Browse content similar to Clements. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to Cash In The Attic. We're on the trail of treasures in your home that you can sell at auction. | 0:00:02 | 0:00:08 | |
You know how they say that the world is getting smaller and smaller? | 0:00:08 | 0:00:12 | |
I think I've just discovered that it's true. | 0:00:12 | 0:00:15 | |
This is Bekonscot Village in Buckinghamshire, | 0:00:15 | 0:00:18 | |
a miniature kingdom that takes you right back to the 1930s. | 0:00:18 | 0:00:22 | |
It was established by a London accountant, Roland Callingham, 80 years ago. | 0:00:22 | 0:00:27 | |
And every year, thousands of visitors still come here to enjoy its charms. | 0:00:27 | 0:00:32 | |
Mr Callingham and his team of model builders turned their hands to making a replica of Bekonscot town. | 0:00:32 | 0:00:39 | |
It was a popular hobby in the 1920s and '30s before the age of TV | 0:00:39 | 0:00:43 | |
and many local children got involved in the project. | 0:00:43 | 0:00:46 | |
Today, the model town stands as a reminder of how we used to live. | 0:00:46 | 0:00:51 | |
We may not be lucky enough to find anything quite as cute as this, | 0:00:54 | 0:00:58 | |
but it's high time we set off in search of antiques and collectables that we can take to that auction. | 0:00:58 | 0:01:04 | |
'Coming up on Cash In The Attic, it's hard to say goodbye to old friends.' | 0:01:25 | 0:01:30 | |
-So all of this has got to go? -Yes. -There was a hesitancy there. -I know, but yes. | 0:01:30 | 0:01:35 | |
'There are some differing opinions over the antiques.' | 0:01:35 | 0:01:39 | |
-It's the sort of thing I'd put on the tip. -Stop it! | 0:01:39 | 0:01:42 | |
-'But someone soon learns the true value of our items.' -He can't believe it! | 0:01:42 | 0:01:47 | |
Everything is suddenly full-size | 0:01:47 | 0:01:50 | |
cos I've come a few miles down the road to Amersham | 0:01:50 | 0:01:53 | |
and I'm going to meet a couple who have called us in | 0:01:53 | 0:01:57 | |
to help them raise money for a rather special house-warming. | 0:01:57 | 0:02:01 | |
'This five-bedroom bungalow has been home to Viv Clements for 24 years. | 0:02:02 | 0:02:07 | |
'She lived here with her late husband Steve who died 11 years ago | 0:02:07 | 0:02:11 | |
'and her son Chris, now 21 and studying in Bristol. | 0:02:11 | 0:02:15 | |
'Just a few years ago, Viv met Ken and love blossomed the second time around for them. | 0:02:15 | 0:02:21 | |
'Now they're making plans and that's where Cash In The Attic comes in.' | 0:02:21 | 0:02:26 | |
-Good morning. -There you are! -You look gorgeous. -Thank you. So do you. | 0:02:26 | 0:02:31 | |
I've just been to a model village. It was lovely, set in the 1930s. | 0:02:31 | 0:02:36 | |
-Everything was tiny, but everything looks small to you. -Were the antiques tiny too? | 0:02:36 | 0:02:41 | |
I would have needed you there to tell me things like that. | 0:02:41 | 0:02:45 | |
-Who are we meeting today? -A very nice couple. It's rather a nice story. | 0:02:45 | 0:02:50 | |
They met three years ago, I think, and it's going extremely well. | 0:02:50 | 0:02:54 | |
-And antiques, collectables for sale? -I hope so. | 0:02:54 | 0:02:58 | |
-Why don't you get started and look around? -I shall do that. -I'll go and meet the happy couple. | 0:02:58 | 0:03:04 | |
-Well, good morning. -Good morning. -Viv, Ken! -Good morning. | 0:03:06 | 0:03:10 | |
I've been looking forward to meeting you. I've heard all about you. | 0:03:10 | 0:03:14 | |
You look like a happy couple. You really do. | 0:03:14 | 0:03:18 | |
So why did you call us in? | 0:03:18 | 0:03:20 | |
Well, I'm going to be moving in with Ken in September. | 0:03:20 | 0:03:24 | |
-That's a result! -I'm going to be renting my house out for a couple of years. | 0:03:24 | 0:03:29 | |
I thought, "What can I do with some of this stuff?" I want it to go to good homes. | 0:03:29 | 0:03:35 | |
There's no room for it at Ken's, so, um...there you are. | 0:03:35 | 0:03:39 | |
Well, I'm very glad to be here. | 0:03:39 | 0:03:41 | |
-Are you a lover of antiques and collectables? -Absolutely not. I hate antiques. | 0:03:41 | 0:03:47 | |
It's going to be a good day(!) So why have you called us in? | 0:03:47 | 0:03:52 | |
Well, earlier on this year, in April, Ken and I bought a flat together in Devon. | 0:03:52 | 0:03:57 | |
-Really? -Although he's the major shareholder. I think my share is the taps, actually. | 0:03:57 | 0:04:03 | |
-The taps and the loo. -Very important parts of the house, I have to say! | 0:04:03 | 0:04:07 | |
It's like a new build because it's a converted hotel, so we've got blank walls. | 0:04:07 | 0:04:13 | |
I'd like to buy a couple of prints or paintings - Devon seascape, ideally. | 0:04:13 | 0:04:17 | |
What a lovely idea! Excellent. So how much money do you think we need? | 0:04:17 | 0:04:21 | |
-We thought about 300. -350. -She's going to go for 350. | 0:04:21 | 0:04:25 | |
We'll take the higher target. £350 for a couple of beautiful seascape prints. | 0:04:25 | 0:04:31 | |
-All right, let's rummage. This way? -Great. | 0:04:31 | 0:04:34 | |
'Because Viv isn't selling the bungalow, she doesn't feel too sad about leaving her family home. | 0:04:35 | 0:04:42 | |
'I'm sure we'll find plenty of collectables here today to raise that £350, | 0:04:42 | 0:04:47 | |
'so she can buy a special piece of artwork for the holiday home. | 0:04:47 | 0:04:51 | |
'Jonty is the man for the job. | 0:04:51 | 0:04:53 | |
'With 20 years of experience in the antiques business, we can count on him to find the hidden treasures | 0:04:53 | 0:04:59 | |
'that will lure in the bidders.' | 0:04:59 | 0:05:02 | |
-He's already at work. Jonty, here's Viv. -Hi. -Hi, Viv. | 0:05:02 | 0:05:05 | |
You're in her son's bedroom and what have you found? | 0:05:05 | 0:05:09 | |
I've got a pair of prints. | 0:05:09 | 0:05:11 | |
These are not the original Winnie the Pooh drawings by EH Shepard. | 0:05:11 | 0:05:16 | |
