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Welcome to the show that helps raise money for a special project | 0:00:02 | 0:00:05 | |
or a treat, by rummaging round for antiques and collectables and then we take them all to auction. | 0:00:05 | 0:00:10 | |
But it's not very often you find an employee who decides that it's time for a spring clean, | 0:00:10 | 0:00:15 | |
so it'll be interesting to see what his boss thinks in today's Cash In The Attic. | 0:00:15 | 0:00:19 | |
'Coming up on today's Cash In The Attic, | 0:00:38 | 0:00:41 | |
'I get an education in restaurant management.' | 0:00:41 | 0:00:45 | |
-What is a comestible? -Anything that's edible. | 0:00:45 | 0:00:48 | |
Do you have comestibles on your menu? | 0:00:48 | 0:00:50 | |
I hope so, otherwise everyone would go very hungry! | 0:00:50 | 0:00:53 | |
'John tries to get a free meal.' | 0:00:53 | 0:00:55 | |
If they make between 20 and 30, I will buy you lunch here, | 0:00:55 | 0:00:59 | |
if not, you've got to shout me lunch. | 0:00:59 | 0:01:00 | |
'And there are some surprises come auction day.' | 0:01:00 | 0:01:03 | |
-Didn't think they'd sell at all. -You didn't? | 0:01:03 | 0:01:05 | |
-No. -Ye of little faith. | 0:01:05 | 0:01:06 | |
'So will our good fortune last? Find out when the hammer finally falls.' | 0:01:06 | 0:01:11 | |
I'm in the Surrey countryside, to meet Jane and her pub manager Colin. | 0:01:14 | 0:01:18 | |
And they've got a very practical plan to bring in the customers. | 0:01:18 | 0:01:22 | |
'Jane Ayles has been the owner of the King's Arms for five years. | 0:01:22 | 0:01:27 | |
'Having studied hotel catering at university, | 0:01:27 | 0:01:29 | |
'Jane became marketing manager for a national chain of hotels | 0:01:29 | 0:01:33 | |
'and it was there where she met her husband Peter. | 0:01:33 | 0:01:36 | |
'The couple were married in 1996, and today they run four pubs. | 0:01:36 | 0:01:40 | |
'No easy task, so thank heavens, I say, for Colin who, | 0:01:40 | 0:01:44 | |
'for the past nine months has been the general manager of this one. | 0:01:44 | 0:01:48 | |
'With plans to stand out from the competition, they've called in the Cash In The Attic team to help. | 0:01:48 | 0:01:53 | |
'Our expert John Cameron can't wait to begin exploring, | 0:01:53 | 0:01:58 | |
'so whilst he makes a start, I meet the team.' | 0:01:58 | 0:02:01 | |
Jane and Colin, | 0:02:01 | 0:02:03 | |
this is what I like to see - a bit of activity in the pub. | 0:02:03 | 0:02:05 | |
-How are you? -Very well, thank you. | 0:02:05 | 0:02:07 | |
A first for me. I don't think I've ever done a Cash In The Attic in a pub. | 0:02:07 | 0:02:11 | |
-Which of you called us in? -I did. | 0:02:11 | 0:02:12 | |
Ah, a big fan, are you? | 0:02:12 | 0:02:14 | |
I'm quite a fan of it and I've been watching it and I thought, | 0:02:14 | 0:02:17 | |
"We have a lot of interesting bits and pieces here that we wanted to clear out." | 0:02:17 | 0:02:22 | |
What do you plan to do around the pub with the money? | 0:02:22 | 0:02:24 | |
We've been thinking about this and one of the comments that we have | 0:02:24 | 0:02:27 | |
is that customers say we're hard to find because our sign isn't good, | 0:02:27 | 0:02:31 | |
so we want to put the money towards a new sign. | 0:02:31 | 0:02:33 | |
-So what do they call you - the first on the left? -First on the left, exactly! | 0:02:33 | 0:02:37 | |
I think you need a sign, to be honest. | 0:02:37 | 0:02:39 | |
How much do you think you'll raise? | 0:02:39 | 0:02:41 | |
We're looking to raise £500 for the sign. | 0:02:41 | 0:02:43 | |
Did you think it was a good idea, Colin, as you're the general manager here? | 0:02:43 | 0:02:46 | |
Yeah, it was quite incredible. | 0:02:46 | 0:02:49 | |
When I came in, it just reminded me of a grandma's front room, in terms of collecting, collecting, | 0:02:49 | 0:02:54 | |
run out of space to put things and you just couldn't see the beauty of the pub. | 0:02:54 | 0:02:58 | |
I think I'll practise pulling my pint later on, but we've got to find John Cameron, our expert. | 0:02:58 | 0:03:03 | |
I don't know whether it's a good idea bringing him to a pub or not, | 0:03:03 | 0:03:06 | |
-but we'll find out. Shall we start? -Yes. | 0:03:06 | 0:03:08 | |
'Well, I'm certainly looking forward to searching this wonderful 16th-century coaching inn. | 0:03:08 | 0:03:13 | |
'As ever, John has wasted no time in getting his hands dirty hunting for valuables | 0:03:13 | 0:03:17 | |
'and it looks like something has already caught his eye.' | 0:03:17 | 0:03:21 | |
You see, Jane, I told you that our expert John | 0:03:23 | 0:03:25 | |
would be rooting in your cupboards! | 0:03:25 | 0:03:27 | |
Well, I've got to sing for my supper today, I understand. | 0:03:27 | 0:03:30 | |
