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Welcome to the programme that joins you in the hunt for antiques and collectables around your home | 0:00:02 | 0:00:06 | |
and then whisks them off with you to auction to sell under the hammer. | 0:00:06 | 0:00:10 | |
Today, I'm in Surrey and I've come to the very busy and charming town of Epsom. | 0:00:10 | 0:00:16 | |
The history of Epsom can be traced back to the Domesday Book. | 0:00:16 | 0:00:20 | |
It was once known as a spa town, and was famous for its numerous underground wells. | 0:00:20 | 0:00:25 | |
Sadly, as the town grew, the wells were covered up. | 0:00:25 | 0:00:29 | |
In fact, not even the village pond survived. | 0:00:29 | 0:00:33 | |
In its place, there's now a rather elegant clock tower. | 0:00:33 | 0:00:36 | |
Built in 1847, it stands 70ft above the market place, | 0:00:36 | 0:00:40 | |
acting as a centrepiece to this popular town. | 0:00:40 | 0:00:44 | |
Well, I don't have to travel too far from the clock tower | 0:00:46 | 0:00:49 | |
to get to our next destination, where I rather hope | 0:00:49 | 0:00:51 | |
we won't have to dig too deep to find antiques and collectables that'll be just right for auction. | 0:00:51 | 0:00:57 | |
Coming up on Cash In The Attic, one of Jonty's estimates gets all revved up. | 0:01:17 | 0:01:22 | |
-Gosh! -Crikey. -How about that? -LAUGHTER | 0:01:22 | 0:01:27 | |
'There's a runaway success in the saleroom.' | 0:01:27 | 0:01:30 | |
Wow! You were absolutely right. It had legs, | 0:01:30 | 0:01:32 | |
-it went out of the sale room £30 over your top estimate. -Fantastic. | 0:01:32 | 0:01:36 | |
But are there a few surprises around the corner? | 0:01:36 | 0:01:39 | |
ANGELA LAUGHS Good gracious! | 0:01:39 | 0:01:43 | |
Your face says it all. | 0:01:43 | 0:01:45 | |
'Find out when the hammer falls.' | 0:01:45 | 0:01:48 | |
I'm on my way to meet a delightful couple who have | 0:01:48 | 0:01:51 | |
called in the Cash In The Attic team to help them fund the purchase | 0:01:51 | 0:01:55 | |
of a very special set of wheels. | 0:01:55 | 0:01:57 | |
'I'm instantly impressed with this beautiful three-bedroomed house, | 0:01:58 | 0:02:03 | |
'and its lucky owners are Kenneth and Elizabeth Currier.' | 0:02:03 | 0:02:07 | |
They've lived here for 19 years | 0:02:07 | 0:02:09 | |
and have a 24-year-old son called David and a 21-year-old daughter Jane. | 0:02:09 | 0:02:15 | |
She'll be helping us today along with Elizabeth's closest friend, Jackie, who's already limbering up. | 0:02:15 | 0:02:21 | |
Ken and Elizabeth have been happily married for 26 years | 0:02:21 | 0:02:25 | |
and although they've enjoyed living in this lovely house, | 0:02:25 | 0:02:28 | |
they're now ready to take the plunge and move on to pastures new. | 0:02:28 | 0:02:33 | |
-Good morning, Jonty. -Thanks for bringing such fabulous weather. | 0:02:33 | 0:02:37 | |
It's glorious, isn't it? And no jacket on today, Jonty. | 0:02:37 | 0:02:40 | |
-That's a first! -It is for me, because it's such a lovely day. | 0:02:40 | 0:02:44 | |
I've brought you another pressie, cos I think what we've got today | 0:02:44 | 0:02:47 | |
is the perfect Cash In The Attic scenario. | 0:02:47 | 0:02:50 | |
The couple we're about to meet are going to start a whole new life. They're moving out! | 0:02:50 | 0:02:54 | |
When we finish, the house-movers move in, so everything must go. | 0:02:54 | 0:02:58 | |
-So it's sorting the wheat from the chaff? -Absolutely. | 0:02:58 | 0:03:01 | |
You're going to have a field day. Shall we go and meet them? | 0:03:01 | 0:03:05 | |
What a perfect location this is. | 0:03:10 | 0:03:13 | |
How can you bear to leave it, you two? | 0:03:13 | 0:03:15 | |
It is going to be hard, very hard really, because we have lived here 19 years, raised the family. | 0:03:15 | 0:03:21 | |
But I think now is the time to move on and have a nice retirement. | 0:03:21 | 0:03:25 | |
-That's why you've called us in, because you're going to leave. -Yes! | 0:03:25 | 0:03:29 | |
I've got so much stuff that I've inherited, that I can't take it all with me. | 0:03:29 | 0:03:35 | |
I'm normally a hoarder, but I'm going to be quite ruthless | 0:03:35 | 0:03:39 | |
and get rid of things I'm not going to use or need. | 0:03:39 | 0:03:43 | |
What are we actually raising money for today? It's not to help you move house, I know. | 0:03:43 | 0:03:48 | |
The idea is we're moving to an area that's in the midst of a lot of natural beauty. | 0:03:48 | 0:03:53 | |
The Lake District, North Wales, Derbyshire, Yorkshire all on the doorstep. | 0:03:53 | 0:03:57 | |
I've always wanted an old sports car so that we can go out | 0:03:57 | 0:04:01 | |
on days such as this and thoroughly enjoy ourselves. | 0:04:01 | 0:04:04 | |
How much is that likely to cost? | 0:04:04 | 0:04:06 | |
It won't be the full amount, that would be quite a bit. | 0:04:06 | 0:04:08 | |
£1,500 would be grand, if we could get something like that towards it. | 0:04:08 | 0:04:12 | |
Jane, your mum and dad are making you and your brother homeless. | 0:04:12 | 0:04:16 | |
Yes, they are, I'll be sad to see them go but I'm pleased for them. | 0:04:16 | 0:04:20 | |
They're going to such a lovely place and it'll be good to visit there. | 0:04:20 | 0:04:23 | |
Jackie, you're one of Elizabeth's best friends. Aren't you going to miss her? | 0:04:23 | 0:04:28 | |
I'll miss her dreadfully, but they've got to move on. | 0:04:28 | 0:04:31 | |
They deserve a good retirement, but I will miss them terribly, both of them. | 0:04:31 | 0:04:35 | |
We'd better get into gear and go and see what we can find in the house | 0:04:35 | 0:04:39 | |
to get this wonderful sports car. Shall we go? | 0:04:39 | 0:04:42 | |
'It's a real shame that they're leaving this splendid family home. | 0:04:42 | 0:04:46 | |
'But with dreams of open-top cars and the wind in their hair, I don't blame them. | 0:04:46 | 0:04:51 | |
'And with a target of £1,500 to raise, we've certainly got our work cut out. | 0:04:51 | 0:04:56 | |
'It really is the perfect Cash In The Attic scenario - | 0:04:56 | 0:05:00 | |
'a house of trinkets and antiques ready to be taken to the sale room, | 0:05:00 | 0:05:04 | |
'so Jonty's going to be in his element today. | 0:05:04 | 0:05:07 | |
'And he's certainly the man for the job, with over 20 years' experience in the antiques business. | 0:05:07 | 0:05:13 | |
'We can certainly count on him to find those hidden treasures that are going to lure the bidders.' | 0:05:13 | 0:05:18 | |
That looks like something small but beautifully marked. | 0:05:18 | 0:05:21 | |
-Oh, yes, have a look at this. -What have we got here, Elizabeth? | 0:05:21 | 0:05:24 | |
