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Welcome to the show that rummages around people's homes, finds all the hidden gems | 0:00:02 | 0:00:05 | |
then takes them to auction to raise funds for our families. | 0:00:05 | 0:00:08 | |
We all like getting gifts, but let's be honest, some of them remind us of things that are best | 0:00:08 | 0:00:13 | |
forgotten, a bit like today's lady, who wants to clear out all | 0:00:13 | 0:00:17 | |
that type of clutter and that's why she's called in Cash In The Attic. | 0:00:17 | 0:00:20 | |
Coming up on Cash In The Attic, some unexpected finds get us all very excited! | 0:00:41 | 0:00:46 | |
Did I hear a magic word just then? | 0:00:46 | 0:00:49 | |
You heard the word "Cartier"... | 0:00:49 | 0:00:51 | |
And some heavy-duty candelabra get a rather hefty price tag... | 0:00:51 | 0:00:55 | |
Very good valuation, James. | 0:00:55 | 0:00:57 | |
Thank you, but can we find something a little lighter next time! | 0:00:57 | 0:01:00 | |
I'm sure we can! | 0:01:00 | 0:01:02 | |
So, will we all be laughing come auction day? | 0:01:02 | 0:01:05 | |
You must be pleased with that! | 0:01:05 | 0:01:07 | |
-I am! -That is really good, isn't it? | 0:01:07 | 0:01:09 | |
Find out when the final hammer falls. | 0:01:09 | 0:01:12 | |
I'm in the really picturesque village | 0:01:12 | 0:01:15 | |
of Bearsted in Kent to meet Annette. | 0:01:15 | 0:01:17 | |
She's had a lot to deal with in the last few years but she's decided | 0:01:17 | 0:01:20 | |
it's time to move forward with her personal life and provide some stability for her children. | 0:01:20 | 0:01:26 | |
Annette Shaw has lived in Kent for the last six years, together with | 0:01:26 | 0:01:30 | |
her two children, 12 year-old Charles and 11 year-old Olivia. | 0:01:30 | 0:01:35 | |
Annette is a former baroness but she lost her title | 0:01:35 | 0:01:38 | |
when her first marriage ended, | 0:01:38 | 0:01:40 | |
but happily she found love a second time around with Adie, who she met | 0:01:40 | 0:01:44 | |
on holiday in Egypt and the couple tied the knot just over a year ago. | 0:01:44 | 0:01:49 | |
Annette suffers from multiple sclerosis and has plans of moving | 0:01:49 | 0:01:53 | |
to a new, more manageable home | 0:01:53 | 0:01:55 | |
but having amassed a lifetime of collectables, | 0:01:55 | 0:01:57 | |
she has decided a clear-out is required | 0:01:57 | 0:02:00 | |
and has called in her mum, Anne, and the Cash In The Attic team to help. | 0:02:00 | 0:02:04 | |
James Rylands is our antiques expert today, so whilst he makes a start, I'll meet the girls. | 0:02:04 | 0:02:09 | |
Aah, good morning. | 0:02:09 | 0:02:11 | |
-You must be Annette? -I am indeed. | 0:02:11 | 0:02:14 | |
Hi, hi, and you're mum? | 0:02:14 | 0:02:16 | |
-That's right! -I thought so. | 0:02:16 | 0:02:18 | |
-Lovely to meet you. -And you. | 0:02:18 | 0:02:19 | |
You've called in Cash In The Attic, haven't you? | 0:02:19 | 0:02:22 | |
Yes. I've got so many things indoors that I no longer use | 0:02:22 | 0:02:26 | |
and hopefully some of them are valuable. | 0:02:26 | 0:02:29 | |
They're collectables and I just thought we could make a few pounds. | 0:02:29 | 0:02:33 | |
What do you want to raise the money for, then? | 0:02:33 | 0:02:35 | |
We'd like to put it towards a deposit on a house. | 0:02:35 | 0:02:37 | |
-This is only rented and also because of the MS, I need some adaptations. -How long have you had that for? | 0:02:37 | 0:02:45 | |
20 years, about 20 years, so really we need as much money as we can towards this house. | 0:02:45 | 0:02:51 | |
Have you got a figure in mind of how much you'd like to raise? | 0:02:51 | 0:02:54 | |
I think realistically £800 would be fantastic. | 0:02:54 | 0:02:59 | |
OK, so we need to raise £800. | 0:02:59 | 0:03:00 | |
We won't get much time for a break today. | 0:03:00 | 0:03:03 | |
Shall we see if James has found any of these lovely items yet? | 0:03:03 | 0:03:06 | |
-Yes. -Come on, then. | 0:03:06 | 0:03:07 | |
It sounds like today's rummage could have life-changing consequences for Annette | 0:03:09 | 0:03:14 | |
so let's hope we can uncover plenty of valuables and raise that all-important deposit. | 0:03:14 | 0:03:20 | |
One man who has plenty of experience handling objects of desire is James Rylands. | 0:03:20 | 0:03:26 | |
He has spent his life immersed in the world of antiques and he has already discovered | 0:03:26 | 0:03:30 | |
something that may just be worth its weight in gold. | 0:03:30 | 0:03:34 | |
What have you got there? | 0:03:34 | 0:03:36 | |
-Something that's very heavy! -You're not kidding! | 0:03:36 | 0:03:38 | |
Now that's impressive. Can you impress us with your valuation? | 0:03:38 | 0:03:41 | |
I'll impress you with something else. | 0:03:41 | 0:03:43 | |
It's one of a pair. I've just seen the other one sitting there. | 0:03:43 | 0:03:46 | |
Tell me the story about these candelabra, then? | 0:03:46 | 0:03:48 | |
These were given to me by my ex-husband when we lived | 0:03:48 | 0:03:52 | |
in a very large house, but here, they look slightly out of place! | 0:03:52 | 0:03:56 | |
You could say they are very grand, aren't they? | 0:03:56 | 0:03:58 | |
Of course, we just take the idea of electric light and electricity for | 0:03:58 | 0:04:02 | |
granted but before that, quite often you'd have these on the mantelpiece | 0:04:02 | 0:04:07 | |
with a clock in the middle so you could actually see the time and all of these obviously would be filled | 0:04:07 | 0:04:12 | |
with candles, so we've got this combination of green marble and then what we call "gilt bronze", | 0:04:12 | 0:04:19 | |
or "d'or moulu", | 0:04:19 | 0:04:21 | |
which the "d'or" is the gold in French, and then "moulu", | 0:04:21 | 0:04:25 | |
which was actually the process of putting it on where they | 0:04:25 | 0:04:27 | |
had the gold leaf and they mixed it up with mercury and once it had been put on, they then used heat | 0:04:27 | 0:04:35 | |
and flames to actually burn the mercury off, leaving the gold... | 0:04:35 | 0:04:39 | |
And die shortly afterwards, presumably! | 0:04:39 | 0:04:41 | |
-That's exactly what happened, that is exactly what happened! -Oh, no! | 0:04:41 | 0:04:44 | |
They all died of mercury poisoning so it was a hugely expensive process. | 0:04:44 | 0:04:48 | |
And how old are these as a particular example? | 0:04:48 | 0:04:51 | |
I've looked underneath and they've actually got "Made in Italy" | 0:04:51 | 0:04:54 | |
which tells me they were made in the 20th century. | 0:04:54 | 0:04:57 | |
What sort of value could we be talking about, James? | 0:04:57 | 0:05:00 | |
When it comes to value, I guess we're probably looking at | 0:05:00 | 0:05:03 | |
about between £80 and £120. We're talking about decoration | 0:05:03 | 0:05:07 | |
-rather than rarity. -What do you think of that valuation? | 0:05:07 | 0:05:10 | |
-It's absolutely fine! -Yes, I thought it was a very good valuation, James. | 0:05:10 | 0:05:13 | |
Thank you, but, Annette, can we find something | 0:05:13 | 0:05:16 | |
