Doulton Toby jugs to add to the auction lot which he values at £30-£50. | 0:15:48 | 0:15:54 | |
We're looking for £700 to put towards Debs' new bathroom. | 0:15:58 | 0:16:02 | |
Pat's so keen to reach the target that she decides to part with | 0:16:05 | 0:16:08 | |
another of her precious paintings. | 0:16:08 | 0:16:10 | |
It's by the London-born artist, Alfred Daniels, and it's entitled | 0:16:10 | 0:16:14 | |
quite simply, Cat At Dover. | 0:16:14 | 0:16:16 | |
It's valued at a lively £350-£600. | 0:16:16 | 0:16:22 | |
This really is a house of cats. | 0:16:22 | 0:16:26 | |
I have never met anyone so infatuated as Pat. | 0:16:26 | 0:16:30 | |
So this is your bedroom. | 0:16:32 | 0:16:34 | |
Look at it. Cats. Cats. | 0:16:34 | 0:16:36 | |
-Even big cats on the duvet. -Yes. My leopard duvet! | 0:16:36 | 0:16:40 | |
Honestly, Pat, you are a lady obsessed. | 0:16:40 | 0:16:43 | |
-I am a cat nut, Jennie. -You said it. -I did. | 0:16:43 | 0:16:46 | |
But where did it all start, this love of cats? | 0:16:46 | 0:16:49 | |
I think my parents forbade me an animal because they'd gone through | 0:16:49 | 0:16:53 | |
the loss of, in their lifetime. | 0:16:53 | 0:16:55 | |
And it wasn't until I was about 14 that school friends, in their wisdom, gave me a pussycat. | 0:16:55 | 0:17:00 | |
Daddy said, "It's got to go back!" | 0:17:00 | 0:17:03 | |
But it didn't. It ended up being his mate more than mine. | 0:17:03 | 0:17:06 | |
And I just love them for ever and ever and ever. | 0:17:06 | 0:17:09 | |
And they are just wonderful. | 0:17:09 | 0:17:11 | |
So how many cats have you had in your life? | 0:17:11 | 0:17:13 | |
I think... I was working out the other day, only about seven... | 0:17:13 | 0:17:17 | |
because I think they know I love them so much, | 0:17:17 | 0:17:19 | |
they live a long time cos we're so happy together! | 0:17:19 | 0:17:22 | |
So tell me a bit more about how one of your cats ended up in the Royal Academy. That's incredible. | 0:17:22 | 0:17:26 | |
Yes. Ruskin Spear used a photograph I sent him and he painted a portrait of her and he called it | 0:17:26 | 0:17:33 | |
Cat Ladder And Reproduction | 0:17:33 | 0:17:35 | |
because she was up this ladder and such an intense gaze, | 0:17:35 | 0:17:39 | |
he put the Van Gogh self-portrait into the picture. | 0:17:39 | 0:17:42 | |
So you obviously know a thing or two about art because that was your career. | 0:17:42 | 0:17:47 | |
You were PA to the owner of an art gallery. | 0:17:47 | 0:17:49 | |
Yes. It was called Coughton Galleries Ltd | 0:17:49 | 0:17:52 | |
and it originated at Coughton Court, in Warwickshire, | 0:17:52 | 0:17:56 | |
where they awaited the results of gunpowder plot. So, terribly historical, you know, 1500s. | 0:17:56 | 0:18:02 | |
And I worked for the director, | 0:18:02 | 0:18:05 | |
Lady Isabelle, who sadly died last December. | 0:18:05 | 0:18:09 | |
And I worked for more than half my life. I was with her 37 years. | 0:18:09 | 0:18:14 | |
So you know a lot about art, obviously. But what about auctions? | 0:18:14 | 0:18:17 | |
A lot about auctions... | 0:18:17 | 0:18:20 | |
cos in the very early days before Lady Isabelle's husband got ill, | 0:18:20 | 0:18:24 | |
she used to go and view sales | 0:18:24 | 0:18:26 | |
and maybe there'd be two or three on the same day. | 0:18:26 | 0:18:29 | |
So she would give me a list of the lot numbers and some pennies | 0:18:29 | 0:18:33 | |
and off I would go and bid up to whatever I'd been told to. | 0:18:33 | 0:18:37 | |
Our auction will bring all the memories flooding back. | 0:18:37 | 0:18:40 | |
-It jolly well will. I can't wait. -Well, before we go there, we've got to find one or two more pieces so... | 0:18:40 | 0:18:45 | |
OK. Off we go. | 0:18:45 | 0:18:47 | |
Out of your lovely bedroom. Make your duvet straight. | 0:18:47 | 0:18:50 | |
Thank you. | 0:18:50 | 0:18:52 | |
The hip replacement hasn't held her back. | 0:18:52 | 0:18:53 | |
She's full of energy. I can hardly keep up. | 0:18:53 | 0:18:57 | |
And there seems plenty more to find. | 0:18:57 | 0:19:00 | |
Debs is on a roll as she comes across this richly-decorated jug. | 0:19:00 | 0:19:04 | |
It depicts a marriage scene at Gretna Green. | 0:19:04 | 0:19:08 | |
I wonder how many runaway couples have headed to that Scottish village | 0:19:08 | 0:19:11 | |
to tie the knot, just like this. | 0:19:11 | 0:19:13 | |
Even today, there are thousands of weddings there, every year. | 0:19:13 | 0:19:17 | |
