Browse content similar to Riley. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to Cash In The Attic, | 0:00:02 | 0:00:03 | |
the show that searches for treasures hidden around your home and then sells them for you at auction. | 0:00:03 | 0:00:08 | |
Today I'm in Northamptonshire, and I've stopped off at the rather magnificent Stoke Park Pavilions. | 0:00:08 | 0:00:15 | |
Built in the 17th century, Stoke Park was designed by Inigo Jones, | 0:00:15 | 0:00:19 | |
the man who introduced Italianate Renaissance architecture to the UK. | 0:00:19 | 0:00:23 | |
The original design consisted of a main house balanced by two pavilions, | 0:00:23 | 0:00:29 | |
and these structures are all that survive. | 0:00:29 | 0:00:31 | |
This was the first property in England to be built in the Palladian style. | 0:00:31 | 0:00:35 | |
It was only 80 years after completion | 0:00:35 | 0:00:37 | |
that Stoke Park won acclaim, so much so that it was used as the blueprint | 0:00:37 | 0:00:41 | |
for all English 18th century country houses. | 0:00:41 | 0:00:44 | |
Sadly, the main house was destroyed by fire, | 0:00:44 | 0:00:47 | |
but the pavilions survive today, | 0:00:47 | 0:00:49 | |
the last remnants of one of the most important houses in English architectural history. | 0:00:49 | 0:00:54 | |
Let's hope that this isn't the only gem we manage to discover today, | 0:00:54 | 0:00:58 | |
as we go in search of hidden treasures that can be put under the hammer at auction. | 0:00:58 | 0:01:02 | |
Coming up on Cash In The Attic - a treasure trove of goodies. | 0:01:22 | 0:01:27 | |
And Paul gets a bit carried away by one of his finds. | 0:01:27 | 0:01:30 | |
Could have been used at Trafalgar. Who knows? | 0:01:30 | 0:01:33 | |
And another item inspires me to get into character. | 0:01:33 | 0:01:37 | |
I've been working up to the part of the Fat Controller. | 0:01:37 | 0:01:40 | |
Paul's still caught up in naval history at the auction. | 0:01:40 | 0:01:43 | |
Has it been at war? Could have been used in Napoleonic times. | 0:01:43 | 0:01:47 | |
But will our couple sail past their total as the final hammer falls? | 0:01:47 | 0:01:52 | |
I've travelled down the road to the town of Towcester | 0:01:52 | 0:01:56 | |
and I'm on my way to meet a lady who's planning a trip of a lifetime. | 0:01:56 | 0:01:59 | |
And she's called in the Cash In The Attic team to help. | 0:01:59 | 0:02:02 | |
This three-bedroom property on the outskirts of Towcester is home to interior designer, Linda Riley. | 0:02:02 | 0:02:08 | |
Linda is also a passionate photographer and mother to three sons - | 0:02:09 | 0:02:13 | |
Paul, Simon and Scott. | 0:02:13 | 0:02:15 | |
They're all grown-up, and after sadly losing her husband Alan a few years ago, Linda is in need of help | 0:02:15 | 0:02:21 | |
clearing through a mass of items passed down to him by his family. | 0:02:21 | 0:02:24 | |
She's called in her friend Gillian for moral support. | 0:02:24 | 0:02:27 | |
With 20 years of antiques experience, Paul Hayes is just the man to help. | 0:02:27 | 0:02:32 | |
-Good morning. -Good morning, Aled. How are you? | 0:02:32 | 0:02:34 | |
-Feeling short! How tall are you? -About 6ft 1. | 0:02:34 | 0:02:37 | |
-With heels! -Yes. 6ft without the heels. | 0:02:37 | 0:02:39 | |
-Are you looking forward to it? -Yes, great to be down here. | 0:02:39 | 0:02:42 | |
Yes, close to the racecourse. No time today, but we have a lovely lady in there. | 0:02:42 | 0:02:46 | |
She's hoping to go on a trip of a lifetime and she's hoping, | 0:02:46 | 0:02:50 | |
with a busy day of rummaging and your expert knowledge, | 0:02:50 | 0:02:53 | |
that we'll be able to help fund that trip. Do you reckon we're up to it? | 0:02:53 | 0:02:57 | |
-Yes. Let's get going. -Come on, then. | 0:02:57 | 0:03:00 | |
-Hi! -Hello, Aled. | 0:03:01 | 0:03:03 | |
-Nice to see you. -And you. | 0:03:03 | 0:03:05 | |
-Lovely to meet you. -You two have wicked glints in your eyes. | 0:03:05 | 0:03:08 | |
-This is going to be fun! -We hope so. | 0:03:08 | 0:03:11 | |
Why have you called in Cash In The Attic? | 0:03:11 | 0:03:13 | |
Because I've accumulated so many things, with family members passing away | 0:03:13 | 0:03:18 | |
and things that I've accumulated, that it's time to move them on and do something nice. | 0:03:18 | 0:03:23 | |
I know you're stood next to her. Is she a bit of a hoarder? | 0:03:23 | 0:03:26 | |
She says she's not, but she is! | 0:03:26 | 0:03:28 | |
You don't mean a little bit, do you? She's a hoarder! | 0:03:28 | 0:03:32 | |
So this stuff comes from friends and family? | 0:03:32 | 0:03:35 | |
Yes. A few things I've collected, but mostly it's been handed down. | 0:03:35 | 0:03:40 | |
What's the plan? | 0:03:40 | 0:03:42 | |
Are you hoping to sell some of it? Why? | 0:03:42 | 0:03:44 | |
Because I want to go to Cuba. | 0:03:44 | 0:03:46 | |
Right. Why Cuba? | 0:03:46 | 0:03:48 | |
Because I think it would be a great place to go | 0:03:48 | 0:03:51 | |
and see as it is now before it changes, and I like photography. | 0:03:51 | 0:03:55 | |
So I want to do some really good shots with all the old Cadillacs and things, | 0:03:55 | 0:03:59 | |
and do some margaritas in Hemingway's bar. | 0:03:59 | 0:04:04 | |
It sounds like a lovely plan. Are you going with her? | 0:04:04 | 0:04:06 | |
Unfortunately not on this trip. | 0:04:06 | 0:04:08 | |
We have been abroad before and I'm sure we will again, but I can't make Cuba this time. | 0:04:08 | 0:04:13 | |
It sounds lovely, but it sounds very expensive, so how much are you hoping to raise? | 0:04:13 | 0:04:17 | |
-If I got 1,000, that would be really nice. -It would be, wouldn't it?! | 0:04:17 | 0:04:22 | |
How confident are you of getting that £1,000? | 0:04:22 | 0:04:25 | |
I don't know. Who knows? | 0:04:25 | 0:04:27 | |
She's got some good bits in there, I'm sure. | 0:04:27 | 0:04:30 | |
You've had a look already, have you? | 0:04:30 | 0:04:32 | |
If it's £1,000 you're after, we really need to rummage, so shall we go and do it? | 0:04:32 | 0:04:36 | |
Yeah, sure, let's go. | 0:04:36 | 0:04:39 | |
If Linda is going to see Castro's Cuba before it crumbles, we need to get hunting for things to sell. | 0:04:39 | 0:04:44 | |
An initial scout round shows that Gillian is right - this house isn't short of antiques. | 0:04:44 | 0:04:50 | |
It hasn't taken our Paul Hayes long to find something of value. | 0:04:50 | 0:04:54 | |
SHRILL WHISTLE | 0:04:55 | 0:04:57 | |
-Dear me! -Can't be half-time already, can it? | 0:04:57 | 0:05:00 | |
-It works. -It does. | 0:05:00 | 0:05:02 | |
A fantastic whistle. Where has that come from? | 0:05:02 | 0:05:05 | |
I think it must have come from great-great-grandparents somewhere along the line. | 0:05:05 | 0:05:09 | |
It's always been around, just sitting in a drawer. | 0:05:09 | 0:05:13 | |
-What exactly is it? -It's a bosun's whistle, | 0:05:13 | 0:05:15 | |
or boatswain's, as the correct pronunciation is. | 0:05:15 | 0:05:19 | |
Basically, it goes back to the golden age of the Navy. | 0:05:19 | 0:05:22 | |
You've got the wind in the sails, the sea squalling, | 0:05:22 | 0:05:25 | |
you've got the cannonballs roaring. | 0:05:25 | 0:05:27 | |
