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Welcome to the show that searches your home for hidden treasures, gets them valued | 0:00:02 | 0:00:06 | |
and then sells them at auction. Lots of families have heirlooms, | 0:00:06 | 0:00:10 | |
but it's usually one member of the family that ends up storing the lot. | 0:00:10 | 0:00:13 | |
And that's the dilemma facing the family we're going to meet today. | 0:00:13 | 0:00:17 | |
They're hoping that we can find out whether they've got any cash in the attic. | 0:00:17 | 0:00:22 | |
'Coming up on Cash In The Attic, our expert, John, | 0:00:41 | 0:00:44 | |
'dreams up inventive ways of wearing a 19th century Albert chain.' | 0:00:44 | 0:00:48 | |
I think we could attach that little hook to that nose ring of yours | 0:00:48 | 0:00:52 | |
-and put the T-bar in your ear. -I could try it, if all else fails. | 0:00:52 | 0:00:57 | |
'Maybe it's time for a confession.' | 0:00:57 | 0:01:00 | |
-Three gold sovereigns, no less. -There should be five. | 0:01:00 | 0:01:03 | |
-Oh, really? -Yeah. We can't... -Is there something you want to tell us, John? | 0:01:03 | 0:01:07 | |
There was only three when I found them! | 0:01:07 | 0:01:11 | |
'When we get to auction, some results beat our expectations.' | 0:01:11 | 0:01:16 | |
-Straight in at £50. -Wow! -Yes! -Straight in there. | 0:01:16 | 0:01:19 | |
'Find out what happens when the hammer falls.' | 0:01:19 | 0:01:23 | |
Today, I've come to Edwinstowe, | 0:01:23 | 0:01:26 | |
right on the edge of Robin Hood's Sherwood Forest. | 0:01:26 | 0:01:28 | |
I haven't come to rob the rich to give to the poor, | 0:01:28 | 0:01:31 | |
but we have come to help a family clear out their attic, | 0:01:31 | 0:01:35 | |
and they're hoping we'll find plenty of riches | 0:01:35 | 0:01:37 | |
because they're looking to raise the funds they need to set up a memorial for a much-loved family member. | 0:01:37 | 0:01:43 | |
'Meet Jill Sansom and one of her three sons, Chris. | 0:01:43 | 0:01:46 | |
'Their family has had a big impact on the local high street. | 0:01:46 | 0:01:50 | |
'Jill's father transformed derelict buildings into new shops and businesses | 0:01:50 | 0:01:55 | |
'and, over the years, he became something of a local hero. | 0:01:55 | 0:02:00 | |
'Now Jill's hoping to raise some money that can be used to create a memorial to his achievements. | 0:02:00 | 0:02:05 | |
'With me today is John Cameron. He's just the man to help us hunt down the items | 0:02:05 | 0:02:09 | |
'that will give us the best chance at auction. While he makes a start, I check in with Jill and Chris.' | 0:02:09 | 0:02:14 | |
-Ah, good morning! -Hi! -You must be Jill and you must be Chris. Is that right? -Yeah. | 0:02:15 | 0:02:20 | |
-And you're the youngest son. -Yeah, the youngest of three. | 0:02:20 | 0:02:23 | |
I understand that we're here to raise money for something rather special. Tell me about that. | 0:02:23 | 0:02:28 | |
My dad passed away last year and he was a big Edwinstowe man, | 0:02:28 | 0:02:32 | |
had a lot to do with the village, the parish council, | 0:02:32 | 0:02:36 | |
shops in the village, as well. We've been in business for about 35 years. | 0:02:36 | 0:02:41 | |
So we wanted something in memory of him, | 0:02:41 | 0:02:45 | |
but not the traditional wooden bench or something like that. | 0:02:45 | 0:02:50 | |
We wanted something a bit different. And somebody on the parish council suggested a clock. | 0:02:50 | 0:02:55 | |
We haven't got a clock on Edwinstowe high street. | 0:02:55 | 0:02:57 | |
Any idea about how much it'll cost? I imagine it's expensive, because it has to be durable to the weather. | 0:02:57 | 0:03:04 | |
We're looking at about £1,500 for the clock. | 0:03:04 | 0:03:09 | |
The council said they would donate so much money towards it. | 0:03:09 | 0:03:14 | |
But we're looking for probably £1,000, if that's possible. | 0:03:14 | 0:03:18 | |
We need to raise £1,000, then, so you can get this outdoor commemorative clock for your dad. | 0:03:18 | 0:03:23 | |
-Yeah. -OK. That sounds like a fantastic idea. | 0:03:23 | 0:03:26 | |
Let's go and see whether we can find John. I can't hear creaking, so he's not in the attic yet. Come on. | 0:03:26 | 0:03:31 | |
Let's do it. | 0:03:31 | 0:03:33 | |