a little lighter next time?! | 0:05:16 | 0:05:18 | |
I'm sure we can, indeed! | 0:05:18 | 0:05:20 | |
I can only imagine how grand Annette's previous house | 0:05:20 | 0:05:23 | |
must have been, but those candelabra have certainly got us off to a great start. | 0:05:23 | 0:05:28 | |
I begin my search upstairs in Annette's bedroom and I find | 0:05:28 | 0:05:32 | |
a pair of his and hers watches that she was given as a wedding present. | 0:05:32 | 0:05:36 | |
They were made by Asprey & Garrard, the London-based | 0:05:36 | 0:05:39 | |
jewellers best-known for their upkeep of the Crown Jewels. | 0:05:39 | 0:05:42 | |
Annette's house may be hiding more than we imagined! | 0:05:42 | 0:05:45 | |
James values the pair at £60 to £100 | 0:05:45 | 0:05:49 | |
and it seems the collectables aren't just confined to the house! | 0:05:49 | 0:05:53 | |
Hey, James... What do you think of this? | 0:05:53 | 0:05:57 | |
What have we got here? Ooh, we've got lots of sculpture you've found. | 0:05:57 | 0:06:01 | |
Where did these come from? | 0:06:01 | 0:06:03 | |
I have no idea! | 0:06:03 | 0:06:05 | |
Well, what have we got here? | 0:06:05 | 0:06:07 | |
-Now do you know why I'm doing that, tapping that? -No. | 0:06:07 | 0:06:10 | |
-Well, if I tap it, that tells me what material it's made out of. -How clever! | 0:06:10 | 0:06:15 | |
In this case it's made of bronze, so this one here, which is a nice charming group and it's | 0:06:15 | 0:06:21 | |
based on a 19th-century original French piece, probably dating to the 1860s, 1880s, something like that, | 0:06:21 | 0:06:29 | |
some time in the second half of the 19th century, | 0:06:29 | 0:06:31 | |
and there is a bit of a signature in the back | 0:06:31 | 0:06:35 | |
which is difficult to make out | 0:06:35 | 0:06:37 | |
-but this one, do you know how old this is? -I have no idea. | 0:06:37 | 0:06:40 | |
I think that this has probably been made in the last | 0:06:40 | 0:06:44 | |
sort of 20 or 30 years and not in France, | 0:06:44 | 0:06:47 | |
actually out in the Far East, | 0:06:47 | 0:06:50 | |
probably in Thailand and the material that bronze is made up of | 0:06:50 | 0:06:54 | |
now is about 90% copper and 10% tin, | 0:06:54 | 0:06:59 | |
which is why over in the Far East in China, Thailand, India, places | 0:06:59 | 0:07:04 | |
like that, they can actually now do it a lot cheaper and of course | 0:07:04 | 0:07:08 | |
their unit costs, their labour costs are much cheaper | 0:07:08 | 0:07:11 | |
so they've now started a big industry making things | 0:07:11 | 0:07:15 | |
in European style but sort of modern. | 0:07:15 | 0:07:18 | |
This is very European, isn't it? | 0:07:18 | 0:07:21 | |
Well, look I'm tapping her again. | 0:07:21 | 0:07:23 | |
-She's beautiful! -She is beautiful. | 0:07:23 | 0:07:25 | |
She is actually not bronze, she's actually made of a material that's | 0:07:25 | 0:07:29 | |
a resin, so it's a sort of composition copying bronze. | 0:07:29 | 0:07:33 | |
We've got a little signature here, | 0:07:33 | 0:07:35 | |
who I don't know but I would think that probably | 0:07:35 | 0:07:38 | |
this would have been made in the 1970s | 0:07:38 | 0:07:40 | |
and very much in the style of that great impressionist painter and sculptor, Degas. | 0:07:40 | 0:07:47 | |
The original would have been done at the end of the 19th century | 0:07:47 | 0:07:51 | |
and so this man has copied that, | 0:07:51 | 0:07:53 | |
so basically what we've got here is a real bronze, | 0:07:53 | 0:07:57 | |
albeit it modern, and then two copies of bronzes made in | 0:07:57 | 0:08:01 | |
a resin-based material but not sort of old or rare or whatever... | 0:08:01 | 0:08:05 | |
They basically have a sort of decorative price. | 0:08:05 | 0:08:08 | |
I'm going to say I think probably between £50 and £100. | 0:08:08 | 0:08:12 | |
Well, that's very interesting. | 0:08:12 | 0:08:13 | |
-It's money in the pot, isn't it? -Yes, it certainly is. | 0:08:13 | 0:08:17 | |
You seem very sure of that, James, | 0:08:17 | 0:08:19 | |
but exactly how much money remains to be seen on auction day. | 0:08:19 | 0:08:23 | |
A bit of interest in the book, straight in at £50, any advance? | 0:08:23 | 0:08:26 | |
Good! It's got a bid of 50. | 0:08:26 | 0:08:27 | |
-Lots of places, now. 52, 55, 58, 60, 62... -Oh, look! | 0:08:27 | 0:08:32 | |
65, 68, 70, 72... | 0:08:32 | 0:08:36 | |
Find out later in the show. | 0:08:36 | 0:08:38 | |
So far, we've uncovered items with an estimated auction value of £190 | 0:08:40 | 0:08:45 | |
but with an £800 target to reach, we still have a long way to go. | 0:08:45 | 0:08:51 | |
Annette, I spotted this as soon as I walked through the door, so tell me about it? | 0:08:52 | 0:08:58 | |
-Where did it come from? -I actually purchased it at auction, | 0:08:58 | 0:09:02 | |
a local auction and I just fell in love with the walnut inlay | 0:09:02 | 0:09:07 | |
and the wonderful patterns and if you open it up, it becomes a games table. | 0:09:07 | 0:09:12 | |
-It's got a surprise inside, has it? -Yes, absolutely. -Let's have a look. | 0:09:12 | 0:09:16 | |
Wahey-hey, absolutely right! This would keep you amused for hours! | 0:09:16 | 0:09:21 | |
-Absolutely! -So what have we got? | 0:09:21 | 0:09:23 | |
-We've got sort of draughts or chess, backgammon... -Backgammon. | 0:09:23 | 0:09:26 | |
That's been the downfall of many a person. | 0:09:26 | 0:09:29 | |
Beautifully inlaid work, I must say. | 0:09:29 | 0:09:31 | |
-How old do you think it is? -I don't think it's that old. | 0:09:31 | 0:09:35 | |
It's a wonderful inlaid table and it's basically in the style | 0:09:35 | 0:09:38 | |
of something that I think would have been made perhaps | 0:09:38 | 0:09:42 | |
in the early part of the 19th century, | 0:09:42 | 0:09:43 | |
let's say sort of 1840-ish, but this example, I think, is 20th century. | 0:09:43 | 0:09:48 | |
It's been made in the last 50 years or so and even though it's new, | 0:09:48 | 0:09:53 | |
it's actually very, very good quality | 0:09:53 | 0:09:55 | |
the way it has been done, because the carcass of it is actually pine or another softwood, | 0:09:55 | 0:10:01 | |
but then onto that is these veneered sheets of walnut and walnut is quite a valuable wood so you wouldn't want | 0:10:01 | 0:10:08 | |
to use it to sort of make the entire thing but they've cut the sheets of it very, very thin and then glued it | 0:10:08 | 0:10:15 | |
onto the carcass but the real piece de resistance on this | 0:10:15 | 0:10:18 | |
is the actual marquetry inlay | 0:10:18 | 0:10:20 | |
which has actually been very much a part of English furniture, | 0:10:20 | 0:10:24 | |
mainly since the early part of the 17th century. | 0:10:24 | 0:10:27 | |
It is a heck of a lot of work that has gone into that | 0:10:27 | 0:10:31 | |
and I guess we have got to weigh up on | 0:10:31 | 0:10:33 | |
one hand, a huge amount of work, on the other hand, it's not an old, | 0:10:33 | 0:10:38 | |
absolutely period antique so I'm going to slightly hedge my bets | 0:10:38 | 0:10:43 | |
