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Welcome to Cash In The Attic, | 0:00:02 | 0:00:03 | |
the programme that loves to help people raise money for a project or a treat | 0:00:03 | 0:00:09 | |
by finding things in their home that we can take to auction and sell. | 0:00:09 | 0:00:13 | |
People often ask us to help when they're downsizing. | 0:00:13 | 0:00:16 | |
But what to keep and what to get rid of, that can be a tricky one. | 0:00:16 | 0:00:20 | |
Coming up on Cash In The Attic, a good valuation doesn't always mean an easy trip to auction. | 0:00:42 | 0:00:47 | |
-Are we ever going to get it out? -That's the problem, because we've had a porch put on. | 0:00:47 | 0:00:52 | |
A bit of family history adds weight to our total. | 0:00:54 | 0:00:57 | |
If I said at least 150, 200? | 0:00:57 | 0:00:59 | |
-That's not a bad price, is it? -Very good. -Very nice. | 0:00:59 | 0:01:03 | |
And at auction, one sale has us all bowled over. | 0:01:03 | 0:01:07 | |
That's amazing. Well done. | 0:01:08 | 0:01:10 | |
-That's great news. -Terrific. | 0:01:10 | 0:01:13 | |
Find out more when the hammer falls. | 0:01:13 | 0:01:15 | |
Today I'm in West Yorkshire to meet Wendy, | 0:01:16 | 0:01:19 | |
who wants to return a couple of family heirlooms to their former glory. | 0:01:19 | 0:01:24 | |
At 69, Wendy Shackleton is constantly on the go. | 0:01:24 | 0:01:29 | |
Now retired, this part-time lollipop lady is a self-proclaimed fitness fanatic, | 0:01:29 | 0:01:33 | |
and makes it her mission to lead a healthy lifestyle. | 0:01:33 | 0:01:36 | |
From scouting to badminton, Wendy is quite the sports enthusiast. | 0:01:36 | 0:01:41 | |
She met her friend Maureen at an aquaerobics class. | 0:01:41 | 0:01:45 | |
Besides staying active, Wendy also has a fondness for antiques. | 0:01:45 | 0:01:50 | |
Over the last 40 years, she's amassed quite a collection. | 0:01:50 | 0:01:53 | |
But now it's time to clear out the clutter, | 0:01:53 | 0:01:57 | |
because Wendy is moving house. | 0:01:57 | 0:01:59 | |
Today I'm joined by Paul Hayes, who will decide what's good to go to auction. | 0:01:59 | 0:02:04 | |
And this crisp winter morning is all the more reason to get inside | 0:02:04 | 0:02:08 | |
and start hunting. | 0:02:08 | 0:02:09 | |
Hi, Wendy. Who have you got in the house with you today? | 0:02:09 | 0:02:13 | |
This is Maureen. | 0:02:13 | 0:02:14 | |
-Hello. -Good friends, obviously. | 0:02:14 | 0:02:16 | |
How long have you two known each other? | 0:02:16 | 0:02:18 | |
About five or six years. | 0:02:18 | 0:02:19 | |
So you know this house quite well. | 0:02:19 | 0:02:21 | |
Well... Quite. | 0:02:21 | 0:02:23 | |
-Tell me why we're here. -I called Cash In The Attic because I want to downsize. | 0:02:23 | 0:02:28 | |
So you're going to downsize. We've got lots of things you've inherited. | 0:02:28 | 0:02:32 | |
What are we raising money for? | 0:02:32 | 0:02:34 | |
Two chairs that want re-upholstering. | 0:02:34 | 0:02:37 | |
How much do you think that will cost? | 0:02:37 | 0:02:39 | |
About 800. | 0:02:39 | 0:02:40 | |
-£800? -Yes. | 0:02:40 | 0:02:42 | |
-Maureen reckons there's plenty of stuff in the house. -Definitely. | 0:02:42 | 0:02:46 | |
Let's go find Paul Hayes, I'm sure he'll agree with you. Come on. | 0:02:46 | 0:02:50 | |
It's clear that Wendy is quite a collector, | 0:02:50 | 0:02:52 | |
so I'm sure we're not going to have to look too hard to find things to send to auction. | 0:02:52 | 0:02:59 | |
Paul's already been drawn | 0:02:59 | 0:03:00 | |
to a very grand piece of furniture in the dining room. | 0:03:00 | 0:03:04 | |
-Hello. -I'd like you to meet Wendy. -How are you, Wendy? | 0:03:04 | 0:03:07 | |
You can't miss that piece of furniture, can you? | 0:03:07 | 0:03:10 | |
-You certainly can't. -It's enormous. Where did this come from? | 0:03:10 | 0:03:15 | |
It came from a cottage where this old lady lived. | 0:03:15 | 0:03:20 | |
When my husband was working there, she said, "Could you take it away, | 0:03:20 | 0:03:27 | |
"as it's too big for this house." | 0:03:27 | 0:03:31 | |
