
Browse content similar to Hornblower. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Hello. Welcome to the show that finds treasures in your home and helps you sell them at auction. | 0:00:02 | 0:00:06 | |
I wonder how many of you started collecting several years ago | 0:00:06 | 0:00:09 | |
and now find everything's taken over your home. | 0:00:09 | 0:00:13 | |
That's exactly what's happened to the lady I'm meeting today. | 0:00:13 | 0:00:16 | |
But she's hoping her passion will bring her some cash in the attic. | 0:00:16 | 0:00:21 | |
Coming up on Cash In The Attic: | 0:00:40 | 0:00:43 | |
Jonty finds some ostrich fans and makes a promise he may regret. | 0:00:43 | 0:00:47 | |
Now I've got two, I can do a fan dance. | 0:00:47 | 0:00:49 | |
Oh, absolutely! | 0:00:49 | 0:00:52 | |
Come on! | 0:00:52 | 0:00:54 | |
And he's rather taken with a French art nouveau bust. | 0:00:54 | 0:00:57 | |
Lots of young maidens always had this wonderful simpering look. | 0:00:57 | 0:01:03 | |
At auction, he certainly bowls over our maidens. | 0:01:03 | 0:01:07 | |
That is wonderful! I can't believe that! | 0:01:07 | 0:01:11 | |
Find out what happens later in the show. | 0:01:11 | 0:01:14 | |
Yours, sir. | 0:01:14 | 0:01:16 | |
I'm in the tiny village of Alstonefield, Derbyshire. | 0:01:16 | 0:01:20 | |
It's really beautiful. I'm about to meet a lady | 0:01:20 | 0:01:22 | |
who thinks an old frock is twice as good as a new one. | 0:01:22 | 0:01:25 | |
She's hoping that some of those old frocks and other bits and pieces | 0:01:25 | 0:01:29 | |
will help raise enough money to treat a good friend to a splendid outing in Bath. | 0:01:29 | 0:01:35 | |
Nottie Hornblower and her husband Chris | 0:01:35 | 0:01:38 | |
have lived in this beautiful 17th-century farmhouse | 0:01:38 | 0:01:41 | |
for more than 30 years. | 0:01:41 | 0:01:42 | |
Nottie began collecting vintage clothing | 0:01:42 | 0:01:45 | |
before she moved to the farmhouse. | 0:01:45 | 0:01:47 | |
12 years ago, she converted the old barn next door | 0:01:47 | 0:01:50 | |
into a costume museum | 0:01:50 | 0:01:52 | |
to exhibit all her wonderful dresses. | 0:01:52 | 0:01:55 | |
Two of her good friends, Coralie and Pat, help run the museum. | 0:01:55 | 0:01:59 | |
They also lend a hand with fashion shows and costume talks. | 0:01:59 | 0:02:03 | |
They're here today to help us. | 0:02:03 | 0:02:06 | |
There'll be time to have a look around the museum later. | 0:02:06 | 0:02:09 | |
But first stop is the farmhouse. | 0:02:09 | 0:02:12 | |
I'm hoping our expert Jonty Hearnden will make a head start | 0:02:12 | 0:02:15 | |
armed with his 20-plus years of knowledge about antiques. | 0:02:15 | 0:02:19 | |
A-ha! | 0:02:20 | 0:02:22 | |
Nottie Hornblower! | 0:02:22 | 0:02:25 | |
I've been dying to say that! | 0:02:25 | 0:02:26 | |
It's such a fantastic name, it really is. | 0:02:26 | 0:02:30 | |
-And you are? -I'm Coralie, Nottie's neighbour. | 0:02:30 | 0:02:32 | |
-You live just there? -Yes. -You're so lucky. This is a beautiful part of the country. -Hmm. | 0:02:32 | 0:02:38 | |
-Why have you called in Cash In The Attic? -I'd like to take my friends, Coralie and Pat, | 0:02:38 | 0:02:43 | |
down to Bath to the costume museum. | 0:02:43 | 0:02:46 | |
Cos I've never been | 0:02:46 | 0:02:48 | |
and they've never been. | 0:02:48 | 0:02:49 | |
We'd love to stay in a nice hotel | 0:02:49 | 0:02:52 | |
and go to the museum the next day. | 0:02:52 | 0:02:54 | |
Because they both help me in different ways | 0:02:54 | 0:02:57 | |
in connection with my museum, so it's a little thank you to them. | 0:02:57 | 0:03:00 | |
-I think they'll enjoy it. -How much money do you think you'll raise? | 0:03:00 | 0:03:04 | |
I'd like to raise £500. | 0:03:04 | 0:03:07 | |
-£500. Do-able? -I hope so. -Yes? -It would be great. | 0:03:07 | 0:03:11 | |
-Have you rummaged round Nottie's place before? -Never. But I'm looking forward to it! | 0:03:11 | 0:03:16 | |
It's very exciting. You'll find out all sorts you didn't know! | 0:03:16 | 0:03:19 | |
OK, girls, let's get going. £500. | 0:03:20 | 0:03:24 | |
This house is truly wonderful. | 0:03:25 | 0:03:28 | |
It's so cosy, even the cat can't resist a nap on the sofa. | 0:03:28 | 0:03:31 | |
Every room is filled with all sorts of fabulous pieces | 0:03:31 | 0:03:34 | |
that Nottie has collected over the years, | 0:03:34 | 0:03:37 | |
adding character and charm. | 0:03:37 | 0:03:40 | |
Just as I thought, Jonty's made himself at home, and is already giving the china a once over. | 0:03:40 | 0:03:45 | |
-A-ha! Here he is. -How are you doing? -Fine, thanks. | 0:03:46 | 0:03:49 | |
I'm pleased you're in here. Would you look at the dress on the chaise longue? | 0:03:49 | 0:03:53 | |
This one here? OK. | 0:03:53 | 0:03:55 | |
-Wow! Look at that! Isn't that amazing? -Isn't it? | 0:03:57 | 0:04:01 | |
-Isn't it fantastic? -It feels so wonderfully heavy. | 0:04:01 | 0:04:05 | |
-That's all the... -Silver beads. | 0:04:05 | 0:04:08 | |
Not only have we got this wonderful diamante decoration on the front, but it's similar on the reverse. | 0:04:08 | 0:04:15 | |
So where did it come from? | 0:04:15 | 0:04:17 | |
I bought it about 12 or 15 years ago from auction. | 0:04:17 | 0:04:20 | |
I paid about £150 for three. | 0:04:20 | 0:04:24 | |
I think it's absolutely charming. | 0:04:24 | 0:04:26 | |
Date-wise, we're looking at about 1925, 1932. | 0:04:26 | 0:04:29 | |
So it's always late 1920s because it was only by 1925 | 0:04:29 | 0:04:34 | |
that the Roaring Twenties really hit the big scene. | 0:04:34 | 0:04:39 | |
-Is that kind of flapper time? -Absolutely. Flapper girl. | 0:04:39 | 0:04:42 | |
They wore all sorts of bits and pieces, didn't they? | 0:04:42 | 0:04:44 | |
They wore fantastic head-dresses, feather boas, long cigarette holders. | 0:04:44 | 0:04:49 | |
It is a bit provocative, isn't it, just how see-through that is. | 0:04:49 | 0:04:53 | |
-Yes. -All the layers that you'd have to wear underneath. -Or not, as the case may be! | 0:04:53 | 0:04:58 | |
Possibly not! | 0:04:58 | 0:04:59 | |
-It's very House of Eliott. -It's absolutely charming. | 0:04:59 | 0:05:03 | |
I think this is wonderful. | 0:05:03 | 0:05:05 | |
As far as auction value is concerned, | 0:05:05 | 0:05:07 | |
it's certainly worth putting into the sale. | 0:05:07 | 0:05:10 | |
And I think | 0:05:10 | 0:05:12 | |
this is worth between 100 and £150. | 0:05:12 | 0:05:16 | |
That's absolutely fine, but I'd like a reserve of 100 on it. | 0:05:16 | 0:05:19 | |