He'd need to be able to communicate, so he would send a signal, a coded message, | 0:05:27 | 0:05:31 | |
which told the rest of the crew to do it. | 0:05:31 | 0:05:33 | |
-So it was a form of Morse code, before walkie-talkies and things like that. -How old is that? | 0:05:33 | 0:05:38 | |
This is very old indeed. You've got the anchor and the crown. | 0:05:38 | 0:05:41 | |
I'd say this was early 19th century, sort of 1800, 1820. | 0:05:41 | 0:05:45 | |
Could have been used at Trafalgar. Who knows? | 0:05:45 | 0:05:48 | |
Real bit of history there. | 0:05:48 | 0:05:49 | |
How much, do you reckon? | 0:05:49 | 0:05:51 | |
This design hasn't really changed since the 13th century. | 0:05:51 | 0:05:54 | |
Nowadays they're not used as much, | 0:05:54 | 0:05:58 | |
but for people who are Sea Cadets or Sea Scouts, they all get trained with items like this. | 0:05:58 | 0:06:02 | |
And very collectible. If you ever get told to pipe down, | 0:06:02 | 0:06:07 | |
that's where it comes from. | 0:06:07 | 0:06:09 | |
Lots of nautical terms like that. | 0:06:09 | 0:06:12 | |
But very, very collectible. Early 19th century. | 0:06:12 | 0:06:15 | |
You've got the naval history here, you've got the whistles. | 0:06:15 | 0:06:18 | |
If I said... | 0:06:18 | 0:06:19 | |
at least £30-£50, how does that sound? | 0:06:19 | 0:06:22 | |
Very good. | 0:06:22 | 0:06:24 | |
HE BLOWS WHISTLE TWICE | 0:06:25 | 0:06:26 | |
That's the code to say, "One whistle ain't going to get you to Cuba"! | 0:06:26 | 0:06:31 | |
-OK, come on. -Let's go. | 0:06:31 | 0:06:33 | |
It looks like this could be an enjoyable and profitable search. | 0:06:33 | 0:06:37 | |
Going through papers in the bedroom, | 0:06:37 | 0:06:39 | |
I find this stamp collection which belonged to Linda's husband. | 0:06:39 | 0:06:43 | |
He collected them as a small boy, just as many people still do throughout the world. | 0:06:43 | 0:06:47 | |
The very first postage stamps were introduced in the UK in 1840, | 0:06:47 | 0:06:51 | |
and Paul thinks this collection could fetch upwards of £100 at auction. | 0:06:51 | 0:06:56 | |
A good find, but we're still a long way off | 0:06:56 | 0:06:59 | |
sending Linda to Cuba. | 0:06:59 | 0:07:01 | |
Paul, what do you reckon to these? | 0:07:01 | 0:07:03 | |
Oh, wow, look at those! They're amazing! Where have these come from? | 0:07:03 | 0:07:08 | |
These were found at my mother-in-law's house. | 0:07:08 | 0:07:11 | |
-Really? -Yeah, in a little cupboard next to the fireplace, absolutely blackened with soot. | 0:07:11 | 0:07:17 | |
So they were black. You couldn't see any of this beautiful colour at all? | 0:07:17 | 0:07:20 | |
They were completely black. | 0:07:20 | 0:07:22 | |
Just goes to show. These are glazed porcelain. | 0:07:22 | 0:07:25 | |
None of the black would have got under the glaze. | 0:07:25 | 0:07:28 | |
They're almost like new. These are absolutely fabulous. | 0:07:28 | 0:07:31 | |
This is the French rococo style and they're actually wall sconces. | 0:07:31 | 0:07:35 | |
You would mount these on the wall. | 0:07:35 | 0:07:37 | |
These, at one point, have been made for either electricity or gas. | 0:07:37 | 0:07:42 | |
You can see there's a hole and your cables would run either side here. | 0:07:42 | 0:07:46 | |
So you could use these today. Wouldn't that be fantastic? | 0:07:46 | 0:07:49 | |
They're made in Germany. | 0:07:49 | 0:07:51 | |
These pastel colours are typical of a firm called Sitzendorf. | 0:07:51 | 0:07:54 | |
-Have you heard of them? -No. | 0:07:54 | 0:07:55 | |
They were inspired by the Dresden factories, these wonderful German hard-paste porcelain. | 0:07:55 | 0:08:01 | |
Very bright, pastel colours. Lots of bocage, rococo, floral decoration. They're absolutely fantastic. | 0:08:01 | 0:08:07 | |
So, value-wise, | 0:08:07 | 0:08:08 | |
what you've got is a pair of 19th century | 0:08:08 | 0:08:11 | |
Sitzendorf hard-paste porcelain wall sconces. | 0:08:11 | 0:08:14 | |
That's the catalogue. I can hear it already! | 0:08:14 | 0:08:17 | |
If I said, at least 200 upwards, how does that sound? | 0:08:17 | 0:08:21 | |
I think it sounds brilliant, great. | 0:08:21 | 0:08:22 | |
Fantastic. Let's make sure we get them there in one piece. | 0:08:22 | 0:08:26 | |
-Yeah, definitely. -Excellent. Right, let's go and sort that out. Brilliant. | 0:08:26 | 0:08:30 | |
Paul's expertise is certainly being tested today. | 0:08:30 | 0:08:32 | |
There's plenty here for him to get his teeth into. | 0:08:32 | 0:08:36 | |
Tucked away in a corner, he finds this painting by Arthur Haddy. | 0:08:36 | 0:08:39 | |
He was the chief engineer for the Decca Record Company, where Linda's father worked. | 0:08:39 | 0:08:44 | |
Haddy spent his retirement painting, and Paul has valued this example at £60-£100. | 0:08:44 | 0:08:50 | |
This looks interesting. | 0:08:52 | 0:08:55 | |
What have you found? Anything nice? | 0:08:56 | 0:08:58 | |
A bit of jewellery here, Paul. Pretty rings. | 0:08:58 | 0:09:01 | |
That's a little cachet of stuff, isn't it? Where's this been hiding? | 0:09:01 | 0:09:05 | |
I was just raking through all of the things through there and it was underneath all the boxes. | 0:09:05 | 0:09:11 | |
It's amazing what you inherit. This is all Victorian costume jewellery. | 0:09:11 | 0:09:16 | |
-The earrings are so sweet. -Yeah, these are French paste. | 0:09:16 | 0:09:19 | |
The idea was, if you had the real examples of these, | 0:09:19 | 0:09:22 | |
it was very dangerous to wear them. You'd lose one, | 0:09:22 | 0:09:25 | |
you may even get them robbed. | 0:09:25 | 0:09:27 | |
So people used to make paste examples | 0:09:27 | 0:09:30 | |
and these were often worn at dances, | 0:09:30 | 0:09:32 | |
but you had the real one at home. Those are beautiful. | 0:09:32 | 0:09:36 | |
Late 19th century. Anything else take your fancy there? | 0:09:36 | 0:09:40 | |
There's a few bits, but I thought that was quite unusual. What is it? | 0:09:40 | 0:09:44 | |
This would hang on a gentleman's watch chain or possibly a bracelet. | 0:09:44 | 0:09:47 | |
It's an old seal of the golden days of writing letters. | 0:09:47 | 0:09:50 | |
If you wanted to keep things private, | 0:09:50 | 0:09:53 | |
you'd seal your letter with a bit of wax. | 0:09:53 | 0:09:56 | |
This seal here goes into the wax and it would leave your impression or your name. | 0:09:56 | 0:10:00 | |
So nobody could break into your letter. | 0:10:00 | 0:10:02 | |
-Interesting. -There's all sorts there. Is there another layer? | 0:10:02 | 0:10:05 | |
There is. There's lots of other things underneath. | 0:10:05 | 0:10:08 | |
Right, OK. This is a great collector's lot, | 0:10:08 | 0:10:12 | |
someone who would love to have a root through here and buy it as a job lot. | 0:10:12 | 0:10:16 | |
I'll make sure there's no gold items amongst it first. | 0:10:16 | 0:10:19 | |
But if that was to come to auction, | 0:10:19 | 0:10:21 | |
and if I said £120, £150, how does that sound? | 0:10:21 | 0:10:27 | |
I think that sounds pretty good. That's a pretty good price. | 0:10:27 | 0:10:30 | |
All those fake diamonds! | 0:10:30 | 0:10:32 | |
-All right, let's keep looking. -Yep. | 0:10:32 | 0:10:34 | |
