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Welcome to the show that rummages around people's homes, finds all the hidden gems | 0:00:02 | 0:00:05 | |
then takes them to auction to raise funds for our families. | 0:00:05 | 0:00:08 | |
We all like getting gifts, but let's be honest, some of them remind us of things that are best | 0:00:08 | 0:00:13 | |
forgotten, a bit like today's lady, who wants to clear out all | 0:00:13 | 0:00:17 | |
that type of clutter and that's why she's called in Cash In The Attic. | 0:00:17 | 0:00:21 | |
Coming up on Cash In The Attic... Some unexpected finds get us all very excited! | 0:00:41 | 0:00:46 | |
Did I hear a magic word just then? | 0:00:46 | 0:00:49 | |
You heard the word "Cartier"... | 0:00:49 | 0:00:51 | |
And some heavy-duty candelabra get a rather hefty price tag... | 0:00:51 | 0:00:55 | |
Very good valuation, James. | 0:00:55 | 0:00:57 | |
Thank you, but can we find something a little lighter next time! | 0:00:57 | 0:01:00 | |
I'm sure we can! | 0:01:00 | 0:01:02 | |
So, will we all be laughing come auction day? | 0:01:02 | 0:01:05 | |
You must be pleased with that! | 0:01:05 | 0:01:07 | |
-I am! -That is really good, isn't it? | 0:01:07 | 0:01:09 | |
Find out when the final hammer falls. | 0:01:09 | 0:01:11 | |
I'm in the really picturesque village | 0:01:13 | 0:01:15 | |
of Bearsted in Kent to meet Annette. | 0:01:15 | 0:01:17 | |
She's had a lot to deal with in the last few years, but she's decided | 0:01:17 | 0:01:21 | |
it's time to move forward with her personal life and provide some stability for her children. | 0:01:21 | 0:01:26 | |
Annette Shaw has lived in Kent for the last six years, together with | 0:01:26 | 0:01:30 | |
her two children, 12-year-old Charles and 11-year-old Olivia. | 0:01:30 | 0:01:35 | |
Annette is a former baroness, but she lost her title | 0:01:35 | 0:01:38 | |
when her first marriage ended, | 0:01:38 | 0:01:40 | |
but happily she found love a second time around with Adie, who she met | 0:01:40 | 0:01:44 | |
on holiday in Egypt and the couple tied the knot just over a year ago. | 0:01:44 | 0:01:49 | |
Annette suffers from multiple sclerosis and has plans of moving | 0:01:49 | 0:01:53 | |
to a new, more manageable, home, | 0:01:53 | 0:01:55 | |
but having amassed a lifetime of collectables, | 0:01:55 | 0:01:57 | |
she has decided a clear-out is required | 0:01:57 | 0:02:00 | |
and has called in her mum, Anne, and the Cash In The Attic team to help. | 0:02:00 | 0:02:04 | |
James Rylands is our antiques expert today, so whilst he makes a start, I'll meet the girls. | 0:02:04 | 0:02:09 | |
Aah, good morning. | 0:02:09 | 0:02:11 | |
-You must be Annette? -I am indeed. | 0:02:11 | 0:02:14 | |
Hi, hi, and you're Mum? | 0:02:14 | 0:02:16 | |
-That's right! -I thought so. | 0:02:16 | 0:02:18 | |
-Lovely to meet you. -And you. | 0:02:18 | 0:02:19 | |
You've called in Cash In The Attic, haven't you? | 0:02:19 | 0:02:22 | |
Yes. I've got so many things indoors that I no longer use | 0:02:22 | 0:02:26 | |
and, hopefully, some of them are valuable. | 0:02:26 | 0:02:29 | |
They're collectables and I just thought we could make a few pounds. | 0:02:29 | 0:02:33 | |
What do you want to raise the money for, then? | 0:02:33 | 0:02:35 | |
We'd like to put it towards a deposit on a house. | 0:02:35 | 0:02:37 | |
-This is only rented and also because of the MS, I need some adaptations. -How long have you had that for? | 0:02:37 | 0:02:45 | |
20 years, about 20 years, so really, we need as much money as we can towards this house. | 0:02:45 | 0:02:51 | |
Have you got a figure in mind of how much you'd like to raise? | 0:02:51 | 0:02:54 | |
I think, realistically, £800 would be fantastic. | 0:02:54 | 0:02:59 | |
OK, so we need to raise £800. | 0:02:59 | 0:03:00 | |
We won't get much time for a break today. | 0:03:00 | 0:03:03 | |
Shall we see if James has found any of these lovely items yet? | 0:03:03 | 0:03:06 | |
-Yes. -Come on, then. | 0:03:06 | 0:03:07 | |
It sounds like today's rummage really could have life-changing consequences for Annette | 0:03:07 | 0:03:13 | |
so let's hope we can uncover plenty of valuables and raise that all-important deposit. | 0:03:13 | 0:03:18 | |
What have you got there? | 0:03:18 | 0:03:19 | |
