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Hello. Welcome to Cash In The Attic, the show that finds hidden treasures | 0:00:02 | 0:00:05 | |
in your home and then helps you sell them at auction. | 0:00:05 | 0:00:08 | |
Today, we are in Streatham in South London, and this is the very famous common. | 0:00:08 | 0:00:12 | |
It's a great place to come and have a picnic in the summer and play a bit of sport. | 0:00:12 | 0:00:16 | |
Did you know they first played cricket here nearly 300 years ago? | 0:00:16 | 0:00:21 | |
OK, playtime in the park is over. | 0:00:21 | 0:00:23 | |
It's time to go to our next location, | 0:00:23 | 0:00:25 | |
where hopefully, we'll find some interesting items | 0:00:25 | 0:00:28 | |
to take to auction. | 0:00:28 | 0:00:29 | |
Coming up on today's Cash In The Attic, | 0:00:49 | 0:00:52 | |
could a valuable bottle of wine prove too tempting for Paul? | 0:00:52 | 0:00:57 | |
If it doesn't sell, we can always open the bottle and throw away the cork. | 0:00:57 | 0:01:01 | |
We manage to salvage a surprising haul of silver. | 0:01:03 | 0:01:06 | |
If you were just about to throw those away, should we be looking in your bins? | 0:01:06 | 0:01:10 | |
And at the auction, do the boys need to let off a bit of steam? | 0:01:10 | 0:01:14 | |
Wow! | 0:01:14 | 0:01:16 | |
Find out when the hammer falls. | 0:01:18 | 0:01:20 | |
I'm on my way now to meet a couple of guys | 0:01:22 | 0:01:24 | |
who called the Cash In The Attic team | 0:01:24 | 0:01:26 | |
because they really want to cook up a storm in their home. | 0:01:26 | 0:01:30 | |
This compact and comfortable flat | 0:01:30 | 0:01:32 | |
is home to Eddie Garthwaite and his partner Bob, | 0:01:32 | 0:01:35 | |
with their two rather playful dogs, Trixie and Arnie. Ahhh! | 0:01:35 | 0:01:39 | |
Now, Eddie spent much of his working life in hospitality | 0:01:39 | 0:01:43 | |
and currently runs a pub in South London. | 0:01:43 | 0:01:46 | |
As for Bob, well, he's had a rather colourful career, | 0:01:46 | 0:01:49 | |
including time in the Royal Air Force, | 0:01:49 | 0:01:51 | |
with a stint chauffeuring VIPs. | 0:01:51 | 0:01:53 | |
In fact, they've both rubbed shoulders with the rich and famous | 0:01:53 | 0:01:58 | |
in all sort of places. | 0:01:58 | 0:01:59 | |
There's more of that later. | 0:01:59 | 0:02:02 | |
-Ah, Paul, nice to see you. -Hello. | 0:02:03 | 0:02:06 | |
I am so relaxed. I've just had a lovely walk round the park. | 0:02:06 | 0:02:09 | |
I've been waiting ages for you. We've got work to do here! | 0:02:09 | 0:02:11 | |
Yeah, sorry about that. Yes, time to focus now. I've got some good news. | 0:02:11 | 0:02:14 | |
They're going to have a massive clear-out, | 0:02:14 | 0:02:16 | |
there'll be plenty of things for you to look at, cos they're renovating. | 0:02:16 | 0:02:19 | |
Sounds fantastic. I've got paintbrush and ladders. Where do I start? | 0:02:19 | 0:02:23 | |
No, you've got to concentrate on the antiques. | 0:02:23 | 0:02:25 | |
-OK. Come on. -After you. -Cheers. | 0:02:25 | 0:02:27 | |
-Come on. -Ah! Look at those two! | 0:02:28 | 0:02:32 | |
And I'm not talking about you two. I was talking about the dogs. | 0:02:32 | 0:02:35 | |
-Hello. You must be Ed. -That's correct. | 0:02:35 | 0:02:37 | |
-And that makes you Bob. -That's right. | 0:02:37 | 0:02:39 | |
That's a good start. I've got the right names. | 0:02:39 | 0:02:41 | |
Come on, own up. Who called in the Cash In The Attic team? | 0:02:41 | 0:02:44 | |
-Me. -Why's that? | 0:02:44 | 0:02:46 | |
I need to clear out, de-clutter. | 0:02:46 | 0:02:48 | |
Bob, has he got much stuff in this house? A lot of clutter? | 0:02:48 | 0:02:51 | |
You better believe it! | 0:02:51 | 0:02:52 | |
-Is he a bit of a hoarder? -He is, indeed. | 0:02:52 | 0:02:54 | |
Now, I'm not pointing any fingers, | 0:02:54 | 0:02:57 | |
but Bob's suggesting that you collect a lot of rubbish here, Ed. | 0:02:57 | 0:03:01 | |
Yeah, sort of. I collect anything. | 0:03:01 | 0:03:03 | |
-Oh, really? -Anything I see that attracts me. | 0:03:03 | 0:03:05 | |
Anything that's in a box, I'll buy. | 0:03:05 | 0:03:08 | |
So, it's time for a clear-out. What's it all for? | 0:03:08 | 0:03:11 | |
-It's to finish the kitchen off. -Ah, so you're renovating a little bit. | 0:03:11 | 0:03:14 | |
-Yes, more or less, yeah. -So how much money do we need? -About £400, £500. | 0:03:14 | 0:03:18 | |
To do the whole thing? So we'd better get our hands dirty. | 0:03:18 | 0:03:21 | |
-You ready? -Yes. -Yes! -Come on, then. -Let's go. | 0:03:21 | 0:03:24 | |
'Well, whilst the boys have grand plans for overhauling the kitchen, | 0:03:24 | 0:03:27 | |
'they'll be doing it little by little.' | 0:03:27 | 0:03:29 | |
They want the money they raise at auction today | 0:03:29 | 0:03:32 | |
to go towards a brand-new extractor hood for their cooker. | 0:03:32 | 0:03:34 | |
We know Eddie is a bit of a hoarder | 0:03:34 | 0:03:37 | |
and hope it means the flat is packed with interesting items. | 0:03:37 | 0:03:41 | |
There's an extensive CD collection and a wide variety of art around the walls. | 0:03:41 | 0:03:46 | |
I think this is quite a stylish pad. | 0:03:46 | 0:03:48 | |
Talking of good taste, with 20 years' experience, | 0:03:48 | 0:03:51 | |
it looks like our antiques expert, Paul Hayes, | 0:03:51 | 0:03:54 | |
is poised for another polished performance in the rummage. | 0:03:54 | 0:03:58 | |
-Hello, Paul. -Ah, now then! | 0:03:58 | 0:04:00 | |
I've found quite a collection of items here, actually. | 0:04:00 | 0:04:03 | |
This is a little job lot. Do you know where these come from? | 0:04:03 | 0:04:07 | |
-A little junk shop just off one of the lanes in Brighton. -Right. | 0:04:07 | 0:04:11 | |
And I bought them about 15 years ago, | 0:04:11 | 0:04:14 | |
roughly about 15 quid with a mix of goodies. | 0:04:14 | 0:04:16 | |
Well, the tankard itself is actually silver-plated. | 0:04:16 | 0:04:20 | |
If I breathe on the surface here... | 0:04:20 | 0:04:22 | |
Can you see that's the nickel coming through, | 0:04:22 | 0:04:25 | |
that sort of yellowish tinge? | 0:04:25 | 0:04:26 | |
But at one stage, this has actually been used in a pub, | 0:04:26 | 0:04:30 | |
and it has a touch mark here. | 0:04:30 | 0:04:31 | |
And what would happen, in the late-19th century, | 0:04:31 | 0:04:34 | |
you get a visit from the Customs and Excise people, | 0:04:34 | 0:04:36 | |
and he would test to see whether it was a full measure, | 0:04:36 | 0:04:39 | |
and that's the actual customs mark there, the VR. | 0:04:39 | 0:04:42 | |
-Oh, right. -That means that was tested in the reign of Queen Victoria | 0:04:42 | 0:04:45 | |
sometime to say that this is definitely a pint, or a quart, | 0:04:45 | 0:04:48 | |
and it could be legally sold under the rail, how fantastic is that? | 0:04:48 | 0:04:51 | |
Right, well, the tankard itself, you're looking probably 30, 40 quid. | 0:04:51 | 0:04:55 | |
The winner here, actually, are these spoons. These... | 0:04:55 | 0:04:58 | |
I'll take that off you to help you out. | 0:04:58 | 0:05:00 | |
Of course. People look for the hallmarks, really. | 0:05:00 | 0:05:02 | |
If you look very carefully, you've got the lion passant. | 0:05:02 | 0:05:06 | |
I can see the lion clear enough. | 0:05:06 | 0:05:08 | |
That tells us it's solid silver, so that comes up to standard. | 0:05:08 | 0:05:11 | |
But then, more importantly, what I look for here is the portrait of George III. | 0:05:11 | 0:05:15 | |
So that tells me that these were made sometime late-18th century. | 0:05:15 | 0:05:19 | |
