Gundelfinger Cash in the Attic


Gundelfinger

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Welcome to Cash In The Attic. Most homes across the country

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have got some Royal Doulton, porcelain or glass in them -

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big pieces and small pieces.

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But does size really make a difference to price?

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The lady we're meeting today has a fair collection of those items herself.

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So what are they worth? Time to find out.

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Coming up on Cash In The Attic, a cute collection catches my eye.

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I'm going to tidy these up for the auction, OK?

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It's like that, it is it?

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Come on, Jennie. Let's see what else we can find.

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Our expert John faces some hard bargaining.

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-I'd like 100.

-I'm sure you would! I'd like you to get 100. If you do, I'll be absolutely delighted.

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'And at the auction, could a touch of tactical selling help us reach our target?'

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You're pleased about that? You've got your eyes on that silver one, haven't you?

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I can see a little bit of a deal being done behind the scenes here.

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Find out what happens when the final hammer falls.

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Well, today I'm in Surrey to meet a lady

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who's called in the Cash In The Attic team

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to help her raise the funds she needs for a nostalgic trip abroad.

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'Jennie Gundelfinger was born and raised in Johannesburg, South Africa.

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'Like many young women, she enjoyed adventurous travel

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'and a career before settling down to raise her three children,

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'Nicholas, Grant and Kim.

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'Problems with the family business, coupled with the threat of military service for her son,

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'drove Jennie to move the family 6,000 miles to England.

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'She now considers Surrey to be her home,

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'but she's hoping to raise money to pay for a nostalgic holiday.

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'Joining us in our hunt is our antiques and collectibles expert

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'John Cameron, who - with many years of experience - shouldn't have any trouble

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'identifying the best items to take to auction.

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'While he gets to work, I check in with Jennie and her good friend, Ena,

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'who will be helping us today.'

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-Good morning, ladies.

-Hello!

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What are you looking at there?

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Just memories.

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Ena's daughter,

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she and I started making these hand-painted tablecloths. Just fun.

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I did import some from South Africa, more professionally done.

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So have you called in Cash In The Attic to help run this import/export business?

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My mum died a year ago in South Africa,

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and I brought all her stuff back here.

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It's all been packed away in boxes. I just decided my children wouldn't want it one day.

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I haven't got room for it. So I'll turn it into cash, hopefully.

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What do you want to spend that money on?

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Going to Italy.

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I've been wanting to do that for a long, long time.

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Since I was...17, I haven't been back.

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-What do you think of this idea, Ena?

-I think it's great. Really good idea.

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-I might be taking Ena with me, because my husband doesn't want to go.

-That's why it's a good idea!

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I follow you now, Ena! I'm with you!

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So what sort of money are we talking about, then?

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Between £500 and £600.

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We need to raise £500 so that you, and hopefully Ena, can go to Italy?

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John Cameron's already here, so I'm hoping he's found something inside the house,

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unless he's got lost in these wonderful grounds out here.

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-Shall we go and see if we can find him, Ena? You lead the way.

-Great.

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Jennie's lived in this impressive and beautiful home for 16 years.

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Everywhere you look, you see evidence of classic English collectibles.

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Judging by Jennie's upbringing,

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I think we're bound to find items from the far reaches of the globe.

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John, I wondered whether we'd find you.

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This house is huge and the grounds! Have you seen them?

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-I was in danger of getting lost, yes.

-Wonderful, isn't it?

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-You've found something?

-A rather impressive ink stand.

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I'm wondering if you can tell us about it, Jennie?

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Well, nothing much. My father-in-law had it on his desk for ever.

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My father-in-law was born in South Africa, but German parents.

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I assume he got it from his parents.

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Then they retired to Switzerland, and we got the desk with the inkwell.

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And what do you think of it? Is it to your taste?

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-Yeah, I do like it.

-It's a very impressive ink stand.

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It's made of onyx and bronze.

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We've got the onyx base here, which is very simple in design.