You work behind the bar, so that's OK. | 0:03:30 | 0:03:32 | |
Well, I have found something we can take to auction. | 0:03:32 | 0:03:35 | |
It's not going to make a fortune, but it will clear you a space, Jane. | 0:03:35 | 0:03:39 | |
It's this sideboard. | 0:03:39 | 0:03:40 | |
-This is oak, is it? -It is oak. It's oak and oak veneer. | 0:03:40 | 0:03:44 | |
Robert Adam is accredited with actually forming the sideboard. | 0:03:44 | 0:03:47 | |
After decorating a room, he had pedestals either side of a serving table. | 0:03:47 | 0:03:51 | |
You'd keep things in the pedestals, cutlery and boxes, | 0:03:51 | 0:03:54 | |
nice urns, and eventually he merged them together. | 0:03:54 | 0:03:57 | |
And then you'd get the humble sideboard. | 0:03:57 | 0:03:59 | |
Decorative-wise, well, it borrows from a lot of different periods. | 0:03:59 | 0:04:03 | |
It is 1920s, the kind of Arts and Crafts era, but look, | 0:04:03 | 0:04:06 | |
in this raised back, you've got an anthemion motif, which is also echoed | 0:04:06 | 0:04:10 | |
in the doors, along with that bead and reel little piece at the bottom of the frieze there. | 0:04:10 | 0:04:14 | |
Those pieces come from classical periods. | 0:04:14 | 0:04:17 | |
In the Renaissance, they were re-used and throughout decorative art history. | 0:04:17 | 0:04:21 | |
The barley twist legs and those drop handles, | 0:04:21 | 0:04:24 | |
they come from Flemish and English furniture | 0:04:24 | 0:04:26 | |
in the latter 17th century, so quite an eclectic piece. | 0:04:26 | 0:04:29 | |
-You didn't know all of that, Jane, did you? -I didn't know any of it. | 0:04:29 | 0:04:32 | |
I've got a sideboard at home. I'll look at it differently now! | 0:04:32 | 0:04:35 | |
The thing is, this looks terrific in situ, because the building is old | 0:04:35 | 0:04:39 | |
and it looks good, but I'm just wondering how it'll fare at auction? | 0:04:39 | 0:04:43 | |
Not great sums. I would put this into auction today | 0:04:43 | 0:04:46 | |
at about £40-£60, something like that. | 0:04:46 | 0:04:48 | |
Are you happy to get rid of it? | 0:04:48 | 0:04:50 | |
Yes, I think we are. We've got a lot of things | 0:04:50 | 0:04:52 | |
that could go in that space that will do the job that it's doing. | 0:04:52 | 0:04:55 | |
I'm a bit worried about you being in a pub, John, | 0:04:55 | 0:04:57 | |
but I'll let you loose and we'd better go and have a look at some other items. | 0:04:57 | 0:05:01 | |
-My reputation precedes me. -It does, I'm afraid. | 0:05:01 | 0:05:04 | |
'We split up to begin a thorough search of this charming old pub. | 0:05:04 | 0:05:09 | |
'Colin's made a start upstairs | 0:05:09 | 0:05:11 | |
'and finds a collection of old horse brasses. | 0:05:11 | 0:05:13 | |
'You know, I didn't think it would be too long | 0:05:13 | 0:05:16 | |
'before we found some today. | 0:05:16 | 0:05:18 | |
'Brasses like these were the decoration worn on the harnesses of working horses. | 0:05:18 | 0:05:21 | |
'This collection would likely have been produced in the West Midlands, | 0:05:21 | 0:05:25 | |
'back in the 19th century. | 0:05:25 | 0:05:27 | |
'John values the set at £30-£40. | 0:05:27 | 0:05:29 | |
'Downstairs, | 0:05:29 | 0:05:31 | |
'this blue and white plate | 0:05:31 | 0:05:33 | |
'is one of several similar examples in the pub | 0:05:33 | 0:05:36 | |
'that Jane amasses into a rather impressive collection. | 0:05:36 | 0:05:39 | |
'It's Delftware, a tin-glazed pottery, | 0:05:39 | 0:05:42 | |
'which originated in the Netherlands in the 17th century. | 0:05:42 | 0:05:44 | |
'John thinks this accumulation | 0:05:44 | 0:05:48 | |
'could fetch £50-£80 at auction. | 0:05:48 | 0:05:50 | |
'At this stage though, | 0:05:50 | 0:05:51 | |
'I want to find out a bit more about our landlady.' | 0:05:51 | 0:05:53 | |
So are you quite glad that you're getting rid of whatever it is today? | 0:05:53 | 0:05:58 | |
Well, we've owned this one for five years and we inherited everything that was in it | 0:05:58 | 0:06:02 | |
from the previous owner and people are looking for something a little bit cleaner and fresher these days. | 0:06:02 | 0:06:08 | |
When Colin joined us back in July, we thought, "Right, OK, let's have a bit of a clear-out." | 0:06:08 | 0:06:12 | |
People are very attached to the items and it's a dilemma - | 0:06:12 | 0:06:16 | |
"Will I sell that brooch that belonged to my mum?" | 0:06:16 | 0:06:19 | |
-But I take it that there's no emotion really attached to your things today? -Not from us. | 0:06:19 | 0:06:24 | |
Maybe from some of the elderly customers, but not from us. | 0:06:24 | 0:06:27 | |
You've got the customers to deal with! | 0:06:27 | 0:06:28 | |
Now, I got a glimpse of your two lovely dogs and I gather one is really quite famous. | 0:06:28 | 0:06:33 | |
