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We often inherit pieces that we love but don't really need. | 0:00:02 | 0:00:06 | |
That's the case with the lady I'm about to meet. | 0:00:06 | 0:00:09 | |
Let's hope her heirlooms turn out to be treasure. | 0:00:09 | 0:00:12 | |
'Coming up on Cash In The Attic, | 0:00:33 | 0:00:36 | |
'an unusual 19th-century tea caddy.' | 0:00:36 | 0:00:39 | |
This is a nice box. I don't recall one with three compartments. | 0:00:39 | 0:00:43 | |
'A stunning Qing dynasty bowl gets a surprise valuation.' | 0:00:43 | 0:00:48 | |
Holy smoke! | 0:00:48 | 0:00:50 | |
-Are you surprised? -I'm shocked! | 0:00:50 | 0:00:52 | |
-Have you changed your mind? -No! | 0:00:52 | 0:00:55 | |
'And an insight into the mind of an antiques expert.' | 0:00:55 | 0:00:59 | |
When he says he's quietly confident he knows what he's talking about! | 0:00:59 | 0:01:04 | |
'Will we be smiling at the end of the day? | 0:01:04 | 0:01:08 | |
'Find out when the final hammer falls.' | 0:01:08 | 0:01:10 | |
I'm in rainy Berkshire on my way to meet Carol and her friend Joy | 0:01:12 | 0:01:17 | |
to raise some cash in the attic. | 0:01:17 | 0:01:20 | |
'Keen gardener Carol Warren grew up in North Yorkshire | 0:01:20 | 0:01:24 | |
'before moving to the south of England in the 1950s | 0:01:24 | 0:01:28 | |
'where her parents opened a barber shop. | 0:01:28 | 0:01:31 | |
'Carol didn't follow in their footsteps | 0:01:31 | 0:01:34 | |
'and, after working for a diamond company, she sold double glazing, | 0:01:34 | 0:01:39 | |
'which led to a career in interior design. | 0:01:39 | 0:01:42 | |
'Today, Carol lives near Maidenhead in Berkshire, | 0:01:42 | 0:01:46 | |
'where she brought up her family. | 0:01:46 | 0:01:49 | |
'Her daughters have flown the nest and Carol's decided it's time for a clear-out. | 0:01:49 | 0:01:54 | |
'With help from Joy and Cash In The Attic, we hope she can do just that. | 0:01:54 | 0:01:59 | |
'Our expert John Cameron's eager to get started | 0:01:59 | 0:02:02 | |
'so I'll meet the ladies.' | 0:02:02 | 0:02:04 | |
-They had me out rocking. -Did they? | 0:02:05 | 0:02:08 | |
-Did someone mention rocking? -Oh, hello! -How are you? | 0:02:08 | 0:02:12 | |
-Joy and Carol? -Yes. Carol and Joy. | 0:02:12 | 0:02:15 | |
-You planning an evening out? -Yes. Windsor theatre's just up the road. | 0:02:15 | 0:02:20 | |
-Why did you call Cash In The Attic? -Well, I retired in October. | 0:02:20 | 0:02:25 | |
I've got so many bits and pieces around the house, lots of clutter | 0:02:25 | 0:02:30 | |
that I never use except Christmas or whatever. | 0:02:30 | 0:02:33 | |
I thought I'd try and get rid of some of it and have a holiday. | 0:02:33 | 0:02:37 | |
-How much money are you planning to raise? -Maybe 1,500, if we could. | 0:02:37 | 0:02:43 | |
We've got John Cameron on hand. He's already having a rummage. | 0:02:43 | 0:02:47 | |
-Let's, hopefully, get to that £1,500 mark. Let's get on with it. -OK. | 0:02:47 | 0:02:52 | |
'Carol's set her mind on that holiday in the sun. | 0:02:52 | 0:02:56 | |
'With a hefty £1,500 target, we need to get to work | 0:02:56 | 0:03:00 | |
'and hope we can find plenty of goodies. | 0:03:00 | 0:03:03 | |
'One man who's not going anywhere, except maybe into the attic, | 0:03:03 | 0:03:07 | |
'is John Cameron.' | 0:03:07 | 0:03:09 | |
-Morning. -Hiya, guys. -What have you found? -An interesting picture. | 0:03:09 | 0:03:14 | |
-It's not your only one by this artist. -I've got two more. | 0:03:14 | 0:03:18 | |
You've got an expansive landscape and a still life. | 0:03:18 | 0:03:22 | |
-Who's the artist? -Anne Harcourt. | 0:03:22 | 0:03:25 | |
They belonged to my mother-in-law. | 0:03:25 | 0:03:28 | |
She spoke as if she'd either met her or knew her. | 0:03:28 | 0:03:31 | |
That's all I know. Of the three, that is my favourite. | 0:03:31 | 0:03:35 | |
It's possible that your mother-in-law did know the artist. | 0:03:35 | 0:03:39 | |
They're certainly contemporary. | 0:03:39 | 0:03:42 | |
She may have bought them from the same gallery. | 0:03:42 | 0:03:46 | |
There's a chance she knew her or became a fan of her work, | 0:03:46 | 0:03:50 | |
so bought three different pictures. | 0:03:50 | 0:03:53 | |
I have come across her work, | 0:03:53 | 0:03:55 | |
though there's not a lot of history about her paintings at auction. | 0:03:55 | 0:04:00 | |
Interesting that she can paint in different ways. | 0:04:00 | 0:04:04 | |
Those three paintings are completely different. | 0:04:04 | 0:04:07 | |
She's got the still life down quite well. | 0:04:07 | 0:04:10 | |
She was a member of the Society of Women Artists | 0:04:10 | 0:04:14 | |
and the National Society of Painters, Sculptors and Printmakers, | 0:04:14 | 0:04:18 | |
so she would have had academic training. | 0:04:18 | 0:04:21 | |
-What about the scene? -It looks like the south of France. | 0:04:21 | 0:04:25 | |
I'd agree. It's possibly Antibes or Port Grimaud in the south of France. | 0:04:25 | 0:04:31 | |
Let's talk about money. | 0:04:31 | 0:04:33 | |
Carol said it's her favourite. It's my favourite. | 0:04:33 | 0:04:37 | |
Collectively, you're looking at around... | 0:04:37 | 0:04:43 | |
-This could do a bit better. -I'd like to put a reserve on this one. | 0:04:43 | 0:04:47 | |
-Not the other two. -That would be your prerogative. | 0:04:47 | 0:04:50 | |
If you stipulate that you want that separated | 0:04:50 | 0:04:53 | |
and you want a reserve of X amount, I'm sure they'll be happy. | 0:04:53 | 0:04:57 | |
You're selling a sunshine scene so you can get into the sunshine. | 0:04:57 | 0:05:02 | |
-You'll have to find something to put on the wall. -I'll have to wash it. | 0:05:02 | 0:05:07 | |
I'm glad you said that! Come on, plenty more rummaging to do. | 0:05:07 | 0:05:12 | |
