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Welcome to the programme that helps you hunt for antiques and collectables in your home | 0:00:02 | 0:00:06 | |
and then sells them with you at auction. | 0:00:06 | 0:00:08 | |
I'm sure that all of us have got things in our homes | 0:00:08 | 0:00:11 | |
that we look at with fond memories | 0:00:11 | 0:00:13 | |
when we remember where they were bought, or who gave them to us, | 0:00:13 | 0:00:16 | |
or things that were left as a legacy, | 0:00:16 | 0:00:18 | |
but there always comes a time when you have to have a bit of a clear out. | 0:00:18 | 0:00:22 | |
And that's the situation facing the family that we're meeting today | 0:00:22 | 0:00:26 | |
who clearly hope that when they go to auction, | 0:00:26 | 0:00:28 | |
they'll be able to turn those things into real cash in the attic. | 0:00:28 | 0:00:31 | |
'Coming up on Cash In The Attic, | 0:00:51 | 0:00:53 | |
'why is our expert, John, encouraging the lady of the house to impersonate Big Ben?' | 0:00:53 | 0:00:59 | |
Ding-dong, ding-dong. Ding-dong, ding-dong. | 0:00:59 | 0:01:02 | |
'And her granddaughter obviously has all the makings of a great antiques expert.' | 0:01:02 | 0:01:07 | |
-Do you know what it is? -A weird thing? | 0:01:07 | 0:01:10 | |
'Come auction day, John keeps our spirits high after the sale of a glass bird.' | 0:01:10 | 0:01:15 | |
-It went "cheep." -Oh, dear! -Sorry. I promise I won't do any more. | 0:01:15 | 0:01:20 | |
'Find out what happens when the hammer finally falls. | 0:01:20 | 0:01:23 | |
'Meet Wendy Featherstone and her lovely granddaughters, Nerise and Alex. | 0:01:25 | 0:01:30 | |
'Nerise is going to be lending a helping hand with today's rummage. | 0:01:30 | 0:01:34 | |
'Wendy lives in this three-bedroomed bungalow and runs a B&B here with the help of her daughter, Karen. | 0:01:34 | 0:01:40 | |
'The business keeps our host busy, as do her hobbies, making greeting cards and jewellery and knitting. | 0:01:40 | 0:01:47 | |
'A little extra cash is going to come in handy for Wendy's renovation plans, | 0:01:47 | 0:01:51 | |
'and that's why we've been called in. | 0:01:51 | 0:01:53 | |
'Our expert, John Cameron, is a qualified surveyor | 0:01:55 | 0:01:59 | |
'and a graduate in fine art valuation, | 0:01:59 | 0:02:01 | |
'so he's just the man to help us search for collectables to sell.' | 0:02:01 | 0:02:05 | |
Now, that's what I call a real hive of activity. Hello, Wendy. | 0:02:07 | 0:02:12 | |
And who's that down the end in that gorgeous pink T-shirt? | 0:02:12 | 0:02:16 | |
-I'm Alex. -How old are you? -I'm seven. | 0:02:16 | 0:02:19 | |
-And who are you? -I'm Nerise. | 0:02:19 | 0:02:21 | |
-And how old are you? -I'm nine. | 0:02:21 | 0:02:24 | |
So what made you call in Cash In The Attic? | 0:02:24 | 0:02:26 | |
Erm, I need some help with maintenance | 0:02:26 | 0:02:29 | |
-and, firstly, I need to have new patio doors. -Mm. | 0:02:29 | 0:02:34 | |
So you think it's a good idea, Nerise, for Granny to get rid of some of these things? | 0:02:34 | 0:02:38 | |
There's a clock that I think we should get rid of, cos I don't really like it. | 0:02:38 | 0:02:43 | |
-THEY LAUGH -So it's got to go. -Yeah. | 0:02:43 | 0:02:46 | |
What sort of things are we going to see today? | 0:02:46 | 0:02:48 | |
Well, I've got quite a few things that have got to go, and there was a legacy left to me, as well. | 0:02:48 | 0:02:55 | |
-So it's a bit crowded, really. -Nerise, of course, is going to help you | 0:02:55 | 0:02:59 | |
-sort out the things we're going to send to auction. She's got her eyes on the clock. That's got to go. -Yes. | 0:02:59 | 0:03:04 | |
Definitely! I wonder what else we'll find. | 0:03:04 | 0:03:07 | |
'Wendy's target today is £500, | 0:03:07 | 0:03:10 | |
'so let's hope that there are plenty of interesting items here. | 0:03:10 | 0:03:13 | |
'Two of the three bedrooms in this bungalow are for guests | 0:03:13 | 0:03:16 | |
'and with the beautiful Welsh countryside on their doorstep, it's a real hot spot. | 0:03:16 | 0:03:21 | |