and say probably between £200 and £400, something like that? | 0:10:43 | 0:10:47 | |
Let's hope that all of those punters at the auction will go for it! | 0:10:47 | 0:10:51 | |
-Wouldn't that be wonderful! -That's what we want. -And many hours of fun. | 0:10:51 | 0:10:55 | |
James is clearly a fan of the games table | 0:10:55 | 0:10:57 | |
so let's hope its fine quality starts a bidding war on auction day. | 0:10:57 | 0:11:02 | |
Anne has been concentrating her efforts in the packed garage | 0:11:02 | 0:11:06 | |
and her hard work pays off when she digs out this rather impressive glass decanter. | 0:11:06 | 0:11:11 | |
It was made by the Czech company Mosa who specialised in producing high-quality Bohemian glassware. | 0:11:11 | 0:11:18 | |
Annette bought this at auction some years ago and remembers paying quite a healthy sum for it. | 0:11:18 | 0:11:22 | |
Sadly, James thinks that £30 to £50 is all we can expect from it today. | 0:11:22 | 0:11:28 | |
While the others rummage, I thought we'd take a little break. | 0:11:31 | 0:11:34 | |
You and your mum seem really close. | 0:11:34 | 0:11:36 | |
We are. We've always been close and I think a good family network | 0:11:36 | 0:11:41 | |
is a very important thing to have. | 0:11:41 | 0:11:44 | |
Obviously, she's your mum and you're her little girl, | 0:11:44 | 0:11:47 | |
so it must have been hard for her when you were diagnosed with MS? | 0:11:47 | 0:11:50 | |
Mmm, I think it was. | 0:11:50 | 0:11:52 | |
She's a mother and no matter that I'm 45 now, | 0:11:52 | 0:11:56 | |
it would still hurt her just as much. | 0:11:56 | 0:12:00 | |
Was the fact that you had your mum around vital to helping you keep going? Because everybody | 0:12:00 | 0:12:05 | |
needs a breathing space, especially going through something like that. | 0:12:05 | 0:12:09 | |
Yes. Mum and Dad are wonderful, absolutely wonderful | 0:12:09 | 0:12:12 | |
and I think, yeah, family bonds you together and keeps you going | 0:12:12 | 0:12:19 | |
and as much as my children are important to me, | 0:12:19 | 0:12:21 | |
my parents are as well. | 0:12:21 | 0:12:22 | |
Tell me about the family background, because you're all quite musical, aren't you? | 0:12:22 | 0:12:26 | |
My father was a pianist and my mum was a singer and we all had a musical talent of sorts. | 0:12:26 | 0:12:32 | |
I used to play the flute and my brother was a viola player. | 0:12:32 | 0:12:37 | |
There was cello, guitar and clarinet. | 0:12:37 | 0:12:41 | |
You came from this musical background. | 0:12:41 | 0:12:43 | |
What did you go onto, because you didn't stay in music. | 0:12:43 | 0:12:46 | |
-No, I became a legal secretary. -Is that how you met your husband? | 0:12:46 | 0:12:50 | |
Yep. I met my husband, he worked in the City as well | 0:12:50 | 0:12:54 | |
and married for 11 years and two gorgeous children. | 0:12:54 | 0:12:58 | |
How do you feel, now that we're selling some of these things, | 0:12:58 | 0:13:01 | |
which obviously are quite a reflection of the life you used to live? | 0:13:01 | 0:13:05 | |
Does it feel strange to be getting rid of them? | 0:13:05 | 0:13:07 | |
No, that time has passed. | 0:13:07 | 0:13:09 | |
Is it the opposite effect, then? It's actually quite nice to see them go at this stage? | 0:13:09 | 0:13:13 | |
Mmm, yes, it is. | 0:13:13 | 0:13:14 | |
Well, I'm pleased Annette has no qualms about parting | 0:13:14 | 0:13:17 | |
with her collectables so the more we can find, the better. | 0:13:17 | 0:13:21 | |
Anne has finished her search in the garage and is now busy in the house | 0:13:21 | 0:13:26 | |
where she soon finds a pair of highly decorated plates. | 0:13:26 | 0:13:29 | |
They were given to Annette as a gift and were designed by Versace, no less! | 0:13:29 | 0:13:33 | |
Sadly, and despite the name, | 0:13:33 | 0:13:35 | |
James isn't convinced of their collectability | 0:13:35 | 0:13:38 | |
and values them at a rather disappointing £20 to £40. | 0:13:38 | 0:13:41 | |
James, Anne, are you there? | 0:13:44 | 0:13:46 | |
-Hiya. -Well, done! -What do you think of this? | 0:13:46 | 0:13:49 | |
I should think you are just about to serve us some tea! | 0:13:49 | 0:13:52 | |
I've got a few pieces out of the box but do you know what is in there? | 0:13:52 | 0:13:55 | |
I believe it's a tea service. | 0:13:55 | 0:13:56 | |
That's fantastic and I'll tell you what's great is here we have the history of Meissen on one plate! | 0:13:56 | 0:14:02 | |
The thing about Meissen is it was the first European porcelain factory | 0:14:02 | 0:14:07 | |
that discovered hard paste porcelain. | 0:14:07 | 0:14:10 | |
Before then, it had only been made over in China and the Orient and the Europeans were desperate to find out | 0:14:10 | 0:14:17 | |
how to actually make it | 0:14:17 | 0:14:19 | |
and they discovered it in Meissen in about 1710 which is when | 0:14:19 | 0:14:24 | |
the factory here first started | 0:14:24 | 0:14:26 | |
and they used very hard, kaolin sort of clay to actually produce it | 0:14:26 | 0:14:31 | |
and on this plate here you've got all the various histories, | 0:14:31 | 0:14:34 | |
like you've got "AR" at the top there. | 0:14:34 | 0:14:37 | |
That's for Augustus Rex who was the king over in Germany | 0:14:37 | 0:14:40 | |
when it was first produced. | 0:14:40 | 0:14:42 | |
KPM, which stands for "Konigliche Porcelain Manufacture", | 0:14:42 | 0:14:45 | |
and then down here, we've got Bott... | 0:14:45 | 0:14:48 | |
Well, I'm not even going to pronounce that | 0:14:48 | 0:14:50 | |
but basically it's named after Bottger who was one of the original | 0:14:50 | 0:14:54 | |
starters of the Meissen porcelain factory. | 0:14:54 | 0:14:58 | |
It is good quality but it's not especially old | 0:14:58 | 0:15:01 | |
so I think for the whole lot we'll probably put something like | 0:15:01 | 0:15:04 | |
£200 to £400 on it, something like that. | 0:15:04 | 0:15:06 | |
-Goodness me! -That's a nice thing to have in the kitty. -Brilliant! | 0:15:06 | 0:15:09 | |
-You seem pleased with that then, Anne? -Oh, yes! | 0:15:09 | 0:15:12 | |
It's going to help a lot, I think. | 0:15:12 | 0:15:14 | |
The bad news is we haven't got time to sit down and have tea! | 0:15:14 | 0:15:17 | |
We've got to find more! Let's go! | 0:15:17 | 0:15:20 | |
That's a super addition to our auction haul. | 0:15:21 | 0:15:24 | |
A few more discoveries like this and we'll breeze past our £800 target. | 0:15:24 | 0:15:29 | |
I'm on a bit of a roll as, like a magpie to diamonds, I spot these | 0:15:29 | 0:15:34 | |
very desirable hand-printed, hand-stitched Hermes scarves. | 0:15:34 | 0:15:38 | |
If these were once good enough for | 0:15:38 | 0:15:40 | |
Audrey Hepburn and Grace Kelly, then I'm sure they're good enough for the bidders at auction | 0:15:40 | 0:15:45 | |
and James thinks this collection of six could fetch somewhere between £30 to £80 on the day. | 0:15:45 | 0:15:51 | |
-Hello, there you are! Are you having a rest? -Absolutely! | 0:15:54 | 0:15:57 | |