-But they're certainly worth putting into the auction sale. -Oh, good. | 0:05:16 | 0:05:20 | |
-Are you a bit of a fan? -Well, I was. | 0:05:20 | 0:05:22 | |
When I was first married and just before, | 0:05:22 | 0:05:25 | |
my husband and I just got into reading Winnie the Pooh poems and books, cos they're quite adult. | 0:05:25 | 0:05:31 | |
They're not really children's books. | 0:05:31 | 0:05:34 | |
-We just kind of got into it and started buying each other Winnie the Poohs. -Oh, my goodness me! | 0:05:34 | 0:05:40 | |
And Snoopies. I don't know if you think they would be collectable? | 0:05:40 | 0:05:44 | |
They're definitely worth putting into the auction sale, but why would you want to get rid of them? | 0:05:44 | 0:05:50 | |
It's so difficult, isn't it? | 0:05:50 | 0:05:52 | |
There's nowhere to put them at Ken's when I move in with Ken. | 0:05:52 | 0:05:57 | |
I think it's a case now of a new life and moving on. | 0:05:57 | 0:06:01 | |
I can't even take them to a charity shop because they're not safety-tested. | 0:06:01 | 0:06:06 | |
-I just couldn't take them to the tip. -No, absolutely not. They're gorgeous. | 0:06:06 | 0:06:11 | |
-They are lovely. -Is this Eeyore? -It's Eeyore. -He was my favourite! | 0:06:11 | 0:06:17 | |
-Complete with his detachable... -I love that. -Which one was your first? -Oh, let me think. | 0:06:17 | 0:06:22 | |
This little fellow, much loved, would have been the first. | 0:06:22 | 0:06:26 | |
I like him probably the best of all because he is more the AA Milne teddy bear, rather than the Disney one. | 0:06:26 | 0:06:33 | |
-There's quite a difference, isn't there? -All of this has got to go? | 0:06:33 | 0:06:38 | |
-Yes. -There was a hesitancy there. -I know, but yes. | 0:06:38 | 0:06:41 | |
OK, well, how much do you think we might be able to realise? | 0:06:41 | 0:06:45 | |
I'm just totting it all up now here, really. We're not going to get a vast fortune | 0:06:45 | 0:06:50 | |
simply because some of the teddies have been what I would call technically "over-loved". | 0:06:50 | 0:06:56 | |
There's no such thing. | 0:06:56 | 0:06:58 | |
-But they're definitely worth putting into the auction sale. We're looking at about £20 to £40. -Yeah. | 0:06:58 | 0:07:04 | |
-It's more important they go to a good home. -Put those back on the bed. -Bye, Eeyore. | 0:07:04 | 0:07:10 | |
-We'll go and find more goodies. -Yes, absolutely. | 0:07:10 | 0:07:13 | |
'So, £20 to £40 for the ever-so-loved bears and prints. | 0:07:13 | 0:07:16 | |
'It's a modest beginning to our quest for cash, but we've got the whole house to search. | 0:07:16 | 0:07:22 | |
'There's another soft toy, but it's the less cuddly pine chest I spot | 0:07:22 | 0:07:27 | |
'as a possible contender for the auction. | 0:07:27 | 0:07:30 | |
'Jonty gives it a value of £10 to £20. | 0:07:30 | 0:07:33 | |
'There are lots of bits and bobs scattered around and Jonty is in his element, | 0:07:33 | 0:07:38 | |
'casting his expert eye over everything. | 0:07:38 | 0:07:41 | |
'And Ken has made his first find.' | 0:07:41 | 0:07:44 | |
Jonty, take a look at this. What is it? | 0:07:44 | 0:07:47 | |
Ah! This is a proper offensive weapon. | 0:07:47 | 0:07:51 | |
This is a Maori wahaika. Does that make sense? | 0:07:52 | 0:07:56 | |
Yes, Viv and her late husband went to New Zealand and they brought it back as a souvenir, I guess. | 0:07:56 | 0:08:04 | |
The wahaika, as it kind of like looks, is a hand-held club. | 0:08:04 | 0:08:09 | |
An object like this will have been carved out of one piece of wood. | 0:08:09 | 0:08:13 | |
So if you can sort of sense the size and shape of the wood | 0:08:13 | 0:08:17 | |
and by definition this will have to be a relatively hard timber. | 0:08:17 | 0:08:21 | |
I can't tell you exactly what timber this is made of because there's lots of indigenous timbers | 0:08:21 | 0:08:27 | |
that do come from New Zealand, | 0:08:27 | 0:08:29 | |
but I can tell you that these stylised eyes are mother-of-pearl. | 0:08:29 | 0:08:34 | |
And it's really been very cleverly done. | 0:08:34 | 0:08:38 | |
-So this will still have been hand-carved. -Right. -You can't machine something like this. | 0:08:38 | 0:08:44 | |
I'm assuming because it's tucked into a cupboard here | 0:08:44 | 0:08:47 | |
and we're not going to get any marauding Maori tribes coming to attack us any minute soon... | 0:08:47 | 0:08:53 | |
Is this an object that you might want to take to the auction sale? | 0:08:53 | 0:08:57 | |
-I think so, yes. -You won't want this hanging on your wall at home? -Definitely not. -OK. | 0:08:57 | 0:09:03 | |
-At auction, we're looking at £20 to £30. -Great. I think that's fine. | 0:09:03 | 0:09:08 | |
-Is it time to hunt some more items out? -Follow me. | 0:09:08 | 0:09:11 | |
'He seems only too pleased to see the back of that Maori club. | 0:09:11 | 0:09:15 | |
'I hope Viv's feeling the same. She's busy looking over this alabaster chess set. | 0:09:15 | 0:09:21 | |
'Its pieces are an Aztec design | 0:09:21 | 0:09:24 | |
'and she's happy to see it go to auction for £10 to £20. | 0:09:24 | 0:09:28 | |
'What's in here? If I throw this hard enough, will it come back? | 0:09:28 | 0:09:33 | |
'Hmm, thought not! | 0:09:34 | 0:09:36 | |
'Viv's headed to the garage to see if there's anything else she might be willing to send to the saleroom. | 0:09:36 | 0:09:42 | |
'It doesn't take her long to find something.' | 0:09:42 | 0:09:45 | |
Jonty! I think I've got something here. | 0:09:45 | 0:09:48 | |
-Oh, you're in here? -I'm in here, yeah. | 0:09:48 | 0:09:51 | |
-Have a look at these. -Oh, can I have a look? -Yes, sure. | 0:09:51 | 0:09:55 | |
So we've got... Let's have a look at this. | 0:09:55 | 0:09:58 | |
This is signed, so this is a limited edition. | 0:09:58 | 0:10:01 | |
-"Somerset Hill." -And this is by Alan Jessett. -Yeah. | 0:10:01 | 0:10:06 | |
-He's an artist from Lyme Regis, correct? -He is. | 0:10:06 | 0:10:09 | |