-Something that's very heavy! -You're not kidding! | 0:03:19 | 0:03:21 | |
Now that's impressive. Can you impress us with your valuation? | 0:03:21 | 0:03:24 | |
I'll impress you with something else. | 0:03:24 | 0:03:26 | |
It's one of a pair. I've just seen the other one sitting there. | 0:03:26 | 0:03:29 | |
Tell me the story about these candelabra, then? | 0:03:29 | 0:03:32 | |
These were given to me by my ex-husband when we lived | 0:03:32 | 0:03:35 | |
in a very large house, but here, they look slightly out of place! | 0:03:35 | 0:03:39 | |
You could say they are very grand, aren't they? | 0:03:39 | 0:03:42 | |
So we've got this combination of green marble and then what we call "gilt bronze", | 0:03:42 | 0:03:47 | |
or "d'or moulu", | 0:03:47 | 0:03:50 | |
which the "d'or", gold in French, and then "moulu", | 0:03:50 | 0:03:52 | |
which was actually the process of putting it on where they | 0:03:52 | 0:03:56 | |
had the gold leaf and they mixed it up with mercury and once it had been put on, | 0:03:56 | 0:04:01 | |
they then used heat and flames to actually burn the mercury off, leaving the gold... | 0:04:01 | 0:04:07 | |
And die shortly afterwards, presumably! | 0:04:07 | 0:04:09 | |
-That's exactly what happened, that is exactly what happened! -Oh, no! | 0:04:09 | 0:04:12 | |
They all died of mercury poisoning so it was a hugely expensive process. | 0:04:12 | 0:04:16 | |
And how old are these as a particular example? | 0:04:16 | 0:04:19 | |
I've looked underneath and they've actually got "Made in Italy", | 0:04:19 | 0:04:23 | |
which tells me they were made in the 20th century. | 0:04:23 | 0:04:26 | |
What sort of value could we be talking about, James? | 0:04:26 | 0:04:28 | |
When it comes to value, I guess we're probably looking at | 0:04:28 | 0:04:31 | |
about between £80 and £120. We're talking about decoration | 0:04:31 | 0:04:35 | |
-rather than rarity. -What do you think of that valuation? | 0:04:35 | 0:04:38 | |
-It's absolutely fine! -Yes, I thought it was a very good valuation, James. | 0:04:38 | 0:04:42 | |
Thank you, but, Annette, can we find something | 0:04:42 | 0:04:45 | |
-a little lighter next time?! -I'm sure we can, indeed! | 0:04:45 | 0:04:48 | |
I begin my search upstairs in Annette's bedroom and I find a pair | 0:04:48 | 0:04:52 | |
of his and hers watches that she was given as a wedding present. | 0:04:52 | 0:04:55 | |
They were made by Asprey & Garrard, the London-based jewellers | 0:04:56 | 0:05:00 | |
best-known for their upkeep of the Crown Jewels. | 0:05:00 | 0:05:02 | |
Annette's house may be hiding more than we imagined! | 0:05:02 | 0:05:05 | |
James values the pair at £60 to £100. | 0:05:05 | 0:05:07 | |
Hey, James... What do you think of this? | 0:05:08 | 0:05:12 | |
What have we got here? Ooh, we've got lots of sculpture you've found. | 0:05:12 | 0:05:16 | |
Where did these come from? | 0:05:16 | 0:05:18 | |
I have no idea! | 0:05:18 | 0:05:20 | |
Well, what have we got here? | 0:05:20 | 0:05:22 | |
-Now do you know why I'm doing that, tapping that? -No. | 0:05:22 | 0:05:25 | |
-Well, if I tap it, that tells me what material it's made out of. -How clever! | 0:05:25 | 0:05:31 | |
In this case it's made of bronze, so this one here, which is a nice charming group and it's | 0:05:31 | 0:05:37 | |
based on a 19th-century original French piece and there is a bit of a signature in the back, | 0:05:37 | 0:05:44 | |
which is difficult to make out, | 0:05:44 | 0:05:46 | |
-but this one, do you know how old this is? -I have no idea. | 0:05:46 | 0:05:51 | |
I think that this has probably been made in the last 20 or 30 years | 0:05:51 | 0:05:55 | |
and not in France, actually out in the Far East, | 0:05:55 | 0:05:59 | |
probably in Thailand. | 0:05:59 | 0:06:01 | |
This is very European, isn't it? | 0:06:01 | 0:06:03 | |
-Well, look, I'm tapping her again. -She's beautiful! -She is beautiful. | 0:06:03 | 0:06:08 | |
She is actually not bronze, she's actually made of a material that's | 0:06:08 | 0:06:12 | |
a resin, so it's a sort of composition copying bronze. | 0:06:12 | 0:06:16 | |
We've got a little signature here, | 0:06:16 | 0:06:18 | |
who I don't know, but I would think that's probably... | 0:06:18 | 0:06:21 | |
This would have been made in the 1970s | 0:06:21 | 0:06:23 | |