John reckons the jug could fetch between £20 and £30. | 0:19:17 | 0:19:21 | |
So, what are you dragging me out here for, exactly, Pat? | 0:19:21 | 0:19:23 | |
Because, John, please, I want you to look at these. | 0:19:23 | 0:19:27 | |
I know this one has got a little crack. | 0:19:27 | 0:19:30 | |
Well, you keep hold of that one. I don't want to hold the damaged one. | 0:19:30 | 0:19:33 | |
-OK. So where did these come from? -They came from my late uncle's house. | 0:19:33 | 0:19:38 | |
-Not your sort of thing? -No. I mean, you've seen the rest of my house, | 0:19:38 | 0:19:42 | |
intimately, and they don't suit the decor, do they? | 0:19:42 | 0:19:45 | |
-No cats on them, that's why. -I would sort of argue with that, John... | 0:19:45 | 0:19:49 | |
because if you look closely... | 0:19:49 | 0:19:51 | |
Au contraire, there are. | 0:19:51 | 0:19:53 | |
Under the skirt of that lady, there's a cat. | 0:19:53 | 0:19:56 | |
I'll take your word for it. | 0:19:56 | 0:19:59 | |
Well, having a look at them, they're earthenware vases, pottery vases. | 0:19:59 | 0:20:03 | |
The scene has been transfer-printed, | 0:20:03 | 0:20:06 | |
which was a popular method of decorating from mass production. | 0:20:06 | 0:20:10 | |
Prior to the invention of transfer-printing in the | 0:20:10 | 0:20:14 | |
18th century, everything had to be hand-painted, | 0:20:14 | 0:20:16 | |
that took a lot of time and so increased the cost of the pottery. | 0:20:16 | 0:20:20 | |
Once they'd invented transfer-printed, | 0:20:20 | 0:20:22 | |
it aided it en masse and made it a lot cheaper to produce. | 0:20:22 | 0:20:26 | |
The body, themselves... they look like they have | 0:20:26 | 0:20:28 | |
-been hand-painted or thrown on a potter's wheel. -Yes. | 0:20:28 | 0:20:31 | |
Standard ovoid shape with a flared rim, there. | 0:20:31 | 0:20:34 | |
Very popular, these typographical scenes. | 0:20:34 | 0:20:36 | |
And that looks like somewhere in Europe. I'd like to know | 0:20:36 | 0:20:39 | |
whether that's a romantic view or actually a real castle, there. | 0:20:39 | 0:20:43 | |
Looking at the base, let's have a look. We've got a mark under there. | 0:20:43 | 0:20:46 | |
Yeah. A J Wilkinson Ltd. Staffordshire potter. | 0:20:46 | 0:20:48 | |
Took over Anthony Shaw and Co at the end of the 19th century, about 1900. | 0:20:48 | 0:20:53 | |
-But also in the middle of that mark there, C M and S. -Yes. | 0:20:53 | 0:20:57 | |
Now I think that's Charles Meyer and Sons, another Staffordshire factory, | 0:20:57 | 0:21:01 | |
but date-wise I would put them at the turn of the last century, | 0:21:01 | 0:21:04 | |
about 1900, there or thereabouts. | 0:21:04 | 0:21:07 | |
As old as that. | 0:21:07 | 0:21:08 | |
-Transfer-printed, and you say that one's damaged. -Yes. | 0:21:08 | 0:21:11 | |
It has a crack running right around there which is quite bad. | 0:21:11 | 0:21:14 | |
Considering the condition, I think we'd be looking at | 0:21:14 | 0:21:17 | |
about £40 to £60, is all, as far as I'm concerned | 0:21:17 | 0:21:20 | |
OK. Yes. That's fine. | 0:21:20 | 0:21:21 | |
Come on. Back inside. See what else we can find cos I'm getting tired. | 0:21:21 | 0:21:25 | |
-I think I need a catnap. -OK. Let's do that. | 0:21:25 | 0:21:28 | |
We're nearing the end of today's rummage, but once you get going, | 0:21:28 | 0:21:32 | |
you know, it's very hard to stop. | 0:21:32 | 0:21:34 | |
And you never know what you're going to find. | 0:21:34 | 0:21:36 | |
We've just time for one last push. | 0:21:36 | 0:21:39 | |
John...excuse me. What do you think about that? | 0:21:41 | 0:21:45 | |
Don't tell me it's a cat. Yes. It's a cat. | 0:21:45 | 0:21:47 | |
It is a cat. | 0:21:47 | 0:21:49 | |
And a bird. And a bird. | 0:21:49 | 0:21:51 | |
Oh...well! | 0:21:51 | 0:21:53 | |
Well, it's quite a nice picture | 0:21:53 | 0:21:54 | |
and it is signed, and I know the artist, Martin Leman. | 0:21:54 | 0:21:57 | |
-I know that name. -You do? | 0:21:57 | 0:21:59 | |
I do. Why do I know that name? | 0:21:59 | 0:22:01 | |
He's famous for books on cats. What do you know about the artist? | 0:22:01 | 0:22:04 | |
Very little other than he's a very successful cat illustrator. | 0:22:04 | 0:22:07 | |
He is. In fact, he started typography | 0:22:07 | 0:22:10 | |
and then went on to become a part-time lecturer | 0:22:10 | 0:22:13 | |
in graphic design, at the Hornsey College. | 0:22:13 | 0:22:16 | |
And it wasn't until around the '60s that he started focusing | 0:22:16 | 0:22:19 | |