'Believe it or not, this spacious home used to be an old blacksmith's workshop. | 0:03:33 | 0:03:38 | |
'I've already spotted a few collectables, and it looks like John is onto something, too.' | 0:03:38 | 0:03:43 | |
-Ah, John, there you are! -Hi, guys. | 0:03:43 | 0:03:45 | |
-Have you found something already? -I have! First thing of the day and we've struck gold! | 0:03:45 | 0:03:50 | |
-Three gold sovereigns, no less! -There should be five. | 0:03:50 | 0:03:53 | |
-Oh, really? -Yeah. We can't... -Is there something you want to tell us, John? | 0:03:53 | 0:03:57 | |
There was only three when I found them! | 0:03:57 | 0:04:01 | |
Erm, they were given to the three boys on their christening days | 0:04:01 | 0:04:06 | |
by Doris and Jessie, who were my husband's great aunts. | 0:04:06 | 0:04:12 | |
And we were given one each, me and Ashley, on our wedding day. | 0:04:12 | 0:04:15 | |
-Oh! Hence the five. -Hence the five. | 0:04:15 | 0:04:18 | |
-Right, OK. -Chris, have you got anything to say? | 0:04:18 | 0:04:21 | |
-You're rather quiet. -Sorry, yeah. It's been a tough month. | 0:04:21 | 0:04:24 | |
I think my eldest son's got his own at his house, so that's why. | 0:04:24 | 0:04:27 | |
OK, all right. We're off the hook. | 0:04:27 | 0:04:30 | |
Well, they're pretty standard in format, the gold sovereign. | 0:04:30 | 0:04:33 | |
It has been around since medieval times, albeit with a slightly different purity | 0:04:33 | 0:04:38 | |
and, obviously, the design on the obverse and reverse. | 0:04:38 | 0:04:40 | |
On the obverse side, we have the reigning sovereign, the monarch, | 0:04:40 | 0:04:44 | |
in this case, it's George V. | 0:04:44 | 0:04:47 | |
And on the reverse, we have the now very iconic picture of St George on horseback slaying the dragon. | 0:04:47 | 0:04:54 | |
What sort of value are we talking about? | 0:04:54 | 0:04:57 | |
-I think easily £350 to £400 for those three. -For just the three? | 0:04:57 | 0:05:01 | |
-Yeah, most definitely. -Incredible. -We'll have to work on David. | 0:05:01 | 0:05:06 | |
'Jill heads to the lounge and her favourite side table. | 0:05:07 | 0:05:11 | |
'This is home to two peacock figurines that used to belong to her great aunts. | 0:05:11 | 0:05:16 | |
'The estimate is £20 to £30. | 0:05:16 | 0:05:18 | |
'Meanwhile, Chris is keen to show John one of his favourite childhood hiding places.' | 0:05:18 | 0:05:24 | |
You've got a virtual attic complex here, Chris. It must have been amazing when you were young. | 0:05:24 | 0:05:29 | |
Yeah, you can put things you don't want your mum to find in here. | 0:05:29 | 0:05:32 | |
But this is all my childhood junk. | 0:05:32 | 0:05:35 | |
Fascinating. Is this a bit of your childhood junk, this little Windsor chair? | 0:05:35 | 0:05:40 | |
It's more my dad's childhood junk. | 0:05:40 | 0:05:43 | |
I think it's from when he was living with his grandma, who he was brought up by mainly. | 0:05:43 | 0:05:48 | |
I'm told he spent time sitting on that and playing with it, which would account for the damage. | 0:05:48 | 0:05:54 | |
Having a look at the bottom, we've got some evidence of woodworm there, so I suspect that's what's happened. | 0:05:54 | 0:06:00 | |
But it is a nice chair. Known as a Windsor chair. They're very iconic and easy to identify. | 0:06:00 | 0:06:05 | |
Always takes the form with this curved arm round here, this bent arm, which is done with steam. | 0:06:05 | 0:06:12 | |
The whole thing's put together with simple dowel joints. It's a real joiner's chair. Lovely little thing. | 0:06:12 | 0:06:17 | |
Probably 19th century. It's certainly a good 100-years-plus old. | 0:06:17 | 0:06:22 | |
Shame about the leg, though. | 0:06:22 | 0:06:24 | |
I know. I'm sure it'll do all right, though. | 0:06:24 | 0:06:28 | |
I think somebody could do a repair on that. I'm sure they could. Even in this condition, | 0:06:28 | 0:06:32 | |
I'd hope we'd get about £30 to £40 for it, something like that. | 0:06:32 | 0:06:37 | |
-Not too bad. -Would your dad be happy with that? -I'd be happy. I don't know about him. | 0:06:37 | 0:06:41 | |
Let's hope he doesn't go breaking all the chairs in the house. | 0:06:41 | 0:06:44 | |
'I've found two books that are so large, they're hard to miss. | 0:06:44 | 0:06:47 | |