It's a small, silver pincushion that I inherited from my aunt. | 0:05:24 | 0:05:28 | |
Did your aunt collect things like this? | 0:05:28 | 0:05:31 | |
Not particularly. That just sat on one of the tables in the lounge. | 0:05:31 | 0:05:34 | |
-So you remember seeing it as a little girl? -Yes. -Fascinating. -I always liked it then. | 0:05:34 | 0:05:39 | |
Little, solid silver pincushions of this size were very popular | 0:05:39 | 0:05:42 | |
in the late 19th-century through into the early 20th-century. | 0:05:42 | 0:05:46 | |
So many of them have been made or assayed in the Birmingham area, | 0:05:46 | 0:05:50 | |
but here I notice that this was assayed in Chester. | 0:05:50 | 0:05:54 | |
Does that relate to your aunt at all? | 0:05:54 | 0:05:56 | |
It does, yes. That's where my aunt and her mother lived. | 0:05:56 | 0:06:00 | |
That's fascinating. They all came in different shapes and sizes. | 0:06:00 | 0:06:04 | |
Cats, dogs, shoes and little birds like this. | 0:06:04 | 0:06:07 | |
I've even seen an elephant. | 0:06:07 | 0:06:10 | |
But they're really charming and, as a consequence, they're very collectable. | 0:06:10 | 0:06:14 | |
Solid silver, but they have to be in good condition. | 0:06:14 | 0:06:18 | |
I have seen very rare pincushions in antique dealers' shops | 0:06:18 | 0:06:23 | |
-in excess of £1,000. -Ooh! -All right? | 0:06:23 | 0:06:26 | |
The value for this, we're looking at £80-£120. | 0:06:26 | 0:06:30 | |
-Wow. -Terrific. -That's nice. | 0:06:30 | 0:06:33 | |
'I was really pleasantly surprised when I was given' | 0:06:33 | 0:06:36 | |
the valuation on that little chicken, | 0:06:36 | 0:06:38 | |
because I didn't expect it to be worth that much. | 0:06:38 | 0:06:41 | |
I've always liked it. | 0:06:41 | 0:06:43 | |
I'd be happy to see it go to auction. | 0:06:43 | 0:06:46 | |
'We all split up to get on with the search, | 0:06:46 | 0:06:49 | |
'and there are some great little pieces scattered around this house. | 0:06:49 | 0:06:52 | |
'Jackie has been Elizabeth's firm friend for 10 years and she's obviously just as keen | 0:06:52 | 0:06:57 | |
'to get the sports car fund up and running as she makes the first move.' | 0:06:57 | 0:07:01 | |
-What do you think of this, Jonty? -The chessboard? -Yes. -Let's see. | 0:07:03 | 0:07:07 | |
No. That's relatively modern, so not for us. | 0:07:07 | 0:07:11 | |
What's under here? Let's have a look at this square-topped footstool, is this something that we can sell? | 0:07:11 | 0:07:16 | |
Anything in this room can be sold, things they don't want to take to their new house. | 0:07:16 | 0:07:21 | |
-I think they'd be glad to get rid of them! -Stools like this | 0:07:21 | 0:07:24 | |
are known as X-frame stools for obvious reasons. Look at the shape. | 0:07:24 | 0:07:28 | |
But if you look at the base, it's more like an S or a C-shape scroll at the bottom, which dates it. | 0:07:28 | 0:07:35 | |
This stool is early Victorian, Queen Victoria came on to the throne in 1837. Now, feel the weight of that. | 0:07:35 | 0:07:43 | |
-Yes, it is heavy. -Can you see that? -Yes. | 0:07:43 | 0:07:45 | |
That's because this stool is made of rosewood, and rosewood has very dark flecks. | 0:07:45 | 0:07:50 | |
-It's a tropical hardwood and it has very dark flecks running in the grain. Can you see that? -Yes. | 0:07:50 | 0:07:56 | |
That's rosewood, so are you familiar with this as a piece of furniture in the house? | 0:07:56 | 0:08:00 | |
I've known Liz and Ken for over 10 years and it's something they've always had, so I'm familiar with it. | 0:08:00 | 0:08:06 | |
-The value for this at auction, between £80-£120. -That sounds perfect. | 0:08:06 | 0:08:12 | |
Is this the style of furniture you'd have in your own home? | 0:08:12 | 0:08:15 | |
-It's really nice. -You can bid for it in the auction sale. -Yeah, why not? | 0:08:15 | 0:08:19 | |
Excellent, I'll pop that down and we'll move on. | 0:08:19 | 0:08:22 | |
'So that's another fantastic item that once belonged | 0:08:22 | 0:08:25 | |
'to Elizabeth's auntie going off to the sale. | 0:08:25 | 0:08:28 | |
'She certainly had good taste. | 0:08:28 | 0:08:31 | |
'We're racing along, and it's not long before | 0:08:31 | 0:08:34 | |
'Jane digs out this Worcester wall pocket with parrot motif. It was given to | 0:08:34 | 0:08:38 | |
'Elizabeth and Kenneth as a wedding present. | 0:08:38 | 0:08:41 | |
'Jonty gives it a value of £40-£60. | 0:08:41 | 0:08:44 | |
'And Jackie is happy that her next find is worthy of auction, | 0:08:45 | 0:08:49 | |
'as Jonty gives this heart-shaped screen | 0:08:49 | 0:08:51 | |
'an £80-£130 value. | 0:08:51 | 0:08:55 | |
'Meanwhile, what's Jonty turned up downstairs?' | 0:08:55 | 0:08:59 | |
-Ken, are you there? -Yeah. -Ken, have a look at this picture. | 0:08:59 | 0:09:04 | |
Is this a picture you may take with you or a possible auction picture? | 0:09:06 | 0:09:10 | |
-This is possible auction. -Where did this come from? | 0:09:10 | 0:09:12 | |
It was handed down from her parents | 0:09:12 | 0:09:15 | |
and was, I believe at some stage, shown in the Royal Academy. | 0:09:15 | 0:09:18 | |
-Really? -By some famous artist, but that's all I know about it. | 0:09:18 | 0:09:22 | |
-Right, OK. -But it's not... | 0:09:22 | 0:09:24 | |
It's not as I remember Mousehole Harbour. | 0:09:24 | 0:09:27 | |
You have to remember Mousehole Harbour might have changed somewhat, | 0:09:27 | 0:09:31 | |
but it is actually a watercolour, a framed watercolour. | 0:09:31 | 0:09:35 | |
And the artist's signature is just down here, Lawrence Davies. | 0:09:35 | 0:09:39 | |
I don't know very much about Lawrence Davies. All I know is | 0:09:39 | 0:09:42 | |
that he was born in 1887 and died in 1950, so by definition, | 0:09:42 | 0:09:47 | |
this picture has to be an early 20th-century framed picture in its original mount and frame. | 0:09:47 | 0:09:53 | |
But if you look on the reverse, it says all of that. The artist... | 0:09:53 | 0:09:58 | |
Mousehole Harbour, Cornwall. | 0:09:58 | 0:10:00 | |
But I don't know if you ever noticed this, but we've got the original price tag there, £6. How about that? | 0:10:00 | 0:10:07 | |
It's obviously well done. | 0:10:07 | 0:10:09 | |
It's just the subject matter isn't tremendously exciting, is it? | 0:10:09 | 0:10:13 | |
I tend to agree with you. I think this picture, if it had more people in it, more action, | 0:10:13 | 0:10:18 | |
more sails in those masts, then yes, I can see that this picture would be £300-£500. | 0:10:18 | 0:10:25 | |
But because it's not there, it's quite an austere picture, really. | 0:10:25 | 0:10:32 | |
-It's still going to fetch £150-£250. -We shall speak to Liz. | 0:10:32 | 0:10:37 | |
-Let's do just that. Go and tell her and find some more bits and pieces. -Right. -Lead the way. | 0:10:37 | 0:10:42 | |
