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Welcome to the show that finds hidden treasures in your home and helps you sell them at auction. | 0:00:02 | 0:00:06 | |
Nowadays, we are all inheriting lots of stuff from our parents, | 0:00:06 | 0:00:10 | |
but when we become parents ourselves | 0:00:10 | 0:00:12 | |
and the children have literally flown the nest, | 0:00:12 | 0:00:15 | |
they have a tendency to leave a lot of stuff behind. | 0:00:15 | 0:00:17 | |
But, in some cases, that can be beneficial, as we'll find out | 0:00:17 | 0:00:21 | |
with the items we're looking at later today in Cash In The Attic. | 0:00:21 | 0:00:24 | |
I've come to St Albans in Hertfordshire to meet a lovely lady | 0:00:44 | 0:00:49 | |
who's called in the Cash In The Attic team | 0:00:49 | 0:00:51 | |
to help her get a day out at a top London musical. | 0:00:51 | 0:00:54 | |
On today's Cash In The Attic, we meet the mother of a famous pop star, | 0:00:54 | 0:00:58 | |
and he is heading to her auction hall. | 0:00:58 | 0:01:01 | |
He didn't want to take it with him. | 0:01:01 | 0:01:03 | |
It was too big, so he's decided to give it to me, to put in my garage. | 0:01:03 | 0:01:06 | |
And an Edwardian music maker has John dancing the blues away. | 0:01:06 | 0:01:11 | |
-Shall we hear it one more time? -Yeah, go on, then. | 0:01:11 | 0:01:14 | |
-GRAINY MUSIC PLAYS -Shall we? | 0:01:14 | 0:01:18 | |
On auction day, will the bidders be in unison with John's valuations? | 0:01:18 | 0:01:23 | |
£20. Any interest at all at £20? | 0:01:23 | 0:01:26 | |
-10, then? -Oh, come on. -Any interest at all at £10 for the Eastern box? | 0:01:26 | 0:01:29 | |
Find out what happens when that hammer falls. | 0:01:29 | 0:01:33 | |
Fiona Inglis has a bit of wanderlust about her. | 0:01:35 | 0:01:38 | |
Being the daughter of an army officer, her family moved around quite a bit when she was growing up, | 0:01:38 | 0:01:44 | |
and she's continued this pattern as an adult. | 0:01:44 | 0:01:47 | |
She had her only son Duncan when she was 23, | 0:01:47 | 0:01:50 | |
and for many years they lived in Devon. | 0:01:50 | 0:01:53 | |
Duncan is a singer with the pop band Blue and lives in London now. | 0:01:53 | 0:01:57 | |
So, seven years ago, Fiona moved to her current home to be nearer to him. | 0:01:57 | 0:02:01 | |
The house is now too large, and she's in the process of moving | 0:02:01 | 0:02:04 | |
and using the opportunity to have a clear-out. | 0:02:04 | 0:02:08 | |
So, on hand to assess the findings is our expert valuer John Cameron, | 0:02:08 | 0:02:12 | |
who has many years in the business. | 0:02:12 | 0:02:15 | |
While he gets today's rummage under way, | 0:02:15 | 0:02:17 | |
I go in search of Fiona and her good friend Janice, who's here to help. | 0:02:17 | 0:02:22 | |
-Ah, good morning, ladies. -Hello! | 0:02:22 | 0:02:24 | |
-How are you? -Oh, we're very well. | 0:02:24 | 0:02:26 | |
-The sun's shining. -It's lovely. | 0:02:26 | 0:02:28 | |
-It makes all the difference. -Nice autumn day. | 0:02:28 | 0:02:31 | |
-So, Fiona, this is your house. -Yes. | 0:02:31 | 0:02:33 | |
-And, Janice, you've come along to help today? -That's right. | 0:02:33 | 0:02:36 | |
So, how do you to know each other? | 0:02:36 | 0:02:38 | |
Well, Janice is my pet-sitter. | 0:02:38 | 0:02:41 | |
She put an advert up in the window of the local shop, and I answered it. | 0:02:41 | 0:02:45 | |
-That was about seven years ago. -That's right. | 0:02:45 | 0:02:47 | |
So, how many pets do you sit now? | 0:02:47 | 0:02:49 | |
I've got 45, 46 customers. | 0:02:49 | 0:02:51 | |
OK, so why have you called in Cash In The Attic, then? | 0:02:51 | 0:02:54 | |
I'm selling my house. I need to downsize | 0:02:54 | 0:02:57 | |
and I've just been gathering stuff over the years. | 0:02:57 | 0:03:00 | |
And I'm panicking like mad because I've got to move to a smaller house. | 0:03:00 | 0:03:03 | |
Where am I going to put everything? | 0:03:03 | 0:03:05 | |
I think I know part of the reason why your house is so cluttered. | 0:03:05 | 0:03:08 | |
Walking through, | 0:03:08 | 0:03:10 | |
I can see you've got a famous son who's left a few bits here. | 0:03:10 | 0:03:13 | |
Well, my son is Duncan James, and he's in a band called Blue, yes. | 0:03:13 | 0:03:17 | |
A lot of it is his fault, actually, because he's a clutterer as well. | 0:03:17 | 0:03:21 | |
I tend to gather a lot of his stuff that he doesn't want any more. | 0:03:21 | 0:03:23 | |
