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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
I'm sure that some time or another, many of you have moved house. | 0:00:03 | 0:00:07 | |
And if you have, you'll know that that's when all sorts of things turn up that have just got to go. | 0:00:07 | 0:00:13 | |
So you decide to sell them and hopefully make some money on them. | 0:00:13 | 0:00:17 | |
Well, that's the situation that's facing the family that I'm about to meet. | 0:00:17 | 0:00:21 | |
'Coming up on Cash In The Attic, it's a case of facing up to the fact that all eyes are on us.' | 0:00:41 | 0:00:47 | |
-So which is Frank's eyes? -Is it this one? -Could be. -Or on the shark perhaps? | 0:00:47 | 0:00:52 | |
'Who would have guessed one of Hollywood's biggest stars would make an appearance?' | 0:00:52 | 0:00:57 | |
-"From your one and only Clark." -'At auction, could a small slip-up ruin our couple's chances?' | 0:00:57 | 0:01:02 | |
-I think he's left it unsold. -He's left it unsold! -Oh... | 0:01:02 | 0:01:05 | |
'Find out what happens when the hammer falls.' | 0:01:05 | 0:01:09 | |
Today I'm in Grimsby, | 0:01:11 | 0:01:13 | |
where I'm about to meet three generations of the same family | 0:01:13 | 0:01:17 | |
who've decided to sell up and move. | 0:01:17 | 0:01:20 | |
And I must admit, I've already been having a look in the house, | 0:01:20 | 0:01:23 | |
and I've come across these pieces from a rather unusual chess set. They're going to auction, | 0:01:23 | 0:01:28 | |
but are they going to make us a king's ransom or go for just a few pawns? | 0:01:28 | 0:01:32 | |
We'll soon find out. | 0:01:32 | 0:01:34 | |
'Heather Hasthorpe grew up and lives in Grimsby, | 0:01:35 | 0:01:37 | |
'but her heart belongs to Canada. | 0:01:37 | 0:01:40 | |
'Heather's mother was raised in Winnipeg | 0:01:40 | 0:01:43 | |
'but came to this country as a young woman to marry Heather's father. | 0:01:43 | 0:01:47 | |
'Heather was happy in the UK but considered a move to Canada in her early twenties. | 0:01:47 | 0:01:51 | |
'However, like her mother before her, love stopped her in her tracks. | 0:01:51 | 0:01:55 | |
'Because she met her future husband Frank and continued to live in England. | 0:01:55 | 0:01:59 | |
'Now proud grandparents, Frank and Heather have had a good life together. | 0:01:59 | 0:02:03 | |
'But it's time for Heather to fulfil her dream and live in Canada. | 0:02:03 | 0:02:08 | |
'Their grandson, Charlie, and son-in-law Dan have come round to help today. | 0:02:08 | 0:02:12 | |
'And our expert Paul Hayes is also here to find any antiques that they have around the house | 0:02:12 | 0:02:17 | |
'that they want to take to auction.' | 0:02:17 | 0:02:19 | |
-Who's that, Charlie? -I think we've got a veritable bumper bundle of Hasthorpes here. | 0:02:19 | 0:02:25 | |
-And I bet you're Charlie, are you? -Nah... | 0:02:25 | 0:02:28 | |
-You're not? So who are you? -Charlie. -You ARE Charlie. | 0:02:28 | 0:02:34 | |
-How old are you? -Three. -You're three! | 0:02:34 | 0:02:36 | |
-And you're going to be helping Granny and Grandad today? -Yeah. | 0:02:36 | 0:02:39 | |
-Ah, I thought you were. And this is Granny Heather? -That's right. | 0:02:39 | 0:02:46 | |
-And Frank? -Yes. -And son-in-law Dan. -That's right. -Right! | 0:02:46 | 0:02:50 | |
Why have you called in Cash In The Attic? | 0:02:50 | 0:02:52 | |
To actually go to Canada. I'd love to go there for a holiday, or I'd like to live there, actually. | 0:02:52 | 0:02:58 | |
-What's this fascination with Canada? -My daughter lives there | 0:02:58 | 0:03:01 | |
and my mother was Canadian. | 0:03:01 | 0:03:05 | |
You've got two daughters, haven't you? | 0:03:05 | 0:03:07 | |
-Cos Charlie's mum's here. -That's right, but my other daughter lives in Vancouver. | 0:03:07 | 0:03:10 | |
Frank, how do you feel about going to Canada? | 0:03:10 | 0:03:12 | |
I'd like to go. I would. | 0:03:12 | 0:03:14 | |
-Dan, you're married to Frank's other daughter Kelly. -Yes. | 0:03:14 | 0:03:17 | |
-Are you all moving to Canada too? -We'd love to. We'd do it at the drop of a hat. | 0:03:17 | 0:03:21 | |
It's just down to cost at the moment, | 0:03:21 | 0:03:24 | |
but we love it. It's beautiful, | 0:03:24 | 0:03:26 | |
and we believe it'd be a better standard of life for Charlie. | 0:03:26 | 0:03:29 | |
-It'd be a great place for Charlie to grow up in. -Oh yeah. Fantastic, yeah. | 0:03:29 | 0:03:34 | |
So how much do we think we're going to raise? | 0:03:34 | 0:03:36 | |
-About £500. -500? -Yes. | 0:03:36 | 0:03:39 | |