'It's a pair of 19th century family Bibles given to Jill's great aunts by their preacher father. | 0:06:47 | 0:06:53 | |
'John believes they'll fetch around £20 to £30. | 0:06:53 | 0:06:57 | |
Your grandfather was obviously very well known. | 0:07:00 | 0:07:02 | |
Yeah. He was known by many people. | 0:07:02 | 0:07:05 | |
I think he was granddad to a couple of hundred of them, as well. | 0:07:05 | 0:07:08 | |
Yeah, everyone knew him. He was always on the high street, meeting and greeting people, | 0:07:08 | 0:07:13 | |
doing anything he could to make things better for shop owners and people who lived in the village. | 0:07:13 | 0:07:18 | |
We've had various offers of donations from here, there and everywhere, | 0:07:18 | 0:07:23 | |
because he was a member of Sure Start, he used to help out voluntary there | 0:07:23 | 0:07:29 | |
with the accounts and things. | 0:07:29 | 0:07:31 | |
Just so many things he used to do. | 0:07:31 | 0:07:34 | |
I mean, his priority was his family, | 0:07:34 | 0:07:37 | |
running these three about when they hadn't got cars. | 0:07:37 | 0:07:40 | |
SHE LAUGHS He was the local taxi! | 0:07:40 | 0:07:43 | |
-He was a good lift, definitely. -THEY LAUGH | 0:07:43 | 0:07:46 | |
"I'll go and fetch him." Yeah. | 0:07:46 | 0:07:49 | |
-He was a good man. -Absolutely. -Irreplaceable. -For sure, yeah. | 0:07:49 | 0:07:54 | |
Well, I think it's going to be fantastic to get that clock sorted out, | 0:07:54 | 0:07:58 | |
-so shall we go and see whether John's found anything else we can value? -Let's do that. | 0:07:58 | 0:08:02 | |
'Well, John never disappoints. He's discovered a picture by the Dutch artist Meindert Hobbema. | 0:08:02 | 0:08:09 | |
'This scenic countryside view may look hand-painted, | 0:08:09 | 0:08:12 | |
'but it's actually printed onto the canvas, known as an oleograph. | 0:08:12 | 0:08:16 | |
'It once belonged to Jill's mother-in-law, but John hopes another art enthusiast | 0:08:16 | 0:08:21 | |
'may pay £20 to £30 for it.' | 0:08:21 | 0:08:23 | |
-Ooh, what have you got there, Jill? -Oh, this is a Beswick cockerel. | 0:08:23 | 0:08:28 | |
I don't know much about it, only what's underneath, | 0:08:28 | 0:08:31 | |
-and that says Beswick, and I don't know what that is. -Leghorn. | 0:08:31 | 0:08:35 | |
-Foghorn Leghorn. Remember the cartoon? -Ah! | 0:08:35 | 0:08:38 | |
As you've correctly identified, it is Beswick. | 0:08:38 | 0:08:41 | |
Beswick Pottery, England, a very famous and much-loved firm in this country | 0:08:41 | 0:08:45 | |
which started out life in Staffordshire in about 1895, something like that. | 0:08:45 | 0:08:49 | |
-So what does the 1892 mean? -That would be the model number. | 0:08:49 | 0:08:53 | |
I actually know this particular piece and this dates to between about 1963 and 1983. | 0:08:53 | 0:09:01 | |
It was modelled by a chap called Arthur Gredington, | 0:09:01 | 0:09:04 | |
who was a very, very important modeller at Beswick, | 0:09:04 | 0:09:07 | |
known for his skill in being able to depict animals realistically. | 0:09:07 | 0:09:11 | |
One of the great things about Beswick is they do various versions of their models, | 0:09:11 | 0:09:16 | |
different colour ways, different finishes. But, with Leghorn here, | 0:09:16 | 0:09:19 | |
there was only ever one version and one colour way. | 0:09:19 | 0:09:22 | |
I'd see no problem with us getting £80 to £120 at auction for that. | 0:09:22 | 0:09:26 | |
-Wow! Brilliant! -Happy with that? -Yeah, very! | 0:09:26 | 0:09:29 | |
-Jolly good. -It's not such a bad old cockerel after all, is it? -I'm glad you like him now! | 0:09:29 | 0:09:33 | |
-Come on, let's see what else we can find. -OK. | 0:09:33 | 0:09:35 | |
'So Jill may be convinced of his value, but what will the bidders make of him come auction day? | 0:09:35 | 0:09:40 | |
'Let's hope they'll go cock-a-hoop. | 0:09:40 | 0:09:43 | |
'As we continue our search chez Sansom, | 0:09:45 | 0:09:48 | |
'young Chris has stumbled across a 1920s jug which shows an Indian relief pattern. | 0:09:48 | 0:09:54 | |
'Made by HJ Wood of Staffordshire, Jill's aunts filled it with flowers. | 0:09:54 | 0:09:58 | |
'Now it could help boost our kitty by £40 to £60. | 0:09:58 | 0:10:03 | |
'Up in the attic, I spot a small square vase by the popular firm Troika. | 0:10:03 | 0:10:08 | |