'That's a pretty good way | 0:05:13 | 0:05:15 | |
'to kick off our day - let's hope it's a sign of things to come. | 0:05:15 | 0:05:20 | |
'Joyce starts her search upstairs. | 0:05:20 | 0:05:22 | |
'She spots some costume jewellery, including Christian Dior pieces. | 0:05:22 | 0:05:27 | |
'Christian Dior's designs burst onto the world stage in the 1940s. | 0:05:27 | 0:05:33 | |
'Soon, he was the most recognised name in fashion. | 0:05:33 | 0:05:37 | |
'John thinks this collection could fetch...' | 0:05:37 | 0:05:41 | |
Have you got those out for a polish or to send to auction? | 0:05:43 | 0:05:47 | |
Something you can send to auction! | 0:05:47 | 0:05:50 | |
-I was thinking how heavy they were. -They are. | 0:05:50 | 0:05:53 | |
They are silver, but not solid silver. | 0:05:53 | 0:05:57 | |
They've got these felt bases. Inside there is a resin mixture. | 0:05:57 | 0:06:02 | |
It's put in to give them weight. | 0:06:02 | 0:06:05 | |
I had some candlesticks which were silver. | 0:06:05 | 0:06:08 | |
I did a stupid thing. I cleaned them and they were still a bit damp. | 0:06:08 | 0:06:13 | |
I've got a fan oven, so I popped them on a shelf and put the oven on. | 0:06:13 | 0:06:18 | |
Then forgot about them and came back to find | 0:06:18 | 0:06:21 | |
that the black resin had all gone on the bottom of the oven. | 0:06:21 | 0:06:26 | |
-You've got hollow candlesticks? -Almost hollow candlesticks! | 0:06:26 | 0:06:30 | |
These are the bigger ones. They can go to auction, certainly. | 0:06:30 | 0:06:34 | |
Looking at the hallmarks, | 0:06:34 | 0:06:37 | |
I would date those to 1918, so we're George V. | 0:06:37 | 0:06:42 | |
They're in a style known as "Adamesque". | 0:06:42 | 0:06:45 | |
They're of octagonal section, but the slender and elegant shape | 0:06:45 | 0:06:52 | |
is a revival of Robert Adam's famous neoclassical style of the 1770s. | 0:06:52 | 0:06:58 | |
After his trips to Pompeii and Herculaneum, | 0:06:58 | 0:07:01 | |
where he studied Roman villas, interior and the architecture. | 0:07:01 | 0:07:05 | |
They've got their detachable drip pans, which is nice. | 0:07:05 | 0:07:09 | |
-These sometimes get lost. -And it's hallmarked. | 0:07:09 | 0:07:13 | |
They do have the hallmarks, as they should. | 0:07:13 | 0:07:16 | |
Those should correspond with the hallmarks on the base. | 0:07:16 | 0:07:20 | |
They're rather nice items. Good that you've got a pair. | 0:07:20 | 0:07:25 | |
They are in nice condition, no dents and nothing loose inside. | 0:07:25 | 0:07:30 | |
At auction today, I would see no problem in them making... | 0:07:30 | 0:07:36 | |
'Let's hope John's right and the candlesticks shine at auction.' | 0:07:36 | 0:07:41 | |
200. Start me at 150, then. | 0:07:41 | 0:07:43 | |
150 bid. 160. At 160. 160, 170... | 0:07:43 | 0:07:48 | |
'Stay tuned to find out how much they make. | 0:07:48 | 0:07:52 | |
'I've been searching the lounge | 0:07:52 | 0:07:54 | |
'and found this rather attractive silver lined pedestal rose bowl. | 0:07:54 | 0:07:59 | |
'It was assayed in London in 1925, | 0:07:59 | 0:08:01 | |
'and was an item Carol inherited from her mother-in-law. | 0:08:01 | 0:08:05 | |
'John thinks it should fetch as much as...' | 0:08:05 | 0:08:10 | |
Everywhere you look in your house, you see lovely pieces. | 0:08:13 | 0:08:18 | |
-Would you say you're a hoarder? -Yes. Probably. | 0:08:18 | 0:08:22 | |
I haven't got rid of stuff that belonged to my mother or mother-in-law. | 0:08:22 | 0:08:28 | |
You mentioned your mother-in-law, what sort of character was she? | 0:08:28 | 0:08:32 | |
Very strong-willed. | 0:08:32 | 0:08:35 | |
Used to speak her mind, but I got on extremely well with her. | 0:08:35 | 0:08:39 | |
She thought I was a daughter she didn't have. | 0:08:39 | 0:08:43 | |
She had two sons. | 0:08:43 | 0:08:45 | |
-Are you originally from this area? -No, I was born in North Yorkshire. | 0:08:45 | 0:08:50 | |
-Wensleydale. -What did your parents do? -My father was a barber. | 0:08:50 | 0:08:55 | |
My mother was just a housewife, really. | 0:08:55 | 0:08:59 | |
We came down just before I was 12, to the end of the road here. | 0:08:59 | 0:09:03 | |
-That's a journey and a half. -It was. | 0:09:03 | 0:09:06 | |
I remember that we sat on a sofa in the back of the furniture van. | 0:09:06 | 0:09:11 | |
The budgie hanging up in its cage. We got very funny looks! | 0:09:11 | 0:09:16 | |
Do you remember your parents having a clear out before the move? | 0:09:16 | 0:09:20 | |
I don't remember. I do remember things my mother did have. | 0:09:20 | 0:09:25 | |
She had wonderful brass and copperware. | 0:09:25 | 0:09:27 | |
Some years later, she sold to - or gave them, I think - | 0:09:27 | 0:09:32 | |
to somebody who had a house in the south of England. | 0:09:32 | 0:09:35 | |
I keep thinking, "I wish I had those now." | 0:09:35 | 0:09:38 | |
How will your two daughters feel about you giving this stuff away? | 0:09:38 | 0:09:43 | |
They won't mind because I've asked them and I know what they do like. | 0:09:43 | 0:09:48 | |
So they will have those anyway. | 0:09:48 | 0:09:51 | |
-When I have gone, things they don't like, they can call Cash In The Attic! -Course! | 0:09:51 | 0:09:57 | |
-Listen, we've procrastinated long enough. -We have. | 0:09:57 | 0:10:01 | |
-I've bent your ear enough. -No! But we've got to carry on. | 0:10:01 | 0:10:05 | |
All right, then. | 0:10:05 | 0:10:07 | |
'Whilst we've been relaxing, John's been working hard in the search. | 0:10:07 | 0:10:12 | |
'He's found three sets of cutlery, bridge pencils and a Vesta case. | 0:10:12 | 0:10:17 | |
'These were more items inherited from Carol's mother-in-law. | 0:10:17 | 0:10:21 | |
'John values them collectively for an impressive... | 0:10:21 | 0:10:27 | |
'There's no shortage of stunning items in Carol's lovely home. | 0:10:27 | 0:10:31 | |