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Those geometric shapes suggest the Art Deco period.

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1920s, 1925, that sort of period.

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What I find interesting about it is the bronze figure in the centre.

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Look at him, there. He's a simple blacksmith, sat atop his anvil

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with a very heavy hammer in his hand, deep in thought about something.

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Look at him. He has real socialist overtones, don't you think?

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Kind of reminds me of some of the work that people like Alexander Rodchenko

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were doing for Lenin's socialist posters.

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So it's a real puzzler for me. Certainly continental.

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Doesn't say English to me at all. A very interesting piece.

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So what sort of value would you put on this?

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It's easier to value when it's a classic Art Deco flowing lady, isn't it?

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The conservative in me - and bearing in mind these tough economic times -

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would think of something of 100-200.

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But I wouldn't be in the least bit surprised if it sailed past that,

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-because it's rather impressive and unusual.

-It's different.

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Well, a £100-200 valuation

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definitely set us off on the right foot.

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As we split up the rummage duties, Jennie wastes no time in locating

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a rather intriguing collection.

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This mixed lot of silver and gold tie pins belonged to her father,

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who was an avid golfer. John hopes they'll make £60-80 at auction.

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But when they go under the hammer,

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will the bidders agree?

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Two bids on this. Starting at the top of the estimate, £80.

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I'll take 5 in the room?

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-Straight in at £80!

-Very nice.

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90 in the doorway. And 5. 100.

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Let's hope they bring in the result Jennie and Ena will be proud of.

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There's still lots of work to do if we want

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to raise the money for those plane tickets to Italy.

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In the conservatory, Jennie finds a collection of jugs that used to belong to her mum.

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Direct imports from Africa, these 20th-century designs are made from Zambian copper,

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which is the major industry for the country.

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John estimates this set of six will go for £30-50.

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John, what do you think of these two?

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They look interesting.

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I'll take this one. Sit yourself down, let's have a look at them.

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They're interesting. Do you know what they are or who they're by?

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Doulton. Royal Doulton, I think.

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-I don't know a great deal more.

-They're quite heavy.

-Yes, they are.

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That's because they're not porcelain, they're pottery.

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And they're made of stoneware, which is a very high-fired,

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hard and heavy type of pottery.

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So these would have been hand potted on a wheel, thrown, on a potter's wheel.

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Worked from a simple lump of clay, up into

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this beautiful, inverted baluster shape, which is a really nice shape.

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It is. It feels tactile, doesn't it?

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It's very tactile. A lovely slender waist to it.

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So they were potted by hand.

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Then they would have been applied with these lovely sprigs, these flowers here.

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Those would have been pressed into a mould and gently removed

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and applied to the surface with slip - liquid clay -

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to help them adhere.

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The whole pieces are then fired at a very high temperature,

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before they then come out and they're decorated.

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So we then had the colours, the painting and the glaze added,

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before they're fired again at lower temperatures.

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-I reckon they're about 100 years old now. They are nice pair, aren't they?

-They're lovely.

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-Do you think Jennie would be happy to sell them?

-I think so.

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She's not too keen on the colour.

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-It doesn't go with her colour scheme.

-You think she might be up for selling them? That's good news.

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If I were putting them into auction,

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I'd have no hesitation of putting

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an estimate of about £80-120 on them, but I won't be surprised

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if they end up making about 150, something like that.

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-Not bad.

-Excellent. Well, good find,

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-but we've still got some way to go, so let's carry on rummaging.

-OK.

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This silver vase also belonged to Jennie's mum.

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And, after close inspection, we've determined it's solid silver.

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That means John can stamp it with a hefty price tag of £120-160.

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Now, this I find absolutely fascinating,

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because we've got really British items in the house -

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the Royal Doulton porcelain, all of this kind of stuff.

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And then we've got literally a taste of Africa.

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Some of the paintings are African. This is stunning. Where is this?