So, how did you get it in here? | 0:03:31 | 0:03:33 | |
Well, there was about five or six workmen brought it in through the front door. | 0:03:33 | 0:03:39 | |
Managed to worm it in and get it here. | 0:03:39 | 0:03:42 | |
Are we ever going to get it out? | 0:03:42 | 0:03:44 | |
That's the problem, because we've now had a porch put on. | 0:03:44 | 0:03:47 | |
ANGELA CHUCKLES | 0:03:47 | 0:03:49 | |
Is it worth taking to auction, Paul? | 0:03:49 | 0:03:51 | |
This is a type of buffet sideboard. | 0:03:51 | 0:03:54 | |
On here would be all your wonderful plates and tureens | 0:03:54 | 0:03:58 | |
to have a special occasion in the dining room. | 0:03:58 | 0:04:00 | |
-Kedgeree. -Wonderful. The big dishes and so on. | 0:04:00 | 0:04:05 | |
This one is a Jacobean revival. | 0:04:05 | 0:04:07 | |
It's a whole cacophony of designs that were built in the 17th century. | 0:04:07 | 0:04:12 | |
So you have these wonderful Baroque-style figures, this floral decoration | 0:04:12 | 0:04:16 | |
that was often found on architecture of the day. | 0:04:16 | 0:04:19 | |
In here would be your cutlery, and in the bottom, this hasn't got one unfortunately, | 0:04:19 | 0:04:24 | |
you'd have an ice box, for your wine. A lead-lined box. | 0:04:24 | 0:04:28 | |
Then these conch shapes filled with flowers and fruit. | 0:04:28 | 0:04:32 | |
The whole thing's very lavish, very over-the-top. | 0:04:32 | 0:04:34 | |
The original versions of these would be carved from oak, | 0:04:34 | 0:04:38 | |
look very similar, but over the past 300-400 years they would have become black and ebonised. | 0:04:38 | 0:04:44 | |
This oak is too new, too golden. | 0:04:44 | 0:04:46 | |
So you're looking at sometime in the late 19th, early 20th century. | 0:04:46 | 0:04:51 | |
If we did think to take it to auction, what do you think we might get for it, Paul? | 0:04:51 | 0:04:55 | |
You're looking at £200 if it does get to auction. | 0:04:55 | 0:04:58 | |
-£200. -That's all, I'm afraid. | 0:04:58 | 0:05:00 | |
Why don't we go and look through this amazing house - there are so many rooms here - | 0:05:00 | 0:05:05 | |
and see what else we can take to auction and have a think about this at the end of the day? | 0:05:05 | 0:05:10 | |
It certainly is a big undertaking to try and get it to auction. | 0:05:12 | 0:05:16 | |
But with an estimate of £200-£300, Wendy might decide it's worth it. | 0:05:16 | 0:05:21 | |
Wendy. | 0:05:21 | 0:05:22 | |
I've found some fantastic watercolours. | 0:05:23 | 0:05:26 | |
Who did these? Do you know who S Ward was? | 0:05:26 | 0:05:29 | |
Not myself. My father-in-law could have told you, probably. | 0:05:29 | 0:05:34 | |
That's who we got them from. | 0:05:34 | 0:05:37 | |
These are wonderful. Do you know where the subject is? | 0:05:37 | 0:05:40 | |
That's in Bradford. | 0:05:40 | 0:05:42 | |
That's City Hall. The corner of City Hall. | 0:05:42 | 0:05:45 | |
When you get these paintings of cities | 0:05:45 | 0:05:47 | |
and town centres, the amount of changes that have happened over 100 years. | 0:05:47 | 0:05:52 | |
It's fascinating. It's called topographical. | 0:05:52 | 0:05:55 | |
You've got shops here that were around in 1880-1900, | 0:05:55 | 0:05:58 | |
that have long since gone. This is a little capsule of time. It captures that moment. | 0:05:58 | 0:06:03 | |
I love this gentleman here with his cart. | 0:06:03 | 0:06:05 | |
Is it a milk cart? Is he a rag-and-bone man? | 0:06:05 | 0:06:09 | |
He's outside the tinner and brasier's. | 0:06:09 | 0:06:12 | |
What you've got here are four very nice watercolours. | 0:06:13 | 0:06:17 | |
The subject matter is great. They've been in a damp place. | 0:06:17 | 0:06:20 | |
They all have. There's a little bit of foxing here. See that? | 0:06:20 | 0:06:24 | |
Little tiny brown marks that looks like a fox has run over the surface. | 0:06:24 | 0:06:29 | |
You can't get rid of that. | 0:06:29 | 0:06:31 | |
If you try to wash that away, the waters will run and the picture's ruined. | 0:06:31 | 0:06:35 | |
I think these are fantastic, they're all views you can't see any more. | 0:06:35 | 0:06:39 | |