'John's in his element.' | 0:10:31 | 0:10:33 | |
This looks like something to take to auction, Joy. That is interesting. | 0:10:33 | 0:10:38 | |
-Do you know what this is? -It's a tea caddy. -You're right. | 0:10:38 | 0:10:42 | |
-Have you ever seen it before? -Yes. I did think they contained cards. | 0:10:42 | 0:10:47 | |
I see what you mean, definitely. | 0:10:47 | 0:10:50 | |
The caddy developed in the age when tea was prohibitively expensive. | 0:10:50 | 0:10:54 | |
Now they're loved as decorative objects. | 0:10:54 | 0:10:57 | |
This is quite an unusual one in that you've got three caddies. | 0:10:57 | 0:11:02 | |
Each one with a zinc lining to keep them fresh. | 0:11:02 | 0:11:06 | |
I don't recall seeing one with three compartments inside. | 0:11:06 | 0:11:11 | |
This is a nice box, a tour de force in marquetry, | 0:11:11 | 0:11:15 | |
well, parquetry, to be correct. | 0:11:15 | 0:11:18 | |
Marquetry are pictures or patterns. | 0:11:18 | 0:11:21 | |
Parquetry is geometric patterns. | 0:11:21 | 0:11:24 | |
Probably from the 19th century. | 0:11:24 | 0:11:27 | |
Look at the woods. We've got some satinwood. | 0:11:27 | 0:11:30 | |
These corners are probably stained boxwood. | 0:11:30 | 0:11:35 | |
A little bit of damage here and there, nothing major. | 0:11:35 | 0:11:39 | |
-Can that be repaired? -Yes, it can be repaired. | 0:11:39 | 0:11:42 | |
It's not too difficult. | 0:11:42 | 0:11:44 | |
It's a cabinetmaker's job to do it properly, so it can be expensive. | 0:11:44 | 0:11:50 | |
Value-wise, we should be able to get... | 0:11:50 | 0:11:55 | |
-You think she'll be happy? -She'll be well pleased. I would be. | 0:11:55 | 0:11:59 | |
-Jolly good... -And I'm a coffee drinker! | 0:11:59 | 0:12:02 | |
'That's another terrific find and takes our total to just shy of £800. | 0:12:02 | 0:12:08 | |
'With a hefty £1,500 target to reach we've got some way to go. | 0:12:08 | 0:12:13 | |
'So the hard work continues. | 0:12:13 | 0:12:16 | |
'Carol decides to part with her collection of crystal glass | 0:12:16 | 0:12:21 | |
'made by the famous Irish company Waterford. | 0:12:21 | 0:12:24 | |
'The resale value of crystal is a fraction of what it was when new. | 0:12:24 | 0:12:29 | |
'Auction houses are a great place to buy but not great when selling. | 0:12:29 | 0:12:35 | |
'John thinks £50 to £100 is all we can expect for this collection.' | 0:12:35 | 0:12:40 | |
I'm guessing, by the fact that these were hidden, that you're not a fan. | 0:12:42 | 0:12:47 | |
No, they're not my particular choice. I prefer Lladro. | 0:12:47 | 0:12:51 | |
-What's the story behind them? -My mother had them for years. | 0:12:51 | 0:12:56 | |
I got them when she died. | 0:12:56 | 0:12:58 | |
The only one I like is that one, Melody, I think she's called. | 0:12:58 | 0:13:02 | |
Interesting that that's your favourite. | 0:13:02 | 0:13:05 | |
Do you know that she collected using any sort of theme? | 0:13:05 | 0:13:09 | |
-No. She just liked them. -People often collect for different reasons. | 0:13:09 | 0:13:14 | |
They'll collect a series or the work of a certain modeller. | 0:13:14 | 0:13:19 | |
There are great modellers from Doulton like Charles Noke, | 0:13:19 | 0:13:22 | |
Leslie Harradine, Mary Nicholl | 0:13:22 | 0:13:25 | |
and a lady that was there for about 40 years, Peggy Davies. | 0:13:25 | 0:13:30 | |
-These, all three of them, are by Peggy Davies. -Are they? | 0:13:30 | 0:13:34 | |
-So that's why I asked. -That's a coincidence! | 0:13:34 | 0:13:38 | |
Also interesting that that is your favourite, Melody. | 0:13:38 | 0:13:42 | |
From a series called Teenagers, she's the scarcest of the three. | 0:13:42 | 0:13:46 | |
I'd put the three of them together | 0:13:46 | 0:13:48 | |
at about... | 0:13:48 | 0:13:51 | |
That gets you probably to Llandudno, so let's carry on, shall we? | 0:13:54 | 0:13:59 | |
'Spurred on by that holiday, Carol adds her silver tea service | 0:14:01 | 0:14:06 | |
'to the items heading to auction. | 0:14:06 | 0:14:08 | |
'John thinks it could be of interest to any collectors in the saleroom. | 0:14:08 | 0:14:15 | |
'He gives it a hefty price tag! | 0:14:15 | 0:14:20 | |
'That's what I like to hear.' | 0:14:20 | 0:14:22 | |
Carol? | 0:14:22 | 0:14:24 | |
-You found my boxes. -I found your boxes. | 0:14:25 | 0:14:28 | |
These would be interesting to send, if you're not too attached to them. | 0:14:28 | 0:14:32 | |
Not really. That was my mother's and that was my mother-in-law's. | 0:14:32 | 0:14:38 | |
-Bought separately? They didn't holiday together? -No. | 0:14:38 | 0:14:42 | |
That's remarkable that they both bought Limoges boxes, | 0:14:42 | 0:14:46 | |
identical in form and shape. | 0:14:46 | 0:14:48 | |
So, would you be prepared to sell something like these? | 0:14:48 | 0:14:52 | |
-Yes, providing it's a reasonable price. -We'll come to that. | 0:14:52 | 0:14:56 | |
To most people, it represents high quality decorating on porcelain. | 0:14:56 | 0:15:02 | |
The Limoges reputation goes back to about the 12th and 13th century, | 0:15:02 | 0:15:07 | |
but a different type of enamelling, ground glass mixed with pigment, | 0:15:07 | 0:15:12 | |
painted onto copper bases and then fired so it becomes glass-like. | 0:15:12 | 0:15:18 | |
In the 18th century, there was a craze for hard-paste porcelain. | 0:15:18 | 0:15:23 | |
The Europeans finally discovered how to make it, | 0:15:23 | 0:15:26 | |
first at Meissen, and later at Sevres and in this country. | 0:15:26 | 0:15:30 | |
These are true hard-paste porcelain. | 0:15:30 | 0:15:33 | |
The piece has been put together. They've cut sections of slab. | 0:15:33 | 0:15:38 | |
Then they've been fired and then they're decorated. | 0:15:38 | 0:15:42 | |
-Do they start with a basic colour? -They start with colours fired at the highest temperatures. | 0:15:42 | 0:15:49 | |