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It's about 300 miles going east from Johannesburg towards Natal Coast,

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a mountain range called the Drakensberg.

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So what was it like as a child growing up in Africa?

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Idyllic. It really was.

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The weather is unbelievable.

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The life was free.

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It wasn't as dangerous as it is today.

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It's still a beautiful country but not to live in.

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-So what made you move?

-A lot of it was political.

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My husband had a lot of trouble at his factory, people going on strike.

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Sadly, we were getting threatening phone calls.

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But still we weren't convinced that we were moving

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until a little brown envelope dropped through the letter box,

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calling up Nicholas to the army.

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He was then 16, and it was...

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national conscription. He had to go.

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So that was it for me,

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and, erm, we made motions after that.

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-And do you still go back there?

-Yes, every year.

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Twice a year, maybe, in the last 21 years.

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Tell me about this. What game is this?

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It's called Mancala. It apparently originated in Egypt.

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And it's come all the way down Africa.

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Each country, the rules have changed slightly.

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Maybe we can show John how to play this later on. In the meantime,

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shall we see whether he's found anything we can sell?

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Come on, then.

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Both John and Ena have been hard at work.

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And Ena's has found two good-quality portraits in ornate frames.

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John estimates these Victorian ladies could sell for £20-30.

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Now, they say the most important part

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of any girl's outfit is her shoes and handbag.

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Judging by our next find, it looks like Jennie

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has taken the handbag part very seriously.

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A lady after my own heart.

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We've got some interesting ones - some meshwork, leather.

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Some fantastic ones.

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This one here, another one with nice glass beads. So interesting.

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My mum made that one, and that one's from Italy.

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-It must have taken hours!

-Absolutely.

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But you've got some interesting examples here.

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But condition is everything, because people are buying them

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to actually use them - they're functional objects.

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A lot of vintage emporiums now, they're falling over themselves

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to get good-quality vintage handbags and other accessories.

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How should we sell these, do you think?

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Divide them up or just sell them as one big lot?

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That would be down to the auctioneer, Lorne.

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They'd either separate one or two, or they might sell them as one lot.

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I would have thought if we'd said £80-120 for them...

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-OK.

-..I think that's a conservative estimate to get some interest.

-Yes.

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OK, that's not bad, is it?

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That's another good contribution to our fund, isn't it?

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-Do you want to go and find something else?

-What are you going to do?

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I'll tidy these up ready for the auction, OK?

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Oh, it's like that, is it?

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Come on, Jennie. Let's see what else we can find.

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Ena's been busy and has spotted a beautiful and very delicate set

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of doll's house furniture,

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made by the well-known French pottery Limoges.

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John thinks this contemporary set might go for £10-20.

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Well, we can always count on John to find us something special,

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and he finds this group of Lladro figurines,

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which once belonged to Jennie's mother-in-law.

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Highly collectible, this porcelain originates from Spain

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and although relatively modern, John thinks he can entice the bidders

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with a price of £80-120.

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John, I've found that.

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That's rather interesting, Jennie. Where did this come from?

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Out of my mum's cabinet again.

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Probably from my grandmother, because I remember it being there for ever.

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-Do you like it?

-Not particularly. I don't like the strong colours.

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Well, it's made of enamel, but it's called Cloisonne.

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Any idea where you think it came from?

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It looks a bit Chinese to me.

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Well, you're not far, it's actually Japan.

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I'll tell you why. If you have a look at the decoration,

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they're quite simple - a little bird here, nice use of flowers

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and this lovely blossom tree.

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Quite asymmetrically placed on the piece.

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That's typical of the Japanese.

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If it was Chinese, the decoration would tend to be more like all over

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and very well balanced.

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But the actual technique, the Cloisonne technique,

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actually originated in Europe. Probably Byzantine.

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The word "Cloisonne" is in fact French. Now, the technique of Cloisonne, the enamelling,

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goes back hundreds and hundreds of years.

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In fact, it first spread to the Far East, to China.