Charlie? You're going to go and help Granny and Grandad find some things around the house? | 0:03:39 | 0:03:43 | |
-Yeah. -Tell me where you're going to look, then. -Under the bed. | 0:03:43 | 0:03:48 | |
-And where else? -In the cupboard. | 0:03:48 | 0:03:50 | |
-You are going to find the best things in there, aren't you? -Yes. -Yes! | 0:03:50 | 0:03:53 | |
He's going to be our super sleuth today. | 0:03:53 | 0:03:56 | |
I brought Paul Hayes, who is already having a look round | 0:03:56 | 0:04:00 | |
to see what we might be able to take to auction. | 0:04:00 | 0:04:02 | |
We don't want to leave him on his own for too long, cos you never know what he will come up with. | 0:04:02 | 0:04:06 | |
So how are you doing there, Charlie? | 0:04:06 | 0:04:09 | |
'The Hasthorpe home is immaculate. | 0:04:09 | 0:04:12 | |
'So what's likely to be hidden away in cupboards or under the bed is yet to be seen. | 0:04:12 | 0:04:17 | |
'But Paul's already spotted something.' | 0:04:17 | 0:04:20 | |
-Ah, hello! -There you go, I told you he'd be hard at work already. | 0:04:20 | 0:04:24 | |
-Would you like to buy a balloon? -Oh yes, definitely. I like that yellow one. | 0:04:24 | 0:04:28 | |
They're lovely, aren't they? Very famous figure. Where did you get them from? | 0:04:28 | 0:04:33 | |
They came from Aunt Rae's in Canada. We went over there for her 100th birthday. | 0:04:33 | 0:04:38 | |
But... Unfortunately, she didn't make it. | 0:04:38 | 0:04:41 | |
So when we went there, we were offered them. We said we could take what we wanted. | 0:04:41 | 0:04:44 | |
And what was it that appealed to you? | 0:04:44 | 0:04:46 | |
The balloon sellers I remembered on my auntie's fireplace. | 0:04:46 | 0:04:50 | |
So these figurines have great memories for you, | 0:04:50 | 0:04:53 | |
-not just of your aunt, but of Canada. -Yes. | 0:04:53 | 0:04:55 | |
This is one of the most popular figurines that Royal Doulton did. | 0:04:55 | 0:04:59 | |
And it's called The Old Balloon Seller. | 0:04:59 | 0:05:01 | |
It's part of a series called The Street Sellers. | 0:05:01 | 0:05:04 | |
So they had people selling flowers, matchsticks and so on. | 0:05:04 | 0:05:07 | |
-She looks like Old Mother Riley, doesn't she? -She does. | 0:05:07 | 0:05:10 | |
But the modelling is absolutely superb. It's a guy called Leslie Harradine. | 0:05:10 | 0:05:14 | |
He was head at Doulton for a long time and he came up with all these wonderful designs. | 0:05:14 | 0:05:20 | |
And this one dates from early 1930s, just before the Second World War. | 0:05:20 | 0:05:23 | |
How much might the three of them make together? | 0:05:23 | 0:05:26 | |
If I was being conservative here... These turn up between £40 and £60 a figure. | 0:05:26 | 0:05:30 | |
So if we said that at least for each three, | 0:05:30 | 0:05:32 | |
that's £120. How does that sound? | 0:05:32 | 0:05:35 | |
-Fine. -Sounds OK, doesn't it? -It does, yeah. Really good. | 0:05:35 | 0:05:38 | |
Well, I think 120 is a very good foundation | 0:05:38 | 0:05:41 | |
on which we're going to build the £500 we're going to raise today. | 0:05:41 | 0:05:45 | |
-So let's go and see what else we can find. -OK. | 0:05:45 | 0:05:48 | |
'Dan's found a 20th century Lladro piece. | 0:05:48 | 0:05:51 | |
'Since 1953, Lladro porcelain has been known for its distinctive design and soft colouring. | 0:05:51 | 0:05:56 | |
'Will this lady attract £60-100?' | 0:05:56 | 0:06:00 | |
-Hi, Paul! -Hello, you two! Come and join me - just in time. | 0:06:02 | 0:06:05 | |
What have you got here? The famous Fischer-Kasparov game? | 0:06:05 | 0:06:09 | |
I don't think that's what it is, no. | 0:06:09 | 0:06:11 | |
This is a re-enactment of the American War of Independence. | 0:06:11 | 0:06:15 | |
It's obviously a chess set, | 0:06:15 | 0:06:17 | |
but we've got America here and Great Britain over here. | 0:06:17 | 0:06:21 | |
It looks like 18th century. I think that's what it is. | 0:06:21 | 0:06:24 | |
We've got George Washington on his famous white horse, | 0:06:24 | 0:06:27 | |
the minutemen and the eagle of America lined up against | 0:06:27 | 0:06:31 | |
the British lion and the famous redcoats. | 0:06:31 | 0:06:34 | |
Isn't that fantastic? What a great thing. | 0:06:34 | 0:06:37 | |
So you've got a war game and a game of chess, all in one. | 0:06:37 | 0:06:39 | |
I think we know who wins... | 0:06:39 | 0:06:42 | |
-But maybe not every game. -Yeah, I'm afraid it's not us. | 0:06:42 | 0:06:45 | |
Are you great chess players in the family? | 0:06:45 | 0:06:48 | |