That's lovely. Thank you. | 0:10:34 | 0:10:36 | |
A glittering addition to our auction lots. | 0:10:38 | 0:10:40 | |
And another good find is a set of old coins worth £40-£80. | 0:10:40 | 0:10:44 | |
This collection belonged to Linda's uncle, | 0:10:44 | 0:10:47 | |
but condition is everything in this market | 0:10:47 | 0:10:49 | |
and most of these are far from mint. | 0:10:49 | 0:10:51 | |
Still, a collector would love to have a look through these, I'm sure. | 0:10:51 | 0:10:55 | |
-Linda, it's going very well. -Great. | 0:10:56 | 0:10:58 | |
-Are you happy? -Yeah, I'm brilliant. | 0:10:58 | 0:11:01 | |
Your house is absolutely lovely. | 0:11:01 | 0:11:03 | |
-Thank you. -Lots of photographs of you and your husband. What was he like as a person? | 0:11:03 | 0:11:08 | |
Very gregarious, very funny, very tall, over 6ft. | 0:11:08 | 0:11:13 | |
Liked a good laugh and parties, especially fancy dress ones. | 0:11:13 | 0:11:19 | |
-Fancy dress? -Yes, loved fancy dress parties. | 0:11:19 | 0:11:22 | |
-He'd dress up himself? -Yes. | 0:11:22 | 0:11:25 | |
What do you think he'd make of you doing this? | 0:11:25 | 0:11:27 | |
Well, I think he'd be OK with it. | 0:11:28 | 0:11:30 | |
He was the consummate hoarder, really was. That's why a lot has come from his side of the family. | 0:11:30 | 0:11:37 | |
But I think now, as long as the boys and I were happy, | 0:11:37 | 0:11:41 | |
he'd be glad that we were making use of them. | 0:11:41 | 0:11:45 | |
You lost him a few years ago. | 0:11:45 | 0:11:47 | |
Tell me what happened. | 0:11:47 | 0:11:49 | |
We were actually on holiday in France and it was the last day of our holiday. | 0:11:49 | 0:11:53 | |
We'd gone shopping and we were going to have lunch | 0:11:53 | 0:11:56 | |
and gradually pack up slowly, and he suddenly said, | 0:11:56 | 0:11:59 | |
"I'm not feeling very well", and he collapsed in a shop. | 0:11:59 | 0:12:04 | |
He'd had an aneurysm. | 0:12:04 | 0:12:07 | |
He was airlifted to a cardiovascular hospital in France and survived the operation, | 0:12:07 | 0:12:13 | |
but unfortunately he spent a month on life-support, then we lost him. | 0:12:13 | 0:12:17 | |
Did he share your passion of travel? | 0:12:17 | 0:12:21 | |
Yes, very much. | 0:12:21 | 0:12:22 | |
We did America a few times and a few other places. | 0:12:22 | 0:12:27 | |
He loved his holidays, yeah. | 0:12:27 | 0:12:29 | |
What is it for you? Is it immersing yourself in the local culture? | 0:12:29 | 0:12:32 | |
I love other cultures and it's the adventure. | 0:12:32 | 0:12:35 | |
I love an adventure, definitely. | 0:12:35 | 0:12:37 | |
Well, we really do need to find that £1,000, then. | 0:12:37 | 0:12:40 | |
A journey of a lifetime, do you reckon? | 0:12:40 | 0:12:42 | |
It's going to be one journey, but I hope there's more to come. | 0:12:42 | 0:12:45 | |
I think we should go and find Paul. Hopefully he's found that bit of treasure we're after. | 0:12:45 | 0:12:50 | |
It's been a difficult few years and Linda deserves this adventure. | 0:12:50 | 0:12:54 | |
Our hunt continues for items that will get Linda | 0:12:54 | 0:12:57 | |
and her camera out to Havana to capture those old cars. | 0:12:57 | 0:13:02 | |
Paul's found some miniature versions which are just as old. | 0:13:02 | 0:13:05 | |
These Tri-ang toys were kept in great condition | 0:13:05 | 0:13:08 | |
by Linda's husband Alan and were off-limits for the boys. | 0:13:08 | 0:13:11 | |
Tri-ang was set up in London in 1850 by the Lines Brothers | 0:13:11 | 0:13:15 | |
and grew to be the largest toy manufacturer in the world, | 0:13:15 | 0:13:18 | |
incorporating brands like Sindy, Meccano and Scalextric. | 0:13:18 | 0:13:22 | |
Paul reckons on at least £80-£150 | 0:13:22 | 0:13:24 | |
for this lot at auction. | 0:13:24 | 0:13:26 | |
And there's more where that came from. | 0:13:26 | 0:13:28 | |
Paul, I've become a very happy child again. | 0:13:32 | 0:13:34 | |
What have we got here? | 0:13:34 | 0:13:36 | |
A train set. | 0:13:36 | 0:13:38 | |
-That's a big train. -It is. | 0:13:38 | 0:13:40 | |
I've been working up to the part of the Fat Controller, as you can see. | 0:13:40 | 0:13:44 | |
These are fantastic. Look at that. Have these come down the family? | 0:13:44 | 0:13:49 | |
That must have come from my husband as a child. | 0:13:49 | 0:13:52 | |
We found it in my mother-in-law's house. | 0:13:52 | 0:13:55 | |
He was born there, so all his toys were still there. | 0:13:55 | 0:13:58 | |
Does it make a difference that you've got these original boxes? | 0:13:58 | 0:14:02 | |
A massive difference, yeah. | 0:14:02 | 0:14:03 | |
This was invented by a guy called Frank Hornby. He was from Liverpool and the idea was, | 0:14:03 | 0:14:08 | |
he wanted to teach children educational engineering. | 0:14:08 | 0:14:11 | |
So he patented an idea called Mechanics Made Easy, | 0:14:11 | 0:14:15 | |
that became Meccano, and Meccano was a massive-selling | 0:14:15 | 0:14:18 | |
range of toys. | 0:14:18 | 0:14:19 | |
In the 1920s, he came up with the show-stopper, this sort of train set. | 0:14:19 | 0:14:24 | |
It's tin plate and made from steel. | 0:14:24 | 0:14:26 | |
Quite cheap to produce, but endless hours of fun. | 0:14:26 | 0:14:29 | |
You've got a good collection here. If I said, at least... | 0:14:29 | 0:14:32 | |
..£150, up to £200 quite easily, from what I can see here. | 0:14:33 | 0:14:37 | |
I suspect these would go for a lot more. How does that sound? | 0:14:37 | 0:14:40 | |
That's a fantastic valuation. | 0:14:40 | 0:14:42 | |
-Amazing. -Are you chuffed? | 0:14:42 | 0:14:43 | |
Hey! That's a good 'un! | 0:14:43 | 0:14:46 | |
I'm very excited, because everywhere we look there are treasures in this house. | 0:14:46 | 0:14:50 | |
I think we're going to get to that £1,000. | 0:14:50 | 0:14:52 | |
-I hope we do. -Positive thinking. | 0:14:52 | 0:14:54 | |
-Let's get on. -Just leave me here to play. -We'll step over it. | 0:14:54 | 0:14:57 | |
'Come on, Paul. We might be on our way, but there's more work for you to do.' | 0:14:57 | 0:15:02 | |
Gillian's got the right idea. She's found more treasures in a wardrobe. | 0:15:02 | 0:15:06 | |
These mugs also came from Alan's family. | 0:15:06 | 0:15:08 | |
Two of them are pewter, but one is silver | 0:15:08 | 0:15:10 | |
and dates from the reign of George III. | 0:15:10 | 0:15:12 | |
It's so old, the mark has worn off, so we don't know who made it. | 0:15:12 | 0:15:16 | |
Even so, it could fetch £200-£400 | 0:15:16 | 0:15:19 | |
if the right bidders are at the auction. | 0:15:19 | 0:15:22 | |
Gillian's not stopping there. | 0:15:22 | 0:15:24 | |
-Paul? -Yeah? | 0:15:24 | 0:15:26 | |
-What do you think of these clocks? -Are these something Linda's bought? | 0:15:26 | 0:15:30 | |
I think she actually inherited these off grandparents. | 0:15:30 | 0:15:33 | |
This set here is called a garniture de cheminee. | 0:15:33 | 0:15:36 | |
That comes from the French. Basically, it garnishes your mantelpiece. | 0:15:36 | 0:15:40 | |
This would sit in the middle of the mantelpiece, these two tasses would be on either side, | 0:15:40 | 0:15:46 | |
you'd put your candles or keys, that sort of thing, | 0:15:46 | 0:15:48 | |