I'm sure someone that knows Bradford well would love to buy these. | 0:06:39 | 0:06:42 | |
If I said £200 up, how does that sound? | 0:06:42 | 0:06:46 | |
Yes. Fine. Yes, fine. | 0:06:46 | 0:06:48 | |
Paul's clearly a fan of these landscapes and thinks they should spark some interest at auction. | 0:06:50 | 0:06:56 | |
100 quickly. £100. One hundred and ten, if you like. | 0:06:56 | 0:06:59 | |
At £100 and 110 now.. | 0:06:59 | 0:07:01 | |
Find out if the bidders are just as impressed. | 0:07:01 | 0:07:04 | |
7344... | 0:07:04 | 0:07:05 | |
We're only two finds into our rummage and already halfway to Wendy's £800 target. | 0:07:06 | 0:07:12 | |
I've found a set of 12 silver spoons dated 1904. | 0:07:12 | 0:07:17 | |
Bearing a London hallmark, these spoons belonged to Wendy's great-aunt. | 0:07:17 | 0:07:22 | |
Paul thinks someone will take them home for £30-£50. | 0:07:22 | 0:07:25 | |
Speaking of silver, Wendy has suggested this large serving bowl. | 0:07:27 | 0:07:30 | |
It's a modern piece, modelled after a 1930s design. | 0:07:30 | 0:07:34 | |
Paul thinks he can get the bidders interested for between £50 to £70. | 0:07:34 | 0:07:39 | |
Are we having tea? | 0:07:39 | 0:07:40 | |
-That's a nice set. -Isn't it lovely? | 0:07:40 | 0:07:45 | |
When did Wendy get it? Do you know? | 0:07:45 | 0:07:48 | |
I think she was given it for her silver wedding. From her in-laws. | 0:07:48 | 0:07:54 | |
I love these silver services. They're fantastic. | 0:07:54 | 0:07:57 | |
This is known as a four-piece silver set. | 0:07:57 | 0:07:59 | |
We have a teapot, which is this one here, we have a hot water jug, a sugar basin | 0:07:59 | 0:08:05 | |
and a cream jug. That's more often than not as you find them. | 0:08:05 | 0:08:07 | |
This one you're looking about 1940, late 1930s-1940, that sort of time. | 0:08:07 | 0:08:13 | |
It's a very traditional design. It's called a squashed melon in the antique trade. | 0:08:13 | 0:08:19 | |
It goes back to the Georgian times. | 0:08:19 | 0:08:22 | |
It's very simple, very plain. The Victorians were all for over-decorating things. | 0:08:22 | 0:08:27 | |
This is a very elegant, stylish style. | 0:08:27 | 0:08:30 | |
-These, actually, are often mistaken for a coffee pot. -Right. | 0:08:30 | 0:08:35 | |
If this was a coffee pot, the spout comes from the bottom up to the top, | 0:08:35 | 0:08:39 | |
to allow the taste from the coffee to percolate and help you to taste the coffee. | 0:08:39 | 0:08:44 | |
But the water jug is just a tiny lip at the top. | 0:08:44 | 0:08:48 | |
-You learn something every day. -Do you know why they have these ivory handles? | 0:08:48 | 0:08:52 | |
-So you wouldn't burn yourself. -Exactly. | 0:08:52 | 0:08:55 | |
This would get red hot and your hand would be protected. | 0:08:55 | 0:08:58 | |
You do have to be careful, ivory has to be made pre-1947, | 0:08:58 | 0:09:02 | |
before we can sell it. | 0:09:02 | 0:09:04 | |
I know this set dates from about 1940-1942, so we're fine with this one. | 0:09:04 | 0:09:08 | |
-What a lovely set. -Beautiful, yes. | 0:09:08 | 0:09:12 | |
So they can go to auction. You've got some heavy examples. | 0:09:12 | 0:09:15 | |
Silver is doing very well indeed. | 0:09:15 | 0:09:18 | |
I think you've got over 20 ounces in each of those big items. | 0:09:18 | 0:09:22 | |
If I said £300-£500? Is that a surprise? | 0:09:22 | 0:09:27 | |
-I think she'd be very pleased about that. -You think so? -I do indeed. | 0:09:27 | 0:09:30 | |
An outstanding valuation. Let's hope the bidders find this set just as enticing. | 0:09:30 | 0:09:37 | |
Paul gives this handsome oak chest the once over. | 0:09:37 | 0:09:41 | |
It was made in the 1930s, but in a Jacobean style, and Paul values it at £50-£80. | 0:09:41 | 0:09:46 | |
While Paul and Maureen keep up the hard work, | 0:09:49 | 0:09:52 | |
I take a moment to find out more about Wendy's restoration project. | 0:09:52 | 0:09:55 | |
So, Wendy, these are the chairs that you're wanting to keep and re-upholster. | 0:09:57 | 0:10:04 | |
-Yes, it is. -They're lovely. They look extremely comfortable. | 0:10:04 | 0:10:07 | |