'Well, it may be pouring outside, but inside it's warm and welcoming. | 0:03:21 | 0:03:27 | |
'Just in need of a clear out, with John already on the case.' | 0:03:27 | 0:03:30 | |
-John! -Hello! -Hello! -Nerise and Wendy to see you. | 0:03:30 | 0:03:35 | |
And, I have to warn you, Nerise has got some pretty good ideas of what's got to go. | 0:03:35 | 0:03:39 | |
-Right, good. I'm sticking with you, then. -THEY LAUGH | 0:03:39 | 0:03:43 | |
-Is this one of the things you think should go, Nerise? -Yeah. -Do you know what it is? -Not really. | 0:03:43 | 0:03:48 | |
-What do you think it is? -A weird thing? | 0:03:48 | 0:03:51 | |
Well, it is certainly a weird machine, but John is going to tell us exactly what it is. | 0:03:51 | 0:03:56 | |
It's a barograph and they're used to predict weather. | 0:03:56 | 0:04:00 | |
It actually records fluctuations in atmospheric pressure. | 0:04:00 | 0:04:06 | |
How it work is, you have these little metallic bellows here | 0:04:06 | 0:04:10 | |
and as they contract and expand with the changes in atmospheric pressure, | 0:04:10 | 0:04:15 | |
they resist against this little arm here, | 0:04:15 | 0:04:17 | |
so that moves up and down the graph. | 0:04:17 | 0:04:19 | |
So those fluctuations can be changed and recorded quite accurately. | 0:04:19 | 0:04:24 | |
This one was made by Richard Frere, a Parisian maker, in around about 1920. | 0:04:24 | 0:04:29 | |
If we took it to auction, what do you think it might make? | 0:04:29 | 0:04:32 | |
It's a nice example, appears to be working | 0:04:32 | 0:04:34 | |
and should make about £100 to £150. | 0:04:34 | 0:04:36 | |
-Nerise, should we take John off and have a look at some other things in the house? -Yes. -Come on. | 0:04:36 | 0:04:41 | |
'With £400 still to raise, it's all systems go. | 0:04:44 | 0:04:49 | |
'Wendy has a pretty good idea of where to look, | 0:04:49 | 0:04:51 | |
'digging out this collection of Japanese Noritake porcelain. | 0:04:51 | 0:04:55 | |
'Noritake grew out of a Japanese trading company | 0:04:55 | 0:04:58 | |
'set up to export ceramics to the West. | 0:04:58 | 0:05:02 | |
'This set should fetch £40 to £70 in the saleroom. | 0:05:02 | 0:05:07 | |
-Look what I found. -Hello. That's interesting. Where did this come from? | 0:05:07 | 0:05:11 | |
In the cupboard in the living room. It's a glass bird. | 0:05:11 | 0:05:15 | |
If we turn it upside down, we should find a name. | 0:05:15 | 0:05:17 | |
Look. See what it says? It says Wedgwood, England. That's who made it. | 0:05:17 | 0:05:24 | |
And throughout the late '60s and '70s and into the early 1980s, | 0:05:24 | 0:05:28 | |
they were making little ornaments like this, | 0:05:28 | 0:05:31 | |
so we know this has got to be made in between those two periods. | 0:05:31 | 0:05:35 | |
So probably some time in the '70s or early '80s this would've been made. | 0:05:35 | 0:05:39 | |
When you look at it, it's quite pretty. Do you like that mottled glass inside? | 0:05:39 | 0:05:44 | |
-It's like a turtle shell, isn't it? Do you think Nan would mind us selling this? -Yeah. | 0:05:44 | 0:05:49 | |
I think it'd be a good thing to sell. What do you think it's worth? | 0:05:49 | 0:05:52 | |
Hm. I'm not sure, really. | 0:05:52 | 0:05:55 | |
You'd probably get £10 or £20 for it. Do you think that'd be good? | 0:05:55 | 0:05:59 | |
-Yeah. -That's excellent. This bird has flown the nest | 0:05:59 | 0:06:02 | |
and I think we ought to go and just make sure with Gran that we can sell this. Come on. | 0:06:02 | 0:06:07 | |
'Well done, Nerise. | 0:06:07 | 0:06:09 | |
'We all continue the search and John's eye is distracted by an oak-panelled sideboard | 0:06:09 | 0:06:14 | |
'in 1930s Art Deco style. He values it at £40 to £60.' | 0:06:14 | 0:06:18 | |
Wendy, you've had some very interesting jobs in your life. You've moved around a bit. | 0:06:18 | 0:06:23 | |
My first job was in the Jaeger knitwear factory. | 0:06:23 | 0:06:26 | |
That was in Godalming in Surrey. Then I went to another knitwear factory | 0:06:26 | 0:06:31 | |