No, neither of us play. | 0:06:48 | 0:06:50 | |
We play chequers with them, but we haven't played any chess. | 0:06:50 | 0:06:53 | |
It's very unusual, | 0:06:53 | 0:06:55 | |
but they do make chess sets in all sorts of different characters. | 0:06:55 | 0:06:58 | |
If you think of a subject, | 0:06:58 | 0:07:00 | |
there will be a chess set made around that subject. | 0:07:00 | 0:07:03 | |
But the actual game was developed in India in about the 6th century. | 0:07:03 | 0:07:07 | |
It was called chaturanga, | 0:07:07 | 0:07:08 | |
and they used elephants and chariots for the bishops and the rooks. | 0:07:08 | 0:07:12 | |
They had infantry and cavalry, but very similar game to what we have now. | 0:07:12 | 0:07:16 | |
The detail in the painting is absolutely exquisite, isn't it? | 0:07:16 | 0:07:19 | |
It's such a quality item. | 0:07:19 | 0:07:21 | |
The board itself is rosewood. It's beautiful. | 0:07:21 | 0:07:24 | |
The sandalwood in the middle gives its contrasting colours. | 0:07:24 | 0:07:27 | |
I just think it's super, really. | 0:07:27 | 0:07:29 | |
So if we sell it, how much do you think they might make? | 0:07:29 | 0:07:32 | |
As an auction estimate, to give it a real chance, | 0:07:32 | 0:07:35 | |
if I said between £60-100... | 0:07:35 | 0:07:38 | |
I think someone who really takes a shine to it... | 0:07:38 | 0:07:40 | |
You've got the American history enthusiasts here | 0:07:40 | 0:07:42 | |
and a chess player as well, and it's complete. | 0:07:42 | 0:07:45 | |
'Living in Grimsby, it's clear that Heather and Frank treasure the seaside. | 0:07:45 | 0:07:49 | |
'This colourful beach scene was painted by a local artist | 0:07:49 | 0:07:53 | |
'and Paul thinks someone would love to take it home for £40-£60. | 0:07:53 | 0:07:57 | |
So Heather, just explain to me what this fascination with Canada is in a bit more detail. | 0:07:57 | 0:08:03 | |
My mother lived in Canada for most of her life. | 0:08:03 | 0:08:05 | |
My parents were pen friends and she came over here to get married. | 0:08:05 | 0:08:09 | |
So your father must have been very persuasive. So when did you first visit the country? | 0:08:09 | 0:08:13 | |
When I was 20, | 0:08:13 | 0:08:15 | |
and travelled coast to coast on the train and saw all my relations, who are splattered all about Canada. | 0:08:15 | 0:08:21 | |
-Is that what made you feel you wanted to stay there? -Yes, I did apply to emigrate at that time. | 0:08:21 | 0:08:26 | |
Unfortunately after that, or fortunately, I met Frank. | 0:08:26 | 0:08:29 | |
-So how did you two meet? -We met at work, didn't we? We both worked for the same company and... | 0:08:29 | 0:08:35 | |
Now you've decided you really do want to live in Canada. | 0:08:35 | 0:08:37 | |
If I won the lottery, I'd be there tomorrow. ANGELA LAUGHS | 0:08:37 | 0:08:41 | |
You won't win the lottery, | 0:08:41 | 0:08:42 | |
but I know that Charlie and Dan and Paul have been hard at work, | 0:08:42 | 0:08:46 | |
so shall we go and see how much they've managed to find? | 0:08:46 | 0:08:49 | |
'Frank's found another thing that'll help them wing their way to Canada. | 0:08:50 | 0:08:54 | |
'This 19th century station clock is in perfect condition, | 0:08:54 | 0:08:58 | |
'which means we can ask for £100-£150. | 0:08:58 | 0:09:02 | |
'Dan and Paul eye up an Art Deco oak hall stand. | 0:09:02 | 0:09:06 | |
'Designed to hold a coat, hat and umbrella, | 0:09:06 | 0:09:09 | |
'it even has a box for gloves. | 0:09:09 | 0:09:11 | |
'We're hoping it's going to make £40-£60.' | 0:09:11 | 0:09:13 | |
'It's important to have a place to hang your hat, but come auction day, | 0:09:15 | 0:09:19 | |
-'I wonder if the bidders will feel the same way.' -FRANK CHUCKLES | 0:09:19 | 0:09:23 | |
'As we continue our rummage in Grimsby, I've enlisted the help of Charlie. | 0:09:23 | 0:09:28 | |
'He's got the hang of it now and points me in the right direction. | 0:09:28 | 0:09:33 | |
'Heather bought this cameo brooch piece in an antique shop years ago. | 0:09:33 | 0:09:38 | |
'The 9-carat gold and pink shell inset reflect its classic Victorian design.' | 0:09:38 | 0:09:43 | |
'If Frank and Heather are happy to let it go, it could fetch £60-£100. | 0:09:45 | 0:09:49 | |
Now then, Heather... What have you found? Something good? | 0:09:49 | 0:09:53 | |
-Lots of postcards that my mother collected. -All right. | 0:09:53 | 0:09:56 | |
I love postcards. Where are they all from? | 0:09:56 | 0:09:58 | |
-All sorts of places. -Was she well travelled? | 0:09:58 | 0:10:01 | |