-Wow! -Fantastic, 200 years old. | 0:05:19 | 0:05:21 | |
-Wow. -Isn't that amazing? And these were just lying around! | 0:05:21 | 0:05:25 | |
So how much are they worth, then, Paul? | 0:05:25 | 0:05:27 | |
Well, these, you're looking at least £10 or £15 a spoon - at least. | 0:05:27 | 0:05:30 | |
I mean, if we said around 100 for this lot, 120. | 0:05:30 | 0:05:33 | |
I was going to throw them away. I didn't think they were any good, | 0:05:33 | 0:05:36 | |
I didn't like the colour of them. I didn't think they were silver. | 0:05:36 | 0:05:39 | |
I thought they were cheap metal and that's why they went dark. | 0:05:39 | 0:05:42 | |
If you were about to throw those away, should we look in your bins? | 0:05:42 | 0:05:45 | |
-Too late now. The bin men have been. -Well, what a great start! | 0:05:45 | 0:05:48 | |
I'm really excited now. Let's get back to work. Come on. | 0:05:48 | 0:05:51 | |
Well, it's good to see Paul's reputation as the font of knowledge remains untarnished, | 0:05:51 | 0:05:56 | |
and that collection of silver is a good start. | 0:05:56 | 0:05:59 | |
Whilst I have a peek under the stairs for any items, | 0:05:59 | 0:06:02 | |
I think Eddie might be right on the money | 0:06:02 | 0:06:05 | |
with this framed white £5 note. | 0:06:05 | 0:06:07 | |
Banknotes like these first appeared in the late-18th century | 0:06:07 | 0:06:12 | |
and were in circulation right up to 1957. | 0:06:12 | 0:06:15 | |
There are plenty of banknote collectors, | 0:06:15 | 0:06:17 | |
with some earlier examples fetching thousands of pounds. | 0:06:17 | 0:06:21 | |
This one, dated 1951, is rather less valuable, | 0:06:21 | 0:06:25 | |
but we're still hoping to cash in | 0:06:25 | 0:06:26 | |
to the tune of £40 to £60 at auction. | 0:06:26 | 0:06:30 | |
-Bob? -Yes? | 0:06:32 | 0:06:35 | |
Now, I've found a bottle of vintage wine in your airing cupboard there. | 0:06:35 | 0:06:38 | |
-This is quite posh, isn't it? -Mm! -Is this your secret stash? -Yes! | 0:06:38 | 0:06:42 | |
Now, you pronounce it, cos I can't. | 0:06:42 | 0:06:44 | |
Chateau Villemaurine. There we are. St Emilion Grand Cru Classe. | 0:06:44 | 0:06:48 | |
There we go, 1981. Does that celebrate a particular year, then? | 0:06:48 | 0:06:51 | |
Er, no, not particularly. | 0:06:51 | 0:06:54 | |
It was given to us as a present, and... | 0:06:54 | 0:06:58 | |
it's just been there and we never got round to opening it! | 0:06:58 | 0:07:01 | |
Well, St Emilion - it's named after St Emilius, and he was a monk. | 0:07:01 | 0:07:06 | |
-But the Grand Cru Classe, do you know what that stands for? -No. | 0:07:06 | 0:07:10 | |
It means "great growth class". | 0:07:10 | 0:07:13 | |
It's the best grape. | 0:07:13 | 0:07:15 | |
That only gets awarded to a certain number of chateaux in the Bordeaux region. Isn't that fantastic? | 0:07:15 | 0:07:20 | |
-Would it still be drinkable? -I think so, yeah. I think it's definitely saleable, which is more important. | 0:07:20 | 0:07:25 | |
-That's what we'rem looking for. -What would it go for? | 0:07:25 | 0:07:27 | |
You could be looking around the £100 mark, | 0:07:27 | 0:07:30 | |
sort of 80 to 100, something like that. How does that sound? | 0:07:30 | 0:07:33 | |
Wow! I would never have believed £100 for a bottle of wine. | 0:07:33 | 0:07:36 | |
Maybe a case, but for a bottle? | 0:07:36 | 0:07:39 | |
Well, let's hope so. If it doesn't sell, we can always open the bottle and throw away the cork. | 0:07:39 | 0:07:44 | |
-That sounds like a good idea. -That sound all right to you? -Yes. | 0:07:44 | 0:07:47 | |
-All right. -I will go with that. | 0:07:47 | 0:07:48 | |
-Great. Let's put it somewhere safe. -Yes, we will do, indeed. | 0:07:48 | 0:07:51 | |
-Thank you. -Fantastic, eh? | 0:07:51 | 0:07:53 | |
Now, steady on, boys. Let's hope we'll be raising a glass with impressive bidding on auction day. | 0:07:53 | 0:07:58 | |
Wine can be a canny investment, | 0:07:58 | 0:08:00 | |
with some bottles fetching many thousands of pounds. | 0:08:00 | 0:08:03 | |
Our bottle of 1981 Bordeaux isn't massively valuable, | 0:08:03 | 0:08:07 | |
but it'll be interesting to see how it does on the day. | 0:08:07 | 0:08:11 | |
Now back to the rummage, and Eddie's been busy with some pretty porcelain. | 0:08:11 | 0:08:15 | |
Staying on the drinking theme, meanwhile, | 0:08:15 | 0:08:18 | |
Paul spies these handmade miniature character jugs | 0:08:18 | 0:08:21 | |
by the American company Franklin Mint. | 0:08:21 | 0:08:23 | |
Now, Eddie collected these in the mid-1980s, paying £500 for the lot. | 0:08:23 | 0:08:29 | |
Sadly, since then, they've depreciated in value, | 0:08:29 | 0:08:34 | |
but Paul still reckons we should get £40 to £50. | 0:08:34 | 0:08:38 | |
Well, we're having a well-earned rest here | 0:08:38 | 0:08:41 | |
and a cup of coffee, leaving poor old Paul to do all the hard work. | 0:08:41 | 0:08:44 | |
Tell me, guys, how did you two meet? | 0:08:44 | 0:08:46 | |
In a pub in Central London, 25 years on the 8th of August. | 0:08:46 | 0:08:51 | |
So, come on, let's be honest. | 0:08:51 | 0:08:53 | |
How does the relationship work? | 0:08:53 | 0:08:54 | |
We're quite good together, because we're quite compatible. | 0:08:54 | 0:08:58 | |
He has a different taste in music, and I have a different taste. | 0:08:58 | 0:09:01 | |
He's the loud person, I'm the quieter person, but I'm a ruder person. | 0:09:01 | 0:09:05 | |
-A ruder person? -Yes. I'm straightforward. | 0:09:05 | 0:09:08 | |
-You're a little bit more gentle, are you, Bob? -Yes. | 0:09:08 | 0:09:11 | |
Take me, then, back to the RAF. | 0:09:11 | 0:09:13 | |
16 glorious years. | 0:09:13 | 0:09:15 | |
I met an awful lot of nice people, | 0:09:15 | 0:09:17 | |
not just in the forces, but people I used to drive. | 0:09:17 | 0:09:21 | |
Now, a little bird tells me you met some very famous people. How famous? | 0:09:21 | 0:09:25 | |
Two of the most notable, I suppose, on the minister side, | 0:09:25 | 0:09:28 | |
was the Prime Minister when she came down to meet | 0:09:28 | 0:09:31 | |
Sir John Nott in Cornwall. | 0:09:31 | 0:09:33 | |
-And the Prime Minister was...? -Mrs Thatcher. -Mrs Thatcher! | 0:09:33 | 0:09:36 | |
And then before that, the Labour government, Mr Healey. | 0:09:36 | 0:09:40 | |
-Oh, he is a bit of a name-dropper, isn't he, Ed? -Mm-hm! | 0:09:40 | 0:09:43 | |
-Name some of the showbiz people you drove. -Oh! | 0:09:43 | 0:09:45 | |
Elizabeth Taylor, Richard Burton. | 0:09:45 | 0:09:47 | |
That was... | 0:09:47 | 0:09:49 | |
-Eartha Kitt. -Oh, yes! | 0:09:49 | 0:09:51 | |
I'd forgotten about that. That was in Hong Kong, and I was out there on detachment from Brize Norton. | 0:09:51 | 0:09:57 | |
And I went to this Chinese millionaire's house, | 0:09:57 | 0:10:00 | |
and all of a sudden, this star came down the stairs, | 0:10:00 | 0:10:03 | |
and I spent the whole day with her. | 0:10:03 | 0:10:05 | |
And at the end of it, she gave me four free tickets | 0:10:05 | 0:10:08 | |
to go and see her one-lady show at one of the big hotels on the island. | 0:10:08 | 0:10:12 | |
-What were you doing in the meantime? -Well, when he was in the forces, I was at school, still! | 0:10:12 | 0:10:17 | |
Ouch. 15-love, as they say, Bob. | 0:10:17 | 0:10:19 | |
And then what did you do? | 0:10:19 | 0:10:22 | |
I moved down South and I opened a shop in Wallington, | 0:10:22 | 0:10:27 | |
let that go for a few years, | 0:10:27 | 0:10:28 | |
and then I changed from that and I got a job in the West End. | 0:10:28 | 0:10:32 | |
I worked for a shop in Regent Street called Bianco's, | 0:10:32 | 0:10:36 | |