He mainly did book illustrations, but he did do some paintings as well | 0:10:09 | 0:10:14 | |
-and he was my late husband Steve's uncle. -Oh, really? | 0:10:14 | 0:10:18 | |
-And I think fairly well-known in the Lyme Regis area. -Yes, he is very well-known in the local area. | 0:10:18 | 0:10:24 | |
-What else have we got? -We've got the bird of prey. -And a watercolour of a church? | 0:10:24 | 0:10:30 | |
-Yeah. In fact, I didn't even know he did watercolours. -Let's pop that back there. -It's quite nice colours. | 0:10:30 | 0:10:36 | |
-And there's another... -We've got a fantastic mountain here as well. | 0:10:36 | 0:10:40 | |
-"The Welsh mountains." -Yeah. -Look at that! | 0:10:40 | 0:10:43 | |
-I particularly like... My favourites are these two. -Yeah. -The contrast between the two is very nice. | 0:10:43 | 0:10:50 | |
Now, Ken's nowhere to be seen. | 0:10:50 | 0:10:52 | |
-Are these pictures that you can hang up in the house? -I... | 0:10:52 | 0:10:58 | |
Yes, these two he quite likes, but they wouldn't go in the flat | 0:10:58 | 0:11:03 | |
-and there isn't any room in the house. -Right. | 0:11:03 | 0:11:06 | |
-So I think they probably could go. -You're happy to let the whole collection go? -Yeah. | 0:11:06 | 0:11:12 | |
Because they're by the same artist, that's good news. We've got three prints and the original watercolour. | 0:11:12 | 0:11:18 | |
-We're looking at £40 to £60. -That's fine. -Are you happy about that? -Yes. | 0:11:18 | 0:11:22 | |
-What will I do with them otherwise? -We want to raise some money for some art that you do want. | 0:11:22 | 0:11:28 | |
-Yes. -Back to the house? -OK. | 0:11:28 | 0:11:30 | |
'With so many memories of her late husband, it must be tough for Viv to part with some of these items. | 0:11:30 | 0:11:37 | |
'Ken is still working hard and Jonty turns up a rather cute find. | 0:11:37 | 0:11:42 | |
'It's a little bear that's not only rather sweet, it's also a money box. | 0:11:42 | 0:11:47 | |
'He seems happy enough, so we leave him to it | 0:11:50 | 0:11:53 | |
'while I hear about Ken and Viv's unusual meeting.' | 0:11:53 | 0:11:56 | |
-It's nice to sit down for a minute, isn't it? -Yes. | 0:11:56 | 0:12:00 | |
But I am glad for this opportunity because I wanted to ask you more about how you met. | 0:12:00 | 0:12:05 | |
-Well... -I've been told it's quite a story. | 0:12:05 | 0:12:08 | |
About three years ago, I got a phone call at work one afternoon | 0:12:08 | 0:12:13 | |
from an old friend that I hadn't seen for ages | 0:12:13 | 0:12:16 | |
and the first thing she said was, "Are you seeing anyone?" | 0:12:16 | 0:12:20 | |
I said, "No, when would I have time to meet anyone?" | 0:12:20 | 0:12:24 | |
But she said that she and her husband had a very old friend who had been widowed a couple of years before, | 0:12:24 | 0:12:31 | |
had booked to go on holiday to Bermuda with a friend and the friend couldn't go. | 0:12:31 | 0:12:36 | |
And he was saying that he didn't want to go on his own. | 0:12:36 | 0:12:40 | |
He was round there for dinner and they said, "I wonder if Viv is seeing anyone?" | 0:12:40 | 0:12:46 | |
So I said, "Hang on a minute. | 0:12:46 | 0:12:48 | |
"You're saying to me, do I want to go to Bermuda with a man I've never met in less than four weeks' time? | 0:12:48 | 0:12:56 | |
"Don't be ridiculous. You're off your rocks!" | 0:12:56 | 0:12:59 | |
But she persuaded me that it might be worth meeting him | 0:12:59 | 0:13:03 | |
because she was convinced that we would get on. | 0:13:03 | 0:13:06 | |
So it was kind of like a blind date, really? | 0:13:06 | 0:13:09 | |
Well, I said, "All right, I'll meet him then." | 0:13:09 | 0:13:12 | |
So I invited them and him round for lunch. | 0:13:12 | 0:13:15 | |
We got on really well. | 0:13:15 | 0:13:17 | |
I decided, "Oh, what the hell? I'll go to Bermuda with him. | 0:13:17 | 0:13:22 | |
"If it works out, fine. If not, nobody's lost anything, have they?" | 0:13:22 | 0:13:27 | |
Ken, what did you think when you walked into this lady's house? | 0:13:27 | 0:13:32 | |
Well, two seconds in the door and she said, "Do you like football?" | 0:13:32 | 0:13:36 | |
To which I said, "Well, um, it's all right." | 0:13:36 | 0:13:41 | |
And she said, "You've got to be a Tottenham Hotspur fan round here, if you want to be here." | 0:13:41 | 0:13:47 | |
And so after I told her I liked Arsenal, | 0:13:47 | 0:13:51 | |
we moved on from there and it went very well. | 0:13:51 | 0:13:55 | |
-It was quite an easy-going thing. -Yeah, it was. | 0:13:55 | 0:13:58 | |
-So off you went to Bermuda, hardly knowing one another? -We did. | 0:13:58 | 0:14:02 | |
And, you know, nearly three years down the line, I'm moving in with him. | 0:14:02 | 0:14:07 | |
That's amazing. So were you looking for "lurve"? | 0:14:07 | 0:14:11 | |
-No. -Not really, no. -No, not at all. | 0:14:11 | 0:14:15 | |
I think that's the best. When you're not looking, you find things. | 0:14:15 | 0:14:19 | |
OK, you're both retired, so now you've got lots of time to enjoy your holiday home and to call us in. | 0:14:19 | 0:14:25 | |
-You wouldn't have been able to do that before. -No way. -Don't sit there too long. | 0:14:25 | 0:14:31 | |
We've got a lot more to do. Come on. | 0:14:31 | 0:14:33 | |
'With a brand-new holiday home by the sea, it would be great to raise that £350, | 0:14:33 | 0:14:39 | |
'so Viv can buy a wonderful print of her choice. | 0:14:39 | 0:14:42 | |
'Jonty has been busy and spots this Beswick horse and pretty porcelain Royal Worcester egg coddlers. | 0:14:42 | 0:14:48 | |
'Did you know that coddled eggs are posh poached eggs? | 0:14:48 | 0:14:52 | |
'Once the eggs are cooked, the lid is removed and, voila, breakfast is served. | 0:14:52 | 0:14:58 | |
'There is still a market for coddlers and Jonty reckons that, along with the horse, | 0:14:58 | 0:15:03 | |
'they'll fetch £20 to £30 as a job lot. | 0:15:03 | 0:15:06 | |
'There are plenty more interesting items around the bungalow. | 0:15:06 | 0:15:10 | |