Yes, that's Benson, my golden retriever. | 0:06:33 | 0:06:36 | |
He has his own blog on the Surrey Life website. | 0:06:36 | 0:06:39 | |
What does Benson "paw" about on his computer? | 0:06:39 | 0:06:42 | |
Oh, all the things that are important to dogs - | 0:06:42 | 0:06:44 | |
where your next meal's coming from, where your next walk's going to be, | 0:06:44 | 0:06:48 | |
anything that a dog thinks is important in life. | 0:06:48 | 0:06:51 | |
-Now, we'd better find John and have a look at some more of your items to raise the £500. -OK. | 0:06:51 | 0:06:56 | |
-I think we'll go this way this time. -All right. | 0:06:56 | 0:06:59 | |
'I don't know. A dog with a blog? Whatever next? | 0:06:59 | 0:07:02 | |
'Now, whilst Jane and I have been chatting, John's been hard at work, | 0:07:02 | 0:07:05 | |
'and in one of the pub's many nooks and crannies, he's found an intricately-carved oak bookshelf. | 0:07:05 | 0:07:10 | |
'It's one of a pair and they've been in the pub for as long as any of the regulars can remember. | 0:07:10 | 0:07:15 | |
'John thinks they should fetch £60-£100 at auction. | 0:07:15 | 0:07:19 | |
'Then out in the garage, Colin digs out a collection of brass | 0:07:19 | 0:07:23 | |
'and copper, which used to be displayed in the pub. | 0:07:23 | 0:07:26 | |
'Although mostly modern, | 0:07:26 | 0:07:27 | |
'John still hopes they will make £70-£100 at auction. | 0:07:27 | 0:07:30 | |
'And Colin is not stopping there.' | 0:07:30 | 0:07:33 | |
John. | 0:07:34 | 0:07:35 | |
-What have you got there, Colin? -I keep meaning to throw these away. | 0:07:35 | 0:07:38 | |
Throw them away? You mean you've got more than one of them? | 0:07:38 | 0:07:41 | |
Incredibly, there is. | 0:07:41 | 0:07:42 | |
-There is a pair. -You mean you don't like these? | 0:07:44 | 0:07:47 | |
-It's auction or kindling. -I think that might be a bit drastic. | 0:07:47 | 0:07:50 | |
We'll come back to that in a second. | 0:07:50 | 0:07:52 | |
Well, they're in a kind of Baroque style. | 0:07:52 | 0:07:54 | |
When you think about things like this, they tell us a bit about our social history. | 0:07:54 | 0:07:58 | |
When would book ends have first been invented? | 0:07:58 | 0:08:00 | |
When you think about the development of the printing press at the end of the 16th century | 0:08:00 | 0:08:05 | |
and then growing in this country in the 17th century, | 0:08:05 | 0:08:07 | |
that's when we first start to see libraries of any consequence. | 0:08:07 | 0:08:11 | |
Before that, books were written or illuminated by hand | 0:08:11 | 0:08:14 | |
and were only found in churches, monasteries and things like that. | 0:08:14 | 0:08:18 | |
So have we got ourselves a pair of first period Baroque book-ends? | 0:08:18 | 0:08:22 | |
Methinks not, coming back to your comment about throwing them on the fire. | 0:08:22 | 0:08:26 | |
I wouldn't if I were you, because they're 20th century, | 0:08:26 | 0:08:29 | |
and although there's marble in them, they're made of gilt resin, | 0:08:29 | 0:08:32 | |
so they wouldn't smell nice if you threw them on the fire | 0:08:32 | 0:08:34 | |
and you might upset the customers. | 0:08:34 | 0:08:36 | |
But I think we can still sell them. | 0:08:36 | 0:08:38 | |
Somebody might like them. What do you think they're worth? | 0:08:38 | 0:08:40 | |
I reckon a fiver if you're lucky, but I'll say £20-£30, cos I'm a mug. | 0:08:40 | 0:08:44 | |
You'd do well to get £20 or £30, but I'll tell you what, | 0:08:44 | 0:08:48 | |
if they make between £20 and £30, I will buy you lunch here. | 0:08:48 | 0:08:50 | |
-If not, you've got to shout me lunch. -Deal! | 0:08:50 | 0:08:53 | |
'So who will be buying lunch for whom? | 0:08:53 | 0:08:56 | |
'I don't think either of the chaps were enamoured by the book ends, | 0:08:56 | 0:08:59 | |
'but John thinks £10-£15 is a more | 0:08:59 | 0:09:03 | |
'realistic estimate. | 0:09:03 | 0:09:04 | |
'Now, who will be right?' | 0:09:04 | 0:09:06 | |
15, 20 anywhere now? | 0:09:06 | 0:09:07 | |
Still below estimate at £15. | 0:09:07 | 0:09:09 | |
'Only time will tell. | 0:09:09 | 0:09:11 | |
'Back in the pub, John has found an old typewriter. | 0:09:11 | 0:09:15 | |
'It was made by the British manufacturer Imperial, | 0:09:15 | 0:09:19 | |
'who mass-produced them at their Leicester factory up until 1974. | 0:09:19 | 0:09:22 | |
'John values it at £15-£25. | 0:09:22 | 0:09:25 | |
'Down in the bar, Jane decides it is time to part with the pub's collection of pewter mugs. | 0:09:25 | 0:09:31 | |
'Pewter was introduced to Britain by the Romans in the second century, | 0:09:31 | 0:09:35 | |
'but these are somewhat more recent, dating from the 19th century. | 0:09:35 | 0:09:38 | |
'John thinks that, sold together as one lot, they could fetch £40-£60. | 0:09:38 | 0:09:43 | |