and this is how it went until I actually finished up in Chantry Court. | 0:06:31 | 0:06:37 | |
That's a retirement home. | 0:06:37 | 0:06:40 | |
I didn't realise you could have so much fun with elderly people until I went there! | 0:06:40 | 0:06:45 | |
It was there that you met Louie. | 0:06:45 | 0:06:47 | |
-Tell me about him. -Louie was one of the first residents in with his wife | 0:06:47 | 0:06:52 | |
and they'd been in there about a year | 0:06:52 | 0:06:55 | |
and his wife tragically died. | 0:06:55 | 0:06:58 | |
Not long after that, he said to me, "Wendy, if I die on the street, | 0:06:58 | 0:07:03 | |
"you will claim my body, won't you?" | 0:07:03 | 0:07:06 | |
"I'll leave you enough to bury me | 0:07:06 | 0:07:09 | |
"and a small party in the lounge for all the residents." | 0:07:09 | 0:07:12 | |
I said, "I can do that, Louie, that's fine. Don't let's talk about it again." | 0:07:12 | 0:07:17 | |
And we didn't. But when he died, he left me his flat | 0:07:17 | 0:07:20 | |
-and all the contents. -Oh, bless. | 0:07:20 | 0:07:23 | |
You do have a lovely relationship with your grandchildren, | 0:07:23 | 0:07:27 | |
but with Nerise particularly, and I know that she is busy with John | 0:07:27 | 0:07:32 | |
finding some other things we might take to auction, | 0:07:32 | 0:07:34 | |
-so shall we go and join them? -Why not? | 0:07:34 | 0:07:37 | |
'Louie obviously had a soft spot for Wendy | 0:07:37 | 0:07:40 | |
'and it's touching that he left her so many collectables, | 0:07:40 | 0:07:44 | |
'so it's unfortunate that now she doesn't really have room for them any more. | 0:07:44 | 0:07:47 | |
'This Japanese Satsuma vase is the first of his objects destined for the saleroom. It's one of three. | 0:07:47 | 0:07:55 | |
'Satsuma porcelain has been traced back to the 17th century. | 0:07:55 | 0:07:58 | |
'John values them at £100 to £150. | 0:07:58 | 0:08:03 | |
'He also spots this impressive Arts and Crafts dresser. | 0:08:03 | 0:08:08 | |
'Wendy bought it for £715, 15 years ago. Its auction estimate today | 0:08:08 | 0:08:13 | |
'would be more like 200 to 300, so she's not sure yet | 0:08:13 | 0:08:18 | |
'if she'll part with it.' | 0:08:18 | 0:08:21 | |
Hello, girls. | 0:08:21 | 0:08:22 | |
-Hi, John. -Ah! -We've got lots of Christmas pressies here. What have you got? | 0:08:22 | 0:08:25 | |
Something that would suit a flapper girl. How do you fancy rising to the challenge? | 0:08:25 | 0:08:30 | |
ANGELA LAUGHS I fancy being a flapper. | 0:08:30 | 0:08:32 | |
-Oh, what a lovely watch! -It's a rather nice cocktail watch. | 0:08:32 | 0:08:35 | |
-I'm wondering if you can shed some light on it for me. -Yes, it's part of the inheritance from Louie. | 0:08:35 | 0:08:40 | |
It was his wife's and I believe he bought it very early in their marriage, | 0:08:40 | 0:08:45 | |
so it's got a bit of age to it, but not a lot. | 0:08:45 | 0:08:48 | |
They were called cocktail watches because they emerged in the 1920s, | 0:08:48 | 0:08:52 | |
the great age of jazz, the cocktail parties, | 0:08:52 | 0:08:55 | |
and women were becoming more liberated then. They were wearing less clothes | 0:08:55 | 0:09:00 | |
and the slender, bony frame became quite fashionable, made fashionable by people like Coco Chanel. | 0:09:00 | 0:09:05 | |
And so the size of these watches reflected that. They were dainty. | 0:09:05 | 0:09:08 | |
They reflected the slenderness of women at the time. | 0:09:08 | 0:09:12 | |
I've had the back off, had the movement out and I can tell you it is 18-carat white gold | 0:09:12 | 0:09:17 | |
and it says "weiss gold", so we know it's a German case. | 0:09:17 | 0:09:21 | |
The bezel is quite nice, as cocktail watches go. | 0:09:21 | 0:09:25 | |
It's been set with two rows of rose-cut diamonds | 0:09:25 | 0:09:29 | |
and sandwiched right in the middle are two little lines of square table-cut sapphires. | 0:09:29 | 0:09:34 | |
So, of its type, it's quite an elegant watch. | 0:09:34 | 0:09:37 | |