-Yes, she was. And there's that one as well. -OK. Who is this, then? | 0:10:01 | 0:10:05 | |
Clark Gable. I don't think it's really from him. You read it. | 0:10:05 | 0:10:09 | |
It says here, "My own darling Irene, | 0:10:09 | 0:10:12 | |
"just a line hoping you are always thinking of me as I am of you | 0:10:12 | 0:10:16 | |
"from your one and only Clark." So did she have a relationship with Clark Gable? | 0:10:16 | 0:10:21 | |
I don't think so. | 0:10:21 | 0:10:23 | |
I think it was a joke. I think my uncle, she said, had sent it. | 0:10:23 | 0:10:27 | |
Because he went to the movie studios, and it was at that time she received that from Clark Gable. | 0:10:27 | 0:10:33 | |
-But she never did find out. -She never met him or anything like that? -No. | 0:10:33 | 0:10:37 | |
It definitely is a publicity shot that you'll get of all the Hollywood actors at the time. | 0:10:37 | 0:10:42 | |
But what an interesting thing. What else have we got here? | 0:10:42 | 0:10:46 | |
-Some funny ones. Mabel Lucie Atwell, have you heard of her? -Yes. | 0:10:46 | 0:10:49 | |
Very famous 1930s cartoonist. | 0:10:49 | 0:10:51 | |
Ah! This is what you're looking for. Look at that. | 0:10:51 | 0:10:53 | |
Anything to do with transport. Trains, planes, automobiles... | 0:10:53 | 0:10:57 | |
All that sort of thing. Shipping lines are very popular. That's a White Star Line as well. | 0:10:57 | 0:11:01 | |
Aquitania. That's very collectable. | 0:11:01 | 0:11:03 | |
-Nothing sentimental here at all? -No. No. | 0:11:03 | 0:11:06 | |
OK, I'll tell you what we'll do. These will be sorted out by the auctioneer, | 0:11:06 | 0:11:10 | |
he tends to put them in certain categories, in certain orders. | 0:11:10 | 0:11:14 | |
If we put these in as a lot... If I said £30-£50, how does that sound? | 0:11:14 | 0:11:18 | |
-That sounds brilliant. -In the meantime, what I think we should do, | 0:11:18 | 0:11:22 | |
is to try and get a copy of Clark Gable's signature, | 0:11:22 | 0:11:24 | |
see if we can match that up. | 0:11:24 | 0:11:26 | |
Cos that potentially could be a very collectable thing. | 0:11:26 | 0:11:29 | |
All right, so we're looking at £30 plus Clark Gable. | 0:11:29 | 0:11:32 | |
-That sounds brilliant. -All right. We don't say that every day, do we? | 0:11:32 | 0:11:36 | |
'Heather's decided to let these five 19th century prints from Vanity Fair Magazine go. | 0:11:36 | 0:11:42 | |
'The publication started in the late 1800s, | 0:11:42 | 0:11:45 | |
'and Paul hopes that someone will take them off our hands for £30-£50. | 0:11:45 | 0:11:50 | |
'Paul's found another beautiful seaside painting. | 0:11:50 | 0:11:55 | |
'A watercolour of Whitby harbour. | 0:11:55 | 0:11:58 | |
'This was painted by a local lighthouse keeper, Desmond G Sythes. | 0:11:58 | 0:12:02 | |
'Paul estimates it might raise £50-£100.' | 0:12:02 | 0:12:05 | |
I must admit, Frank, I've found one of my favourite items. | 0:12:06 | 0:12:08 | |
This beautiful settee. Where does this come from? | 0:12:08 | 0:12:11 | |
I bought it five or six years ago from my sister-in-law. | 0:12:11 | 0:12:14 | |
She used to do antiques at one time... | 0:12:14 | 0:12:17 | |
-Ah... -A few years back, and it was in a bit of a state. | 0:12:17 | 0:12:21 | |
There was all hair hanging out and we had it recovered. | 0:12:21 | 0:12:24 | |
That's what I was going to ask you. Normally by now, the stuffing's coming out | 0:12:24 | 0:12:28 | |
or they're a bit worn. This one is in absolutely mint condition. | 0:12:28 | 0:12:32 | |
-How long ago was that? -About five or six years ago. | 0:12:32 | 0:12:35 | |
Really? It's held up well, hasn't it? | 0:12:35 | 0:12:37 | |
-What was it that attracted you? -We liked the frame, the shape. It caught our eye. | 0:12:37 | 0:12:42 | |
That's what you call the Aesthetic Movement. | 0:12:42 | 0:12:44 | |
They use black and gilt. That's very architectural. | 0:12:44 | 0:12:47 | |
It's not so much organic, like the Art Nouveau style. | 0:12:47 | 0:12:49 | |
And if you think about it, the old Georgian furniture | 0:12:49 | 0:12:52 | |
was very spindly, very uncomfortable, more for show. | 0:12:52 | 0:12:56 | |
By the time you get to about 1850 onwards, they're all for comfort. | 0:12:56 | 0:13:00 | |
Ladies would sit on here and spend hours and chat in their parlour and do their daily activities. | 0:13:00 | 0:13:05 | |
Value-wise, if I said between £400 and £600, is that what you were thinking as well? | 0:13:05 | 0:13:10 | |
Could we put a reserve of, say, £500 on it? | 0:13:10 | 0:13:13 | |