and we used to serve all the Page Three girls, and also Joan Collins, | 0:10:36 | 0:10:40 | |
and Cilla Black was one of my regular customers. | 0:10:40 | 0:10:43 | |
So as far as famous people are concerned, you either looked after them or you drove them. | 0:10:43 | 0:10:47 | |
So what are you up to now? | 0:10:47 | 0:10:48 | |
I'm actually running a pub in Streatham. | 0:10:48 | 0:10:51 | |
And is that a big change for you? | 0:10:51 | 0:10:53 | |
Because it's still looking after people, socialising. | 0:10:53 | 0:10:56 | |
More or less, it's still on the retail side of things. I'm still selling. | 0:10:56 | 0:10:59 | |
Well, talking of looking after people, should we go back to Paul? | 0:10:59 | 0:11:03 | |
Because he's been on his own. | 0:11:03 | 0:11:04 | |
But make sure you drop a name or two. Come on. | 0:11:04 | 0:11:06 | |
Well, there are no chauffeurs for our Paul, | 0:11:08 | 0:11:10 | |
although he's not averse to a bit of glamour. | 0:11:10 | 0:11:12 | |
I wonder if this figurine of a ballerina | 0:11:12 | 0:11:15 | |
will bring some star quality to the saleroom. | 0:11:15 | 0:11:18 | |
It's a special edition by the Spanish porcelain makers Lladro. | 0:11:18 | 0:11:22 | |
Although a modern piece, | 0:11:22 | 0:11:23 | |
we're hoping for between £40 and £50 at auction. | 0:11:23 | 0:11:27 | |
There could be a theme emerging here, | 0:11:27 | 0:11:29 | |
because it's not long before I unearth another elegant ballet-related item. | 0:11:29 | 0:11:33 | |
I think I feel a pas de deux coming on... | 0:11:33 | 0:11:37 | |
-Guys? -Yep? -Come and have a look at this. | 0:11:37 | 0:11:41 | |
Mr Hoarder there, I've just found this in the bottom of the cupboard. | 0:11:41 | 0:11:45 | |
What's this? Hello, doggie! | 0:11:45 | 0:11:47 | |
Come and have a look as well. | 0:11:47 | 0:11:48 | |
Look at that. That's quite nice, isn't it? 1989. | 0:11:48 | 0:11:51 | |
D Thompson. Do you know who that is? | 0:11:51 | 0:11:53 | |
She's had a couple of exhibitions. | 0:11:53 | 0:11:55 | |
One in....I think it was the Royal Festival Hall, and she had one in Croydon, the Fairfield Halls. | 0:11:55 | 0:12:01 | |
She used to do posters for Benetton. | 0:12:01 | 0:12:03 | |
-Really? -Yeah. -Ah! Now she's getting more interesting, actually. | 0:12:03 | 0:12:06 | |
The more prominence you can find with an artist, the more things that they've done - exhibitions, | 0:12:06 | 0:12:11 | |
if they've worked for any financial companies or advertising companies - | 0:12:11 | 0:12:14 | |
it makes a massive difference to the value, really. | 0:12:14 | 0:12:17 | |
-Talking of value, is it practically impossible to put a value on it? -Pretty much so, yes. | 0:12:17 | 0:12:22 | |
But it's nicely framed. Have you got just the one, or is there a couple of them, or...? | 0:12:22 | 0:12:26 | |
We've got two. We've got that one and one of a nude. | 0:12:26 | 0:12:28 | |
-Right. OK. Well... -In black and white. | 0:12:28 | 0:12:30 | |
If we said sort of, erm, | 0:12:30 | 0:12:32 | |
£50 the pair, how does that sound, just as a speculative bid? | 0:12:32 | 0:12:35 | |
-Yeah. -Are you disappointed with that? | 0:12:35 | 0:12:38 | |
No, not at all. | 0:12:38 | 0:12:39 | |
-I'd be quite happy if it doesn't get sold. -Well, that's fine, then. | 0:12:39 | 0:12:43 | |
That's one that you would always say, "We'll take and see." | 0:12:43 | 0:12:46 | |
We'll put a reserve on it! | 0:12:46 | 0:12:47 | |
You have watched this programme before! | 0:12:47 | 0:12:50 | |
-Come on, let's get back to work. -OK. | 0:12:50 | 0:12:52 | |
Come on, dog. | 0:12:52 | 0:12:53 | |
'Well, time is moving on, and there's still plenty to do | 0:12:53 | 0:12:57 | |
'if we're to reach our £400 target.' | 0:12:57 | 0:12:59 | |
Paul's lifting the lid, we hope, on some more quality collectables. | 0:12:59 | 0:13:03 | |
And Bob's still busy, as he spies this collection of prints | 0:13:03 | 0:13:06 | |
showing various country pursuits. | 0:13:06 | 0:13:08 | |
Eddie bought these in the late-1970s at the famous London store Liberty. | 0:13:08 | 0:13:12 | |
Prints are always popular at auction, | 0:13:12 | 0:13:16 | |
so Paul's valued them at a pleasing £60 to £80. | 0:13:16 | 0:13:20 | |
Whilst our expert makes a new friend, | 0:13:20 | 0:13:22 | |
it looks like Eddie's building up a head of steam with his rummage. | 0:13:22 | 0:13:27 | |
Ah! | 0:13:27 | 0:13:29 | |
-Ah, Paul, what about these? -Ah, let's have a look. Oh! | 0:13:29 | 0:13:33 | |
Look at those Pullman badges! So, these came off the railways? | 0:13:33 | 0:13:36 | |
Yes. I went one day on the Flying Scotsman. | 0:13:36 | 0:13:38 | |
-Never! -Yes! Me and Bob, and worked as a chief steward. | 0:13:38 | 0:13:41 | |
-How did you manage that? -I've a friend who was chief steward, | 0:13:41 | 0:13:44 | |
and he asked if I'd be interested to help them out, and I said yes. | 0:13:44 | 0:13:48 | |
So me and Bob worked for the day. | 0:13:48 | 0:13:49 | |
There is something fantastic about the golden age of steam, isn't there? | 0:13:49 | 0:13:53 | |
It's just a totally different time. | 0:13:53 | 0:13:55 | |
It was a real ceremony to travel on these wonderful trains, wasn't it? | 0:13:55 | 0:13:58 | |
But the Flying Scotsman, in particular, has two world records. | 0:13:58 | 0:14:01 | |
-It was the first steam engine to go over 100 miles an hour... -Wow. | 0:14:01 | 0:14:04 | |
..and they all thought they'd pass out after 30. Do you remember all that? | 0:14:04 | 0:14:08 | |
And it's also the first one to do London to Edinburgh nonstop. | 0:14:08 | 0:14:12 | |
Well, I think these are great items. | 0:14:12 | 0:14:14 | |
Do you know who Pullman was? | 0:14:14 | 0:14:15 | |
-No, I don't, no. -He was the coach designer. | 0:14:15 | 0:14:18 | |
He used to actually expand the coaches, make them into sleepers, | 0:14:18 | 0:14:22 | |
put corridors in them and make them more luxurious. | 0:14:22 | 0:14:24 | |
That's why his name's associated with the great train era. | 0:14:24 | 0:14:28 | |
Are they a souvenir from a great day, really? | 0:14:28 | 0:14:31 | |
Not really. They're just chucked in the drawer, so... | 0:14:31 | 0:14:34 | |
Right. I think you've got two people who would buy these. | 0:14:34 | 0:14:37 | |
You've got anybody that's interested in enamel badges, | 0:14:37 | 0:14:40 | |
so things like Masonic, militaria, Butlins, travel, anything like that, | 0:14:40 | 0:14:44 | |
and, of course, anybody interested in trains. It's great. | 0:14:44 | 0:14:48 | |
So, if I said 20, 30 each, if we said 40 to 60 quid? | 0:14:48 | 0:14:52 | |
That'd be fine with me, yes, yes. | 0:14:52 | 0:14:54 | |
-Is it full steam ahead? -Full steam ahead! | 0:14:54 | 0:14:56 | |
See if you can break some records. All right, what's over here? | 0:14:56 | 0:14:59 | |
'I should have known Paul couldn't resist getting a pun in there. | 0:14:59 | 0:15:03 | |
'If only we had a pound for every one. | 0:15:03 | 0:15:07 | |
'Now, I've located another piece of modern porcelain, this time bought by Bob as a gift for Eddie. | 0:15:07 | 0:15:13 | |
'It's Nejo, a brand of Lladro which uses the same process but isn't quite as intricate. | 0:15:13 | 0:15:19 | |
'However, like Lladro, they are very collectable. | 0:15:19 | 0:15:22 | |
'Paul estimates this young lady at an elegant £40 to £50.' | 0:15:22 | 0:15:27 | |
Now, this is what I like to see, the full family photo here. | 0:15:27 | 0:15:32 | |
Now, come on, tell me, Ed, about your hoarding instincts, because | 0:15:32 | 0:15:37 | |