The money we raise, have you any ideas how you'd like to spend it? | 0:03:23 | 0:03:27 | |
Every bit will help towards the cost of the move. | 0:03:27 | 0:03:29 | |
Also, I would like to take Janice into London for the day | 0:03:29 | 0:03:32 | |
and perhaps go and see a musical, because we both like musicals. | 0:03:32 | 0:03:36 | |
-She'd love that. -Thank you. You don't have to do that, though. | 0:03:36 | 0:03:40 | |
Oh, no, but you deserve it. | 0:03:40 | 0:03:41 | |
And how much are you looking at? | 0:03:41 | 0:03:43 | |
Well, it would be great if I could raise about £500. | 0:03:43 | 0:03:45 | |
OK, if we're going to raise the £500 you need | 0:03:45 | 0:03:48 | |
we'd better track down John Cameron, and see what he's found to sell. | 0:03:48 | 0:03:51 | |
The stuff that Fiona has accumulated over the years | 0:03:51 | 0:03:55 | |
is not only her own and Duncan's, | 0:03:55 | 0:03:58 | |
but also items that belonged to her parents, who died ten years ago. | 0:03:58 | 0:04:03 | |
John has already spotted something of theirs that's not quite what it seems. | 0:04:03 | 0:04:08 | |
-Ah, John. -Hi, guys. -What have you found here, then? | 0:04:08 | 0:04:12 | |
I've been looking at this interesting piece of furniture. | 0:04:12 | 0:04:15 | |
But first, Fiona, I'm hoping you could shed some light on it. | 0:04:15 | 0:04:19 | |
My mum called it the kidney-shaped desk. | 0:04:19 | 0:04:21 | |
I remember Mum was really particular about what went on the top of it. | 0:04:21 | 0:04:24 | |
She didn't want this being marked. | 0:04:24 | 0:04:27 | |
It was in beautiful condition, but since I've had it, | 0:04:27 | 0:04:29 | |
-I've put things on the top. -Hot drinks? | 0:04:29 | 0:04:31 | |
My mother would turn in her grave if she saw it. | 0:04:31 | 0:04:33 | |
-You always remember it with this leather top? -Always. | 0:04:33 | 0:04:37 | |
OK, well, that's interesting because it didn't start out life as a desk. | 0:04:37 | 0:04:41 | |
This is part of a bedroom suite, | 0:04:41 | 0:04:43 | |
probably dating from just after the war, | 0:04:43 | 0:04:46 | |
late '40s, early '50s. | 0:04:46 | 0:04:48 | |
And these handles are also very consistent with that. | 0:04:48 | 0:04:51 | |
And look at these drawers. | 0:04:51 | 0:04:52 | |
They wouldn't be much use as a desk. | 0:04:52 | 0:04:54 | |
You wouldn't be able to get A4 paper in those. | 0:04:54 | 0:04:57 | |
Think about pedestal desks. They have wider drawers. | 0:04:57 | 0:05:00 | |
-Right. -Well, where do we stand in terms of it going to auction? | 0:05:00 | 0:05:03 | |
Is it something that you want to sell, Fiona? | 0:05:03 | 0:05:05 | |
Well, I think it depends on how much it would fetch, really, | 0:05:05 | 0:05:08 | |
because I do have a bit of sentimental attachment to it. | 0:05:08 | 0:05:11 | |
What sort of value might we be talking about? | 0:05:11 | 0:05:14 | |
I'd still be cautious and bearing in mind the condition - there's a few little chips of veneer - | 0:05:14 | 0:05:20 | |
-I wouldn't want more than £40 to £60 for it, -Oh, really? -Hmm. | 0:05:20 | 0:05:24 | |
And how do you feel about that? | 0:05:24 | 0:05:26 | |
Erm, a little bit mixed at the moment. I'm not too sure. | 0:05:26 | 0:05:29 | |
Fiona also spots this silver electroplated tray, | 0:05:29 | 0:05:33 | |
which her mother used to proudly display on the sideboard. | 0:05:33 | 0:05:36 | |
John values it at a very affordable £20-£30. | 0:05:36 | 0:05:39 | |
In the bedroom, I find a decorative wooden writing box from the 1920s, | 0:05:41 | 0:05:46 | |
which Fiona bought from a car boot sale. | 0:05:46 | 0:05:48 | |
So a £20 to £30 estimate doesn't seem at all bad. | 0:05:48 | 0:05:53 | |
So, what is it like having a famous son? | 0:05:53 | 0:05:56 | |
Well, it's very exciting, in many ways. | 0:05:56 | 0:06:00 | |
And it's great fun, going to see different things that he's doing. | 0:06:00 | 0:06:04 | |
And obviously, I'm very, very proud of him. | 0:06:04 | 0:06:07 | |
And it's quite overwhelming at times, it really is. | 0:06:07 | 0:06:10 | |
When was the first time that it suddenly hit you, and you thought, | 0:06:10 | 0:06:13 | |
"Oh, my goodness, my son is really famous"? | 0:06:13 | 0:06:16 | |
I think it was the first time they won a BRIT Award | 0:06:16 | 0:06:20 | |
and I was whisked into London to go and see them being presented with it | 0:06:20 | 0:06:24 | |