and they would look very attractive, very regal. | 0:15:48 | 0:15:51 | |
Very architectural, it's known as neo-classical. | 0:15:51 | 0:15:54 | |
The whole thing's based on ancient Rome | 0:15:54 | 0:15:56 | |
and Greece and that sort of sturdy architectural look. | 0:15:56 | 0:15:59 | |
If you wanted to make a Victorian look in a house, these are perfect. | 0:15:59 | 0:16:03 | |
For an interior design. I'm sure Linda would have the idea as well. | 0:16:03 | 0:16:07 | |
-If you want an Art Deco look, 1920s, people go for this. -That's right. | 0:16:07 | 0:16:10 | |
So there's a big market for these. This is known in the trade as Napoleon hat shape. | 0:16:10 | 0:16:15 | |
Very simple. | 0:16:16 | 0:16:18 | |
-But what's nice about this, it has three winding holes. Do you know why? -No. | 0:16:18 | 0:16:22 | |
One for the actual clock mechanism, one for the strike | 0:16:22 | 0:16:25 | |
and then one cos it plays a tune. | 0:16:25 | 0:16:28 | |
This could actually play two tunes. | 0:16:28 | 0:16:30 | |
I wonder if it still works. | 0:16:30 | 0:16:32 | |
If we said £120, £150 for those, | 0:16:32 | 0:16:37 | |
allowing for the restoration, how does that sound? | 0:16:37 | 0:16:39 | |
I think that's very, very good. | 0:16:39 | 0:16:43 | |
I'm sure she'll be very happy with that. | 0:16:43 | 0:16:45 | |
It's not just good, it's monumental. | 0:16:45 | 0:16:47 | |
Come on, let's get some fresh jokes. | 0:16:47 | 0:16:49 | |
Well, we are now running out of places to look | 0:16:51 | 0:16:54 | |
and I wonder if Linda and Gillian need a bit of encouragement. | 0:16:54 | 0:16:57 | |
Ah, so this is where you are. | 0:16:59 | 0:17:01 | |
I've come in here for a lie down! | 0:17:01 | 0:17:02 | |
Help yourself! | 0:17:02 | 0:17:04 | |
-Have you found anything? -No. | 0:17:04 | 0:17:06 | |
That's not good enough. You aren't looking hard enough. | 0:17:06 | 0:17:09 | |
-We are! -We are! | 0:17:09 | 0:17:11 | |
-It's quite gruelling, isn't it? -It is. | 0:17:11 | 0:17:13 | |
Have you found things you didn't know existed? | 0:17:13 | 0:17:15 | |
-I've found a lot of dust. -Have you? | 0:17:15 | 0:17:17 | |
I have to say, I've found a bit of dust as well. | 0:17:17 | 0:17:19 | |
-Have you? -We won't tell anyone. You seem to be having fun anyway. | 0:17:19 | 0:17:24 | |
-Yes, we are. Lovely time. -How long have you two known each other? | 0:17:24 | 0:17:27 | |
Probably since about 1998. | 0:17:27 | 0:17:31 | |
We met at work all that time ago and been friends ever since. We went... | 0:17:31 | 0:17:35 | |
We won a trip with work and that sort of sealed our friendship. | 0:17:35 | 0:17:41 | |
Went to Prague. | 0:17:41 | 0:17:43 | |
I get the impression that you're a bit of the terrible twins. | 0:17:43 | 0:17:47 | |
I bet you've got up to quite a lot of mischief, haven't you? | 0:17:48 | 0:17:51 | |
-A little bit. -But we can't say. | 0:17:51 | 0:17:52 | |
-Oh, go on! -No. | 0:17:52 | 0:17:54 | |
You've been away on holiday together before, haven't you? | 0:17:54 | 0:17:58 | |
Yes, a couple of times. | 0:17:58 | 0:18:00 | |
We tend to go away more in the winter, | 0:18:00 | 0:18:02 | |
so we can have a little bit of sun to set us up for the coming year. | 0:18:02 | 0:18:05 | |
But we have met on holiday before in the summer as well. | 0:18:05 | 0:18:09 | |
Are you proud of Linda going to Cuba? | 0:18:09 | 0:18:11 | |
Absolutely. I think it's wonderful. | 0:18:11 | 0:18:14 | |
Fabulous country, very different. | 0:18:14 | 0:18:16 | |
This is the perfect time to see it before any changes. | 0:18:16 | 0:18:20 | |
Yeah, I really want her to get this money and go and have a wonderful, wonderful time. | 0:18:20 | 0:18:25 | |
I think we should carry on with this search because I want to find that £1,000. | 0:18:25 | 0:18:29 | |
-We want to get you to Cuba. -Yeah. | 0:18:29 | 0:18:31 | |
Both of us, desperately, so you can bring us a few cigars back. | 0:18:31 | 0:18:34 | |
I think these two will be great fun at auction. | 0:18:34 | 0:18:37 | |
Linda loves antiques, but has only ever been to one before. | 0:18:37 | 0:18:41 | |
So it's back to the rummage for one final push. | 0:18:41 | 0:18:43 | |
I'm searching the cupboards and find a box of winners' cups. | 0:18:43 | 0:18:48 | |
They belonged to Alan's uncle, who must have been a serious cyclist, | 0:18:48 | 0:18:52 | |
and date from the 1930s. | 0:18:52 | 0:18:53 | |
Four of them were made by a notable silversmith, James Fenton, and Paul values them at £140-£200. | 0:18:53 | 0:19:00 | |
Linda, there's no denying it, you are a hoarder, OK? | 0:19:03 | 0:19:06 | |
Everywhere I look there are figures, vases... You've even got one in your hand. | 0:19:06 | 0:19:10 | |
This has just grabbed my attention. What is this all about? | 0:19:10 | 0:19:13 | |
That's actually an old Frogeye Sprite, Healey Sprite. | 0:19:13 | 0:19:16 | |
-Alan did have one that he was restoring. -He's done a good job. | 0:19:16 | 0:19:20 | |
It's slightly small, I would say! | 0:19:20 | 0:19:22 | |
Can I interrupt you for a second? | 0:19:22 | 0:19:24 | |
I've found some of my favourite items. A cache of pocket watches. | 0:19:24 | 0:19:28 | |
-They're fantastic. -I love them to bits. | 0:19:28 | 0:19:32 | |
These are dress watches. Gold and silver, they would've been kept for best occasions. | 0:19:32 | 0:19:37 | |
The smaller versions tend to be for ladies of the late 19th century. | 0:19:37 | 0:19:41 | |
The larger ones were the gentlemen. | 0:19:41 | 0:19:43 | |
But that really is fantastic, isn't it? | 0:19:43 | 0:19:45 | |
-Beautiful. -That would have belonged to a well-dressed gentleman. | 0:19:45 | 0:19:49 | |
That would have been his dress watch. | 0:19:49 | 0:19:51 | |
Then these smaller ones belong to ladies. | 0:19:51 | 0:19:54 | |
Were these your grandma's? | 0:19:54 | 0:19:55 | |
Yeah, probably grandma, great-grandma. | 0:19:55 | 0:19:58 | |
Wow! Well, they're fantastic. | 0:19:58 | 0:20:00 | |
These smaller versions | 0:20:00 | 0:20:02 | |
are absolute works of art. My favourite has to be this one here. | 0:20:02 | 0:20:06 | |
-Can you see the back of that one? -Yes. | 0:20:06 | 0:20:08 | |
This has been decorated with enamel and they're diamonds in there. | 0:20:08 | 0:20:12 | |
Are they? | 0:20:12 | 0:20:13 | |
I bet you didn't know you had these! | 0:20:13 | 0:20:15 | |
I knew they were about, | 0:20:15 | 0:20:17 | |
but they're the sort of things that you forget about. | 0:20:17 | 0:20:21 | |
We've got seven watches here, but time is not on our side. How much is this worth, do you reckon? | 0:20:21 | 0:20:25 | |
If I said... | 0:20:25 | 0:20:27 | |
at least £300 upwards, how does that sound? | 0:20:27 | 0:20:29 | |
I'm amazed, absolutely amazed. | 0:20:29 | 0:20:32 | |
What a nice little find. | 0:20:32 | 0:20:34 | |
-It is fantastic. -We've done well today. | 0:20:34 | 0:20:36 | |
I think we should get Gillian in. Gillian, in you come. | 0:20:36 | 0:20:40 | |
That's good news. | 0:20:40 | 0:20:41 | |
£300-£500 on that. | 0:20:41 | 0:20:43 | |
Wow! I can't believe it. | 0:20:43 | 0:20:46 | |
It's been a good day, hasn't it? | 0:20:46 | 0:20:47 | |