That's a great start, actually. But we've much to do. So put the dress down | 0:05:19 | 0:05:24 | |
and let's find something else. Come on. | 0:05:24 | 0:05:26 | |
And so we begin our search for anything else that might cause a bit of a stir at the sale. | 0:05:26 | 0:05:31 | |
I spot this early 20th-century silver-plated tea set | 0:05:31 | 0:05:34 | |
and a pair of solid silver candlesticks. | 0:05:34 | 0:05:38 | |
Nottie bought these at an auction three years ago. | 0:05:38 | 0:05:41 | |
She had them on show until recently, | 0:05:41 | 0:05:43 | |
when she decided the room they were in was too cluttered. | 0:05:43 | 0:05:47 | |
They should hopefully fetch 35 to £80. | 0:05:47 | 0:05:49 | |
If it's a bit more living space she's after, | 0:05:49 | 0:05:53 | |
then I'm sure Jonty will have some ideas. | 0:05:53 | 0:05:55 | |
Ah, there you are hiding. | 0:05:55 | 0:05:57 | |
I'm looking through this chest of drawers. | 0:05:57 | 0:06:00 | |
-What about the chest of drawers itself? -I never thought about that. | 0:06:00 | 0:06:04 | |
-It's a possibility. -How long have you had it? -About 1968. | 0:06:04 | 0:06:09 | |
-You remember that? -Yes, it was the year I got married. -OK. | 0:06:09 | 0:06:13 | |
-A friend's aunt sold this to me for £15. -OK. | 0:06:13 | 0:06:17 | |
Let's have a look at this particular piece of furniture in detail. | 0:06:17 | 0:06:21 | |
This is a mid-19th-century Victorian pine chest of drawers. | 0:06:21 | 0:06:25 | |
I've noticed on the front here | 0:06:25 | 0:06:27 | |
there's a few markings or paint marks | 0:06:27 | 0:06:31 | |
which is where it has been stripped. | 0:06:31 | 0:06:34 | |
I think it was white. | 0:06:34 | 0:06:37 | |
I think we had it stripped. | 0:06:37 | 0:06:39 | |
These were made by very good craftsmen indeed. | 0:06:39 | 0:06:43 | |
If I just was to open a side drawer here, | 0:06:43 | 0:06:46 | |
-have a look down the side. Can you see those lovely hand-cut dovetails? -I can. | 0:06:46 | 0:06:50 | |
-Extraordinary. -I've not studied it before. -The quality is second to none. | 0:06:50 | 0:06:55 | |
The only thing missing on this piece is you would have had bun feet on here. | 0:06:55 | 0:07:00 | |
But that's fine because it still looks very comfortable as it is. | 0:07:00 | 0:07:03 | |
Price for this, I would put 40 to £60 on it. | 0:07:03 | 0:07:08 | |
-Still happy to see it go? -Yes. | 0:07:08 | 0:07:10 | |
Coralie is busy rummaging for things to take to the sale. | 0:07:10 | 0:07:12 | |
But Jonty has found an impressive walnut-veneer writing box | 0:07:12 | 0:07:17 | |
and Edwardian school writing slope in elm. | 0:07:17 | 0:07:20 | |
The walnut box was a typical household item of the period. | 0:07:20 | 0:07:25 | |
It was used to store everything you need for writing letters. | 0:07:25 | 0:07:28 | |
The slope would have been used in a school. They're valued at 20 to £30. | 0:07:28 | 0:07:33 | |
I can start the bidding here at £20. | 0:07:33 | 0:07:35 | |
But will they fetch the price we're looking for? | 0:07:35 | 0:07:38 | |
One more? Seems cheap for the two. | 0:07:38 | 0:07:41 | |
-Come on! -32. -That's good. | 0:07:41 | 0:07:43 | |
We'll find out how much they make later in the show. | 0:07:43 | 0:07:47 | |
Nottie's home offers us plenty more places to rummage | 0:07:47 | 0:07:51 | |
as we track down pieces to take to auction. | 0:07:51 | 0:07:53 | |
So far, we stand to make £195 | 0:07:53 | 0:07:57 | |
based on Jonty's estimates, less than half our target. | 0:07:57 | 0:08:01 | |
So we decide to broaden our search out into the costume museum. | 0:08:01 | 0:08:04 | |
Nottie's interest in vintage clothing | 0:08:04 | 0:08:07 | |
started when she was working in a charity shop. | 0:08:07 | 0:08:10 | |
She came across a huge variety of second-hand clothes | 0:08:10 | 0:08:13 | |
and after a while was able to spot a real quality piece. | 0:08:13 | 0:08:17 | |
She's amassed a huge collection that includes outfits and accessories | 0:08:18 | 0:08:22 | |
dating from 1790 up to the 1970s. | 0:08:22 | 0:08:26 | |
Well, this is it, is it? | 0:08:29 | 0:08:31 | |
-Yes, this is the costume museum. -It's so cute, it really is! | 0:08:31 | 0:08:35 | |
-This is an old hay barn. -Yeah, I can see that, yeah. | 0:08:35 | 0:08:39 | |
Good gracious, Nottie, this is a revelation, it really is! | 0:08:41 | 0:08:47 | |
I thought you'd be surprised. | 0:08:47 | 0:08:48 | |
Wonderful. What are these, Victorian? | 0:08:48 | 0:08:51 | |
And Edwardian. | 0:08:51 | 0:08:54 | |
How wonderful. And you must be Pat? | 0:08:54 | 0:08:56 | |
-That's right, Jennie. -Busy at work? | 0:08:56 | 0:08:58 | |
Yes, it takes quite a long time to dress these models. | 0:08:58 | 0:09:03 | |
-When does this date from? -It's about 1952. | 0:09:03 | 0:09:07 | |
Pat, have you worn any of these? | 0:09:07 | 0:09:08 | |
Yes, I get roped in when there are shows near where I live in Nottingham. | 0:09:08 | 0:09:13 | |
But I don't like being a Victorian, Jennie. | 0:09:13 | 0:09:16 | |
I don't start enjoying it until about the '30s onwards! | 0:09:16 | 0:09:21 | |
The Victorians are hard work! | 0:09:21 | 0:09:24 | |
Lots of hooks and eyes and buttons and bows! | 0:09:24 | 0:09:29 | |
It's so extraordinary here. When did it all start? | 0:09:29 | 0:09:32 | |
I opened on June 2, 1997. | 0:09:32 | 0:09:35 | |
But the collection has been amassed over 35 years. | 0:09:35 | 0:09:40 | |
-What made you do it? -It's like a drug. | 0:09:40 | 0:09:43 | |
I just absolutely adore costume, vintage costume. | 0:09:43 | 0:09:46 | |
Do you get involved in the history? | 0:09:46 | 0:09:48 | |
That's my favourite bit. I love hearing Nottie tell the stories | 0:09:48 | 0:09:52 | |
and who wore the outfits before they came to the museum. | 0:09:52 | 0:09:57 | |
Where have most of the costumes come from? | 0:09:57 | 0:09:59 | |
I'd say 70% have been donated. | 0:09:59 | 0:10:02 | |
30% I've actually bought at auction | 0:10:02 | 0:10:06 | |
or off dealers or charity shops. | 0:10:06 | 0:10:08 | |
But I do love going to auctions. | 0:10:08 | 0:10:11 | |
-But sometimes I pay far too much for things! -I'd love to spend hours looking round, | 0:10:11 | 0:10:16 | |
-but we should try to find something to take to our auction. -Yes. | 0:10:16 | 0:10:19 | |
-Good idea, Jennie. -Let's go this way. | 0:10:19 | 0:10:21 | |
It's so fascinating. | 0:10:21 | 0:10:24 | |
Coralie and Pat have been extremely supportive over the years | 0:10:24 | 0:10:27 | |
which is why Nottie is keen to treat them to a trip to Bath | 0:10:27 | 0:10:31 | |
and a visit to the fashion museum there. | 0:10:31 | 0:10:34 | |