'Now, I'll drink to that!' | 0:09:43 | 0:09:45 | |
'You know, it's fascinating discovering all these items | 0:09:46 | 0:09:49 | |
'that have somehow, over the centuries, ended up in and around this quaint old inn.' | 0:09:49 | 0:09:55 | |
Hey, I have been to the Aladdin's cave known as a garage. | 0:09:55 | 0:10:00 | |
And I've found some really interesting things, I think. | 0:10:00 | 0:10:02 | |
There's a lot out there, isn't there? | 0:10:02 | 0:10:04 | |
Yeah. No smoking area. | 0:10:04 | 0:10:08 | |
And this one here... Partridge's Gold Medal pies. | 0:10:08 | 0:10:11 | |
Look at that. Puddings, pies and savouries. | 0:10:11 | 0:10:13 | |
-"Purveyors of fine comestibles". -What is a comestible? | 0:10:13 | 0:10:18 | |
-Anything that's edible. -Do you have comestibles on your menu? | 0:10:18 | 0:10:21 | |
I would hope so, otherwise everyone would go very hungry! | 0:10:21 | 0:10:24 | |
I like this one, actually. Do you know much about it? | 0:10:24 | 0:10:27 | |
I think this one's been in the garage since we cleared it out. | 0:10:27 | 0:10:30 | |
I'm not sure where the "no smoking area" one came from. | 0:10:30 | 0:10:32 | |
It's a bit of fun - a reproduction. | 0:10:32 | 0:10:34 | |
-If we look at the back, there's not a great deal of age to this at all. -Rough. | 0:10:34 | 0:10:38 | |
Rough, but machine sawn. | 0:10:38 | 0:10:40 | |
We can see the evidence of the machine mark. | 0:10:40 | 0:10:41 | |
I've seen these turning up quite a lot at auctions with | 0:10:41 | 0:10:45 | |
pawnbroking and advertising all sorts of old things, | 0:10:45 | 0:10:47 | |
cigarettes and things like that, | 0:10:47 | 0:10:49 | |
because there is a very active and buoyant market for genuine period advertising. | 0:10:49 | 0:10:54 | |
Some of the things make thousands of pounds, some enamel signs. | 0:10:54 | 0:10:58 | |
What's somebody going to pay? | 0:10:58 | 0:10:59 | |
Not a huge sum, but I certainly think, as an estimate, £30-£50. | 0:10:59 | 0:11:03 | |
Well, that's not bad, is it? | 0:11:03 | 0:11:05 | |
It's two more things out of your over-cluttered garage. | 0:11:05 | 0:11:08 | |
We are going to look for another item. | 0:11:08 | 0:11:11 | |
'Well, Jane's more than happy to see the back of the old pub signs, | 0:11:11 | 0:11:15 | |
'so let's hope they raise good money for the new one. | 0:11:15 | 0:11:18 | |
'Colin's upstairs searching a bedroom and comes across this Victorian railway lamp. | 0:11:18 | 0:11:23 | |
'It's fair to say that it's seen better days, but nevertheless, | 0:11:23 | 0:11:26 | |
'John still thinks that any railway enthusiast at auction might still | 0:11:26 | 0:11:30 | |
'be tempted to pay £20-£40 for it. | 0:11:30 | 0:11:33 | |
'In another bedroom, | 0:11:33 | 0:11:34 | |
'John finds a cupboard that's filled with dozens of old paintings. | 0:11:34 | 0:11:37 | |
'Yet again, they were left behind by the pub's previous owners. | 0:11:37 | 0:11:41 | |
'It's a very impressive collection, | 0:11:41 | 0:11:43 | |
'featuring the works of numerous artists. | 0:11:43 | 0:11:45 | |
'No well-known names, though, so John very cautiously | 0:11:45 | 0:11:49 | |
'values them at £100-£140 and it will be interesting to see | 0:11:49 | 0:11:53 | |
'what the bidders make of them, come auction day.' | 0:11:53 | 0:11:56 | |
Colin, I wanted to ask you about the pub's harmonium. | 0:11:57 | 0:12:01 | |
Is this something we could possibly consider for auction? | 0:12:01 | 0:12:04 | |
This is probably my favourite piece in the pub. | 0:12:04 | 0:12:07 | |
It's something my customers and I have become quite attached to. | 0:12:07 | 0:12:10 | |
-They often come in and have a little tinkle. -Does it work? | 0:12:10 | 0:12:13 | |
-Yeah. -So it's still in working order? | 0:12:13 | 0:12:15 | |
It's in great working order. There's a couple of keys that don't work. | 0:12:15 | 0:12:18 | |
Probably a problem with the reeds, but getting these repaired is not cheap. | 0:12:18 | 0:12:23 | |
The harmonium works by pumping air across three reeds. | 0:12:23 | 0:12:27 | |
It was invented in Paris around about 1852, something like that, by a chap called Alexandre Debain | 0:12:27 | 0:12:33 | |
and it wasn't long before the popularity spread. | 0:12:33 | 0:12:36 | |
This particular one here was made in America by the very established | 0:12:36 | 0:12:40 | |
and much respected firm of Masons and Hamlin. | 0:12:40 | 0:12:43 | |
Now, Mason was the musician, | 0:12:43 | 0:12:45 | |
but Hamlin was a very clever mechanic and a great inventor. | 0:12:45 | 0:12:49 | |
Between them, they formed the company around about 1854, something like that, | 0:12:49 | 0:12:53 | |
in Boston, Massachusetts, the home of piano production. | 0:12:53 | 0:12:56 | |
Now, it wasn't long before their reputation spread and I think it culminated, as we can see, | 0:12:56 | 0:13:01 | |