his attention on painting and having one-man shows and he soon developed | 0:22:19 | 0:22:23 | |
his style for painting, and loving to paint cats | 0:22:23 | 0:22:26 | |
and then began illustrating and writing books. | 0:22:26 | 0:22:29 | |
I think his first book was in about 1979, | 0:22:29 | 0:22:31 | |
called Curious And Comical Cats. | 0:22:31 | 0:22:34 | |
Oh, that's it. We had it. Yes. We had that book. | 0:22:34 | 0:22:36 | |
And he's done about 20 books since then and all very similar. | 0:22:36 | 0:22:40 | |
I mean, very charming and just look at the picture, there. | 0:22:40 | 0:22:43 | |
It speaks volumes. The cat's hanging around | 0:22:43 | 0:22:45 | |
for the bird, who's oblivious to him under the tree. Isn't it fun? | 0:22:45 | 0:22:49 | |
It's a partridge in a pear tree. | 0:22:49 | 0:22:51 | |
So what attracted you to it? | 0:22:51 | 0:22:53 | |
It's just...as you know, I love cats and just the look on that one's face | 0:22:53 | 0:22:57 | |
without knowing what's going on up there. | 0:22:57 | 0:23:00 | |
Charming. I can see why you like it. | 0:23:00 | 0:23:02 | |
So what's it worth? | 0:23:02 | 0:23:03 | |
Well, I've seen his work sell pretty recently at auction, in fact, | 0:23:03 | 0:23:06 | |
out in Salisbury where I used to work, only a couple of months ago. | 0:23:06 | 0:23:10 | |
Using that as a measuring stick, | 0:23:10 | 0:23:12 | |
I would suggest an estimate of about £300-£400 for it. | 0:23:12 | 0:23:15 | |
I wouldn't want to consign it to auction without a reserve, please. | 0:23:15 | 0:23:19 | |
-What sort of figure? -450. | 0:23:19 | 0:23:22 | |
Well, if you did want to reserve 450, it would mean we'd have to move | 0:23:22 | 0:23:26 | |
our estimate up because you cannot have your reserve above your lower estimate, | 0:23:26 | 0:23:30 | |
so we'd then have to move it to say 450 to 550 as an estimate. | 0:23:30 | 0:23:33 | |
Yes. OK. Let's go for that. | 0:23:33 | 0:23:34 | |
Well, that is the end of our rummage, actually. | 0:23:34 | 0:23:38 | |
That's the last item, isn't it, John? | 0:23:38 | 0:23:40 | |
-Should be there, I think. -You were looking for £700 | 0:23:40 | 0:23:42 | |
when we started the day, so you can have a lovely new bathroom. | 0:23:42 | 0:23:45 | |
Well, if everything goes to plan, we hope that at the auction, | 0:23:45 | 0:23:49 | |
if we can sell that painting and that is a big ask, obviously, | 0:23:49 | 0:23:52 | |
-we're going to make way over your 700. -Are we?! | 0:23:52 | 0:23:55 | |
You should make... | 0:23:55 | 0:23:58 | |
£1,345. | 0:23:58 | 0:24:00 | |
-Wow. -Brilliant! | 0:24:00 | 0:24:04 | |
We haven't got it yet! | 0:24:04 | 0:24:05 | |
No. No. That's true. That's brilliant, isn't it? | 0:24:05 | 0:24:08 | |
Yes. That's good. Yes. | 0:24:08 | 0:24:10 | |
You are wise though, to say we haven't got it yet | 0:24:10 | 0:24:12 | |
because Pat knows all about auctions and you never know, | 0:24:12 | 0:24:15 | |
do you, John, what's going to happen at auction? | 0:24:15 | 0:24:17 | |
It's been a fun day here with Pat and Debs | 0:24:17 | 0:24:20 | |
and we've turned up an interesting mix of items to take to auction. | 0:24:20 | 0:24:24 | |
Some of the collectables going under the hammer are... | 0:24:24 | 0:24:27 | |
this spinning chair that Pat inherited from her uncle. | 0:24:27 | 0:24:31 | |
With a £30-£50 price tag, she hopes it finds a loving home. | 0:24:31 | 0:24:35 | |
Then there's the Falcon Ware ducks that remind us of the legendary | 0:24:35 | 0:24:39 | |
Hilda Ogden, and her back room in Coronation Street. | 0:24:39 | 0:24:43 | |
John values them at £20-£30. | 0:24:43 | 0:24:47 | |
Then there's the wonderful Mark Leman picture that Pat loves. | 0:24:47 | 0:24:50 | |
It's valued at an impressive £300-£400 but Pat wants to put | 0:24:50 | 0:24:55 | |
a hefty £450 reserve on it | 0:24:55 | 0:24:58 | |
so we'll have to wait to see if any cat lovers are at the sale. | 0:24:58 | 0:25:01 | |
Still to come on Cash In The Attic... | 0:25:04 | 0:25:06 | |
Debs doesn't hide her feelings. | 0:25:06 | 0:25:07 | |
I'm not disappointed. | 0:25:07 | 0:25:09 | |
You're delighted. | 0:25:09 | 0:25:10 | |
Well...does it show?! | 0:25:10 | 0:25:12 | |
Pat takes it all in her stride. | 0:25:12 | 0:25:15 | |
-So what do you think about that? -Bit disappointing, but things can only get better, can't they? | 0:25:15 | 0:25:20 | |
But whose side is our auctioneer on? | 0:25:20 | 0:25:23 | |
There must be more than a couple of people here with bad taste. | 0:25:23 | 0:25:26 | |