So each time it's fired again, you're reducing the temperature. | 0:15:49 | 0:15:55 | |
If we look at the bottom, the addition of "France" | 0:15:55 | 0:15:59 | |
suggests early 20th century. | 0:15:59 | 0:16:01 | |
Because I like them and they're in good condition, | 0:16:01 | 0:16:05 | |
I'd see no problem with them making... | 0:16:05 | 0:16:08 | |
That sounds good. | 0:16:08 | 0:16:12 | |
-Thank you. -Well, we're not doing too bad. -Let's find some more. | 0:16:12 | 0:16:16 | |
'Another great addition towards the luxury holiday | 0:16:16 | 0:16:19 | |
'and our £1,500 target is definitely inching ever closer.' | 0:16:19 | 0:16:24 | |
Come on, ladies. Let's sit down. | 0:16:24 | 0:16:28 | |
-I think we deserve this cup of tea. It's going well. -Yes. I'm surprised. | 0:16:28 | 0:16:33 | |
You've both found treasures. You have a fantastic relationship. | 0:16:33 | 0:16:37 | |
-We do, actually. -We're completely opposite. | 0:16:37 | 0:16:41 | |
Chalk and cheese, but we get on extremely well. | 0:16:41 | 0:16:44 | |
-That relationship was born out of work? -Yes. | 0:16:44 | 0:16:47 | |
In Windsor, we were both working in the same store. | 0:16:47 | 0:16:51 | |
I was in there demonstrating double-glazed windows | 0:16:51 | 0:16:55 | |
and trying to sell appointments. | 0:16:55 | 0:16:58 | |
Joy was the lingerie buyer, known as the naughty knicker lady! | 0:16:58 | 0:17:02 | |
The naughty knicker lady? Are you happy about that? | 0:17:02 | 0:17:06 | |
I went into a local pub. "Oh! The naughty knicker lady!" | 0:17:06 | 0:17:11 | |
My husband got fed up and told them. | 0:17:11 | 0:17:13 | |
I said, "Don't do that. They're good customers." | 0:17:13 | 0:17:17 | |
I'm sure you've got stories about that! | 0:17:17 | 0:17:20 | |
Let's talk about exotic holidays. When did you start going on them? | 0:17:20 | 0:17:24 | |
When my eldest daughter was living with me. | 0:17:24 | 0:17:28 | |
We went to the Caribbean a few times. | 0:17:28 | 0:17:31 | |
Swimming with dolphins, which scared me. I'm a terrible swimmer! | 0:17:31 | 0:17:36 | |
She went to do other things and I thought, "Just cos I'm on my own, I'm still going to go on holiday." | 0:17:36 | 0:17:43 | |
-You're never tempted to go with her? -Joy doesn't like a lazy holiday. | 0:17:43 | 0:17:48 | |
I'm likely to go to New York or San Francisco or Rome. | 0:17:48 | 0:17:53 | |
-You've got to be busy? -Yeah. | 0:17:53 | 0:17:55 | |
I'll be out at 9.30 in the morning until six in the evening. | 0:17:55 | 0:18:00 | |
-That sounds like hard work. -Well, it is. | 0:18:00 | 0:18:04 | |
We need to raise £1,500 to get you that exotic holiday | 0:18:04 | 0:18:08 | |
-that you're not going on and I am! -He'll go in my suitcase! | 0:18:08 | 0:18:12 | |
-We should get on with it. -I think we should pack a suitcase. | 0:18:12 | 0:18:17 | |
'We embark on one final sweep of Carol's house | 0:18:17 | 0:18:21 | |
'and I find this stunning Victorian locket in the back of a drawer. | 0:18:21 | 0:18:26 | |
'Carol bought it at auction herself. | 0:18:26 | 0:18:28 | |
'It's lovely, with diamond and heart decoration and a gold necklace. | 0:18:28 | 0:18:34 | |
'John thinks it could fetch as much as...' | 0:18:34 | 0:18:38 | |
-Come and have a look at this. -Ooh. What have you found? | 0:18:40 | 0:18:44 | |
-I think I'm in time for the Chinese New Year. -It's very sharp. | 0:18:44 | 0:18:49 | |
-What's the story behind this? -Um... I inherited it. | 0:18:49 | 0:18:54 | |
-Beautiful detail. -It's unusual, isn't it? | 0:18:54 | 0:18:57 | |
I presume it's Chinese. It's not English. | 0:18:57 | 0:19:01 | |
-It's a Welsh dragon! -I never thought of that. -You got it in special. | 0:19:01 | 0:19:06 | |
-We'll make it a Welsh dragon! -Looks too vicious. | 0:19:06 | 0:19:10 | |
You were absolutely right. That is a Chinese dragon, a handsome one. | 0:19:10 | 0:19:16 | |
You've got these beautifully cast and applied dragon handles. | 0:19:16 | 0:19:21 | |
And this wonderfully embossed continuous dragon round the body. | 0:19:21 | 0:19:27 | |
That's been worked by hand from the inside. | 0:19:27 | 0:19:30 | |
Then they turn it over and chase all those scales in. | 0:19:30 | 0:19:35 | |
-Have you ever noticed the mark on the bottom? -I did. | 0:19:35 | 0:19:39 | |
I wondered if it was silver. | 0:19:39 | 0:19:42 | |
It's Chinese export silver. | 0:19:42 | 0:19:46 | |
That name reads Hung Chong, a firm of retailers. | 0:19:46 | 0:19:49 | |
They were based in Canton. They had a place in Nanking and Shanghai. | 0:19:49 | 0:19:55 | |
They were satisfying the demand for Oriental items | 0:19:55 | 0:19:59 | |
driven by the west. | 0:19:59 | 0:20:01 | |
There was a fascination from the 1870s right up until the 1920s. | 0:20:01 | 0:20:07 | |
The late Qing dynasty. | 0:20:07 | 0:20:09 | |
This is a super piece and something we could do with at auction. | 0:20:09 | 0:20:14 | |
-Would you be sad to see that go? -Not particularly, no. | 0:20:14 | 0:20:18 | |
I like it, but it comes out at Christmas time. | 0:20:18 | 0:20:22 | |
You've got all the silver out. | 0:20:22 | 0:20:25 | |
Would it be full of 2p pieces or £5 notes? | 0:20:25 | 0:20:28 | |
-Joy, what do you think of this? -It's beautiful. | 0:20:28 | 0:20:32 | |
I'm not a silver person, cos I'm a lazy person. | 0:20:32 | 0:20:36 | |
-Cleaning silver's not your thing? -No! | 0:20:36 | 0:20:40 | |
-But I think it's lovely. -What do you think this is worth? | 0:20:40 | 0:20:44 | |
-150? -What about you, Carol? | 0:20:44 | 0:20:47 | |
I was thinking the same as Joy, but perhaps 200? | 0:20:47 | 0:20:51 | |
Well, I'd be happy to put that into auction | 0:20:51 | 0:20:55 | |
with an estimate of... | 0:20:55 | 0:20:59 | |
-Holy smoke! -You look surprised. -I'm absolutely shocked. | 0:20:59 | 0:21:04 | |