We need Jonty's advice on what's most likely to raise the cash | 0:10:34 | 0:10:37 | |
in this specialist attic. | 0:10:37 | 0:10:39 | |
Remember I told you that thing about Jennie? | 0:10:41 | 0:10:43 | |
Just keep it to yourself. What are you trying to play here? | 0:10:43 | 0:10:47 | |
You've got glasses on. No, look this way. | 0:10:47 | 0:10:49 | |
No, look this way. | 0:10:49 | 0:10:52 | |
It goes... | 0:10:52 | 0:10:54 | |
PLAYS DISCORDANT NOTES | 0:10:54 | 0:10:56 | |
-What are you up to, young man? -I'm having a conversation. | 0:10:56 | 0:10:59 | |
-I didn't know you'd snuck in here. -What an amazing building! -Fantastic. | 0:10:59 | 0:11:04 | |
I wanted to look at these beautiful fans. | 0:11:04 | 0:11:06 | |
I must have had that one about 18 years or so. | 0:11:06 | 0:11:11 | |
-Is it British made? -Yes, it has to be British made. | 0:11:11 | 0:11:13 | |
There's a lot of British tradition when it comes to fan making. | 0:11:13 | 0:11:17 | |
If you look at the actual supports here to the fan, | 0:11:17 | 0:11:21 | |
if you look closely, | 0:11:21 | 0:11:23 | |
it looks like tortoiseshell. | 0:11:23 | 0:11:25 | |
It has a lovely transparent feel to it. But that's resin. | 0:11:25 | 0:11:29 | |
It's imitation tortoise-shell. Date-wise, 1920, 1930. | 0:11:29 | 0:11:33 | |
But that's really very beautiful. | 0:11:33 | 0:11:35 | |
And there's another one here as well. A wonderful contrast to the black. | 0:11:35 | 0:11:39 | |
It's slightly larger. But look at those beautiful white ostrich feathers. | 0:11:39 | 0:11:44 | |
So where was this one from? | 0:11:44 | 0:11:46 | |
It came in a job lot. It said in the catalogue, "ostrich feathers". | 0:11:46 | 0:11:49 | |
There were three or four fans, all very similar, | 0:11:49 | 0:11:52 | |
three feather boas and three feather capes. | 0:11:52 | 0:11:56 | |
-How much did you pay? -For the job lot, £30. | 0:11:56 | 0:11:59 | |
-Whoa! That's fantastic! -I know. It was my lucky day! | 0:11:59 | 0:12:02 | |
-Pat, what do you think of them? -They're beautiful. | 0:12:02 | 0:12:05 | |
It's a shame we don't get to use them these days. | 0:12:05 | 0:12:09 | |
Because they're in such perfect condition, like your beautiful dress, | 0:12:09 | 0:12:14 | |
enthusiasts, like you, will want to buy these. | 0:12:14 | 0:12:17 | |
We're looking for the two, 30 to £50. | 0:12:17 | 0:12:20 | |
Oh, that's absolutely brilliant! | 0:12:20 | 0:12:22 | |
Now I've got two, I could do a fan dance! | 0:12:22 | 0:12:24 | |
Absolutely! You said it! Come on! | 0:12:24 | 0:12:27 | |
Come on! | 0:12:27 | 0:12:28 | |
These are my club fans - Derby County, black and white! | 0:12:28 | 0:12:32 | |
You're going to wish you didn't say that! | 0:12:32 | 0:12:35 | |
Actually, it's a relief we don't have time for Jonty's fan dance! | 0:12:36 | 0:12:40 | |
Even though it's apparently the talk of Oxfordshire! | 0:12:40 | 0:12:43 | |
Our search around the museum has only brought in an extra £30. | 0:12:43 | 0:12:46 | |
So we still have much work to do. But perhaps Coralie's next find will help. | 0:12:46 | 0:12:52 | |
In the kitchen, she's spotted these 20th-century marble scales. | 0:12:52 | 0:12:56 | |
They would have been used in a cheesemonger's or delicatessen | 0:12:56 | 0:13:00 | |
and should hopefully make 15 to £25 at auction. | 0:13:00 | 0:13:02 | |
I spot a great piece in the dining room, a 19th-century American wall clock. | 0:13:04 | 0:13:09 | |
It's not in great condition, though, so Jonty estimates 50 to £70. | 0:13:09 | 0:13:15 | |
We still have quite a way to go if we want to give Nottie that trip to Bath. | 0:13:15 | 0:13:19 | |
We need to keep up the hunt for more quality pieces. | 0:13:19 | 0:13:22 | |
But it looks as if our expert has a proposition for our host. | 0:13:23 | 0:13:28 | |
Now, Nottie, I've found this really attractive dress ring. | 0:13:28 | 0:13:33 | |
It's probably Edwardian, maybe a bit earlier than that. | 0:13:33 | 0:13:37 | |
In a drawer. I was wondering if this is an object we can sell. | 0:13:37 | 0:13:41 | |
-Yes. Yes, I think so. -If we take a closer look - I'll pop it back in the box. | 0:13:41 | 0:13:46 | |
We've got six cut amethysts, lovely pink amethysts. | 0:13:46 | 0:13:50 | |
But surrounding those are these tiny little pearl stones. | 0:13:50 | 0:13:56 | |
The actual setting, the clasp, everything you see here | 0:13:56 | 0:14:00 | |
is all 9-carat gold. | 0:14:00 | 0:14:03 | |
I've found something else. Let me give that to you. | 0:14:03 | 0:14:06 | |
Also in the drawer were these two lovely ladies' hat pins. | 0:14:06 | 0:14:11 | |
Same sort of age as the ring. Late 19th-century, early 20th-century. | 0:14:11 | 0:14:16 | |
The one at the back here has that lovely horseshoe for good luck. | 0:14:16 | 0:14:20 | |
The other one, if you look very closely, | 0:14:20 | 0:14:23 | |
is a very, very tiny sapphire. | 0:14:23 | 0:14:26 | |
-Oh! -Probably the smallest sapphire I've ever seen. | 0:14:26 | 0:14:29 | |
But that's what that is. | 0:14:29 | 0:14:32 | |
So if we put these three items in together, because they're all gold, | 0:14:32 | 0:14:36 | |
we're looking at 80 to £120 at auction. | 0:14:36 | 0:14:39 | |
-Wow, that's fantastic. -Good, isn't it? | 0:14:39 | 0:14:42 | |
Let's find some more goodies. | 0:14:42 | 0:14:43 | |
I'm still scouting around for more antiques | 0:14:45 | 0:14:48 | |
to top up our fund for that trip to Bath | 0:14:48 | 0:14:50 | |
and Jonty's digging under the bed | 0:14:50 | 0:14:52 | |
where he discovers an interesting little lot. | 0:14:52 | 0:14:56 | |
It's a Meakin art deco tea set. | 0:14:56 | 0:14:58 | |
The Alfred Meakin Company was set up in 1874, | 0:14:58 | 0:15:03 | |
producing ironstone china and white granite-ware. | 0:15:03 | 0:15:06 | |
In the art nouveau period, they also manufactured patterned tiles | 0:15:06 | 0:15:10 | |
and in the 1950s created dinnerware used on the London to Edinburgh railway service | 0:15:10 | 0:15:15 | |
pulled by the Flying Scotsman steam locomotive. | 0:15:15 | 0:15:17 | |
Jonty values the tea set at 15 to £40. | 0:15:19 | 0:15:22 | |
Nottie loves the farmhouse, but it's not just her husband she shares it with. | 0:15:23 | 0:15:29 | |
As Coralie knows only too well! | 0:15:29 | 0:15:31 | |
So you two have been neighbours for how long? | 0:15:31 | 0:15:34 | |
I've lived here eight years. | 0:15:34 | 0:15:36 | |
I've lived here 31 years. | 0:15:36 | 0:15:40 | |
I've heard there's some strange things about this house. | 0:15:40 | 0:15:43 | |
I used to hear dreadful noises. I couldn't explain them | 0:15:43 | 0:15:47 | |