Done at 18? | 0:25:26 | 0:25:28 | |
Do you know, one of the best things about this show | 0:25:33 | 0:25:35 | |
is the characters that you meet, and Pat is certainly one. | 0:25:35 | 0:25:38 | |
Talk about being crazy about cats! Today, we brought all the pieces | 0:25:38 | 0:25:42 | |
that we found in her home, here to the North London Auction Rooms. | 0:25:42 | 0:25:46 | |
Now, remember, Pat wants to raise £700 for her friend Debs' new bathroom, | 0:25:46 | 0:25:51 | |
after the floods that caused such havoc. | 0:25:51 | 0:25:53 | |
All we need now is plenty of bidders | 0:25:53 | 0:25:55 | |
with money at the ready when our items go under the hammer. | 0:25:55 | 0:25:59 | |
It's early, but bidders are steadily filling the room. | 0:26:01 | 0:26:04 | |
There are all sorts of antiques and collectables here, | 0:26:04 | 0:26:07 | |
so hopefully, our items will be in good company and sell well. | 0:26:07 | 0:26:10 | |
I can see that our expert John is already eager | 0:26:10 | 0:26:13 | |
and ready for the day ahead. | 0:26:13 | 0:26:15 | |
-Got yer. -Aah, Jennie. | 0:26:15 | 0:26:17 | |
Our star item. | 0:26:17 | 0:26:19 | |
Our Leman painting. Yes. Just having another look at it. | 0:26:19 | 0:26:22 | |
It's a fabulous piece of artwork, no doubtedly from one of his books. | 0:26:22 | 0:26:25 | |
But, I think it's the sort of work that will have to have a buyer specific. | 0:26:25 | 0:26:29 | |
I don't think somebody will take a chance on it today, | 0:26:29 | 0:26:32 | |
no matter how charming it is. | 0:26:32 | 0:26:34 | |
We'll need all nine lives if that's to sell today. | 0:26:34 | 0:26:36 | |
OK. Well, fingers crossed, cos we need it to sell, don't we? | 0:26:36 | 0:26:40 | |
-OK. Well, let's go and see if you're right. -Come on. | 0:26:40 | 0:26:42 | |
£450 is a high reserve on something so specific, so we really do need | 0:26:42 | 0:26:47 | |
a few cat lovers here today if we're going to sell that painting. | 0:26:47 | 0:26:52 | |
In fact, Pat has quite a number of animal items up for sale, | 0:26:52 | 0:26:55 | |
so we could be living dangerously. | 0:26:55 | 0:26:58 | |
Hello, Pat. Hello, Debs. | 0:26:58 | 0:27:00 | |
So you're saying farewell to your Beswick bird? | 0:27:00 | 0:27:04 | |
Do you think it'll go well today? | 0:27:04 | 0:27:06 | |
They're very nice because there's the three of them. | 0:27:06 | 0:27:08 | |
There's Mummy, Daddy and baby. | 0:27:08 | 0:27:10 | |
Somebody with a family will think that'll be nice on the wall, so yes. | 0:27:10 | 0:27:13 | |
You're quite experienced at auctions, aren't you, | 0:27:13 | 0:27:17 | |
so what vibes are you getting? | 0:27:17 | 0:27:19 | |
I get good vibes. I like the auction room and I like Mr Rosman, | 0:27:19 | 0:27:22 | |
so that's a good thing. | 0:27:22 | 0:27:24 | |
Good start. | 0:27:24 | 0:27:25 | |
-And you, Debs? Hoping the Toby jug's going to go? -I hope so. | 0:27:25 | 0:27:29 | |
I certainly don't want to take them back. | 0:27:29 | 0:27:31 | |
You want your new bathroom. | 0:27:31 | 0:27:33 | |
Most definitely. | 0:27:33 | 0:27:34 | |
There are two bath taps. Did you see them, lotted up? Yes. | 0:27:34 | 0:27:38 | |
-Really? -We could ask the auctioneer to do a contra on that. | 0:27:38 | 0:27:41 | |
We were wondering...! | 0:27:41 | 0:27:42 | |
Who knows! | 0:27:42 | 0:27:43 | |
-Let's go get a good place because the auction's about to start. -OK. | 0:27:43 | 0:27:47 | |
Follow us. | 0:27:47 | 0:27:49 | |
As today's auctioneer prepares to start the auction... | 0:27:49 | 0:27:53 | |
we take our place ready for our first lot. | 0:27:53 | 0:27:56 | |
It's the Toby jugs that belong to Debs | 0:27:56 | 0:27:58 | |
and she's keen to see them sell. | 0:27:58 | 0:28:01 | |
Put them on, 20 quid? 20? Fiver then. Let's start low. Five. | 0:28:01 | 0:28:04 | |
At five only, now. Nice and low at five. | 0:28:04 | 0:28:06 | |
Take six. Seven. Eight. Nine. | 0:28:06 | 0:28:10 | |
Ten. | 0:28:10 | 0:28:11 | |
12. 15. 18. 20. | 0:28:11 | 0:28:15 | |
At 20 now. Still on my right at £20. | 0:28:15 | 0:28:17 | |
Take two again. Is that it? At £20. | 0:28:17 | 0:28:19 | |
At £20, I sell on the far side. | 0:28:19 | 0:28:21 | |
At £20. Your last chance at 20. | 0:28:21 | 0:28:25 | |
That's supper sorted. | 0:28:25 | 0:28:27 | |
You're not taking them home, Debs. You can breathe a sigh of relief. | 0:28:27 | 0:28:30 | |
-Didn't hit our estimate, but they're not going home. -Thank goodness. | 0:28:30 | 0:28:33 | |
That's a good result. | 0:28:33 | 0:28:35 | |