which they displayed on all their instruments, | 0:13:01 | 0:13:04 | |
these gold medals that they were awarded. | 0:13:04 | 0:13:06 | |
This one here was for the Philadelphia Exhibition in 1876. | 0:13:06 | 0:13:10 | |
These were big international affairs, pretty much like the Great Exhibition in London in 1851. | 0:13:10 | 0:13:16 | |
However, sadly, with the advent of things like gramophones and radios, people didn't need | 0:13:16 | 0:13:21 | |
to entertain themselves with pianos and harmoniums any more, so things tended to die out. | 0:13:21 | 0:13:25 | |
Sadly, this is one of them, except in your pub, obviously. | 0:13:25 | 0:13:28 | |
Ah, I see you've found our harmonium. | 0:13:28 | 0:13:30 | |
We have, and I'm hoping that you're going to let us send this to auction. | 0:13:30 | 0:13:34 | |
-It's very sweet looking, isn't it? -It's beautiful. It's really fun. | 0:13:34 | 0:13:38 | |
A lot of customers comment on it as they come in | 0:13:38 | 0:13:41 | |
and I don't really know whether I want to get rid of it or not. | 0:13:41 | 0:13:44 | |
What do you think it might fetch at auction, John? | 0:13:44 | 0:13:46 | |
Well, not huge sums of money, actually, Gloria. | 0:13:46 | 0:13:49 | |
I have sold these and some come with quite spectacular cabinets | 0:13:49 | 0:13:52 | |
and fake pipes, to make them look more like church organs. | 0:13:52 | 0:13:55 | |
Sometimes, I've seen them fail to get a bid. | 0:13:55 | 0:13:57 | |
However, it's in working order, it's a nice cute size, not too imposing. | 0:13:57 | 0:14:01 | |
Even though it's working, I'm going to say £60-£80. | 0:14:01 | 0:14:05 | |
Would you let it go for 60 quid? | 0:14:05 | 0:14:06 | |
I suppose the danger is, when it's going to auction, you're never quite sure. | 0:14:06 | 0:14:10 | |
I think we'd need to put a reserve on it. | 0:14:10 | 0:14:12 | |
-What do you think would be a fair reserve? -Um, maybe £60? | 0:14:12 | 0:14:14 | |
-So, certainly no less than 60? -No less than 60. | 0:14:14 | 0:14:17 | |
Now, you wanted £500 for this fabulous new sign, | 0:14:17 | 0:14:20 | |
so that you will not be the first pub on the left any more. | 0:14:20 | 0:14:23 | |
You'll actually have the name up in lights. Taking into account the reserve, you should get £525. | 0:14:23 | 0:14:29 | |
That's brilliant! Absolutely fantastic. | 0:14:29 | 0:14:31 | |
-Excellent. -That would buy you a sign, Colin. | 0:14:31 | 0:14:33 | |
It would buy a sign. | 0:14:33 | 0:14:35 | |
Thank you very much. Thank you very much for coming. | 0:14:35 | 0:14:37 | |
'And what a mixture of items we have for auction. | 0:14:37 | 0:14:40 | |
'There's the impressive collection | 0:14:40 | 0:14:42 | |
'of blue and white, iron-glazed Delftware. | 0:14:42 | 0:14:44 | |
'It's been in the pub for decades, | 0:14:44 | 0:14:46 | |
'but could find a new home for £50-£80. | 0:14:46 | 0:14:49 | |
'The large haul of paintings | 0:14:49 | 0:14:51 | |
'that had been hidden away in a cupboard for years. | 0:14:51 | 0:14:53 | |
'Could there be some rarities amongst them? | 0:14:53 | 0:14:56 | |
'We'll find out if they smash their £100-£140 estimate. | 0:14:56 | 0:15:00 | |
'And the delightful harmonium. | 0:15:00 | 0:15:02 | |
'It's the only item that holds any sentiment | 0:15:02 | 0:15:05 | |
'and at just £60-£80, there's already talk of a reserve. | 0:15:05 | 0:15:08 | |
'Question is, can Jane bear to part with it?' | 0:15:08 | 0:15:12 | |
'Still to come on Cash In The Attic, | 0:15:15 | 0:15:18 | |
'we face an uphill battle | 0:15:18 | 0:15:20 | |
'as a number of items fail to make it to auction.' | 0:15:20 | 0:15:23 | |
You don't reckon Colin's got attached to any of them? | 0:15:23 | 0:15:25 | |
I don't know. I should have checked his bedroom! | 0:15:25 | 0:15:27 | |
'But there's still cause to celebrate with some unexpected results.' | 0:15:27 | 0:15:32 | |
£85. Wonderful. That did brilliantly. | 0:15:32 | 0:15:36 | |
'So will the pub be getting its much needed new sign? | 0:15:36 | 0:15:39 | |
'Be there when the gavel falls.' | 0:15:39 | 0:15:41 | |
Now, that's what I would call a really interesting rummage. | 0:15:47 | 0:15:49 | |
Clearly, they have a lot of pub stuff that they want to get rid of. | 0:15:49 | 0:15:52 | |
We've brought it all to the John Nicholson Auctions in Surrey. | 0:15:52 | 0:15:55 | |
They're hoping to raise about £500 for that brand-new sign, | 0:15:55 | 0:15:59 | |
which will bring in, fingers crossed, a lot of new business. | 0:15:59 | 0:16:02 | |
Unfortunately, I can't be there for all the fun of the auction, | 0:16:02 | 0:16:05 | |
but our expert John Cameron is and, of course, he'll guide Jane through | 0:16:05 | 0:16:09 | |
all the proceedings and, hopefully, they'll raise the money. | 0:16:09 | 0:16:13 | |