-What do you think of it so far? -I think it's good fun, don't you? | 0:15:57 | 0:16:01 | |
-Marvellous! -Very knowledgeable is our James, isn't he? -Very, yes. | 0:16:01 | 0:16:04 | |
-He is, yes. -A very nice man as well. | 0:16:04 | 0:16:06 | |
-Do you like him? -Yes. -Well, I'm glad. | 0:16:06 | 0:16:08 | |
Now talking about men, I want to know a little bit about your new man? | 0:16:08 | 0:16:13 | |
We met in Egypt. We were there on holiday. Mum and I and the children | 0:16:13 | 0:16:17 | |
for a couple of weeks and he was out there teaching scuba diving and selling trips | 0:16:17 | 0:16:23 | |
-and it just happened. -So obviously, that's one thing, you're on holiday. | 0:16:23 | 0:16:29 | |
How did you pursue this romance when you got back, then? | 0:16:29 | 0:16:33 | |
Well, if anyone said to me | 0:16:33 | 0:16:35 | |
that they were moving somebody in after three days, | 0:16:35 | 0:16:38 | |
I would think they were absolutely mad, but we just knew | 0:16:38 | 0:16:42 | |
it was right and I got him a flight back | 0:16:42 | 0:16:45 | |
and he moved straight in and there we are. | 0:16:45 | 0:16:49 | |
-Is he a good son in law? -He is a very kind man and when I first met him, | 0:16:49 | 0:16:54 | |
I thought "Aye, aye, this could turn to something else," | 0:16:54 | 0:16:59 | |
and it did and they're very happy and the children love him to bits. | 0:16:59 | 0:17:04 | |
You're going to be changing things again, quite dramatically, with this move. | 0:17:04 | 0:17:08 | |
What have you got in mind? What sort of place do you want to go to? | 0:17:08 | 0:17:11 | |
We're not sure yet because the MS is progressing, so it won't be a townhouse on three levels, | 0:17:11 | 0:17:17 | |
but we do need to think carefully | 0:17:17 | 0:17:20 | |
and we just need to get a decent deposit together. | 0:17:20 | 0:17:23 | |
I think what we need to do is make sure we raise that £800 | 0:17:23 | 0:17:26 | |
you're looking for, so if you want to stay and have a rest, | 0:17:26 | 0:17:29 | |
I'll track down James. | 0:17:29 | 0:17:30 | |
-Hopefully he's found something else for you to look at. -OK. -Won't be long. | 0:17:30 | 0:17:34 | |
Whilst we've been chatting, James has been conducting a final search of the garage | 0:17:34 | 0:17:39 | |
to see if Anne missed anything and he discovers a box | 0:17:39 | 0:17:43 | |
containing a full set of Stuart Crystal glass. | 0:17:43 | 0:17:46 | |
They're in perfect condition and as a wedding present from her first marriage, | 0:17:46 | 0:17:50 | |
Annette is more than happy to see the back of them, | 0:17:50 | 0:17:53 | |
so they head to auction with an impressive £100 to £150 price tag. | 0:17:53 | 0:17:58 | |
-What have you got there, Annette? -It's a Hermes ash tray. | 0:18:01 | 0:18:05 | |
-I forgot I had this! -Really! | 0:18:05 | 0:18:06 | |
It's a jolly nice thing to forget that you actually had. | 0:18:06 | 0:18:10 | |
The firm was started in 1837 by Thierry Hermes and originally | 0:18:10 | 0:18:15 | |
they made harnesses and bridals for carriages. | 0:18:15 | 0:18:19 | |
That would be the connection with the scarves and the equestrian connection? | 0:18:19 | 0:18:24 | |
Absolutely. Originally, that's who it was and that's why some | 0:18:24 | 0:18:27 | |
Hermes styles, you're right, have bridals and things on them | 0:18:27 | 0:18:30 | |
but it wasn't actually until the early 20th century that Hermes were really on the map | 0:18:30 | 0:18:36 | |
with one of his descendants, Emile-Maurice Hermes, because they were still making leather | 0:18:36 | 0:18:41 | |
things but rather than harness-wear they had gone into leather clothes and he got a sort of franchise, | 0:18:41 | 0:18:47 | |
an exclusive deal to produce clothes with the first zipper on them | 0:18:47 | 0:18:52 | |
and then in the 1930s - 1937 - was when they actually started, | 0:18:52 | 0:18:57 | |
they opened their first factory in Lyon in France purely devoted to making scarves | 0:18:57 | 0:19:04 | |
and it was out of that, really, they then in later years went into this sort of luxury line | 0:19:04 | 0:19:10 | |
of producing everything from watches to ashtrays to lots of other | 0:19:10 | 0:19:15 | |
sort of really high-end design things. This one here is actually made | 0:19:15 | 0:19:21 | |
of Limoges porcelain, so one of the leading French porcelain factories as well. | 0:19:21 | 0:19:26 | |
They still do have value. | 0:19:26 | 0:19:28 | |
I would think something like this | 0:19:28 | 0:19:31 | |
is probably worth around about £50 to £80. How does that sound? | 0:19:31 | 0:19:35 | |
-Fair enough. -Not bad for an ashtray! -Not bad at all. | 0:19:35 | 0:19:39 | |
Annette really has collected some lovely pieces over the years | 0:19:39 | 0:19:43 | |
and in the bedroom, her mum finds more evidence of this when she spots a very attractive Limoges tea set. | 0:19:43 | 0:19:49 | |
It was a gift from her first husband and James thinks it could fetch | 0:19:49 | 0:19:53 | |
another £80 to £120 on sale day. | 0:19:53 | 0:19:55 | |
-What have you got there? -A watch. | 0:19:58 | 0:20:00 | |
It's not just any old watch... | 0:20:01 | 0:20:03 | |
That is a Cartier watch! | 0:20:03 | 0:20:05 | |
Ooh, did I hear a magic word? | 0:20:05 | 0:20:07 | |
You heard the word "Cartier", yes! | 0:20:07 | 0:20:10 | |
-Let me have a look, let me have a look! -Have you got the box for this? | 0:20:10 | 0:20:14 | |
No box. I bought it off of my ex-boyfriend's mother. | 0:20:14 | 0:20:18 | |
-That's a bit tortuous, isn't it! -Yeah, it is! -22 years ago. | 0:20:18 | 0:20:21 | |
Well, you do like nice things, don't you? | 0:20:21 | 0:20:23 | |
-I do. -Obviously an eye for quality because I mean Cartier, that is the name to conjure with. | 0:20:23 | 0:20:29 | |
In particular, it was the Santos, wasn't it? | 0:20:29 | 0:20:32 | |
Right, the absolutely right one. You know, the Santos | 0:20:32 | 0:20:35 | |
is named after a Brazilian airman called Alberto Santos-Dumont and what happened was that until then, | 0:20:35 | 0:20:42 | |
everybody had worn pocket watches and flying around in a plane and trying to steer it and pull | 0:20:42 | 0:20:48 | |
a pocket watch out of your waistcoat wasn't very practical so he asked Louis Cartier to make him | 0:20:48 | 0:20:53 | |
a wrist watch that he could actually wear while he was flying the plane. That was in 1904. | 0:20:53 | 0:20:59 | |
It was commercially produced from 1911 onwards | 0:20:59 | 0:21:02 | |
as the Santos and that's how the first wrist watch was born. | 0:21:02 | 0:21:07 | |
Thousands of pounds are paid for these things new. | 0:21:07 | 0:21:09 | |
Is it the same with this one? Is that worth £1,000? | 0:21:09 | 0:21:13 | |
We're not talking thousands of pounds. It's 20-30 years old, something like that. | 0:21:13 | 0:21:18 | |
On the back here, actually, it does tell me that | 0:21:18 | 0:21:21 | |
it's got all the Cartier marks, which is great, | 0:21:21 | 0:21:23 | |
and it tells me also that it's gold-plated rather than solid gold, | 0:21:23 | 0:21:27 | |