Paul has been fascinated, because there's just so much there of different types of stuff. | 0:15:37 | 0:15:43 | |
I know, I'm terrible. I like anything that's old-fashioned. That's why I've got him. | 0:15:43 | 0:15:48 | |
Yeah, I was just about to say, does that drive you mad, Bob? | 0:15:48 | 0:15:51 | |
Totally. | 0:15:51 | 0:15:54 | |
The problem is, I can't sell him. | 0:15:54 | 0:15:56 | |
-Oh, no, not that! -They don't buy rejects. | 0:15:56 | 0:15:59 | |
The fact that there is so much stuff in here, Bob. | 0:15:59 | 0:16:03 | |
He used to take the mickey out of me because I love my aeroplanes, | 0:16:03 | 0:16:05 | |
and if I don't see an aeroplane, within 15 minutes, | 0:16:05 | 0:16:08 | |
he'll take the mickey and say, "Oh, you haven't seen an aeroplane! | 0:16:08 | 0:16:12 | |
"We'll have to go to an airport!" | 0:16:12 | 0:16:14 | |
If he doesn't buy | 0:16:14 | 0:16:16 | |
within half an hour, he goes into... | 0:16:16 | 0:16:19 | |
You know? He's a spendaholic. | 0:16:19 | 0:16:23 | |
I'm glad you mentioned the planes. Looking around your place here, lots of photographs of being abroad. | 0:16:23 | 0:16:28 | |
You love to travel, by the looks of it. | 0:16:28 | 0:16:31 | |
At the moment, my favourite place, where I want to go to, is Petra in Jordan. | 0:16:31 | 0:16:36 | |
What about you, Bob? Where would you like to go? | 0:16:36 | 0:16:38 | |
Japan has always fascinated me. | 0:16:38 | 0:16:40 | |
I don't know why. But I lived in the Far East for... | 0:16:40 | 0:16:43 | |
four, five years and did quite a lot of travelling there, | 0:16:43 | 0:16:46 | |
but there's lots of nice places. I'd like to go to Russia, as well. | 0:16:46 | 0:16:50 | |
So you obviously have plans to travel, but back to rather more mundane things - renovation. | 0:16:50 | 0:16:54 | |
Not so romantic, but essential stuff to do, Ed? | 0:16:54 | 0:16:58 | |
Yes. It's to actually finish off the kitchen. | 0:16:58 | 0:17:01 | |
I've got a new range cooker in there, so I just need to finish the touches. | 0:17:01 | 0:17:05 | |
Everywhere else has been done. | 0:17:05 | 0:17:06 | |
It's just the kitchen to finish off, and I'll be happy with that. | 0:17:06 | 0:17:09 | |
Well, I do like the idea of a bit of break after some hard work, but your hard work isn't done just yet. | 0:17:09 | 0:17:15 | |
There's more rummaging to be done. | 0:17:15 | 0:17:17 | |
And the dogs, go and sniff out some prizes. Come on. | 0:17:17 | 0:17:19 | |
Well, it sounds like Eddie and Bob have certainly led busy and eventful lives. | 0:17:19 | 0:17:25 | |
We'll be doing all we can to raise some money for their renovations when we get to the auction. | 0:17:25 | 0:17:30 | |
But we'll need to get busy. | 0:17:30 | 0:17:33 | |
Bob soon uncovers yet more collectables in the shape of this Edwardian Chinese blue jug, | 0:17:33 | 0:17:39 | |
sandblasted to give it an opaque look. | 0:17:39 | 0:17:42 | |
It belonged to Eddie's grandmother | 0:17:42 | 0:17:44 | |
and was one of the few things that survived | 0:17:44 | 0:17:46 | |
when their house was destroyed by a bomb | 0:17:46 | 0:17:48 | |
during the London Blitz of the 1940s. | 0:17:48 | 0:17:50 | |
At some point in the last 60 years, | 0:17:50 | 0:17:53 | |
it has been restored, but Paul still values it at £30 to £50. | 0:17:53 | 0:17:58 | |
And Bob is really on a roll, | 0:17:58 | 0:18:00 | |
because he unearths yet another possible item for our auction. | 0:18:00 | 0:18:05 | |
Paul, what do you think to this? | 0:18:05 | 0:18:07 | |
Let's have a look. Ah, it's a nice watch. Is this one of yours? | 0:18:07 | 0:18:10 | |
No, no, no, no, no. | 0:18:10 | 0:18:12 | |
No, it's Eddie's. It was a gift. | 0:18:12 | 0:18:14 | |
-I think at the time, he had about 130, or something like that. -Gosh! | 0:18:14 | 0:18:18 | |
From all over. And a friend of ours said, "I've got one sitting indoors, you can have it, if you want it." | 0:18:18 | 0:18:24 | |
This is a Burberry watch. | 0:18:24 | 0:18:25 | |
Now, they're more famous for their clothing range. | 0:18:25 | 0:18:28 | |
Thomas Burberry was the son of a tailor, and he developed what we now know as the trench coat. | 0:18:28 | 0:18:35 | |
And the idea was, he was quite a sporting gentleman and the coats at the time were very thick and | 0:18:35 | 0:18:40 | |
very heavy, and he came up with a lightweight but waterproof version. So that became the trench coat. | 0:18:40 | 0:18:44 | |
And it got its name from people in the First World War using them in the trenches. | 0:18:44 | 0:18:48 | |
So he was famous for inventing that. | 0:18:48 | 0:18:50 | |
So it's not going to be keenly collected for a watch collector, really, because | 0:18:50 | 0:18:56 | |
it's not a Rolex or a Longines or Omega, these very expensive makers. It's like a fashion brand. | 0:18:56 | 0:19:01 | |
-That's right. -Has Eddie ever worn it recently? | 0:19:01 | 0:19:04 | |
-Not as far as I'm aware. -Right. -I don't think so. | 0:19:04 | 0:19:07 | |
Because it was Burberry, I think it was a case of, "We'll put this one with the collection in the drawer." | 0:19:07 | 0:19:12 | |
Names come in and out of fashion, don't they? | 0:19:12 | 0:19:14 | |
-I think regardless of whether it's fashionable, it's quite a stylish watch, isn't it? -Yeah. | 0:19:14 | 0:19:18 | |
But this is quite nice. I do like the symbol, | 0:19:18 | 0:19:21 | |
like a knight in shining armour, and that's very representative. | 0:19:21 | 0:19:24 | |
The armour goes back to the waterproof clothing, the chivalry | 0:19:24 | 0:19:28 | |
associated with the knights, that's their business ethic. | 0:19:28 | 0:19:31 | |
And the fact that the knight is charging, going forward, | 0:19:31 | 0:19:34 | |
that's the forward-thinking, always coming up with new inventions. | 0:19:34 | 0:19:37 | |
So if I said 50 to 100, how does that sound? | 0:19:37 | 0:19:40 | |
-Oh, I think he'd be jumping for joy. -Would he? -Yes, definitely. | 0:19:40 | 0:19:44 | |
-Let's get that to the auction and see if there's anything else. -Yes. | 0:19:44 | 0:19:47 | |
Well, time is running out for us, | 0:19:47 | 0:19:49 | |
and with the afternoon nearly over, it's all systems go. | 0:19:49 | 0:19:53 | |
A rummage through the drawers unearths some old sheet music. | 0:19:53 | 0:19:57 | |
Could we be ending on a song? | 0:19:57 | 0:20:00 | |
-Paul? -Yeah? | 0:20:00 | 0:20:01 | |
-Ah, now then, Bob, what have you found here? -Alice Faye. | 0:20:01 | 0:20:05 | |
Wow! Now then, remind me - who was Alice Faye? | 0:20:05 | 0:20:09 | |
Married to the bandleader Phil Harris. | 0:20:09 | 0:20:14 | |
-Right. OK. -Famous for... -Baloo. -..Baloo, the bear from The Jungle Book... | 0:20:14 | 0:20:19 | |
-That's right. -..Thomas O'Malley from The Aristocats... -Aristocats, that's right. | 0:20:19 | 0:20:23 | |
Fantastic, eh? So, how did you get hold of these? | 0:20:23 | 0:20:27 | |
I know the guy who runs the Alice Faye Appreciation Society in England. | 0:20:27 | 0:20:31 | |
-Wow. -And I've actually met Alice. | 0:20:31 | 0:20:33 | |
-We both have, actually. -That's fantastic. | 0:20:33 | 0:20:35 | |
-She's taken us to afternoon tea in the Savoy. -Right! | 0:20:35 | 0:20:38 | |
And she made movies like Hello Frisco, Hello, | 0:20:38 | 0:20:41 | |
That Night In Havana, with Douglas Fairbanks Jnr. | 0:20:41 | 0:20:44 | |
-Beautiful movies. -This really is the golden age of cinema, isn't it? | 0:20:44 | 0:20:48 | |
Autographs are getting really collectable, especially this period, | 0:20:48 | 0:20:51 | |
the silver screen, if you like. | 0:20:51 | 0:20:53 | |
And, of course, you've got to have them authentic, as well. | 0:20:53 | 0:20:56 | |