'The factory started in Cornwall in 1963 | 0:10:08 | 0:10:11 | |
'and as this piece is in good condition, | 0:10:11 | 0:10:14 | |
'John hopes it'll make £40-£60.' | 0:10:14 | 0:10:17 | |
-Look what I've found. -What have you got, Jill? -A watch chain. | 0:10:17 | 0:10:21 | |
We found them in my dad's bungalow when we were clearing out after he died last year. | 0:10:21 | 0:10:26 | |
They were very dirty in a box and I decided that I'd have them cleaned up and see how they came up. | 0:10:26 | 0:10:32 | |
I think we could attach that little hook to that noise ring of yours | 0:10:32 | 0:10:35 | |
-and tuck the T-bar in your ear. -Yeah. I think it'd work. | 0:10:35 | 0:10:39 | |
Absolutely. We could try it, but only if all else fails. | 0:10:39 | 0:10:44 | |
They are watch chains and they would be part of the ensemble of the gentleman's pocket watch. | 0:10:44 | 0:10:50 | |
They were very popular in the 19th century. Referred to as Albert chains after Prince Albert, | 0:10:50 | 0:10:54 | |
Queen Victoria's husband. They take a pretty much standard form. | 0:10:54 | 0:10:58 | |
You've got the hook, this little spring catch hook on one end here | 0:10:58 | 0:11:01 | |
which attaches to the suspension loop of your watch. | 0:11:01 | 0:11:04 | |
You've got the T-bar here, which would fix into your button hole on your waistcoat, | 0:11:04 | 0:11:09 | |
and then your watch would tuck in your pocket like that. | 0:11:09 | 0:11:12 | |
Value-wise, we should be looking at about £60 to £80 for them. | 0:11:12 | 0:11:15 | |
-Oh, right! -Are you happy with that? -Yeah, very. -Good stuff. | 0:11:15 | 0:11:19 | |
Excellent. Well, I hate to have to call time on this cosy little chat, | 0:11:19 | 0:11:22 | |
but we've got some rummaging to do if we're going to get that clock. | 0:11:22 | 0:11:26 | |
-Come on. -Right, come on. -Let's get to it. | 0:11:26 | 0:11:27 | |
'Our day at the Sansoms' house will soon be over | 0:11:27 | 0:11:31 | |
'and there's still quite a way to go if we're going to reach their £1,000 target. | 0:11:31 | 0:11:35 | |
'Luckily, Chris has found a 9-carat gold charm bracelet. | 0:11:35 | 0:11:38 | |
'It was passed down through his father's family and includes a half sovereign. | 0:11:38 | 0:11:43 | |
'Gold has risen so much in value recently that John thinks | 0:11:43 | 0:11:47 | |
'the charm bracelet could make £150 to £200. | 0:11:47 | 0:11:51 | |
'I found a wooden bench with a handy storage compartment. | 0:11:51 | 0:11:54 | |
'Together with another upholstered chair, John thinks they could make £30 to £40 at auction. | 0:11:54 | 0:12:00 | |
'Now, what's this? More jewellery? | 0:12:00 | 0:12:02 | |
'John's found Jill's collection of gold rings here that have been her pride and joy for quite some time.' | 0:12:02 | 0:12:09 | |
-You been looking at those rings I found? -Yes, I have. | 0:12:09 | 0:12:11 | |
You've got an interesting collection of jewellery here. Where did they all come from? | 0:12:11 | 0:12:16 | |
-There's so many different wedding rings. -I know. Looks like I've been married about ten times! | 0:12:16 | 0:12:21 | |
At least you've still got the wedding rings, look on the bright side. | 0:12:21 | 0:12:24 | |
Yeah. I'm not quite sure about the wedding rings, | 0:12:24 | 0:12:28 | |
but the two you've got there, one belonged to one great aunt | 0:12:28 | 0:12:31 | |
-and one belonged to another great aunt. -Right. | 0:12:31 | 0:12:34 | |
You've got a nice pile here. I've separated them into three piles according to their gold standard. | 0:12:34 | 0:12:41 | |
Here we've got, in the centre, six 22-carat gold wedding rings. | 0:12:41 | 0:12:45 | |
-22-carat are the purest gold form we've got. -Right. -So those, per gram, would be the most valuable. | 0:12:45 | 0:12:51 | |
Then we've got the 18-carat gold rings here, of which these two diamond rings are part. | 0:12:51 | 0:12:56 | |
And then we've got seven little 9-carat gold rings. | 0:12:56 | 0:13:00 | |
But these are interesting. You've got two diamond rings. One's diamond and sapphire, | 0:13:00 | 0:13:05 | |
a very inky-blue sapphire, not terribly commercial. | 0:13:05 | 0:13:08 | |
They're usually mined in Australia, the dark inky-blue sapphires. | 0:13:08 | 0:13:12 | |