and having a chauffeur-driven car, which I'd never had before, | 0:06:24 | 0:06:28 | |
and being given champagne to drink while you were in the car, | 0:06:28 | 0:06:32 | |
and then going to the event and being ushered in and seeing my son. | 0:06:32 | 0:06:35 | |
Oh, it was just incredible. I'll never forget that. | 0:06:35 | 0:06:39 | |
I can understand wanting to downsize, to get rid of some YOUR clutter. | 0:06:39 | 0:06:43 | |
I'm concerned about what is Duncan going to do with all HIS stuff? | 0:06:43 | 0:06:46 | |
-Good question, but he's already told me he wants me to put it into storage. -Oh, dear! | 0:06:46 | 0:06:51 | |
While we've been chatting, | 0:06:51 | 0:06:52 | |
John and Janice have been busy searching the house, | 0:06:52 | 0:06:56 | |
and Janice has found this 20th-century Imari vase. | 0:06:56 | 0:06:58 | |
It belonged to Fiona's parents, and she always liked it. | 0:06:58 | 0:07:03 | |
But at £80 to £100, she's happy to let it go for a good cause. | 0:07:03 | 0:07:07 | |
Janice has also spotted a late-Victorian box | 0:07:09 | 0:07:14 | |
decorated with porcupine quills. | 0:07:14 | 0:07:16 | |
Fiona bought it for £2 at a car boot sale and, though it's a bit damaged, | 0:07:16 | 0:07:20 | |
John thinks a collector might buy it for spares | 0:07:20 | 0:07:24 | |
and it gets a £30-£40 price tag. | 0:07:24 | 0:07:26 | |
John, could you come and have a look at this, please? | 0:07:29 | 0:07:34 | |
That looks rather stunning, Fiona. Where did it come from? | 0:07:34 | 0:07:37 | |
I've had it in my house the last few years. | 0:07:37 | 0:07:39 | |
It was my son who gave it to me after he moved house, because it was too big for him to take. | 0:07:39 | 0:07:44 | |
I've never actually played it, but I believe it does work. | 0:07:44 | 0:07:48 | |
Let's see if we can get this... | 0:07:48 | 0:07:50 | |
Give that a little turn. This should release the power. | 0:07:50 | 0:07:53 | |
There we are, look at that. Perfect. This is nearly 100 years old, | 0:07:53 | 0:07:57 | |
and that's still working fantastically. | 0:07:57 | 0:08:00 | |
Just put the arm over. See if we can get a tune out of this. | 0:08:00 | 0:08:04 | |
GRAINY, DISTORTED MUSIC PLAYS | 0:08:04 | 0:08:07 | |
What a fantastic sound, eh? | 0:08:09 | 0:08:11 | |
-I'm glad to say sound quality has improved immensely. -Yes! | 0:08:11 | 0:08:16 | |
It's amazing to see it here, in working order, now. | 0:08:16 | 0:08:20 | |
Sadly, when these turn up at auction, they don't make as much as we would expect. | 0:08:20 | 0:08:25 | |
And seriously, I've found some fantastic table-top gramophones like this in my time, | 0:08:25 | 0:08:30 | |
and they seldom ever make over about £100. | 0:08:30 | 0:08:33 | |
Unless you've got the earlier types with the big brass or papier-mache horns. | 0:08:33 | 0:08:37 | |
And also, the other thing is that things do get swapped, things get changed or they get broken, | 0:08:37 | 0:08:41 | |
so condition is all-important. | 0:08:41 | 0:08:44 | |
We're looking for something like £60 to £80. | 0:08:44 | 0:08:46 | |
I'd like to think it would make over 100. | 0:08:46 | 0:08:48 | |
-Yeah, that's fine. -Shall we hear it one more time? -Yeah, go on, then. | 0:08:48 | 0:08:52 | |
-GRAINY MUSIC PLAYS -Shall we? | 0:08:52 | 0:08:57 | |
The record may be distorted, but let's hope the auction bidders | 0:08:57 | 0:09:01 | |
are in harmony with John's estimate. | 0:09:01 | 0:09:03 | |
Oh, come on! | 0:09:03 | 0:09:05 | |
We still have quite a way to go until the auction, | 0:09:05 | 0:09:08 | |
so it's back to the search at Fiona's house. | 0:09:08 | 0:09:10 | |
John has found this embossed, twin-handled planter. | 0:09:10 | 0:09:15 | |
Fiona used it as an umbrella stand, but it's been left high and dry for years. | 0:09:15 | 0:09:18 | |
So at £20 to £30, she's happy for it to scuttle along to the auction. | 0:09:18 | 0:09:23 | |
-Right... -Oh, wow, look at that! | 0:09:25 | 0:09:27 | |
-Very interesting! -So you did find something in the garage. | 0:09:27 | 0:09:31 | |
I did, yes. Yes, I forgot about that, actually. | 0:09:31 | 0:09:34 | |
And the animals are in there, hopefully two by two. | 0:09:34 | 0:09:37 | |
-Hopefully, yes, I think so. -I'm guessing this was Duncan's? -Er, yes. | 0:09:37 | 0:09:41 | |
It looks to me like it was made before felt-tips. What's the history to this? | 0:09:41 | 0:09:46 | |
Well, he used to play with that when he was a child, | 0:09:46 | 0:09:49 | |