'How about these carved elephants and face masks? They were bought by Viv in Kenya and Bali. | 0:15:10 | 0:15:16 | |
'Jonty suggests they're put into the auction as a single lot with a value of £15 to £20.' | 0:15:16 | 0:15:23 | |
Jennie, Ken, come and have a look at this. Do you think this is worth anything? | 0:15:23 | 0:15:28 | |
-You've found a naked man? -He's got a fig leaf. He has got a fig leaf. | 0:15:28 | 0:15:32 | |
-Shall we check with Jonty? -Good idea. Jonty! -Jonty, come and have a look at this. It's very heavy. | 0:15:32 | 0:15:38 | |
-She's found a naked man. -It's Mercury, isn't it? -It certainly is. | 0:15:38 | 0:15:42 | |
-You can tell it's Mercury with these little winged ankles. -He's rather splendid. | 0:15:42 | 0:15:47 | |
-He's quite nice. -I wouldn't mind his body! | 0:15:47 | 0:15:50 | |
You already have it. Well, there or thereabouts. | 0:15:50 | 0:15:54 | |
-It's interesting you say that as the body was based after mine(!) -OK. | 0:15:54 | 0:15:58 | |
What's it worth? What's it worth? | 0:15:58 | 0:16:01 | |
If we put it into the auction sale, I think we could get around the £100 mark for it. | 0:16:01 | 0:16:07 | |
So, at auction, we're looking at £80 to £120, that sort of figure. | 0:16:07 | 0:16:11 | |
-What do you think of that, Ken? -I think that's excellent. I'm amazed. -Are you? | 0:16:11 | 0:16:16 | |
-It's the sort of thing I'd put on the tip. -Oh, stop it! -You wouldn't! -He's horrible! | 0:16:16 | 0:16:21 | |
-You seriously wouldn't? -No, but it's not the sort of thing I would show much interest in. | 0:16:21 | 0:16:26 | |
-But now I know how much it's worth, I am very interested. -You like it even more now. | 0:16:26 | 0:16:32 | |
-So he's off to the auction? -Yes. -And you'll be a happy man. -Yeah. | 0:16:32 | 0:16:36 | |
You'd better sit down somewhere and we'll go and look somewhere else. | 0:16:36 | 0:16:41 | |
'So, £80 to £120 for the bronze statue. | 0:16:41 | 0:16:44 | |
'Ken may be new to the antiques game, but he's learning fast. | 0:16:44 | 0:16:49 | |
'He's found this quality Balinese painting. Viv is happy for it to go. | 0:16:49 | 0:16:53 | |
'Viv really has proved herself quite a collector during her travels over the past 30 years, | 0:16:56 | 0:17:02 | |
'but now it's time to make a new start.' | 0:17:02 | 0:17:06 | |
So, Viv, this must be a dream come true for you - a second chance of happiness. | 0:17:06 | 0:17:12 | |
Yes, very much so, and I certainly wasn't looking for anyone else. | 0:17:12 | 0:17:16 | |
My priority when Steve died was Chris. | 0:17:16 | 0:17:20 | |
I carried on working full-time as well, so that wasn't easy. | 0:17:20 | 0:17:24 | |
But it's a chance for both of us, isn't it? | 0:17:24 | 0:17:28 | |
He was very young, Chris, when your husband died. | 0:17:28 | 0:17:31 | |
That must have been so tough bringing him up. | 0:17:31 | 0:17:35 | |
It was difficult. I had to find childcare for him. | 0:17:35 | 0:17:38 | |
At that age, it's quite difficult, and also somebody that could take him to swimming. | 0:17:38 | 0:17:44 | |
He was a competitive swimmer from about the age of 10 and a half! | 0:17:44 | 0:17:48 | |
I had to have somebody pick him up from school, take him to swimming training. Then I picked him up. | 0:17:48 | 0:17:54 | |
He's achieved really well. | 0:17:54 | 0:17:56 | |
Yes, he reached national standard which was brilliant. | 0:17:56 | 0:18:00 | |
That was his goal. He did that as a 16-year-old. | 0:18:00 | 0:18:03 | |
He won quite a lot of medals. You've seen them in the house, haven't you? | 0:18:03 | 0:18:07 | |
I have noticed that the house is festooned with medals that Chris won over the years. | 0:18:07 | 0:18:13 | |
The other thing I've noticed is that in your bedroom you've got a picture that many women wouldn't have. | 0:18:13 | 0:18:19 | |
It's White Hart Lane, Spurs' ground, there on the wall, pride of place. | 0:18:19 | 0:18:23 | |
-I'm quite a fanatical Spurs fan. -You're a season ticket holder? -Yes. Yes. | 0:18:23 | 0:18:28 | |
I'm surprised you're looking for seascapes for your place in Devon. | 0:18:28 | 0:18:32 | |
I thought you might be taking all the Spurs stuff. | 0:18:32 | 0:18:35 | |
One, I'm not sure Ken would be over-keen. He's not quite as keen on football as me. | 0:18:35 | 0:18:41 | |
But the place lends itself to have a sort of seascape print | 0:18:41 | 0:18:46 | |
because it's an open-plan living-kitchen-dining area | 0:18:46 | 0:18:50 | |
with a balcony and we can see the sea, which is rather lovely. | 0:18:50 | 0:18:55 | |
It would set the room off nicely. | 0:18:55 | 0:18:57 | |
So, if we're going to get these prints, back to work. | 0:18:57 | 0:19:01 | |
Come on. They're probably wondering where we are. | 0:19:01 | 0:19:05 | |
'Viv's a real trouper. She's done a great job bringing up her son alone, | 0:19:05 | 0:19:09 | |
'as well as holding down a job as a training and development manager. | 0:19:09 | 0:19:14 | |
'We're not too far off raising the funds for the print | 0:19:14 | 0:19:17 | |
'as we've already totted up £265-worth of items to take to auction. | 0:19:17 | 0:19:23 | |
'And Jonty's found something that he's rather excited about.' | 0:19:23 | 0:19:27 | |
-Viv, come and have a look at this. -Yeah. | 0:19:27 | 0:19:30 | |
Look at this. This is a Nolan print. | 0:19:30 | 0:19:33 | |
It is, it is. It's called "Kelly". | 0:19:33 | 0:19:36 | |
-Ned Kelly? -It's Ned Kelly, but not his original Ned Kelly of the '40s with the metal mask. | 0:19:36 | 0:19:43 | |
That's one that he did... '65, he painted the original. I know that. | 0:19:43 | 0:19:48 | |
Wow! So where did you acquire it? | 0:19:48 | 0:19:50 | |
It was given to Steve's mother | 0:19:50 | 0:19:54 | |
by a dear friend as a present when they came out as prints. | 0:19:54 | 0:19:58 | |
It's a limited edition print of 65 that they did, so she told us it was worth something actually. | 0:19:58 | 0:20:04 | |
Here we've got the limited edition down at the bottom and this is his signature here. | 0:20:04 | 0:20:10 | |