And although they sold for £5 under John's lowest estimate, | 0:28:35 | 0:28:38 | |
Debs is glad that they're not going home with her. | 0:28:38 | 0:28:42 | |
I'm hoping that our next item, | 0:28:42 | 0:28:44 | |
the two vases, belonging to Pat, | 0:28:44 | 0:28:46 | |
will also get the bidders interested. | 0:28:46 | 0:28:48 | |
John's spotted a crack in one of them which knocked the value back a bit, | 0:28:48 | 0:28:52 | |
but with any luck, they'll still sell. | 0:28:52 | 0:28:54 | |
OK. Next up are the pair of blue and white | 0:28:57 | 0:29:00 | |
pottery vases that you and I found. | 0:29:00 | 0:29:02 | |
Now, we're hoping they make £40-£60 for us here, today. | 0:29:02 | 0:29:05 | |
What do you reckon with your expert eye? | 0:29:05 | 0:29:07 | |
I'm no expert in those, just paintings are my sphere... | 0:29:07 | 0:29:10 | |
-and one of them's cracked, too. So... -Shh! -Yes. OK. | 0:29:10 | 0:29:15 | |
Here they go. | 0:29:15 | 0:29:17 | |
£20 I'm bid. At 20 now. Take two. | 0:29:17 | 0:29:18 | |
Is that it? The main bid, up 20... | 0:29:18 | 0:29:21 | |
is he bidding? All done at £20. 22. 25. | 0:29:21 | 0:29:24 | |
28. 30. | 0:29:25 | 0:29:27 | |
At £30 now. It's against you, sir. | 0:29:27 | 0:29:29 | |
At 30. All done at £30. They go, then, at 30. | 0:29:29 | 0:29:35 | |
Well, we're under our estimate... | 0:29:35 | 0:29:37 | |
-but one of them was cracked, wasn't it? -Yes. | 0:29:37 | 0:29:40 | |
-And you didn't want to take those home. -No, thank you. | 0:29:40 | 0:29:42 | |
So what do you think about that? | 0:29:42 | 0:29:44 | |
Bit disappointing, but things can only get better, can't they? | 0:29:44 | 0:29:48 | |
She's a born optimist, isn't she? | 0:29:50 | 0:29:52 | |
Now, our next item evokes those memories of | 0:29:52 | 0:29:54 | |
Hilda Ogden and how she adorned her Coronation Street home. | 0:29:54 | 0:29:59 | |
OK. Next up are our three Falcon Ware pottery flying ducks, | 0:29:59 | 0:30:02 | |
made famous by nonetheless than Hilda Ogden. | 0:30:02 | 0:30:06 | |
Made by Beswick, originally, and copied by many manufacturers. | 0:30:06 | 0:30:09 | |
-These are the copy and one has a broken beak, hasn't it? -Sadly. Yes. | 0:30:09 | 0:30:12 | |
So, we're only looking for £20 or £30. Here we go. | 0:30:12 | 0:30:15 | |
£5 for three ducks. | 0:30:15 | 0:30:17 | |
Five. Six. Seven. Keep going. Eight. | 0:30:17 | 0:30:20 | |
Eight over there. Eight. Nine. Ten. | 0:30:20 | 0:30:23 | |
12. 15. 15 then, now. | 0:30:23 | 0:30:25 | |
Still on the far side at £15. | 0:30:25 | 0:30:28 | |
Is that it? At 15. Have another go. | 0:30:28 | 0:30:30 | |
18. 18 down here. You bidding? | 0:30:30 | 0:30:32 | |
20. 22. 25. Fresh money. | 0:30:32 | 0:30:35 | |
28. 28. 30 now, sir. | 0:30:35 | 0:30:39 | |
At £28, on the right. At £28. | 0:30:39 | 0:30:42 | |
You're out in the leather jacket. | 0:30:42 | 0:30:45 | |
-£28...with the broken bill. -Yes! | 0:30:46 | 0:30:50 | |
£28 is a good price for the ducks. | 0:30:50 | 0:30:53 | |
And hot on their tails are these colourful Beswick birds. | 0:30:53 | 0:30:57 | |
John valued them at £80-£120. | 0:30:57 | 0:31:00 | |
£20. Straight in at 20. 20 I've got. | 0:31:00 | 0:31:02 | |
At 20. Take two now. | 0:31:02 | 0:31:05 | |
Is that it? At 20. Two. 25. | 0:31:05 | 0:31:07 | |
28. 30. At £30. All done. | 0:31:07 | 0:31:11 | |
At £30. Take the two again. | 0:31:11 | 0:31:14 | |
At £30 only. | 0:31:14 | 0:31:15 | |
At £30. 32. At 32. Is that it? | 0:31:15 | 0:31:19 | |
Are you done in the room at £32? | 0:31:19 | 0:31:22 | |
We're not going to let them go at this, are we? | 0:31:22 | 0:31:24 | |
At 32. Have another go. No. | 0:31:24 | 0:31:26 | |
They don't like birds in the room. | 0:31:26 | 0:31:28 | |
Done at 32. | 0:31:28 | 0:31:30 | |
Not sold. | 0:31:30 | 0:31:32 | |
No. Not sold. | 0:31:32 | 0:31:33 | |
And surprisingly, they only just made more than those Falcon Ware | 0:31:33 | 0:31:37 | |
birds which were damaged, as well. | 0:31:37 | 0:31:39 | |
-But these aren't. -These are perfect condition. | 0:31:39 | 0:31:42 | |
They are Beswick. They're the best you can get. | 0:31:42 | 0:31:45 | |
-It was Beswick, nearly all of them sell. -Very strange. -That's a shame. | 0:31:45 | 0:31:48 | |
That is a real disappointment, | 0:31:48 | 0:31:50 | |
as Beswick items normally do sell well at auction. | 0:31:50 | 0:31:53 | |
Let's hope our next Beswick piece, our dachshund, will find a new home. | 0:31:53 | 0:31:58 | |
We want £60 for him today. What do you think? | 0:32:01 | 0:32:03 | |