so that all has a bearing on the value. | 0:21:27 | 0:21:30 | |
We're probably looking at between £150 and £300. | 0:21:30 | 0:21:33 | |
What do you think of that, Annette? | 0:21:33 | 0:21:35 | |
-That's more than I thought. -Really? That's good! | 0:21:35 | 0:21:37 | |
-Presumably you're pleased with that, yeah? -Absolutely! -Well, done! | 0:21:37 | 0:21:41 | |
OK, talking of time, we're out of time when it comes to our rummage so I expect | 0:21:41 | 0:21:46 | |
you'd like to know how much we've made, but before I tell you, | 0:21:46 | 0:21:49 | |
we wanted £800 towards your house move. | 0:21:49 | 0:21:50 | |
Do you think we've got near that, Annette? | 0:21:50 | 0:21:54 | |
-We seem to be going in the right direction. -What about you, Anne? | 0:21:54 | 0:21:58 | |
-I think she'll be very lucky. -What, to make 800? | 0:21:58 | 0:22:01 | |
-Yes. -Ye of little faith! You'll be delighted when I tell you | 0:22:01 | 0:22:04 | |
-that the value of everything going to auction comes to £1,050. -Wow! | 0:22:04 | 0:22:09 | |
Oh, marvellous! | 0:22:09 | 0:22:10 | |
The next time you see all your lovely things | 0:22:10 | 0:22:12 | |
will be at the auction house, so we'll see you there. | 0:22:12 | 0:22:15 | |
-Okey-dokey. -Can't wait! | 0:22:15 | 0:22:17 | |
What a hugely successful day we've had in Kent with Annette Shaw | 0:22:18 | 0:22:22 | |
and her mum and what a terrific array of items we've got for auction. | 0:22:22 | 0:22:26 | |
The magnificent pair of 20th-century candelabra... | 0:22:26 | 0:22:29 | |
You'll need a big house to keep them but not a huge fortune to buy them. | 0:22:29 | 0:22:33 | |
We're looking for £80-£120. | 0:22:33 | 0:22:35 | |
The beautifully inlaid pine and walnut games chest. It's not antique but the | 0:22:37 | 0:22:42 | |
quality is superb and will hopefully tempt the bidders into paying | 0:22:42 | 0:22:46 | |
upwards of its £200-£400 estimate. | 0:22:46 | 0:22:49 | |
And the collection of Meissen porcelain | 0:22:49 | 0:22:52 | |
that includes that plate charting the history of the German company. | 0:22:52 | 0:22:57 | |
We're hoping the porcelain bidders will be out in force | 0:22:57 | 0:23:00 | |
so we can raise upwards of its £200-£400 price tag. | 0:23:00 | 0:23:03 | |
Still to come on Cash In The Attic... | 0:23:07 | 0:23:09 | |
I find out what James and Anne got up to on rummage day... | 0:23:09 | 0:23:12 | |
And that was when you and I were alone together in the garage! | 0:23:12 | 0:23:15 | |
It was lovely! | 0:23:15 | 0:23:17 | |
All right, anyway, moving swiftly on... | 0:23:17 | 0:23:20 | |
And there are high hopes for a stylish crowd at auction. | 0:23:20 | 0:23:24 | |
I'm sure here in Essex, the fashion aficionados are going to be out in force. | 0:23:24 | 0:23:29 | |
So, will our items be in vogue? | 0:23:29 | 0:23:31 | |
Find out when the final hammer falls. | 0:23:31 | 0:23:34 | |
It's been a few weeks since we met Annette and her mum over in Kent. | 0:23:41 | 0:23:45 | |
We found lots of lovely items that we've brought here to Stacey's Auction House in Rayleigh, Essex. | 0:23:45 | 0:23:50 | |
Remember, Annette is looking to raise around £800 so she can move on with her life | 0:23:50 | 0:23:54 | |
so let's just hope that the bidders get their cash out when the bidding starts today. | 0:23:54 | 0:23:59 | |
This family-run auction house | 0:23:59 | 0:24:02 | |
has been holding regular sales since it began trading back in 1947 | 0:24:02 | 0:24:07 | |
and it would seem that they are as busy as ever with a staggering 1,200 lots on offer in today's sale. | 0:24:07 | 0:24:14 | |
Hopefully we won't have too much trouble spotting our items amongst the hundreds on display. | 0:24:14 | 0:24:19 | |
I know two that shouldn't be too difficult to find. | 0:24:19 | 0:24:22 | |
James, this is what I call a statement! | 0:24:23 | 0:24:27 | |
You know me, never hide my light under a bushel! | 0:24:27 | 0:24:30 | |
They're quite magnificent but not much age? | 0:24:30 | 0:24:32 | |
Not old, I mean relatively modern and I think as a result, | 0:24:32 | 0:24:36 | |
we've got £80 to £120 on them but they should do that, I think. | 0:24:36 | 0:24:39 | |
I do hope we do get them away today. | 0:24:39 | 0:24:41 | |
-She had some real designer items, I suppose. -Designer queen! | 0:24:41 | 0:24:45 | |
-Those scarves were amazing, weren't they? -Maybe for you! | 0:24:45 | 0:24:48 | |
The thing is, if you have got a very good name, | 0:24:48 | 0:24:51 | |
it does always help in the auction room, doesn't it? | 0:24:51 | 0:24:53 | |
Absolutely and we've got some great names. | 0:24:53 | 0:24:56 | |
Cartier, we've got Asprey's, Hermes as you say, | 0:24:56 | 0:24:59 | |
so I think that's what people will focus on. | 0:24:59 | 0:25:01 | |
OK, let's hope these get away because they'll make | 0:25:01 | 0:25:04 | |
-a big difference to our target. -And the rest. | 0:25:04 | 0:25:07 | |
We're depending on the buyers of designer labels to be out in abundance today and seeing as we're | 0:25:07 | 0:25:13 | |
in a fashionable part of Essex, let's hope that's the case. | 0:25:13 | 0:25:17 | |
-Morning, ladies. -Hi, how are you doing? | 0:25:18 | 0:25:21 | |
-Hello, hi. -Good morning. -These are lovely | 0:25:21 | 0:25:23 | |
but I noticed in the auction catalogue, we're missing a couple. | 0:25:23 | 0:25:26 | |
I actually found a buyer for four of the scarves. | 0:25:26 | 0:25:30 | |
Why are these two being held back? | 0:25:30 | 0:25:32 | |
Just because they preferred the other four. | 0:25:32 | 0:25:35 | |
Something else has happened with the glass collection. | 0:25:35 | 0:25:38 | |
-What's going on there? -Yeah, the same thing. | 0:25:38 | 0:25:41 | |
I had a buyer who offered me £500 for them, so... | 0:25:41 | 0:25:45 | |
I can't blame you for taking that! | 0:25:45 | 0:25:48 | |
-Busy girl. That's good news! -Absolutely! | 0:25:48 | 0:25:50 | |
-We've still got the water jug? -Yes, right. | 0:25:50 | 0:25:52 | |
And you're not missing any of these items? | 0:25:52 | 0:25:54 | |
-You're happy for them all to sell? -All of them. -Right, OK. | 0:25:54 | 0:25:57 | |
You've already obviously banked £500 plus a bit extra | 0:25:57 | 0:26:00 | |
-before you got here, so let's see what we can make today. -OK, then. | 0:26:00 | 0:26:04 | |
Well, Annette has done brilliantly selling her collection | 0:26:05 | 0:26:08 | |
of glass for £500 | 0:26:08 | 0:26:10 | |
but if we're still aiming to raise £800 today, the items that have made it will have to perform amazingly. | 0:26:10 | 0:26:17 | |
I do hope the bidders are feeling generous! | 0:26:17 | 0:26:19 | |
We'll soon find out as it's time for our first lot of the day. | 0:26:19 | 0:26:23 | |
It's the Hermes ashtray. Annette forget she even had this! | 0:26:23 | 0:26:28 | |
Now we've got £50 to £80 on this, James? | 0:26:28 | 0:26:31 | |
It's probably a lot less than what it would cost you in the shops. | 0:26:31 | 0:26:35 | |
I dread to think what it would cost new, to be honest. | 0:26:35 | 0:26:38 | |