-Have you changed your mind, Carol? -No! -That's good. -Wow! | 0:21:04 | 0:21:10 | |
You wanted £1,500 to jet off into the sunshine. | 0:21:10 | 0:21:13 | |
We take the lowest valuations of all the things we've valued. | 0:21:13 | 0:21:18 | |
We could be making in the region of...£2,260. | 0:21:18 | 0:21:24 | |
-Wow. There you go. -Wow. Isn't that fantastic? | 0:21:24 | 0:21:27 | |
-You can have two holidays. -I could. | 0:21:27 | 0:21:30 | |
-I could take both of you on holiday. -Sounds great. | 0:21:30 | 0:21:34 | |
Thank you for finding that bowl, It's been the highlight of the day. | 0:21:34 | 0:21:39 | |
-The other highlight has been meeting you two. -Lovely meeting you both. | 0:21:39 | 0:21:44 | |
'I've really enjoyed my day in Berkshire with Carol and Joy. | 0:21:44 | 0:21:49 | |
'We can all be thoroughly satisfied with our day's work. | 0:21:49 | 0:21:53 | |
'Carol wants a luxury holiday and, hoping to fund it, | 0:21:53 | 0:21:57 | |
'we have the pair of elegant George V candlesticks, | 0:21:57 | 0:22:03 | |
'the stunning Victorian locket | 0:22:03 | 0:22:06 | |
'left abandoned in a drawer until I found it. | 0:22:06 | 0:22:11 | |
'It could bring at least £300. | 0:22:11 | 0:22:14 | |
'Undoubtedly, our star find, the magnificent Chinese bowl, | 0:22:14 | 0:22:19 | |
'with its own intricately detailed dragon. | 0:22:19 | 0:22:22 | |
'It could make the difference between a bus trip to Llandudno, | 0:22:22 | 0:22:26 | |
'and a first class ticket to the sun.' | 0:22:26 | 0:22:29 | |
'Still to come on Cash In The Attic, | 0:22:29 | 0:22:32 | |
'there's disappointment, as some items fall short of their estimate.' | 0:22:32 | 0:22:37 | |
-They had a great deal. -They did. | 0:22:37 | 0:22:40 | |
'Whilst others exceed all expectations' | 0:22:40 | 0:22:43 | |
-Brilliant. -Blew my estimate away! | 0:22:43 | 0:22:46 | |
'Will Carol be able to afford the luxury holiday of her dreams? | 0:22:46 | 0:22:51 | |
'Find out later in the show.' | 0:22:51 | 0:22:53 | |
It's been two weeks since I met Carol in Berkshire. | 0:22:58 | 0:23:02 | |
We discovered lots of interesting items. | 0:23:02 | 0:23:05 | |
She wants to raise at least £1,500 to go on holiday somewhere nice. | 0:23:05 | 0:23:10 | |
I've brought her to Cotswold Auctioneers in Cirencester. | 0:23:10 | 0:23:14 | |
Let's hope there are plenty of bidders when her items go under the hammer. | 0:23:14 | 0:23:19 | |
'This popular auction house has three sales every month. | 0:23:19 | 0:23:25 | |
'With 650 lots on offer today, we're hopeful for a good turnout. | 0:23:25 | 0:23:30 | |
'Our dashing expert John Cameron was at the front of the queue | 0:23:30 | 0:23:35 | |
'and has been making sure all of our items arrived in one piece.' | 0:23:35 | 0:23:40 | |
If it's possible, you're even better looking in Cirencester. | 0:23:40 | 0:23:44 | |
-You say the nicest things. -I don't remember these. | 0:23:44 | 0:23:46 | |
These two Limoges porcelain boxes come from the exact same period | 0:23:46 | 0:23:52 | |
but Carol was given one by her mother-in-law and one by her mother. | 0:23:52 | 0:23:57 | |
I've got £100 to £200 on them. She has a reserve of £80 on them. | 0:23:57 | 0:24:02 | |
She has got reserves on most items, albeit under my lower estimate. | 0:24:02 | 0:24:08 | |
-But I think there's one item she hasn't brought. -Really? -Yeah. -We need to investigate. | 0:24:08 | 0:24:14 | |
'I hope Carol hasn't left behind one of her higher valued items. | 0:24:14 | 0:24:19 | |
'We'll soon find out, and I see it wasn't the candlesticks.' | 0:24:19 | 0:24:25 | |
-Here you are, ladies. Nice to see you. -And you, too. | 0:24:25 | 0:24:28 | |
-Saying a fond farewell? -Yes, I am. | 0:24:28 | 0:24:30 | |
It's a bit sad, but they'll go to a nice home, I'm sure. | 0:24:30 | 0:24:34 | |
You haven't brought one item. What was that? | 0:24:34 | 0:24:37 | |
I didn't bring the Waterford glasses. | 0:24:37 | 0:24:42 | |
Now that Waterford have been taken over and will be made in Italy, | 0:24:42 | 0:24:47 | |
the glass made in Ireland will be worth something in a few years. | 0:24:47 | 0:24:52 | |
-A bit of a hedge fund? -Yes. -She's taking this very seriously. | 0:24:52 | 0:24:56 | |
Either for me or for the children. | 0:24:56 | 0:24:58 | |
-You've put a reserve on lots of items. How come? -On the advice from the auction house. | 0:24:58 | 0:25:05 | |
-I haven't made them too low. -Good. | 0:25:05 | 0:25:07 | |
-The auction's about to start. We should get into position. -OK. | 0:25:07 | 0:25:12 | |
-Fingers crossed, eh? -Yes. | 0:25:12 | 0:25:14 | |
'The missing Waterford crystal puts a £50 dent in our potential takings. | 0:25:17 | 0:25:23 | |
'As they weren't one of our big money items, with a bit of luck, | 0:25:23 | 0:25:27 | |
'we'll reach our £1,500 target. | 0:25:27 | 0:25:29 | |
'We kick off with an item that Joy found in the wardrobe, | 0:25:29 | 0:25:33 | |
'the rather elegant tea caddy.' | 0:25:33 | 0:25:36 | |
£100 to £200. Do you think we'll get it? | 0:25:36 | 0:25:39 | |
We should do. It's unusual, in that you have three separate tea caddies. | 0:25:39 | 0:25:44 | |
You usually get two and a mixing bowl so it should generate interest. | 0:25:44 | 0:25:48 | |
-We're about to find out. -Here we go. | 0:25:48 | 0:25:51 | |
And I've several bids on the book so I must start at 100, 120. | 0:25:51 | 0:25:57 | |
-With me at 140.... -That's good. | 0:25:57 | 0:26:00 | |
..Are we all done at 140? | 0:26:00 | 0:26:03 | |
160. 180. With me again at 180. | 0:26:03 | 0:26:07 | |
Commission bid, then, with me at £180. | 0:26:07 | 0:26:11 | |
Are you all done? Selling... | 0:26:11 | 0:26:13 | |
180! | 0:26:15 | 0:26:17 | |
'What a cracking start for us in Cirencester | 0:26:17 | 0:26:21 | |
'with the unusual tea caddy selling for £20 short of our top estimate. | 0:26:21 | 0:26:26 | |