It's incredible because he's best known for this art, for the art of Ned Kelly, | 0:20:10 | 0:20:15 | |
and he was part of the avant-garde group of artists known as the... Wait for this - the Angry Penguins. | 0:20:15 | 0:20:22 | |
-Isn't that a fabulous name? -Yes. | 0:20:22 | 0:20:24 | |
I think this is going to make all the difference if we were to sell this at auction. Might you sell it? | 0:20:24 | 0:20:31 | |
I think I would, depending on how much you think I could get for him. | 0:20:31 | 0:20:35 | |
At auction, we're looking at £200 to £300. | 0:20:35 | 0:20:38 | |
-I'd like to protect it, I think, with a reserve. -Not a problem. | 0:20:38 | 0:20:42 | |
-I don't think it's worth selling it for less than 200. -That's what reserves are for. | 0:20:42 | 0:20:48 | |
And auctioneers give their guide, so we'll need to have a chat with the auctioneer. I can do that. | 0:20:48 | 0:20:54 | |
-If we can sell that, you'll have fine art on your wall. -Wonderful. | 0:20:54 | 0:20:58 | |
-I'm going to leave that there and we'll carry on. -OK. | 0:20:58 | 0:21:02 | |
'Wow, Viv really knows her stuff! | 0:21:02 | 0:21:05 | |
'If she carries on like this, we can send Jonty home. | 0:21:05 | 0:21:08 | |
'She's sensible to put a reserve on something she's so fond of. | 0:21:08 | 0:21:13 | |
'The day's coming to a close and we've turned up some fantastic finds to take to the saleroom. | 0:21:13 | 0:21:19 | |
'Has Jonty come up trumps again?' | 0:21:19 | 0:21:22 | |
Guys, can you have a look at this coffee table with me? | 0:21:22 | 0:21:25 | |
-The coffee table? Right. -Is this a piece of furniture you might consider selling? | 0:21:28 | 0:21:33 | |
What do you think? | 0:21:33 | 0:21:36 | |
We were talking about this a few days ago. We both love the table, but haven't got anywhere to put it. | 0:21:36 | 0:21:44 | |
-So, yeah, I would consider that going. -OK. | 0:21:44 | 0:21:48 | |
Now, from its design, the shape, the simplicity, | 0:21:48 | 0:21:52 | |
the tropical hardwood that they've used round the outside, the colour, | 0:21:52 | 0:21:57 | |
this table is a Scandinavian, early 1970s piece of furniture. | 0:21:57 | 0:22:03 | |
If you have a look at these tiles, | 0:22:03 | 0:22:06 | |
-I've had a closer look at them and all of the design work is hand done. -Is it? | 0:22:06 | 0:22:12 | |
And the colour, this orange, tangerine colour, again very, very popular | 0:22:12 | 0:22:18 | |
in the late 1960s, through to the early '70s. Remember that? | 0:22:18 | 0:22:22 | |
We even had an Axminster carpet in this colour, | 0:22:22 | 0:22:27 | |
-combined with some blue dralon-covered furniture. -You must have been so cool, Ken! | 0:22:27 | 0:22:34 | |
How times have changed. | 0:22:34 | 0:22:36 | |
-Well, what comes around goes around. Not long ago, pieces like this would have been skipped. -Yes. | 0:22:36 | 0:22:42 | |
But not any more. Certain people will want to buy this and there are dealers who want to trade in it. | 0:22:42 | 0:22:49 | |
Not everyone. This is still a niche market, so we can't put a lot on this at an auction sale. | 0:22:49 | 0:22:55 | |
As a consequence, we're not talking large sums of money. | 0:22:55 | 0:22:59 | |
We're looking at £20-£40. That sort of region. | 0:22:59 | 0:23:03 | |
-Hopefully, lots of people will really want to buy it. -Fine. | 0:23:03 | 0:23:07 | |
-I probably would have dumped it so that's brilliant. -I'm glad we came! | 0:23:07 | 0:23:13 | |
Did I hear a cash register there? I was just rummaging there and you've done it without me. | 0:23:13 | 0:23:19 | |
-A little coffee table, wonderful quality. -Hideous colour! Oh, sorry - I don't like it. | 0:23:19 | 0:23:25 | |
-That's in fashion now! -Is it? Oh, is it? Sorry! | 0:23:25 | 0:23:29 | |
-Jenny has no idea. -No, I have no idea. Not my colour. | 0:23:29 | 0:23:33 | |
But the good news is that means you don't have to rummage any more. | 0:23:33 | 0:23:38 | |
-Have you added it up? -I have. If you add on this... We always go on the lowest estimate, actually. | 0:23:38 | 0:23:44 | |
Add £20 to the total so far and we hope that at auction you will make your target. | 0:23:44 | 0:23:50 | |
In fact, you should make £485 with this. | 0:23:50 | 0:23:53 | |
-That should buy a couple of prints. -OK, the theory is wonderful. | 0:23:53 | 0:23:58 | |
-Well done. Love the theory. Can we realise it in practice? -The test is the auction. -Depends who's there. | 0:23:58 | 0:24:05 | |
-We shall see you at the auction. -Excellent. | 0:24:05 | 0:24:08 | |
'It's been a real pleasure meeting love birds Ken and Viv. I'm almost tempted to buy a new hat! | 0:24:08 | 0:24:14 | |
'I hope the bidders will fall in love with our many items. | 0:24:14 | 0:24:18 | |
'Some of the pieces we're taking are the prints valued at £40-£60. | 0:24:18 | 0:24:24 | |
'That bronze Mercury statue in Viv's family for generations. | 0:24:25 | 0:24:30 | |
'Jonty's valued it at £80-£120. | 0:24:30 | 0:24:33 | |
'And possibly the most interesting item is the signed, limited edition Nolan print of Ned Kelly. | 0:24:33 | 0:24:40 | |
'Jonty reckons a budding collector will snap it up for an impressive £200-£300. | 0:24:40 | 0:24:46 | |
'Still to come: Ken's still in a state of disbelief. | 0:24:48 | 0:24:53 | |
'Will the bears find a happy home?' She's delighted if they don't sell. | 0:24:55 | 0:25:00 | |
'And will our star item, the Ned Kelly print, make a killing?' | 0:25:00 | 0:25:05 | |
Phone bidder! 'Find out later in the show.' | 0:25:05 | 0:25:09 | |
This has been a really quick turnaround. It's just a few days since we were with Viv and Ken | 0:25:14 | 0:25:20 | |
and today we're here at Bamford's auction rooms in Derby. | 0:25:20 | 0:25:24 | |
Remember, Viv wants to raise £350 so she can buy some artwork for their new pad in Devon. | 0:25:24 | 0:25:30 | |
So let's hope the bidders are out in force when her items go under the hammer. | 0:25:30 | 0:25:36 | |