and very much in the style of that great impressionist painter and sculptor, Degas. | 0:06:23 | 0:06:31 | |
The original would have been done at the end of the 19th century | 0:06:31 | 0:06:34 | |
and so this man has copied that, so basically | 0:06:34 | 0:06:38 | |
what we've got here is a real bronze, | 0:06:38 | 0:06:41 | |
albeit it modern, and then two copies of bronzes made in | 0:06:41 | 0:06:44 | |
a resin-based material, but not sort of old or rare or whatever... | 0:06:44 | 0:06:50 | |
They basically have a sort of decorative price. | 0:06:50 | 0:06:53 | |
-I'm going to say I think probably between £50 and £100. -Well, that's very interesting. | 0:06:53 | 0:06:57 | |
-It's money in the pot, isn't it? -Yes, it certainly is. | 0:06:57 | 0:07:00 | |
You seem very sure of that, James, | 0:07:02 | 0:07:03 | |
but exactly how much money remains to be seen on auction day. | 0:07:03 | 0:07:06 | |
A bit of interest in the book, straight in at £50, any advance? | 0:07:06 | 0:07:10 | |
Good! It's got a bid of 50. | 0:07:10 | 0:07:11 | |
-Lots of places, now. 52, 55, 58, 60, 62... -Oh, look! | 0:07:11 | 0:07:16 | |
65, 68, 70, 72... | 0:07:16 | 0:07:19 | |
Find out later in the show. | 0:07:19 | 0:07:21 | |
Back in the rummage, Annette shows James a stunning games table, | 0:07:23 | 0:07:26 | |
which she bought from auction a few years ago. | 0:07:26 | 0:07:28 | |
It's a modern piece, but in an early 19th-century style, | 0:07:28 | 0:07:32 | |
with walnut veneer and detailed marquetry. James hopes it will make | 0:07:32 | 0:07:36 | |
£200-£400. | 0:07:36 | 0:07:38 | |
Anne has been concentrating her efforts in the packed garage | 0:07:41 | 0:07:45 | |
and her hard work pays off when she digs out this rather impressive glass decanter. | 0:07:45 | 0:07:49 | |
It was made by the Czech company Mosa who specialised in producing high-quality Bohemian glassware. | 0:07:49 | 0:07:55 | |
James thinks that £30 to £50 is all we can expect from it today. | 0:07:55 | 0:07:59 | |
While the others rummage, I thought we'd take a little break. | 0:08:03 | 0:08:06 | |
You and your mum seem really close. | 0:08:06 | 0:08:08 | |
We are. We've always been close and I think a good family network | 0:08:08 | 0:08:14 | |
is a very important thing to have. | 0:08:14 | 0:08:16 | |
Obviously, she's your mum and you're her little girl, | 0:08:16 | 0:08:19 | |
so it must have been hard for her when you were diagnosed with MS? | 0:08:19 | 0:08:22 | |
Mmm, I think it was. | 0:08:22 | 0:08:23 | |
Was the fact that you had your mum around vital to helping you keep going? | 0:08:23 | 0:08:28 | |
Everybody needs breathing space, especially going through something like that. | 0:08:28 | 0:08:31 | |
Yes. Mum and Dad are wonderful, absolutely wonderful. | 0:08:31 | 0:08:35 | |
And I think, yeah, family bonds you together and keeps you going | 0:08:37 | 0:08:42 | |
and as much as my children are important to me, my parents are, as well. | 0:08:42 | 0:08:46 | |
Tell me about the family background, because you're all quite musical, aren't you? | 0:08:46 | 0:08:49 | |
My father was a pianist and my mum was a singer and we all had a musical talent of sorts. | 0:08:49 | 0:08:56 | |
I used to play the flute and my brother was a viola player. | 0:08:56 | 0:09:00 | |
You came from this musical background. | 0:09:00 | 0:09:03 | |
What did you go on to, because you didn't stay in music? | 0:09:03 | 0:09:05 | |
-No, I became a legal secretary. -Is that how you met your husband? | 0:09:05 | 0:09:09 | |
Yep. I met my husband, he worked in the City, as well, | 0:09:09 | 0:09:13 | |
and married for 11 years and two gorgeous children. | 0:09:13 | 0:09:17 | |
How do you feel that we're selling some of these things, | 0:09:17 | 0:09:20 | |
which obviously are quite a reflection of the life you used to live? | 0:09:20 | 0:09:24 | |
-Does it feel strange to be getting rid of them? -No, that time has passed. | 0:09:24 | 0:09:28 | |
Is it the opposite effect, then? It's actually quite nice to see them go at this stage? | 0:09:28 | 0:09:32 | |
Mmm, yes, it is. | 0:09:32 | 0:09:34 | |
Well, I'm pleased Annette has no qualms about parting with her collectables, | 0:09:34 | 0:09:38 | |
so the more we can find, the better. | 0:09:38 | 0:09:41 | |
Anne has finished her search in the garage and is now busy in the house | 0:09:41 | 0:09:45 | |