'This popular saleroom is on the outskirts of Hazelmere | 0:16:13 | 0:16:17 | |
'and it holds a Saturday antique auction once a month. | 0:16:17 | 0:16:19 | |
'With almost 900 lots on offer in today's sale, a large crowd is anticipated. | 0:16:19 | 0:16:25 | |
'But will the harmonium, be amongst the lots | 0:16:25 | 0:16:27 | |
'or did it prove to be just too sentimental to part with?' | 0:16:27 | 0:16:31 | |
-Hi, Jane. -Hello, John, how are you? | 0:16:31 | 0:16:33 | |
I'm good. You won't do 60 words a minute on that. | 0:16:33 | 0:16:36 | |
I never learnt how to type. I didn't ever want to be a secretary. | 0:16:36 | 0:16:39 | |
So, anyway, no Colin? | 0:16:39 | 0:16:41 | |
No, Saturday is our busiest day, of course. | 0:16:41 | 0:16:44 | |
You know he and I had a wager, don't you? | 0:16:44 | 0:16:46 | |
I said if those book ends made £20 I'd buy him lunch. | 0:16:46 | 0:16:49 | |
If they didn't, he was going to get me lunch. | 0:16:49 | 0:16:51 | |
I think he's stayed away so he can get out of that bet. | 0:16:51 | 0:16:54 | |
If you win, you know where to go! | 0:16:54 | 0:16:56 | |
So what about the harmonium? What did you decide? | 0:16:56 | 0:16:59 | |
We just thought it was too much for the pub to bring, | 0:16:59 | 0:17:01 | |
so we've left it where it is. | 0:17:01 | 0:17:03 | |
Hopefully, even with a few lots that haven't turned up, | 0:17:03 | 0:17:05 | |
-we should get somewhere near our target, so come on. -OK, great. | 0:17:05 | 0:17:10 | |
'Sadly, though, the harmonium isn't the only item from the pub to stay behind. | 0:17:10 | 0:17:14 | |
'Jane has decided that the carved oak bookshelves are also too much | 0:17:14 | 0:17:18 | |
'part of the pub to bring to auction, | 0:17:18 | 0:17:20 | |
'so that means we're two items | 0:17:20 | 0:17:22 | |
'and a potential £120 down from the offset. | 0:17:22 | 0:17:25 | |
'We'll need the rest of our items to perform really well | 0:17:25 | 0:17:29 | |
'if we're to have a chance of reaching that £500 target.' | 0:17:29 | 0:17:33 | |
We've got the Imperial typewriter here today. | 0:17:33 | 0:17:35 | |
An English company started by an American-Spanish chap called Moya. | 0:17:35 | 0:17:39 | |
They went on to become a market leader and produced | 0:17:39 | 0:17:42 | |
hundreds and hundreds of millions of these items, hence why they | 0:17:42 | 0:17:44 | |
-don't make huge sums at auction. Great decoration in pubs. -Yeah. | 0:17:44 | 0:17:47 | |
But we're looking for £15-£25 for our typewriter. | 0:17:47 | 0:17:51 | |
-What do you reckon? Hopeful? -Um, I hope it will get that sort of money. | 0:17:51 | 0:17:54 | |
It's a nice decorative item, so it should do. | 0:17:54 | 0:17:56 | |
-Bids here can start at 10, 15, 20, five. -We're up to our top estimate. | 0:17:56 | 0:18:03 | |
For the typewriter. At 30, five, anywhere? | 0:18:03 | 0:18:06 | |
Selling on commission at £30. | 0:18:06 | 0:18:08 | |
-£30. Happy? -Fantastic, yes. -That was good! | 0:18:10 | 0:18:12 | |
'I should say so. | 0:18:12 | 0:18:14 | |
'It's our first sale of the day and is £5 over John's top estimate. | 0:18:14 | 0:18:17 | |
'Will we have similar success with the railway lamp? | 0:18:17 | 0:18:20 | |
'We're looking for £20-£40.' | 0:18:20 | 0:18:23 | |
Start here at £10, 15, 20, anywhere now? | 0:18:23 | 0:18:27 | |
-At £15, 20? -20, we're on 20. | 0:18:27 | 0:18:30 | |
Five? 30, five, 40, five. | 0:18:30 | 0:18:34 | |
At 45, front row. | 0:18:34 | 0:18:35 | |
-£45. -50. And five? 60? | 0:18:35 | 0:18:39 | |
-60? -Yes? 60 bid, and five, 70, five, 80 and five. | 0:18:39 | 0:18:46 | |
90, anywhere now? Selling at 85. | 0:18:46 | 0:18:50 | |
-£85! -Wonderful. Well, that did brilliantly. | 0:18:50 | 0:18:53 | |
'What am amazing result! | 0:18:53 | 0:18:54 | |
'That's over twice John's top estimate. | 0:18:54 | 0:18:57 | |
'Two lots in and we've already raised £115 | 0:18:57 | 0:19:01 | |
'towards the £500 for the new pub sign.' | 0:19:01 | 0:19:03 | |
'It's the turn of the two Baroque style book ends next. | 0:19:06 | 0:19:10 | |
'John valued them at just £10-£15. | 0:19:10 | 0:19:12 | |
'Now, Colin thought £20-£30 was more likely. | 0:19:12 | 0:19:15 | |
'So, who will be the closest?' | 0:19:15 | 0:19:17 | |
Next up is my favourite lot of the auction. | 0:19:19 | 0:19:23 | |
Colin and I had a joke about these. | 0:19:23 | 0:19:24 | |
Now, Jane, what do you think of them? | 0:19:24 | 0:19:26 | |
I'll be very surprised if they sell. | 0:19:26 | 0:19:28 | |
At £10 for the little book ends. 15. At 15. | 0:19:28 | 0:19:32 | |
20 anywhere now? | 0:19:32 | 0:19:33 | |
Still below estimate, at £15. | 0:19:33 | 0:19:36 | |
20 anywhere? 20 anywhere now? I'm going to sell, at the back at £15. | 0:19:36 | 0:19:41 | |