The thing we really want to know is, if we took it to auction, what's it likely to make? | 0:09:37 | 0:09:42 | |
Because it's a nice example of its type, good quality materials, | 0:09:42 | 0:09:45 | |
it should make around about £100, possibly a bit more, but I would suggest an estimate | 0:09:45 | 0:09:50 | |
of £80 to £120 to tempt those bidders. | 0:09:50 | 0:09:52 | |
That's sad when you talk about all those beautiful diamonds and the lovely stones and the white gold. | 0:09:52 | 0:09:57 | |
It certainly is, but as we say, value these days is linked to demand | 0:09:57 | 0:10:02 | |
and there's little demand for these cocktail watches. Bring back the swinging 20s and cocktail parties! | 0:10:02 | 0:10:08 | |
'Hear, hear, John! We miss those days of elegance. | 0:10:08 | 0:10:12 | |
'I wonder if your cautious estimate will be tempting enough for the bidders on auction day.' | 0:10:12 | 0:10:17 | |
At £65 I have. Any advance on 65? 70 is there? £70 on the phone. 75, new bidder. 80. | 0:10:17 | 0:10:23 | |
'Hm, this could be tense.' | 0:10:23 | 0:10:26 | |
'The rummage in Wendy's house continues, | 0:10:26 | 0:10:29 | |
'and I spot this pair of 20th century still-life oil paintings that were also once Louie's. | 0:10:29 | 0:10:35 | |
'Hopefully they'll catch a bidder's eye on sale day. | 0:10:35 | 0:10:38 | |
'And John reckons, if they do, they'll make £40 to £60. | 0:10:38 | 0:10:41 | |
OK, Wendy, all day you've been asking me to have a look at the longcase clock. | 0:10:41 | 0:10:46 | |
I'm getting the feeling you don't have an affinity with this clock and you want it out of the house. | 0:10:46 | 0:10:50 | |
-Tell me why. -The grandchildren don't like it. | 0:10:50 | 0:10:53 | |
-Why don't they like it? -They think there's a ghost in it. | 0:10:53 | 0:10:57 | |
-And who put that in their heads? -I have no idea. | 0:10:57 | 0:11:00 | |
-But when it used to chime, when it was on chime, they wouldn't come near it. -Really? -Mm. | 0:11:00 | 0:11:06 | |
-So where did it come from? -It was Louie's | 0:11:06 | 0:11:09 | |
and he made it from a kit | 0:11:09 | 0:11:11 | |
and really that's all I know about it. | 0:11:11 | 0:11:14 | |
The actual form of the clock, typical late-17th, early 18th century with a little dome top, | 0:11:14 | 0:11:19 | |
in mahogany, but it's very much 20th century. | 0:11:19 | 0:11:23 | |
And these were sold in kit form, and it doesn't take a huge amount of knowledge in horology | 0:11:23 | 0:11:30 | |
to put one of these together. And there's nice features here, | 0:11:30 | 0:11:33 | |
an applied silver chapter ring with the Roman numerals. | 0:11:33 | 0:11:36 | |
Love that moon phase. Did that used to work, too? | 0:11:36 | 0:11:39 | |
-Yes. -You set it at the beginning of the month and it tells you the phases of the moon. -Yes. -Wonderful. | 0:11:39 | 0:11:44 | |
And the glass door was typically a late-19th century thing. You don't see that on longcase clocks | 0:11:44 | 0:11:49 | |
until the 20th century in any great quantity. | 0:11:49 | 0:11:52 | |
They don't make huge sums. Probably around £120 to £180. | 0:11:52 | 0:11:56 | |
-Would you be OK with that? -The girls will be. | 0:11:56 | 0:11:59 | |
-What was the chime? -Westminster. | 0:11:59 | 0:12:02 | |
-The finest. -Yeah. It's a beautiful chime. -How does it go? -You really want me to do it? -Yeah. | 0:12:02 | 0:12:08 | |
Ding-dong ding-dong, ding-dong ding-dong. That one. | 0:12:08 | 0:12:12 | |
-We'll make a Pompey supporter out of you yet. -Oh, what? | 0:12:12 | 0:12:15 | |
'Poor Wendy! She's after an expert opinion and she's made to sing the anthem of Portsmouth Football Club! | 0:12:17 | 0:12:24 | |
'As we keep up our hunt for more treasures, | 0:12:24 | 0:12:27 | |
'John finds a cut-glass decanter still with some sherry in it. | 0:12:27 | 0:12:31 | |
'It may not be quite to John's taste, but lotted up with these six sherry glasses, | 0:12:31 | 0:12:35 | |
'let's hope that the bidders are keen. The collection should fetch £30 to £40. | 0:12:35 | 0:12:40 | |