You've got, "To Eddie and Bob" here, | 0:20:56 | 0:20:58 | |
so we know that you met the person, | 0:20:58 | 0:20:59 | |
so this is a real signature, it's not a copy in any way. | 0:20:59 | 0:21:02 | |
And so, how do you feel about selling these? | 0:21:02 | 0:21:04 | |
-Are they sentimental at all to you? -No, not really, no. | 0:21:04 | 0:21:07 | |
Well, what I suggest we do is we contact the collectors' club and as many fans of Alice as we can find, | 0:21:07 | 0:21:12 | |
and when it goes under the hammer at the auction, that gives it its best chance. | 0:21:12 | 0:21:16 | |
Somebody would love to have these. | 0:21:16 | 0:21:18 | |
Right, well, if I said £50 to £80, how does that sound? | 0:21:18 | 0:21:22 | |
-Whatever. -Sound all right to you? | 0:21:22 | 0:21:23 | |
Yeah, that's wonderful. Yeah. | 0:21:23 | 0:21:25 | |
I heard "pounds", but I didn't hear how much. | 0:21:25 | 0:21:29 | |
-Alice Faye. -Yeah! She looks so glamorous, doesn't she? -She does. | 0:21:29 | 0:21:33 | |
-What did you say it was? -Another 50 quid. | 0:21:33 | 0:21:36 | |
Well, I've got to say, I've had so much fun - I know you have - with Captain Hoarder here... | 0:21:36 | 0:21:42 | |
and super clearer-upper. | 0:21:42 | 0:21:44 | |
We've had a great time. But that's it. | 0:21:44 | 0:21:46 | |
That's all the rummaging. | 0:21:46 | 0:21:48 | |
-Now, you wanted to raise £400 to £500, didn't you, for this new kitchen? -It would be good. | 0:21:48 | 0:21:53 | |
We reckon, conservatively, with all the stuff that we've found, | 0:21:53 | 0:21:58 | |
at auction, we reckon we can make £620. | 0:21:58 | 0:22:01 | |
-Thank you very much! -How's that? -That's excellent. | 0:22:01 | 0:22:04 | |
I think we've had a great day, actually. | 0:22:04 | 0:22:06 | |
-I've enjoyed it myself, as well. -But it's off to the auction rooms and fingers crossed. | 0:22:06 | 0:22:10 | |
-Fabulous. -Thank you very much. -Thank you very much indeed. -Thank you! | 0:22:10 | 0:22:14 | |
-Well done, Paul. -And nice to meet you, Chris. -And you, yeah. | 0:22:14 | 0:22:18 | |
Well, that little piece of Hollywood history brings our day here to a close. | 0:22:18 | 0:22:23 | |
And what a day it's been, with a real variety of items. | 0:22:23 | 0:22:27 | |
At £100 to £120, we're hoping for a sterling performance from that | 0:22:27 | 0:22:31 | |
silver Victorian tankard and Georgian spoons. | 0:22:31 | 0:22:35 | |
I wonder whether we'll be toasting the bidders | 0:22:35 | 0:22:38 | |
when that vintage wine goes under the hammer at £80 to 100. | 0:22:38 | 0:22:42 | |
And at a modest £40 to £60, we hope those Flying Scotsman Pullman badges | 0:22:42 | 0:22:47 | |
won't hit the buffers on the day. | 0:22:47 | 0:22:49 | |
Still to come on Cash in the Attic, an unpredictable auction produces a few bombshells. | 0:22:52 | 0:22:58 | |
-We're in shock over here, aren't we? -I am! Really quite surprised at that. | 0:22:58 | 0:23:04 | |
And Bob looks for a bit of divine intervention. | 0:23:04 | 0:23:07 | |
Your prayers have been answered, I think. | 0:23:07 | 0:23:11 | |
Be there when the hammer falls. | 0:23:11 | 0:23:14 | |
It's been a couple of weeks since we had a good old-fashioned rummage around Eddie and Bob's house. | 0:23:19 | 0:23:23 | |
You know who I mean - those name-droppers. | 0:23:23 | 0:23:25 | |
We found some great stuff, real collectables and antiques, | 0:23:25 | 0:23:28 | |
and the odd surprise. We've brought them to Chiswick Auctions. | 0:23:28 | 0:23:31 | |
If you remember, they were giving their house a real bit of a facelift, and they've only got | 0:23:31 | 0:23:36 | |
the kitchen to complete now, so they're hoping to raise £500 today. | 0:23:36 | 0:23:40 | |
So keep your fingers crossed, as those items go under the hammer. | 0:23:40 | 0:23:44 | |
There seem to be a fair number of bidders here today hoping, I'm sure, to get their hands on a bargain. | 0:23:44 | 0:23:50 | |
Our Paul, meanwhile, has his hands on those Georgian and Victorian silver items. | 0:23:50 | 0:23:55 | |
I wonder if they'll shine in the saleroom. | 0:23:55 | 0:23:58 | |
-Hello, mate! -Ah! Good morning. -You're not playing those spoons, are you? | 0:23:58 | 0:24:03 | |
I'm not playing the spoons, no. It's amazing what you find lying around, isn't it? | 0:24:03 | 0:24:07 | |
Bob and Eddie fancied this tankard, but the value is in these spoons. | 0:24:07 | 0:24:11 | |
-They were going to throw them away, weren't they? -They were. | 0:24:11 | 0:24:14 | |
But they could have given them a bit of a polish before they came. | 0:24:14 | 0:24:17 | |
-I know, they're a bit dirty. -But people love that. | 0:24:17 | 0:24:20 | |
-It's an unfound treasure. Undiscovered. -Do you know what my favourite was, the real treasure? | 0:24:20 | 0:24:24 | |
The wine. I do love a drop of wine. I think that'll go today! | 0:24:24 | 0:24:28 | |
Yes! Those are kept for special occasions. | 0:24:28 | 0:24:31 | |
It's a presentation piece. It's the best of that vintage, 1981. | 0:24:31 | 0:24:35 | |
It's a good year, as well. But there's a lot of wine | 0:24:35 | 0:24:37 | |
here today. But, hopefully, it could do all right. | 0:24:37 | 0:24:41 | |
So we need a connoisseur or two, | 0:24:41 | 0:24:43 | |
-otherwise, we might be drowning our sorrows. -I do the jokes! | 0:24:43 | 0:24:46 | |
I know. Let's go and see if we can find them. | 0:24:46 | 0:24:48 | |
Well, fingers crossed we'll be celebrating with Eddie and Bob and not commiserating. | 0:24:48 | 0:24:53 | |
With such a variety of items, we'll need a real mix of bidders in the room. | 0:24:53 | 0:24:57 | |
Meanwhile, the boys are having a last look at the Pullman badges. | 0:24:57 | 0:25:01 | |
Hello, gang. Nice to see you. You're all looking fit and well. | 0:25:04 | 0:25:07 | |
-Good to see you. -Now, tell me, first question - have you brought the dogs? | 0:25:07 | 0:25:11 | |
-No. -We've left them at home. | 0:25:11 | 0:25:12 | |
We thought it would be too much for them and there's not enough room, looking round. | 0:25:12 | 0:25:16 | |
-No offence, they were the stars of the show! -Weren't they? | 0:25:16 | 0:25:20 | |
Is it going to be difficult for both of you to let things go today? | 0:25:20 | 0:25:23 | |
-No. -No, not really. -No? You're ready? -Yes. | 0:25:23 | 0:25:26 | |
-I am. -That is good news, isn't it, Paul? | 0:25:26 | 0:25:28 | |
Fantastic news. You have some unusual items - the sketch of the ballerina. | 0:25:28 | 0:25:32 | |
I know you were very attached to that. | 0:25:32 | 0:25:34 | |
As long as it goes to a good home, I'll be happy. | 0:25:34 | 0:25:37 | |
-And a bottle of wine. You've got something for everybody. -Yes. | 0:25:37 | 0:25:40 | |
-I think so. -And the other thing are the autographs. | 0:25:40 | 0:25:43 | |
We had a real collection there. | 0:25:43 | 0:25:44 | |
-Yes, Bette Davis has finally arrived, I believe. -Yes. | 0:25:44 | 0:25:47 | |
So where was she hiding all this time? | 0:25:47 | 0:25:48 | |
Actually, underneath the stairs in the cupboard. | 0:25:48 | 0:25:51 | |
-There you go. -Hidden away. -So she's now in with Alice Faye and that's all now one lot. -Yep. | 0:25:51 | 0:25:57 | |
-Yes. -Great. -Are you worried about anything? | 0:25:57 | 0:25:59 | |
-You keep your eye on him, because he's got his eye on a few things in here. -Right! | 0:25:59 | 0:26:03 | |
We've got one of those today, Paul, one of those that wants to buy and not sell. | 0:26:03 | 0:26:07 | |
Keep your hands in your pockets. | 0:26:07 | 0:26:09 | |
-I'll try my best. -And let's get in position. Come on. | 0:26:09 | 0:26:12 | |