and things disappeared. | 0:15:47 | 0:15:49 | |
I used to get in the car in the night and drive to my mother's. | 0:15:49 | 0:15:52 | |
I was so scared. | 0:15:52 | 0:15:54 | |
-Have you actually seen a person? -Yes, I have. | 0:15:54 | 0:15:58 | |
I was sleeping in the attic room and my mother-in-law was in another bedroom. | 0:15:58 | 0:16:04 | |
And the door opened about five in the morning. | 0:16:04 | 0:16:08 | |
And I thought she was asking me if I wanted a cup of tea. | 0:16:08 | 0:16:10 | |
There was this figure in white. I sat up and said, "No, thank you." | 0:16:10 | 0:16:15 | |
And it just disappeared. | 0:16:15 | 0:16:18 | |
-Good gracious! -I did come to terms with it cos I was sick of things disappearing. | 0:16:18 | 0:16:24 | |
So I marched up there - I think I'd had a drink - | 0:16:24 | 0:16:27 | |
and I said, "OK, I've had enough of you. Where have you put my brooch?" | 0:16:27 | 0:16:31 | |
And from that day, I've had no problems. | 0:16:31 | 0:16:36 | |
Coralie, do you find the house spooky? | 0:16:36 | 0:16:38 | |
Not really, no. I like it. | 0:16:38 | 0:16:40 | |
It's a very, very, um...warm, warm atmosphere in here. | 0:16:40 | 0:16:46 | |
I know you're very keen on the museum of costumes. | 0:16:46 | 0:16:50 | |
You do some of the modelling. | 0:16:50 | 0:16:51 | |
When Nottie asked me to model for her, which I do occasionally, | 0:16:51 | 0:16:55 | |
it's just such a privilege to wear some of these costumes. | 0:16:55 | 0:16:59 | |
They're so elegant. | 0:16:59 | 0:17:00 | |
And it's just lovely to bring them to life. | 0:17:00 | 0:17:04 | |
What about this day out in Bath, then? What will you be doing? | 0:17:04 | 0:17:08 | |
We're definitely going to the museum. | 0:17:08 | 0:17:10 | |
I've wanted to go there for at least 30 years, | 0:17:10 | 0:17:13 | |
and we're thinking about going to try the baths as well. | 0:17:13 | 0:17:16 | |
Have this wonderful treatment which is healing and therapeutic. | 0:17:16 | 0:17:20 | |
-Don't forget the champagne! -No, we're definitely having champagne. | 0:17:20 | 0:17:25 | |
You're not getting champagne and you're not getting to the museum unless we get back to work. | 0:17:25 | 0:17:30 | |
Come on, ladies. Off we go. | 0:17:30 | 0:17:32 | |
'Champagne and hot baths. | 0:17:32 | 0:17:35 | |
'Sounds fantastic! I'm a little spooked about the ghost, though!' | 0:17:35 | 0:17:40 | |
Jonty's still looking for frills and feathers to go with the fans. | 0:17:40 | 0:17:43 | |
Maybe he is going to do that dance after all! | 0:17:43 | 0:17:47 | |
But there's no stopping Nottie as she produces this 1870 framed sampler | 0:17:47 | 0:17:52 | |
that she bought at auction a few years ago. | 0:17:52 | 0:17:55 | |
Samplers were made in the 18th and 19th centuries | 0:17:55 | 0:17:57 | |
by schoolchildren and cultured ladies | 0:17:57 | 0:18:00 | |
as a way of practising the alphabet and numbers. | 0:18:00 | 0:18:03 | |
They were then used as decorative items. | 0:18:03 | 0:18:05 | |
Jonty reckons it'll make double numbers in the sale at 20 to £50. | 0:18:05 | 0:18:11 | |
-Jonty, what do you think of this? -Can I have a look? | 0:18:13 | 0:18:16 | |
A head of a maiden. Young girl. | 0:18:16 | 0:18:20 | |
-Where's this from? -I think she came from a friend | 0:18:20 | 0:18:23 | |
who goes to France and has her own antique business and she buys from flea markets and things like that. | 0:18:23 | 0:18:29 | |
"Le Jour", we have imprinted on the back there. | 0:18:29 | 0:18:32 | |
"The day". | 0:18:32 | 0:18:33 | |
Yes, she's art nouveau French, so she's about 100 years old. | 0:18:33 | 0:18:37 | |
The French loved art nouveau. | 0:18:37 | 0:18:39 | |
Much more so than we did in Britain. | 0:18:39 | 0:18:41 | |
They embraced art nouveau much more than we ever did. | 0:18:41 | 0:18:45 | |
That's what we're looking at here. | 0:18:45 | 0:18:47 | |
It's free-flowing. | 0:18:47 | 0:18:49 | |
Lots of young maidens always had this wonderful simpering look | 0:18:49 | 0:18:55 | |
and it's very saleable. | 0:18:55 | 0:18:57 | |
It creates the effect. Now this is made of terracotta. | 0:18:57 | 0:19:03 | |
All the decoration you see on the outside here is all hand painted. | 0:19:03 | 0:19:07 | |
-Do you like it? -I do. I do very much. Think she's saleable? | 0:19:07 | 0:19:11 | |
Yes, she is definitely worth putting in to the auction sale. | 0:19:11 | 0:19:15 | |
I like the fact that she has her head at a slightly jaunty angle. | 0:19:15 | 0:19:19 | |
That will endear a lot of people to her. | 0:19:19 | 0:19:22 | |
The other great thing is it's not chipped or broken in any way. | 0:19:22 | 0:19:26 | |
That happens to terracotta. | 0:19:26 | 0:19:27 | |
Value, I think she's worth 80 to £100. | 0:19:27 | 0:19:32 | |
-Fantastic. -Good. -Great. | 0:19:32 | 0:19:34 | |
-Wonderful. Well found. -OK. | 0:19:34 | 0:19:36 | |
So the French maiden is off to the sale room. | 0:19:38 | 0:19:41 | |
We're hoping she'll bowl the bidders over! | 0:19:41 | 0:19:44 | |
With our rummage coming to an end, we search for anything to guarantee money in the sale | 0:19:44 | 0:19:48 | |
so the girls can head off to Bath for a weekend of pampering | 0:19:48 | 0:19:52 | |
and that trip to the fashion museum. | 0:19:52 | 0:19:55 | |
I have to say that the ghost has been good to us today. | 0:19:55 | 0:19:57 | |
But we're lucky it didn't spot Nottie's next glittering find! | 0:19:57 | 0:20:02 | |
-Jonty, look what I've found. -I say. | 0:20:02 | 0:20:05 | |
-Look at that. Is that a sovereign there? -I think it is. | 0:20:05 | 0:20:07 | |
Wow. So where's this from? | 0:20:07 | 0:20:11 | |
Mother bought it for me in the 1960s. | 0:20:11 | 0:20:14 | |
The sovereign is dated 1909 | 0:20:14 | 0:20:16 | |
so it's an Edwardian sovereign. Solid gold, 24-carat gold. | 0:20:16 | 0:20:20 | |
But the mounting itself, there's a mark here that says 9-carat gold. | 0:20:20 | 0:20:25 | |
There we have the king himself on the front. | 0:20:25 | 0:20:29 | |
And of course a 9-carat gold necklace as well. | 0:20:29 | 0:20:32 | |
That's very nice. What else have we got here? | 0:20:32 | 0:20:35 | |
It's a little medal of some description. | 0:20:35 | 0:20:39 | |
On the front here we've got a stag | 0:20:39 | 0:20:41 | |
in a small ringed enclosure. | 0:20:41 | 0:20:45 | |
I've turned it around. I see it says J.Bilbie. Does that mean anything to you? | 0:20:45 | 0:20:50 | |
-Yes, it's my grandfather. -Oh, right. OK. | 0:20:50 | 0:20:53 | |
-So this would have been a medal and it's Marhay CC... -Marehay. | 0:20:53 | 0:20:58 | |