It might be a little drab at first glance, | 0:10:42 | 0:10:46 | |
but it certainly has a glowing price tag. | 0:10:46 | 0:10:49 | |
Jonty's really on a roll today as he soon spots this 1889 The Strand stamp collection. | 0:10:49 | 0:10:56 | |
Stamp-collecting is massively popular still, | 0:10:56 | 0:10:59 | |
though prices can vary enormously from pennies to hundreds of pounds. | 0:10:59 | 0:11:03 | |
Jonty values this lot at an attractive £50-£100. | 0:11:03 | 0:11:07 | |
And Elizabeth adds another £50-£100 to the kitty when she finds this travelling case. | 0:11:08 | 0:11:14 | |
It was actually a 21st birthday present from her grandfather to her father, 72 years ago. | 0:11:14 | 0:11:20 | |
This really is a lovely home. | 0:11:22 | 0:11:24 | |
I imagine the Curriers are going to miss it when they leave. | 0:11:24 | 0:11:27 | |
Ken and Elizabeth, a lot of people have | 0:11:27 | 0:11:30 | |
the dream of retiring and starting a whole new life. | 0:11:30 | 0:11:33 | |
What was it that made you decide to do exactly that and move from here in Surrey up to Cheshire? | 0:11:33 | 0:11:40 | |
I think we both want to get away from the hustle and bustle of | 0:11:40 | 0:11:44 | |
London and all the cars and the traffic, to somewhere more tranquil. | 0:11:44 | 0:11:50 | |
And I've still got family that live in Cheshire, I've still got my sister there. | 0:11:50 | 0:11:55 | |
In fact, I went to visit my sister one weekend, | 0:11:55 | 0:11:58 | |
saw this house that we've since bought and fell in love with it. | 0:11:58 | 0:12:03 | |
I came home and said to Ken, "Shall we put ours on the market?" We discussed it, didn't we? | 0:12:03 | 0:12:07 | |
He said, "Yes". He still hadn't seen this house in Cheshire. | 0:12:07 | 0:12:11 | |
So we put ours on the market, it went on the market on the Thursday | 0:12:11 | 0:12:16 | |
and by the Saturday, the second people that came along bought it. | 0:12:16 | 0:12:19 | |
It'll be a wrench to leave it, but it's a different challenge at the new place. | 0:12:19 | 0:12:24 | |
We don't want to be housebound quite so much as we're here. | 0:12:24 | 0:12:28 | |
I mean, we're not housebound here, but you don't want to leave this, | 0:12:28 | 0:12:32 | |
especially on a gorgeous day like this. But up there, you can move about and see more. | 0:12:32 | 0:12:37 | |
We want to enjoy our retirement and not have a large garden. | 0:12:37 | 0:12:42 | |
Something that's small and manageable so that if we go off on holiday, | 0:12:42 | 0:12:46 | |
we don't have to think, when we come back, that lawn needs mowing or that needs cutting down. | 0:12:46 | 0:12:51 | |
Sadly, I'm afraid we're going to have to leave the sun, the birds and this wonderful garden | 0:12:51 | 0:12:56 | |
-and go back into the house and join Jonty to make that dream a reality. -Right. | 0:12:56 | 0:13:01 | |
'With a new life beckoning, and a nifty car in mind, we must | 0:13:02 | 0:13:06 | |
'literally put our foot on the gas and find more antiques and collectables for the auction.' | 0:13:06 | 0:13:12 | |
This Edwardian balloon clock is a timely find. | 0:13:12 | 0:13:15 | |
Influenced by French designs of the 18th Century, | 0:13:15 | 0:13:18 | |
these are very desirable with Jonty expecting £40-£60 on the day. | 0:13:18 | 0:13:24 | |
We all get searching in various parts of the house, | 0:13:24 | 0:13:27 | |
and it's not long before Jane spies a rather tasty looking item. | 0:13:27 | 0:13:31 | |
-I found this one here. -What have we got? | 0:13:33 | 0:13:35 | |
Oh, I say. Look at that. | 0:13:35 | 0:13:37 | |
Isn't that pretty? | 0:13:37 | 0:13:40 | |
We've got a little pot here with... Oh, that's a bee on top, isn't it? | 0:13:40 | 0:13:44 | |
My mum got that from a car-boot sale about 10 or 12 years ago. | 0:13:44 | 0:13:47 | |
-She got it for about £3 or £4. -£3 or £4? -Yes. | 0:13:47 | 0:13:50 | |
OK. If we look on the outside, you see all that's hand-painted. | 0:13:50 | 0:13:54 | |
You can tell just by the rings here this would actually be hand-thrown on the wheel, | 0:13:54 | 0:13:58 | |
obviously designed to make it look like the outside of a beehive. | 0:13:58 | 0:14:03 | |
We turn it upside down. | 0:14:03 | 0:14:05 | |
Oh, wow! Look at that. This pot is made by Clarice Cliff. | 0:14:05 | 0:14:09 | |
-Have you ever heard of Clarice Cliff? -No, I haven't. | 0:14:09 | 0:14:12 | |
Clarice Cliff was a designer in the 1930s and she started making her wares during that period | 0:14:12 | 0:14:19 | |
and she became a market leader because, before that time, ceramics were very flowery, very fussy. | 0:14:19 | 0:14:26 | |
But she changed all that, she put all that to one side | 0:14:26 | 0:14:30 | |
and started making very simple Art Deco designs | 0:14:30 | 0:14:33 | |
and decorating those pots very, very simply indeed. | 0:14:33 | 0:14:36 | |
When I say simply, it was just very basic brushstrokes. | 0:14:36 | 0:14:41 | |
Can you see here? All of this design is very stylised, and these look | 0:14:41 | 0:14:44 | |
like flowers and leaves, but it's just very simply done. | 0:14:44 | 0:14:49 | |
A lot of Clarice Cliff is still hidden at the back of sideboards, | 0:14:49 | 0:14:52 | |
but certainly the rare Clarice Cliff can make huge sums of money. | 0:14:52 | 0:14:58 | |
I notice the chip on the top, did that happen here? | 0:14:58 | 0:15:01 | |
-My mum actually bought it like that. -Even in this state, | 0:15:01 | 0:15:04 | |
this little pot is worth between £50-£80. | 0:15:04 | 0:15:08 | |
-OK. -That's what I call a sweet result. Let's find some more. | 0:15:08 | 0:15:13 | |
It's quite a sweet piece and I was amazed at the price | 0:15:13 | 0:15:16 | |
it was valued at, cos I really wouldn't have thought that at all. | 0:15:16 | 0:15:19 | |
You can never go wrong with Clarice Cliff, and although it's not a rare piece, there are | 0:15:19 | 0:15:24 | |
still plenty of collectors who'll want to purchase this. | 0:15:24 | 0:15:27 | |
There really are some lovely items throughout this house, | 0:15:27 | 0:15:30 | |
and soon enough, I spot an impressive work of art. | 0:15:30 | 0:15:33 | |
Ken and Elizabeth, your house is full of pictures that look as if they've been in the family forever. | 0:15:35 | 0:15:41 | |
-Does this fall into that category? -Yes, it is. | 0:15:41 | 0:15:44 | |
This one is by a local artist to Nantwich in Cheshire, | 0:15:44 | 0:15:48 | |
and the family story is that it is of my grandfather's horse and dog. | 0:15:48 | 0:15:55 | |
How true that is, I don't know. | 0:15:55 | 0:15:56 | |
Do you remember seeing this hanging on the walls of the family home when you were growing up? | 0:15:56 | 0:16:01 | |