'That's the limo to the airport! | 0:26:26 | 0:26:29 | |
'Let's keep the momentum going with the sale of our second item. | 0:26:29 | 0:26:33 | |
'It's the hallmarked George V candlesticks.' | 0:26:33 | 0:26:37 | |
How are you feeling about these? | 0:26:37 | 0:26:39 | |
Excited, actually. | 0:26:39 | 0:26:41 | |
-They're rather nice, I must admit. -You put another pair in the oven! | 0:26:41 | 0:26:46 | |
To warm them up, dry them off, and the resin melted inside! | 0:26:46 | 0:26:51 | |
-They became hollow candlesticks. -Why did you do that, Carol? | 0:26:51 | 0:26:55 | |
Stupid! | 0:26:55 | 0:26:57 | |
What shall we say for these? 200? Start me at 150, then. | 0:26:57 | 0:27:02 | |
150 bid. 160. | 0:27:02 | 0:27:04 | |
At 160, lady's bid at 160. 170. 180. | 0:27:04 | 0:27:08 | |
190. 200. | 0:27:08 | 0:27:10 | |
And ten. 220. 230. 240. | 0:27:10 | 0:27:14 | |
250. 260. | 0:27:14 | 0:27:17 | |
Lady seated at 260. 70 anywhere? | 0:27:17 | 0:27:20 | |
All done at 260...? BANGS GAVEL | 0:27:20 | 0:27:23 | |
The taxi back from the airport! | 0:27:23 | 0:27:25 | |
'I don't know what sort of taxis they're travelling in, | 0:27:25 | 0:27:30 | |
'Selling at the higher end of John's estimate. | 0:27:30 | 0:27:33 | |
'Now, the paintings by Anne Harcourt and the auction house has split them | 0:27:33 | 0:27:39 | |
'into three separate lots. | 0:27:39 | 0:27:41 | |
'John valued them collectively. Let's see how accurate he is.' | 0:27:41 | 0:27:45 | |
The first one's coming up now, the panoramic landscape. | 0:27:45 | 0:27:50 | |
Let's see how we do with this one. | 0:27:50 | 0:27:52 | |
Start me at 50 for this. Very handsome. £50? 30, then. | 0:27:52 | 0:27:58 | |
With me at £30. Who's going on? At £30. Five. 40. | 0:27:58 | 0:28:03 | |
With me at 40, again. At 40. | 0:28:03 | 0:28:06 | |
45. 50. 55... | 0:28:06 | 0:28:12 | |
We've got a telephone bid on this. | 0:28:12 | 0:28:14 | |
..At 55. The large landscape at 55. 60 anywhere? | 0:28:14 | 0:28:19 | |
Be quick or I'm selling at 55. | 0:28:19 | 0:28:22 | |
BANGS GAVEL | 0:28:22 | 0:28:24 | |
'Despite the telephone bid, the big landscape sells some way short | 0:28:24 | 0:28:28 | |
'of the £80 John hoped for. | 0:28:28 | 0:28:31 | |
'Will the still life prove more popular? | 0:28:31 | 0:28:34 | |
'John valued it at £30 to £60. | 0:28:34 | 0:28:38 | |
'And it sells mid-estimate for £50.' | 0:28:38 | 0:28:40 | |
Another good result! | 0:28:40 | 0:28:43 | |
'With £105 raised for the two paintings, | 0:28:43 | 0:28:46 | |
'we need the final landscape to raise £75. | 0:28:46 | 0:28:50 | |
'That'll get us John's collective estimate.' | 0:28:50 | 0:28:53 | |
-£90! -Could be worse. | 0:28:56 | 0:28:58 | |
'It sells for the very respectable £90. | 0:28:58 | 0:29:02 | |
'Our three paintings have raised £195, | 0:29:02 | 0:29:05 | |
'in the middle of John's estimate. | 0:29:05 | 0:29:08 | |
'I think, all in all, that's a pretty good result.' | 0:29:08 | 0:29:12 | |
I'll be sad to say goodbye to three of my favourite ladies. | 0:29:12 | 0:29:16 | |
-Melody, Southern Belle and Valerie. -You shouldn't be greedy! | 0:29:16 | 0:29:20 | |
You've got a fair point. | 0:29:20 | 0:29:22 | |
-We're after 80 to 120. We should get that for these. -You would hope so. | 0:29:22 | 0:29:27 | |
A few years ago, Melody alone would have made that. | 0:29:27 | 0:29:31 | |
I don't think 80 to 120 is unrealistic. It's down to the room. | 0:29:31 | 0:29:35 | |
Nice little lot. There we are. Start me at £50. | 0:29:35 | 0:29:39 | |
Start me off. 40, then? | 0:29:39 | 0:29:42 | |
At 40. Who's going on? Five. 50. | 0:29:42 | 0:29:44 | |
Five. 60. Five. 70. Five. | 0:29:44 | 0:29:48 | |
80. | 0:29:48 | 0:29:49 | |
At 80. Seated, at 80. At £80. | 0:29:49 | 0:29:53 | |
Looking for five, now. At £80, then. | 0:29:53 | 0:29:56 | |
Are you all done...? | 0:29:56 | 0:29:58 | |
-You've got space for something else. -More Lladro. -No, don't! | 0:29:58 | 0:30:03 | |
'Not quite the bidding frenzy for the Royal Doulton, | 0:30:03 | 0:30:06 | |
'but Carol's happy to finish the first half of the auction | 0:30:06 | 0:30:11 | |
'with another healthy contribution towards the holiday fund.' | 0:30:11 | 0:30:15 | |
OK, half time. | 0:30:15 | 0:30:18 | |
You've done remarkably well. You're after £1,500 for that hot holiday. | 0:30:18 | 0:30:23 | |
That you're going on alone cos Joy doesn't like hot holidays. | 0:30:23 | 0:30:27 | |
You've actually raised £715 so far. | 0:30:27 | 0:30:30 | |
-Really? -So we're halfway there, almost. -That's good. | 0:30:30 | 0:30:34 | |
We should recharge our batteries. Have a cup of tea. | 0:30:34 | 0:30:38 | |
-You should find something interesting. -I already have. I want a closer look at it. | 0:30:38 | 0:30:44 | |
'If you're heading to auction to raise money for something special, | 0:30:44 | 0:30:49 | |
'do remember that fees like commission and VAT may be added, | 0:30:49 | 0:30:53 | |
'so do check with your local auction house first to avoid unwelcome surprises. | 0:30:53 | 0:31:00 | |
'Now, what's the item that's got John all excited?' | 0:31:00 | 0:31:04 | |
I've come to look at this Victorian two-door display cabinet. | 0:31:04 | 0:31:08 | |
It's a typical Victorian piece featuring walnut veneers to the top | 0:31:08 | 0:31:14 | |
and these gilt metal mounts, typical of the French empire style. | 0:31:14 | 0:31:19 | |
It's a very typical Victorian piece. | 0:31:19 | 0:31:22 | |
The auctioneers have put £300 to £500 on this and that's interesting. | 0:31:22 | 0:31:26 | |
For nice antique furniture, it doesn't seem dear. | 0:31:26 | 0:31:30 | |
However, this furniture has been out of fashion for some time. | 0:31:30 | 0:31:34 | |
I've seen pieces like this selling for £100. | 0:31:34 | 0:31:37 | |