What can you tell me about them? Where do they come from? | 0:10:07 | 0:10:10 | |
From the sister-in-law. | 0:10:10 | 0:10:13 | |
She had them and then she was downsizing into a flat, | 0:10:13 | 0:10:17 | |
so she couldn't get them in. | 0:10:17 | 0:10:18 | |
She had them re-upholstered to another suite we used to have. | 0:10:18 | 0:10:22 | |
But now, the springs have gone in this one. | 0:10:22 | 0:10:26 | |
It looks a bit sad, doesn't it? | 0:10:26 | 0:10:28 | |
How did it get in that state? | 0:10:28 | 0:10:29 | |
Perhaps the grandchildren jumped on it, | 0:10:29 | 0:10:31 | |
when they were younger. | 0:10:31 | 0:10:34 | |
-It's tough making a decision about what's going to go. -It is, very tough. | 0:10:34 | 0:10:38 | |
Don't the family want any of it? | 0:10:38 | 0:10:40 | |
Most of them don't want anything. | 0:10:40 | 0:10:42 | |
I keep asking them but nobody comes forward and says, "I'll have this." | 0:10:44 | 0:10:48 | |
So it's going to auction instead. | 0:10:48 | 0:10:51 | |
May as well have the money. | 0:10:51 | 0:10:52 | |
Well, the chairs are staying, let's see what's going. | 0:10:52 | 0:10:56 | |
Once we get back to work, | 0:10:58 | 0:11:00 | |
Maureen comes across a 9-carat gold brooch. | 0:11:00 | 0:11:03 | |
It's a modern reproduction of a Victorian design, | 0:11:03 | 0:11:07 | |
complete with amethyst details. | 0:11:07 | 0:11:08 | |
Paul thinks he can secure a buyer if he sets the price at £30-£50. | 0:11:08 | 0:11:13 | |
And there is another gold and amethyst brooch heading to auction, too. | 0:11:13 | 0:11:17 | |
This time a 1950s one in a floral design. | 0:11:17 | 0:11:21 | |
It gets a £50-£80 price tag. | 0:11:21 | 0:11:24 | |
Paul. Wendy. | 0:11:24 | 0:11:26 | |
Yes? | 0:11:26 | 0:11:28 | |
When you come into your house, the porch is full of brass. | 0:11:28 | 0:11:33 | |
I can understand you don't want to clean this, but where did you get it? | 0:11:35 | 0:11:39 | |
It came from the in-laws. | 0:11:39 | 0:11:40 | |
They're rather nice. | 0:11:40 | 0:11:43 | |
I did spot these earlier. This one's for roasting chestnuts. | 0:11:43 | 0:11:46 | |
You put the chestnuts in there and put them straight in the fire. | 0:11:46 | 0:11:50 | |
The heat of the fire would go around the whole item. | 0:11:50 | 0:11:53 | |
The bedwarmer, on the wall, is a bit different. | 0:11:53 | 0:11:56 | |
That would be filled full of hot coals. | 0:11:56 | 0:12:00 | |
That would be left in your bed. | 0:12:00 | 0:12:02 | |
When you took it out, your bed was nice and warm. | 0:12:02 | 0:12:04 | |
Anything brass or copper could be highly polished and would go above your fireplace. | 0:12:04 | 0:12:10 | |
The fire was the focal point of any Victorian home, | 0:12:10 | 0:12:13 | |
so these would look marvellous in the glow of the fire. | 0:12:13 | 0:12:15 | |
I love this one, actually. | 0:12:15 | 0:12:18 | |
It says "Sherry" on it. Is that a measure? | 0:12:18 | 0:12:21 | |
You'd put that into one of those big wooden casks? | 0:12:21 | 0:12:24 | |
It looks like a measure. | 0:12:24 | 0:12:26 | |
They often made these | 0:12:26 | 0:12:27 | |
with these metal bottoms because you put them into a fire. | 0:12:27 | 0:12:31 | |
You'd have like a hot toddy. | 0:12:31 | 0:12:32 | |
But that does look like a measure, with a copper bottom. | 0:12:32 | 0:12:35 | |
That's where it comes from. | 0:12:35 | 0:12:37 | |
This has a coat of arms. | 0:12:37 | 0:12:38 | |
-Does that mean anything to you? -No. | 0:12:38 | 0:12:41 | |
How much might we get if we took all these pieces? | 0:12:41 | 0:12:44 | |
You've got a big bedwarmer there and some other pieces. | 0:12:44 | 0:12:47 | |
-If I said £50-£80, as a parcel, how does that sound? -Yes. | 0:12:47 | 0:12:51 | |
-At least you won't have to polish them any more. -Great. | 0:12:51 | 0:12:56 | |
I'll put them back on the wall and let's see what else we've got. | 0:12:56 | 0:13:00 | |
We've already added a collection of watercolours. | 0:13:01 | 0:13:04 | |
On the wall I spy another set of landscapes. | 0:13:04 | 0:13:07 | |