'Well, we'll do our best to keep Eddie focused on selling rather than buying, but it might not be easy. | 0:26:12 | 0:26:17 | |
'Now, if you're interested in going to an auction, do remember that there will be charges such as tax | 0:26:17 | 0:26:24 | |
'and commission, so always check with the saleroom first. | 0:26:24 | 0:26:28 | |
'As the auction begins, the first items under the hammer | 0:26:28 | 0:26:31 | |
'are a real piece of British railway history.' | 0:26:31 | 0:26:33 | |
I really like these, actually. | 0:26:33 | 0:26:35 | |
Only people who got chance to work on the Pullman coaches | 0:26:35 | 0:26:38 | |
had a chance to buy items like this. | 0:26:38 | 0:26:40 | |
I think there's quite a uniqueness there with them. | 0:26:40 | 0:26:42 | |
I have overheard a conversation, there was a lady looking at them and she seemed quite interested. | 0:26:42 | 0:26:47 | |
So, £40, let's see how they get on. | 0:26:47 | 0:26:49 | |
All right? We're on the right track. | 0:26:49 | 0:26:51 | |
Hopefully! | 0:26:51 | 0:26:53 | |
From the Flying Scotsman train, what's it worth? Start me £20 for the lot? | 0:26:53 | 0:26:57 | |
£20, £10 for the lot. Nobody want it for £10? | 0:26:57 | 0:27:00 | |
10, I'm bid there. 12, 14... | 0:27:00 | 0:27:04 | |
16, 18... 20, 22... | 0:27:04 | 0:27:07 | |
22 here, at £22. Anybody else? | 0:27:07 | 0:27:10 | |
£22, they're not very much money. | 0:27:10 | 0:27:11 | |
For £22. | 0:27:11 | 0:27:13 | |
They're going to go for 22, then. | 0:27:13 | 0:27:15 | |
It was the lady that bought them. | 0:27:15 | 0:27:17 | |
I think she's got a bargain there, £22. | 0:27:17 | 0:27:20 | |
They're not antique items, are they? | 0:27:20 | 0:27:22 | |
There is a bit of a bargain there, I think. | 0:27:22 | 0:27:25 | |
'Well, Eddie and Bob are being philosophical, | 0:27:25 | 0:27:29 | |
'but it seems the right bidder just wasn't in the room. | 0:27:29 | 0:27:31 | |
'However, there are plenty of good items yet to come.' | 0:27:31 | 0:27:35 | |
It's the Chinese porcelain jug now, | 0:27:35 | 0:27:37 | |
-with the crane flying through the flowers. -Yes. | 0:27:37 | 0:27:40 | |
The crane is a symbol of the soul of... | 0:27:40 | 0:27:42 | |
almost of the afterlife, you life forever. | 0:27:42 | 0:27:45 | |
-I didn't know that. -There we go. We're looking for £30 for this one. | 0:27:45 | 0:27:48 | |
We'll see how we go. | 0:27:48 | 0:27:50 | |
£20 for it, surely. £10 for it, for the ewer, anybody want the lot for £10? Nobody want it for £10? | 0:27:50 | 0:27:55 | |
I'll pass the lot for £10. No bids, I'm afraid. | 0:27:55 | 0:27:59 | |
-Oh, well. -I don't mind. | 0:27:59 | 0:28:00 | |
Do you know, he's actually done you a favour there because rather than get £10 for it, he's withdrawn it. | 0:28:00 | 0:28:06 | |
No, I don't mind. It was my nanna's, so I don't mind. | 0:28:06 | 0:28:09 | |
'It's good to see Eddie's feeling positive, | 0:28:09 | 0:28:12 | |
'but this really is a slow start. | 0:28:12 | 0:28:14 | |
'I wonder if this next item, that modern Burberry fashion watch, | 0:28:14 | 0:28:17 | |
'will also wind up going home with the boys!' | 0:28:17 | 0:28:21 | |
It is time for it to go? | 0:28:21 | 0:28:23 | |
-It could be. -What are we expecting, mate? | 0:28:23 | 0:28:25 | |
We're looking for about £50, but this is a fashion watch, | 0:28:25 | 0:28:28 | |
it's not like having a beautiful Swiss watch made in Switzerland, or a Rolex. | 0:28:28 | 0:28:33 | |
£50, we're looking for, and here it goes now. | 0:28:33 | 0:28:36 | |
-OK. -Chris...I do the jokes! | 0:28:36 | 0:28:39 | |
I've got a little bit of interest in this. I'm starting at £40. | 0:28:39 | 0:28:43 | |
With me at 40. 45, 50... 55, 60... | 0:28:43 | 0:28:47 | |
Still with me at £60. | 0:28:47 | 0:28:50 | |
At £60, 65 I'll take from somebody else. At £60, on a left bid at £60. | 0:28:50 | 0:28:55 | |
-At £60, it goes, then. £60... -Wow! | 0:28:55 | 0:28:58 | |
That's great, isn't it? | 0:28:58 | 0:29:01 | |
I don't mind admitting it now, but I didn't think that was going to go at all. | 0:29:01 | 0:29:05 | |
-Neither did I. -That surprised you? -Yes. | 0:29:05 | 0:29:08 | |
'Well, there's no predicting how the bidders will behave on the day, | 0:29:08 | 0:29:12 | |
'but £10 over Paul's estimate is still good news for us. | 0:29:12 | 0:29:16 | |
'I get the impression Paul's rather keen on this next lot.' | 0:29:16 | 0:29:19 | |
They're beautifully presented, | 0:29:19 | 0:29:21 | |
hunting scenes, sporting scenes. They're very nice, actually. | 0:29:21 | 0:29:25 | |
-Let's see how we get on. -OK, fine. | 0:29:25 | 0:29:27 | |
And I've got interest in this lot as well. | 0:29:27 | 0:29:30 | |
I'm bid straight off £40 for these. | 0:29:30 | 0:29:32 | |
-£40, great. -Five, I'll take. | 0:29:32 | 0:29:34 | |
At £40 with me, at £40 anybody else? | 0:29:34 | 0:29:36 | |
£40, 45... | 0:29:36 | 0:29:38 | |
50, 55, 60, 65, 70, | 0:29:38 | 0:29:42 | |
75, 80, 85, 90, | 0:29:42 | 0:29:46 | |
95, 100, 110 in the room against commissions, at £110. | 0:29:46 | 0:29:49 | |
In the room at 110, anybody else? | 0:29:49 | 0:29:52 | |
-110 is the bid. I'm selling them then for 110. -Wow! | 0:29:52 | 0:29:55 | |
-Wow! -You're the man. | 0:29:55 | 0:29:57 | |
-That was a good buy, wasn't it? -It was. | 0:29:58 | 0:30:00 | |
-What did you estimate? -£40, really, so that's tripled the estimate. | 0:30:00 | 0:30:04 | |
-I've got goosebumps, I enjoyed that one. -I'm shocked. | 0:30:04 | 0:30:08 | |
'That's more like it - | 0:30:08 | 0:30:10 | |
'£110 is way over Paul's original estimate, | 0:30:10 | 0:30:13 | |
'and a great amount for the kitty. | 0:30:13 | 0:30:15 | |
'The boys might get their new kitchen yet. | 0:30:15 | 0:30:18 | |
'Up next is one of those contemporary porcelain figurines | 0:30:18 | 0:30:21 | |
'in the shape of a ballet dancer, | 0:30:21 | 0:30:23 | |
'by the Spanish maker Lladro.' | 0:30:23 | 0:30:28 | |
You can enjoy Lladro for a long period of time and then sell it, | 0:30:28 | 0:30:31 | |
and sometimes make a bit of money. | 0:30:31 | 0:30:33 | |
Depends on how rare they are. This is a great subject, a ballet dancer. | 0:30:33 | 0:30:37 | |
-I've put this in at £40 to £60. Sounds great. -Yeah. -All right? | 0:30:37 | 0:30:41 | |
Again, I've got interest in this lot. Straight off, I'm bid £35. | 0:30:41 | 0:30:44 | |
-Yes. -40, 45... | 0:30:44 | 0:30:47 | |
50, 55... | 0:30:47 | 0:30:48 | |
Still with me at £55. | 0:30:48 | 0:30:50 | |
For the Lladro, £55. Anybody else? | 0:30:50 | 0:30:52 | |
£55 then, it's going for 55... | 0:30:52 | 0:30:55 | |
-Excellent. -Well done. -Very good. | 0:30:56 | 0:30:58 | |
You said ballet dancers were popular. | 0:30:58 | 0:31:00 | |
Funnily enough, I didn't think it was going to go... | 0:31:00 | 0:31:03 | |
Did you say you didn't think, or you didn't WANT it to go? | 0:31:03 | 0:31:06 | |
I wanted it to go! | 0:31:06 | 0:31:08 | |
'Well, Bob's got HIS wish. | 0:31:10 | 0:31:12 | |
'That pretty ballet dancer pirouettes her way | 0:31:12 | 0:31:14 | |
'out of the saleroom with a new owner, | 0:31:14 | 0:31:17 | |
'but not before leaving us with a respectable £55. | 0:31:17 | 0:31:20 | |
'We're nearly at the halfway point, but I'm hoping we can | 0:31:20 | 0:31:23 | |
'sprinkle a little bit of stardust on the saleroom now | 0:31:23 | 0:31:27 | |
'with that Alice Faye memorabilia. | 0:31:27 | 0:31:29 | |
'There's also now a piece of sheet music | 0:31:29 | 0:31:32 | |
'signed by another Hollywood legend, Bette Davis.' | 0:31:32 | 0:31:35 | |