and it's always been in our home, in our family home, for as long as I can remember. | 0:09:49 | 0:09:53 | |
-Did you play with it as a child? -I did. I certainly remember it. | 0:09:53 | 0:09:56 | |
And it automatically got passed down to Duncan when he was a little boy, | 0:09:56 | 0:10:00 | |
and he used to play with it on the floor in the lounge. | 0:10:00 | 0:10:03 | |
-You don't know where it originally came from? -Haven't a clue. | 0:10:03 | 0:10:06 | |
So I wonder if it was one of your parents' before you. | 0:10:06 | 0:10:09 | |
Is it that sort of age? | 0:10:09 | 0:10:11 | |
Well, these Noah's arks date from late Victorian period | 0:10:11 | 0:10:13 | |
into the early 20th century, and most of them seem to emanate from Germany, | 0:10:13 | 0:10:19 | |
where there's a strong tradition in wooden toy manufacture | 0:10:19 | 0:10:23 | |
and an indigenous, plentiful supply of pine for making them. | 0:10:23 | 0:10:27 | |
-How popular are these at auction? -It's a collector's thing. | 0:10:27 | 0:10:30 | |
It's not the sort of thing one would buy for a child these days. | 0:10:30 | 0:10:33 | |
Small pieces can break off, and this wouldn't pass current safety standards. It's a collector's item. | 0:10:33 | 0:10:38 | |
I'd like to think you're looking at £200 to £300 for it. | 0:10:38 | 0:10:41 | |
Wow! Gosh! | 0:10:41 | 0:10:43 | |
-Not the price you expected for it. -No! No, no. -That's pretty good! | 0:10:43 | 0:10:47 | |
-Shall we leave you to count them in? -I'll count them in. | 0:10:47 | 0:10:50 | |
Come on, quick, that's going to be a long job. | 0:10:50 | 0:10:53 | |
There are so many interesting things to sort through, and it all takes time to assess. | 0:10:53 | 0:10:57 | |
But it's Fiona that spots the next good one. | 0:10:57 | 0:11:00 | |
-John? -How are you getting on? | 0:11:00 | 0:11:02 | |
I found this and I was wondering if you could have a look at it for me. | 0:11:02 | 0:11:06 | |
We can see they were issued in 1974 | 0:11:06 | 0:11:08 | |
to commemorate the 100 years of Churchill's birth in 1874. | 0:11:08 | 0:11:14 | |
-Where did they come from? -They belonged to my father. | 0:11:14 | 0:11:16 | |
He was a great supporter of Churchill, and I found them | 0:11:16 | 0:11:20 | |
in the attic after my father died. | 0:11:20 | 0:11:21 | |
Churchill's popularity has never seemed to wane. | 0:11:21 | 0:11:24 | |
I know recently, there was a national poll that was televised, | 0:11:24 | 0:11:28 | |
and Churchill came out as the overall winner. | 0:11:28 | 0:11:30 | |
So it just goes to show what a difference he made and how loved he is today. | 0:11:30 | 0:11:35 | |
Let's look through the medals. So here we are, | 0:11:35 | 0:11:38 | |
the Three-Power Conference, with Stalin, Eisenhower and Churchill. | 0:11:38 | 0:11:41 | |
We've got VE-Day there. Well, that's a nice collection. | 0:11:41 | 0:11:45 | |
-They're made of silver. -Mm-hm. | 0:11:45 | 0:11:47 | |
I suspect they probably weigh about an ounce each, so we do have a benchmark on which to value them. | 0:11:47 | 0:11:52 | |
So, I think something like this at auction today, we'd be looking at | 0:11:52 | 0:11:56 | |
about £100 to £150, something like that. Would that be OK? | 0:11:56 | 0:11:59 | |
Certainly would. I'm downsizing, so every little bit helps, definitely. | 0:11:59 | 0:12:03 | |
Another couple of items bought by her son Duncan, | 0:12:03 | 0:12:07 | |
are this framed gold disc | 0:12:07 | 0:12:08 | |
of The Beatles' Please Please Me | 0:12:08 | 0:12:11 | |
plus a framed ticket and photos from their final US tour. | 0:12:11 | 0:12:15 | |
Beatles memorabilia is always a sure-fire winner at auction, | 0:12:15 | 0:12:18 | |
and at £200 to £300, I think Fiona will be very pleased with that. | 0:12:18 | 0:12:23 | |
-Hello! What have you got there? -I found something else in my garage! | 0:12:25 | 0:12:30 | |
Is this something Duncan dumped on you, or something you purchased? | 0:12:30 | 0:12:34 | |
I'm afraid it is. Yes, it is. When he moved from his last flat, he didn't want to take it with him. | 0:12:34 | 0:12:39 | |
It was too big. So he's decided to give it to me to put in my garage. | 0:12:39 | 0:12:42 | |
-OK. -And now it's too big for me to take with me, so... | 0:12:42 | 0:12:44 | |
-Is he OK about you selling this? -Yes. | 0:12:44 | 0:12:47 | |
-OK. What is it? -Well, we can see it is a limited-edition print. | 0:12:47 | 0:12:51 | |