Yes, I do. It was always kept in the dining room. | 0:16:01 | 0:16:04 | |
Unfortunately, Mother kept it above a radiator. | 0:16:04 | 0:16:07 | |
-That would explain the damage, presumably, Jonty, have a closer look at it. -Yes. | 0:16:07 | 0:16:11 | |
That is heat damage. Can you see the way the oil itself has shrunk? | 0:16:11 | 0:16:15 | |
And hence the reason why you have this almost crackled effect. | 0:16:15 | 0:16:18 | |
Round on the back here, we can see very clearly, this is great, | 0:16:18 | 0:16:22 | |
it says here, here is the artist, | 0:16:22 | 0:16:25 | |
painted by Herbert St John James, 1918. The date is there. | 0:16:25 | 0:16:31 | |
Interestingly, this is the original frame as well, | 0:16:31 | 0:16:35 | |
so this is a picture that has never been touched before. | 0:16:35 | 0:16:39 | |
He was a bit of a character, he moved to Nantwich when he was about four or five, | 0:16:39 | 0:16:45 | |
and he'd painted a lot of pictures of horses, | 0:16:45 | 0:16:48 | |
particularly because Nantwich itself was a big hunting area. | 0:16:48 | 0:16:52 | |
So he was inspired by the horse and the hounds. | 0:16:52 | 0:16:56 | |
-Do you like it, Ken? -I do, I like the subject of the picture. | 0:16:56 | 0:16:59 | |
It's just so difficult to see, because of the damage that's been caused over the years. | 0:16:59 | 0:17:04 | |
If it was clean and you could see it properly, I'm sure it'd be a much better picture. But I like it, yes. | 0:17:04 | 0:17:10 | |
But we want to know, at auction... which presumably we're going to? | 0:17:10 | 0:17:13 | |
-Yes, I'd like that. -How much might it make? | 0:17:13 | 0:17:16 | |
I think this oil painting is worth between £500-£800. | 0:17:16 | 0:17:20 | |
-Gosh! -Crikey. -That's nice. LAUGHTER | 0:17:20 | 0:17:24 | |
That is a terrific amount to put towards... | 0:17:26 | 0:17:28 | |
-£500-£800? -I think it's lovely. | 0:17:28 | 0:17:31 | |
The picture is in such bad condition that you can't really see it properly. | 0:17:33 | 0:17:38 | |
Because of that, I think the valuation was extremely good. | 0:17:38 | 0:17:43 | |
'I see Jonty is taking a breather, but as he's delivered the goods today, I'll let this one go. | 0:17:44 | 0:17:51 | |
'I, on the other hand, stay firmly on my feet and dig out this religious-themed tapestry, | 0:17:51 | 0:17:56 | |
'that Elizabeth's mother bought at auction, | 0:17:56 | 0:17:59 | |
'and Jonty values at £70-£100. | 0:17:59 | 0:18:01 | |
'Now I've been rather eager to find out more about | 0:18:01 | 0:18:04 | |
'that racy little purchase that Kenneth has set his heart on.' | 0:18:04 | 0:18:07 | |
-Ah, Ken. Dreaming the dream of the car, are you? -Yes, definitely. | 0:18:07 | 0:18:12 | |
What's your fascination with these wonderful old vintage sports cars, | 0:18:12 | 0:18:16 | |
because you're not a mechanic by trade, are you? | 0:18:16 | 0:18:18 | |
What is the fascination for you with these old cars? | 0:18:18 | 0:18:21 | |
Cars of that era are totally different to the ones now. | 0:18:21 | 0:18:25 | |
The ones now really are so complicated, | 0:18:25 | 0:18:28 | |
you cannot repair anything on the side of the road. | 0:18:28 | 0:18:32 | |
One sensor will say to another sensor, "Something is wrong," | 0:18:32 | 0:18:36 | |
and everything shuts down, but you can't find out why. | 0:18:36 | 0:18:39 | |
With these, you can see virtually what's wrong. | 0:18:39 | 0:18:42 | |
After a few simple tests, and you can, in certain cases, repair it. | 0:18:42 | 0:18:46 | |
They're just alive, these things. Like steam engines. | 0:18:46 | 0:18:51 | |
They're not like a modern thing where you just point it and it goes. | 0:18:51 | 0:18:55 | |
These things, you have to think out what you're doing. Even the starting procedure on some is complicated. | 0:18:55 | 0:19:00 | |
-It's a living thing rather than a mechanical thing for you? -Yes. | 0:19:00 | 0:19:03 | |
You feel they've got some kind of soul and you're bringing it back to life when you renovate them. | 0:19:03 | 0:19:08 | |
What I'm aiming for is to get the best of whatever I can get, | 0:19:08 | 0:19:12 | |
because I want us to be able to run around in it and not spend all the time underneath it. | 0:19:12 | 0:19:16 | |
-Unfortunately, none of that will happen unless we find more things to take to auction. -True. | 0:19:16 | 0:19:21 | |
I think we should get back to work, don't you? | 0:19:21 | 0:19:23 | |
We've certainly turned up some terrific finds, but just as the end of the day approaches, | 0:19:26 | 0:19:30 | |
it looks like daughter Jane has found one final, and rather impressive, item to take to auction. | 0:19:30 | 0:19:37 | |
I found this one upstairs, what do you think what this? | 0:19:37 | 0:19:40 | |
Wow! That looks a wonderful bronze. Where has this one come from? | 0:19:40 | 0:19:43 | |
That I remember as a child in my grandfather's and grandmother's house. | 0:19:43 | 0:19:48 | |
My father's parents' house. | 0:19:48 | 0:19:50 | |
There were actually two of them, which sat either side of the fireplace. | 0:19:50 | 0:19:55 | |
What do you make of it, Jonty? It looks as if it might be a coursing dog with a hare in its mouth. | 0:19:55 | 0:20:01 | |
He is, obviously, a coursing dog, but he's not English. | 0:20:01 | 0:20:04 | |
He's quite possibly French, and that's because I'm looking at the signature on the base here, | 0:20:04 | 0:20:09 | |
it says PJ Mene. | 0:20:09 | 0:20:11 | |
And now, Mene... That is Pierre Jules Mene. | 0:20:11 | 0:20:15 | |
In the mid-19th century in France, he and his fellow sculptors | 0:20:15 | 0:20:19 | |
concentrated just on animal bronzes. | 0:20:19 | 0:20:22 | |
Collectively, they were known as the Animalier bronze sculptors, | 0:20:22 | 0:20:27 | |
and they were very successful, Mene himself was particularly successful. | 0:20:27 | 0:20:33 | |
And the detail there on the hare's fur is absolutely incredible. | 0:20:33 | 0:20:37 | |
That's the reason why they're highly regarded, | 0:20:37 | 0:20:41 | |
because they concentrated on the detail, | 0:20:41 | 0:20:43 | |
on the form of the animal just as much as the design and the shape. | 0:20:43 | 0:20:49 | |
The problem with bronzes like this at the moment | 0:20:49 | 0:20:51 | |
is that there's an influx of copies coming from the Far East. | 0:20:51 | 0:20:57 | |
The most important thing, as far as we're concerned, | 0:20:57 | 0:21:00 | |
-we need to know if it's an original, as there's a huge difference in price. -How do you tell that? | 0:21:00 | 0:21:05 | |
I'm not looking at the front, the best thing to do is to turn it upside down, | 0:21:05 | 0:21:11 | |
because here we're looking for natural ageing. | 0:21:11 | 0:21:14 | |