-You wanted... You were hoping for £1,000 for that dream holiday in Cuba. -Yes. | 0:20:47 | 0:20:53 | |
I can tell you that Paul's lowest estimate on all the things we've found today... | 0:20:53 | 0:20:59 | |
-Guess how much money you've got to play around with? -Don't know. | 0:20:59 | 0:21:03 | |
-£1,540. -Wow! | 0:21:03 | 0:21:05 | |
-You're joking! -I'm not joking. | 0:21:05 | 0:21:09 | |
-It really is amazing. -Look at the smile on your face! | 0:21:09 | 0:21:11 | |
A very happy bunny. | 0:21:11 | 0:21:13 | |
-Cuba, here you come. -Definitely. | 0:21:13 | 0:21:15 | |
With that sort of money, Cuba, here we all come! | 0:21:15 | 0:21:18 | |
That is excellent. | 0:21:18 | 0:21:20 | |
I really didn't think that at all. I was thinking about £800. | 0:21:20 | 0:21:23 | |
You've been fantastic, I've enjoyed it. Have you enjoyed it? | 0:21:23 | 0:21:26 | |
I've had a fantastic day. I think you've got one or two sleepers at the auction. | 0:21:26 | 0:21:30 | |
-That was with the train set, wasn't it? -Not railway sleepers! | 0:21:30 | 0:21:34 | |
-Next time we see you will be in the auction room. -Yes. | 0:21:34 | 0:21:37 | |
-Looking forward to it? -Yes. | 0:21:37 | 0:21:38 | |
I'm just going to take that watch! | 0:21:38 | 0:21:40 | |
Linda and Gillian have worked really hard today and I just hope we reach that figure. | 0:21:40 | 0:21:45 | |
Linda's certainly a lady deserving of a grand tour, | 0:21:45 | 0:21:47 | |
and we hope she'll be able to do it in style, helped by the vintage paste jewellery, | 0:21:47 | 0:21:52 | |
valued at £120-£150. | 0:21:52 | 0:21:55 | |
The impressive rococo wall sconces with the hefty £200-£300 price tag. | 0:21:55 | 0:22:01 | |
And the perennially popular Hornby train set. | 0:22:01 | 0:22:04 | |
Will it reach its estimate of £150? | 0:22:04 | 0:22:07 | |
Still to come on Cash In The Attic - tense moments for the girls on sale day. | 0:22:08 | 0:22:12 | |
It was like pulling teeth at first. | 0:22:12 | 0:22:14 | |
I thought you'd stopped breathing for about two minutes. | 0:22:14 | 0:22:17 | |
While other results fill us with optimism. | 0:22:17 | 0:22:20 | |
You're going to Cuba economy. Let's see if we can get you first class. | 0:22:20 | 0:22:24 | |
So, will Linda raise the funds for her trip of a lifetime? | 0:22:24 | 0:22:27 | |
Find out when the hammer falls. | 0:22:27 | 0:22:29 | |
It's been a few weeks since we helped Linda Riley search her lovely home in Towcester | 0:22:33 | 0:22:38 | |
for antiques and valuables to sell here at Chiswick Auctions in West London. | 0:22:38 | 0:22:42 | |
Linda's had a tough couple of years and she's hoping to fulfil a dream of a lifetime by visiting Cuba. | 0:22:42 | 0:22:48 | |
She wants to raise about £1,000 towards the trip. | 0:22:48 | 0:22:51 | |
Let's hope there's a generous crowd in here when her items go under the hammer. | 0:22:51 | 0:22:56 | |
I'm always pleased to see our bidders looking so keen when they walk through these saleroom doors. | 0:22:56 | 0:23:01 | |
Luckily for us, we have a terrific range of items with which to tempt them. | 0:23:01 | 0:23:05 | |
I particularly enjoyed the Rileys' collection | 0:23:07 | 0:23:09 | |
of vintage toy trucks and I think Paul has a soft spot for them, too. | 0:23:09 | 0:23:13 | |
-Morning. -Good morning. How are you? | 0:23:13 | 0:23:15 | |
Good. You had high hopes for these. | 0:23:15 | 0:23:17 | |
Yeah, seeing them in this cabinet here, I think they're fantastic. | 0:23:17 | 0:23:20 | |
I have even higher hopes. These are real sleepers. | 0:23:20 | 0:23:23 | |
-You know what a sleeper is? -Tell me. -Something with a low estimate, | 0:23:23 | 0:23:26 | |
but if two people take a shine to them, these could do very well indeed. | 0:23:26 | 0:23:30 | |
Look at them. How have they survived in this condition? | 0:23:30 | 0:23:34 | |
Who'd go for this sort of thing? | 0:23:34 | 0:23:36 | |
People who collect advertising ware, people that reminisce about the 1950s and '60s, | 0:23:36 | 0:23:41 | |
anybody into clockwork | 0:23:41 | 0:23:43 | |
and transportation. | 0:23:43 | 0:23:45 | |
Anybody that grew up in the '50s and '60s will remember these toys and want to buy into that market. | 0:23:45 | 0:23:50 | |
Linda will be thrilled... And Gillian. | 0:23:50 | 0:23:53 | |
-Shall we go and find them? -Of course. | 0:23:53 | 0:23:56 | |
If Paul's right, those vintage Tri-ang toys should make top dollar, | 0:23:56 | 0:24:00 | |
but only if the saleroom is packed with clockwork-loving baby boomers. | 0:24:00 | 0:24:03 | |
I never like to judge by appearances, so maybe I'll just keep my fingers crossed. | 0:24:03 | 0:24:08 | |
Ah, ladies. You made it down to London. Lovely to see you. | 0:24:10 | 0:24:12 | |
-How are you? -Nervous. -Have you seen anything like this before? | 0:24:12 | 0:24:15 | |
-Never. -You're clinging on to that whistle. | 0:24:15 | 0:24:18 | |
I'm going to have to give it away, aren't I? | 0:24:18 | 0:24:20 | |
Are you going to be sad giving one thing away more than anything else? | 0:24:20 | 0:24:24 | |
-The cars. -Really? | 0:24:24 | 0:24:26 | |
-Lots of memories? -Yeah. | 0:24:26 | 0:24:28 | |
Because they belonged to Alan. | 0:24:28 | 0:24:30 | |
Cling onto that fact that you're doing all this so you can go to Cuba. | 0:24:30 | 0:24:34 | |
Yes, Cuba! | 0:24:34 | 0:24:36 | |
-The auction's about to start, so we should get into position. -Excellent. | 0:24:36 | 0:24:40 | |
I'm sure the thought of that holiday in Cuba will help ease the pain of parting with these family heirlooms. | 0:24:40 | 0:24:46 | |
If you've been inspired to try your hand at buying or selling this way, remember that auction houses | 0:24:46 | 0:24:51 | |
will levy various charges, such as commission. | 0:24:51 | 0:24:55 | |
As these vary from one venue to another, check in advance with your local auction house. | 0:24:55 | 0:24:59 | |
And so to our first lot. | 0:24:59 | 0:25:02 | |
It's a good collection of O gauge trains and that's a very collectible area. | 0:25:02 | 0:25:06 | |
You've got some of the boxes as well. | 0:25:06 | 0:25:08 | |
The more items you can have together the better. | 0:25:08 | 0:25:11 | |
-Lots of toys here today. -There are a lot of toys and trains here today. | 0:25:11 | 0:25:15 | |
The dealers are coming hopefully to buy them. | 0:25:15 | 0:25:17 | |
I've set this one quite high, £150 plus. Let's see if we're on the right track. | 0:25:17 | 0:25:22 | |
Can I tell you... Aww! | 0:25:22 | 0:25:26 | |
Start me, £100 the lot. Must be worth £100. | 0:25:26 | 0:25:29 | |
I'm bid 100 and 10 I'll take. | 0:25:29 | 0:25:31 | |
At £100. | 0:25:31 | 0:25:32 | |
110. 120. 130. | 0:25:32 | 0:25:35 | |
140. 150. 160. | 0:25:35 | 0:25:38 | |
£160 there in the grey. Anybody else? | 0:25:38 | 0:25:41 | |
170. 180. 190. | 0:25:41 | 0:25:44 | |
£190 there. Anybody else? | 0:25:44 | 0:25:47 | |
190 is the bid. 190. | 0:25:47 | 0:25:49 | |
-Well done! -Fantastic! | 0:25:49 | 0:25:51 | |
That's a brilliant start. | 0:25:51 | 0:25:53 | |
-I've got a bed! -You've got a bed! | 0:25:53 | 0:25:57 | |
You're going to Cuba economy. | 0:25:57 | 0:25:59 | |
Let's see if we can get you first class. | 0:25:59 | 0:26:02 | |
And then some. | 0:26:02 | 0:26:03 | |