These three framed pieces recreate | 0:13:07 | 0:13:11 | |
the wild scenery of the Yorkshire Dales. | 0:13:11 | 0:13:14 | |
Paul is sure someone will want them for £40-£60. | 0:13:14 | 0:13:17 | |
Wendy comes up with a cruet set from the 1930s. | 0:13:17 | 0:13:22 | |
Made by Mappin & Webb by craftsmen in Sheffield, | 0:13:22 | 0:13:25 | |
it's valued at £50-£80. | 0:13:25 | 0:13:27 | |
In the bedroom, | 0:13:29 | 0:13:31 | |
Paul and I are having one final look for anything else that might go to auction. | 0:13:31 | 0:13:36 | |
-Wendy? Maureen? -Where are you? -Come and join us a second. | 0:13:36 | 0:13:39 | |
Now look, we've just found this rather lovely little bracelet. | 0:13:39 | 0:13:44 | |
-Is it something you might auction? -Yes. | 0:13:44 | 0:13:47 | |
OK. Paul, take a closer look at it. Where did it come from? | 0:13:47 | 0:13:52 | |
It was my husband's grandfather's watch chain. | 0:13:52 | 0:13:56 | |
My husband had it cut into three for my three daughters. | 0:13:56 | 0:14:00 | |
-Oh, right. -Right. | 0:14:00 | 0:14:02 | |
-It's got some age to it, then. -It certainly has. | 0:14:02 | 0:14:05 | |
What I was testing was not to see if it fits me. | 0:14:05 | 0:14:08 | |
But to be sold as a bracelet, they have to be a certain width, | 0:14:08 | 0:14:12 | |
because these can be cut down and cut down | 0:14:12 | 0:14:15 | |
until it's too small to use. | 0:14:15 | 0:14:17 | |
Normally you'd find the same length again, then held together with a T-bar. | 0:14:17 | 0:14:22 | |
The idea was it would go either side of your waistcoat to give a W effect. | 0:14:22 | 0:14:27 | |
Is that rose gold, Paul? | 0:14:27 | 0:14:29 | |
It certainly is. What happens is that | 0:14:29 | 0:14:31 | |
if this was made from 24-carat gold, pure gold, | 0:14:31 | 0:14:34 | |
it would be far too soft, so they mix it with other metals. | 0:14:34 | 0:14:38 | |
Because they mix it with copper, that gives it its rose-gold effect. | 0:14:38 | 0:14:42 | |
If you look at my wedding ring, they're two different colours. | 0:14:42 | 0:14:47 | |
-What carat would it be? -This is nine carat, 9.375. | 0:14:47 | 0:14:50 | |
Perfect. If we took it to auction, what do you think we might get? | 0:14:50 | 0:14:54 | |
If I said at least 150, 200? | 0:14:54 | 0:14:57 | |
-That's not a bad price, is it? -Very good. -Very nice. | 0:14:57 | 0:15:01 | |
It's a nice note on which to end, | 0:15:01 | 0:15:03 | |
because if we take all the things that Paul has looked at today and take his lowest estimate | 0:15:03 | 0:15:09 | |
and add that £150 to it, | 0:15:09 | 0:15:11 | |
then I know what you were hoping to raise was £800, | 0:15:11 | 0:15:15 | |
but with luck and a following wind, we should be able to make £1,200. | 0:15:15 | 0:15:20 | |
There you go. | 0:15:20 | 0:15:21 | |
Except... Now there's a big but, actually. | 0:15:21 | 0:15:25 | |
The but is as big as that big piece of furniture downstairs in the dining room. | 0:15:25 | 0:15:31 | |
Because it's probably going to be difficult to get out. | 0:15:31 | 0:15:35 | |
So let's say 1,000, because we ought to take £200 away. | 0:15:35 | 0:15:40 | |
If you can get it to auction, | 0:15:40 | 0:15:42 | |
1,200 we hope, but if not, 1,000. | 0:15:42 | 0:15:46 | |
But we're still making your target. | 0:15:46 | 0:15:48 | |
Very nice, yes. | 0:15:48 | 0:15:50 | |
Let's see what happens when we go to auction | 0:15:50 | 0:15:52 | |
-and see if you bring the furniture and six strong men with you. -Yes. -Yes. | 0:15:52 | 0:15:57 | |
Even if Wendy does leave the sideboard at home, | 0:15:57 | 0:16:01 | |
we've got some interesting lots that will help us to achieve that target. | 0:16:01 | 0:16:05 | |
The silver 1940s-style tea set should go a long way towards it, | 0:16:07 | 0:16:11 | |
if it makes the £300-£500 that Paul has predicted. | 0:16:11 | 0:16:16 | |
The four watercolours - these late-1800s Bradford scenes | 0:16:16 | 0:16:20 | |
will surely appeal to local historians. | 0:16:20 | 0:16:24 | |
And finally, the gold Albert chain turned bracelet. | 0:16:24 | 0:16:29 | |
It may be modified, but it's sure to catch the bidders' interest. | 0:16:29 | 0:16:34 | |