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It involves the building up of a picture,

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using little wires on a base metal, often copper.

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These are affixed to the surface, creating cells.

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Within each of those cells, they paint ground glass, which is enamel,

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usually a potash or a lead ash glass.

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Coloured glass, put in there, built up,

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and then the whole thing is fired at about 800 degrees, which makes it like glass again.

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And then the whole piece has to be polished back.

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We polish it all the way back,

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just to reveal those little Cloisonnes.

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Can you feel them on the surface? Rub your hands on there.

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-Oh, yes.

-You can just feel that.

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It's very, very subtle.

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What do you think it'll fetch at auction, John?

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I think a little vase like this on its own,

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should be something like £50-100 at auction today.

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Right. I'd like 100.

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I'm sure you would! I'd like you to get 100.

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If you do, I'll be absolutely delighted.

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I'd give it house room, and that's a good rule of thumb.

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I've got high hopes for it. Come on, let's see what else we can find.

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I'm glad to see Jennie is aiming high for the auction outcome.

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Meanwhile, in the living room, I spy a promising porcelain figure.

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This dancing lady hails from Austria.

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She and her demure friend were created by the pottery Wiener Kunstkeramik.

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John thinks someone might want to take this pair of lovely ladies home for £20-40.

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-Hi, Jennie.

-Look what I found!

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Oh, we must show John that.

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-John, look.

-What have we got?

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-Have a look.

-Let's have a look.

-So where did this come from?

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When my mum-in-law died, as she was living in Switzerland,

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Roy's sisters and I divided up her ornaments between us.

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You certainly have an eye for quality, Jennie.

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I think your mother-in-law did too.

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You certainly picked a very nice piece.

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It's a little glass bonbon dish by Lalique.

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We can see it's got the mark on the bottom -

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Lalique, France, which is the factory of Rene Lalique,

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started by him at the turn of the last century.

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A designer of unique and very bespoke jewellery in the Art Nouveau style.

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But also, maker of very fine glass.

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Now, the thing I love about Lalique is, although he employed techniques

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of mass production, like press and machine press-moulded glass,

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mould-blown and press-moulded glass,

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they're often finished to a very, very high standard.

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And they had lots of imitators, but it's often the subtlety of their finish,

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the fine quality of their finish, and the beauty of their design

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which separates them from many of their imitators.

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Of course, they still sell these items in very good stores today.

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And they're still very expensive.

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So what sort of estimate would you put on that, John?

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I would have thought it ought to make somewhere between

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£100 and £150, something like that.

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Well, obviously you wanted to raise £500 for this trip to Italy.

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And the value of all the items that are going to auction comes to...

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£750!

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-Really?

-Yes. Yes.

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-Wonderful.

-So you may be going after all, and if you do better than that,

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we might be coming too!

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It's great that Jennie's Italian holiday looks as if it could be within reach.

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Now it's all in the bidders' hands.

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We've got some fabulous items heading to auction.

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The Art Deco onyx and bronze ink stand.

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At £100-200, this 1920s piece would look great on a chunky desk.

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My favourite items, the vintage handbags. At £80-120, there are

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bound to be followers of fashion in the room who'll snap them up.

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Finally, the Japanese Cloisonne vase.

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It's a beautiful piece that I think is sure to impress at auction.

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Find out how much these and Jennie's other items will raise

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on auction day.

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Still to come on Cash In The Attic,

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a dainty piece that gets a big result.

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That's more than double what we were hoping for,

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so I'm pleased about that. Are you?

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Excellent.

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'And some female figures take me back to my youth.'

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Our next lot is a group of two nuns,

0:17:430:17:46

another of two children and a third of a girl on a telephone.

0:17:460:17:48

She must be a teenager, then!

0:17:480:17:50

But they all use mobiles now, don't they?

0:17:500:17:53

'Be there when the hammer falls.'

0:17:530:17:55

Now, it's been a few weeks since we met Jennie and Ena

0:18:010:18:04

and had a good look around Jennie's home.