-On the understanding if it doesn't fetch that, it comes back with you. -That's fine. | 0:13:13 | 0:13:17 | |
Let's keep looking. | 0:13:17 | 0:13:18 | |
'So far, we've collected some really good items for auction. | 0:13:18 | 0:13:22 | |
'With several paintings in the mix, | 0:13:22 | 0:13:24 | |
'I wonder if the Hasthorpes have some artists hidden in their family tree.' | 0:13:24 | 0:13:28 | |
It's funny little trousers, isn't it? | 0:13:28 | 0:13:30 | |
Are you going to have a look at this for us? | 0:13:30 | 0:13:32 | |
-Blimey! What a colourful picture. -That's some picture, isn't it? | 0:13:32 | 0:13:36 | |
-It's of Auckland, New Zealand. -New Zealand? Right, I've got you. | 0:13:36 | 0:13:40 | |
-It's done by my nephew. -So is he a well-known artist? | 0:13:40 | 0:13:43 | |
-He probably is in New Zealand, but... -He did some stamps. | 0:13:43 | 0:13:49 | |
He's done some stamps, yes. First cover stamps and... | 0:13:49 | 0:13:52 | |
Of course, while I was there, he took a photograph of my eyes and... | 0:13:52 | 0:13:58 | |
So you think you might be in this picture somewhere? | 0:13:58 | 0:14:01 | |
-So which is Frank's eyes? -Is it this one? -Could be. -Or on the shark perhaps? | 0:14:01 | 0:14:05 | |
I love his style. That's the modern method. | 0:14:05 | 0:14:07 | |
It's almost like a collage, but using photography, | 0:14:07 | 0:14:10 | |
so they've taken your still and your snapshot | 0:14:10 | 0:14:13 | |
and made them into these animals that do wonderful things. | 0:14:13 | 0:14:16 | |
It's fantastic, actually. It's very well done. | 0:14:16 | 0:14:19 | |
What I have noticed here is Hallmark, they're a massive greeting card chain. | 0:14:19 | 0:14:22 | |
He must have had a contract with them at some point. | 0:14:22 | 0:14:25 | |
Is this something that's likely to have a value at auction? | 0:14:25 | 0:14:28 | |
Limited edition prints can do very well most times. | 0:14:28 | 0:14:30 | |
The fact that we've got a good artist here... | 0:14:30 | 0:14:33 | |
He must well-known in New Zealand to be on the cover the stamps. That would be amazing. | 0:14:33 | 0:14:37 | |
But if I said £60-£100, that sort of price band... | 0:14:37 | 0:14:40 | |
That sound all right to you? | 0:14:40 | 0:14:42 | |
Sounds good. | 0:14:42 | 0:14:43 | |
Let's add that to everything else we've seen. | 0:14:43 | 0:14:45 | |
But before I tell you how much we think we're going to make, | 0:14:45 | 0:14:48 | |
let's call in the rest of the family. | 0:14:48 | 0:14:50 | |
Dan and Charlie, do you want to come and join us? | 0:14:50 | 0:14:53 | |
And then you can all hear how much we think we might make at auction, | 0:14:53 | 0:14:57 | |
taking Paul's lowest estimates on everything. | 0:14:57 | 0:15:01 | |
500 is your target to get everybody over to Canada for a holiday to see your other daughter. | 0:15:01 | 0:15:08 | |
But with a bit of luck, Charlie, we should be able to make | 0:15:08 | 0:15:13 | |
-£1,050. -Ooh! -Wow! -Bit of a difference, isn't it? | 0:15:13 | 0:15:19 | |
Thumbs up, Charlie! | 0:15:19 | 0:15:21 | |
'We've had a great day, | 0:15:21 | 0:15:22 | |
'and there are some fantastic items heading off to auction, | 0:15:22 | 0:15:26 | |
'including... | 0:15:26 | 0:15:27 | |
'the chess set, valued at £60-£100, | 0:15:27 | 0:15:31 | |
'which just might inspire a bidding battle. | 0:15:31 | 0:15:33 | |
'The cameo brooch, a classic collectable | 0:15:33 | 0:15:35 | |
'that will hopefully fly off the shelf for £60-£100. | 0:15:35 | 0:15:40 | |
'And the three Royal Doulton figurines | 0:15:40 | 0:15:42 | |
'inherited from Heather's aunt with an estimate of £120-£150. | 0:15:42 | 0:15:47 | |
'Still to come on Cash In The Attic, | 0:15:50 | 0:15:52 | |
'a Hollywood heart-throb seems to attract the bidders.' | 0:15:52 | 0:15:55 | |
-HAMMER BANGS -There you go. -Excellent! | 0:15:55 | 0:15:58 | |
A Clark Gable fan, perhaps? You never know. | 0:15:58 | 0:16:01 | |
'And later, a surprising outcome.' | 0:16:01 | 0:16:04 | |
-Oh dear... -Oh! -Not sold! -Wow. | 0:16:04 | 0:16:07 | |
'Find out what happens when the hammer falls.' | 0:16:07 | 0:16:10 | |
Well, it seems like only yesterday that we were rummaging in Heather and Frank's home in Grimsby, | 0:16:14 | 0:16:19 | |
looking for items that we could sell at auction that would help them to realize the dream | 0:16:19 | 0:16:24 | |
of first a holiday in Canada and then possibly relocation to that country. | 0:16:24 | 0:16:28 | |
In the meantime, we haven't travelled quite that far. | 0:16:28 | 0:16:31 | |