So find out how much these | 0:16:34 | 0:16:36 | |
and Wendy's other items will raise on auction day. | 0:16:36 | 0:16:39 | |
Still to come on Cash In The Attic, | 0:16:41 | 0:16:43 | |
disappointment as one lot fails to stir up much interest. | 0:16:43 | 0:16:47 | |
I think we'd better leave them where they are. | 0:16:47 | 0:16:51 | |
What a disappointment! | 0:16:51 | 0:16:52 | |
One of our finds serves up a very welcome starting bid. | 0:16:52 | 0:16:56 | |
Various interest in this one. | 0:16:56 | 0:16:58 | |
And I'll start it straightaway at £700. | 0:16:58 | 0:17:01 | |
700... | 0:17:01 | 0:17:03 | |
But watch the outcome when the hammer finally falls. | 0:17:03 | 0:17:07 | |
It's a couple of weeks since we were with Wendy in West Yorkshire, | 0:17:13 | 0:17:17 | |
where we discovered some items with local and family history in that enormous house of hers. | 0:17:17 | 0:17:24 | |
So we've brought everything here today to sell at auction at Silverwoods of Lancashire, | 0:17:24 | 0:17:29 | |
and we hope she'll be able to make that £800 target. | 0:17:29 | 0:17:33 | |
But now we have to wait for the bidders to come. | 0:17:33 | 0:17:36 | |
These auction rooms always attract an enthusiastic crowd of buyers, | 0:17:37 | 0:17:41 | |
so hopefully Wendy's goods will spark some interest when it comes to the bidding. | 0:17:41 | 0:17:46 | |
Wendy and Maureen are admiring that silver tea service. | 0:17:47 | 0:17:52 | |
I hope they haven't changed their minds about selling it because it could really do well. | 0:17:52 | 0:17:57 | |
Hello, Wendy and Maureen. | 0:17:57 | 0:17:59 | |
-Planning an early-morning cup of tea? -Yes, please. | 0:17:59 | 0:18:03 | |
THEY LAUGH | 0:18:03 | 0:18:04 | |
-How are you feeling today? -Very excited. | 0:18:04 | 0:18:07 | |
-We've got some lovely things in. -We certainly have. | 0:18:07 | 0:18:09 | |
Those little watercolours are superb, | 0:18:09 | 0:18:11 | |
and the auctioneer is quite excited by your silver tea service, so fingers crossed. | 0:18:11 | 0:18:15 | |
What I haven't seen here is that enormous sideboard | 0:18:15 | 0:18:18 | |
that was in your dining room. | 0:18:18 | 0:18:20 | |
Just couldn't get anybody to get it out for me. | 0:18:20 | 0:18:23 | |
It was that big, it was just a problem. | 0:18:23 | 0:18:26 | |
But we've got other lovely things, | 0:18:26 | 0:18:28 | |
-so shall we take our places? People are starting to arrive. -Yes. | 0:18:28 | 0:18:32 | |
OK. | 0:18:32 | 0:18:33 | |
If you'd like to raise money by selling at auction, | 0:18:33 | 0:18:37 | |
remember that sale rooms may charge fees such as commission, | 0:18:37 | 0:18:41 | |
and prices vary, so enquire in advance. | 0:18:41 | 0:18:44 | |
As the auction gets underway, | 0:18:44 | 0:18:46 | |
our first item is the brass kitchenware. | 0:18:46 | 0:18:49 | |
£30, 32. 35? At 32, right in the middle of the room. | 0:18:49 | 0:18:54 | |
All done at £32, the only person with Brasso, at 32... | 0:18:54 | 0:18:59 | |
ANGELA CHUCKLES | 0:18:59 | 0:19:00 | |
Yes, throw in a bottle of Brasso. | 0:19:00 | 0:19:02 | |
That's a slow start, but it's early days. | 0:19:02 | 0:19:07 | |
The set of 12 spoons are next under the hammer. | 0:19:07 | 0:19:11 | |
All done at 32... | 0:19:11 | 0:19:13 | |
And they sell just over Paul's estimate. | 0:19:13 | 0:19:16 | |
That's another £32 in the pot. | 0:19:16 | 0:19:19 | |
But will the fruit bowl continue our successful silver streak? | 0:19:19 | 0:19:23 | |
Now you've got all this antique silver | 0:19:23 | 0:19:25 | |
with one item which is quite modern. | 0:19:25 | 0:19:27 | |
This is that little fruit bowl, and it's Sheffield 1982. | 0:19:27 | 0:19:31 | |
Was this bought recently, or was it given to you? | 0:19:31 | 0:19:35 | |
It was given to us as a silver-wedding present. | 0:19:35 | 0:19:37 | |
-And was that in 1982? -It was in the '80s, yes. | 0:19:37 | 0:19:41 | |
THEY LAUGH | 0:19:41 | 0:19:43 | |
£40. 40 and five, 45. | 0:19:43 | 0:19:45 | |
50, five, 60, five, 70, five, | 0:19:45 | 0:19:50 | |