0:18:040:18:06

She had some lovely items, including that fantastic Lalique bowl.

0:18:060:18:10

Now, remember, she's looking to raise £500 for a trip to Italy.

0:18:100:18:15

So let's just hope that when the items go under the hammer today,

0:18:150:18:17

there's plenty of people ready to splash the cash.

0:18:170:18:21

There should be no shortage of buyers today, as this room is always

0:18:210:18:26

full of antique dealers looking for a great sale.

0:18:260:18:29

John Cameron can't be with us today,

0:18:290:18:31

but I'm confident his estimates will stand us in good stead.

0:18:310:18:34

Of course, the ladies have some real gems going under the hammer.

0:18:340:18:38

-Good morning, ladies!

-Hello!

0:18:380:18:41

Are you having second thoughts about letting those bags go?

0:18:410:18:43

This is quite sentimental to me, because I remember my mum making it.

0:18:430:18:47

It took her a long time.

0:18:470:18:49

You'll have to put it down, because we're going to be selling it, I'm afraid.

0:18:490:18:52

And that lovely ink well that's very reminiscent of sort of Russian

0:18:520:18:57

-architecture. Is that here?

-Yes, that's here.

0:18:570:18:59

You didn't have to carry it, did you?

0:18:590:19:01

-No, my husband did.

-Did he?

0:19:010:19:03

They're always useful for something.

0:19:030:19:05

If you'd like to have a go at raising money by selling at auction,

0:19:050:19:09

be aware that sale rooms charge commission fees.

0:19:090:19:12

Prices vary from one sale room to another,

0:19:120:19:14

so it's best to check in advance.

0:19:140:19:17

Jennie's decided to keep hold of those two Victorian portraits.

0:19:170:19:20

Not to worry, because as the auction gets under way, first up

0:19:200:19:24

is the Limoges pottery doll's house furniture which Ena found.

0:19:240:19:29

25 there. 30, 35. 40's my last, and 5 if you like.

0:19:290:19:32

Your bid at £45. Take 50 now.

0:19:320:19:35

At £45 in the room. It's a good bid, I think, at £45.

0:19:350:19:38

I'm going to sell it. Last chance...

0:19:380:19:40

-185, £45.

-£45!

0:19:400:19:42

That is a good result, isn't it?

0:19:420:19:45

That's more than double what we were hoping for,

0:19:450:19:47

-so I'm pleased about that, are you?

-Yes.

-Excellent.

0:19:470:19:50

It's a fantastic start for Jennie and Ena.

0:19:500:19:52

And if we keep on doubling our top estimates, I think they can look

0:19:520:19:55

at flying to Italy first class.

0:19:550:19:58

Our next lot is a Chinese Cloisonne vase

0:19:580:20:00

with blue ground, decorated with plumes and birds.

0:20:000:20:04

At £30, start me, bid me at £30.

0:20:040:20:06

-£30.

-Oh, no!

-I'll take 5 now.

0:20:060:20:07

35, 40.

0:20:070:20:10

Still cheap at £35, take 40 now. £40, if you like, at £40.

0:20:100:20:14

40 there, 45. At £40, I'm bid then, take 5 now.

0:20:140:20:18

At £40 only. Is that it? At £40, I'm going to sell it.

0:20:180:20:22

£40, that's a bit of a disappointment, isn't it?

0:20:220:20:25

Yes, it is.

0:20:250:20:26

Looks like I spoke too soon, but I think for £40,

0:20:260:20:30

this vase's new owner got it for a steal.

0:20:300:20:33

But things take a turn for the worse, as the pair of Doulton vases

0:20:330:20:36

fail to attract any interest at all!

0:20:360:20:39

No bidding at £65, then... Not sold.

0:20:390:20:42

At least Jennie can take these beautiful vases back home,

0:20:420:20:45

although that's not the way it's supposed to work out at auction.