But, interestingly, both of these rings have diamonds in them, but they're what we call illusion set. | 0:13:12 | 0:13:18 | |
Basically, you take a stone, you set it in a bigger mount, a bigger setting, | 0:13:18 | 0:13:23 | |
and where the edge of that mount spreads out further than the diamond has been facetted | 0:13:23 | 0:13:28 | |
so that it sparkles. So from a distance, the stones look bigger than they are, | 0:13:28 | 0:13:33 | |
hence the term "illusion set". | 0:13:33 | 0:13:35 | |
So, Chris, I want you to take note for future reference. | 0:13:35 | 0:13:39 | |
That's an illusion diamond, OK? | 0:13:39 | 0:13:42 | |
-Not what a girl wants. -Right, OK. Mental note taken. | 0:13:42 | 0:13:45 | |
Or as I'd say, Chris, you do need to be giving that. | 0:13:45 | 0:13:49 | |
-I'll take them both on board. -It just looks the same. | 0:13:49 | 0:13:51 | |
-So I'm going to put a value on them as a whole. -Right. | 0:13:51 | 0:13:55 | |
And, collectively, these rings should net us around £700 to £900. | 0:13:55 | 0:14:00 | |
-You're joking. -Seriously. -Wow. | 0:14:00 | 0:14:04 | |
I should explain, John, this clock that they want to get | 0:14:04 | 0:14:06 | |
is actually going to be a bit more than that, nearer £1,500. | 0:14:06 | 0:14:10 | |
There is a good chance that the council might make a contribution, so our target is £1,000. | 0:14:10 | 0:14:15 | |
But if they don't make up the difference, don't worry, | 0:14:15 | 0:14:18 | |
cos the value of everything going to auction comes to £1,540! | 0:14:18 | 0:14:22 | |
-Get in there! -So you can do it all on your own if you want to. -Brilliant. | 0:14:22 | 0:14:26 | |
'We've had a very successful day and found a variety of items | 0:14:26 | 0:14:31 | |
'that are certain to rev up the bidders on auction day. | 0:14:31 | 0:14:34 | |
'First of all, we have the gold. Not only Jill's rings, but also the three sovereigns, | 0:14:34 | 0:14:39 | |
'valued at £350 to £400. | 0:14:39 | 0:14:42 | |
'And we have great expectations of them making John's estimate, hopefully even beating it. | 0:14:42 | 0:14:47 | |
'The there's the collection of silver watch fobs. | 0:14:47 | 0:14:50 | |
'It's a fashionable lot, priced to sell at between £60 and £80. | 0:14:50 | 0:14:54 | |
'Jill thought this Beswick cockerel was creepy, | 0:14:54 | 0:14:57 | |
'but he has a fine maker's name | 0:14:57 | 0:14:59 | |
'and a reasonable price tag of £80 to £120. | 0:14:59 | 0:15:02 | |
'So he might bring our target home to roost.' | 0:15:02 | 0:15:04 | |
'Still to come, the Sansoms look set to make big money.' | 0:15:07 | 0:15:11 | |
-Go on. -All done at £400? | 0:15:11 | 0:15:15 | |
-Yes! -Wow! | 0:15:15 | 0:15:17 | |
'But will their good luck run out?' | 0:15:17 | 0:15:20 | |
-A bit more. -Come on! It's a nice jug. | 0:15:20 | 0:15:22 | |
-Staying with us if we have no other bids. -Ohh. | 0:15:22 | 0:15:25 | |
'Find out what happens when the final hammer falls.' | 0:15:25 | 0:15:29 | |
It's been a few weeks since we met Jill and her son Chris at their home in Nottinghamshire, | 0:15:33 | 0:15:37 | |
and we had a lovely time finding plenty of items to bring here | 0:15:37 | 0:15:40 | |
to Cuttlestone Auction Rooms in Staffordshire. | 0:15:40 | 0:15:43 | |
If you remember, they wanted to raise £1,000 towards a memorial clock for the village. | 0:15:43 | 0:15:48 | |
Let's just hope, with time ticking, that our bidders are feeling very generous today. | 0:15:48 | 0:15:53 | |
'There's every chance that Jill's mixture of mementos will have bags of appeal for this astute crowd. | 0:15:53 | 0:15:59 | |
'We find her bidding a fond farewell to one piece that has plenty of family history.' | 0:15:59 | 0:16:05 | |
-Morning, Jill. -Morning! -Aren't you missing someone? Where's Chris? | 0:16:05 | 0:16:09 | |
Oh, he booked a snowboarding holiday two weeks ago, so he flies to France this morning. | 0:16:09 | 0:16:14 | |
Well, you can't really blame him, can you? These are lovely, aren't they? | 0:16:14 | 0:16:19 | |
They're gorgeous, aren't they? Yeah. This one I particularly like, because it's full of pictures and things. | 0:16:19 | 0:16:25 | |
-They are wonderfully done, aren't they? -Yeah. -Not a big price, though, | 0:16:25 | 0:16:28 | |