where she soon finds a pair of highly-decorated plates. | 0:09:45 | 0:09:48 | |
They were given to Annette as a gift and were designed by Versace, no less! | 0:09:48 | 0:09:52 | |
Sadly, and despite the name, | 0:09:52 | 0:09:54 | |
James isn't convinced of their collectability | 0:09:54 | 0:09:57 | |
and values them at a rather disappointing £20 to £40. | 0:09:57 | 0:10:01 | |
James, Anne, are you there? | 0:10:03 | 0:10:05 | |
Hiya. Well done! What do you think of this? | 0:10:05 | 0:10:08 | |
I should think you are just about to serve us some tea! | 0:10:08 | 0:10:11 | |
I've got a few pieces out of the box but do you know what is in there? | 0:10:11 | 0:10:14 | |
I believe it's a tea service. | 0:10:14 | 0:10:15 | |
That's fantastic and I'll tell you what's great is here we have the history of Meissen on one plate! | 0:10:15 | 0:10:21 | |
The thing about Meissen is it was the first European porcelain factory | 0:10:21 | 0:10:26 | |
that discovered hard paste porcelain. | 0:10:26 | 0:10:29 | |
Before then, it had only been made over in China and the Orient and the Europeans were desperate to find out | 0:10:29 | 0:10:36 | |
how to actually make it | 0:10:36 | 0:10:38 | |
and they discovered it in Meissen in about 1710 which is when | 0:10:38 | 0:10:43 | |
the factory here first started | 0:10:43 | 0:10:45 | |
and on this plate here you've got all the various histories, | 0:10:45 | 0:10:48 | |
like you've got "AR" at the top there. That's for Augustus Rex | 0:10:48 | 0:10:51 | |
who was the king over in Germany when it was first produced. | 0:10:51 | 0:10:56 | |
KPM, which stands for "Konigliche Porcelain Manufacture", | 0:10:56 | 0:11:00 | |
and then down here, we've got Bott... | 0:11:00 | 0:11:02 | |
Well, I'm not even going to pronounce that, | 0:11:02 | 0:11:04 | |
but basically it's named after Bottger, | 0:11:04 | 0:11:06 | |
who was one of the original starters of the Meissen porcelain factory. | 0:11:06 | 0:11:11 | |
It is good quality, but it's not especially old, | 0:11:11 | 0:11:14 | |
so I think, for the whole lot, we'll probably put something like | 0:11:14 | 0:11:18 | |
£200 to £400 on it, something like that. | 0:11:18 | 0:11:20 | |
-Goodness me! -That's a nice thing to have in the kitty. -Brilliant! | 0:11:20 | 0:11:23 | |
That's a super addition to our auction haul. | 0:11:23 | 0:11:26 | |
A few more discoveries like this and we'll breeze past our £800 target. | 0:11:26 | 0:11:31 | |
I'm on a bit of a roll as, like a magpie to diamonds, I spot these | 0:11:31 | 0:11:36 | |
very desirable hand-printed, hand-stitched Hermes scarves. | 0:11:36 | 0:11:40 | |
James thinks this collection of six could fetch somewhere between £30 to £80 on the day. | 0:11:40 | 0:11:45 | |
James has been conducting a final search of the garage | 0:11:47 | 0:11:50 | |
to see if Anne missed anything and he discovers a box | 0:11:50 | 0:11:53 | |
containing a full set of Stuart Crystal glass. | 0:11:53 | 0:11:56 | |
They're in perfect condition and, as a wedding present from her first marriage, | 0:11:56 | 0:12:00 | |
Annette is more than happy to see the back of them, | 0:12:00 | 0:12:03 | |
so they head to auction with a very impressive | 0:12:03 | 0:12:05 | |
£100 to £150 price tag. | 0:12:05 | 0:12:09 | |
-What have you got there, Annette? -It's a Hermes ashtray. I forgot I had this! -Really! | 0:12:09 | 0:12:16 | |
It's a jolly nice thing to forget that you actually had. | 0:12:16 | 0:12:18 | |
The firm was started in 1837 by Thierry Hermes | 0:12:18 | 0:12:22 | |
and originally they made harnesses and bridals for carriages. | 0:12:22 | 0:12:27 | |
That would be the connection with the scarves and the equestrian connection? | 0:12:27 | 0:12:32 | |
Absolutely. Originally, that's what it was and that's why some | 0:12:32 | 0:12:34 | |
Hermes styles, you're right, have bridals and things on them. | 0:12:34 | 0:12:38 | |
But it wasn't actually until the early 20th century that Hermes were really on the map | 0:12:38 | 0:12:44 | |
with one of his descendants, Emile-Maurice Hermes, because they were still making leather, | 0:12:44 | 0:12:49 | |
but rather than harness-wear, they had gone into leather clothes and he got a sort of franchise, | 0:12:49 | 0:12:55 | |