It's had a piece out the back and there are scuffs to the veneers. | 0:31:37 | 0:31:42 | |
Either the Cotswolds is a good place to sell furniture | 0:31:42 | 0:31:46 | |
or recession-proof antiques are a sound investment. | 0:31:46 | 0:31:50 | |
People may be coming back and pushing up demand. | 0:31:50 | 0:31:53 | |
If you can get £300 to £500 for this, I'll be quite impressed. | 0:31:53 | 0:31:59 | |
'We don't have to wait long for the Victorian display cabinet.' | 0:31:59 | 0:32:04 | |
680. Bid's in the room now at 680. Against you on the phone. | 0:32:04 | 0:32:08 | |
In the room at 680. Are we all done? I'm selling... | 0:32:08 | 0:32:12 | |
'It sells above its top estimate. | 0:32:12 | 0:32:15 | |
'Could this mean that, in the Cotswolds at any rate, | 0:32:15 | 0:32:20 | |
'antique furniture is certainly very much in demand?' | 0:32:20 | 0:32:24 | |
'Time for the second half of our sale. | 0:32:24 | 0:32:26 | |
'Up first, the pair of Limoges trinket boxes Carol inherited - | 0:32:26 | 0:32:31 | |
'one from her mother and the other from her mother-in-law.' | 0:32:31 | 0:32:37 | |
-Have you put a reserve on these? -Yes, I have. 80. -Seems fair enough. | 0:32:37 | 0:32:42 | |
Very fair. They're two nice boxes. | 0:32:42 | 0:32:45 | |
They'll make a nice display in someone's bijouterie cabinet. | 0:32:45 | 0:32:50 | |
-I think they're worth it. -I love it when you say "bijouterie". | 0:32:50 | 0:32:54 | |
Start me at 50 for these. Very decorative lot. £50. | 0:32:54 | 0:32:58 | |
Start me off someone. £50. | 0:32:58 | 0:33:00 | |
Anyone coming in at 50? | 0:33:00 | 0:33:03 | |
If not, we will move on. BANGS GAVEL | 0:33:03 | 0:33:07 | |
-They didn't sell. -Didn't get a single bid, which is surprising. | 0:33:07 | 0:33:11 | |
'A disappointing start to the second half of the sale. | 0:33:11 | 0:33:16 | |
'When the bidders aren't there, there's not much you can do. | 0:33:16 | 0:33:20 | |
'They head back to Berkshire with Carol. | 0:33:20 | 0:33:23 | |
'Let's see if we have more luck with the costume jewellery. | 0:33:23 | 0:33:27 | |
'John says he's quietly confident we'll exceed his £50 estimate. | 0:33:27 | 0:33:33 | |
'Let's just hope the jewellery bidders are out in force.' | 0:33:33 | 0:33:37 | |
Start me at 30. 30 bid. | 0:33:37 | 0:33:40 | |
And five. 40. | 0:33:40 | 0:33:42 | |
Five. 50. | 0:33:42 | 0:33:43 | |
Five. 60. | 0:33:43 | 0:33:46 | |
Five. 70. Five. 80. Five. | 0:33:46 | 0:33:48 | |
90. Five. 100. Ten. | 0:33:48 | 0:33:52 | |
20. 30. 40. | 0:33:52 | 0:33:54 | |
And 50. At 150. | 0:33:54 | 0:33:56 | |
On the right at 150. 60 anywhere? At 150, then, standing... | 0:33:56 | 0:34:00 | |
Are we all done...? BANGS GAVEL | 0:34:00 | 0:34:03 | |
-Brilliant! -Blew my estimate away. | 0:34:03 | 0:34:06 | |
When he says he's quietly confident, he knows what he's talking about. | 0:34:06 | 0:34:11 | |
What's why he's the expert. | 0:34:11 | 0:34:13 | |
'That really is a fabulous result. Three times the lowest estimate. | 0:34:13 | 0:34:18 | |
'Another great contribution to the holiday. | 0:34:18 | 0:34:21 | |
'The next item is something that I found. | 0:34:21 | 0:34:24 | |
'The silver pedestal rose bowl.' | 0:34:24 | 0:34:27 | |
-What's the story behind it? -I inherited it. | 0:34:27 | 0:34:30 | |
-You've done well. -Yes. I was very lucky. | 0:34:30 | 0:34:33 | |
We're asking £100 to £200 for this. | 0:34:33 | 0:34:36 | |
It's nice, dated London 1925 and I think it's quite decorative. | 0:34:36 | 0:34:41 | |
Let's see how we get on. | 0:34:41 | 0:34:43 | |
£100 to start me. £100? | 0:34:43 | 0:34:45 | |
50, then? | 0:34:45 | 0:34:47 | |
£50 for the bowl? 50 bid. Who's going on? | 0:34:47 | 0:34:50 | |
£50. Five. At 55. | 0:34:50 | 0:34:54 | |
At 55. | 0:34:54 | 0:34:56 | |
60. | 0:34:56 | 0:34:58 | |
Who's going on now? At £60. | 0:34:58 | 0:35:01 | |
At £60. Five anywhere? | 0:35:01 | 0:35:03 | |
At £60. Are you all done? I'm selling at 60, then... | 0:35:03 | 0:35:08 | |
-That's a bit disappointing. -That was. | 0:35:10 | 0:35:13 | |
'There was me thinking I'd found something rather special. | 0:35:13 | 0:35:17 | |
'The bidders here didn't think so. | 0:35:17 | 0:35:20 | |
'That's our first real disappointment. More silver up next. | 0:35:20 | 0:35:24 | |
'Let's hope this has more appeal. | 0:35:24 | 0:35:27 | |
'It's the three-piece tea service. | 0:35:27 | 0:35:30 | |
'Carol, possibly wisely, has put a £150 reserve on it.' | 0:35:30 | 0:35:38 | |
Start me at, what shall we say, 200? 150, then? | 0:35:38 | 0:35:41 | |
£100, then? Start me off, someone. We've got 100 bid. At 100. | 0:35:41 | 0:35:46 | |
110. 120. | 0:35:46 | 0:35:49 | |
130. 140. 150. | 0:35:49 | 0:35:52 | |
At 150, seated. 160. | 0:35:52 | 0:35:55 | |
170. 180. 190. | 0:35:55 | 0:35:59 | |
At 190. Seated, now, at 190. Near me at 190. | 0:35:59 | 0:36:03 | |
Are we all done? 190... | 0:36:03 | 0:36:05 | |
Not bad at all. | 0:36:06 | 0:36:09 | |
'It was a tentative start but the tea service sells above its reserve. | 0:36:09 | 0:36:15 | |
'£60 short of our lowest estimate. | 0:36:15 | 0:36:17 | |
'The second half seems to have triggered a change in fortunes. | 0:36:17 | 0:36:21 | |
'I'm worried the bidders may have spent all their money already. | 0:36:21 | 0:36:26 | |
'We have several high valued items coming up. | 0:36:26 | 0:36:31 | |
'First, the Victorian locket, | 0:36:31 | 0:36:33 | |
'which I discovered in the back of a drawer.' | 0:36:33 | 0:36:38 | |
-Remind us about the locket. -I bought it at auction myself. | 0:36:38 | 0:36:42 | |
-You didn't inherit it? -No! | 0:36:42 | 0:36:45 | |
-How much did you pay for it? -300 and something. | 0:36:45 | 0:36:49 | |
-This is one you put a reserve on? -Yes. I put on 270. | 0:36:49 | 0:36:53 | |
Start me at 200 for this. | 0:36:53 | 0:36:56 | |
200 to start? 150, then? | 0:36:56 | 0:36:58 | |