It's by Ronnie Wood, iconic guitarist with the Rolling Stones. | 0:12:51 | 0:12:54 | |
But what not a lot of people realise is that prior to his music career taking off, | 0:12:54 | 0:12:59 | |
Ronnie Wood trained as an artist. | 0:12:59 | 0:13:02 | |
It's not something he just picked up whiling away the hours on tour buses. | 0:13:02 | 0:13:06 | |
He trained at the Ealing College of Art, in London. | 0:13:06 | 0:13:09 | |
But when you look at this picture, it's titled the Decades. | 0:13:09 | 0:13:13 | |
I don't think there are two groups more iconic in the '60s than the Rolling Stones and The Beatles. | 0:13:13 | 0:13:19 | |
What I love about it is his choice of background, | 0:13:19 | 0:13:22 | |
the Union Jack, the Union Flag, which itself was a symbol | 0:13:22 | 0:13:25 | |
of the pop culture, the youth movement of the '60s, the mods. | 0:13:25 | 0:13:29 | |
Absolutely fantastic. | 0:13:29 | 0:13:30 | |
The original would have sold | 0:13:30 | 0:13:32 | |
for several thousand pounds, over £10,000. | 0:13:32 | 0:13:35 | |
There is a demand for the prints, some of which can make four figures. | 0:13:35 | 0:13:38 | |
But I'd have no problem estimating that at about £300 to £400. | 0:13:38 | 0:13:42 | |
-Gosh! That's great! -Brilliant, marvellous. | 0:13:42 | 0:13:45 | |
Now, you obviously wanted £500 so that you can obviously put some money towards the move, | 0:13:47 | 0:13:52 | |
but also have a lovely day out in London, take in a West End musical. | 0:13:52 | 0:13:56 | |
How do you feel about staying overnight in the West End? | 0:13:56 | 0:13:59 | |
Because the value of everything going to auction comes to £1,070! | 0:13:59 | 0:14:03 | |
-You're joking! -No, no, I'm serious. | 0:14:03 | 0:14:06 | |
-My goodness! I never thought that! -No, I didn't, no. -Oh, I'm amazed. | 0:14:06 | 0:14:09 | |
And he's tight with his estimates, so we might make even more. | 0:14:09 | 0:14:12 | |
Thank you very much! | 0:14:12 | 0:14:14 | |
What a fantastic end to the day. | 0:14:17 | 0:14:19 | |
And if John's valuations are accurate, we're in for a great day at the auction, too. | 0:14:19 | 0:14:23 | |
Here's a review of some of the things Fiona will be taking there. | 0:14:23 | 0:14:27 | |
The Winston Churchill centenary medals Fiona's father bought in 1974 | 0:14:27 | 0:14:31 | |
should credit the kitty with £100 to £150. | 0:14:31 | 0:14:36 | |
And there's the early 20th-century table-top gramophone. | 0:14:36 | 0:14:41 | |
That would add something to the tune of £60 to £80. | 0:14:41 | 0:14:44 | |
And not forgetting that late Victorian wooden Noah's ark. | 0:14:44 | 0:14:48 | |
Hopefully, that'll bring in a flood of bids and reach £200 to £300. | 0:14:48 | 0:14:54 | |
Still to come on Cash In The Attic, we're a little confused | 0:14:58 | 0:15:01 | |
when the bidding for the silver-plated tray gets going. | 0:15:01 | 0:15:05 | |
Is this us? | 0:15:05 | 0:15:07 | |
It can't be. | 0:15:08 | 0:15:09 | |
And Fiona is getting a bit anxious about letting go of an item with sentimental value. | 0:15:09 | 0:15:14 | |
Stop biting your nails! It's OK! | 0:15:14 | 0:15:17 | |
So, find out how we get on when the final hammer falls. | 0:15:17 | 0:15:21 | |
Now, it's been some time since we visited Fiona. | 0:15:27 | 0:15:31 | |
If you remember, when we got there, | 0:15:31 | 0:15:33 | |
she was having a big clear-out in preparation for her house move. | 0:15:33 | 0:15:36 | |
But, we managed to get there just in time, because we've saved lots of valuable items | 0:15:36 | 0:15:41 | |
and brought them here, to Sworders Auction House in Stansted Mountfitchet. | 0:15:41 | 0:15:45 | |
Now, if you remember, she wanted to raise £500 so she could treat her dog-walker Janice | 0:15:45 | 0:15:50 | |
to a lovely day out in London and hopefully take in a show. | 0:15:50 | 0:15:53 | |
So today we need to hope that the bidders are ready to dig deep to help us reach that target. | 0:15:53 | 0:15:57 | |
Sworders' purpose-built saleroom has been operating for 18 months. | 0:15:59 | 0:16:03 | |
There are almost 700 lots today, so the bidders are very busy | 0:16:03 | 0:16:07 | |
assessing the items that take their fancy. | 0:16:07 | 0:16:09 | |
We find Fiona and Janice eyeing up the competition. | 0:16:09 | 0:16:14 | |
-Morning! -Hello! | 0:16:14 | 0:16:16 | |
Are you looking for a replacement for a desk, by any chance? | 0:16:16 | 0:16:21 | |