0:20:450:20:48

Will the collection of African copper jugs have better luck?

0:20:480:20:52

We're looking for £30-50.

0:20:520:20:54

£20, start me for the copper. Surely at £20, bid me...

0:20:540:20:56

No bids of £20. Trying for £20, I'm bid 25 there.

0:20:560:20:59

30. 35. At £30, I'm bid, at the back of the room, your bid at £30.

0:20:590:21:05

35 next to you, 40. It's a lot for the money, 5.

0:21:050:21:08

And 50. And 5.

0:21:080:21:10

And 60. At £55, then, the gentleman at the back, at £55. Take 60 now.

0:21:100:21:15

At £55, all done. I'm going to sell it at 55, last chance...

0:21:150:21:18

It just goes to show how hard it is to predict how something will fare at auction.

0:21:180:21:22

Next up, those tie pins that belonged to Jennie's dad.

0:21:220:21:25

£60-80 on those, so it would be nice if we can make that money for them, wouldn't it?

0:21:250:21:29

I presume you're not a golfer and you wouldn't wear a tie even if you were?

0:21:290:21:33

No. No, no, no!

0:21:330:21:34

I've got two bids on this, I'm starting right

0:21:340:21:37

at the top of the estimate, £80. I'll take 5 in the room...

0:21:370:21:40

-Ah, straight in at £80!

-Very nice.

0:21:400:21:42

90 in the doorway, and 5. 100. 110. 120.

0:21:420:21:45

-Oh, my goodness!

-Ah!

-130. 140. 150.

-Wow!

0:21:450:21:49

160. 170.

0:21:490:21:53

£160 in the doorway. 170, if you like.

0:21:530:21:55

170, I'm bid. 180 now. £170 then, right in front of me, at 170.

0:21:550:21:59

I'll take 180 now, at 170 all done and selling. 170...

0:21:590:22:03

£170!

0:22:030:22:06

-That is absolutely superb, isn't it?

-Yes.

0:22:060:22:08

That WAS a surprise. I knew golf was popular, but once again,

0:22:080:22:12

we've had over double our top estimate

0:22:120:22:15

on this set of themed accessories.

0:22:150:22:17

At the halfway stage, we've banked £310 towards our £500 target, so we're well on our way to Italy.

0:22:170:22:25

The Austrian figures are next under the hammer.

0:22:250:22:29

At £20, are we all sure?

0:22:290:22:31

Selling bang on John's lower estimate, another £20 in the pot.

0:22:310:22:36

Next up is a collection close to my heart - those heavenly handbags.

0:22:360:22:40

Now, the estimate on this, John put 80-120, but I believe there's a reserve?

0:22:400:22:45

Yes, I put in a £100 reserve.

0:22:450:22:47

£100, that seems a lot of handbags for your money, I must say.

0:22:470:22:51

What shall we say on this one? I'm already bid a low bid here at £55 - it's not enough.

0:22:510:22:55

I'm bid at £85, I'll take 90 in the room. At £85...

0:22:550:22:58

Right, so, we've got a bid of £85, which isn't quite enough, obviously.

0:22:580:23:03

At £85, all done, last chance...

0:23:030:23:06

-Not sold.

-Right, they're not sold.

0:23:060:23:08

-That's good.

-Are you pleased, Ena?

-Yes.

0:23:080:23:11

-You've got your eyes on that silver one, haven't you?

-Yes, I have!

0:23:110:23:13

I can see a deal being done behind the scenes here.

0:23:130:23:15

Well, us girls do like to hold on to our handbags.

0:23:150:23:18

I'm not surprised at Ena's reaction and I think Jennie is secretly

0:23:180:23:21

quite pleased too, given that some of these were hand-made by her mum.

0:23:210:23:26

Our next lot is a Lladro group of two nuns,

0:23:260:23:29

another of two children and a third of a girl on a telephone.

0:23:290:23:32

She must be a teenager, then!