So someone's probably going to get a bargain | 0:26:38 | 0:26:41 | |
compared to the new price but not too much of a bargain. Here we go. | 0:26:41 | 0:26:45 | |
We have the Hermes ashtray. | 0:26:45 | 0:26:46 | |
-Pretty thing, ladies and gentlemen, lots of interest here on the book... -Good, good, good! | 0:26:46 | 0:26:51 | |
Right here now it's £70. | 0:26:51 | 0:26:52 | |
Any advances on £70 now, it's here with me, are we all done then? | 0:26:52 | 0:26:56 | |
-Commission bid and I'm selling at £70. -Great! | 0:26:56 | 0:26:59 | |
Wow! It didn't even get to the room because it went straight on commission. Fantastic! | 0:26:59 | 0:27:04 | |
That's how we like to start an auction - | 0:27:04 | 0:27:06 | |
just £10 shy of James' top estimate, and most importantly, | 0:27:06 | 0:27:09 | |
we have our first contribution towards the deposit for Annette's new home. | 0:27:09 | 0:27:15 | |
We wanted the big buyers to be in today and if that last sale | 0:27:15 | 0:27:18 | |
is anything to go by, then we may be in luck | 0:27:18 | 0:27:22 | |
and names don't get much more recognisable than our next lot. | 0:27:22 | 0:27:26 | |
Ooh, one of my favourites, I love Versace stuff. Strangely enough, in Essex. | 0:27:26 | 0:27:32 | |
What made you get this? | 0:27:32 | 0:27:34 | |
-They were a gift. -Right. -Never been used, always been boxed. | 0:27:34 | 0:27:37 | |
OK, what do you want for these, James? | 0:27:37 | 0:27:40 | |
Well, we've got £20 to £40 on them which doesn't sound a lot, | 0:27:40 | 0:27:44 | |
so let's see what happens. | 0:27:44 | 0:27:46 | |
Where shall we be for these? A pretty pair of plates, | 0:27:46 | 0:27:49 | |
£10 to start, then. Nice pair of plates for 10, 10 anywhere? 10 I'm bid. | 0:27:49 | 0:27:53 | |
12, at £12 now. Are we all done? | 0:27:53 | 0:27:54 | |
£12... | 0:27:54 | 0:27:56 | |
At £12. Sorry, ladies and gentlemen, they didn't sell. Moving on now... | 0:27:56 | 0:28:01 | |
Under £20, I'm glad they didn't sell. | 0:28:01 | 0:28:03 | |
-What? £6 a plate! That's ridiculous. Are you happy to take them home? -Absolutely! | 0:28:03 | 0:28:07 | |
I can't believe that! | 0:28:07 | 0:28:09 | |
We're in Essex and not one person put up their hand to bid | 0:28:09 | 0:28:12 | |
for an item with that name on it! | 0:28:12 | 0:28:14 | |
What on earth is going on? | 0:28:14 | 0:28:16 | |
I really hope we have more interest in our next item. | 0:28:16 | 0:28:19 | |
It's the collection of reproduction statues depicting the work | 0:28:19 | 0:28:23 | |
of famous sculptors including Degas. | 0:28:23 | 0:28:26 | |
Next, we've got the three statues | 0:28:27 | 0:28:29 | |
and that's when you and I were alone together in the garage! | 0:28:29 | 0:28:32 | |
Yes, it was lovely! | 0:28:32 | 0:28:33 | |
-Three... Anyway! -All right, anyway, moving swiftly on... | 0:28:33 | 0:28:37 | |
Three statues, one is bronze, two are sort of a resin-based material, quite decorative, £50-£100. | 0:28:37 | 0:28:45 | |
I'm hoping they will make it. | 0:28:45 | 0:28:46 | |
OK. | 0:28:46 | 0:28:47 | |
-A bit of interest in the book, straight in at £50, any advance... -Straight in at £50! | 0:28:47 | 0:28:51 | |
Lots of places now. 52, 55, 58... | 0:28:51 | 0:28:55 | |
60, 62, 65... | 0:28:55 | 0:28:58 | |
68, 70, 72, 75, 78... | 0:28:58 | 0:29:02 | |
-Brilliant! -80, 85... -This is what we want. | 0:29:02 | 0:29:05 | |
-90... -That's fantastic! -95, 100. At £100 now, back of the room. | 0:29:05 | 0:29:09 | |
Are we all done? Selling, make no mistake, the hammer's up at £100. | 0:29:09 | 0:29:14 | |
Thank you, sir. | 0:29:14 | 0:29:16 | |
£100 - absolute top end of the estimate. Well done, James. | 0:29:16 | 0:29:19 | |
That's much more like it. | 0:29:19 | 0:29:21 | |
Anne may not have liked the sculptures | 0:29:21 | 0:29:23 | |
but plenty of people in the room did | 0:29:23 | 0:29:26 | |
and it's another much-needed contribution to the new home fund. | 0:29:26 | 0:29:29 | |
'One of my favourite lots next. I love these.' | 0:29:29 | 0:29:32 | |
It's the collection of hand-stitched Hermes scarves. | 0:29:32 | 0:29:36 | |
We've got to adjust for the fact that there's now only two | 0:29:36 | 0:29:39 | |
and not six, James, | 0:29:39 | 0:29:40 | |
so what sort of estimate do you think? | 0:29:40 | 0:29:42 | |
Again, we're in a situation where what it would cost to buy | 0:29:42 | 0:29:45 | |
a new scarf is a lot of money. | 0:29:45 | 0:29:47 | |
We've put them in, the two, at £10-£20, | 0:29:47 | 0:29:49 | |
so we're hoping at that sort of level, it will ellicit | 0:29:49 | 0:29:53 | |
some interest but I'm sure here in Essex, the fashion aficionados are going to be out in force. | 0:29:53 | 0:29:59 | |
I think Hermes might be a bit too posh for us! | 0:29:59 | 0:30:02 | |
We can't even say it properly! Hermes... | 0:30:02 | 0:30:05 | |
We have two Hermes scarves, there we are, a bit of interest in these, ladies and gentlemen... | 0:30:05 | 0:30:10 | |
-I should hope so! -Lots of interest on the book. I must start the bidding at £50. | 0:30:10 | 0:30:15 | |
Are we all done then, it's you and me, lots of places now... | 0:30:15 | 0:30:19 | |
55, 60, 65, 70, 75... | 0:30:19 | 0:30:21 | |
-80, 85, 90... -Aah! | 0:30:21 | 0:30:24 | |
At £90 now. 95 back on the book against you now, | 0:30:24 | 0:30:27 | |
at £95 now, commission bid on the book against you in the room. | 0:30:27 | 0:30:31 | |
Are we all done and I'm selling against you all. It's on the book at £95. | 0:30:31 | 0:30:37 | |
-Well, done! -You must be pleased with that! -I'm happy. | 0:30:37 | 0:30:40 | |
That is really good! | 0:30:40 | 0:30:42 | |
The good folk of Essex may not be interested in designer plates | 0:30:42 | 0:30:46 | |
but the designer scarves got their attention, and deservedly so. | 0:30:46 | 0:30:50 | |
It's anyone's guess what they'll make of our next lot, | 0:30:50 | 0:30:53 | |
the pair of candelabra. | 0:30:53 | 0:30:55 | |
A few years ago, they may have caused a bidding frenzy | 0:30:55 | 0:30:58 | |
but could these just be a little bit too nouveau riche for today's crowd? We'll soon find out. | 0:30:58 | 0:31:04 | |
Next up, we've got the pair of candelabra. | 0:31:04 | 0:31:07 | |
Quite decadent, quite big, quite sprauncy, | 0:31:07 | 0:31:11 | |
gilt bronze and marble, estimate £80-£120. | 0:31:11 | 0:31:15 | |
Sounds quite good value again. | 0:31:15 | 0:31:17 | |
Straight in at £50 on this lot | 0:31:17 | 0:31:19 | |
then 50 anywhere, 50 to start, 50 I'm bid, 55, 60. | 0:31:19 | 0:31:23 | |
At £60 now, are we all done then? | 0:31:23 | 0:31:25 | |
Any advances on 60? At £60 now. | 0:31:25 | 0:31:28 | |
£60, 65 I'm bid, thank you. | 0:31:30 | 0:31:31 | |
At £65 now. Are we all done at £65? 65. | 0:31:31 | 0:31:36 | |
That's not a lot of money compared to our estimate. | 0:31:36 | 0:31:39 | |
-How do you feel about that? -I don't mind. | 0:31:39 | 0:31:40 | |
I'm pleased Annette's not too disappointed | 0:31:40 | 0:31:43 | |