-No. I decided not to bring my desk. -Oh, you haven't? -No, I haven't. | 0:16:21 | 0:16:25 | |
-Was it because you didn't like my valuation? -It could have been, actually. Yeah, I decided to keep it. | 0:16:25 | 0:16:30 | |
Absolutely. I completely agree. Nothing worse than selling it and regretting it later. | 0:16:30 | 0:16:35 | |
I'm going to be strong, because I've come here to sell, not buy. | 0:16:35 | 0:16:38 | |
That's very impressive. | 0:16:38 | 0:16:40 | |
See whether you can hold out for the whole sale that way, shall we? | 0:16:40 | 0:16:44 | |
Well, we've got money to make, a day out to organise, so let's go and make some money! | 0:16:44 | 0:16:48 | |
If, like Fiona, you're keen to raise money by selling at auction, | 0:16:51 | 0:16:54 | |
do bear in mind that there are charges to be paid, including commission, | 0:16:54 | 0:16:58 | |
which vary from one saleroom to another. It's always worth inquiring in advance. | 0:16:58 | 0:17:02 | |
And the auction has already started, | 0:17:02 | 0:17:06 | |
so we quietly take our places where we won't cause too much disruption. | 0:17:06 | 0:17:09 | |
Let's hope Jack stays nice and quiet. | 0:17:09 | 0:17:12 | |
The first of Fiona's items to come up today is the 19th century porcupine-quill box. | 0:17:12 | 0:17:18 | |
Because it has some missing quills, John valued it at just £30 to £40. | 0:17:18 | 0:17:22 | |
£20 for it. Who'll start me at £20? | 0:17:22 | 0:17:25 | |
Any interest at £20? 10, then. | 0:17:25 | 0:17:27 | |
-Oh, come on! -£10 for the Eastern box. | 0:17:27 | 0:17:30 | |
-10, 12, 15... -Come on! | 0:17:30 | 0:17:32 | |
18. 20. £20 is bid. At £20. | 0:17:32 | 0:17:35 | |
If there's no more interest at £20.... No more interest? Not sold. | 0:17:35 | 0:17:38 | |
The auctioneer looks like he's exercised his discretion and not sold the item. | 0:17:38 | 0:17:41 | |
-Possibly thought it was worth more. -We would have been happy with... | 0:17:41 | 0:17:44 | |
-Happy with the £20? -Definitely. | 0:17:44 | 0:17:46 | |
What can we do about that? Will he have noted the underbidder? | 0:17:46 | 0:17:50 | |
Possibly, he may be able to approach them after the auction. | 0:17:50 | 0:17:53 | |
-But we'll have to wait and see. -OK. | 0:17:53 | 0:17:55 | |
I really don't want to take it home. | 0:17:55 | 0:17:57 | |
All right, well, let's see what else we can sell first. | 0:17:57 | 0:18:00 | |
Let's hope the bidders like Fiona's next item, the signed Ronnie Wood print of The Stones and The Beatles. | 0:18:02 | 0:18:09 | |
This is quite a significant piece. We need to make the money on this. What are we looking for? | 0:18:09 | 0:18:14 | |
Looking for £300 to £400, but that is in line with | 0:18:14 | 0:18:16 | |
what Ronnie Wood's prints make in the second-hand market. | 0:18:16 | 0:18:19 | |
Subject matter-wise, they don't come more popular than the Rolling Stones or The Beatles. | 0:18:19 | 0:18:24 | |
Fingers crossed this is going to be one of our star lots. | 0:18:24 | 0:18:26 | |
At £160. Do I see 170 in the room? | 0:18:26 | 0:18:29 | |
At £160. A limited-edition print at £160. Are we all done and finished? | 0:18:29 | 0:18:35 | |
170. 180. | 0:18:35 | 0:18:36 | |
180. All done and finished, then, at £180? No more interest? | 0:18:36 | 0:18:40 | |
Not sold. | 0:18:40 | 0:18:42 | |
Right, now, look, that only got up to £180, so that hasn't sold either. | 0:18:42 | 0:18:47 | |
-How do you feel about that? -Gutted. -Yeah? | 0:18:47 | 0:18:50 | |
You wouldn't have wanted to sell for £180, though, Fiona, would you? | 0:18:50 | 0:18:53 | |
-You would? -You just wanted rid of it? | 0:18:53 | 0:18:56 | |
Well, to be honest with you, it's worth more than that. | 0:18:56 | 0:18:59 | |
I think that may be another one that Fiona will want John to chase up | 0:18:59 | 0:19:04 | |
and find out if the underbidder is still interested. | 0:19:04 | 0:19:06 | |
Will she have a change of fortune with the next item - | 0:19:06 | 0:19:09 | |
the embossed, twin-handled planter, priced at £20 to £30? | 0:19:09 | 0:19:14 | |
Decorative item there. £20? | 0:19:14 | 0:19:18 | |
For 10? 10 is bid. Lady's bid at £10. Do I see 12 anywhere else now? | 0:19:18 | 0:19:21 | |
£10 bid. Do I see 12 anywhere now? At £10. 12. | 0:19:21 | 0:19:24 | |
-Come on! -15. 18. | 0:19:24 | 0:19:27 | |
£18 in the front here. | 0:19:27 | 0:19:28 | |
Selling at £18. I'm going to sell at £18. All done? | 0:19:28 | 0:19:31 | |