150 bid. At 150. Who's going on? 150. 160. | 0:36:58 | 0:37:02 | |
170. 180. 190. | 0:37:02 | 0:37:06 | |
200. And 20. 240. At 240... | 0:37:06 | 0:37:09 | |
-It's not going to get there? -No. It's against the room. | 0:37:09 | 0:37:14 | |
..At 240, anywhere? 240. 260, is it? | 0:37:14 | 0:37:18 | |
At 240, then. Not sold. | 0:37:18 | 0:37:22 | |
-It's a big dent in your budget. -It is, rather. | 0:37:22 | 0:37:25 | |
-£300 to £400. -Yes. Never mind. -Still more to come. -C'est la vie. | 0:37:25 | 0:37:31 | |
'Carol's looking on the bright side, | 0:37:31 | 0:37:35 | |
'as the locket wasn't sold for less than she wanted, | 0:37:35 | 0:37:39 | |
'but we'll need some high results now. | 0:37:39 | 0:37:43 | |
'Our penultimate lot is the mixed silver items - | 0:37:43 | 0:37:47 | |
'boxed sets of cutlery, Vesta cases and bridge pencils. | 0:37:47 | 0:37:51 | |
'John valued them at £150 | 0:37:51 | 0:37:53 | |
'and Carol's put a fixed reserve of £120 on the lot.' | 0:37:53 | 0:37:58 | |
-Don't tell me, you inherited them. -Not all of it. | 0:37:58 | 0:38:01 | |
-Not all of it! OK! -The pencils, yes. | 0:38:01 | 0:38:04 | |
-Some were spoons that were mine. -OK. -And the Christening set as well. | 0:38:04 | 0:38:09 | |
-Let's hope we get 150 quid. -I would like that. | 0:38:09 | 0:38:12 | |
What shall we say? Start me at £100. 100 bid. | 0:38:12 | 0:38:16 | |
At 100. At 100. Are you all done? | 0:38:16 | 0:38:19 | |
At 100. And ten. 120. | 0:38:19 | 0:38:22 | |
At 120. 130, is it? At 120 here. | 0:38:22 | 0:38:27 | |
The bid's on the left at 120. At 120, I'm selling... | 0:38:27 | 0:38:31 | |
All done? | 0:38:31 | 0:38:33 | |
Under my lower estimate. I'm disappointed with that. | 0:38:33 | 0:38:37 | |
-£120. That was your reserve? -Yes. | 0:38:37 | 0:38:40 | |
-They should be happy with that. -They had a great deal. -They did. | 0:38:40 | 0:38:44 | |
'So, less than we were wanting for the silver. | 0:38:44 | 0:38:48 | |
'At least the reserve was achieved | 0:38:48 | 0:38:51 | |
'and we have another £120 to add to the holiday fund. | 0:38:51 | 0:38:55 | |
'It's been difficult to predict which items the bidders will go for. | 0:38:55 | 0:39:00 | |
'We're all on tenterhooks to see what they make of our final lot, | 0:39:00 | 0:39:05 | |
'the stunning Chinese silver bowl with intricately carved dragon. | 0:39:05 | 0:39:10 | |
'John valued it at £700 and it has a discretionary £600 reserve. | 0:39:10 | 0:39:15 | |
'Surely, it can't fail to create some excitement in this room?' | 0:39:15 | 0:39:20 | |
500 to start? Very unusual Chinese bowl. | 0:39:20 | 0:39:24 | |
500? 400, then. 400 bid. | 0:39:24 | 0:39:28 | |
At 400. 20 here. 440. | 0:39:28 | 0:39:31 | |
460. 480. | 0:39:31 | 0:39:34 | |
-500. 520... -He's on the phone. | 0:39:34 | 0:39:39 | |
..560. At 560 in the room now. | 0:39:39 | 0:39:42 | |
At 560. The bid's at 560. At 560, are we all done? | 0:39:42 | 0:39:46 | |
At 560, I'm selling. At 560, then... | 0:39:46 | 0:39:50 | |
560 towards that holiday. | 0:39:51 | 0:39:54 | |
-Yes! Another suitcase to pack. -Exactly. | 0:39:54 | 0:39:58 | |
'The auctioneer used her discretion | 0:39:58 | 0:40:01 | |
'and let the bowl sell for £40 below its reserve. | 0:40:01 | 0:40:05 | |
'Not the result we were hoping for, but it's been one of those days. | 0:40:05 | 0:40:10 | |
'Some items doing better than expected and others failing to gain interest. | 0:40:10 | 0:40:15 | |
'It's been a turbulent old day at auction.' | 0:40:15 | 0:40:19 | |
You survived your first auction in Cirencester with smiles on your faces. | 0:40:19 | 0:40:24 | |
You are taking two lots home that didn't sell, | 0:40:24 | 0:40:27 | |
which represented quite a chunk of your target. | 0:40:27 | 0:40:31 | |
It is a bit disappointing, but I don't know what the total is. | 0:40:31 | 0:40:36 | |
It's not a little bit disappointing. It's really good news. | 0:40:36 | 0:40:40 | |
You wanted £1,500 for that hot holiday. | 0:40:40 | 0:40:43 | |
-You raised today £1,795. -That's better than I thought! | 0:40:43 | 0:40:48 | |
-I'd lost track. -So, hot holiday on your own, then you can take Joy somewhere miserable! | 0:40:48 | 0:40:55 | |
-Thank you, Aled(!) -It's been fabulous meeting you both. | 0:40:55 | 0:40:59 | |
She can take me to Wales! | 0:40:59 | 0:41:01 | |
I'm not sure they'll let you in. I'll put a good word in for you. | 0:41:01 | 0:41:05 | |
-You have a great holiday. -Thank you very much. Thanks for your help. | 0:41:05 | 0:41:10 | |
You're welcome. | 0:41:10 | 0:41:12 | |
'It's been a number of weeks since the roller-coaster day at auction. | 0:41:16 | 0:41:20 | |
'Carol's called in youngest daughter Joanna to help further her plans for that luxury holiday.' | 0:41:20 | 0:41:27 | |
-Hello, darling. How are you? -I'm all right... | 0:41:27 | 0:41:31 | |
'The auction, I thought was great fun.' | 0:41:31 | 0:41:34 | |
Aled was charming and John was a great help. | 0:41:34 | 0:41:38 | |
Aled's quite lucky he escaped! | 0:41:38 | 0:41:41 | |
Mummy's putting him in her suitcase. | 0:41:41 | 0:41:44 | |
'Steady on. Having raised just shy of £1,800, | 0:41:44 | 0:41:48 | |
'the girls head to the high street for exotic inspiration.' | 0:41:48 | 0:41:53 | |
-What are you looking for? -Somewhere warm. -Beach and sunshine! | 0:41:53 | 0:41:58 | |
With a beach. On the beach. All-inclusive. | 0:41:58 | 0:42:02 | |
'So, what's the decision? Could she be heading to the Caribbean?' | 0:42:02 | 0:42:06 | |
-I think St Kitts would be different. -It would, actually. | 0:42:06 | 0:42:11 | |
I haven't been there before. | 0:42:11 | 0:42:14 | |
We'll look at the brochure and see what hotels are what. | 0:42:14 | 0:42:19 | |
I'm jealous now. I want to come. | 0:42:19 | 0:42:21 | |
Subtitles by Red Bee Media Ltd | 0:42:39 | 0:42:47 |