Bronze oxidises and changes colour. | 0:21:14 | 0:21:16 | |
Here we can see clearly that we've four screw marks here, | 0:21:16 | 0:21:23 | |
which means that the animal was cast at a separate time | 0:21:23 | 0:21:26 | |
than the base and, therefore, they had been applied together. | 0:21:26 | 0:21:30 | |
Quality and charming, but I wonder how much it's worth at auction? | 0:21:30 | 0:21:35 | |
Before you tell us, Jonty, is it something you're prepared to send to auction, Elizabeth? | 0:21:35 | 0:21:39 | |
I'm still not sure about this item. | 0:21:39 | 0:21:42 | |
-OK. If it helps, can I give you the valuation? -Yes. | 0:21:42 | 0:21:46 | |
It might tip the balance somewhat. | 0:21:46 | 0:21:48 | |
Because I think this is worth the same sort of price as our lovely portrait of the pony and the dog. | 0:21:48 | 0:21:54 | |
£500-£800. | 0:21:54 | 0:21:55 | |
Is that roughly what you thought it might be worth? | 0:21:55 | 0:21:59 | |
I was hoping it might be worth a little bit more. | 0:21:59 | 0:22:02 | |
In which case, would you perhaps put a reserve on it? | 0:22:02 | 0:22:06 | |
I think it would have to be at least £500. | 0:22:06 | 0:22:09 | |
So £500 reserve, that's absolutely fine. | 0:22:09 | 0:22:12 | |
-Oh, right. -It will, of course, make a difference to what we make on the day of the auction | 0:22:12 | 0:22:17 | |
if you decide to pull it out or it makes more than your £500 reserve. | 0:22:17 | 0:22:21 | |
What I'm going to do now is tell you how much I think we might be able to make from these things, | 0:22:21 | 0:22:26 | |
but I think we should let Jackie and Ken in on that piece of information. | 0:22:26 | 0:22:31 | |
Guys, are you going to come and join us a second? | 0:22:31 | 0:22:34 | |
Because I think I might have some quite good news for you | 0:22:35 | 0:22:40 | |
about the things that we've looked at today. | 0:22:40 | 0:22:44 | |
For a start, Jonty thinks that wonderful piece of bronze there could make between £500-£800. | 0:22:44 | 0:22:49 | |
Right. | 0:22:49 | 0:22:51 | |
LAUGHTER | 0:22:51 | 0:22:53 | |
If you're delighted at that, I hope you'll be delighted at the sum total we think we might make, | 0:22:53 | 0:22:59 | |
just taking Jonty's lowest estimates and actually taking that bronze out of the equation as well, | 0:22:59 | 0:23:05 | |
we hope that we should be able to make £1,190. | 0:23:05 | 0:23:11 | |
-That would be nice. -There we go. | 0:23:11 | 0:23:14 | |
Which will go some way towards that fantastic car. | 0:23:14 | 0:23:18 | |
-Yes. As you said, two wheels! -LAUGHTER | 0:23:18 | 0:23:22 | |
Let's see if we can make it four on the day! | 0:23:22 | 0:23:24 | |
That's a great amount on which to end today's rummage. | 0:23:25 | 0:23:29 | |
Not forgetting, of course, that if they do take that bronze to auction, | 0:23:29 | 0:23:34 | |
they could make it a whopping £1,690. | 0:23:34 | 0:23:38 | |
But we've plenty of other terrific items to take to the sale room. | 0:23:38 | 0:23:43 | |
With an estimate of £150-£200, that gorgeous watercolour of | 0:23:43 | 0:23:47 | |
Mousehole Harbour should make waves at the auction. | 0:23:47 | 0:23:51 | |
That elegant Victorian footstool | 0:23:52 | 0:23:54 | |
should sit nicely with the bidders at a very comfortable £80-£120. | 0:23:54 | 0:23:59 | |
And it might not be Elizabeth's favourite item, but at £40-£60, | 0:24:00 | 0:24:04 | |
I wonder if that wall pocket, complete with parrots, | 0:24:04 | 0:24:07 | |
will fly out of the sale room? | 0:24:07 | 0:24:10 | |
Still to come on Cash In The Attic, things are looking up at the auction. | 0:24:12 | 0:24:17 | |
-That's brilliant, really good. -That's terrific. That did better than you expected. -Much better, yes! | 0:24:17 | 0:24:23 | |
But can Ken and Elizabeth keep the bidders on board? | 0:24:23 | 0:24:26 | |
Not today, then? | 0:24:26 | 0:24:27 | |
-He's withdrawn it. -No bidders in the room at all. | 0:24:27 | 0:24:30 | |
Be there when the hammer falls. | 0:24:30 | 0:24:33 | |
Well, it's been a couple of weeks since we were with Ken and Elizabeth | 0:24:37 | 0:24:41 | |
in that beautiful house and garden that they have in Epsom, | 0:24:41 | 0:24:44 | |
looking for items that we could bring to sell here today at Chiswick Auctions in West London. | 0:24:44 | 0:24:49 | |
If you remember, they're planning to move lock, stock and barrel | 0:24:49 | 0:24:52 | |
to the north of England and they hope to raise £1,500 towards | 0:24:52 | 0:24:56 | |
a rather lovely vintage sports car, so they can enjoy the countryside around their new home in style. | 0:24:56 | 0:25:02 | |
So we're hoping that today's bidders are really going to be in top gear | 0:25:02 | 0:25:06 | |
when their items go under the hammer. | 0:25:06 | 0:25:08 | |
There are so many quality items here today that Ken and Elizabeth | 0:25:09 | 0:25:14 | |
have really got their work cut out if they're to reach their target. | 0:25:14 | 0:25:19 | |
Plus, it's an absolutely sweltering day both outside and in. | 0:25:19 | 0:25:23 | |
Let's hope it doesn't deter the bidding. | 0:25:23 | 0:25:26 | |
'Jonty, meanwhile, seems to be pinning his hopes on one particular little fellow.' | 0:25:26 | 0:25:32 | |
He really is very cute, isn't he? | 0:25:32 | 0:25:34 | |
-Really, really sweet. -Popping out of his shell like that. -It's lovely. -Absolutely adorable. | 0:25:34 | 0:25:39 | |
But Ken and Elizabeth had some lovely things in their home. | 0:25:39 | 0:25:42 | |
Really good quality items, particularly the pictures. | 0:25:42 | 0:25:45 | |
-Do you remember the picture of the pony and the dog? -Yes. | 0:25:45 | 0:25:49 | |
And then there was the bronze, the hunting dog. | 0:25:49 | 0:25:53 | |
Elizabeth wasn't sure if she wanted to part with it. | 0:25:53 | 0:25:55 | |
That's a high value item, that, really good quality again. | 0:25:55 | 0:26:00 | |
If they bring that and it sells, it will make all the difference. | 0:26:00 | 0:26:04 | |
Yes. Shall we go and find them and see what the decision was? | 0:26:04 | 0:26:08 | |
Whilst that impressive bronze is close to Elizabeth's heart, | 0:26:08 | 0:26:11 | |
it looks like Ken's mind is on more mechanical matters. | 0:26:11 | 0:26:15 | |
I hope you're going to get something a bit better than that, Ken? | 0:26:17 | 0:26:20 | |
-Zooming around the countryside up there in the north. -Definitely. -Yes, so do I! | 0:26:20 | 0:26:25 | |
I'm not going in that. | 0:26:25 | 0:26:28 | |
I think we're going to do quite well. Aren't we, Jonty? | 0:26:28 | 0:26:31 | |
The big, burning question is, have you brought that bronze? | 0:26:31 | 0:26:34 | |
Yes, I have brought it, but I'm still a little apprehensive about it. | 0:26:34 | 0:26:40 | |