£18. Well, that's not bad, only £2 under the estimate. | 0:19:31 | 0:19:34 | |
No, that's not too bad at all. | 0:19:34 | 0:19:36 | |
We've got off to a shaky start | 0:19:38 | 0:19:41 | |
and the bidders don't seem too keen on Fiona's Imari vase either. | 0:19:41 | 0:19:45 | |
£20. Are we selling at £20? Are we all done and finished? | 0:19:45 | 0:19:48 | |
22. 25. 28. | 0:19:48 | 0:19:51 | |
Oh, look, starting to go. | 0:19:51 | 0:19:53 | |
Lady's bid here at £30. We're going to sell at £30. £30. | 0:19:53 | 0:19:57 | |
That's considerably under our estimate. | 0:19:57 | 0:20:00 | |
It goes to show how much that's dropped in demand, which is quite heartbreaking, really. | 0:20:00 | 0:20:04 | |
It is disappointing. But, as Fiona said, she really needs | 0:20:04 | 0:20:08 | |
to sell things here today if she wants to reach her £500 target. | 0:20:08 | 0:20:12 | |
Our next lot, I think is definitely my favourite. It's the Noah's ark. | 0:20:13 | 0:20:17 | |
-I think these are so charming! -Yeah, I feel quite attached to this. | 0:20:17 | 0:20:22 | |
I can understand that. Duncan's signed it - I think he was six at the time. | 0:20:22 | 0:20:25 | |
-Yes. -Was that his first ever...? | 0:20:25 | 0:20:27 | |
I think it was, actually. I think he must have known something then! | 0:20:27 | 0:20:31 | |
The Noah's ark with carved wood animals... | 0:20:31 | 0:20:34 | |
-Stop biting your nails! It's OK! -£100. We're away. | 0:20:34 | 0:20:37 | |
130. 140. 150. 160. | 0:20:37 | 0:20:39 | |
There we are, 160. | 0:20:39 | 0:20:41 | |
190. 200. | 0:20:41 | 0:20:43 | |
£200. | 0:20:43 | 0:20:45 | |
£220 is here with me on a commission. | 0:20:45 | 0:20:48 | |
We're selling at £220. All done? | 0:20:48 | 0:20:50 | |
-Wow! -£220. -That is good. I am pleased with that. | 0:20:50 | 0:20:55 | |
Well, it's certainly given us a huge leap towards Fiona's target. | 0:20:55 | 0:20:59 | |
And it's quickly followed by the 1920s' wooden writing box... | 0:20:59 | 0:21:04 | |
32. Selling at £32. All done at 32? | 0:21:04 | 0:21:08 | |
..which becomes the first item today to exceed John's upper estimate. | 0:21:08 | 0:21:12 | |
It's been a bit of a rollercoaster | 0:21:12 | 0:21:13 | |
but with half our lots sold, we've made £300 towards our £500 target, | 0:21:13 | 0:21:17 | |
so not bad at all. | 0:21:17 | 0:21:20 | |
The next lot on the list | 0:21:22 | 0:21:24 | |
is the early 20th-century table-top gramophone. | 0:21:24 | 0:21:27 | |
It's a lovely example of a HMV gramophone. | 0:21:27 | 0:21:30 | |
And £60 to £80 doesn't sound like a huge amount of money for it, | 0:21:30 | 0:21:33 | |
but for a decorating object, people aren't prepared to pay much more. | 0:21:33 | 0:21:37 | |
I would give it house room at that estimate. | 0:21:37 | 0:21:40 | |
Hopefully, someone in the room feels the same. | 0:21:40 | 0:21:42 | |
Lot number 70, the oak-case gramophone. | 0:21:42 | 0:21:44 | |
Start us away here at £30 for it. | 0:21:44 | 0:21:47 | |
-Oh, come on. -£30 is bid. 5. 40. | 0:21:47 | 0:21:51 | |
5. 50. | 0:21:51 | 0:21:54 | |
5. 60. | 0:21:54 | 0:21:56 | |
-55 we're at for the gramophone. -£65 at the back. | 0:21:56 | 0:21:59 | |
£65! | 0:21:59 | 0:22:01 | |
Selling at £65. All done at 65? | 0:22:01 | 0:22:05 | |
£5 over John's lower estimate. | 0:22:05 | 0:22:08 | |
I think Fiona is just pleased to be getting rid of stuff | 0:22:08 | 0:22:11 | |
and raising some money into the bargain, too. | 0:22:11 | 0:22:14 | |
Next is the silver-plated tray. | 0:22:14 | 0:22:16 | |
John's estimate was £20 to £30, | 0:22:16 | 0:22:19 | |
and I think we've been chatting too much to notice the bidding's already started. | 0:22:19 | 0:22:23 | |
Right, we're here at £40. £40 is bid. Take 5. 45. | 0:22:23 | 0:22:26 | |
-Right, this is the tray. Oh, hello, this is going well. Is this us? -No? | 0:22:26 | 0:22:32 | |
80. £80 is bid. Now at £80. | 0:22:32 | 0:22:34 | |
-Do I see 85 anywhere? -It can't be. | 0:22:34 | 0:22:37 | |
Selling at 85. 90. 5. 100. | 0:22:37 | 0:22:39 | |
-Blimey? -£110... | 0:22:39 | 0:22:41 | |
-Are you sure? -Yes! | 0:22:41 | 0:22:44 | |
£110! | 0:22:44 | 0:22:46 | |
That was way over John's top estimate, | 0:22:46 | 0:22:49 | |
Let's hope the Beatles' memorabilia proves just as popular. | 0:22:49 | 0:22:53 | |
We're looking for at least £200. | 0:22:53 | 0:22:56 | |
Right, two framed Beatles items here. | 0:22:56 | 0:22:59 | |