There's always a buzz on auction day and there are already some early birds here | 0:25:36 | 0:25:42 | |
hoping to make some special finds. | 0:25:42 | 0:25:44 | |
Jonty's been looking over a few masterpieces. | 0:25:44 | 0:25:48 | |
-Hey, Jonty. -Hi, Jennie. -I'm really surprised Viv's selling this one. | 0:25:48 | 0:25:53 | |
To me, that's everything she's after for Devon. Vibrant colours. | 0:25:53 | 0:25:58 | |
I like these. They're really colourful and have come back into fashion, like the coffee table. | 0:25:58 | 0:26:04 | |
The one I wasn't so keen on! That's right. | 0:26:04 | 0:26:08 | |
-We've got quite a lot of artwork today. Think we're in the right place? -Yes. | 0:26:08 | 0:26:13 | |
We've also got the amazing Nolan print. | 0:26:13 | 0:26:17 | |
-We've got to sell that. -Yes. We're plain sailing if we sell that. | 0:26:17 | 0:26:21 | |
-I've put an estimate of £200-£300. -A lot of dosh. | 0:26:21 | 0:26:25 | |
Will we be laughing? Or crying? | 0:26:25 | 0:26:28 | |
I've come up with a solution. If we can't make the target | 0:26:28 | 0:26:34 | |
we could just hang you on the wall. | 0:26:34 | 0:26:37 | |
You're all flowery and lovely! | 0:26:37 | 0:26:39 | |
-Just hang on the wall like this! -Perfect! Job done, eh? | 0:26:39 | 0:26:43 | |
Let's go see if they've arrived. | 0:26:43 | 0:26:46 | |
'While Jonty has high expectations for the bidding, | 0:26:46 | 0:26:50 | |
'Viv's saying goodbye to an old friend.' Oh, hello! | 0:26:50 | 0:26:55 | |
-Hi, how are you? -How's Winnie? | 0:26:55 | 0:26:57 | |
He's a bit disorientated. He's never been north of Watford Gap before. | 0:26:57 | 0:27:02 | |
-And is he going to be sold? -I hope so. I hope they go to a good home. That's what I'd really like. | 0:27:02 | 0:27:08 | |
-How are you feeling, Ken? -Not too bad, thank you. -Confident? | 0:27:08 | 0:27:12 | |
-There's no room in the car for it going back, so I hope so! -Oh, well. | 0:27:12 | 0:27:18 | |
-Quiet confidence there. Viv? -I'm having a panic that nobody likes the things I've treasured for years! | 0:27:18 | 0:27:25 | |
-We do all feel that at the beginning. It is quite nervy. -Have you put any reserves on? | 0:27:25 | 0:27:31 | |
Only the Ned Kelly, which is a reserve of £200. | 0:27:31 | 0:27:35 | |
I don't want to give that away. | 0:27:35 | 0:27:38 | |
-That's fine. -Fair enough. Fingers crossed that somebody, or two people, will bid for that. | 0:27:38 | 0:27:44 | |
-Yes. -OK. -Ready to take our places? -Yes, absolutely. -Follow me. | 0:27:44 | 0:27:49 | |
'Our first item's about to come up. At least we're all keen!' | 0:27:49 | 0:27:53 | |
Now how are we going to do with with your horse and egg coddlers? | 0:27:53 | 0:27:59 | |
-I haven't got a clue! -Neither do I! But Jonty thinks they will be £20-worth. | 0:27:59 | 0:28:04 | |
-£20-£30. -I hope so. -I was feeling a little hoarse, but I'm fine now. | 0:28:04 | 0:28:09 | |
-Talking of which... -OK, let's see how we do. | 0:28:09 | 0:28:13 | |
A Beswick-type bay horse... | 0:28:13 | 0:28:15 | |
-Come on, look happy! -I'm scared! -You're scared, too?! | 0:28:15 | 0:28:20 | |
15 do I see? At £12. And £15 now? | 0:28:20 | 0:28:23 | |
15. 18. £20 has it. 2 do I see? | 0:28:23 | 0:28:28 | |
At £20. And 2 now? | 0:28:28 | 0:28:29 | |
At £20 to the left. | 0:28:29 | 0:28:32 | |
At £20. All done and selling? At 20. | 0:28:32 | 0:28:35 | |
-Excellent! -That's all we need. -20 in the kitty. -Happy? -Yes! | 0:28:35 | 0:28:39 | |
-Relieved now. -Well, something sold! | 0:28:39 | 0:28:42 | |
'£20 is right on the button and a healthy start to proceedings. | 0:28:43 | 0:28:48 | |
'Next up are those prints that Jonty had his eagle eye on earlier today.' | 0:28:49 | 0:28:54 | |
This lot is the prints. | 0:28:54 | 0:28:56 | |
Are you sad to see those go? Because we were talking earlier about the blue. | 0:28:56 | 0:29:03 | |
-You're wearing blue! -I am a little bit, but if they go to a good home, that's fine. | 0:29:03 | 0:29:09 | |
If they didn't sell, it wouldn't be a problem. | 0:29:09 | 0:29:13 | |
-But that blue one would go very nicely with your Devon pad. -I agree. -Started a domestic! | 0:29:13 | 0:29:20 | |
-We discussed it! -Oh! -Jennie, shall we leave them to it? | 0:29:20 | 0:29:24 | |
Well, if it doesn't sell, it won't be the end of the world. And if it does, brilliant. | 0:29:26 | 0:29:31 | |
-I've got two commission bids. -Good! | 0:29:31 | 0:29:34 | |
-And I can start at £25. 28 do I see? -You get all excited. | 0:29:34 | 0:29:39 | |
At £25. 28. 30. | 0:29:39 | 0:29:43 | |
2. 35. 40 bid. | 0:29:43 | 0:29:46 | |
40 has it. And 2 do I see? | 0:29:46 | 0:29:48 | |
All done at £40. | 0:29:48 | 0:29:50 | |
-£40. -Oh, well. -We just got there. | 0:29:50 | 0:29:53 | |
'£40 isn't going to mean Viv and Ken can paint the town red just yet, but they made the lowest estimate. | 0:29:53 | 0:30:00 | |
'The chess set is one of our more unusual items | 0:30:00 | 0:30:04 | |
'and I think worth every penny.' | 0:30:04 | 0:30:07 | |
I was walking around and I saw it and I loved it. | 0:30:07 | 0:30:11 | |
I'd quite forgotten it was yours. I looked it up - £10-£20. I think it's a fab bargain. | 0:30:11 | 0:30:18 | |
-At £10. And £12. -Come on! | 0:30:18 | 0:30:21 | |
-15 seated. -It's going to sell. -20. 2. 5? | 0:30:21 | 0:30:25 | |
At £22. 5 do I see? | 0:30:25 | 0:30:28 | |
All done and selling at £22. | 0:30:28 | 0:30:31 | |
Good. Still cheap, but I'm very happy with that. | 0:30:31 | 0:30:35 | |
It wasn't perfect. It had chipped bits where the cat plays with it! | 0:30:35 | 0:30:40 | |
'Check mate. At £22, that's £2 over Jonty's highest estimate. | 0:30:40 | 0:30:45 | |
'Not a king's ransom, but moving in the right direction. | 0:30:45 | 0:30:49 | |
'Next up is that distinctive Scandinavian coffee table.' | 0:30:49 | 0:30:54 | |
Now there's a sea of brown here, but nothing retro in the room at all. I just wonder how this will go. | 0:30:55 | 0:31:02 | |