Do you think he'll charm the bidders? | 0:32:03 | 0:32:05 | |
I hope so, but if he doesn't, then I'd still be glad to take him home. | 0:32:05 | 0:32:11 | |
-This one's tugging a little bit at the heartstrings, isn't it? -Just a little bit. | 0:32:11 | 0:32:15 | |
Ten. 12. 15. 18. You all want it at this price. | 0:32:15 | 0:32:17 | |
20. Two. | 0:32:17 | 0:32:19 | |
25. 28. 30. 32. 35. 38, now. | 0:32:19 | 0:32:24 | |
At 38. Over there at 38. 40. | 0:32:24 | 0:32:26 | |
At 40. 45. 50. At £50. Is that it? | 0:32:26 | 0:32:30 | |
Done, then. At £50. All done at £50. | 0:32:30 | 0:32:34 | |
Are you finished at 50? I'm sorry. That's not quite enough. | 0:32:34 | 0:32:38 | |
Done with it then at £50? Finished at 50. | 0:32:38 | 0:32:41 | |
-Oh! -Take it home? | 0:32:43 | 0:32:45 | |
Yes. I'm not disappointed. | 0:32:45 | 0:32:48 | |
You're delighted. | 0:32:48 | 0:32:49 | |
Well...does it show? | 0:32:49 | 0:32:50 | |
Although it's another no sale, Pat and Debs are remaining upbeat, | 0:32:52 | 0:32:57 | |
but raising £700 for that new bathroom is looking like a big challenge. | 0:32:57 | 0:33:02 | |
Still, it's only the first half of the sale | 0:33:02 | 0:33:04 | |
and we have another item before we take a breather. | 0:33:04 | 0:33:07 | |
It's the Gretna Green jug. | 0:33:07 | 0:33:10 | |
Straight in...tenner. Got to be worth £10. | 0:33:11 | 0:33:13 | |
At ten only, now. Take two. Ten. | 0:33:13 | 0:33:15 | |
12. 15. 18. At £15. | 0:33:15 | 0:33:19 | |
Is that it? It goes then at 15... | 0:33:19 | 0:33:20 | |
18. Far side at 18. Are you happy with 18? | 0:33:20 | 0:33:23 | |
I sell then at £18. | 0:33:23 | 0:33:26 | |
20 I'll take off anyone else, though. | 0:33:26 | 0:33:28 | |
It goes at £18 on the far side. | 0:33:28 | 0:33:31 | |
All done at 18? There must be more than a couple of | 0:33:31 | 0:33:34 | |
people here with bad taste. Done at 18. | 0:33:34 | 0:33:37 | |
I feel quite insulted! | 0:33:39 | 0:33:42 | |
Well, it didn't exactly take off, but thankfully, someone liked it. | 0:33:42 | 0:33:45 | |
At only £2 under John's lowest estimate, | 0:33:45 | 0:33:48 | |
it's an OK end to the first part of the sale. | 0:33:48 | 0:33:52 | |
-OK. We're halfway through. It's quite fast and furious, isn't it? -It is. Yes. | 0:33:52 | 0:33:56 | |
-How you feeling? -I'm not sure. I don't think the pictures will sell here, actually. | 0:33:56 | 0:34:01 | |
-They're yet to come. -Yes. We'll wait and see, won't we? | 0:34:01 | 0:34:04 | |
We've had a couple of blows, actually, | 0:34:04 | 0:34:06 | |
-because the dog didn't sell. I know you're delighted. -I don't mind. | 0:34:06 | 0:34:10 | |
And the birds didn't sell, did they? | 0:34:10 | 0:34:12 | |
No. I'm surprised they didn't. The kingfishers didn't sell. | 0:34:12 | 0:34:14 | |
All that stuff, John. | 0:34:14 | 0:34:16 | |
But we have got the pictures and the catalogue is on the internet | 0:34:16 | 0:34:19 | |
so we are hoping some buyers have come in for those artists' works. | 0:34:19 | 0:34:22 | |
Well, they're going to have to, I tell you, because... | 0:34:22 | 0:34:25 | |
Well, you're looking for £700. | 0:34:25 | 0:34:26 | |
-At this halfway point, we have got £96. -Ohh! | 0:34:26 | 0:34:32 | |
We've got a long way to go. | 0:34:32 | 0:34:33 | |
We've got an awful long way to go. | 0:34:33 | 0:34:35 | |
Yes. Oh, well. Let's go and take a bit of a breather, actually, | 0:34:35 | 0:34:41 | |
-and we'll come back and hope for better luck. -OK. | 0:34:41 | 0:34:44 | |
We've still got some original and interesting items to come, so here's | 0:34:45 | 0:34:49 | |
hoping our luck will change. If you're interested in heading to auction, | 0:34:49 | 0:34:53 | |
it can be a good way to make money, | 0:34:53 | 0:34:56 | |
but please remember that commission and other charges may apply. | 0:34:56 | 0:34:59 | |
So check the details with the auction house. | 0:34:59 | 0:35:01 | |
After a quick break to take the weight off our legs, we're back in position | 0:35:01 | 0:35:05 | |
and that spinning chair is about to go under the hammer. | 0:35:05 | 0:35:08 | |
Pat got it from her uncle who ran a gift shop. | 0:35:08 | 0:35:11 | |
Interesting this. I go straight in. | 0:35:13 | 0:35:14 | |
20 quid, I'm bid. At 20. Take two now. | 0:35:14 | 0:35:17 | |
22 here in the room. At 22. I'm selling in the room at 22. | 0:35:17 | 0:35:21 | |
Take the five. Do you want to go more? 22. | 0:35:21 | 0:35:23 | |
The bid's in the room at 22. | 0:35:23 | 0:35:25 | |