with that result and it goes to show the change | 0:31:43 | 0:31:46 | |
in our tastes when it comes to interior fashion | 0:31:46 | 0:31:49 | |
and I don't think that's altogether a bad thing. | 0:31:49 | 0:31:54 | |
OK, we're at the halfway point as far as we're concerned. | 0:31:54 | 0:31:57 | |
We've got more lots coming up this afternoon. Would you like to know how much we've made? | 0:31:57 | 0:32:02 | |
Well, we've banked £330. | 0:32:02 | 0:32:04 | |
-Good, good. -That's good, isn't it? | 0:32:04 | 0:32:06 | |
Don't forget, we've got one unsold item, or two rather, | 0:32:06 | 0:32:10 | |
in the Versace plates, | 0:32:10 | 0:32:11 | |
but they're portable and easy to take home and try another day, | 0:32:11 | 0:32:15 | |
but we have got a bit of a break, so you can finally have a sit down. | 0:32:15 | 0:32:18 | |
If you're thinking of heading to auction then do remember | 0:32:20 | 0:32:24 | |
that fees like commission, VAT and other charges may be added | 0:32:24 | 0:32:28 | |
to your bill so please do check with your local auction house first | 0:32:28 | 0:32:32 | |
to avoid any unwelcome surprises. | 0:32:32 | 0:32:34 | |
With 1,200 lots on offer in today's sale, | 0:32:34 | 0:32:37 | |
there's plenty to keep our expert amused, | 0:32:37 | 0:32:39 | |
but somewhat predictably, it's an item from his childhood that's got him all over-excited. | 0:32:39 | 0:32:46 | |
Trust you to have found the toy department! | 0:32:47 | 0:32:50 | |
You've caught me, haven't you?! | 0:32:50 | 0:32:52 | |
There are lots of trains in here today, aren't there? | 0:32:52 | 0:32:55 | |
I'm not sure why but I'll tell you what - | 0:32:55 | 0:32:57 | |
there are trains and trains, and what's caught my eye | 0:32:57 | 0:33:00 | |
is this set of four by Wrenn's Railways. Have you heard of them? | 0:33:00 | 0:33:04 | |
No, I can't say I have. | 0:33:04 | 0:33:06 | |
-You're a local girl, you should have heard of them! -Are they made locally? | 0:33:06 | 0:33:09 | |
They are, and that's amazing because although the firm started up in the east end of London in 1950, | 0:33:09 | 0:33:14 | |
they moved to Basildon just down the road from here in Essex but it's not a name that everybody knows. | 0:33:14 | 0:33:21 | |
Mainly when you think about modern trains | 0:33:21 | 0:33:23 | |
you think about Hornby, Meccano, you think about Duplo, Tri-ang, | 0:33:23 | 0:33:27 | |
and in the 1960s, a lot of these companies had real problems | 0:33:27 | 0:33:31 | |
because of foreign imports coming in, and a lot of them folded. | 0:33:31 | 0:33:34 | |
In fact, the Wrenn Brothers that made this were bought out | 0:33:34 | 0:33:37 | |
by one of those big companies which then went bust in the early '70s | 0:33:37 | 0:33:41 | |
and they managed to buy their business back and for the next 20 years they were making these trains. | 0:33:41 | 0:33:46 | |
Wow! So what's the estimate? | 0:33:46 | 0:33:49 | |
It's interesting because the auctioneers for four of them | 0:33:49 | 0:33:53 | |
have got an estimate of £80-£120 but I'll tell you what, I've actually | 0:33:53 | 0:33:57 | |
found the original receipt in the box here - it's dated 1982 and it's for 20 quid | 0:33:57 | 0:34:04 | |
but I've had a word with the auctioneer | 0:34:04 | 0:34:08 | |
and he's got loads of phone bids, commission bids. | 0:34:08 | 0:34:11 | |
I reckon they're going to make more than 1,000 quid. | 0:34:11 | 0:34:13 | |
-Really? -So, 20 quid, 1982, 30 years later - | 0:34:13 | 0:34:17 | |
£1,000 for four... Not bad, eh? | 0:34:17 | 0:34:20 | |
You see, that's what makes Essex what it is James, come on. | 0:34:20 | 0:34:24 | |
James clearly loved the model locomotives and it would seem | 0:34:25 | 0:34:29 | |
he's in good company as when they take their turn in front of the sale room they sell... | 0:34:29 | 0:34:34 | |
for £1,250, | 0:34:34 | 0:34:37 | |
once again proving the popularity of this area of collecting. | 0:34:37 | 0:34:42 | |
It's time for the second half of our sale to commence | 0:34:42 | 0:34:45 | |
and we kick off with another highly prestigious maker's name. | 0:34:45 | 0:34:49 | |
Asprey and Garrard - | 0:34:49 | 0:34:51 | |
it doesn't get more luxurious than that, does it? | 0:34:51 | 0:34:54 | |
So have you used these? | 0:34:54 | 0:34:56 | |
The brown one I've worn more than once. The black one has been worn about twice. | 0:34:56 | 0:35:01 | |
I get the impression you're not bothered about this stuff going. | 0:35:01 | 0:35:03 | |
I'm not. They just sit in a box at home. | 0:35:03 | 0:35:06 | |
Might as well sell them. | 0:35:06 | 0:35:08 | |
Where should we be with these, then? Start me at £40 then, 40 anywhere? | 0:35:08 | 0:35:12 | |
40, I'm bid on the book. Any advances on 40? 42, thank you. | 0:35:12 | 0:35:16 | |
45, 48, 50. | 0:35:16 | 0:35:17 | |
At £50 now, still with me on the book, commission bid, | 0:35:17 | 0:35:21 | |
and I'm selling then at £50. | 0:35:21 | 0:35:23 | |
£50, that's not a lot of money is it, eh? | 0:35:24 | 0:35:29 | |
Oh, dear, now that's the result we were hoping for. | 0:35:30 | 0:35:33 | |
Although just £10 below James' estimate, we were all | 0:35:33 | 0:35:36 | |
hoping for a tidy sum on those watches but sadly it was not to be. | 0:35:36 | 0:35:42 | |
Will the bidders take to our next lot any more favourably? | 0:35:42 | 0:35:46 | |
It's the rather lovely Limoges tea set | 0:35:46 | 0:35:49 | |
that James valued at £80-£120. | 0:35:49 | 0:35:52 | |
Our next lot, I must admit, I love Limoges porcelain | 0:35:52 | 0:35:55 | |
from that whole area in France, not one specific town, | 0:35:55 | 0:35:58 | |
but they made such a variety of items and they're just so pretty. | 0:35:58 | 0:36:03 | |
Also, it's that classic, just blue and white pattern which makes it much easier to fit in | 0:36:03 | 0:36:08 | |
because they did produce a number of different colours but this one - classic. | 0:36:08 | 0:36:12 | |
Where should we be for this? Pretty little set, let's start at about 20... | 0:36:12 | 0:36:16 | |
Wouldn't it be wonderful to have tea served on this? Fantastic! | 0:36:16 | 0:36:20 | |
22, 24, 26... | 0:36:20 | 0:36:23 | |
28. At £28 now, lady's bid, any advances on 28? | 0:36:23 | 0:36:26 | |
30, thank you, sir. Against you. 32, 35, at £35 now, | 0:36:26 | 0:36:31 | |
against you seated, madam. Are we all done, then? | 0:36:31 | 0:36:34 | |
Back of the room and selling, make no mistake at £35. 35 all done. | 0:36:34 | 0:36:39 | |
That was a huge bargain for somebody, wasn't it? | 0:36:39 | 0:36:42 | |
I guess that just goes to show how times have changed | 0:36:42 | 0:36:45 | |
and that taking afternoon tea is very much a thing of the past. | 0:36:45 | 0:36:50 | |
Our last couple of sales haven't gone the way we would have liked. I hope the bidders haven't spent | 0:36:50 | 0:36:54 | |
all their cash already, | 0:36:54 | 0:36:57 | |
as we've got one of our star items up now... | 0:36:57 | 0:37:00 | |
it's the wrist watch by none other than Cartier. | 0:37:00 | 0:37:04 | |