-Did you actually meet Bette Davis? -I've met Bette Davis, yes. | 0:31:36 | 0:31:40 | |
-How fantastic is that? -It was fabulous. | 0:31:40 | 0:31:42 | |
A lovely lady. Very small. | 0:31:42 | 0:31:43 | |
-Very charming. -Not many people can say that. | 0:31:43 | 0:31:46 | |
-And did she have those eyes? -Yes, she did. | 0:31:46 | 0:31:49 | |
-Enough of the name-dropping. What do you reckon, Paul? -£50. | 0:31:49 | 0:31:54 | |
What's it worth? Start me £30 for the lot. Surely for 30. | 0:31:54 | 0:31:57 | |
£20, then. | 0:31:57 | 0:31:58 | |
20, I'm bid. 22, 24... | 0:31:58 | 0:32:00 | |
£24 is all I'm bid for this lot. | 0:32:00 | 0:32:03 | |
26, I need. | 0:32:03 | 0:32:05 | |
At £24. Not quite enough. £24 it is, then. 24... | 0:32:05 | 0:32:08 | |
I think because Bette arrived late, it didn't have the coverage that we wanted. | 0:32:10 | 0:32:15 | |
-So he's withdrawn it. -Has he? -I don't mind. -That hasn't gone. | 0:32:15 | 0:32:19 | |
'Mmm... A disappointing result for our movie star memorabilia. | 0:32:19 | 0:32:24 | |
'There are still some good items to come, though. | 0:32:24 | 0:32:26 | |
'I just hope Eddie and Bob aren't feeling too downbeat.' | 0:32:26 | 0:32:30 | |
This has been a topsy-turvy sort of thing, how do you feel? | 0:32:31 | 0:32:36 | |
-All right. -OK. | 0:32:36 | 0:32:37 | |
Yeah? Not too emotional about it all? | 0:32:37 | 0:32:39 | |
Not really. I think some have been a bit of a letdown, | 0:32:39 | 0:32:43 | |
but it's gone pretty well so far. | 0:32:43 | 0:32:45 | |
OK. Well, you want to raise about £400 to £500. | 0:32:45 | 0:32:48 | |
I think we're doing all right, because we've raised £247! | 0:32:48 | 0:32:52 | |
-Wow. -That's all right. | 0:32:52 | 0:32:55 | |
That's better than expected. | 0:32:55 | 0:32:56 | |
-With a couple of disappointments, that's really good. -Yeah. | 0:32:56 | 0:33:00 | |
And we've got some items to come. We've got the wine, which I know you're looking forward to, | 0:33:00 | 0:33:05 | |
and the surprise find of the whole programme, the spoons! | 0:33:05 | 0:33:08 | |
-That's right. -All still to come, so I think we're in pretty good shape. | 0:33:08 | 0:33:13 | |
But this bit, I'm a little bit worried about, because we've got a bit of a break now. No buying... | 0:33:13 | 0:33:18 | |
-I'll try not to. -..until we see you again. | 0:33:18 | 0:33:20 | |
-And Paul's got something interesting. -You would not believe this... | 0:33:20 | 0:33:24 | |
'Well, it's certainly been a varied first half, but I think we've made a respectable amount. | 0:33:27 | 0:33:32 | |
'Let's hope the bidding really hots up later on though. | 0:33:32 | 0:33:35 | |
'So whilst Eddie and Bob take a well-earned break, and try to avoid spending today's proceeds, | 0:33:35 | 0:33:40 | |
'Paul leads me to some more fruity booty.' | 0:33:40 | 0:33:44 | |
Hello, Paul. I wish I'd brought a glass now. | 0:33:44 | 0:33:46 | |
Or several glasses, I think. | 0:33:46 | 0:33:48 | |
-Yeah, exactly. -This could last us a long time. | 0:33:48 | 0:33:50 | |
I brought you up here really to show you... | 0:33:50 | 0:33:53 | |
Bob and Eddie have put that bottle of wine in. | 0:33:53 | 0:33:55 | |
It's a very good vintage, 1981. | 0:33:55 | 0:33:57 | |
You can buy any amount of wine here today, there's a whole collection. | 0:33:57 | 0:34:01 | |
Prices vary from about £50 a bottle up to £300 or £400 a case. | 0:34:01 | 0:34:05 | |
So I think we might struggle here today with our bottle. | 0:34:05 | 0:34:08 | |
But I think a lot of these bottles tend to be kept in cellars - | 0:34:08 | 0:34:13 | |
like an antique collection - and they pass down. | 0:34:13 | 0:34:16 | |
But what a great investment, it can only get better. | 0:34:16 | 0:34:19 | |
It just seems a crime not to drink it. | 0:34:19 | 0:34:21 | |
Yeah, but look at them as antiques and collectibles. | 0:34:21 | 0:34:23 | |
They're not wine, they're ornaments. | 0:34:23 | 0:34:26 | |
That's how our minds are different. I think drink, you think antiques. | 0:34:26 | 0:34:30 | |
-I wonder how Bob and Eddie are going to get on. -Let's find out! | 0:34:30 | 0:34:33 | |
'That case of wine didn't actually sell today. | 0:34:33 | 0:34:36 | |
'Let's hope there's a better outcome for our vintage bottle | 0:34:36 | 0:34:39 | |
'when it goes under the hammer. | 0:34:39 | 0:34:41 | |
'Luckily, Eddie and Bob still have some decent items left, | 0:34:41 | 0:34:45 | |
'and as the second half gets under way, | 0:34:45 | 0:34:48 | |
'we're hoping that white £5 note dated 1951 | 0:34:48 | 0:34:51 | |
'will pay off with the bidders.' | 0:34:51 | 0:34:52 | |
There we go. There's always collectors for these. | 0:34:55 | 0:34:57 | |
Surely for £20? | 0:34:57 | 0:34:59 | |
£20 for the lot, for the framed fiver...? | 0:34:59 | 0:35:02 | |
Surely it's got to be worth £20. | 0:35:02 | 0:35:04 | |
Nobody want it? Can't really sell it for less than 20, I'm afraid. | 0:35:04 | 0:35:07 | |
I'll have to pass it, if nobody wants it. Nobody want it for £20? | 0:35:07 | 0:35:12 | |
We can't even sell money here today, Chris. | 0:35:12 | 0:35:14 | |
-We're in shock over here. -I am. I'm really quite surprised at that. | 0:35:14 | 0:35:18 | |
-I am, too. -I don't mind. It can go back to the coin collection. | 0:35:18 | 0:35:22 | |
'Oh, dear. That white fiver didn't appeal to anyone in the saleroom. | 0:35:23 | 0:35:28 | |
'The way things are going today, every penny will really count. | 0:35:28 | 0:35:32 | |
'But there's still the wine and the silverware, | 0:35:32 | 0:35:35 | |
'so we're keeping our fingers very tightly crossed for those. | 0:35:35 | 0:35:38 | |
'Next up are those miniature character jugs. | 0:35:38 | 0:35:41 | |
'Eddie got rather carried away collecting these back in the 1980s, | 0:35:41 | 0:35:45 | |
'paying around £500 for the lot. | 0:35:45 | 0:35:47 | |
'Paul's valued them at a more modest £40 to £50.' | 0:35:47 | 0:35:51 | |
-What was it about toby jugs that you liked? -I just liked the faces. | 0:35:54 | 0:35:58 | |
I used to collect one each month from Franklin Mint. | 0:35:58 | 0:36:00 | |
They're real characters, and people love that sort of thing. | 0:36:00 | 0:36:04 | |
Whether you like them or not, they're interesting. | 0:36:04 | 0:36:07 | |
I'll put these in at £40. That's just over two quid each. | 0:36:07 | 0:36:10 | |
Let's see how we get on. | 0:36:10 | 0:36:12 | |
Start me £20 for the lot, surely? | 0:36:12 | 0:36:14 | |
£20 for it. £10 for the lot? | 0:36:14 | 0:36:16 | |
Nobody want the lot for £10? | 0:36:16 | 0:36:18 | |
-I can't believe that. -10, I'm bid. 12, there. | 0:36:18 | 0:36:20 | |
14... | 0:36:20 | 0:36:22 | |
No? 14, there. | 0:36:22 | 0:36:24 | |
16. 18. | 0:36:25 | 0:36:27 | |
£18, here. | 0:36:27 | 0:36:29 | |
Not quite enough at £18... | 0:36:29 | 0:36:31 | |
£18, then. Nobody want them? 18. | 0:36:31 | 0:36:34 | |
20, madam. | 0:36:34 | 0:36:36 | |
-He might let them go for 20. -I'm going to sell them for £20, then. | 0:36:36 | 0:36:40 | |
At £20, then. Nobody else? £20... | 0:36:40 | 0:36:43 | |
Some things just go out of fashion, don't they? | 0:36:44 | 0:36:47 | |
-Are you upset about that? -Not really. They were only collecting dust. | 0:36:47 | 0:36:51 | |
-Make way for more clutter. -Yeah! | 0:36:51 | 0:36:54 | |
'Well, it's great to see Eddie being so positive - | 0:36:54 | 0:36:57 | |
'and it's a good job, too, | 0:36:57 | 0:36:58 | |
'because today's bidders aren't playing ball. | 0:36:58 | 0:37:01 | |
'Let's hope they don't lead us a merry dance with this next item.' | 0:37:01 | 0:37:06 | |