80, five, 90, five, | 0:19:50 | 0:19:53 | |
100, and ten, | 0:19:53 | 0:19:55 | |
120, 130? | 0:19:55 | 0:19:58 | |
At 120 on my left, then. | 0:19:58 | 0:20:00 | |
At £120, we're looking for 130. Have you all done and thought? | 0:20:00 | 0:20:04 | |
At £120 this time. | 0:20:04 | 0:20:06 | |
7333. | 0:20:06 | 0:20:09 | |
-Is that a result? -That's great, isn't it? | 0:20:09 | 0:20:11 | |
-Oh, yes. -Wow, there we go. | 0:20:11 | 0:20:14 | |
-Starting to get exciting now? -Yes. | 0:20:14 | 0:20:16 | |
Well, that definitely proves | 0:20:17 | 0:20:19 | |
that all that glistens needn't be gold. | 0:20:19 | 0:20:23 | |
Next up for auction is the tea service, in pristine condition. | 0:20:23 | 0:20:28 | |
It has quite an Art Deco feel, it's late '30s, 1940s, | 0:20:31 | 0:20:35 | |
with the ivory handles, very attractive item, | 0:20:35 | 0:20:37 | |
and it weighs 57 ounces, which is quite a lot. | 0:20:37 | 0:20:40 | |
It's a very heavy example. That attracts the silver buyers. | 0:20:40 | 0:20:43 | |
Right, various interest in this one. | 0:20:43 | 0:20:45 | |
And I'll start it straightaway at £700. | 0:20:45 | 0:20:48 | |
700, 700, and 50 if you like. | 0:20:48 | 0:20:53 | |
At £700 and 750 where? | 0:20:53 | 0:20:56 | |
At £700 and 750 for this set. | 0:20:56 | 0:20:58 | |
At 750, 800. | 0:20:58 | 0:21:00 | |
800, and 50? | 0:21:00 | 0:21:03 | |
No? I've £800, then. | 0:21:03 | 0:21:06 | |
On the pad at £800, a commission bid, | 0:21:06 | 0:21:08 | |
make no mistake, I'm selling here. | 0:21:08 | 0:21:10 | |
At £800... | 0:21:10 | 0:21:12 | |
It's amazing, isn't it? Well done. | 0:21:14 | 0:21:16 | |
-That's great. -Terrific. | 0:21:16 | 0:21:18 | |
-That is double your highest estimate. -Over double, wonderful. | 0:21:19 | 0:21:24 | |
-Just shows silver is very much in, but it was in lovely condition. -It was. Mint condition. | 0:21:24 | 0:21:29 | |
Wow, that certainly exceeded our expectations. | 0:21:29 | 0:21:33 | |
At £800, the tea service alone has just made Wendy's target. | 0:21:33 | 0:21:37 | |
It looks like her plan to re-upholster the two chairs can go ahead. | 0:21:37 | 0:21:42 | |
But there's still plenty more to come. | 0:21:42 | 0:21:44 | |
Wendy's final silver serving is the Mappin & Webb cruet set. | 0:21:44 | 0:21:48 | |
At £40, 42. | 0:21:48 | 0:21:50 | |
45. 48 now. | 0:21:50 | 0:21:52 | |
At £45 in the room. | 0:21:52 | 0:21:54 | |
All done at £45... | 0:21:54 | 0:21:57 | |
-Just under. -Not quite our estimate, was it? | 0:21:57 | 0:22:00 | |
But a good price for it, still. | 0:22:00 | 0:22:03 | |
-Take that with a pinch of salt. -You're clever, aren't you? -No, that's why I'm here. | 0:22:03 | 0:22:08 | |
I knew I could rely on you to find a bad pun in there, Paul. | 0:22:08 | 0:22:13 | |
We're only halfway through, and we've sailed past Wendy's £800 target with £1,029 in the pot. | 0:22:13 | 0:22:21 | |
With six lots still to sell, who knows where we'll end up? | 0:22:21 | 0:22:25 | |
A very nice Victorian brooch now in the shape of a scimitar. | 0:22:25 | 0:22:30 | |
Again, not one that you want to wear, Wendy. | 0:22:30 | 0:22:33 | |
No, it's another one that I wasn't keen on. | 0:22:33 | 0:22:36 | |
My husband bought it for me but I didn't like it, | 0:22:36 | 0:22:40 | |
so it's been kept in a drawer. | 0:22:40 | 0:22:43 | |
-You must have very full drawers. -I have. | 0:22:43 | 0:22:48 | |
20 bid, 20 and two, at 22. | 0:22:48 | 0:22:49 | |
22, 25, 28. | 0:22:49 | 0:22:51 | |
Sounds quite low. | 0:22:51 | 0:22:52 | |
32, 35, no? | 0:22:52 | 0:22:55 | |
At 32 sat down in the room. 35 from anybody else? | 0:22:55 | 0:22:58 | |
35, 35, 38? 40 again? | 0:22:58 | 0:23:01 | |
Somebody online bought that. | 0:23:01 | 0:23:03 | |
42, at 40 online. | 0:23:03 | 0:23:05 | |
At £40 and 42 from anybody else, then? | 0:23:05 | 0:23:08 | |
-All finished now at £40... -There you go. | 0:23:08 | 0:23:12 | |
A great result for that brooch, | 0:23:12 | 0:23:14 | |
and hopefully the start of a gold rush for Wendy and Maureen, | 0:23:14 | 0:23:18 | |
as the next item is the 15-carat gold brooch. | 0:23:18 | 0:23:21 | |