0:23:320:23:33

-Although they all use mobiles now, don't they?

-Of course. Yes.

0:23:330:23:36

Now, for that lot, John's put £80-120,

0:23:360:23:40

which of course is a lot less than you'd pay for a piece of Lladro in a shop.

0:23:400:23:45

But have you put a reserve on these?

0:23:450:23:46

-No, I haven't.

-So you're happy for them to sell for that?

-Yes.

0:23:460:23:49

This time, they were MY collection!

0:23:490:23:52

At £65, I'm bid, 70 there. 75, 80.

0:23:530:23:56

-85...

-Right, we're at £80.

0:23:560:23:59

£90, commissions, take 95 take 100 now. At £95, take 100.

0:23:590:24:04

At £95, all done, last chance. Selling at 95.

0:24:040:24:07

-100 just in time. 110.

-Ooh, yes, come on.

0:24:070:24:09

£100, he's come and got it. At £100, all done, last chance. 100...

0:24:090:24:13

John said 80-120, we've gone bang in the middle at 100.

0:24:130:24:16

-Are you happy with that?

-Yes.

0:24:160:24:17

That's more like it! Another £100 towards Jennie's Italian trip.

0:24:170:24:24

Unfortunately, the Lalique vase doesn't reach its £100 reserve.

0:24:240:24:29

I will call the bid at £95. All done, last chance.

0:24:300:24:33

But luckily the silver vase sells bang on estimate.

0:24:330:24:37

£120. All done, I'm going to sell. 120.

0:24:370:24:42

Our final total now rests on the final item of the day,

0:24:420:24:46

that beautiful inkwell that belonged to Jennie's father-in-law.

0:24:460:24:48

£100. I'm bid in the doorway.

0:24:480:24:51

-I'll take 110 now. At £100, take 110. At £100.

-Come on.

0:24:510:24:54

I thought it would make a lot more than this. £100. No further bidding?

0:24:540:24:57

I'm going to sell it. 110, 120, 130.

0:24:570:24:59

-£120. Got another 20 quid out of it. £120.

-Come on.

0:24:590:25:02

All done, I'm going to sell it at 120. Last chance.

0:25:020:25:06

-120.

-£120. That's a little less than I hoped for.

0:25:060:25:10

I hoped it would be one of those things that really took off.

0:25:100:25:12

But, hey, 120 is more than our lowest estimate.

0:25:120:25:15

-It is a bit damaged, so...

-Are you happy with that?

0:25:150:25:17

At least we're not taking that weight home.

0:25:170:25:20

That's a very valid point, Ena.

0:25:200:25:22

Well, it's been quite a ride for Jennie and her friend, Ena.

0:25:220:25:26

They've stayed smiling,

0:25:260:25:28

even though three of Jennie's pieces remain unsold.

0:25:280:25:31

What we really want to know is, how much HAS she made?

0:25:310:25:34

-So have you any idea how much we may have made?

-No, not at all.

0:25:350:25:39

Well, despite our no sales, you've banked £670.

0:25:390:25:42

-Really?

-Yes. £670.

-Gosh, that's good.

0:25:420:25:47

-That's really good, isn't it?

-Very good.

0:25:470:25:49

It's a few weeks after the auction, and Jennie and Ena

0:25:550:25:57

are now settled back at home.

0:25:570:25:59

Although they managed to make an impressive amount with a wide

0:25:590:26:04

variety of antiques and collectibles,

0:26:040:26:05

rumour has it there's been a slight change of plan.

0:26:050:26:09

My plans to go to Italy have faltered a bit.

0:26:090:26:13

I've got too many family commitments now.

0:26:130:26:16

I don't think I'll be able to go this year.

0:26:160:26:18

But definitely next year. So, that money has definitely been put aside.

0:26:180:26:23

Well, family comes first, and I'm sure it won't be long before Jennie

0:26:230:26:27

is enjoying that wonderful Italian trip down memory lane.

0:26:270:26:30

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