-..Cricket Club. -Yes, he was a great cricketer. | 0:20:58 | 0:21:01 | |
"Junior Champion, 1910". | 0:21:01 | 0:21:04 | |
I find that fascinating because that is 9-carat gold. | 0:21:04 | 0:21:07 | |
To actually win something solid gold was a prize worth having. | 0:21:07 | 0:21:12 | |
It's fascinating that somebody would win a medal that... | 0:21:12 | 0:21:15 | |
There you are. We were wondering where you'd got to. | 0:21:15 | 0:21:18 | |
We've got a gold necklace there with a sovereign in the middle. | 0:21:18 | 0:21:21 | |
Wow! | 0:21:21 | 0:21:23 | |
And grandfather's cricket medal. | 0:21:23 | 0:21:25 | |
We'll put the two together at auction. 100 to £150. | 0:21:25 | 0:21:29 | |
That's very good! | 0:21:29 | 0:21:30 | |
If I take Jonty's bottom estimates for everything, add on £100. | 0:21:30 | 0:21:35 | |
You wanted £500 to take Coralie and Pat down to Bath | 0:21:35 | 0:21:40 | |
to the costume museum. It's lovely. I've been and it's very nice. | 0:21:40 | 0:21:43 | |
-Do you think we've made it? -Yes. Let's hope so. | 0:21:43 | 0:21:46 | |
-I hope so. -OK. Add that £100 to Jonty's other estimates. | 0:21:46 | 0:21:51 | |
We reckon, actually, you should make £585. | 0:21:51 | 0:21:55 | |
-Great. -Brilliant. -That's very good. | 0:21:55 | 0:21:57 | |
That's a relief. | 0:21:57 | 0:21:59 | |
I think, ladies, you could have quite a night out, and a day out, for that. | 0:21:59 | 0:22:04 | |
Indeed. Plenty of champagne! | 0:22:04 | 0:22:05 | |
Absolutely! | 0:22:05 | 0:22:08 | |
I'm starting to get a good idea about what this trip is all about! | 0:22:08 | 0:22:11 | |
I'm hoping the pieces we have on offer will raise that much-needed £500 or more on the day. | 0:22:13 | 0:22:18 | |
Among the items going off to the sale room | 0:22:18 | 0:22:21 | |
are the 9-carat dress ring and two gold hat pins | 0:22:21 | 0:22:24 | |
that Jonty found rather charming. | 0:22:24 | 0:22:27 | |
He gave them an estimate of 80 to £120. | 0:22:28 | 0:22:31 | |
And there's the French terracotta bust of a maiden that Coralie found. | 0:22:31 | 0:22:35 | |
Jonty valued it at 80 to £100. | 0:22:35 | 0:22:38 | |
And the 1920s beaded dress that brings back memories of risque flapper girls. | 0:22:41 | 0:22:45 | |
With any luck it should bring us another 100 to £150. | 0:22:45 | 0:22:50 | |
Still to come on Cash In The Attic: | 0:22:52 | 0:22:54 | |
there's disappointment with the framed Victorian sampler. | 0:22:54 | 0:22:58 | |
-Cheap. That was cheap. -Very cheap. | 0:22:58 | 0:23:01 | |
But Nottie is delighted when her gold items go under the hammer. | 0:23:01 | 0:23:06 | |
Oh, wow! | 0:23:06 | 0:23:08 | |
Fabulous! | 0:23:08 | 0:23:09 | |
Find out how all her lots do when the final hammer falls. | 0:23:09 | 0:23:14 | |
It's yours. Well done. | 0:23:14 | 0:23:15 | |
What a joy it was to discover that costume museum. | 0:23:19 | 0:23:22 | |
And we made some great finds too in Nottie's fabulous farmhouse. | 0:23:22 | 0:23:26 | |
Today we've brought everything to Bamber's Auctions at Matlock in Derbyshire. | 0:23:26 | 0:23:30 | |
Remember, Nottie wants to raise £500 | 0:23:30 | 0:23:34 | |
so that she can take two friends to the Bath costume museum | 0:23:34 | 0:23:37 | |
and have a glass or two of champagne along the way. | 0:23:37 | 0:23:41 | |
Let's hope the bidders here are feeling generous | 0:23:41 | 0:23:43 | |
when her items go under the hammer. | 0:23:43 | 0:23:45 | |
This Derbyshire sale room holds regular fine art, antique and general auctions. | 0:23:46 | 0:23:52 | |
It's a magnet for collectors and dealers in the area hoping to spot a bargain. | 0:23:52 | 0:23:57 | |
Nottie's items have been here for a few days to allow them to be viewed. | 0:23:59 | 0:24:02 | |
-Hi, there. -Ah, Jennie, my number one fan! I can tell! | 0:24:04 | 0:24:09 | |
I tell you, I don't envy your task today cos it must be quite hard | 0:24:09 | 0:24:13 | |
to put a true value on something like this | 0:24:13 | 0:24:15 | |
in what is essentially a general sale. | 0:24:15 | 0:24:17 | |
It is tricky, but having said that, I've seen fans of a similar quality sold before. | 0:24:17 | 0:24:22 | |
These are very good quality, in perfect condition. | 0:24:22 | 0:24:25 | |
That's why I put 30 to £50 on them. | 0:24:25 | 0:24:27 | |
-Just like that lovely dress. -The flapper dress, yes. I've noticed | 0:24:27 | 0:24:31 | |
there aren't many others around. Is that a problem? | 0:24:31 | 0:24:34 | |
It's the only dress in the sale | 0:24:34 | 0:24:36 | |
which for me is a bit of a concern | 0:24:36 | 0:24:38 | |
cos we don't have like-minded lots in the sale | 0:24:38 | 0:24:41 | |
which means will it attract the right buyer? | 0:24:41 | 0:24:44 | |
Having said that, there's always somebody out there | 0:24:44 | 0:24:47 | |
or who views sales like this | 0:24:47 | 0:24:48 | |
with an eye for a beautiful dress. | 0:24:48 | 0:24:50 | |
-Let's see if they've arrived. -OK. | 0:24:50 | 0:24:52 | |
It doesn't take us long to find Nottie, Coralie and Pat. | 0:24:55 | 0:24:59 | |
It seems all eyes are on that sparkling 1920s dress. | 0:24:59 | 0:25:03 | |
-Good morning, ladies! -Morning, Jennie. -How are you? | 0:25:03 | 0:25:06 | |
-Nice to see you and your lovely dress! -It's gorgeous. | 0:25:06 | 0:25:10 | |
Have you put a reserve on your dress? | 0:25:10 | 0:25:12 | |
Yes, I have. I put £100. | 0:25:12 | 0:25:14 | |
How are you feeling generally about the auction | 0:25:14 | 0:25:18 | |
-now that you can see some of your items on display? -Well, | 0:25:18 | 0:25:21 | |
I do feel a little bit nervous. | 0:25:21 | 0:25:23 | |
-You've got your girls here to support you. -Yes, I have. -OK. | 0:25:23 | 0:25:26 | |
Nottie's been to auctions before, on the look-out for costumes. | 0:25:28 | 0:25:32 | |
But it's an unusual experience for her to be a seller, and not buyer. | 0:25:32 | 0:25:36 | |
I wonder if she can resist the temptation to splash out today? | 0:25:36 | 0:25:40 | |
The first of her lots is the French terracotta bust | 0:25:41 | 0:25:44 | |
which Jonty really liked | 0:25:44 | 0:25:46 | |
and priced at 80 to £100. | 0:25:46 | 0:25:49 | |
This is a recent purchase, yes, Nottie? | 0:25:51 | 0:25:53 | |
-It's about two years. -OK. | 0:25:53 | 0:25:56 | |
It came from France. | 0:25:56 | 0:25:57 | |
-Have you put a reserve on it? -80. | 0:25:57 | 0:26:00 | |
I'll start at £55. 60, now. | 0:26:00 | 0:26:02 | |
55. 60, do I see? | 0:26:02 | 0:26:04 | |
At 55. 60? 60 and five. | 0:26:04 | 0:26:06 | |
70. Five with me. 80. | 0:26:06 | 0:26:09 | |