an exclusive deal, to produce clothes with the first zipper on them | 0:12:55 | 0:13:00 | |
and then in the 1930s - 1937 - was when they actually started, | 0:13:00 | 0:13:05 | |
they opened their first factory, in Lyon in France, purely devoted to making scarves | 0:13:05 | 0:13:13 | |
and it was out of that, really, they then in later years went into this sort of luxury line | 0:13:13 | 0:13:18 | |
of producing everything from watches to ashtrays to lots | 0:13:18 | 0:13:23 | |
of other really high-end design things. This one here is actually made | 0:13:23 | 0:13:29 | |
of Limoges porcelain, so one of the leading French porcelain factories as well. | 0:13:29 | 0:13:34 | |
They still do have value. | 0:13:34 | 0:13:36 | |
I would think something like this is probably worth around about £50 to £80. How does that sound? | 0:13:36 | 0:13:43 | |
-Fair enough. -Not bad for an ashtray! -Not bad at all. | 0:13:43 | 0:13:45 | |
Annette really has collected some lovely pieces over the years | 0:13:47 | 0:13:51 | |
and in the bedroom, her mum finds more evidence of this when she spots a very attractive Limoges tea set. | 0:13:51 | 0:13:57 | |
It was a gift from her first husband and James thinks it could fetch | 0:13:57 | 0:14:00 | |
another £80 to £120 on sale day. | 0:14:00 | 0:14:03 | |
-What have you got there? -A watch. | 0:14:06 | 0:14:08 | |
It's not just any old watch... | 0:14:09 | 0:14:11 | |
That is a Cartier watch! | 0:14:11 | 0:14:13 | |
Ooh, did I hear a magic word? | 0:14:13 | 0:14:15 | |
You heard the word "Cartier", yes! | 0:14:15 | 0:14:18 | |
-Let me have a look, let me have a look! -Have you got the box for this? | 0:14:18 | 0:14:22 | |
No box. I bought it off of my ex-boyfriend's mother. | 0:14:22 | 0:14:26 | |
-That's a bit tortuous, isn't it?! -Yeah, it is! -22 years ago. | 0:14:26 | 0:14:29 | |
Well, you do like nice things, don't you? | 0:14:29 | 0:14:31 | |
-I do. -Obviously an eye for quality because I mean Cartier, that is THE name to conjure with. | 0:14:31 | 0:14:38 | |
Thousands of pounds are paid for these things new. | 0:14:38 | 0:14:41 | |
Is it the same with this one? Is that worth £1,000? | 0:14:41 | 0:14:44 | |
We're not talking thousands of pounds. It's 20-30 years old, something like that. | 0:14:44 | 0:14:49 | |
On the back here, actually, it does tell me that it's got all the Cartier marks, which is great, | 0:14:49 | 0:14:54 | |
and it tells me also that it's gold-plated rather than solid gold, | 0:14:54 | 0:14:58 | |
so that all has a bearing on the value. | 0:14:58 | 0:15:01 | |
We're probably looking at between £150 and £300. | 0:15:01 | 0:15:04 | |
What do you think of that, Annette? | 0:15:04 | 0:15:06 | |
-That's more than I thought. -Really? That's good! | 0:15:06 | 0:15:08 | |
-Presumably you're pleased with that, yeah? -Absolutely! -Well done! | 0:15:08 | 0:15:12 | |
OK, talking of time, we're out of time when it comes to our rummage. | 0:15:12 | 0:15:15 | |
You'll be delighted that the value of everything | 0:15:15 | 0:15:18 | |
-going to auction comes to £1,050. -Wow! -Oh, marvellous! | 0:15:18 | 0:15:21 | |
What a hugely successful day we've had in Kent with Annette Shaw and her mum | 0:15:23 | 0:15:28 | |
and what a terrific array of items we've got for auction. | 0:15:28 | 0:15:31 | |
The magnificent pair of 20th-century candelabra... | 0:15:31 | 0:15:34 | |
You'll need a big house to keep them but not a huge fortune to buy them. | 0:15:34 | 0:15:38 | |
We're looking for £80-£120. | 0:15:38 | 0:15:41 | |
The beautifully inlaid pine and walnut games chest. | 0:15:43 | 0:15:46 | |
It's not antique, but the quality is superb and will hopefully tempt the bidders into paying | 0:15:46 | 0:15:51 | |
upwards of its £200-£400 estimate. | 0:15:51 | 0:15:54 | |
And the collection of Meissen porcelain. | 0:15:54 | 0:15:58 | |
We're hoping the porcelain bidders will be out in force, | 0:15:58 | 0:16:01 | |
so we can raise upwards of its £200-£400 price tag. | 0:16:01 | 0:16:04 | |
Still to come on Cash In The Attic... | 0:16:07 | 0:16:09 | |
I find out what James and Anne got up to on rummage day... | 0:16:09 | 0:16:12 | |
And that was when you and I were alone together in the garage! | 0:16:12 | 0:16:16 | |
Yes, it was lovely! | 0:16:16 | 0:16:18 | |
All right, anyway, moving swiftly on... | 0:16:18 | 0:16:21 | |