I'm holding him back here. There's tears here. | 0:37:06 | 0:37:10 | |
Please give us some good news. What are you expecting? | 0:37:10 | 0:37:12 | |
I think these are actually very nice. | 0:37:12 | 0:37:14 | |
The ballet dancing sketch is very, very good indeed, | 0:37:14 | 0:37:18 | |
and an artist like Diana Thompson, | 0:37:18 | 0:37:20 | |
we're looking £50 to £100 for this pair of sketches. | 0:37:20 | 0:37:23 | |
Let's see how we get on. | 0:37:23 | 0:37:25 | |
I'll hold him up, and see how we get on. | 0:37:25 | 0:37:28 | |
Good subject, there we go. Start me £30 for the lot. | 0:37:28 | 0:37:31 | |
£20 for the lot, surely? For 20. | 0:37:31 | 0:37:33 | |
I need a bit more than this. | 0:37:33 | 0:37:35 | |
At £20, surely? Nobody want it for £20? No bids? £20. | 0:37:35 | 0:37:38 | |
I'm going to have to pass it for 20. | 0:37:38 | 0:37:41 | |
Nobody want it for 20? Sorry. | 0:37:41 | 0:37:43 | |
-Oh, he's happy. -Your prayers have been answered, I think! | 0:37:43 | 0:37:46 | |
It's good news and bad news, isn't it? | 0:37:46 | 0:37:48 | |
The bad news is - no cash. The good news is - the smile's back. | 0:37:48 | 0:37:54 | |
If only we could auction off one of Bob's smiles. | 0:37:54 | 0:37:58 | |
Sadly, it's another no-sale for those elegant sketches. | 0:37:58 | 0:38:01 | |
Will this figurine of the girl do any better? | 0:38:01 | 0:38:04 | |
It's a modern piece made by Nejo, a brand owned by | 0:38:04 | 0:38:07 | |
the Spanish Lladro company. | 0:38:07 | 0:38:09 | |
A Lladro ballet figurine sold earlier for £55, | 0:38:09 | 0:38:13 | |
so will this one appeal to the bidders, too? | 0:38:13 | 0:38:17 | |
What's it worth? Start me £30 for the lot. | 0:38:17 | 0:38:19 | |
£20 for the lot, surely? £20 for this lot. Anybody? | 0:38:19 | 0:38:22 | |
Nobody want it for £20? No? | 0:38:22 | 0:38:24 | |
£20, nobody? | 0:38:24 | 0:38:26 | |
I'm going to have to pass the lot for 20. | 0:38:26 | 0:38:28 | |
No bids, I'm afraid. | 0:38:28 | 0:38:30 | |
Oh, no! Another disappointing result. This run of no sales | 0:38:30 | 0:38:34 | |
isn't helping our chances of reaching that £500 target. | 0:38:34 | 0:38:38 | |
So far, we've made just £267, | 0:38:38 | 0:38:41 | |
so our final two lots need to make £233 between them. | 0:38:41 | 0:38:47 | |
Will that vintage bottle of wine have us toasting the bidders? | 0:38:47 | 0:38:51 | |
The full description, Chateau Villemaurine, | 0:38:51 | 0:38:54 | |
St Emilion Grand Cru Classe, there you go. | 0:38:54 | 0:38:56 | |
Didn't know he could speak French, did you? | 0:38:56 | 0:38:59 | |
After you drank that bottle, you probably couldn't even pronounce that. | 0:38:59 | 0:39:03 | |
But hopefully, we're looking £80 to £120. Let's hope it's a good year. | 0:39:03 | 0:39:07 | |
Keep our fingers crossed. | 0:39:07 | 0:39:10 | |
Start me £50 for the lot. | 0:39:10 | 0:39:12 | |
Not a wine expert. 50, I'm bid. 55. | 0:39:12 | 0:39:15 | |
£55 for the bottle of wine, at £55. | 0:39:15 | 0:39:17 | |
It's a good bottle of wine. | 0:39:17 | 0:39:19 | |
55 not quite enough, there. | 0:39:19 | 0:39:21 | |
£55. £60, I need. | 0:39:21 | 0:39:23 | |
For £55, nobody want it? £55, then. | 0:39:23 | 0:39:26 | |
With me at 55. | 0:39:26 | 0:39:29 | |
No bids, sorry. | 0:39:29 | 0:39:31 | |
I'd hang on to that for a bit longer. | 0:39:31 | 0:39:33 | |
The longer you hang on to it, the better it's going to get. | 0:39:33 | 0:39:36 | |
And then you can use it for another auction at some other point. I'd agree. | 0:39:36 | 0:39:41 | |
It's a strange thing, auctions. | 0:39:41 | 0:39:44 | |
Well worth double that, wasn't it? Oh, dear. | 0:39:44 | 0:39:47 | |
Well, it might not have sold today, | 0:39:47 | 0:39:49 | |
but I think Paul is right about hanging on to that vintage wine. | 0:39:49 | 0:39:52 | |
And we're not going to bottle it yet either, | 0:39:52 | 0:39:55 | |
because I have high hopes for our final lot. | 0:39:55 | 0:39:58 | |
Up next, we've got the tankard | 0:39:58 | 0:40:00 | |
and something I think the programme is all about. | 0:40:00 | 0:40:03 | |
Something that you were going to throw away. | 0:40:03 | 0:40:06 | |
And something that is worth value. | 0:40:06 | 0:40:07 | |
The spoons. If they could tell a story... | 0:40:07 | 0:40:10 | |
Who's had them all this time? It's wonderful, isn't it? | 0:40:10 | 0:40:13 | |
I'm glad you didn't throw them away. You could have polished them! | 0:40:13 | 0:40:16 | |
What's the lot worth? Start me. £60, surely? 50, then, to go. | 0:40:16 | 0:40:20 | |
50, I'm bid, thank you. 55. 60. 5. | 0:40:20 | 0:40:24 | |
70. 5. | 0:40:24 | 0:40:26 | |
70. Not quite enough, then, at 70. Need one more. £70. At £70. | 0:40:26 | 0:40:31 | |
Anybody else? £70, I'm bid, then. | 0:40:31 | 0:40:34 | |
-No, not quite, I'm afraid. -I'm a bit confused, there. | 0:40:34 | 0:40:38 | |
£70. Did we sell them or not? | 0:40:38 | 0:40:39 | |
No, what's happened there, he's used his discretion. | 0:40:39 | 0:40:42 | |
Because we had 100 to 120, it didn't quite reach... | 0:40:42 | 0:40:44 | |
What the auctioneer has done is withdrawn them, but on this occasion, would you be happy with the 70 quid? | 0:40:44 | 0:40:49 | |
-Of course. -Yes. -I was going to bin them anyway. | 0:40:49 | 0:40:52 | |
Right, what the auctioneer will do, they'll make a note of who bid that and we'll agree it afterwards. | 0:40:52 | 0:40:57 | |
-You're going to pass on the information? -Yes, I think that's fair enough. | 0:40:57 | 0:41:01 | |
-If you'd polished them, we'd have been all right! -Probably would have gone for 120. | 0:41:01 | 0:41:05 | |
Well, thankfully, we were able to agree that sale, | 0:41:05 | 0:41:09 | |
so we can include £70 for the silver tankard and spoons | 0:41:09 | 0:41:13 | |
in our final total. | 0:41:13 | 0:41:14 | |
And at least we can end the auction on a positive note. | 0:41:14 | 0:41:18 | |
-How do you feel? -It's all right. I enjoyed it. | 0:41:18 | 0:41:21 | |
It was good. An experience. | 0:41:21 | 0:41:24 | |
I couldn't go through this every day of the week! | 0:41:24 | 0:41:27 | |
-No. -We were doing all right at the halfway stage, | 0:41:27 | 0:41:30 | |
because you wanted to raise around £400. I think we were 247. | 0:41:30 | 0:41:34 | |
The grand total is £337. | 0:41:34 | 0:41:38 | |
-Just under. -Not bad. | 0:41:38 | 0:41:41 | |
Nearly made 400, so it's not bad. | 0:41:41 | 0:41:42 | |
Your face sums it up. | 0:41:42 | 0:41:45 | |
Well, we've had a great time. | 0:41:45 | 0:41:46 | |
I've had a wonderful time. You two are a couple of characters. | 0:41:46 | 0:41:49 | |
And send our love to your little dogs. | 0:41:49 | 0:41:51 | |
-We will, indeed. -Give them a little pat on the head. | 0:41:51 | 0:41:54 | |
Well, a few weeks after that rather tricky auction, | 0:41:58 | 0:42:01 | |
work began on the kitchen. | 0:42:01 | 0:42:03 | |
Eddie headed down to his local showroom | 0:42:03 | 0:42:06 | |
to pick out some shiny new appliances. | 0:42:06 | 0:42:08 | |
The sort of thing I'm looking for is an extractor hood for the cooker. | 0:42:10 | 0:42:14 | |
It's got to be something special, something quite modern to go with the cooker and | 0:42:14 | 0:42:19 | |
I've just seen one now and it's the one I'm going to go for. | 0:42:19 | 0:42:24 | |
And go for it, he did. Just look at it now. | 0:42:24 | 0:42:26 | |
Transformation complete, the boys can finally get down to some serious cooking in style. | 0:42:26 | 0:42:32 | |
Good luck and I'll see you next time on Cash In The Attic. | 0:42:50 | 0:42:52 | |
Subtitles by Red Bee Media Ltd | 0:42:59 | 0:43:02 |