We've just come to Derby, to Bamfords Auctioneers. | 0:16:31 | 0:16:35 | |
Let's hope that we're going to get some really enthusiastic bidding today, to help us make our target. | 0:16:35 | 0:16:40 | |
'This is one of the biggest auction houses in Derbyshire and has regular weekly sales. | 0:16:40 | 0:16:45 | |
'It's well-known in the area | 0:16:45 | 0:16:46 | |
'and it looks like there are the usual flurry of interested buyers here today | 0:16:46 | 0:16:51 | |
'eyeing up what's on offer. | 0:16:51 | 0:16:52 | |
-Now, then... -I see you're taking a look at that wonderfully sunny Antipodean scene | 0:16:52 | 0:16:58 | |
on what is a very, very cold day here. | 0:16:58 | 0:17:01 | |
I'm glad you said that and not me, Angela. | 0:17:01 | 0:17:04 | |
-You've put reserves on a couple of things, haven't you? -Yes. | 0:17:04 | 0:17:07 | |
We put £500 on the chaise and we put some money on the chess set. | 0:17:07 | 0:17:11 | |
-How much? -£100 reserve. | 0:17:11 | 0:17:14 | |
-Did you bring Charlie with you? -Yes, he's about somewhere. | 0:17:14 | 0:17:18 | |
-Just make sure he doesn't bid for anything. -THEY LAUGH | 0:17:18 | 0:17:21 | |
-We'll keep his hands locked. -As you can see, the place is starting to fill up, | 0:17:21 | 0:17:25 | |
-so follow Paul and let's go and take our places. -Come on! | 0:17:25 | 0:17:30 | |
'Let's hope that our bidders are a bit more awake than young Charlie today. | 0:17:30 | 0:17:33 | |
'Frank and Heather want to raise £500 and, with a bit of luck, we might get above that figure.' | 0:17:33 | 0:17:39 | |
'If you'd like to raise money at auction for something special, | 0:17:39 | 0:17:43 | |
'do take note that houses usually charge a commission | 0:17:43 | 0:17:46 | |
'and fees vary from saleroom to saleroom, | 0:17:46 | 0:17:48 | |
'so it's always best to inquire in advance. | 0:17:48 | 0:17:50 | |
'The bidding is already under way and our first lot, | 0:17:50 | 0:17:53 | |
'the chess set, is about to take the stand.' | 0:17:53 | 0:17:57 | |
I have to announce a change of reserve. | 0:17:57 | 0:17:59 | |
We've increased the reserve, and I have to ask £100. | 0:17:59 | 0:18:02 | |
£100? £80 then? | 0:18:02 | 0:18:05 | |
70 then? | 0:18:05 | 0:18:07 | |
£50 to start it? | 0:18:07 | 0:18:08 | |
-£50. -Oh, here we go. | 0:18:08 | 0:18:11 | |
At £50 and 5 now. | 0:18:11 | 0:18:12 | |
65, 70, 75. | 0:18:12 | 0:18:15 | |
-80. -Oh, it's creeping up. It might do it yet. | 0:18:15 | 0:18:18 | |
-At £80, can I sell it? -Can he sell it for 80? -No! | 0:18:18 | 0:18:22 | |
-No? -85, 90. | 0:18:22 | 0:18:24 | |
90. 95. | 0:18:24 | 0:18:26 | |
100. £95. 100 now. | 0:18:26 | 0:18:30 | |
At 95? Good to sell it? | 0:18:30 | 0:18:32 | |
All done at 95. | 0:18:32 | 0:18:34 | |
-Yeah. -Ah, screw it. -I think he's left it unsold. | 0:18:34 | 0:18:37 | |
-Oh, he's left it unsold? -Oh! -Oh, right. | 0:18:37 | 0:18:40 | |
What happens, when you put a reserve, | 0:18:40 | 0:18:42 | |
if it doesn't fetch that reserve, you do get to take it home. | 0:18:42 | 0:18:46 | |
-I thought there was a bit of leeway. -We'll take it home. | 0:18:46 | 0:18:50 | |
-We're not disappointed. -Are you sure? -That's fine. | 0:18:50 | 0:18:52 | |
So Charlie is going to have to start learning | 0:18:52 | 0:18:54 | |
how to play chess a bit quick, isn't he? | 0:18:54 | 0:18:56 | |
-Yes, he can teach us! -OK. | 0:18:56 | 0:18:58 | |
'I think that "no sale" was meant to be.' | 0:18:58 | 0:19:02 | |
OK, now I really like this next lot, actually. | 0:19:02 | 0:19:04 | |
It's those five fashion prints, | 0:19:04 | 0:19:06 | |
and they all date from the Victorian period, | 0:19:06 | 0:19:08 | |
and it's wonderful for people to get an indication how designers | 0:19:08 | 0:19:11 | |
-and what the fashions were of the day. -£30? | 0:19:11 | 0:19:14 | |
-£30 for them. -Oh! | 0:19:14 | 0:19:17 | |
20, then. £20 is bid. | 0:19:17 | 0:19:19 | |
At £20 with the cap. And 2, do I see? | 0:19:19 | 0:19:22 | |
-Go on, 28! 30. -30. | 0:19:22 | 0:19:24 | |
And 2. At £30 and selling. | 0:19:24 | 0:19:27 | |
-There you go. -On the nose. £30. -Yes. | 0:19:27 | 0:19:31 | |
'Our first money in the pot, and we're up and running. | 0:19:31 | 0:19:35 | |
'And up next, it's the Oscar-winning Clark Gable.' | 0:19:35 | 0:19:38 | |
OK, it's the turn now of that job lot of postcards and memorabilia, | 0:19:38 | 0:19:41 | |
and of course, there's a photo in there that's signed, | 0:19:41 | 0:19:44 | |
somebody called Clark. It wasn't Clark Gable, I don't think. | 0:19:44 | 0:19:48 | |