-Have you put a reserve on it? -Yes, I have. Quite a high reserve. | 0:26:40 | 0:26:45 | |
-How much? -£900. | 0:26:45 | 0:26:47 | |
OK, I think it might be going home, but... | 0:26:47 | 0:26:50 | |
I think that's probably why it's got that reserve on it! | 0:26:50 | 0:26:53 | |
You're really not certain, are you? | 0:26:53 | 0:26:55 | |
No, that's just the one item that I'm not certain about. | 0:26:55 | 0:26:58 | |
-But everything else, Ken, happy to go through? -Oh, yes. All the rest. | 0:26:58 | 0:27:02 | |
The auctioneer's at the podium, the place is starting to fill up. | 0:27:02 | 0:27:06 | |
-Let's take our places and get you northward bound. Come on. -This way. | 0:27:06 | 0:27:11 | |
As the auction begins, the first item to go | 0:27:11 | 0:27:14 | |
under the hammer today is that lovely Victorian rosewood stool. | 0:27:14 | 0:27:19 | |
This is a particularly good quality stool. | 0:27:19 | 0:27:22 | |
I've estimated this stool to sell at £80-£120. | 0:27:22 | 0:27:26 | |
I'm very confident this is just going to take off and walk out of the auction room. | 0:27:26 | 0:27:30 | |
-I hope so. -Let's see how it does. He's about to start. | 0:27:30 | 0:27:34 | |
£50. Start me in the room, please. | 0:27:34 | 0:27:37 | |
£50 for it? A bid of £50, £55? | 0:27:37 | 0:27:41 | |
£60? £65, £70. £75, £80. | 0:27:41 | 0:27:44 | |
£85, £90. £95, £100. | 0:27:44 | 0:27:47 | |
-£110, £120. -I think you got this one right. | 0:27:47 | 0:27:50 | |
-It's got legs, Jonty. -You were right. -£150, £160? | 0:27:50 | 0:27:52 | |
Yes or no, £150? Nearest to me at £150, I'm selling. Are we all done? | 0:27:52 | 0:27:57 | |
Last chance gone. At £150, then. Thank you. | 0:27:57 | 0:27:59 | |
-GAVEL BANGS -£150. -Well done. | 0:27:59 | 0:28:02 | |
Wow! You were absolutely right. It had legs! | 0:28:02 | 0:28:04 | |
-It went out of the saleroom. £30 over your top estimate. -Fantastic. | 0:28:04 | 0:28:08 | |
That's lovely. The first one. Brilliant. | 0:28:08 | 0:28:10 | |
But there's still a long way to go if we're | 0:28:10 | 0:28:13 | |
to meet their £1,500 target, but that's an excellent start. | 0:28:13 | 0:28:17 | |
£150 puts us well on the road to a vintage sports car. | 0:28:17 | 0:28:22 | |
I wonder if this next item will do quite so well? | 0:28:22 | 0:28:24 | |
The heart-shaped pole screen, which Jonty valued at £80-£130. | 0:28:24 | 0:28:29 | |
£50 for it. See where it goes, £50. I'm bid at £50, £50. | 0:28:31 | 0:28:36 | |
Say £55, £55. £60, £65. £70, 75. £80? | 0:28:36 | 0:28:41 | |
At £75, do I hear £80 over there? £80? £80. £85, £90. £95, £100. | 0:28:41 | 0:28:46 | |
£105, £110. £115, £120. £125, £130? | 0:28:46 | 0:28:51 | |
£125. I'll take £130 for it. I'm going to sell at £125. | 0:28:52 | 0:28:56 | |
All out at £125? £125 then, your bid. | 0:28:56 | 0:28:59 | |
-Perfect. -You're rather good at this, aren't you? | 0:28:59 | 0:29:03 | |
Our Jonty is not just a pretty face, you know. | 0:29:03 | 0:29:05 | |
Next up is the Clarice Cliff honey pot. | 0:29:05 | 0:29:09 | |
Its lid already had a chip in it, | 0:29:09 | 0:29:11 | |
but since our visit, it's sustained even more damage. | 0:29:11 | 0:29:14 | |
The little bee on the lid has broken off. Oh, dear. | 0:29:14 | 0:29:19 | |
Unfortunately, when it was being packed to bring here, it dropped on the floor. | 0:29:19 | 0:29:25 | |
-What's that going to do to its value? -The value's been decimated, | 0:29:25 | 0:29:29 | |
but thankfully, it's the pot that's been salvaged. | 0:29:29 | 0:29:32 | |
If it had been the other way round, there'd be no value there at all. | 0:29:32 | 0:29:35 | |
Now we're looking at just one pot worth £20-£30. | 0:29:35 | 0:29:40 | |
Somebody start me at £20 for it. Thank you, I'm straight in at £20. | 0:29:40 | 0:29:43 | |
-Started at £20. -That can't be the only bid, though, can it? £20. | 0:29:43 | 0:29:47 | |
-I'll take £22 for it. £22, thank you. £25? £25, £28? £30, £32. -Crikey! | 0:29:47 | 0:29:53 | |
At £30, I'm selling. Are we all done? Last chance and gone. | 0:29:53 | 0:29:57 | |
-£30! -All is not lost. -No. | 0:29:57 | 0:30:01 | |
'£30 is still a respectable amount for the Clarice Cliff honey pot, | 0:30:01 | 0:30:05 | |
'even though it's no longer in perfect condition. | 0:30:05 | 0:30:08 | |
'Not to worry, though, because I've got high hopes for this next lot, | 0:30:08 | 0:30:12 | |
'and, as a West Country girl, it's something close to my heart.' | 0:30:12 | 0:30:16 | |
We've got the Lawrence Davies watercolour coming up, the boats in the harbour at Mousehole. | 0:30:16 | 0:30:20 | |
I rather liked it and you did too, Jonty. | 0:30:20 | 0:30:23 | |
Yes, I did, and that's the reason I put a bare minimum of £150 on it. | 0:30:23 | 0:30:27 | |
I'm hoping we're going to get there or thereabouts. Hopefully more than that. | 0:30:27 | 0:30:31 | |
£50, start me. Not a hand moves. | 0:30:31 | 0:30:34 | |
£50 for a starting bid? No-one likes it at £50 so far. | 0:30:34 | 0:30:37 | |
You change your mind, come and see me after. | 0:30:37 | 0:30:40 | |
-He's withdrawn it and quite right, too. Don't you think, Jonty? -Yes. | 0:30:40 | 0:30:44 | |
He was offering it in the room, there were no proper bids on it. | 0:30:44 | 0:30:47 | |
There was no point in taking it any further. | 0:30:47 | 0:30:49 | |
I'm surprised at the lack of interest in that lovely scene, | 0:30:49 | 0:30:53 | |
but I'm sure it won't be long before somebody snaps it up. | 0:30:53 | 0:30:56 | |
The travelling case, given to Ken by his father, is up next | 0:30:56 | 0:31:00 | |
and before we know it, the hammer falls on a pretty decent sum. | 0:31:00 | 0:31:05 | |
£50, selling it at £50. | 0:31:05 | 0:31:08 | |
They do like to keep things moving here at Chiswick. | 0:31:08 | 0:31:11 | |
According to the catalogue, coming up next is a Royal Worcester perched parrot. | 0:31:11 | 0:31:17 | |
-You reckon it's a pair of budgies? -I think they're budgerigars. -Yes! | 0:31:17 | 0:31:21 | |
-I thought they were. -Why did you have budgies in the house? | 0:31:21 | 0:31:24 | |
I didn't have it in the house, we had it on the wall. | 0:31:24 | 0:31:27 | |
Well, I had it given to me as a wedding present. | 0:31:27 | 0:31:29 | |
-Yes, but you didn't like... -I hate it. | 0:31:29 | 0:31:32 | |
You have to be careful, sometimes, what you say. | 0:31:34 | 0:31:37 | |
It's not been on show for a long time, I must admit! | 0:31:37 | 0:31:40 | |
Well, somebody here's going to like it, just watch. | 0:31:40 | 0:31:44 | |
£50 for it? £30 for it, see who wants it at £30. | 0:31:44 | 0:31:49 | |
A starting bid at £30? | 0:31:49 | 0:31:51 | |
£20 for it, £20. £20 I'm bid, thank you. At £20, I'll take £22. | 0:31:51 | 0:31:55 | |
£22, thank you. £25 bid. £28. | 0:31:55 | 0:31:59 | |