'Wendy spots something else that belonged to Louie, this cut-glass lamp in the shape of a mushroom | 0:12:40 | 0:12:45 | |
'dating from the 1930s. John gives it a gleaming valuation of £30 to £50.' | 0:12:45 | 0:12:50 | |
Wendy! John! Got a minute? | 0:12:52 | 0:12:55 | |
Look at what your lovely granddaughter has found for us. | 0:12:55 | 0:13:00 | |
She's just got this beautiful charm bracelet. | 0:13:00 | 0:13:03 | |
-Where did that come from? -It was part of Louie's legacy. | 0:13:03 | 0:13:07 | |
-It belonged to his wife? -Yeah. -Have you ever worn it? -No. | 0:13:07 | 0:13:10 | |
This is the sort of thing I saw a lot of when I was growing up in the 70s, they were very fashionable, | 0:13:10 | 0:13:15 | |
then they completely died out, but they've been making a comeback. | 0:13:15 | 0:13:18 | |
Each charm tends to have some sort of particular good luck. | 0:13:18 | 0:13:22 | |
If it was a lock, that means that your dreams are soon to be unlocked. | 0:13:22 | 0:13:28 | |
A car or an aeroplane means you're going to have travel. | 0:13:28 | 0:13:32 | |
And so on. They're wonderful things. I really like that. | 0:13:32 | 0:13:35 | |
-Are you going to send that to auction, Wendy? -Oh, don't, Angela. | 0:13:35 | 0:13:38 | |
I've been tearing myself apart about it. | 0:13:38 | 0:13:42 | |
But it's so beautiful, are there perhaps any of the charms you might like to keep? | 0:13:42 | 0:13:47 | |
Yes, there are a couple I'd like to keep. | 0:13:47 | 0:13:50 | |
Every one you take off, the value goes down. | 0:13:50 | 0:13:52 | |
If we took it to auction, what might it make? | 0:13:52 | 0:13:55 | |
As it is, I've got to guestimate that because I can't weigh it, | 0:13:55 | 0:13:59 | |
but there's over a couple of ounces of gold there. | 0:13:59 | 0:14:02 | |
So I think you should have no problem reaching about £400 to £600. | 0:14:02 | 0:14:05 | |
If we add that to everything else John has looked at today, | 0:14:05 | 0:14:09 | |
and bearing in mind that you might take a couple of charms off there | 0:14:09 | 0:14:13 | |
and you may not take that rather beautiful sideboard, | 0:14:13 | 0:14:16 | |
but if you leave everything in, Wendy, | 0:14:16 | 0:14:19 | |
then we should be able to make £1,190. | 0:14:19 | 0:14:24 | |
-Ooh, wow! -If we... Madam's come alive at that, haven't you? | 0:14:24 | 0:14:29 | |
If we take out the sideboard, then you still should make £990. | 0:14:29 | 0:14:35 | |
Are you going to come to the auction, Nerise? | 0:14:35 | 0:14:37 | |
-Yeah. -You are! Oh! | 0:14:37 | 0:14:39 | |
And just remember that we're buying Granny's doors for the patio, | 0:14:39 | 0:14:45 | |
-we're not buying clothes for Nerise. -THEY LAUGH | 0:14:45 | 0:14:49 | |
-But let's get to auction and see what happens! -Well, yes! | 0:14:49 | 0:14:52 | |
'What a terrific result. | 0:14:52 | 0:14:55 | |
'Wendy just has to decide what she really cannot bear to part with now. | 0:14:55 | 0:15:00 | |
'But some of the things she's definitely taking to auction are | 0:15:00 | 0:15:04 | |
'the early 20th century French barograph. | 0:15:04 | 0:15:07 | |
'John valued it at £100 to £150. | 0:15:07 | 0:15:11 | |
'Then there's the longcase clock that Louie made from a kit. | 0:15:11 | 0:15:15 | |
'We hope it'll strike a chord with the bidders | 0:15:15 | 0:15:18 | |
'at £120 to £180. | 0:15:18 | 0:15:21 | |
'And she's parting with that very attractive 1930s | 0:15:21 | 0:15:25 | |
'white gold cocktail watch with diamonds and sapphires | 0:15:25 | 0:15:28 | |
'which belonged to Louie's wife. It should dazzle in the auction room | 0:15:28 | 0:15:33 | |
'at £80 to £120. | 0:15:33 | 0:15:36 | |
'Still to come on Cash In The Attic, I'm getting concerned about the quality of John's jokes.' | 0:15:36 | 0:15:42 | |
For a minute, I thought there were going to be no-ie take-ies for our Noritake. | 0:15:42 | 0:15:46 | |
'And granddaughter Nerise is flabbergasted at the starting price of the barograph.' | 0:15:46 | 0:15:52 | |
-Oh, wow! -Bang on middle, we're starting. | 0:15:52 | 0:15:56 | |