And five. You bidding five? | 0:35:25 | 0:35:27 | |
Is that a yes, or a no? | 0:35:27 | 0:35:29 | |
25. New money at 25. Your problem solved. | 0:35:29 | 0:35:31 | |
25. 28. 28. 30, sir. | 0:35:31 | 0:35:34 | |
30. 30. 32. Keep going. 35. 35. | 0:35:34 | 0:35:39 | |
It goes then at 35. Is that it? All done at 35. Anybody else? | 0:35:39 | 0:35:43 | |
£35. In our estimates. | 0:35:45 | 0:35:48 | |
In our estimates. Yeah. | 0:35:48 | 0:35:49 | |
Now that's a very pleasing result. | 0:35:50 | 0:35:54 | |
The chair clearly appealed to our bidders and went for £5 over | 0:35:54 | 0:35:56 | |
its estimate. So maybe there's hope for our furniture, yet. | 0:35:56 | 0:36:00 | |
Next up is our star item, and with a £450 reserve on it, | 0:36:00 | 0:36:04 | |
we really do need to keep everything crossed. | 0:36:04 | 0:36:07 | |
Now, I have to say, ladies, that we need a good result on this next one | 0:36:07 | 0:36:11 | |
because we're not doing too well. | 0:36:11 | 0:36:13 | |
So it's your Martin Leman picture which is a beautiful example | 0:36:13 | 0:36:18 | |
and it is worth a lot of money but I don't know if we'll get... | 0:36:18 | 0:36:21 | |
Well, the £450 that you put a reserve on, haven't you? | 0:36:21 | 0:36:24 | |
Certainly. Yes. | 0:36:24 | 0:36:26 | |
-That's the minimum you're going to take? -Yes. | 0:36:26 | 0:36:28 | |
-Oh, dear. -She's not going to be moved. | 0:36:28 | 0:36:30 | |
She's not concerned. I'm very concerned. | 0:36:30 | 0:36:33 | |
You are. You are. I know. Well... | 0:36:33 | 0:36:35 | |
I don't know, do you think we're going to make it, John? | 0:36:35 | 0:36:37 | |
His works do fetch that sort of money, | 0:36:37 | 0:36:39 | |
but have we got a Leman fan here today? That's the thing. | 0:36:39 | 0:36:42 | |
So, at £450, I'm not terribly optimistic at this point, | 0:36:42 | 0:36:46 | |
now we've got the room filled up. Here it comes. Let's see. | 0:36:46 | 0:36:49 | |
The Martin Leman picture. A very well-known artist. | 0:36:49 | 0:36:52 | |
Good, collectable picture. | 0:36:52 | 0:36:55 | |
And it's a study of Daisy the cat. There we are...showing over there. | 0:36:55 | 0:36:59 | |
Go straight in. 200 quid. | 0:36:59 | 0:37:01 | |
Two anywhere. £200, straight in. | 0:37:01 | 0:37:04 | |
At £200. Anybody at two? | 0:37:04 | 0:37:06 | |
At £200. | 0:37:06 | 0:37:09 | |
No interest, then, in the cat picture. All done, then, at 200? | 0:37:09 | 0:37:12 | |
It's not selling, Pat. The auction house | 0:37:15 | 0:37:18 | |
are very fond of cats with their very own resident cat here. | 0:37:18 | 0:37:22 | |
But no buyers of cat pictures here. | 0:37:22 | 0:37:24 | |
-So, you're taking it home. -Yes. | 0:37:24 | 0:37:26 | |
-You don't seem too upset about it. -No. | 0:37:26 | 0:37:28 | |
All right. That's good. | 0:37:28 | 0:37:30 | |
Although the auctioneer tried his best to start the bidding at £200 | 0:37:30 | 0:37:33 | |
for that original painting, there just weren't any takers | 0:37:33 | 0:37:38 | |
and that's a big hole in our target. | 0:37:38 | 0:37:40 | |
Five. Six, anywhere? Is that it? Finished? | 0:37:40 | 0:37:43 | |
And it gets worse when our next two cat paintings, | 0:37:45 | 0:37:48 | |
the Alfred Daniels' Cat At Dover, valued at £350-£600, | 0:37:48 | 0:37:53 | |
and the Morris Wilson cat painting, valued at £170-£200... | 0:37:53 | 0:37:58 | |
Not sold. | 0:37:58 | 0:38:00 | |
..also failed to sell. | 0:38:00 | 0:38:02 | |
What a disappointment. We'd been banking on | 0:38:02 | 0:38:04 | |
the best part of £1,000 for those three paintings. | 0:38:04 | 0:38:07 | |
We've just got two lots left to go, | 0:38:07 | 0:38:09 | |
so there's a huge amount riding on them. | 0:38:09 | 0:38:13 | |
Hopefully, the £30-£50 estimation on these Toby jugs | 0:38:13 | 0:38:17 | |
will whet the bidders' appetite. | 0:38:17 | 0:38:20 | |
Straight in at 15. 18. 20. Two. 25. | 0:38:20 | 0:38:23 | |
At 25 now. Done then, at 25. 28. | 0:38:23 | 0:38:26 | |
At 28 on the far side. Still on the far side at £28. | 0:38:26 | 0:38:30 | |
Anybody else? Is that it, at 28? I sell at 28. 30. | 0:38:30 | 0:38:34 | |
32. 32. Try 35. | 0:38:34 | 0:38:37 | |
I sell at £32. | 0:38:37 | 0:38:39 | |
-What do you think of that? -Well, it's very cheap. | 0:38:41 | 0:38:45 | |
It's not these days. Not these days, Pat. | 0:38:45 | 0:38:49 | |
They used to make a lot more than this but now, sometimes, | 0:38:49 | 0:38:52 | |
you don't get a bid on it. £30 is about right for it. | 0:38:52 | 0:38:55 | |