At 75 it's with me. Do I see 80 now? | 0:26:09 | 0:26:11 | |
At 75. Do I see 80? | 0:26:11 | 0:26:13 | |
At 75 it remains with me. Do I see 80? | 0:26:13 | 0:26:17 | |
No? That's not sold. | 0:26:17 | 0:26:19 | |
Unsold! So close! | 0:26:19 | 0:26:22 | |
So close. | 0:26:22 | 0:26:23 | |
That's a bit of a blow, and not a good start to the day. | 0:26:23 | 0:26:27 | |
Maybe Nottie's next offering, | 0:26:27 | 0:26:30 | |
the early 20th-century silver candlesticks and tea set | 0:26:30 | 0:26:33 | |
will be more to the bidders' tastes, at 35 to £80. | 0:26:33 | 0:26:37 | |
Where are these from? | 0:26:38 | 0:26:40 | |
The tea set and candlesticks came from a local sale room. | 0:26:40 | 0:26:44 | |
-What was it about them that you liked so much? -They were quite regal. | 0:26:44 | 0:26:49 | |
I envisioned me sitting there, pouring tea! | 0:26:49 | 0:26:52 | |
-Do you remember what you paid for them? -Something, only about 25. | 0:26:52 | 0:26:57 | |
We're going to make a profit, I hope. Fingers crossed. | 0:26:57 | 0:27:00 | |
Let's see how we go. | 0:27:00 | 0:27:02 | |
I can start the bidding here at £30, and two do I see? | 0:27:02 | 0:27:04 | |
At £30. Two, now? | 0:27:04 | 0:27:06 | |
At 30 and two. 32. 35. 38. | 0:27:06 | 0:27:09 | |
35 absent bid. 38 in place. | 0:27:09 | 0:27:12 | |
At 38. 40 and two. | 0:27:12 | 0:27:14 | |
At £40 with me and two now? | 0:27:14 | 0:27:15 | |
At £40. Absentee bid. At 40. | 0:27:15 | 0:27:18 | |
£40. | 0:27:18 | 0:27:19 | |
-Brilliant. -That brought a smile to your face! | 0:27:19 | 0:27:22 | |
She likes to see a profit! | 0:27:22 | 0:27:25 | |
Just over Jonty's lower estimate. | 0:27:25 | 0:27:28 | |
I hope that bodes well for the rest of the day. | 0:27:28 | 0:27:31 | |
Next up is the 9-carat gold jewellery. | 0:27:31 | 0:27:34 | |
The sapphire ring and the hat pins. | 0:27:34 | 0:27:36 | |
We're hoping for 80 to £120. | 0:27:36 | 0:27:39 | |
Nice little lot. I have three bids. | 0:27:40 | 0:27:43 | |
One of 44, one of 58, | 0:27:43 | 0:27:45 | |
and one higher. | 0:27:45 | 0:27:46 | |
So £60 starts us. £60 and five do I see? | 0:27:46 | 0:27:51 | |
At 60. And five. | 0:27:51 | 0:27:52 | |
70 with me. And five? | 0:27:52 | 0:27:54 | |
It's against you. At 70 with me and selling. | 0:27:54 | 0:27:58 | |
At £70. 75, do I see? | 0:27:58 | 0:28:00 | |
-70. -Just under. -That's OK. | 0:28:00 | 0:28:04 | |
£10 under Jonty's estimate this time. | 0:28:04 | 0:28:07 | |
But Nottie's still very upbeat and looking positive. | 0:28:08 | 0:28:11 | |
Her next lot to go under the hammer are the writing slopes, | 0:28:11 | 0:28:14 | |
priced at just 20 to £30. | 0:28:14 | 0:28:16 | |
I can start the bidding here at £20. Two do I see? | 0:28:17 | 0:28:21 | |
At £20 and two now. 22. 24. 26. | 0:28:21 | 0:28:25 | |
At £26 for the two. 28 here. | 0:28:25 | 0:28:28 | |
At 28 and 30. 30 and two? | 0:28:28 | 0:28:29 | |
One more? Seems cheap for the two. | 0:28:29 | 0:28:32 | |
Really? At £30 to the left. | 0:28:32 | 0:28:35 | |
At 30. | 0:28:35 | 0:28:36 | |
-Come on! -32. -Good. | 0:28:36 | 0:28:38 | |
At £32 it's here. 34 for you? | 0:28:38 | 0:28:42 | |
34 behind now. 34. 36. | 0:28:42 | 0:28:44 | |
Seems reasonable at that. At 34. Any advance? At £34. | 0:28:44 | 0:28:48 | |
Yours, sir. | 0:28:48 | 0:28:49 | |
That's a very satisfactory result | 0:28:49 | 0:28:51 | |
and another good one for Jonty. | 0:28:51 | 0:28:54 | |
I remember him promising us a dance with some ostrich feather fans. | 0:28:54 | 0:28:59 | |
He's missed his chance, now, | 0:28:59 | 0:29:01 | |
as they may be about to be snapped up. | 0:29:01 | 0:29:04 | |
I'm intrigued to see how these do, your fans, which are gorgeous. | 0:29:04 | 0:29:08 | |
I'm just a bit worried they may not find someone who'll buy them in this marketplace. | 0:29:08 | 0:29:13 | |
They're the right colours for the area. | 0:29:13 | 0:29:15 | |
I hope a Derby County supporter finds them! | 0:29:15 | 0:29:18 | |
One's black and one's white. | 0:29:18 | 0:29:20 | |
£30 at least, then. | 0:29:20 | 0:29:22 | |
Start the bidding here at £30. 30. And two do I see? For the two of them. | 0:29:22 | 0:29:27 | |
At £30 and two now. £30. 32. | 0:29:27 | 0:29:30 | |
35. 38. 40. | 0:29:30 | 0:29:31 | |
£38. It's the lady's bid to the left. | 0:29:31 | 0:29:33 | |
I'm selling at 38. 40 do I see? | 0:29:33 | 0:29:37 | |
At £38. Any advance? | 0:29:37 | 0:29:39 | |
Do you want 40? | 0:29:39 | 0:29:41 | |
-40, yes. 42. -Got there, just! | 0:29:41 | 0:29:43 | |
41, then? | 0:29:43 | 0:29:45 | |
41. | 0:29:45 | 0:29:46 | |
42. | 0:29:46 | 0:29:48 | |
No? | 0:29:48 | 0:29:49 | |
At £41 to the left. | 0:29:49 | 0:29:51 | |
At 41? Lady's bid at £41 is against you. | 0:29:51 | 0:29:55 | |
Sure? At 41 and selling. | 0:29:55 | 0:29:58 | |
It's yours. Well done. | 0:29:58 | 0:30:00 | |
With a pound to spare! | 0:30:00 | 0:30:02 | |
Another promising result there. | 0:30:02 | 0:30:05 | |
Nottie looks as if she's enjoying being on this side of the sale! | 0:30:05 | 0:30:09 | |
Her next lot is something she bought at auction a couple of years ago. | 0:30:09 | 0:30:12 | |
The marble scales. | 0:30:12 | 0:30:14 | |
She had them restored. Jonty valued them at 15 to £25. | 0:30:14 | 0:30:19 | |
I'll start the bid at low end at £10. | 0:30:20 | 0:30:23 | |
12 do I see? 12, sir. 15. 18. 20. | 0:30:23 | 0:30:26 | |
22. 25. 28. | 0:30:26 | 0:30:28 | |
Shakes his head at £28. | 0:30:28 | 0:30:30 | |
28, new place. And 30. And two. 35. | 0:30:30 | 0:30:33 | |
-38. -Ooh! -Another shake of the head at 38. -Brilliant. | 0:30:33 | 0:30:36 | |
40, now? 40 do I see? 40. | 0:30:36 | 0:30:40 | |
The lady's bid now at 40. | 0:30:40 | 0:30:41 | |
And two with me, and five. | 0:30:41 | 0:30:43 | |
45 for you? | 0:30:43 | 0:30:45 | |
One more? You might get it. 45. 48. | 0:30:45 | 0:30:48 | |
Sorry. 48 and 50 now. | 0:30:48 | 0:30:49 | |
At £48. | 0:30:49 | 0:30:52 | |
It's with me at 48. And 50 anywhere? | 0:30:52 | 0:30:54 | |
£48. Are you sure? | 0:30:54 | 0:30:56 | |
At 48. | 0:30:56 | 0:30:58 | |
-Brilliant. -That's great! | 0:30:58 | 0:31:00 | |
-That was brilliant. -Yes. -Good find, Coralie. | 0:31:00 | 0:31:03 | |
That's the first item today to exceed Jonty's top estimate. | 0:31:04 | 0:31:09 | |
Let's find out how we're doing. | 0:31:09 | 0:31:11 | |
-Have you enjoyed it so far? -I have, yes. -Yes. | 0:31:12 | 0:31:15 | |
Right, we're trying to make £500 for you today. | 0:31:15 | 0:31:19 | |
We didn't sell the bust, which is a bit of a blow. | 0:31:19 | 0:31:22 | |