£30? I'm bid down the back at £28. I'll take £30 for it. | 0:31:59 | 0:32:03 | |
At £28. I'll sell at £28, is that OK? Sold and going at £28, all done? | 0:32:03 | 0:32:07 | |
For £28, then. | 0:32:07 | 0:32:09 | |
£28, not the £40 I said. | 0:32:09 | 0:32:12 | |
No, but even so, I'm happy with that. | 0:32:12 | 0:32:14 | |
Happy with £28? You'd rather have the £28 than the budgies? | 0:32:14 | 0:32:17 | |
I didn't want to take that home. | 0:32:17 | 0:32:19 | |
Well, there's no accounting for taste. Whilst that | 0:32:21 | 0:32:24 | |
unusual item seemed to ruffle Elizabeth's feathers, it's still | 0:32:24 | 0:32:27 | |
money towards the vintage sports car. | 0:32:27 | 0:32:29 | |
-You'll be glad to see the back of the parrots or budgies or whatever they were. -Definitely. | 0:32:29 | 0:32:34 | |
And that extra, what was it, £28? | 0:32:34 | 0:32:38 | |
-I can't believe that. -I know. | 0:32:38 | 0:32:40 | |
But you'll be very pleased to know that that £28, if we add it to what we've already had today, has done | 0:32:40 | 0:32:45 | |
quite well for you. I know you want to raise £1,500. | 0:32:45 | 0:32:48 | |
We're not there yet, but when I tell you the sum, | 0:32:48 | 0:32:52 | |
don't be too disheartened, because we still have got fabulous things, high-end things to come. | 0:32:52 | 0:32:58 | |
-So far, you've made £383. -That's better than we thought. | 0:32:58 | 0:33:03 | |
-That will pay for a service on the car at least. Wouldn't it, Ken? -Yes! | 0:33:03 | 0:33:07 | |
'It's been a varied first half, but whilst Ken and Elizabeth | 0:33:07 | 0:33:11 | |
'take the weight off their feet, it looks like Jonty may have spotted some unusual finds.' | 0:33:11 | 0:33:17 | |
What have you got there, Jonty? | 0:33:17 | 0:33:19 | |
Crikey, that's a real mixed bag. | 0:33:19 | 0:33:22 | |
Yes, a proper description for it. This is a collection | 0:33:22 | 0:33:25 | |
of small objects that the auctioneer's put together. | 0:33:25 | 0:33:27 | |
There's not one item that's worth selling by itself, | 0:33:27 | 0:33:31 | |
but gathered together, it's all been put into one bag and made one lot. | 0:33:31 | 0:33:35 | |
It's just an amazing cross-section of goodies. | 0:33:35 | 0:33:38 | |
Take this silver spoon, this is a solid silver spoon. | 0:33:38 | 0:33:41 | |
This, believe it or not, is made in Moscow. | 0:33:41 | 0:33:44 | |
-We've got the date here of 1879 on the side. -Wow. | 0:33:44 | 0:33:48 | |
That's a lovely object. We've also got a little Art Nouveau cream pot. | 0:33:48 | 0:33:52 | |
-That would've been on a lady's dressing table. -Absolutely. | 0:33:52 | 0:33:55 | |
A little compact, a bit damaged, but I've just pulled this out and look. | 0:33:55 | 0:33:59 | |
This is a tiny little canister, it's filthy dirty. | 0:33:59 | 0:34:03 | |
It's got a screw top. You unscrew it, and it's got a hallmark, | 0:34:03 | 0:34:07 | |
so it's solid silver, but the floor doesn't go all the way to the bottom. | 0:34:07 | 0:34:11 | |
And perhaps, if you were to look through all these funny little bags, | 0:34:11 | 0:34:15 | |
you just might find that absolute gem that nobody else has noticed. | 0:34:15 | 0:34:19 | |
In the catalogue, this is estimated below £100. | 0:34:19 | 0:34:23 | |
But if this collection makes less than £200, then that's cheap. | 0:34:23 | 0:34:28 | |
Wow. It's worth having a good old rummage. | 0:34:28 | 0:34:30 | |
-Not just in your attic, but around the bags in the auction room. -Absolutely. | 0:34:30 | 0:34:34 | |
It never fails to surprise me what you might find when you come to auction. | 0:34:34 | 0:34:39 | |
And if you're inspired by Ken and Elizabeth and thinking of heading to an auction yourself, | 0:34:39 | 0:34:44 | |
do remember commission and other charges may apply so make sure you check with the sale room first. | 0:34:44 | 0:34:49 | |
'Back to business though, and as the second half gets under way, | 0:34:49 | 0:34:53 | |
'one of Jonty's favourite items is about to go under the hammer.' | 0:34:53 | 0:34:57 | |
This is the sweetest little item. We all love this. | 0:34:57 | 0:35:00 | |
It's that lovely little silver chick pincushion. | 0:35:00 | 0:35:04 | |
A bid at £40, £42? £45? | 0:35:04 | 0:35:06 | |
£48. I see you bidding. £50. | 0:35:06 | 0:35:08 | |
£55, £60. £65. | 0:35:08 | 0:35:11 | |
£70. £75, £80. At £80, I'm bid. | 0:35:11 | 0:35:16 | |
I'll take £85. Do you want £82? | 0:35:16 | 0:35:19 | |
It's still cheap. A bid at £80, £82? | 0:35:19 | 0:35:22 | |
Staying at £80? £80, your bid and gone. | 0:35:22 | 0:35:24 | |
-£80. -That's great. -It's very good. -Terrific. | 0:35:24 | 0:35:29 | |
Next up, that collection of late-Victorian stamps. | 0:35:29 | 0:35:32 | |
Elizabeth inherited them from her father, but I wonder how many | 0:35:32 | 0:35:36 | |
fervent philatelists are in the saleroom today? | 0:35:36 | 0:35:39 | |
£50? £30? £40. £42, £45. | 0:35:39 | 0:35:43 | |
£48? £48. £50? £55, £50, a bid. | 0:35:43 | 0:35:48 | |
Nearest to me at £50, I'll take £55. | 0:35:48 | 0:35:51 | |
-At £50. £55 there, new bidder. -Another bid. | 0:35:51 | 0:35:53 | |
£70. £75, £80. | 0:35:53 | 0:35:56 | |
£85? No? At £80, and going. | 0:35:56 | 0:35:59 | |
-£80 and gone? All finished? -£80. | 0:35:59 | 0:36:02 | |
Well done. | 0:36:02 | 0:36:04 | |
-I'm pleased about that. -Yes, I am. -Yes. | 0:36:04 | 0:36:06 | |
'And rightly so. £80 is a decent amount for that collection, | 0:36:06 | 0:36:10 | |
'and moves us ever closer to our target.' | 0:36:10 | 0:36:13 | |
Elizabeth, your mother had this crewelwork tapestry of three figures on a path. £70-£100, Jonty. | 0:36:13 | 0:36:20 | |
-Are they collectable, these things? -Yes, these are quite rare. | 0:36:20 | 0:36:23 | |
This one is 18th-century and it's difficult to find these intact. | 0:36:23 | 0:36:27 | |
I've put £70-£100 on this one. | 0:36:27 | 0:36:30 | |
I have a sneaky suspicion this might do slightly better. | 0:36:30 | 0:36:34 | |
A bid at £50, at £50. I'll take £55? £55. £60, £65. £70, £75. | 0:36:34 | 0:36:38 | |
-£80, £85. £90, £95. -Great. | 0:36:38 | 0:36:41 | |
£100, £110. The bid's there for £100, I'll take £110 or will it make more? | 0:36:41 | 0:36:46 | |
At £100, £110? Are we done at £100? Last chance and going £100. | 0:36:46 | 0:36:51 | |
-Brilliant. -Sadly, Jonty, not more than your £100, but on the button of the top estimate. | 0:36:51 | 0:36:57 | |
Very happy with that. | 0:36:57 | 0:36:58 | |
'It's good to see Ken and Elizabeth in high spirits. | 0:36:58 | 0:37:02 | |
'Our day has been a roller-coaster, but I'm hoping this next item | 0:37:02 | 0:37:06 | |
'will be the one that seals the deal. | 0:37:06 | 0:37:08 | |