-considering the work and the age. -I know, it is such a shame. | 0:16:28 | 0:16:31 | |
But I have got another two at home, so if these sell... | 0:16:31 | 0:16:34 | |
-Shall we get into position? -Yep! -See whether all that glitters is gold. | 0:16:34 | 0:16:39 | |
'With a goal of £1,000, we're keen to get going. | 0:16:39 | 0:16:43 | |
'The first lot under the hammer is the pair of family Bibles, valued at £20 to £30.' | 0:16:43 | 0:16:49 | |
£15. I've got a commission bid and that's all I've got. 18 on the front. | 0:16:49 | 0:16:54 | |
At £18. And my commission bid's out. Are we 20? | 0:16:54 | 0:16:57 | |
At £18. 20 at the back. 22. | 0:16:57 | 0:17:00 | |
-At 22. -Keep going. -One bid, that's all he's having. At 22. | 0:17:00 | 0:17:04 | |
Lady's bid we have. At 22. We're selling, on the front at £22. | 0:17:04 | 0:17:10 | |
-£11 a Bible. That's not a lot of money, is it? -No. | 0:17:10 | 0:17:15 | |
And they were in super condition. But it just reflects the market. Such a shame. | 0:17:15 | 0:17:18 | |
'I think we'd all have liked to see them make a bit more, but they sold | 0:17:18 | 0:17:22 | |
'within John's estimate.' | 0:17:22 | 0:17:24 | |
Next up are our two white-metal Indian bird models. | 0:17:24 | 0:17:28 | |
-What's the story with these? -They belonged to the youngest of the sisters, Mary. | 0:17:28 | 0:17:32 | |
I think they came from India. They used to go on holiday quite a bit to there. | 0:17:32 | 0:17:38 | |
They're actually, I think, peacocks, a male and a female. | 0:17:38 | 0:17:41 | |
Some people don't like peacocks cos they think they're unlucky. Let's hope ours are lucky. | 0:17:41 | 0:17:46 | |
We want £20 to £30. | 0:17:46 | 0:17:48 | |
Commission will start them. £10 bid on the models. | 0:17:48 | 0:17:52 | |
-At £10. 12. 15. -These seem to be going down well. | 0:17:52 | 0:17:56 | |
At £15. 18 are we, quickly? At £15. At £15. | 0:17:56 | 0:17:59 | |
They're here to sell. 18 if you like. And it goes. Sold at £15. | 0:17:59 | 0:18:04 | |
-£15. That's all right. -It is, it's fine. | 0:18:04 | 0:18:08 | |
-Especially as they're hardly one of your favourite things. -No. | 0:18:08 | 0:18:11 | |
'Great news for Jill that someone took a shine to the peacocks. | 0:18:11 | 0:18:14 | |
'She was happy to just give them away.' | 0:18:14 | 0:18:17 | |
There's another few pounds in the pot when the large painting goes under the hammer... | 0:18:17 | 0:18:21 | |
18. At £18. I'm out at £18. Anybody got a damp spot? | 0:18:21 | 0:18:25 | |
-Make it 20. -And it sells at £18. | 0:18:25 | 0:18:30 | |
..selling just under its £20 estimate. | 0:18:32 | 0:18:35 | |
Our next lot is the small child's Windsor chair with three legs. | 0:18:35 | 0:18:38 | |
-Yeah. I've brought the fourth leg with me. -Jolly useful! | 0:18:38 | 0:18:42 | |
It was glued a few years back, but I think the woodworm and the glue | 0:18:42 | 0:18:47 | |
probably melted and it fell off and it's been like that ever since. | 0:18:47 | 0:18:50 | |
Well, I still think a good joiner could do a repair job on this, | 0:18:50 | 0:18:53 | |
perhaps dowel that leg back on. But £30 to £40 I still think is reasonable. | 0:18:53 | 0:18:57 | |
A little chair like this in good condition, 19th century Windsor chair, can sometimes get £150. | 0:18:57 | 0:19:03 | |
-So maybe we'll get lucky today. -Hope so. -Hopefully, the three bears are in the room. | 0:19:03 | 0:19:07 | |
-Straight in at £50. -Wow! Straight in there! | 0:19:07 | 0:19:10 | |
At £50. 5. 60. | 0:19:10 | 0:19:12 | |
5. 70. 5. 80. | 0:19:12 | 0:19:15 | |
-5. 90. -Goodness! -95. | 0:19:15 | 0:19:17 | |
-100. Bid's with me at £100. 110 now. -Go on, keep going, keep going. | 0:19:17 | 0:19:22 | |
-On commission. No mistake. 10 if we like. At £100. -Makes up for that picture. | 0:19:22 | 0:19:26 | |
At £100. On the commission at 100. | 0:19:26 | 0:19:30 | |
-£100! -The broken leg didn't deter them. They wanted it. | 0:19:30 | 0:19:34 | |
-That was incredible! What a result! -Yeah! | 0:19:34 | 0:19:37 | |
'Wow. After all that speculation, | 0:19:37 | 0:19:39 | |
'that amazing sale means we'll have to eat our words. | 0:19:39 | 0:19:42 | |
'And the bids just keep on coming, | 0:19:42 | 0:19:45 | |
'as the upholstered chair and bench go before the room.' | 0:19:45 | 0:19:47 | |