Hang in there, Nerise. | 0:15:56 | 0:15:58 | |
'Find out how high the sales go when the gavel finally falls.' | 0:15:58 | 0:16:04 | |
Thanks to Louie's legacy of the house and its contents, | 0:16:07 | 0:16:11 | |
plus some of Wendy's own items, | 0:16:11 | 0:16:14 | |
we've got some really interesting things to sell at auction here today | 0:16:14 | 0:16:17 | |
at Burns Auctioneers in Chester. | 0:16:17 | 0:16:19 | |
Wendy's ambition is to put some new patio doors in her house. | 0:16:19 | 0:16:24 | |
It's going to cost £500, so we're looking for some really serious bidding | 0:16:24 | 0:16:28 | |
when her items go under the hammer today. | 0:16:28 | 0:16:31 | |
'Located in Chester, an antiques hot spot of the north west, | 0:16:31 | 0:16:36 | |
'this auction regularly attracts specialist dealers from all over the world | 0:16:36 | 0:16:40 | |
'thanks to the online catalogue. And that means we could be in for some competitive bidding today.' | 0:16:40 | 0:16:46 | |
-Hi, Wendy and Nerise. -Hello! | 0:16:46 | 0:16:49 | |
-Wendy, you've got some lovely things here, but we notice you didn't bring the wardrobe. -Mm. -Why's that? | 0:16:49 | 0:16:55 | |
I couldn't get it in the Micra. THEY LAUGH | 0:16:55 | 0:16:59 | |
But whatever's in it, where am I going to put it? | 0:16:59 | 0:17:02 | |
Now, when we saw you originally, £500 was for the patio doors. | 0:17:02 | 0:17:06 | |
-Is that still the case? -No. | 0:17:06 | 0:17:07 | |
Things have changed and now I really need new flooring in the kitchen. | 0:17:07 | 0:17:12 | |
-We're optimistic we're going to make it. -You've got some nice items, | 0:17:12 | 0:17:16 | |
so we've got a puncher's chance. | 0:17:16 | 0:17:17 | |
Let's go and take our places. Follow me! | 0:17:17 | 0:17:20 | |
'Nerise has had permission to be off school today to support her gran | 0:17:22 | 0:17:26 | |
'Let's see what happens with Wendy's first lot, which has just come up. | 0:17:26 | 0:17:31 | |
'It's the Wedgwood glass bird paperweight that Nerise found.' | 0:17:31 | 0:17:34 | |
£2 is the opening bid. At £2. Any advance on 2? | 0:17:34 | 0:17:36 | |
-Oh. -At £2 I have. 4. | 0:17:36 | 0:17:39 | |
6. 8. £8 I'm bid. Any advance on 8? | 0:17:39 | 0:17:43 | |
Straight ahead at £8. Are we all done? Watching closely. | 0:17:43 | 0:17:46 | |
-You quite sure? Finished and selling at £8. -HAMMER BANGS | 0:17:46 | 0:17:50 | |
-Oh, not quite our lowest estimate. -I thought I couldn't get any lower than that. | 0:17:50 | 0:17:55 | |
-That went "cheep". -Oh, dear! -Sorry. I promise I won't do any more. | 0:17:55 | 0:18:00 | |
'I'll hold you to that! At least it made Wendy and Nerise laugh. | 0:18:00 | 0:18:04 | |
'as it was a little disappointing. | 0:18:04 | 0:18:07 | |
'What will the bidders make of the unusual cut-glass mushroom lamp | 0:18:07 | 0:18:11 | |
'up for £30 to £50?' | 0:18:11 | 0:18:13 | |
40. £40. The lady's bid at £40. | 0:18:13 | 0:18:16 | |
Any advance on £40? At £40 I have. | 0:18:16 | 0:18:19 | |
All done? At £40, we're quite sure? Selling at 40. | 0:18:19 | 0:18:24 | |
-Great! -£40! -Wow! -Lovely! | 0:18:24 | 0:18:28 | |
-We had 30 to 50, so bang in the middle there. -Yeah! | 0:18:28 | 0:18:32 | |
'Well, the bidders obviously liked it, | 0:18:32 | 0:18:35 | |
'and Nerise is impressed with the speed of that sale. | 0:18:35 | 0:18:40 | |
'There's another addition when the decanter and sherry glasses go under the hammer. | 0:18:40 | 0:18:45 | |
Selling at 25. | 0:18:45 | 0:18:47 | |
'Selling just short of John's £30 estimate. | 0:18:47 | 0:18:50 | |
'Up next, Wendy's collection of Noritake valued at £40 to £70.' | 0:18:50 | 0:18:55 | |
Bidding starts with me at £25. | 0:18:55 | 0:18:58 | |
£25 I have. Any advance on £25 for the Noritake? | 0:18:58 | 0:19:02 | |
At £25 I'm bid. 28. 30 here. | 0:19:02 | 0:19:06 | |
32. 35. | 0:19:06 | 0:19:08 | |
38. Your bid at 38. Commissions are gone at 38. | 0:19:08 | 0:19:12 | |
Bid is in the room at £38. | 0:19:12 | 0:19:14 | |