We can't say it definitely is, so we're going assume it isn't. | 0:19:48 | 0:19:51 | |
And it's going in at £30-£50. | 0:19:51 | 0:19:53 | |
At £25. 28? | 0:19:53 | 0:19:54 | |
30? 32? 32 takes them. | 0:19:54 | 0:19:57 | |
That was quick. | 0:19:57 | 0:19:59 | |
At 32, standing right at the back. | 0:19:59 | 0:20:01 | |
And selling. Up £32. | 0:20:01 | 0:20:03 | |
-32. -Excellent! | 0:20:03 | 0:20:05 | |
-A Clark Gable fan, perhaps. -That's right. -You never know. | 0:20:05 | 0:20:08 | |
So, Clark Gable was irresistible, | 0:20:08 | 0:20:11 | |
even if he was just a photograph. | 0:20:11 | 0:20:13 | |
'Auctions are always unpredictable, though. | 0:20:13 | 0:20:17 | |
'The painting by Frank's nephew failed to attract any interest, | 0:20:17 | 0:20:20 | |
'but the colourful fairground painting proved popular, | 0:20:20 | 0:20:23 | |
'going for £55. | 0:20:23 | 0:20:24 | |
'Well, let's hope that the bidders are feeling | 0:20:24 | 0:20:27 | |
'a bit livelier than Charlie. It's his find up next.' | 0:20:27 | 0:20:29 | |
Charlie and I had a good hunt round your house, | 0:20:31 | 0:20:34 | |
and he actually came across a very pretty little cameo. | 0:20:34 | 0:20:37 | |
Where did this one come from? | 0:20:37 | 0:20:38 | |
It was mine. It was just stuffed in a drawer. | 0:20:38 | 0:20:40 | |
I think I've worn it once, that's it. | 0:20:40 | 0:20:43 | |
-And actually, cameos come in and out of fashion, don't they? -Yes. | 0:20:43 | 0:20:46 | |
Well, it's out of fashion with you, but let's hope it's in fashion | 0:20:46 | 0:20:49 | |
with someone here in the auction room, | 0:20:49 | 0:20:51 | |
Paul, because you've got it at £60-£100. | 0:20:51 | 0:20:53 | |
£50? | 0:20:53 | 0:20:54 | |
-Well, 40, then. £40. -Oh, dear. | 0:20:54 | 0:20:57 | |
£40? | 0:20:57 | 0:20:59 | |
Oh, dear. | 0:21:00 | 0:21:01 | |
-Not sold! -Well. | 0:21:01 | 0:21:04 | |
'That took us all by surprise, | 0:21:05 | 0:21:07 | |
'but obviously it's not fashionable in Derby either. | 0:21:07 | 0:21:11 | |
'We've made just £117 towards our £500 target so far, | 0:21:12 | 0:21:16 | |
'but with six lots still to sell, there's everything to play for.' | 0:21:16 | 0:21:21 | |
Coming up now is my favourite item | 0:21:21 | 0:21:23 | |
of all of yours that are in the auction today, | 0:21:23 | 0:21:25 | |
and that's that wonderful harbour at low tide, the watercolour, | 0:21:25 | 0:21:29 | |
which is actually signed, 20th century. | 0:21:29 | 0:21:31 | |
We've got £50-£100 on it, Paul. Let's see how it does. | 0:21:31 | 0:21:35 | |
At £30. 32, do I see? | 0:21:35 | 0:21:37 | |
£30. It's worth that, surely? | 0:21:37 | 0:21:40 | |
32, thank you, madam. | 0:21:40 | 0:21:42 | |
35. 38. | 0:21:42 | 0:21:43 | |
40. And 42. 45. | 0:21:43 | 0:21:46 | |
48. 50. 52? | 0:21:46 | 0:21:49 | |
At 50, on commission and selling at £50. | 0:21:49 | 0:21:52 | |
-Hooray! -Yeah! -OK? | 0:21:52 | 0:21:55 | |
Well, I tell you what, I think they've got a bargain. | 0:21:55 | 0:21:58 | |
'With a sale that meets Paul's estimate, | 0:21:58 | 0:22:00 | |
'it looks like we've started the second half on the right foot. | 0:22:00 | 0:22:04 | |
'The 1920s hall stand is modestly priced at £40-£60. | 0:22:04 | 0:22:08 | |
'It's an Art Deco piece, | 0:22:08 | 0:22:09 | |
'and it's sure to give someone a place to hang their hat in style.' | 0:22:09 | 0:22:14 | |
-Would you be sorry to see it go? -Not really. -No, no. | 0:22:14 | 0:22:17 | |
At £60. We OK? | 0:22:17 | 0:22:19 | |
At £60 in the room. | 0:22:19 | 0:22:21 | |
Gentleman standing. All done. | 0:22:21 | 0:22:23 | |
Against commissions and selling at £60. | 0:22:23 | 0:22:26 | |
-There you go. How's that? -There's real surprise in your voice. | 0:22:26 | 0:22:31 | |
-I'm amazed. I mean, I wouldn't have given it house room. -Well, you did. | 0:22:31 | 0:22:35 | |
-You did for a while. -Well, I did for a while. | 0:22:35 | 0:22:38 | |
'It's a double whammy when you sell well | 0:22:39 | 0:22:41 | |
'and get rid of something you didn't even like. | 0:22:41 | 0:22:43 | |
'And Heather's pleased to see the back | 0:22:43 | 0:22:45 | |
'of the Lladro figurine too...' | 0:22:45 | 0:22:48 | |
Gentleman's bid at £80. | 0:22:48 | 0:22:51 | |
'As it sells right in the middle of Paul's estimate. | 0:22:51 | 0:22:55 | |
'Now, more ornaments. Will they do as well?' | 0:22:55 | 0:22:58 | |
Three Royal Doulton figurines coming up now | 0:22:58 | 0:23:00 | |
that you brought back from Canada, that had belonged to your auntie. | 0:23:00 | 0:23:04 | |
We're hoping these will do very well as a trio. | 0:23:04 | 0:23:06 | |