What a terrific start to our sale. | 0:26:03 | 0:26:05 | |
With several vintage toys coming up, this result bodes well for our chances today. | 0:26:05 | 0:26:10 | |
But before we revisit the toy box, a naughty little nautical number that would make any bosun proud. | 0:26:10 | 0:26:16 | |
Paul was so excited by it, he couldn't wait to blow the whistle on its value. | 0:26:16 | 0:26:22 | |
Paul's going to lose his toy soon. | 0:26:22 | 0:26:25 | |
The whistle he loved so much. | 0:26:25 | 0:26:29 | |
-You've said £30-£50. -I just think this is a fantastic item. | 0:26:29 | 0:26:33 | |
I know it's a whistle and a bit of fun, but it's been on a ship at some point. What's it seen? | 0:26:33 | 0:26:37 | |
Has it been at war? Could it have been used in Napoleonic times? | 0:26:37 | 0:26:41 | |
Could it tell a story? There's interest there. | 0:26:41 | 0:26:44 | |
So 30 quid hopefully. Let's see how it goes. | 0:26:44 | 0:26:47 | |
Start me for the bosun's whistle. | 0:26:47 | 0:26:49 | |
£10 to go. £10 for it, surely? | 0:26:49 | 0:26:52 | |
£10? 10 I'm bid, a maiden bid of £10. | 0:26:53 | 0:26:57 | |
£12 here. It's all livening up now. | 0:26:57 | 0:27:00 | |
14, sir? £12 here. | 0:27:00 | 0:27:02 | |
14 now. | 0:27:02 | 0:27:05 | |
£14 in the blue, at £14. At £14 it goes. | 0:27:05 | 0:27:09 | |
Obviously not a historic auction room. | 0:27:09 | 0:27:13 | |
No. Are you disappointed with that? | 0:27:13 | 0:27:15 | |
Well, no. It would only have sat in a drawer. | 0:27:15 | 0:27:18 | |
-That's a very positive attitude, isn't it? -It is, yes. | 0:27:20 | 0:27:23 | |
-And we're thinking, Cuba. -Absolutely. | 0:27:23 | 0:27:25 | |
I'm looking forward to margarita! | 0:27:25 | 0:27:28 | |
£14 is not the result we'd been hoping for. | 0:27:28 | 0:27:32 | |
Those Cuban palm trees may be waving at us, | 0:27:32 | 0:27:34 | |
but Linda stands little chance of seeing them for real if our sales don't pick up. | 0:27:34 | 0:27:38 | |
With an estimate of £200, perhaps this trio of glittering prizes | 0:27:38 | 0:27:43 | |
could prove more tempting. | 0:27:43 | 0:27:46 | |
For the next lot, you've put a budget of £200-£400 for a tankard! | 0:27:46 | 0:27:50 | |
This is not any ordinary tankard. | 0:27:50 | 0:27:51 | |
This is a George III tankard. | 0:27:51 | 0:27:53 | |
It's made at the end of the 18th century, 1804, so the beginning of the 19th century. | 0:27:53 | 0:27:57 | |
You've got silver dealers, people interested in tankards. | 0:27:57 | 0:28:00 | |
I've put with it two pewter tankards, they're a similar period. | 0:28:00 | 0:28:04 | |
But £200, hopefully, is the minimum. Let's hope someone picks up on this. | 0:28:04 | 0:28:08 | |
-It must be rare now. It's 200 years old. -Fantastic. | 0:28:08 | 0:28:11 | |
Start me at £150. 150. 160. | 0:28:11 | 0:28:14 | |
£160 for the tankard. At £160. 170, I need. | 0:28:14 | 0:28:19 | |
-£160. -Fantastic. | 0:28:19 | 0:28:21 | |
160 is the bid. 160. Not sold. | 0:28:21 | 0:28:25 | |
That's not sold! | 0:28:25 | 0:28:28 | |
That wasn't sold. | 0:28:28 | 0:28:30 | |
Because the minimum estimate was 200, he's decided he's not selling. | 0:28:30 | 0:28:34 | |
-So what happens now? -Well, he could leave it for another day or you can take it home. | 0:28:34 | 0:28:39 | |
But he's protected you there, cos it's worth a lot more. | 0:28:39 | 0:28:42 | |
Especially what you said, the history. It's 200 years old. | 0:28:42 | 0:28:45 | |
Our thanks to the auctioneer for saving those tankards | 0:28:45 | 0:28:48 | |
from selling for too low a price. | 0:28:48 | 0:28:50 | |
We're a quarter of the way through, yet we're languishing | 0:28:50 | 0:28:53 | |
well below a quarter of the expected takings. We need our luck to change. | 0:28:53 | 0:28:58 | |
Here's a collection that should do better for us. | 0:28:58 | 0:29:01 | |
We've often found that costume jewellery has been a money maker. | 0:29:01 | 0:29:05 | |
In such an attractive case, who could resist this little lot? | 0:29:05 | 0:29:09 | |
A bit of interest in this. | 0:29:09 | 0:29:10 | |
I've got a left bid of £80 and I can sell it for 80. With me at £80. 85. | 0:29:10 | 0:29:14 | |
90. | 0:29:14 | 0:29:16 | |
Is that a no? 95 there, then. | 0:29:16 | 0:29:18 | |
£95, thank you. | 0:29:18 | 0:29:20 | |
At £95 in the room here. | 0:29:20 | 0:29:22 | |
100. 110. 110 nearest to me. | 0:29:22 | 0:29:26 | |
Anybody else? 110, then. | 0:29:26 | 0:29:29 | |
At £110. 452. | 0:29:29 | 0:29:30 | |
-That's good. -Yes, it's very good. | 0:29:30 | 0:29:34 | |
That's more like it. | 0:29:37 | 0:29:38 | |
With a bit of luck, Linda will still be leaving on that jet plane. | 0:29:38 | 0:29:42 | |
Her next lot is a collection of coins, | 0:29:42 | 0:29:44 | |
mostly European, with plenty of family history attached. | 0:29:44 | 0:29:48 | |
I hope Linda won't feel too sentimental about parting with it. | 0:29:48 | 0:29:51 | |
Let's hope there's a nugget in there that's caught someone's eye. | 0:29:51 | 0:29:55 | |
We've got the collection of British and European coins next. | 0:29:55 | 0:29:59 | |
-And you found these? -Yes. -What's the story behind them? | 0:29:59 | 0:30:02 | |
My husband's uncle collected them over a period of time, along with all the other things. | 0:30:02 | 0:30:07 | |
-You're not too bothered about giving these away? -No! | 0:30:07 | 0:30:10 | |
Not so much as the others. Paul, again you're hopeful on this one? | 0:30:10 | 0:30:13 | |
I'm hopeful. I just scratched the surface of these. | 0:30:13 | 0:30:16 | |
I saw a few, but there's a lot of coins there. | 0:30:16 | 0:30:19 | |
I put these at £40. It might be a little bit of a sleeper here. | 0:30:19 | 0:30:22 | |
Some coin collectors have been doing quite well here today. | 0:30:22 | 0:30:25 | |
Start me, £30 for the lot. | 0:30:25 | 0:30:27 | |
30, I'm bid, and two I'll take. | 0:30:27 | 0:30:29 | |
Maiden bid at 30. £30, 32, 34, 36, | 0:30:29 | 0:30:32 | |
38, 40, 45, £45 here. £45. | 0:30:32 | 0:30:38 | |
50 in the doorway. | 0:30:38 | 0:30:39 | |
55, 60, 65. | 0:30:39 | 0:30:42 | |
70, 75. | 0:30:42 | 0:30:44 | |
80, 85. | 0:30:44 | 0:30:47 | |
90, 95. 100. | 0:30:47 | 0:30:50 | |
110. | 0:30:50 | 0:30:52 | |
120, 130. | 0:30:52 | 0:30:55 | |
140, 150, 160. | 0:30:55 | 0:30:57 | |
170, 180. 180, in the doorway. 180, anybody else? | 0:30:57 | 0:31:03 | |
£180 in the doorway. | 0:31:03 | 0:31:05 | |
180. | 0:31:05 | 0:31:07 | |
£180. That's incredible. | 0:31:07 | 0:31:12 | |
Brilliant, can't believe it. | 0:31:12 | 0:31:14 | |
Looks like this could be one of the sleepers Paul mentioned. | 0:31:14 | 0:31:18 | |
I'm sure these coins will have found their way to an appreciative home. | 0:31:18 | 0:31:23 | |
We reach halfway with the fantastic collection of Tri-ang toys. | 0:31:23 | 0:31:26 | |
Paul's put a very conservative estimate on them. | 0:31:26 | 0:31:30 | |
But, if the nostalgia fans are here, they could really take off. | 0:31:30 | 0:31:34 | |
Next up is the piece de resistance. You've got great hopes for this? | 0:31:34 | 0:31:38 | |
These toys, what a collection. | 0:31:38 | 0:31:40 | |
They're almost mint condition. There's quite a lot in that box. | 0:31:40 | 0:31:43 | |