65. Are we 70? Bid's in the doorway at £65. | 0:19:47 | 0:19:50 | |
70, quickly? There you go there at £65. | 0:19:50 | 0:19:55 | |
'Selling for more than double John's lower estimate. | 0:19:55 | 0:19:59 | |
Our next lot is the Indian tree jug. | 0:19:59 | 0:20:01 | |
-We've got £40 to £60 on that. -Yeah, I'm quite pleased with that valuation. | 0:20:01 | 0:20:05 | |
-Why has it got that value? -It's in nice condition, there's a nice pattern, a lot of work gone into it. | 0:20:05 | 0:20:10 | |
It's a nice decorative piece. So I think we should get £40 to £60. I'd give it house room. | 0:20:10 | 0:20:14 | |
But then, there's no accounting for taste. Or lack of it. | 0:20:14 | 0:20:18 | |
-We have interest on this lot with a commission to start at £30. -Yes! | 0:20:18 | 0:20:22 | |
£30 bid. At £30. At £30 on commission. | 0:20:22 | 0:20:25 | |
-A bit more. -Come on. It's a nice jug. | 0:20:25 | 0:20:28 | |
At £30. Any interest in the room at £30? | 0:20:28 | 0:20:30 | |
-At £30. It's staying with us if we have no other bids. -Oh. | 0:20:30 | 0:20:34 | |
2, thank you. At 32. I'm out at 32. 5. Now we're off. | 0:20:34 | 0:20:39 | |
-Yeah, now we're off. -38. | 0:20:39 | 0:20:41 | |
I have the bid on the front row at 38. You're out at the back. | 0:20:41 | 0:20:45 | |
Sold at £38. | 0:20:45 | 0:20:48 | |
-There we are. -Just under our lower estimate. -Happy with that? -Yeah, I am. | 0:20:48 | 0:20:53 | |
'I think Jill's still pleased we raised £38 for this family heirloom. | 0:20:53 | 0:20:58 | |
'So far, we've had a really successful run. | 0:20:58 | 0:21:00 | |
'With half our lots sold, we've banked £258. | 0:21:00 | 0:21:04 | |
'Our big value lots are still to come, so we're right on track. | 0:21:04 | 0:21:09 | |
'If you'd like to raise some money for something special, | 0:21:09 | 0:21:13 | |
'it's worth remembering that auction houses charge fees, such as commission. | 0:21:13 | 0:21:16 | |
'They do vary from one saleroom to another, so be sure to check the small print before you go. | 0:21:16 | 0:21:22 | |
'Jill's next lot is a collection of silver watch fobs, | 0:21:22 | 0:21:25 | |
'which once belonged to her father. | 0:21:25 | 0:21:27 | |
'We're looking for £60-£80.' | 0:21:27 | 0:21:30 | |
50. 5. 60. | 0:21:30 | 0:21:32 | |
-5. -Yes! -65, back of the room at £65. 70 now? | 0:21:32 | 0:21:37 | |
-At 65. -Bit more. -70, thank you. At £70. 5, sir? 5. | 0:21:37 | 0:21:41 | |
80. 5. I have 85, at the back of the room at £85. | 0:21:41 | 0:21:45 | |
90 now. At £85. Are we selling them? | 0:21:45 | 0:21:48 | |
All done and dusted, there. Sold at £85. | 0:21:48 | 0:21:52 | |
-Yes! -£85. That's very good. | 0:21:52 | 0:21:55 | |
'I think Jill's very happy to see those old fobs transform | 0:21:55 | 0:21:58 | |
'into the memorial clock she wants to commission.' | 0:21:58 | 0:22:01 | |
The Beswick cockerel finds a new home as well... | 0:22:01 | 0:22:04 | |
At £140... | 0:22:04 | 0:22:06 | |
'..topping up our coffers by an impressive amount.' | 0:22:06 | 0:22:09 | |
-Yes! -That's good, isn't it? | 0:22:09 | 0:22:13 | |
Did you ever think, when you were trying to break him in two, | 0:22:13 | 0:22:16 | |
-that he could be worth £140? -I didn't even know it was Beswick until the day you came. | 0:22:16 | 0:22:20 | |
'Jill might have found him a bit creepy, | 0:22:20 | 0:22:22 | |
'but I'm glad there were several bidders willing to fight over him.' | 0:22:22 | 0:22:26 | |
Our next lot is a lovely 9-carat gold charm bracelet. | 0:22:27 | 0:22:31 | |
-It's got ten charms, including a half sovereign. -Mm-hm. | 0:22:31 | 0:22:34 | |
So what do we expect for these? £150 to £200? | 0:22:34 | 0:22:37 | |
Yeah, we should push at least our top estimate. | 0:22:37 | 0:22:39 | |
It's a nice bracelet and gold prices are doing quite well, | 0:22:39 | 0:22:42 | |
-so, hopefully, that's in our favour. -Mm. | 0:22:42 | 0:22:44 | |
-And we've got three commission bids. -Excellent. -Starting at £250. | 0:22:44 | 0:22:49 | |
Yes! | 0:22:49 | 0:22:51 | |
250 bid. At 250. At 250. | 0:22:51 | 0:22:53 | |
260. 270. 280. 290. | 0:22:53 | 0:22:57 | |
300. 320. 340. | 0:22:57 | 0:23:00 | |
360. 360 is with me. 380, fresh money. I'm out at 380. | 0:23:00 | 0:23:06 | |
Go on, 400. | 0:23:06 | 0:23:08 | |