I've got seven bids on commission and I can start at £35. 40 do I see? | 0:31:02 | 0:31:08 | |
At £35. 40 now? | 0:31:08 | 0:31:11 | |
At £35. 40 do I see? | 0:31:11 | 0:31:13 | |
-40. 5. 50? -She's speechless for once, Jennie! | 0:31:13 | 0:31:17 | |
At £45. 50 beats it. £50 against commissions. | 0:31:17 | 0:31:21 | |
-At £50, all done. -There we go, Viv. | 0:31:21 | 0:31:24 | |
Oh, Jennie! | 0:31:24 | 0:31:26 | |
I said it was quality. | 0:31:28 | 0:31:31 | |
'A good find by Jonty and £50 is a nice earner on a piece Viv would have sent to the tip. | 0:31:31 | 0:31:38 | |
'I wonder if anyone is in the market for a cute little bear | 0:31:38 | 0:31:42 | |
'to save their money in.' | 0:31:42 | 0:31:45 | |
-You and your bears! -20? -Come on! -£10? -A fiver? | 0:31:45 | 0:31:50 | |
-Come on. -£8, then. -A fiver. -5, then. | 0:31:50 | 0:31:54 | |
Everywhere(!) £5. 6. | 0:31:55 | 0:31:58 | |
7. 8. | 0:31:58 | 0:32:00 | |
-9. -Come on! -10, do I see? | 0:32:00 | 0:32:02 | |
At £9. 10 now? £9. 10 to take a little bear home. | 0:32:02 | 0:32:07 | |
No? At £9 and selling. | 0:32:07 | 0:32:10 | |
He was trying. Good auctioneer. An extra pound goes to you. | 0:32:12 | 0:32:17 | |
'Well, it was hard work to get £9, but at least it sold. | 0:32:17 | 0:32:22 | |
'Every penny really does count. | 0:32:22 | 0:32:25 | |
'So how will the Maori carving fare? Can we get over the estimate?' | 0:32:25 | 0:32:31 | |
-£15. -15. -It shall be sold at £15. | 0:32:31 | 0:32:34 | |
'Well, we're having a struggle to keep up with Jonty's valuations. | 0:32:34 | 0:32:39 | |
'That's £5 below what we banked on, | 0:32:39 | 0:32:42 | |
'but, all in all, our first half has been reasonable and it all sold. | 0:32:42 | 0:32:47 | |
'I hope the low prices on some items won't have too serious an effect on the chances of reaching the target.' | 0:32:47 | 0:32:55 | |
Well, we're halfway through. You were so nervous. How are you now? | 0:32:55 | 0:32:59 | |
-Everything so far has sold, so yeah, I feel fine. -So far, so good. | 0:32:59 | 0:33:04 | |
Your target is 350. | 0:33:04 | 0:33:06 | |
We are almost there. We're not quite on it yet. | 0:33:06 | 0:33:11 | |
-We are at £156. -We're getting there. -Perfect. It's steady as she goes right now. | 0:33:11 | 0:33:17 | |
We've still got big items to come. Your print, your toys! | 0:33:17 | 0:33:22 | |
-We've got the biggie to come, so fingers crossed. -Absolutely. | 0:33:22 | 0:33:26 | |
We've done enough to deserve a break, so come with me. | 0:33:26 | 0:33:30 | |
'If you're thinking of buying or selling at an auction, remember commission and other charges apply. | 0:33:30 | 0:33:37 | |
'Check with the sale room first. | 0:33:37 | 0:33:40 | |
'As Viv and Ken head off for a well-earned sit down, Jonty wants to show me something.' | 0:33:40 | 0:33:46 | |
-What have you found? -Who says antiques are expensive? | 0:33:48 | 0:33:52 | |
You come to an auction room and find, around an oak extending table, a set of six chairs. | 0:33:52 | 0:33:59 | |
-Now these chairs were made about 100 years ago. -Were they? -Edwardian design. | 0:33:59 | 0:34:05 | |
But not the chair you're holding or the one at the other end. | 0:34:05 | 0:34:09 | |
I've been looking closely at these. The two carver chairs, the armchairs, have been copied | 0:34:09 | 0:34:16 | |
-to reflect or mirror the four single chairs. -How do you know that? | 0:34:16 | 0:34:21 | |
Simply by looking at... I had to take a double take, | 0:34:21 | 0:34:25 | |
but on a closer examination of this chair, everything is so crisp. | 0:34:25 | 0:34:31 | |
All the lines are very neat. All the colour is absolutely the same. | 0:34:31 | 0:34:36 | |
If you compare it to this chair, you see there's shades of dark in the back of the chair. | 0:34:36 | 0:34:42 | |
Also running down here it's all slightly different. | 0:34:42 | 0:34:47 | |
-It is slight, though. -That's the difference. | 0:34:47 | 0:34:51 | |
To have a single chair like that made would cost hundreds of pounds. | 0:34:51 | 0:34:55 | |
I've had chairs copied for clients and they cost hundreds of pounds. | 0:34:55 | 0:35:00 | |
But what's happened is that this sort of heavy furniture has gone out of fashion. | 0:35:00 | 0:35:06 | |
What do you think this set of six chairs has been estimated at? | 0:35:06 | 0:35:10 | |
-Well, as you say, they're not in fashion, so...£80-£100? -Even less than that. | 0:35:10 | 0:35:18 | |
-This set of six chairs in the catalogue are estimated at £40-£60. -No! | 0:35:18 | 0:35:24 | |
-That is extraordinary. -This is a bargain. -That is amazing. You're very clever, aren't you? | 0:35:24 | 0:35:30 | |
'After a small bidding war, the table and chairs went for £120. | 0:35:30 | 0:35:36 | |
'Maybe this will bode well for Viv and Ken as we return to the sale of their items.' | 0:35:36 | 0:35:43 | |
-Where is all this tribal art from? -This is the mixed lot. | 0:35:43 | 0:35:46 | |
It's the Hindu goddess of love I bought in Bali, | 0:35:46 | 0:35:50 | |
the Kenyan maiden and all the elephants. | 0:35:50 | 0:35:54 | |
-An African clear-out here. -And Bali. -And Bali! That's true. -It's a global clear-out. | 0:35:54 | 0:36:00 | |
-Global clear-out. -Excellent. | 0:36:00 | 0:36:03 | |
10 is bid. 12 do I see? At £10. And 12 now. | 0:36:03 | 0:36:07 | |
£12. 15. 15 and selling. At £15. | 0:36:07 | 0:36:12 | |
Somebody got a bargain. | 0:36:12 | 0:36:14 | |
'Well, we're off to a slow start, but at £15 at least we've made our estimate. | 0:36:14 | 0:36:20 | |
'Let's hope our next item can hold its own.' | 0:36:20 | 0:36:24 | |
I saw your little pine blanket chest. | 0:36:24 | 0:36:28 | |
-I'm glad you put it in the sale. -Well, the auctioneer told me it's the best bit. | 0:36:28 | 0:36:35 | |
-He loved it. -Really? | 0:36:35 | 0:36:37 | |
This is a great lot. Lovely Victorian pine blanket chest. Useful thing. | 0:36:37 | 0:36:42 | |
From around 1880. Make a great toy box or furniture for the bedroom. | 0:36:42 | 0:36:46 | |