You must have had a wonderful time | 0:37:04 | 0:37:06 | |
-with all these expensive watches on your wrist. -I've had many nice objects. | 0:37:06 | 0:37:11 | |
But it's only stuff and we're now going to convert it | 0:37:11 | 0:37:14 | |
-into cash, that's the name of the game. -Absolutely. | 0:37:14 | 0:37:16 | |
We come now to the Cartier gold-plated tank watch, | 0:37:16 | 0:37:20 | |
interesting watch, ladies and gentlemen. | 0:37:20 | 0:37:22 | |
Where should we be for this? Cartier, we're selling. | 0:37:22 | 0:37:24 | |
Start me up at about £30 on this lot, then. | 0:37:24 | 0:37:27 | |
Cartier watch for 30, 30 anywhere? | 0:37:27 | 0:37:29 | |
30 to start, 30 I'm bid, 35, 40, at £40 now. | 0:37:29 | 0:37:33 | |
Are we all done then at £40? | 0:37:33 | 0:37:35 | |
42, 45, against you, 48... | 0:37:35 | 0:37:38 | |
50. At £50 now. | 0:37:38 | 0:37:40 | |
Are we all done and the bid's on my left, are we all done at £50? | 0:37:40 | 0:37:44 | |
'That really is a huge disappointment.' | 0:37:46 | 0:37:49 | |
We'd hoped the name at least would take us to our lower estimate | 0:37:49 | 0:37:52 | |
but we failed to reach that by £100! Ouch! | 0:37:52 | 0:37:55 | |
Sadly, the outlook for our next lot isn't much better. | 0:37:55 | 0:37:59 | |
It's the now standalone example of Stuart Crystal glass. | 0:37:59 | 0:38:03 | |
You've sold all the glasses that went with it? | 0:38:03 | 0:38:06 | |
Yes, I had a buyer. | 0:38:06 | 0:38:08 | |
Good, it's all about raising money. | 0:38:08 | 0:38:10 | |
The only thing is, where does this leave our estimate? | 0:38:10 | 0:38:13 | |
Most of it has gone so we'd probably better come down to about £20-£30 for the jug. | 0:38:13 | 0:38:18 | |
That sounds about right. Let's see how we get on. | 0:38:18 | 0:38:21 | |
A bit of interest on the book, ladies and gentlemen - straight in at £20. | 0:38:21 | 0:38:25 | |
Any advances on 20? It's here with me, it's on the book. Are we all done then at £20? | 0:38:25 | 0:38:29 | |
And 22, 24, 26, £28 now. | 0:38:29 | 0:38:33 | |
Still on the book here with me and I'm selling, ladies and gentlemen, commission bid at £28. | 0:38:33 | 0:38:38 | |
-28. -Happy with that? | 0:38:38 | 0:38:41 | |
Good. | 0:38:41 | 0:38:42 | |
After some of our recent sales, that's a pretty good result, | 0:38:42 | 0:38:47 | |
selling for just £2 shy of James' higher estimate. | 0:38:47 | 0:38:50 | |
And that's on top of the £500 Annette has already raised | 0:38:50 | 0:38:55 | |
by selling the rest of her glassware before coming to auction. | 0:38:55 | 0:38:58 | |
Fortunately, our next item has arrived in its entirety. | 0:38:58 | 0:39:02 | |
Next up, we've got that multifunctional bit of furniture, | 0:39:02 | 0:39:07 | |
the games table. Again, not particularly old, | 0:39:07 | 0:39:10 | |
but really, really good quality and quite ornate. | 0:39:10 | 0:39:14 | |
Do you remember, the lid comes off and you can play chess, chequers...? | 0:39:14 | 0:39:18 | |
We've got £200-£400 on it, so let's hope there are some real players here today. | 0:39:18 | 0:39:23 | |
A bit of interest here, ladies and gentlemen, straight in on the book at £100, any advances on 100? | 0:39:23 | 0:39:27 | |
It's here with me. | 0:39:27 | 0:39:29 | |
110, 120, 130. At £130 now, back of the room against you. | 0:39:29 | 0:39:34 | |
140. At £140 now, are we all done then? Make no mistake | 0:39:34 | 0:39:38 | |
and selling then, the hammer's up at £140. | 0:39:38 | 0:39:42 | |
I think that was quite cheap. | 0:39:44 | 0:39:45 | |
-Do you? -But again, if it's not old, it doesn't have an antique value. | 0:39:45 | 0:39:49 | |
It's purely down to how much you like it. | 0:39:49 | 0:39:52 | |
Yes, yes, but it all goes towards the total, so... | 0:39:52 | 0:39:56 | |
Despite interest in the room and on the telephone, we still failed | 0:39:56 | 0:40:00 | |
to reach the lower estimate on the games table by £60. | 0:40:00 | 0:40:04 | |
The success we enjoyed in the first half of the sale | 0:40:04 | 0:40:07 | |
seems like a long time ago and we have just one lot remaining. | 0:40:07 | 0:40:12 | |
Our next lot is quite a mighty chunk of our | 0:40:12 | 0:40:15 | |
total with an estimate of £200-£400 and it's all that Meissen. | 0:40:15 | 0:40:19 | |
How do you feel about this being sold? | 0:40:19 | 0:40:22 | |
-Let's just see what it gets. -OK, we've got no reserves on it? | 0:40:22 | 0:40:26 | |
-No. -All right, OK. Somebody might get a bargain - let's hope not! | 0:40:26 | 0:40:30 | |
We come to the collection of Meissen tea ware, there we are, very interesting collection, | 0:40:30 | 0:40:35 | |
ladies and gentlemen. Bit of interest here, ladies and gentlemen, straight in at £160 on the book. | 0:40:35 | 0:40:39 | |
Any advances on 160, it's here with me? 170, 180, 190, 200, against you, sir, at £200 now, | 0:40:39 | 0:40:46 | |
it's a commission bid, ladies and gentlemen, and I'm selling at £200. | 0:40:46 | 0:40:52 | |
£200, that's fantastic! | 0:40:52 | 0:40:54 | |
Thank goodness for the Meissen! | 0:40:54 | 0:40:57 | |
So, after a tricky second half of the sale, | 0:40:57 | 0:40:59 | |
have we managed to snatch a respectable final total | 0:40:59 | 0:41:03 | |
from the pockets of this prudent crowd? | 0:41:03 | 0:41:05 | |
Like all auctions, it was swings and roundabouts. | 0:41:05 | 0:41:09 | |
We were up there one minute and down the next. | 0:41:09 | 0:41:11 | |
It's a very difficult market but you wanted £800 | 0:41:11 | 0:41:16 | |
-and I'm pleased to tell you, you've actually made £833! -Wow! | 0:41:16 | 0:41:20 | |
-That's good! -Brilliant! | 0:41:20 | 0:41:22 | |
-Excellent! Well, done, darling. -That's all right! | 0:41:22 | 0:41:25 | |
A couple of weeks after that rather unpredictable day at auction and Annette is headed to Maidstone | 0:41:28 | 0:41:34 | |
with her mum to begin planning the next chapter of her life. | 0:41:34 | 0:41:37 | |
OK, so we've done the auction, we've got some money towards our deposit and now we're going to look | 0:41:37 | 0:41:42 | |
in the estate agents at any properties that we might like the look of. | 0:41:42 | 0:41:46 | |
Hoping to find Annette her dream home is estate agent and branch manager, Brett Young. | 0:41:46 | 0:41:52 | |
How are you? I'm Brett. Nice to meet you. | 0:41:52 | 0:41:55 | |
-How are you? -All right, thanks. | 0:41:55 | 0:41:56 | |
I understand you're looking for a property. | 0:41:56 | 0:41:59 | |
What are you looking for? | 0:41:59 | 0:42:01 | |
-Three-bedroomed, preferably with a garden. -OK, well, | 0:42:01 | 0:42:04 | |
we've got a selection of properties | 0:42:04 | 0:42:06 | |
and we might be able to find something suitable. | 0:42:06 | 0:42:08 | |
They're in price order... | 0:42:08 | 0:42:10 | |
'We've had fun, haven't we?' | 0:42:10 | 0:42:11 | |
'We've had a lot of fun.' | 0:42:11 | 0:42:13 | |
Every penny we can put towards that deposit really helps. | 0:42:13 | 0:42:17 | |
I think this looks a very good bargain. | 0:42:17 | 0:42:20 | |
Subtitles by Red Bee Media Ltd | 0:42:29 | 0:42:32 |