You've actually made 233, so you're not far off. | 0:31:22 | 0:31:26 | |
-Ooh, that's not bad at all. -It's not bad. -No. | 0:31:26 | 0:31:29 | |
Now, if like Nottie, you have a special reason to raise some cash, | 0:31:29 | 0:31:33 | |
and are thinking of heading to auction, remember that commission and other charges may apply. | 0:31:33 | 0:31:39 | |
So check the details with the auction house first. | 0:31:39 | 0:31:42 | |
A general auction like this is an ideal place to find valuable antiques | 0:31:42 | 0:31:46 | |
on sale for reasonable estimates - if you know what you're looking for! | 0:31:46 | 0:31:50 | |
Our antiques hunter has spotted something that could make a fine investment. | 0:31:50 | 0:31:54 | |
-What have you found? -Hi, Jennie. | 0:31:56 | 0:31:58 | |
Essentially, I'm looking at here a bookcase | 0:31:58 | 0:32:01 | |
that's an office filing cabinet, essentially. | 0:32:01 | 0:32:04 | |
-It's a very posh filing cabinet! -Well, it is. | 0:32:04 | 0:32:06 | |
These were created and patented by the company Globe Wernicke in 1899. | 0:32:06 | 0:32:13 | |
It was known as their elastic bookcase! | 0:32:13 | 0:32:15 | |
Does that mean you could add to it if you wanted to? | 0:32:15 | 0:32:19 | |
-All these sections here stack on top of one another. -It's fantastic. | 0:32:19 | 0:32:23 | |
-You could use that now for DVDs or anything. -Absolutely perfect. | 0:32:23 | 0:32:27 | |
Now, when I was first in the business, the auction game, | 0:32:27 | 0:32:30 | |
these were absolutely the flavour of the month. | 0:32:30 | 0:32:33 | |
Everybody wanted to buy them. When there's rapid inflation in any market, | 0:32:33 | 0:32:38 | |
there's usually a fall down the other side. | 0:32:38 | 0:32:40 | |
So now they're much more, I would suggest, | 0:32:40 | 0:32:43 | |
much more affordable now. | 0:32:43 | 0:32:45 | |
I'll give you 40 quid for it! | 0:32:45 | 0:32:47 | |
Well, fine, but it's worth a lot more than that. | 0:32:47 | 0:32:50 | |
-What's it worth? -In the catalogue, it's estimated between 80 and £100. | 0:32:50 | 0:32:55 | |
I think it's a bit more than that. | 0:32:55 | 0:32:58 | |
Really, in the catalogue, it should read 100 to 150. | 0:32:58 | 0:33:02 | |
-That is amazing. That's wonderful. -Now, | 0:33:02 | 0:33:05 | |
a lot of people think their garage door is a modern concept. | 0:33:05 | 0:33:08 | |
Up and over. Have a look at this. | 0:33:08 | 0:33:11 | |
-Oh, my... -That's up and over! How about that? | 0:33:13 | 0:33:16 | |
-Brilliant. -I'll shut it up cos it's time to get back to the auction. | 0:33:16 | 0:33:20 | |
It is. Come on. Very nice, though. | 0:33:20 | 0:33:22 | |
Well, Jonty wasn't far wrong. | 0:33:24 | 0:33:26 | |
The bookcase topped the auction estimate and his. | 0:33:26 | 0:33:30 | |
It sold for £180, which just goes to show | 0:33:30 | 0:33:35 | |
that well-cared-for pieces of furniture are still popular. | 0:33:35 | 0:33:39 | |
We're hoping that Nottie's last six items will prove attractive here | 0:33:39 | 0:33:44 | |
and help her raise the £270 she still needs | 0:33:44 | 0:33:47 | |
to pay for that special trip to Bath. | 0:33:47 | 0:33:50 | |
We have that wonderful flapper dress with a reserve of £100, | 0:33:50 | 0:33:54 | |
and the gold jewellery coming up later. | 0:33:54 | 0:33:57 | |
But her next lot is the art deco Meakin tea set | 0:33:57 | 0:34:00 | |
priced at 15 to £40. | 0:34:00 | 0:34:03 | |
-Were you aware there were a few chips and breaks on it? -No, I wasn't, actually. No. | 0:34:03 | 0:34:08 | |
I put 15 to £40, a big wide estimate, | 0:34:08 | 0:34:11 | |
because of the damage, but I'm sure it'll sell. | 0:34:11 | 0:34:14 | |
I only paid about £10, I think, for it. | 0:34:14 | 0:34:18 | |
I can start the bidding at £15, and 18 now. | 0:34:18 | 0:34:20 | |
At £15 and 18? | 0:34:20 | 0:34:22 | |
18, sir. 20. | 0:34:22 | 0:34:24 | |
And two beats it. 22 seated. | 0:34:24 | 0:34:26 | |
At 22. 24 now. | 0:34:26 | 0:34:27 | |
-Ooh! -At £22 and four do I see? | 0:34:27 | 0:34:30 | |
At 22. It's with you. | 0:34:30 | 0:34:32 | |
-£22. -That's OK. -Good. It's a profit. -She's a happy lady! | 0:34:32 | 0:34:37 | |
-Double your money! -A big profit! | 0:34:37 | 0:34:39 | |
A good start, then, to our second half. | 0:34:39 | 0:34:42 | |
I reckon Nottie's already thinking about the bubbly in Bath! | 0:34:42 | 0:34:45 | |
Next, the pine chest of drawers that Jonty thought would do well and raise at least £40. | 0:34:47 | 0:34:53 | |
It's a good thing and I've got one, two, three, four, five bids on it | 0:34:53 | 0:34:57 | |
all very similar. The lowest one is 45. | 0:34:57 | 0:35:00 | |
The under-bidder is 65. £70 starts it and five do I see? | 0:35:00 | 0:35:04 | |
-At £70 and five pounds? -I can't believe that. | 0:35:04 | 0:35:06 | |
Brilliant. | 0:35:06 | 0:35:08 | |
Very close as usual. At £70. | 0:35:08 | 0:35:10 | |
75? Thinking? No? | 0:35:10 | 0:35:12 | |
At £70 it's against you. | 0:35:12 | 0:35:15 | |
£70. Any advance? | 0:35:15 | 0:35:18 | |
Brilliant. 70 quid, just like that. How about that? | 0:35:18 | 0:35:21 | |
Brilliant. Absolutely. | 0:35:21 | 0:35:22 | |
Another great result there. | 0:35:22 | 0:35:25 | |
£10 over Jonty's top estimate. | 0:35:25 | 0:35:27 | |
The Victorian sampler is up next. | 0:35:27 | 0:35:30 | |
It's a lovely piece, so I hope it makes its 20 to £50 estimate. | 0:35:30 | 0:35:34 | |
When did you buy it, and how much did you pay? | 0:35:35 | 0:35:37 | |
I bought it about five years ago and I paid £25 for it. | 0:35:37 | 0:35:42 | |
Right. So we're looking for an investment return. | 0:35:42 | 0:35:45 | |
And £20 is bid. At 20 and two now? £20 and two, do I see? | 0:35:45 | 0:35:49 | |
At 20 and two. 22. | 0:35:49 | 0:35:51 | |
25. 28. £28 and 30 now? | 0:35:51 | 0:35:54 | |
30. 30 with me and two? | 0:35:54 | 0:35:56 | |
With me at 32. | 0:35:56 | 0:35:58 | |
Absentee bid at 30. 32 do I see? | 0:35:58 | 0:36:00 | |
At £30. It's with me at 30. | 0:36:00 | 0:36:03 | |
Any advance? | 0:36:03 | 0:36:05 | |
Oh, cheap. That was cheap. | 0:36:05 | 0:36:07 | |
Very. Very cheap. | 0:36:07 | 0:36:08 | |
We couldn't double your money, I'm afraid. | 0:36:08 | 0:36:11 | |
-But it's sold. -That's right. Bargain. | 0:36:11 | 0:36:14 | |
-How are you feeling? -I'm OK about it. I only paid 20. | 0:36:14 | 0:36:17 | |
I thought it might have fetched a bit more. | 0:36:17 | 0:36:19 | |
You never know how things are going to turn out at auction. | 0:36:19 | 0:36:22 | |
Now it's time for my favourite item, | 0:36:22 | 0:36:25 | |
that dazzling 1920s beaded flapper dress. | 0:36:25 | 0:36:29 | |