-£15. -Well, they sold. | 0:19:41 | 0:19:43 | |
-So I get my free lunch. -You do, indeed. | 0:19:43 | 0:19:45 | |
I promise I won't have a starter(!) | 0:19:45 | 0:19:47 | |
'So, the bidders shared our expert's opinion on the book ends, | 0:19:47 | 0:19:51 | |
'but at least they sold and it's another £15 in the pot. | 0:19:51 | 0:19:54 | |
'Now, there were no surprises | 0:19:54 | 0:19:56 | |
'when we discovered our next lot in the pub. | 0:19:56 | 0:19:58 | |
'It's the rather substantial collection of horse brasses.' | 0:19:58 | 0:20:01 | |
There's a whole boxful, on the leathers. | 0:20:02 | 0:20:05 | |
-At 25, 30 anywhere now? -One more, one more. | 0:20:05 | 0:20:09 | |
30 anywhere? | 0:20:09 | 0:20:10 | |
At 25... | 0:20:10 | 0:20:12 | |
-You don't have to look at them any more, Jane. -No. Or polish them. | 0:20:12 | 0:20:15 | |
'£25 is just shy of their lower estimate and it's another very welcome addition to the fund. | 0:20:15 | 0:20:21 | |
'Let's hope the furniture buyers are out in force because, next up, | 0:20:21 | 0:20:24 | |
'it's the famous mahogany sideboard.' | 0:20:24 | 0:20:27 | |
And I'm bid here 20, five, 30, £35 bid. | 0:20:28 | 0:20:32 | |
-At £35. -£35, that's good. | 0:20:32 | 0:20:34 | |
£35, 40 anywhere? I'm going to sell on commission, at 35. | 0:20:34 | 0:20:40 | |
-35. -£35, just under our lower estimate and, as I said, they used to do quite well. | 0:20:40 | 0:20:45 | |
'I think somebody's got a real bargain there. | 0:20:45 | 0:20:48 | |
'With two items in a row falling short of John's estimate, | 0:20:48 | 0:20:51 | |
'I'm worried that our £500 target may have been a tad ambitious. | 0:20:51 | 0:20:56 | |
'With half our lots sold, we've made just £190, | 0:20:56 | 0:21:01 | |
'so we need our fortunes to change, and fast. | 0:21:01 | 0:21:04 | |
'Now, if like Jane, you have a special reason to raise some cash | 0:21:04 | 0:21:07 | |
'and you're thinking of heading to auction, remember that commission | 0:21:07 | 0:21:12 | |
'and other charges may apply, so always check the details with your local auction house first. | 0:21:12 | 0:21:16 | |
'Our next lot is a collection | 0:21:16 | 0:21:19 | |
'of old pub signs, which I think is rather appropriate, | 0:21:19 | 0:21:21 | |
'considering we're raising money for a new one.' | 0:21:21 | 0:21:25 | |
We're looking for 30-50. What do you reckon? | 0:21:25 | 0:21:27 | |
I think they'll go. I'm sure they will. | 0:21:27 | 0:21:30 | |
People will like them in their kitchen. | 0:21:30 | 0:21:31 | |
And I'm bid here £20, five, 30, five anywhere? | 0:21:31 | 0:21:36 | |
35, madam. 40 now anywhere, for the two pub signs? | 0:21:36 | 0:21:39 | |
At £35, 40 anywhere? It's had its time. | 0:21:39 | 0:21:42 | |
Selling at £35. 247, thank you. | 0:21:42 | 0:21:45 | |
We were over our bottom estimate. | 0:21:45 | 0:21:47 | |
-I'm happy with that. Are you? -Yes. | 0:21:47 | 0:21:49 | |
I'm just happy that I haven't got to take anything back so far. | 0:21:49 | 0:21:52 | |
'And it looks like we may have what John likes to call | 0:21:52 | 0:21:55 | |
'"breweryana" collectors in the room, | 0:21:55 | 0:21:57 | |
'which is good news, as we have more | 0:21:57 | 0:22:00 | |
'pub collectibles coming up shortly. | 0:22:00 | 0:22:02 | |
'Now, it's an auction favourite, | 0:22:02 | 0:22:04 | |
'the impressive collection of blue and white Delftware | 0:22:04 | 0:22:06 | |
'that Jane amassed from seemingly every corner of the pub. | 0:22:06 | 0:22:10 | |
'We're looking for £50-£80.' | 0:22:10 | 0:22:13 | |
There is still a market and some people just love blue and white, so again something from the pub? | 0:22:14 | 0:22:18 | |
It was, again, all over the beams. Just more stuff to dust. | 0:22:18 | 0:22:21 | |
I can start here at 30, 40, 50, 60 anywhere now? | 0:22:21 | 0:22:27 | |
At £50, 60 your bid, 70 with me. | 0:22:27 | 0:22:29 | |
80. I'm out now at £80. | 0:22:29 | 0:22:32 | |
90 anywhere now? At £80 for all the blue and white. | 0:22:32 | 0:22:35 | |
They're certainly proving popular. | 0:22:35 | 0:22:37 | |
90 anywhere? It's had its time. The gentleman's bid, selling at £80. | 0:22:37 | 0:22:40 | |
Wow! £80. That's fantastic. | 0:22:40 | 0:22:44 | |
-You haven't got any more, have you? -No! | 0:22:44 | 0:22:46 | |
'What a shame that is, Jane, but never mind, | 0:22:46 | 0:22:48 | |
'£80 is a great result. | 0:22:48 | 0:22:50 | |
'Let's hope we keep the momentum going | 0:22:50 | 0:22:53 | |
'with the sale of our next lot. It's a collection of pewter mugs.' | 0:22:53 | 0:22:57 | |
If you were decorating a thatched cottage, | 0:22:57 | 0:23:00 | |
you could do it today in one fell swoop. | 0:23:00 | 0:23:02 | |
Or they could've just come along and I would've sold it direct to them. | 0:23:02 | 0:23:05 | |