-They've displayed them beautifully. Have you seen them? -Yes. | 0:31:43 | 0:31:47 | |
-They've done a really good job. -Yes. | 0:31:47 | 0:31:49 | |
There's a terrific amount of interest in this lot, I'm sure you'll be pleased to hear. | 0:31:49 | 0:31:54 | |
230, 240, 250, £260 with me. | 0:31:54 | 0:31:58 | |
On the book at £260. | 0:31:58 | 0:31:59 | |
At 260, 270, 280, 290, | 0:31:59 | 0:32:02 | |
300. 10? 310, 320. | 0:32:02 | 0:32:06 | |
330 in the room against commission. | 0:32:06 | 0:32:09 | |
340. 350. 360. | 0:32:09 | 0:32:13 | |
360, at £360, anybody else? | 0:32:13 | 0:32:17 | |
360 is the bid. At 360 it goes. | 0:32:17 | 0:32:19 | |
Wow! | 0:32:19 | 0:32:22 | |
That must be a blessed relief? | 0:32:22 | 0:32:24 | |
It is. I'd not have wanted them to be given away. | 0:32:24 | 0:32:28 | |
Look how many people wanted them. | 0:32:28 | 0:32:30 | |
That's amazing. | 0:32:30 | 0:32:32 | |
You know they're going to a good home. | 0:32:32 | 0:32:34 | |
They'll really appreciate it. | 0:32:34 | 0:32:36 | |
And £360. | 0:32:36 | 0:32:38 | |
-We had 80 - 150. -Excellent. | 0:32:38 | 0:32:39 | |
-You can't ask for more. -They're amazing. | 0:32:39 | 0:32:41 | |
Once you see them displayed and we've got them all together, | 0:32:41 | 0:32:45 | |
the tankers with the carriages and so on, they were wonderful. | 0:32:45 | 0:32:48 | |
Paul's quite right. | 0:32:48 | 0:32:50 | |
The auction house has shown these lovely old toys in their best light. | 0:32:50 | 0:32:54 | |
That means a discerning bidder was able to appreciate their true worth. | 0:32:54 | 0:32:58 | |
The sale may have got off to a hesitant start, but our prospects look a little better now. | 0:32:58 | 0:33:03 | |
At the halfway stage, you can have a wander, but don't spend any money please. | 0:33:03 | 0:33:07 | |
You want £1,000 to take you to Cuba. | 0:33:07 | 0:33:09 | |
I can tell you that so far, halfway, you've raised... | 0:33:09 | 0:33:12 | |
-Do you want to know? -Yeah. -£854. | 0:33:12 | 0:33:15 | |
-Oh, my God! -Fantastic! | 0:33:15 | 0:33:18 | |
That's really, really good. | 0:33:18 | 0:33:20 | |
It's going really well. | 0:33:20 | 0:33:22 | |
Let's have a little break and we'll come back. | 0:33:22 | 0:33:24 | |
It seems like a perfect opportunity | 0:33:24 | 0:33:26 | |
for Linda and Gillian to check out the competition. What's more, | 0:33:26 | 0:33:30 | |
it looks as if Paul's found a very curious objet d'art. | 0:33:30 | 0:33:33 | |
I love coming to auction houses. You never know what you'll find. | 0:33:34 | 0:33:37 | |
I've found the perfect example here. | 0:33:37 | 0:33:40 | |
It's a fantastic Arts and Crafts carving of Pan. | 0:33:40 | 0:33:44 | |
He's recognisable by his cloved hoof, his rear leg. | 0:33:44 | 0:33:47 | |
Isn't that fantastic? | 0:33:47 | 0:33:49 | |
It looks as if it's been made into a lamp. | 0:33:49 | 0:33:51 | |
Actually, it's been the end of a newel post. | 0:33:51 | 0:33:54 | |
You get these fantastic staircases. This would have been in the hallway, | 0:33:54 | 0:33:58 | |
and the first thing you saw in the house. | 0:33:58 | 0:34:00 | |
If you wanted that Gothic look, a superb thing to happen. | 0:34:00 | 0:34:03 | |
It's been recycled in a way, but I think that could be put back on a newel | 0:34:03 | 0:34:07 | |
and it's priceless for someone who wants that Gothic look. | 0:34:07 | 0:34:10 | |
Estimate in the catalogue, £100-£150. I think it's an absolute bargain. | 0:34:10 | 0:34:14 | |
This particular Pan would have led us a merry dance if he'd been given a set of pipes. | 0:34:14 | 0:34:19 | |
His performance is no less disappointing, bagging an impressive £110. | 0:34:19 | 0:34:23 | |
The ancient Greek gods must be smiling down on the sale. | 0:34:23 | 0:34:27 | |
Let's hope they bring Linda and Gillian a little luck too. | 0:34:27 | 0:34:30 | |
Remember, we're only £146 short of the target and there are six great items still to come. | 0:34:30 | 0:34:37 | |
I feel positive about Linda's chances of making £1,000 for the trip of a lifetime to Cuba. | 0:34:37 | 0:34:42 | |
Now, a dream come true for any philatelist. | 0:34:42 | 0:34:45 | |
Paul's estimate is £100 to £200 for the set. | 0:34:45 | 0:34:48 | |
So it's the world stamps next. | 0:34:51 | 0:34:53 | |
We've seen quite a few stamp collections. | 0:34:53 | 0:34:55 | |
Yeah, stamps are doing well here today. | 0:34:55 | 0:34:57 | |
I think in the economic climate, people are wanting something to invest in | 0:34:57 | 0:35:01 | |
and we all can't afford the very expensive examples. | 0:35:01 | 0:35:04 | |
So these schoolboy collections are now collectible. There's four albums. £100? | 0:35:04 | 0:35:09 | |
What shall we start this at? £30 for the lot. | 0:35:09 | 0:35:11 | |
For the mixed lot of stamps. | 0:35:11 | 0:35:13 | |
Can't sell it for less than £30. 30 I'm bid. 35. | 0:35:13 | 0:35:18 | |
40. 45. | 0:35:18 | 0:35:20 | |
It could be sold for 50. At £50, I am... | 0:35:20 | 0:35:24 | |
55, just in time. 60. £60 then. | 0:35:24 | 0:35:27 | |
At £60. Anybody else at 60? | 0:35:27 | 0:35:30 | |
Gosh, that's surprising, isn't it? | 0:35:31 | 0:35:33 | |
-It's a little less than we wanted. -Such a fantastic collection as well. | 0:35:33 | 0:35:37 | |
Yeah, but they're quite modern. No penny blacks there. | 0:35:37 | 0:35:39 | |
I'm not surprised, so that's OK. | 0:35:39 | 0:35:41 | |
A modest result. It's good to see Linda being so philosophical. | 0:35:41 | 0:35:46 | |
Still, that £1,000 target is edging closer... | 0:35:46 | 0:35:49 | |
and closer. | 0:35:49 | 0:35:51 | |
Could this charming woodland scene be enough to push us over the brink? | 0:35:51 | 0:35:55 | |
It's by Arthur Haddy, chief engineer at the Decca Record Company, | 0:35:55 | 0:35:58 | |
where Linda's father worked. | 0:35:58 | 0:36:00 | |
Paul thinks this is worth at least £60, too. | 0:36:00 | 0:36:04 | |
£30 for the lot? For the birch trees. | 0:36:04 | 0:36:07 | |
£20 to go. To start it for 20. Anybody want the lot for £20? | 0:36:07 | 0:36:10 | |
-No. Pass it for 20. -He's passed it. | 0:36:10 | 0:36:13 | |
Oh, no. It's a fine painting, but it seems the art collectors aren't in today. | 0:36:13 | 0:36:17 | |
I hope Linda won't be too disappointed about taking it home. | 0:36:17 | 0:36:21 | |
Now, four lots to go and just over £80 still to collect if we're to make Linda's target. | 0:36:21 | 0:36:26 | |
So fingers crossed the trio of mantle clocks catches someone's eye. | 0:36:26 | 0:36:30 | |
It was Gillian who found these, so she's keeping her fingers crossed. | 0:36:30 | 0:36:33 | |
They're valued as a single lot at £120. | 0:36:33 | 0:36:37 | |
It could be just what we need to push us over that £1,000 target. | 0:36:37 | 0:36:40 | |
-So, no pressure on Gillian now. -With the clocks! | 0:36:40 | 0:36:44 | |
You really like these, don't you? | 0:36:44 | 0:36:48 | |
Yeah, I think... For a good collector of clocks, they're lovely, lovely specimens. | 0:36:48 | 0:36:52 | |
So I'm hoping there's somebody here who really appreciates a good clock. | 0:36:52 | 0:36:56 | |
How do you feel about your mate selling your stuff? | 0:36:56 | 0:36:59 | |