I have got five bids on it. I can start at £20. 2 do I see? | 0:36:46 | 0:36:51 | |
At £20. And 2 now? At £20. And 2 do I see? 22. | 0:36:51 | 0:36:55 | |
25. 28. | 0:36:55 | 0:36:58 | |
At £28. 30 do I see? 30. 35. 40. | 0:36:58 | 0:37:02 | |
At £40. Pine blanket chest. I'm selling. Quite sure? At £40. | 0:37:02 | 0:37:07 | |
-There we go. Lots of people interested. -Ken, you would have taken it to the skip. | 0:37:08 | 0:37:14 | |
-For that box?! -Yes. -40 quid! | 0:37:14 | 0:37:17 | |
He can't believe it! | 0:37:18 | 0:37:20 | |
'What a great result. It'll be more appreciated in its new home. | 0:37:20 | 0:37:25 | |
'Onwards and upwards. Next we have Viv's collection of Winnie the Pooh and Snoopy toys. | 0:37:25 | 0:37:31 | |
'I'm sure she'll be sad to see them go.' | 0:37:31 | 0:37:36 | |
-I can see from your face you know what's next. -My Pooh Bears. | 0:37:36 | 0:37:41 | |
-And my Snoopies. -They have to go. | 0:37:41 | 0:37:44 | |
-Well...yes. -She'll be delighted if they don't sell! | 0:37:44 | 0:37:48 | |
-She was talking to them this morning. -I was. -Were you? | 0:37:48 | 0:37:52 | |
I said I hope you get a good home. | 0:37:52 | 0:37:55 | |
£20, please. £20? | 0:37:55 | 0:37:58 | |
He's an early one as well. A good early toy. 10, then? | 0:37:58 | 0:38:03 | |
£10. 12 do I see? At £10. And 12 now. | 0:38:03 | 0:38:06 | |
12. 15. 18. 20. | 0:38:06 | 0:38:09 | |
2. 25. Someone wants them! | 0:38:09 | 0:38:13 | |
-At £25, the lady's bid. -The smile on his face gets bigger and bigger. | 0:38:13 | 0:38:18 | |
At 25 and selling. | 0:38:18 | 0:38:20 | |
That's fine. As long as they go to a good home, I'm happy. And two people wanted them! | 0:38:20 | 0:38:26 | |
-You want them to be wanted. -Yes, definitely. | 0:38:26 | 0:38:30 | |
'Well, they made a respectable sum, just over our estimate. | 0:38:30 | 0:38:34 | |
'Hopefully, they'll soon be making someone else very happy. | 0:38:34 | 0:38:39 | |
'Up next is one of our big items. | 0:38:39 | 0:38:42 | |
'Fingers crossed bidders like the bronze Mercury statue.' | 0:38:42 | 0:38:46 | |
-Next up is my body double. -The rippling muscles. | 0:38:46 | 0:38:51 | |
In the catalogue it says a figure of Hermes. He's the same as Mercury. | 0:38:51 | 0:38:56 | |
-One's Greek and one's Roman? -One made handbags and one didn't. | 0:38:56 | 0:39:01 | |
£40 I'm bid. 5 do I see? At £40. And 5 now? | 0:39:02 | 0:39:06 | |
-At £40. 5 do I see? -Come on. | 0:39:06 | 0:39:08 | |
45. 50. | 0:39:08 | 0:39:11 | |
5. 60. 5? | 0:39:11 | 0:39:13 | |
£60 on commission. And 5 now? | 0:39:13 | 0:39:16 | |
5, new place. 70. 5? | 0:39:16 | 0:39:19 | |
At £70 on commission. 5 now? | 0:39:19 | 0:39:23 | |
At £70. | 0:39:23 | 0:39:25 | |
-That's OK. -Sold. -That's within spitting distance. | 0:39:25 | 0:39:30 | |
'It's a disappointing result. | 0:39:30 | 0:39:32 | |
'Let's hope we're not off course. | 0:39:32 | 0:39:35 | |
'Maybe the Balinese print will pick up the pace.' | 0:39:35 | 0:39:39 | |
All done at £30? | 0:39:39 | 0:39:41 | |
-It's gone. -'Or maybe not. | 0:39:41 | 0:39:44 | |
'This isn't looking too good for Viv and Ken. | 0:39:44 | 0:39:49 | |
'We're pinning all our hopes on our star item - the Nolan print of Ned Kelly.' | 0:39:49 | 0:39:55 | |
This is the one that has got to sell and got to sell well. Your Ned Kelly print. | 0:39:56 | 0:40:02 | |
-I have got a reserve on that. -Yes, you have. So it's not going for under...? -200. | 0:40:02 | 0:40:08 | |
-So it's £200 or bust. -Yes. -Isn't it? | 0:40:08 | 0:40:11 | |
-C'est la vie. -So no pressure(!) -No! | 0:40:11 | 0:40:14 | |
Are you ready? Here it comes now. | 0:40:14 | 0:40:17 | |
I've had an awful lot of interest, inquiries via the internet. We've got as telephone line as well. Good lot. | 0:40:17 | 0:40:24 | |
I have got four bids on commission. | 0:40:24 | 0:40:27 | |
I can start at £140. 150 do I see in the room first? | 0:40:27 | 0:40:32 | |
At 140. 150 in the room. 160. | 0:40:32 | 0:40:36 | |
170 on the phone? 180. 190. | 0:40:36 | 0:40:40 | |
200. | 0:40:40 | 0:40:42 | |
-210. -It's gone. | 0:40:42 | 0:40:44 | |
230. At 230. Are you sure? | 0:40:44 | 0:40:47 | |
At 230 and selling. | 0:40:48 | 0:40:50 | |
-Fantastic. -That one picture! | 0:40:50 | 0:40:54 | |
'That's just what we needed. A quality print gave us quite finale, | 0:40:54 | 0:41:00 | |
'but is it enough for our target?' | 0:41:00 | 0:41:03 | |
There we are. It's over. You've done so well - taking nothing home! | 0:41:03 | 0:41:08 | |
I know! Isn't it brilliant? I'm amazed. | 0:41:08 | 0:41:11 | |
Well, at the start of the day we were nervously hoping for £350 | 0:41:11 | 0:41:16 | |
so you can buy some new artwork. | 0:41:16 | 0:41:19 | |
You've well exceeded that target. You have made... | 0:41:19 | 0:41:23 | |
£566! | 0:41:23 | 0:41:25 | |
Fantastic! That is brilliant. | 0:41:25 | 0:41:28 | |
-Well done. -Brilliant! -I don't believe that! | 0:41:28 | 0:41:32 | |
-All that stuff you called junk! -Yeah! -See? -I was going to say to tell him, "I told you so!" | 0:41:32 | 0:41:39 | |
-Well done. Enjoy your new home. -Thank you. -Enjoy your new artwork. -Thank you. | 0:41:39 | 0:41:44 | |
It's just a few weeks later and both Viv and Ken are relaxing in Devon. | 0:41:49 | 0:41:54 | |
As it's close to the sea, Viv wants to buy artwork that will reflect the location. | 0:41:54 | 0:42:01 | |
They've decided their best chance is to buy locally in Devon. | 0:42:03 | 0:42:07 | |
Using their newly-honed rummaging skills, they soon find a couple of perfect pieces. | 0:42:09 | 0:42:15 | |
We wanted to get seascape prints for the flat | 0:42:15 | 0:42:20 | |
because it's so near the sea. And we love Devon. | 0:42:20 | 0:42:24 | |
So to get the essence of Devon on the wall would be lovely. | 0:42:24 | 0:42:29 | |
And Viv's delighted with their new acquisitions. | 0:42:29 | 0:42:34 | |
All they need now is a hammer and some nails. | 0:42:34 | 0:42:38 | |
Subtitles by Subtext for Red Bee Media Ltd - 2010 | 0:42:53 | 0:42:57 |