At 20, 30, 40, 50 anywhere now, for the pewter? | 0:23:05 | 0:23:10 | |
At £40, 50 anywhere? | 0:23:10 | 0:23:12 | |
Selling then at the maiden bid of £40, on commission. | 0:23:12 | 0:23:16 | |
-Well, £40, bang on our bottom estimate. -I'm really pleased. | 0:23:16 | 0:23:19 | |
-Happy with that? -Yes, I didn't think they'd sell at all. -You didn't? -No. | 0:23:19 | 0:23:23 | |
-Ye of little faith. -Total no faith. | 0:23:23 | 0:23:26 | |
'It seems the bidders just can't get enough | 0:23:26 | 0:23:28 | |
'of our items and it's more pub goodies next.' | 0:23:28 | 0:23:30 | |
Are you not sorry to see any of this go, Jane? | 0:23:30 | 0:23:33 | |
I think the day of the brass-strewn pub has gone. | 0:23:33 | 0:23:36 | |
A really big lot there. A lot of interest, as well. | 0:23:36 | 0:23:39 | |
I can start at 70, 80, 90, 100, 110, 120, 130, 140. | 0:23:39 | 0:23:45 | |
-At £140... -£140. | 0:23:45 | 0:23:47 | |
150 anywhere now? | 0:23:47 | 0:23:49 | |
At £140 on commission. 150 anywhere? | 0:23:49 | 0:23:52 | |
With me. I'm going to sell at £140. | 0:23:52 | 0:23:56 | |
-Brilliant. -What do you think of that? -Well done. | 0:23:56 | 0:23:58 | |
Well, you know, I'm not one to blow my own trumpet. | 0:23:58 | 0:24:00 | |
'We've had a great run in the second half of the auction, | 0:24:00 | 0:24:03 | |
'but time for a lot that is somewhat of an unknown entity. | 0:24:03 | 0:24:07 | |
'It's the hoard of framed pictures | 0:24:07 | 0:24:09 | |
'that have been amassed in the pub over the last decades. | 0:24:09 | 0:24:12 | |
'Could there be some hidden gems in there? | 0:24:12 | 0:24:15 | |
'The bidders have been scrutinising them very closely.' | 0:24:15 | 0:24:18 | |
Aubrey, the auctioneer, tells me | 0:24:18 | 0:24:20 | |
-there's a lot less than 100 there now, so do you think any got left behind? -Possibly. | 0:24:20 | 0:24:25 | |
It was difficult to find them all when we packed the van up to bring it here. | 0:24:25 | 0:24:28 | |
You don't reckon Colin's got attached to any? | 0:24:28 | 0:24:31 | |
Maybe I should go and check in his bedroom! | 0:24:31 | 0:24:33 | |
Well, do that when you get home. There's less than 100 here now. | 0:24:33 | 0:24:36 | |
I put £100-£140 on it, based on the fact that, well, if you get £1 each for them, | 0:24:36 | 0:24:40 | |
it's got to be something, so hopefully the missing prints won't put much of a dent in our estimate. | 0:24:40 | 0:24:46 | |
They all came from the pub. | 0:24:46 | 0:24:48 | |
Good solid sellers. And I'm bid here 50, 60, 70... | 0:24:48 | 0:24:50 | |
The auctioneer's doing a good job for us. | 0:24:50 | 0:24:52 | |
80 anywhere now? 80. | 0:24:52 | 0:24:55 | |
-90, 100... -£100. | 0:24:55 | 0:24:58 | |
110? | 0:24:58 | 0:24:59 | |
One more? 110, madam. 120. | 0:24:59 | 0:25:02 | |
At £120. 130. At £130, then. | 0:25:02 | 0:25:06 | |
Against the other bidder, at 130. | 0:25:06 | 0:25:08 | |
Selling at £130... | 0:25:08 | 0:25:11 | |
Fantastic. £130. | 0:25:11 | 0:25:14 | |
Well, if Colin's got them, he can keep them! | 0:25:14 | 0:25:16 | |
'Overall, I think you'll agree, | 0:25:16 | 0:25:18 | |
'it was a very eventful auction, | 0:25:18 | 0:25:20 | |
'and I'm only too disappointed that I wasn't there to share the excitement with Jane and John. | 0:25:20 | 0:25:25 | |
'But at the end of the day, just how much has Jane managed to raise towards the new pub sign?' | 0:25:25 | 0:25:30 | |
-You were looking for 500. You didn't get the £500... -Oh, no. | 0:25:30 | 0:25:34 | |
-..but what we did make was 600... -No! | 0:25:34 | 0:25:36 | |
..and £15. | 0:25:36 | 0:25:37 | |
Really? Oh, fantastic. I'm really pleased. | 0:25:37 | 0:25:40 | |
-And I get my lunch. -You do. You do get your lunch. | 0:25:40 | 0:25:43 | |
We'll lay you up a special table near where, um, the harmonium is. | 0:25:43 | 0:25:48 | |
'And now Jane's headed to Croydon, to meet specialist pub sign designer, Mark Butler.' | 0:25:52 | 0:25:58 | |
-Hello. Jane, is it? -I'm Jane, yes. | 0:25:58 | 0:25:59 | |
How are you? | 0:25:59 | 0:26:01 | |
'Having looked at a selection of Mark's previous efforts, | 0:26:01 | 0:26:04 | |
'has Jane got any ideas for an eye-catching sign of her own?' | 0:26:04 | 0:26:07 | |
I'm definitely looking for some help, because I'm not a designer. | 0:26:07 | 0:26:12 | |
I've taken a photograph of a shield that was in the pub | 0:26:12 | 0:26:15 | |
and I've got that with me on my camera, so hopefully they can tell me what they can do with it. | 0:26:15 | 0:26:19 | |
Gold coach line around the crest, | 0:26:19 | 0:26:21 | |
maybe round the board, to define it a little bit. | 0:26:21 | 0:26:24 | |
I found that really interesting. It's given us some good ideas as to | 0:26:24 | 0:26:27 | |
what we can put on the sign now to make sure the pub will be seen. | 0:26:27 | 0:26:30 |