£42... | 0:23:21 | 0:23:24 | |
Despite the brooch failing to make Paul's estimate, | 0:23:24 | 0:23:27 | |
most of our gold and silver items | 0:23:27 | 0:23:29 | |
have been a hit today. | 0:23:29 | 0:23:31 | |
The next items are my favourite of yours, the watercolours | 0:23:31 | 0:23:35 | |
of Bradford city centre. | 0:23:35 | 0:23:37 | |
-They're in the catalogue as possibly being Lancashire, Paul. -I know! | 0:23:37 | 0:23:40 | |
-They don't know their geography. -No, Bradford's in West Yorkshire. | 0:23:40 | 0:23:45 | |
That could offend a whole host of people, so we'll cross that out. | 0:23:45 | 0:23:48 | |
What I like about them is that you've got the guy pushing the wheelbarrow, | 0:23:48 | 0:23:52 | |
maybe a rag-and-bone man, a saddler's shop. | 0:23:52 | 0:23:54 | |
Things you don't see any more. | 0:23:54 | 0:23:56 | |
£100, 100 and ten if you like. | 0:23:56 | 0:23:59 | |
At £100 and 110 now. | 0:23:59 | 0:24:00 | |
I don't believe that. These are my favourite items. | 0:24:00 | 0:24:04 | |
At £100 and 110, anybody else? | 0:24:04 | 0:24:06 | |
He's not going to let them go. | 0:24:06 | 0:24:08 | |
Are you all done? At £100... | 0:24:08 | 0:24:11 | |
-I think we'd better leave them. -Unsold. -They're not going to sell. -What a disappointment! | 0:24:11 | 0:24:16 | |
At least Wendy can take these pictures home, as they did look attractive on her staircase. | 0:24:16 | 0:24:22 | |
The three rural landscapes do find a new home. | 0:24:22 | 0:24:26 | |
All done at £28. | 0:24:26 | 0:24:28 | |
Albeit a bit short of Paul's £40 estimate. With poor results | 0:24:28 | 0:24:32 | |
on the paintings, perhaps the furniture will provide a better outcome. | 0:24:32 | 0:24:36 | |
This is a nice blanket box. | 0:24:36 | 0:24:39 | |
How would you describe it? | 0:24:39 | 0:24:41 | |
-Blanket box. -What about you? | 0:24:41 | 0:24:43 | |
Ottoman. | 0:24:43 | 0:24:45 | |
-Just to spice things up. -I'd say it's a box. -A box. | 0:24:45 | 0:24:49 | |
At £60 the blanket chest. | 0:24:49 | 0:24:51 | |
At £60, 65 where? | 0:24:51 | 0:24:53 | |
At £60, and 65 and help yourselves. 65. | 0:24:53 | 0:24:56 | |
£70 now? At 65, and 70? | 0:24:56 | 0:24:59 | |
All done at £65... | 0:24:59 | 0:25:02 | |
Hey, how's that? | 0:25:02 | 0:25:05 | |
We may have disagreed on what to call it, | 0:25:05 | 0:25:07 | |
but we're all happy with the result. | 0:25:07 | 0:25:09 | |
It's Wendy's final lot now, that lovely gold bracelet, | 0:25:09 | 0:25:12 | |
with a sizeable £150-£200 estimate. | 0:25:12 | 0:25:17 | |
Straight in at 100, 100, 110. | 0:25:17 | 0:25:19 | |
At £100 and 110 now for this bracelet. | 0:25:19 | 0:25:22 | |
110, 120, 130, 130, 140, 140 | 0:25:22 | 0:25:26 | |
and 50, at 140 on my left, where's 150 for it? | 0:25:26 | 0:25:29 | |
150, 160, 170, | 0:25:29 | 0:25:32 | |
-180, at 170 now. -Still going up. | 0:25:32 | 0:25:35 | |
At 170 on my right, then. | 0:25:35 | 0:25:36 | |
At 170, anybody else want to dabble? All done at £170... | 0:25:36 | 0:25:42 | |
-There you go. -Good price for it. -That's great, isn't it? | 0:25:42 | 0:25:46 | |
-You pleased with that? -Yes. | 0:25:46 | 0:25:48 | |
What a great end to the day. | 0:25:49 | 0:25:51 | |
Time now to find out what Wendy's made in total. | 0:25:51 | 0:25:55 | |
You want to cover those beautiful chairs. | 0:25:55 | 0:25:57 | |
Well, I think you can cover the chairs and some, | 0:25:57 | 0:26:00 | |
because we've made a total of £1,374. | 0:26:00 | 0:26:06 | |
That's lovely! | 0:26:06 | 0:26:08 | |
Having made her target at auction, | 0:26:12 | 0:26:15 | |
Wendy wastes no time in having her chairs re-upholstered. | 0:26:15 | 0:26:19 | |
They're a vast improvement on what they used to look like, | 0:26:19 | 0:26:22 | |
and they're now back in pride of place in her living room. | 0:26:22 | 0:26:25 | |
Cash In The Attic gave me the motivation to sell my items | 0:26:25 | 0:26:30 | |
and to get some money towards the chairs. | 0:26:30 | 0:26:34 | |
I'm very pleased now that I've got it done. | 0:26:34 | 0:26:37 | |
I think they look very nice. | 0:26:37 | 0:26:39 |