It'll be interesting to see how they do in the heart of the Potteries. | 0:23:06 | 0:23:09 | |
90. 95. At £90 on commission and selling. At £90... | 0:23:09 | 0:23:14 | |
He's going to let them go. | 0:23:14 | 0:23:16 | |
At 95 I see. All done at £90. | 0:23:16 | 0:23:19 | |
-The three have gone together. -Yes. -No more balloons. | 0:23:19 | 0:23:23 | |
The balloons burst there, I think. | 0:23:23 | 0:23:25 | |
'£90 was a tad less than we'd hoped for, | 0:23:25 | 0:23:29 | |
'but it all adds to the pot for Canada. | 0:23:29 | 0:23:31 | |
'It's time now for the much talked about sofa. | 0:23:31 | 0:23:34 | |
'It could make or break today's outcome.' | 0:23:34 | 0:23:36 | |
OK, now. This is the real show stopper. | 0:23:36 | 0:23:39 | |
It's that beautiful settee. | 0:23:39 | 0:23:41 | |
-Fantastic. -But you've put a reserve on it, haven't you, of £500? | 0:23:41 | 0:23:44 | |
£500, yes. | 0:23:44 | 0:23:46 | |
Now, if it doesn't make that, you do realise you'll have to take it home? | 0:23:46 | 0:23:49 | |
-Yes. -That's right. | 0:23:49 | 0:23:50 | |
-How do you feel about that? -Fine. | 0:23:50 | 0:23:51 | |
The prettiest piece of furniture in the room by a long way. | 0:23:51 | 0:23:54 | |
My favourite thing. > | 0:23:54 | 0:23:55 | |
It's a superb thing. I have got nine bids on commission. | 0:23:55 | 0:24:00 | |
-Nine bids! -Nine? -They range from a poor bid of £75... | 0:24:00 | 0:24:04 | |
Dear me! | 0:24:04 | 0:24:05 | |
..and I start on commission at £420. 450? | 0:24:05 | 0:24:09 | |
-420. -That's a start. | 0:24:09 | 0:24:11 | |
£420. 450 now. At 420 on commission. | 0:24:11 | 0:24:15 | |
450, may I say, superb sofa. | 0:24:15 | 0:24:17 | |
At £420. 450. | 0:24:17 | 0:24:20 | |
450. 480. 500. | 0:24:20 | 0:24:22 | |
490 for you. That's £480. | 0:24:22 | 0:24:25 | |
A superb sofa. | 0:24:25 | 0:24:27 | |
At £480 on commission, and we're selling. | 0:24:27 | 0:24:30 | |
Nod of the head. All done. | 0:24:30 | 0:24:31 | |
At 480. | 0:24:31 | 0:24:34 | |
-Brilliant! -Well done. | 0:24:34 | 0:24:35 | |
-Couldn't survive another one of them. -£480. | 0:24:35 | 0:24:39 | |
The auctioneer was brilliant. He used his discretion. That's great. | 0:24:39 | 0:24:42 | |
I thought you'd lose it for a minute, | 0:24:42 | 0:24:44 | |
It stopped at 440, and I thought, "He's not going to sell it." | 0:24:44 | 0:24:46 | |
Then it stood there, didn't it? | 0:24:46 | 0:24:48 | |
That was a nail-biter. | 0:24:48 | 0:24:50 | |
And now it's time for our final lot, | 0:24:52 | 0:24:54 | |
and we're looking for at least £100 for the classic station clock. | 0:24:54 | 0:24:59 | |
At £75. 80, may I say? | 0:24:59 | 0:25:01 | |
At £75, then, all done... | 0:25:01 | 0:25:03 | |
-80, new place. -80! | 0:25:03 | 0:25:06 | |
85. 90. At 85, on commission still and selling. | 0:25:06 | 0:25:10 | |
All done at 85. | 0:25:10 | 0:25:13 | |
Brilliant! | 0:25:13 | 0:25:14 | |
Oh, well, that's not bad. | 0:25:14 | 0:25:16 | |
That is a terrific total. | 0:25:16 | 0:25:19 | |
-Things you don't expect. -No. | 0:25:19 | 0:25:21 | |
Let me tell you how much we've made in total | 0:25:21 | 0:25:23 | |
towards the £500 that you want for this wonderful family trip | 0:25:23 | 0:25:28 | |
you're going to make to Canada. So, Dan, Charlie, come and join us. | 0:25:28 | 0:25:31 | |
There we go. | 0:25:33 | 0:25:34 | |
At the halfway stage, if you remember, | 0:25:34 | 0:25:36 | |
we'd barely made a quarter of your £500. | 0:25:36 | 0:25:39 | |
That's right. | 0:25:39 | 0:25:40 | |
It got a bit dodgy there for a minute, but we have made... | 0:25:40 | 0:25:44 | |
£962. | 0:25:44 | 0:25:47 | |
-9...wow! -Wow. | 0:25:47 | 0:25:50 | |
-Charlie! -Charlie! -Wow. -Wow. | 0:25:50 | 0:25:52 | |
THEY LAUGH | 0:25:52 | 0:25:55 | |
With the £962 raised at auction, | 0:26:00 | 0:26:03 | |
the Hasthorpe family have got a fair chunk of cash | 0:26:03 | 0:26:06 | |
towards that trip to Canada. | 0:26:06 | 0:26:08 | |
Ice hockey is Canada's national sport, | 0:26:08 | 0:26:10 | |
and they are the current Olympic gold champions. | 0:26:10 | 0:26:13 | |
So, to get them into the swing of things, | 0:26:13 | 0:26:15 | |
the Hasthorpes have come to see an ice hockey game | 0:26:15 | 0:26:18 | |
which is a bit closer to home. | 0:26:18 | 0:26:21 | |
I didn't know they did ice hockey in Grimsby, | 0:26:21 | 0:26:23 | |
and it's absolutely brilliant. | 0:26:23 | 0:26:24 | |
We've loved every minute, haven't we, Charlie? | 0:26:24 | 0:26:28 | |
-Thumbs up! -Thumbs up! | 0:26:28 | 0:26:29 |