Well, that's all right. She's going to sell me afterwards! | 0:36:59 | 0:37:04 | |
Start this low. Start me at £40 for the clocks. | 0:37:04 | 0:37:09 | |
£40 to go. 45. | 0:37:09 | 0:37:11 | |
£45, these clocks. At £45. | 0:37:11 | 0:37:14 | |
50 there. 55. | 0:37:14 | 0:37:16 | |
£55 with me. Not quite enough. | 0:37:16 | 0:37:18 | |
£55. 60 there in the middle of the room. | 0:37:18 | 0:37:21 | |
65. Suddenly everybody's jumping. | 0:37:21 | 0:37:23 | |
-They are going. -70. 75. 80. | 0:37:23 | 0:37:26 | |
85. 90. 95. 100. | 0:37:26 | 0:37:32 | |
£100 in the middle of the room. | 0:37:32 | 0:37:34 | |
At £100. £100 is the bid. | 0:37:34 | 0:37:36 | |
-Well done. -From the brink of death there. | 0:37:37 | 0:37:39 | |
-Honestly, I have to say. -It was like pulling teeth at first, wasn't it? | 0:37:39 | 0:37:43 | |
I think you stopped breathing for about two minutes! | 0:37:43 | 0:37:46 | |
And now I've got my breath back, I'm thinking that little turn | 0:37:46 | 0:37:50 | |
might have helped Linda fly past her target. | 0:37:50 | 0:37:52 | |
I've no time to check the figures, | 0:37:52 | 0:37:54 | |
so I'll keep that to myself. | 0:37:54 | 0:37:56 | |
With any luck, our last three lots could bring her even more cash. | 0:37:56 | 0:38:01 | |
Paul thinks the rococo style sconces with their elegant figurines | 0:38:01 | 0:38:04 | |
are worth at least £200 of anyone's money. | 0:38:04 | 0:38:07 | |
We're very excited about this next lot. They've pride of place up there, those sconces. | 0:38:07 | 0:38:12 | |
Don't they look amazing? | 0:38:12 | 0:38:14 | |
Very decorative lot. Are they worth £100? | 0:38:14 | 0:38:17 | |
100 to go. 100. 110. | 0:38:17 | 0:38:19 | |
120. 130. | 0:38:19 | 0:38:21 | |
£130 for them. At 130. | 0:38:21 | 0:38:23 | |
-Come on! -140 I need. | 0:38:23 | 0:38:26 | |
£130 for the wall sconces. | 0:38:26 | 0:38:27 | |
At 130. Anybody else? | 0:38:27 | 0:38:29 | |
£130 then. Not quite enough. | 0:38:29 | 0:38:31 | |
He's withdrawn them. I can't believe that. | 0:38:31 | 0:38:34 | |
Why has he withdrawn them for 130? | 0:38:34 | 0:38:36 | |
We had 200-300 and he's thought they're worth more. | 0:38:36 | 0:38:39 | |
Good for Linda. Upbeat, despite two no-sales in the second half. | 0:38:39 | 0:38:42 | |
Maybe someone will buy those sconces another day. | 0:38:42 | 0:38:46 | |
I can't help feeling a little tense as the end of the sale draws near. | 0:38:46 | 0:38:50 | |
You never know who's in the room on the day, and it's anyone's guess | 0:38:50 | 0:38:53 | |
as to whether her collection of seven vintage watches | 0:38:53 | 0:38:56 | |
will attract a bidder. | 0:38:56 | 0:38:59 | |
They're lovely examples. There's seven fob watches in this lot. | 0:38:59 | 0:39:03 | |
£300. I think they're great things. | 0:39:03 | 0:39:05 | |
I wish a famous celebrity would start wearing one. Then everyone would want one. | 0:39:05 | 0:39:09 | |
There you go! | 0:39:09 | 0:39:11 | |
You know, the pressure's on here with £300-600. | 0:39:11 | 0:39:14 | |
We've had a couple of ones withdrawn, | 0:39:14 | 0:39:16 | |
so we need somebody to bid 300 quid for these, don't we? | 0:39:16 | 0:39:19 | |
It's quite a lot of money. Let's see. | 0:39:19 | 0:39:21 | |
150 I am bid in the doorway. | 0:39:21 | 0:39:23 | |
160. 170. 180. 190. 200. | 0:39:23 | 0:39:28 | |
And 10 in the doorway there at £210. | 0:39:28 | 0:39:30 | |
Anybody else? | 0:39:30 | 0:39:32 | |
220. 230. 240. | 0:39:32 | 0:39:35 | |
-250... -Here we go. | 0:39:35 | 0:39:38 | |
In the doorway at 250. Anybody else? 250 is the bid. | 0:39:38 | 0:39:41 | |
He's took it. Is that all right with you? | 0:39:41 | 0:39:43 | |
-Yes. -Are you sure? -Excellent. | 0:39:43 | 0:39:45 | |
£250. A little short of Paul's estimate, but that's not bad at all. | 0:39:45 | 0:39:51 | |
And so we reach our final lot. | 0:39:51 | 0:39:53 | |
A collection of six cups. Another potent family collection. | 0:39:53 | 0:39:56 | |
They were awarded to Linda's husband's uncle. | 0:39:56 | 0:40:00 | |
Will this inheritance transform into a flying victory for Linda? | 0:40:00 | 0:40:03 | |
I didn't see you as a football player, so where did these trophies come from? | 0:40:05 | 0:40:09 | |
From Alan's uncle. | 0:40:09 | 0:40:11 | |
-He was a bit of a cyclist, then? -Yeah, he used to cycle all over the country in the 1930s. | 0:40:11 | 0:40:16 | |
What do you think of these, Gillian? | 0:40:16 | 0:40:18 | |
I think they're an excellent example of trophies, and hopefully they'll get a good price. | 0:40:18 | 0:40:23 | |
And I've got interest in this lot. | 0:40:23 | 0:40:25 | |
Needless to say as well, I'm bit straight off, £140. | 0:40:25 | 0:40:28 | |
140. 150. 160. | 0:40:28 | 0:40:30 | |
170. 180. 190. | 0:40:30 | 0:40:32 | |
£190. With me, at 190. Are you all done? | 0:40:32 | 0:40:36 | |
190 is the bid for the silver. | 0:40:36 | 0:40:38 | |
At 190, it goes. | 0:40:38 | 0:40:40 | |
How's that? | 0:40:40 | 0:40:42 | |
-Brilliant. What have I got now then? -A lot, I would say! | 0:40:42 | 0:40:45 | |
Just a little short of the upper estimate, | 0:40:45 | 0:40:48 | |
but it's a wonderful result with which to close the auction. | 0:40:48 | 0:40:52 | |
The big question now is, will we have made enough to send Linda to Havana in style? | 0:40:52 | 0:40:57 | |
So, you wanted £1,000 to go towards the trip of a lifetime to Cuba. Do you think you've done it? | 0:40:57 | 0:41:02 | |
I'd like to think so. | 0:41:02 | 0:41:05 | |
-You have! -Have I? | 0:41:05 | 0:41:06 | |
Yeah, you've actually raised £1,454. | 0:41:06 | 0:41:11 | |
My, God. That's brilliant. | 0:41:11 | 0:41:14 | |
I really didn't expect that. | 0:41:14 | 0:41:16 | |
-Stick another week on! -You can come if you want. | 0:41:16 | 0:41:19 | |
Gillian, she's not taking you anymore. She's taking me. | 0:41:19 | 0:41:23 | |
This is fantastic! | 0:41:23 | 0:41:24 | |
This is going to give you the trip of a lifetime, isn't it? | 0:41:24 | 0:41:27 | |
Yes. It really is. It's going to be brilliant. | 0:41:27 | 0:41:30 | |
-Are you pleased? -Yeah, it's excellent. | 0:41:30 | 0:41:32 | |
It's just a few days later and to celebrate their auction success, | 0:41:36 | 0:41:40 | |
Linda and Gillian have planned a little warm-up for the Cuban trip. | 0:41:40 | 0:41:44 | |
With going over to Cuba in a couple of weeks' time, | 0:41:44 | 0:41:47 | |
I wanted to brush up on a couple of my photographic skills, | 0:41:47 | 0:41:51 | |
especially as I may be taking some shots indoors | 0:41:51 | 0:41:55 | |
and I really wanted to get a few more skills under my fingertips before I went. | 0:41:55 | 0:42:00 | |
For studio stuff, we need to set it at 125. | 0:42:00 | 0:42:03 | |
Your shutter speed at 125. | 0:42:03 | 0:42:06 | |
Gillian's on-hand to pose whilst Linda gets in some practice... | 0:42:06 | 0:42:10 | |
..before sampling a few mojitos to toast Linda's forthcoming adventure. | 0:42:13 | 0:42:18 | |
It's been a brilliant day. | 0:42:18 | 0:42:21 | |
Brushed up on my photography skills, learned a few things there, which is great. | 0:42:21 | 0:42:26 | |
Came along here, had a mojito. In the mood for Cuba. Looking forward to the sun. | 0:42:26 | 0:42:30 |