And there are high hopes for a stylish crowd at auction. | 0:16:21 | 0:16:25 | |
I'm sure here in Essex, the fashion aficionados are going to be out in force. | 0:16:25 | 0:16:30 | |
So, will our items be in vogue? | 0:16:30 | 0:16:32 | |
Find out when the final hammer falls. | 0:16:32 | 0:16:35 | |
It's been a few weeks since we met Annette and her mum over in Kent. | 0:16:41 | 0:16:45 | |
We found lots of lovely items that we've brought here to Stacey's Auction House in Rayleigh, Essex. | 0:16:45 | 0:16:51 | |
Remember, Annette is looking to raise around £800 so she can move on | 0:16:51 | 0:16:54 | |
with her life, so let's just hope that the bidders get their cash out when the bidding starts today. | 0:16:54 | 0:17:00 | |
This family-run auction house | 0:17:00 | 0:17:02 | |
has been holding regular sales since it began trading back in 1947 | 0:17:02 | 0:17:08 | |
and it would seem that they are as busy as ever, with a staggering 1,200 lots on offer in today's sale. | 0:17:08 | 0:17:14 | |
-Morning, ladies. -Hi, how are you doing? | 0:17:15 | 0:17:18 | |
-Hello, hi. -Good morning. -These are lovely, | 0:17:18 | 0:17:20 | |
but I noticed in the catalogue, we're missing a couple. | 0:17:20 | 0:17:22 | |
I actually found a buyer for four of the scarves. | 0:17:22 | 0:17:26 | |
-Why are these two being held back? -Just because they preferred the other four. | 0:17:26 | 0:17:31 | |
Something else has happened with the glass collection. | 0:17:31 | 0:17:34 | |
-What's going on there? -Yeah, the same thing. | 0:17:34 | 0:17:37 | |
I had a buyer who offered me £500 for them, so... | 0:17:37 | 0:17:41 | |
I can't blame you for taking that! | 0:17:41 | 0:17:44 | |
-Busy girl. That's good news! -Absolutely! | 0:17:44 | 0:17:46 | |
-We've still got the water jug? -Yes, that's right. | 0:17:46 | 0:17:48 | |
And you're not missing any of these items? | 0:17:48 | 0:17:50 | |
-You're happy for them all to sell? -All of them. -Right, OK. | 0:17:50 | 0:17:53 | |
You've already banked £500, plus a bit extra, | 0:17:53 | 0:17:56 | |
-before you got here, so let's see what we can make today. -OK, then. | 0:17:56 | 0:18:00 | |
Annette has done brilliantly, selling her collection of glass for £500, | 0:18:01 | 0:18:06 | |
but if we're still aiming to raise £800 today, the items that have made it will have to perform amazingly. | 0:18:06 | 0:18:13 | |
I do hope the bidders are feeling generous! | 0:18:13 | 0:18:15 | |
We'll soon find out, as it's time for our first lot of the day. | 0:18:15 | 0:18:19 | |
It's the Hermes ashtray. | 0:18:19 | 0:18:22 | |
We have the Hermes ashtray. Pretty thing, lots of interest here on the book... | 0:18:22 | 0:18:26 | |
Good, good, good! | 0:18:26 | 0:18:28 | |
Right here now it's £70. | 0:18:28 | 0:18:29 | |
Any advances on £70 now? It's here with me, are we all done then? | 0:18:29 | 0:18:33 | |
-Commission bid and I'm selling at £70. -Great! -Wow. | 0:18:33 | 0:18:37 | |
It didn't even get to the room, because it went straight on commission. Fantastic! | 0:18:37 | 0:18:41 | |
That's how we like to start an auction - | 0:18:41 | 0:18:43 | |
just £10 shy of James' top estimate, and most importantly, | 0:18:43 | 0:18:47 | |
we have our first contribution towards the deposit for Annette's new home. | 0:18:47 | 0:18:52 | |
Unfortunately, the Versace plates don't prove as popular... | 0:18:52 | 0:18:57 | |
Sorry, they didn't sell. | 0:18:57 | 0:18:58 | |
..and they're heading back home with Annette. | 0:18:58 | 0:19:02 | |
I hope we have more interest in our next item. | 0:19:02 | 0:19:05 | |
Next, we've got the three statues | 0:19:05 | 0:19:07 | |
and that's when you and I were alone together | 0:19:07 | 0:19:10 | |
-in the garage! -Yes, it was lovely! | 0:19:10 | 0:19:13 | |
-Three... Anyway! -All right, anyway, moving swiftly on... | 0:19:13 | 0:19:17 | |
Three statues, one is bronze, two are sort of a resin-based material, quite decorative, £50-£100. | 0:19:17 | 0:19:23 | |
-I'm hoping they will make it. -OK. | 0:19:23 | 0:19:26 | |
-A bit of interest in the book, straight in at £50, any advance... -Straight in at £50! | 0:19:26 | 0:19:30 | |
Lots of places now. 52, 55, 58... | 0:19:30 | 0:19:34 | |
60, 62, 65... | 0:19:34 | 0:19:37 | |
68, 70, 72, 75, 78... | 0:19:37 | 0:19:41 | |