We've got the gold record Please Please Me, limited edition, | 0:22:59 | 0:23:03 | |
number ten of only fifty made. | 0:23:03 | 0:23:05 | |
The other item is The Beatles' last tour, USA, | 0:23:05 | 0:23:07 | |
and we've got number seven of only a thousand of these made. | 0:23:07 | 0:23:10 | |
-So I'm guessing these were Duncan's. -Yes, they were, yes. | 0:23:10 | 0:23:12 | |
Was he building a rock museum? | 0:23:12 | 0:23:15 | |
I think he probably was, along with the Ronnie Wood picture. | 0:23:15 | 0:23:18 | |
-We want 200 to 300 for these. -Yes. Beatles experiencing a renaissance at the moment. | 0:23:18 | 0:23:22 | |
Hopefully we've got some Beatles fans. | 0:23:22 | 0:23:26 | |
130. 140. 150. 160. 170. | 0:23:26 | 0:23:30 | |
No? £170 at the back. | 0:23:30 | 0:23:34 | |
At 170. We're struggling, sir. | 0:23:34 | 0:23:36 | |
One more might do it. At £170 at the back. 180. At 180. | 0:23:36 | 0:23:40 | |
I told you we were struggling! At £180. | 0:23:40 | 0:23:44 | |
On the right there, selling at £180. All done? | 0:23:44 | 0:23:47 | |
I actually think that that's quite a good price for those, | 0:23:48 | 0:23:52 | |
because the true Beatles fans with money want things that are signed. | 0:23:52 | 0:23:56 | |
These are commemorative limited editions. | 0:23:56 | 0:23:58 | |
Well, it's been a "long and winding road", | 0:23:58 | 0:24:01 | |
but Fiona's final lot is up next. | 0:24:01 | 0:24:03 | |
It's the Churchill centenary medals, valued at £100 to £150. | 0:24:03 | 0:24:08 | |
110. 120. 130. | 0:24:08 | 0:24:13 | |
140. 150. 160. 170. 180. | 0:24:13 | 0:24:18 | |
190. 190. Are you all out in front? | 0:24:18 | 0:24:20 | |
Selling here with me at £190. All done at 190? | 0:24:20 | 0:24:24 | |
What a great result, and despite a disappointing start, | 0:24:25 | 0:24:29 | |
it's been a wonderful end to the day for Fiona. | 0:24:29 | 0:24:32 | |
Well, I might have a bit of a nice surprise after all that stress. | 0:24:32 | 0:24:36 | |
You've actually made £845. | 0:24:36 | 0:24:41 | |
-No! You're joking. -You have! | 0:24:41 | 0:24:42 | |
-Are you sure? -I'm absolutely sure. | 0:24:42 | 0:24:45 | |
The figure comes to £845. | 0:24:45 | 0:24:49 | |
-My goodness! -Well, and also, I can ask you now, the Ronnie Wood print - | 0:24:49 | 0:24:54 | |
we had an offer, commission bid, of £190. | 0:24:54 | 0:24:58 | |
It was short of what the auctioneers thought it was worth | 0:24:58 | 0:25:00 | |
but would you be happy to take the £190, | 0:25:00 | 0:25:03 | |
or would you rather take it home? | 0:25:03 | 0:25:05 | |
No, I want to get rid of it. | 0:25:05 | 0:25:06 | |
-So you'll take the £190? -Definitely. | 0:25:06 | 0:25:08 | |
-Yeah. -In that case, we can add that to our total, which means that today | 0:25:08 | 0:25:13 | |
you have banked £1,035. You've doubled what you wanted! | 0:25:13 | 0:25:19 | |
-That is unbelievable! -Was it worth all the stress? -Absolutely! | 0:25:19 | 0:25:23 | |
With her auction money, Fiona's brought her good friend Janice | 0:25:27 | 0:25:31 | |
out for a day to remember in London's West End. | 0:25:31 | 0:25:34 | |
-Janice hasn't been to see a musical before. Have you, Janice? -No. No. | 0:25:34 | 0:25:37 | |
So this is her first time. | 0:25:37 | 0:25:39 | |
We'll see my son, as well. | 0:25:39 | 0:25:41 | |
Fiona's son, Duncan James, is in the hit show Legally Blonde. | 0:25:41 | 0:25:44 | |
This is Lula. This is my birthday present from my son, | 0:25:44 | 0:25:47 | |
and I brought her because I couldn't leave her at home on her own. | 0:25:47 | 0:25:52 | |
And so my son Duncan's going to look after her in his dressing room for me | 0:25:52 | 0:25:56 | |
while we go and watch the show. | 0:25:56 | 0:25:58 | |
So while Lula takes a nap, Fiona and Janice take to their seats, | 0:25:58 | 0:26:00 | |
and afterwards it's straight to Duncan's dressing room. | 0:26:00 | 0:26:05 | |
It was lovely seeing my mum, Janice and Tallulah. | 0:26:05 | 0:26:07 | |
It's great to know that my mum's in that audience. | 0:26:07 | 0:26:10 | |
It's like my number one fan. It's lovely. | 0:26:10 | 0:26:12 | |
Meet all the fans! | 0:26:12 | 0:26:14 | |
I'm just so proud of him. I just love seeing him on stage. It's lovely. | 0:26:18 | 0:26:22 | |
-Bye-bye, darling. -You take care. | 0:26:22 | 0:26:23 | |
-Lovely to see you. See you soon. -Take care! | 0:26:23 | 0:26:26 | |
-I'll see you later. Lovely to see you. See you later. Bye, Mum. -Bye. | 0:26:26 | 0:26:30 |