OK, it's the big one. It's the dress. | 0:36:30 | 0:36:32 | |
For which you are demanding at least £100. | 0:36:32 | 0:36:36 | |
It's got a reserve because it is in very good condition. It's worth that. | 0:36:36 | 0:36:40 | |
Ladies, gut instinct. Is it going to sell? | 0:36:40 | 0:36:42 | |
I hope so. A phone bidder, maybe, on the line from Bath! | 0:36:42 | 0:36:46 | |
It's a great lot. The beading and the work that's gone into that, it's fantastic. | 0:36:48 | 0:36:54 | |
I've one absentee bid, and a telephone as well. | 0:36:54 | 0:36:57 | |
Telephone bidder. That's good news. | 0:36:57 | 0:37:00 | |
I'll start it at the absentee bid. Two telephones. | 0:37:00 | 0:37:03 | |
At £60 with me and five do I see? | 0:37:03 | 0:37:06 | |
We've got two phones. 65 for the first phone. | 0:37:06 | 0:37:08 | |
65. 70. Five. | 0:37:08 | 0:37:11 | |
80. Five. | 0:37:11 | 0:37:12 | |
90. Five. | 0:37:13 | 0:37:15 | |
-100. And ten? -You're away! | 0:37:17 | 0:37:19 | |
No. | 0:37:19 | 0:37:21 | |
You're out. At £100 it's with me. 110 at the back? No? At £100. | 0:37:21 | 0:37:26 | |
Absentee bid against both phones. | 0:37:26 | 0:37:27 | |
At £100. Great for a party. | 0:37:27 | 0:37:30 | |
Anybody else? At £100 and selling. | 0:37:30 | 0:37:33 | |
Oh, disappointing! | 0:37:33 | 0:37:36 | |
We got it away but we needed more, really. | 0:37:36 | 0:37:39 | |
Nottie was certainly hoping for more | 0:37:39 | 0:37:42 | |
but it did reach her reserve. | 0:37:42 | 0:37:44 | |
Maybe she's just a bit sad to see it go. | 0:37:44 | 0:37:46 | |
We're nearly at the end, now. Just two more items to go. | 0:37:46 | 0:37:50 | |
Let's see how we do with the American wall clock. | 0:37:50 | 0:37:53 | |
We're hoping for at least £50. | 0:37:53 | 0:37:54 | |
It's lovely. I'm surprised you're parting with it. | 0:37:55 | 0:37:58 | |
It lived upstairs in my husband's study. | 0:37:58 | 0:38:01 | |
Every time you walked on the floorboards, it would ding! | 0:38:01 | 0:38:04 | |
-So it annoyed you? -It annoyed him, I think! | 0:38:04 | 0:38:07 | |
So it's time to get rid of, yes? | 0:38:07 | 0:38:09 | |
50 to £70 is my estimate. | 0:38:09 | 0:38:11 | |
Ready? | 0:38:11 | 0:38:13 | |
Nice lot. I've got one, two, three bids on it. £65 starts. It's 70 now? | 0:38:13 | 0:38:18 | |
At £65. 70 do I see? 70. | 0:38:18 | 0:38:21 | |
70, sir. 70 and five. | 0:38:21 | 0:38:23 | |
80. Against you. | 0:38:23 | 0:38:25 | |
-£75 against you on the left. -Brilliant. -At 75 | 0:38:25 | 0:38:28 | |
and 80 now? One more? | 0:38:28 | 0:38:30 | |
You're one more? | 0:38:30 | 0:38:33 | |
At 75. Any advance. | 0:38:33 | 0:38:34 | |
Yes! Great! | 0:38:34 | 0:38:37 | |
That's brilliant, cos it cost nothing. | 0:38:38 | 0:38:41 | |
£5 over Jonty's top estimate. | 0:38:42 | 0:38:45 | |
That's a fine result and Nottie looks thrilled. | 0:38:45 | 0:38:48 | |
But no time for celebrating just yet. | 0:38:48 | 0:38:51 | |
The last lot up today is the gold sovereign and medal. | 0:38:51 | 0:38:55 | |
Can we make £100 or more? | 0:38:55 | 0:38:57 | |
We've almost saved the best till last. It's a lovely gold sovereign. | 0:38:58 | 0:39:02 | |
-How do you feel about selling it? -I'm not worried. I've never worn it. | 0:39:02 | 0:39:06 | |
My mother bought it 40 years ago and it's just lain in a box. | 0:39:06 | 0:39:10 | |
You're selling just at the right time. Gold is selling very well. | 0:39:10 | 0:39:14 | |
It's going up. Let's see what happens, OK? | 0:39:14 | 0:39:16 | |
I can start the bidding at £100. | 0:39:16 | 0:39:19 | |
100. 110 do I see? | 0:39:19 | 0:39:21 | |
At £100. 110, sir. 120. 130. | 0:39:21 | 0:39:23 | |
140. 150. | 0:39:23 | 0:39:26 | |
-160 on the set. -Listen! -170. | 0:39:26 | 0:39:30 | |
At 160 here. 165. Alf? | 0:39:30 | 0:39:32 | |
165. 170. | 0:39:32 | 0:39:34 | |
175. 180. | 0:39:34 | 0:39:36 | |
-Ooh, isn't it... I can't believe it. -190. | 0:39:36 | 0:39:40 | |
195. | 0:39:40 | 0:39:41 | |
200. | 0:39:41 | 0:39:43 | |
200. 210. | 0:39:43 | 0:39:45 | |
And more. | 0:39:47 | 0:39:48 | |
Top of the stairs at £200. Are we all sure? | 0:39:48 | 0:39:51 | |
At 200. Any advance? | 0:39:51 | 0:39:53 | |
Oh, wow! That's fabulous! | 0:39:55 | 0:39:58 | |
We've got there! | 0:39:58 | 0:40:00 | |
Jennie! | 0:40:00 | 0:40:01 | |
-That's brilliant! -Oh, girls! | 0:40:03 | 0:40:04 | |
We've got there! | 0:40:04 | 0:40:06 | |
We've arrived in Bath! | 0:40:06 | 0:40:08 | |
That's a fantastic result and a brilliant end to our day here. | 0:40:10 | 0:40:14 | |
No wonder Nottie and her friends are delighted! | 0:40:14 | 0:40:17 | |
Do you think you've made your target? | 0:40:17 | 0:40:19 | |
Er... I think we might have done and sneaked in there. | 0:40:19 | 0:40:24 | |
At the start of the day you wanted £500 to go to the costume museum in Bath. | 0:40:24 | 0:40:29 | |
-You've actually made £730! -You're joking! | 0:40:29 | 0:40:33 | |
Oh, wow! | 0:40:33 | 0:40:34 | |
I can't believe it! | 0:40:34 | 0:40:36 | |
Pat! | 0:40:36 | 0:40:38 | |
Jennie, isn't that great! | 0:40:38 | 0:40:40 | |
Jonty, thank you! | 0:40:40 | 0:40:43 | |
That is wonderful! I can't believe that! | 0:40:43 | 0:40:46 | |
It's absolutely fabulous! | 0:40:46 | 0:40:48 | |
We're going, girls. We're on our way! | 0:40:48 | 0:40:52 | |
The Georgian town of Bath is famous for its sweeping crescents and Roman spas. | 0:40:56 | 0:41:02 | |
But it has something slightly less well known, that Nottie has long wanted to visit. The fashion museum. | 0:41:02 | 0:41:08 | |
It's a great shame that Pat can't join us, but we'll try and enjoy the day anyway. | 0:41:08 | 0:41:14 | |
We'll take her a memento back. | 0:41:14 | 0:41:16 | |
Nottie and Coralie head straight for the dressing up area | 0:41:18 | 0:41:21 | |
where they get to feel the romance and glamour from the age of the crinoline underskirt. | 0:41:21 | 0:41:26 | |
-Come on, Coralie. Try this on. -Do I have to? | 0:41:27 | 0:41:31 | |
Oh, you don't mind. Go on! Step into it. | 0:41:31 | 0:41:34 | |
Why, Miss Scarlett! | 0:41:36 | 0:41:37 | |
Ooh, look at that! | 0:41:37 | 0:41:40 | |
Absolutely wonderful! | 0:41:40 | 0:41:43 | |
You shall go to the ball! | 0:41:43 | 0:41:45 | |
So has this museum lived up to Nottie's expectations? | 0:41:45 | 0:41:49 | |
It was a great experience. | 0:41:49 | 0:41:52 | |
I loved it. Really loved it. | 0:41:52 | 0:41:54 | |
-Now we're going to the spa to have our glass of champagne. -Absolutely! | 0:41:54 | 0:41:58 | |
-Or two! -Or three! | 0:41:58 | 0:42:00 | |
Subtitles by Red Bee Media Ltd | 0:42:15 | 0:42:19 |