-Brilliant! -80, 85... -This is what we want. | 0:19:41 | 0:19:44 | |
-90... -That's fantastic! -95, 100. At £100 now, back of the room. | 0:19:44 | 0:19:48 | |
Are we all done? Selling, make no mistake, the hammer's up at £100. | 0:19:48 | 0:19:53 | |
Thank you, sir. | 0:19:53 | 0:19:55 | |
£100 - absolute top end of the estimate. Well done, James. | 0:19:55 | 0:19:58 | |
That's much more like it. | 0:19:58 | 0:20:00 | |
Anne may not have liked the sculptures, | 0:20:00 | 0:20:02 | |
but plenty of people in the room did | 0:20:02 | 0:20:05 | |
and it's another much-needed contribution to the new home fund. | 0:20:05 | 0:20:08 | |
'One of my favourite lots next. I love these.' | 0:20:08 | 0:20:11 | |
It's the collection of hand-stitched Hermes scarves. | 0:20:11 | 0:20:15 | |
We've put them in, the two, at £10-£20, | 0:20:15 | 0:20:17 | |
so we're hoping at that sort of level, it will elicit | 0:20:17 | 0:20:21 | |
some interest, but I'm sure here in Essex, the fashion aficionados are going to be out in force. | 0:20:21 | 0:20:27 | |
I must start the bidding at £50. | 0:20:27 | 0:20:29 | |
Are we all done then? It's you and me, lots of places now... | 0:20:29 | 0:20:32 | |
55, 60, 65, 70, 75, 80... | 0:20:32 | 0:20:36 | |
-85, 90... -Aah! | 0:20:36 | 0:20:38 | |
At £90 now. 95 back on the book against you now, at £95 now, | 0:20:38 | 0:20:43 | |
commission bid on the book against you in the room. Are we all done and I'm selling. | 0:20:43 | 0:20:46 | |
Against you all. It's on the book at £95. | 0:20:46 | 0:20:51 | |
-You must be pleased with that! -I'm happy. -That is really good! | 0:20:51 | 0:20:55 | |
The good folk of Essex may not be interested in designer plates | 0:20:55 | 0:21:00 | |
but the designer scarves got their attention, and deservedly so. | 0:21:00 | 0:21:04 | |
It's anyone's guess what they'll make of our next lot, | 0:21:04 | 0:21:07 | |
the pair of candelabra. | 0:21:07 | 0:21:10 | |
£60, 65 I'm bid, thank you. At £65 now. Are we all done at £65? 65. | 0:21:10 | 0:21:17 | |
-That's not a lot of money, compared to our estimate. How do you feel about that? -I don't mind. | 0:21:17 | 0:21:22 | |
I'm pleased Annette's not too disappointed | 0:21:22 | 0:21:25 | |
with that result and it goes to show the change | 0:21:25 | 0:21:27 | |
in our tastes when it comes to interior fashion. | 0:21:27 | 0:21:30 | |
And I don't think that's altogether a bad thing. | 0:21:30 | 0:21:33 | |
At the halfway point, we've notched up £330, towards the £800 target | 0:21:33 | 0:21:38 | |
for Annette and Anne's house move. | 0:21:38 | 0:21:41 | |
So we're not doing too badly at all. | 0:21:41 | 0:21:44 | |
If like Annette, you're thinking of heading to auction, then do remember | 0:21:45 | 0:21:48 | |
that fees like commission, VAT and other charges may be added | 0:21:48 | 0:21:52 | |
to your bill, so please do check with your local auction house first, | 0:21:52 | 0:21:56 | |
to avoid any unwelcome surprises. | 0:21:56 | 0:21:59 | |
Our next lot is the pair of Asprey & Garrard watches, | 0:21:59 | 0:22:01 | |
valued at £60-£100. | 0:22:01 | 0:22:04 | |
Where should we be with these, then? Start me at £40 then, 40 anywhere? | 0:22:06 | 0:22:09 | |
40, I'm bid on the book. Any advances on 40? 42, thank you. | 0:22:09 | 0:22:13 | |
45, 48, 50. | 0:22:13 | 0:22:15 | |
At £50 now, still with me on the book, commission bid, | 0:22:15 | 0:22:19 | |
and I'm selling then at £50. | 0:22:19 | 0:22:21 | |
£50, that's not a lot of money is it? | 0:22:22 | 0:22:26 | |
Oh, dear, now that's not the result we were hoping for. | 0:22:27 | 0:22:31 | |
And things take a turn for the worse | 0:22:31 | 0:22:33 | |
when the Limoges porcelain and Cartier watch | 0:22:33 | 0:22:36 | |
sell WAY below their lower estimates... | 0:22:36 | 0:22:38 | |
Are we all done at £50? | 0:22:40 | 0:22:43 | |
..adding just £85 | 0:22:43 | 0:22:45 | |
to our kitty between them. | 0:22:45 | 0:22:48 | |
Sadly, the prognosis for our next sale isn't much better. | 0:22:48 | 0:22:51 | |
It's the now-stand-alone example of Stuart Crystal. | 0:22:51 | 0:22:54 | |
A bit of interest on the book, ladies and gentlemen - straight in at £20. | 0:22:54 | 0:22:57 | |
Any advances on 20? It's here with me, it's on the book. Are we all done then at £20? | 0:22:57 | 0:23:02 | |