Any advance on 38? Are we all done? | 0:19:14 | 0:19:16 | |
-At £38. I'm selling at 38. -HAMMER BANGS | 0:19:16 | 0:19:20 | |
-Oh, we're just under again! -Just shy of it. | 0:19:20 | 0:19:23 | |
For a minute, I thought we were going to be no-ie take-ies for our Noritake. | 0:19:23 | 0:19:27 | |
Yes. You promised you wouldn't do that again. THEY LAUGH | 0:19:27 | 0:19:32 | |
'You tell him, Wendy! But that wasn't a bad result. | 0:19:32 | 0:19:36 | |
'Now it's time for the French barograph.' | 0:19:36 | 0:19:39 | |
-Did you look at it every day to try and work out what the weather was going to do? -No, too complicated. | 0:19:43 | 0:19:49 | |
Nice condition and lots of interest. I have to start the bidding | 0:19:49 | 0:19:53 | |
-against commission bids at £130. -Oh, wow! -Right in the middle we're starting. | 0:19:53 | 0:19:59 | |
-Hang in there, Nerise! -Any advance on 130? | 0:20:01 | 0:20:04 | |
At £130 I'm bid. £130 I have. Any advance on 130? | 0:20:04 | 0:20:09 | |
140. 150. No? | 0:20:09 | 0:20:13 | |
It's against you. It's on commission at £150. Are we all done? | 0:20:13 | 0:20:16 | |
At £150. I shall sell at 150. | 0:20:16 | 0:20:21 | |
-Well, is that a terrific result! -Better, better. | 0:20:21 | 0:20:24 | |
NERISE LAUGHS | 0:20:24 | 0:20:26 | |
Have you ever sold anything for £150, Nerise? | 0:20:26 | 0:20:29 | |
Do you know what £150 looks like? | 0:20:29 | 0:20:32 | |
THEY LAUGH | 0:20:33 | 0:20:35 | |
'I'm sure she'll soon find out. A great price for the barograph | 0:20:35 | 0:20:40 | |
'Will the pair of 20th century oil paintings have similar luck? | 0:20:40 | 0:20:44 | |
'We're looking for £40 to £60.' | 0:20:44 | 0:20:46 | |
£20 for them? | 0:20:46 | 0:20:49 | |
Who'll start me at 10? | 0:20:49 | 0:20:51 | |
-£10 I'm bid. Thank you. -10? Hm. -12. | 0:20:51 | 0:20:55 | |
15. 15 standing. 18. | 0:20:55 | 0:20:58 | |
20. 22. | 0:20:58 | 0:21:01 | |
-Creeping up. -Seated at 22. | 0:21:01 | 0:21:04 | |
28. 28 I'm bid now. | 0:21:04 | 0:21:08 | |
At £28. I'm selling at 28. | 0:21:08 | 0:21:11 | |
That's a disappointing figure considering we hoped that 40 would be our lowest bid. | 0:21:12 | 0:21:17 | |
Yes, but it does just go to show how much that sort of thing has gone out of fashion. | 0:21:17 | 0:21:21 | |
'But I don't think we should be too downbeat | 0:21:21 | 0:21:24 | |
'because with half our lot sold, we're halfway to our target | 0:21:24 | 0:21:27 | |
'with £289 in the pot.' | 0:21:27 | 0:21:31 | |
'If you'd like to try your hand at the auction game, do bear in mind that there are charges to be paid, | 0:21:32 | 0:21:38 | |
'including commission, and they vary from one saleroom to another, so always enquire in advance. | 0:21:38 | 0:21:43 | |
'Wendy has five lots left, nearly all with three-figure values. | 0:21:45 | 0:21:50 | |
'The first of these is the trio of Japanese Satsuma vases | 0:21:50 | 0:21:53 | |
'for £100 to £150.' | 0:21:53 | 0:21:55 | |
Bidding starts with me at £45. | 0:21:55 | 0:21:58 | |
At £45 I have. | 0:21:58 | 0:22:00 | |
At £45. Any advance on 45? 50. | 0:22:00 | 0:22:03 | |
55. 60. | 0:22:03 | 0:22:05 | |
65. | 0:22:05 | 0:22:07 | |
£65 I'm bid. | 0:22:07 | 0:22:09 | |
At £65 I have. Any advance on 65? | 0:22:09 | 0:22:12 | |
-We really want them to nudge up a bit more, don't we? -Yes. | 0:22:12 | 0:22:16 | |
-70, new bidding. 75. -Going up. | 0:22:16 | 0:22:20 | |
At £75 standing. At 75. Are we all done? | 0:22:20 | 0:22:23 | |
All done at 75? | 0:22:23 | 0:22:26 | |
Considering you didn't like them, I suppose £75 is a good price. | 0:22:26 | 0:22:29 | |
It certainly is! THEY LAUGH | 0:22:29 | 0:22:32 | |
'Well, that's great news and the right attitude to have. | 0:22:32 | 0:22:36 | |
'The longcase clock that Louie made from a kit is up next. | 0:22:36 | 0:22:39 | |
'Its estimate is £120 to £180.' | 0:22:39 | 0:22:44 | |
-You don't have this going any more, do you? -No, Nerise doesn't like it. | 0:22:44 | 0:22:47 | |
Oh. You don't like the ding-dong? | 0:22:47 | 0:22:50 | |