It's been a really tough day for Pat and Debs but they've stayed positive | 0:38:55 | 0:39:00 | |
and at least Pat can keep her precious cat items. | 0:39:00 | 0:39:03 | |
So now it's time for our final item - the two gold and diamond rings | 0:39:03 | 0:39:07 | |
that once belonged to Debs' mother in law. | 0:39:07 | 0:39:10 | |
Will they prove to be our saviours? | 0:39:10 | 0:39:12 | |
They're quite valuable. | 0:39:12 | 0:39:13 | |
Well, I've got them at £70-£90. One is 18-carat and one's nine-carat. | 0:39:13 | 0:39:17 | |
-Yes. -And you don't wear them, do you, Debs? -No. | 0:39:17 | 0:39:20 | |
-Let's hope we get a buyer for them today. -Let's hope so. | 0:39:20 | 0:39:22 | |
Let's start at a tenner. A tenner bid. Ten. 12. 15. 18. 20. | 0:39:22 | 0:39:26 | |
22. 25. 28. 30. | 0:39:26 | 0:39:28 | |
35. 40. 45. 50. | 0:39:28 | 0:39:31 | |
55. 60. 65. 70. 75. 80. | 0:39:31 | 0:39:36 | |
At 80 now. Rests here at 80. | 0:39:36 | 0:39:38 | |
Take the five again. 85. 90. | 0:39:38 | 0:39:41 | |
And again. 95. 100. | 0:39:41 | 0:39:43 | |
At 100. Take ten, sir. | 0:39:43 | 0:39:45 | |
At 100. I'll take five, then. 105. | 0:39:45 | 0:39:47 | |
At £100. At £100. All done at £100. | 0:39:47 | 0:39:53 | |
Finished at 100? | 0:39:53 | 0:39:56 | |
Great. | 0:39:56 | 0:39:57 | |
Is that five? | 0:39:57 | 0:39:58 | |
That'll be a bit off the bathroom money. | 0:39:58 | 0:40:00 | |
-£100! -That's brilliant, isn't it? | 0:40:00 | 0:40:02 | |
Finally, some good news. | 0:40:04 | 0:40:06 | |
But it's a shame that so many of our items failed to sell here today. | 0:40:06 | 0:40:10 | |
The paintings accounted for such a large chunk of our target | 0:40:10 | 0:40:13 | |
that none of us is under any illusion about the effect | 0:40:13 | 0:40:16 | |
on the amount we've raised. | 0:40:16 | 0:40:18 | |
Well, ladies, that's the end of the auction. | 0:40:18 | 0:40:22 | |
It's gone quickly. | 0:40:22 | 0:40:23 | |
It has gone quickly and you are actually taking | 0:40:23 | 0:40:25 | |
quite a lot of it home again. | 0:40:25 | 0:40:27 | |
It's still been very enjoyable. Really enjoyed it. | 0:40:27 | 0:40:30 | |
You're not too disappointed? | 0:40:30 | 0:40:32 | |
No. I'm not disappointed with what I'm taking home | 0:40:32 | 0:40:34 | |
-and I'm sure Pat isn't with what she's taking. -She's delighted! | 0:40:34 | 0:40:37 | |
So...happy days! | 0:40:37 | 0:40:41 | |
You were looking for £700 at the beginning of the show. | 0:40:41 | 0:40:44 | |
Little ambitious, I think, perhaps, because we haven't made £700. | 0:40:44 | 0:40:48 | |
You've made £263. | 0:40:48 | 0:40:52 | |
-Well, it all helps, doesn't it? -There you go. -Thank you. | 0:40:52 | 0:40:55 | |
But the great thing about every auction | 0:40:55 | 0:40:57 | |
is you haven't lost anything, | 0:40:57 | 0:40:59 | |
cos you've still got your possessions and you've got some money on top. | 0:40:59 | 0:41:02 | |
-That's right. -OK. | 0:41:02 | 0:41:03 | |
-We've made some new friends. -Yes. | 0:41:03 | 0:41:05 | |
Well, done, ladies. It's been a pleasure doing business with you. | 0:41:05 | 0:41:08 | |
-You too, Jennie. -Thank you. | 0:41:08 | 0:41:10 | |
It's been two weeks since the auction and the money Pat raised is helping towards | 0:41:14 | 0:41:19 | |
a new bathroom for Debs after those floods that almost ruined her home. | 0:41:19 | 0:41:23 | |
Today, they're spending the money on getting the right lighting. | 0:41:23 | 0:41:26 | |
It's been nice to show Pat how the bathroom's come along. | 0:41:28 | 0:41:34 | |
And she hasn't seen it for a while now. She saw it at the beginning | 0:41:34 | 0:41:38 | |
and it was nice to show Pat just how it's looking towards the end. | 0:41:38 | 0:41:42 | |
And it's been absolutely great just to get it all together. | 0:41:42 | 0:41:46 | |
For Debs, the floods have meant years of upheaval and renovations. | 0:41:46 | 0:41:49 | |
She's always wanted to build a bathroom upstairs, and now she's got it. | 0:41:49 | 0:41:54 | |
I do worry when a mirror first goes on the wall. | 0:41:54 | 0:41:57 | |
And it's great to see all those luxurious finishing touches being put into place. | 0:41:57 | 0:42:02 | |
Oh, it's super to buy the bathroom, especially to see it looking like a bathroom, | 0:42:02 | 0:42:06 | |
to buy the candles, to make it look sort of nice and relaxing. | 0:42:06 | 0:42:14 | |
The house is coming together | 0:42:14 | 0:42:16 | |
and we're finally getting a home back and it's looking super. | 0:42:16 | 0:42:19 |