'That oil painting with the Currier family connection.' | 0:37:08 | 0:37:12 | |
Peggy and Vic coming up now. Jonty, you've put £500-£800 on it. | 0:37:12 | 0:37:16 | |
Simply because pictures by the artist have recently sold at auction in excess of £1,000. | 0:37:16 | 0:37:23 | |
That's the reason why, even though this picture has damage, | 0:37:23 | 0:37:27 | |
I've put it £500-£800. Let's see what happens. It's exciting. | 0:37:27 | 0:37:31 | |
A portrait of Peggy and Vic, start me at £500 for it. | 0:37:31 | 0:37:34 | |
-He's started at £500. -Start me at £300 for it. -Oh, it's dropped. | 0:37:34 | 0:37:37 | |
Start me at £300 for it. Will anyone buy at £300? | 0:37:37 | 0:37:40 | |
He looks up for more, £300 for it? Nobody at £300, then? | 0:37:40 | 0:37:43 | |
Perhaps a little restoration, no bidders at £300? | 0:37:43 | 0:37:46 | |
-Pass the lot, no bids. Sorry. -No bidding in the room. -No bids. | 0:37:46 | 0:37:50 | |
No, we're taking that back home. | 0:37:50 | 0:37:52 | |
I just wonder if it's all to do with the damage on the canvas. | 0:37:52 | 0:37:55 | |
I know it's restorable, but in this trade | 0:37:55 | 0:37:58 | |
where the market is at the moment, perhaps dealers are looking for pictures in very good condition. | 0:37:58 | 0:38:04 | |
'That's a disappointing result. | 0:38:04 | 0:38:06 | |
'With that lovely oil painting failing to find a buyer, | 0:38:06 | 0:38:10 | |
'we could struggle now to make our £1,500 target. | 0:38:10 | 0:38:13 | |
'I'm rather hoping that the bronze hunting dog, | 0:38:13 | 0:38:16 | |
'which Elizabeth inherited from her grandfather, will more than make up for it.' | 0:38:16 | 0:38:21 | |
Jonty has put £500-£800 on this, because it is signed by PJ Mene, | 0:38:21 | 0:38:27 | |
but you've put a £900 reserve on it, haven't you? | 0:38:27 | 0:38:31 | |
Because I'm still slightly undecided whether I want to let it go or not. | 0:38:31 | 0:38:36 | |
-So you're keeping your options open? -I am, yes. | 0:38:36 | 0:38:39 | |
Somebody start me at £500 for it. | 0:38:39 | 0:38:41 | |
Start me with a bid of £500. £500 please, a starting bid of £500? | 0:38:41 | 0:38:46 | |
No one likes it at £500? I'll pass the lot. No bids at £500, then? | 0:38:46 | 0:38:49 | |
Not today, then. GAVEL BANGS | 0:38:49 | 0:38:51 | |
No bid, no bidders in the room at all. | 0:38:51 | 0:38:53 | |
-Not unhappy about that at all? -No, not at all. -No. | 0:38:53 | 0:38:56 | |
'Well, sadly, that £900 reserve proved too high | 0:38:56 | 0:39:00 | |
'for today's bidders and so, along with the oil painting, | 0:39:00 | 0:39:03 | |
'the bronze returns unsold to the Currier's home. | 0:39:03 | 0:39:06 | |
'As the auction draws to a close, I'm wondering if this final lot | 0:39:06 | 0:39:10 | |
'will strike the right note for us in the sale room. | 0:39:10 | 0:39:13 | |
'The Edwardian French-style balloon clock.' | 0:39:13 | 0:39:16 | |
These clocks do sell well. | 0:39:16 | 0:39:18 | |
It does need a bit of restoration, including on the outside. | 0:39:18 | 0:39:22 | |
But let's see if we can get up to that £40. | 0:39:22 | 0:39:25 | |
And start me at £40, see where it goes. | 0:39:25 | 0:39:29 | |
£40 for it? I'm bid at £40, I'll take £42. | 0:39:29 | 0:39:33 | |
£42 for the clock. | 0:39:33 | 0:39:35 | |
£42, do you want 45? £45. £48? £45, then, £48 there? | 0:39:35 | 0:39:38 | |
£50, £55? £60, £65. £70, £75? £80. | 0:39:38 | 0:39:43 | |
-£85, £90. -Crikey. | 0:39:43 | 0:39:45 | |
£100, £110. £120? The seated bidder at £110, I'll take £120. | 0:39:45 | 0:39:50 | |
Staying at £110 selling, all done? | 0:39:50 | 0:39:52 | |
All out for £110? You've got it, I think, thanks for the bid. £110. | 0:39:52 | 0:39:55 | |
-Great. -That's brilliant! | 0:39:55 | 0:39:57 | |
-That's terrific. -Yes. | 0:39:57 | 0:39:59 | |
-That did better than you expected. -Much better, yes. | 0:39:59 | 0:40:02 | |
'That certainly was a great result to end on. | 0:40:02 | 0:40:07 | |
'But...have we reached the £1,500 target?' | 0:40:07 | 0:40:11 | |
Ken and Elizabeth, you came with 12 items. | 0:40:11 | 0:40:15 | |
We've managed to sell nine of them for you, and you're going home with three. | 0:40:15 | 0:40:19 | |
They are the most expensive things in the catalogue, because we haven't sold | 0:40:19 | 0:40:23 | |
that delightful oil painting of Peggy and Vic, we didn't sell the watercolour of Mousehole | 0:40:23 | 0:40:28 | |
and we didn't sell the hunting dog and the hare, but you really couldn't care less about that. | 0:40:28 | 0:40:33 | |
But you put a £900 reserve on that and even if | 0:40:33 | 0:40:36 | |
I take Jonty's lowest estimate on the two pictures, | 0:40:36 | 0:40:39 | |
that was £900 and £600, that's £1,500, which is what | 0:40:39 | 0:40:42 | |
you wanted to raise in total from today, so don't be surprised that you haven't raised £1,500, will you? | 0:40:42 | 0:40:49 | |
But I think you might still be very pleased to know, | 0:40:49 | 0:40:51 | |
because you've made well over half of that sum, actually, because it's come to £753. | 0:40:51 | 0:40:59 | |
-Gosh, that's shot up. -I didn't think we'd done that well. -No! -That's really good. | 0:40:59 | 0:41:04 | |
-So, that's not a bad total towards the car. -Not at all. -Presumably, you've enjoyed the auction anyway? | 0:41:04 | 0:41:10 | |
-Very much so, yes. -Yes, I've really enjoyed it. -Thank you. | 0:41:10 | 0:41:14 | |
To see how it all works behind the scenes, I've really enjoyed it. | 0:41:14 | 0:41:17 | |
A few weeks after the auction and Ken and Elizabeth are edging ever closer to owning their dream car. | 0:41:21 | 0:41:27 | |
-A Triumph TR4. -We've got a total which can go towards the Triumph fund, | 0:41:27 | 0:41:32 | |
and on a beautiful day like this, we've come to look at two of them. | 0:41:32 | 0:41:37 | |
-This would be the first time you've seen one, isn't it? -It is, yes. -Close up. | 0:41:37 | 0:41:41 | |
-You're in your element today, aren't you? -I am, yes. Definitely. | 0:41:41 | 0:41:45 | |
Derek Pollock is president of Club Triumph, and he's going to take them for a spin. | 0:41:45 | 0:41:49 | |
Ken leads the way, whilst Elizabeth follows in this sporty green model, | 0:41:51 | 0:41:56 | |
giving them a little taste of things to come. | 0:41:56 | 0:41:59 | |
I've really enjoyed that, really enjoyed it. | 0:41:59 | 0:42:03 | |
Thanks to Derek and the Club Triumph for supplying us with two cars | 0:42:03 | 0:42:07 | |
so that we could have a day out like that. Did you enjoy it? | 0:42:07 | 0:42:11 | |
I did, I really, really enjoyed driving round in that car, yes. | 0:42:11 | 0:42:15 | |
So we'll get ourselves one of those and then we won't have to go home in this. | 0:42:15 | 0:42:19 | |
CAR HORN BEEPS | 0:42:19 | 0:42:22 |