-When she was a baby, she was frightened of it. -Aww. | 0:22:50 | 0:22:53 | |
Bidding starts with me at £85. | 0:22:53 | 0:22:56 | |
-£85 already! -Yes, good. -Somebody likes it, Nerise. | 0:22:56 | 0:22:59 | |
90. £90 I'm bid at the back. | 0:22:59 | 0:23:02 | |
At £90. 95. 100. | 0:23:02 | 0:23:04 | |
110. 120. | 0:23:04 | 0:23:08 | |
£120 I'm bid. At £120. Any advance on 120? | 0:23:08 | 0:23:12 | |
At £120 I have. Are we all done? | 0:23:12 | 0:23:15 | |
-At £120. I'm selling at 120. -HAMMER BANGS | 0:23:15 | 0:23:19 | |
-There you are! You don't have to listen to it any more! -THEY LAUGH | 0:23:19 | 0:23:23 | |
'And it means that Nerise and her sister Alex | 0:23:23 | 0:23:26 | |
'can play in their grandma's hall without worrying about spooks. | 0:23:26 | 0:23:31 | |
'The Art Deco sideboard quickly follows suit.' | 0:23:31 | 0:23:34 | |
-I shall sell at £40. -HAMMER BANGS | 0:23:34 | 0:23:37 | |
Selling bang on the lower estimate. | 0:23:37 | 0:23:40 | |
'Now it's the turn of the Art Deco cocktail watch which belonged to Louie's wife. | 0:23:40 | 0:23:45 | |
'It's valued here at £80 to £120.' | 0:23:45 | 0:23:47 | |
Of the period, a very nice example, | 0:23:48 | 0:23:51 | |
and hopefully we'll do our estimate at least. | 0:23:51 | 0:23:54 | |
Bidding starts with me, against commissions, at £65. | 0:23:54 | 0:23:58 | |
-£65 to start. -Good start. | 0:23:58 | 0:24:01 | |
And he likes it, obviously. | 0:24:01 | 0:24:03 | |
Any advance on 65? 70 is there? £70 on the phone. | 0:24:03 | 0:24:06 | |
Good. Ooh, on the phone, £70. | 0:24:06 | 0:24:09 | |
90. 95. 100. | 0:24:09 | 0:24:12 | |
110. 120. | 0:24:12 | 0:24:15 | |
-120! -120 on the phone. -We're onto our top estimate. -I like it when there's phones about. | 0:24:15 | 0:24:20 | |
At £120. Are we all done? At £120. Bid's on the phone at 120. | 0:24:20 | 0:24:26 | |
-Isn't that fantastic? -Wonderful, isn't it? | 0:24:27 | 0:24:30 | |
'A terrific result. | 0:24:30 | 0:24:33 | |
'The final lot of the day is that other treasure which belonged to Louie's wife, | 0:24:33 | 0:24:37 | |
'the gold charm bracelet. | 0:24:37 | 0:24:38 | |
'Not all the trinkets have made it here today, | 0:24:38 | 0:24:42 | |
'but the price is still the same, £400 to £600.' | 0:24:42 | 0:24:44 | |
Bidding starts with me here at £380. | 0:24:44 | 0:24:49 | |
-£380 we've started at. -Ooh! | 0:24:49 | 0:24:52 | |
450. 480. 500. 520. | 0:24:52 | 0:24:55 | |
520 here. | 0:24:55 | 0:24:57 | |
-At £520. -£520. | 0:24:57 | 0:25:00 | |
At £520. Any advance on 520? | 0:25:00 | 0:25:03 | |
At £520. Are we all done? | 0:25:03 | 0:25:06 | |
At £520. I shall sell. 520. | 0:25:06 | 0:25:09 | |
HAMMER BANGS | 0:25:09 | 0:25:11 | |
Ooh! Wow! | 0:25:11 | 0:25:13 | |
I've no doubt that excellent final sale has made all the difference | 0:25:13 | 0:25:18 | |
'to Wendy's total. I can't wait to break the good news.' | 0:25:18 | 0:25:21 | |
What would you think if I told you that Granny has made more than £500, | 0:25:21 | 0:25:24 | |
she's made, in fact, more than double £500? | 0:25:24 | 0:25:29 | |
Granny has made... | 0:25:29 | 0:25:31 | |
£1,164! | 0:25:31 | 0:25:35 | |
-Oh! -Ohh! I don't believe it! | 0:25:35 | 0:25:38 | |
-Oh, John, thank you! -You're welcome. | 0:25:38 | 0:25:41 | |
'And Wendy has wasted no time and is already choosing her new flooring.' | 0:25:45 | 0:25:51 | |
I'm looking forward to having the new flooring, | 0:25:51 | 0:25:53 | |
cos the old one is very tatty | 0:25:53 | 0:25:55 | |
and if I get B&Bers coming into the kitchen, it doesn't look too good. | 0:25:55 | 0:26:00 | |
So this new one will look great. | 0:26:00 | 0:26:02 | |
'She still has over £500 in the kitty. | 0:26:02 | 0:26:06 | |
'So what's she going to do with the rest of the money?' | 0:26:06 | 0:26:08 | |
I might buy myself a telly, | 0:26:08 | 0:26:10 | |
I might buy a SatNav, or I might just take the kids out for the day. | 0:26:10 | 0:26:15 | |
'And it's all systems go on delivery day. | 0:26:15 | 0:26:18 | |
'And doesn't the end result look fantastic?' | 0:26:18 | 0:26:21 |