And 22, 24, 26, £28 now. | 0:23:02 | 0:23:05 | |
Still on the book here with me and I'm selling, ladies and gentlemen, commission bid at £28. | 0:23:05 | 0:23:11 | |
-28. -Happy with that? | 0:23:11 | 0:23:14 | |
Good. | 0:23:14 | 0:23:15 | |
After some of our recent sales, that's a pretty good result, | 0:23:15 | 0:23:19 | |
selling for just £2 shy of James' higher estimate. | 0:23:19 | 0:23:23 | |
And that's on top of the £500 Annette has already raised | 0:23:23 | 0:23:27 | |
by selling the rest of her glassware before coming to auction. | 0:23:27 | 0:23:31 | |
Fortunately, our next item has arrived in its entirety. | 0:23:31 | 0:23:35 | |
Next up, we've got that multifunctional bit of furniture, | 0:23:35 | 0:23:40 | |
the games table. | 0:23:40 | 0:23:41 | |
Again, not particularly old, | 0:23:41 | 0:23:43 | |
but really, really good quality and quite ornate. | 0:23:43 | 0:23:46 | |
Do you remember, the lid comes off and you can play chess, chequers...? | 0:23:46 | 0:23:50 | |
We've got £200-£400 on it, so let's hope there are some real players here today. | 0:23:50 | 0:23:55 | |
A bit of interest here, ladies and gentlemen, straight in on the book at £100, any advances on 100? | 0:23:55 | 0:24:00 | |
It's here with me. | 0:24:00 | 0:24:01 | |
110, 120, 130. At £130 now, back of the room against you. | 0:24:01 | 0:24:06 | |
140. At £140 now, are we all done then? Make no mistake | 0:24:06 | 0:24:11 | |
and selling then, the hammer's up at £140. | 0:24:11 | 0:24:14 | |
I think that was quite cheap. | 0:24:16 | 0:24:18 | |
-Do you? -But again, if it's not old, it doesn't have an antique value. | 0:24:18 | 0:24:22 | |
It's purely down to how much you like it. | 0:24:22 | 0:24:24 | |
Yes, yes, but it all goes towards the total, so... | 0:24:24 | 0:24:28 | |
Despite interest in the room and on the telephone, we still failed | 0:24:28 | 0:24:32 | |
to reach the lower estimate on the games table by £60. | 0:24:32 | 0:24:37 | |
The success we enjoyed in the first half of the sale | 0:24:37 | 0:24:39 | |
seems like a long time ago and we have just one lot remaining. | 0:24:39 | 0:24:44 | |
Our next lot is quite a mighty chunk of our total, | 0:24:44 | 0:24:48 | |
with an estimate of £200-£400 and it's all that Meissen. | 0:24:48 | 0:24:52 | |
How do you feel about this being sold? | 0:24:52 | 0:24:54 | |
-Let's just see what it gets. -OK, we've got no reserves on it? | 0:24:54 | 0:24:58 | |
-No. -All right, OK. Somebody might get a bargain - let's hope not! | 0:24:58 | 0:25:02 | |
We come to the collection of Meissen teaware, there we are, very interesting collection, | 0:25:02 | 0:25:07 | |
ladies and gentlemen. Bit of interest here, ladies and gentlemen, straight in at £160 on the book. | 0:25:07 | 0:25:12 | |
Any advances on 160, it's here with me? 170, 180, 190, 200, against you, sir, at £200 now, | 0:25:12 | 0:25:19 | |
it's a commission bid, ladies and gentlemen, and I'm selling at £200. | 0:25:19 | 0:25:24 | |
£200, that's fantastic! | 0:25:24 | 0:25:27 | |
Thank goodness for the Meissen! | 0:25:27 | 0:25:29 | |
So, after a tricky second half of the sale, | 0:25:29 | 0:25:32 | |
have we managed to snatch a respectable final total | 0:25:32 | 0:25:35 | |
from the pockets of this prudent crowd? | 0:25:35 | 0:25:39 | |
It's a very difficult market, but you wanted £800 | 0:25:39 | 0:25:43 | |
-and I'm pleased to tell you, you've actually made £833! -Wow! | 0:25:43 | 0:25:47 | |
-That's good! -Brilliant! | 0:25:47 | 0:25:49 | |
-Excellent! Well done, darling. -That's all right! | 0:25:49 | 0:25:52 | |
A couple of weeks after that rather unpredictable day at auction and Annette is headed to Maidstone | 0:25:56 | 0:26:01 | |
with her mum, to begin planning the next chapter of her life. | 0:26:01 | 0:26:04 | |
OK, so we've done the auction, we've got some money towards our deposit and now we're going to look | 0:26:04 | 0:26:09 | |
in the estate agents at any properties that we might like the look of. | 0:26:09 | 0:26:13 | |
OK, we've got a selection of properties and we might be able to find something suitable for you. | 0:26:13 | 0:26:19 | |
Every penny we can put towards that deposit really helps. | 0:26:19 | 0:26:23 | |
I think this looks a very good bargain. | 0:26:23 | 0:26:25 |