At £380. The bid's in the room and no mistake. | 0:23:08 | 0:23:11 | |
-Come on, another one. -At £380. | 0:23:11 | 0:23:16 | |
-Yes! -Do you think my scales weren't working that day? | 0:23:16 | 0:23:18 | |
'It looks like the market for gold is working for Jill today | 0:23:18 | 0:23:23 | |
'and there's even more on the way with our next item.' | 0:23:23 | 0:23:25 | |
It's the three gold sovereigns. | 0:23:25 | 0:23:28 | |
Easy to sell. We know what they're worth, folks. We'll start them at £400. | 0:23:28 | 0:23:32 | |
At £400. 20 who says? At 400. | 0:23:32 | 0:23:35 | |
I'm selling and no mistake. 20 if we'd like. | 0:23:35 | 0:23:39 | |
All done at £400? | 0:23:39 | 0:23:42 | |
-Yes! -Well, bang on our upper estimate. | 0:23:42 | 0:23:45 | |
'It's so exciting when you hit the high end of an estimate. | 0:23:45 | 0:23:49 | |
'Let's hope the next gold collection has the same good fortune.' | 0:23:49 | 0:23:52 | |
No less than 17 gold rings. I'm sure there's a song there somewhere. | 0:23:52 | 0:23:57 | |
So, you've got quite a hefty estimate on this, John. | 0:23:57 | 0:24:00 | |
Yes, I put it as one lot, but I thought the auctioneers might separate it. | 0:24:00 | 0:24:04 | |
But they've kept it together and they've kept our collective estimate of £700 to £900. Quite punchy! | 0:24:04 | 0:24:09 | |
If we make the top end of the estimate, we've done our target figure in one lot! | 0:24:09 | 0:24:15 | |
We've got easy bids on this starting me at £600. | 0:24:15 | 0:24:18 | |
Ooh! 600. Amazing. | 0:24:18 | 0:24:20 | |
At 600. At £600 a bid. At 600. | 0:24:20 | 0:24:23 | |
650. 700. | 0:24:23 | 0:24:25 | |
750. 800. | 0:24:26 | 0:24:28 | |
The bid is with me at £800. You're out at the back at 800. | 0:24:29 | 0:24:33 | |
-Come on! -At £800. The bid is with me and I'm selling. It's on commission. | 0:24:33 | 0:24:37 | |
At 800, all sold. £800. | 0:24:37 | 0:24:41 | |
-Wow! -Nice one. -800 for those bent rings. | 0:24:42 | 0:24:47 | |
-There you go. -The scales were working that time. -Yeah. | 0:24:47 | 0:24:51 | |
-That's fantastic. What a result! -Super! | 0:24:51 | 0:24:54 | |
'There's one final addition to the kitty, | 0:24:54 | 0:24:56 | |
'when the Troika vase sells for £5 over its lower estimate.' | 0:24:56 | 0:25:01 | |
At £45 bid. 50 quickly. Gentleman's bid. | 0:25:01 | 0:25:04 | |
-Makes a good pill pot. -£45. We'll sell and no mistake. At £45. | 0:25:04 | 0:25:09 | |
'A fair price with which to end a hugely successful day. | 0:25:09 | 0:25:13 | |
'We already know we've bagged at least £1,000 for Jill. | 0:25:13 | 0:25:16 | |
'I wonder if she's worked out exactly how much more we've been able to make.' | 0:25:16 | 0:25:20 | |
We wanted £1,000 towards this memorial clock. | 0:25:20 | 0:25:24 | |
We've actually made... Are you ready for this? | 0:25:24 | 0:25:26 | |
-..£2,108! -Oh, wow! | 0:25:26 | 0:25:29 | |
-Oh, brilliant! -That's fantastic! -It's a lot of money. | 0:25:29 | 0:25:34 | |
It's double what you wanted. So how is that going to help with the clock? | 0:25:34 | 0:25:37 | |
Well, the clock I really, really want, that's about £1,600 plus VAT. | 0:25:37 | 0:25:43 | |
-Right. -But with the extra money now, | 0:25:43 | 0:25:45 | |
I want a metal frame built so it'll actually stand further off the shop | 0:25:45 | 0:25:50 | |
-and that's going to cost quite a bit to make so... -Brilliant. | 0:25:50 | 0:25:54 | |
-Thank you very much! Super. Thank you. -I'm really pleased. Fantastic. | 0:25:54 | 0:25:57 | |
'It's just a few weeks since Jill's triumphant day at auction. | 0:26:03 | 0:26:07 | |
'Work on the commemorative clock in memory of her father is close to completion. | 0:26:07 | 0:26:12 | |
'The clock is destined for Edwinstowe high street | 0:26:14 | 0:26:16 | |
'and will be a constant reminder to the community of a man who meant so much to them.' | 0:26:16 | 0:26:22 | |
The finished result is just a lot better than I thought it would be. | 0:26:22 | 0:26:26 | |
It's just fantastic. Absolutely everything I could've hoped for and more. | 0:26:26 | 0:26:30 | |
My dad would be just over the moon. | 0:26:30 | 0:26:34 | |
I know he's up there looking down and saying, "Yes, that's beautiful". | 0:26:34 | 0:26:38 | |
So, yeah, Cash In The Attic came good. | 0:26:38 | 0:26:42 |