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Welcome to the show that hunts out treasures around your home | 0:00:02 | 0:00:04 | |
and helps you sell them at auction. | 0:00:04 | 0:00:06 | |
Today, I'm going to meet two lovely ladies | 0:00:06 | 0:00:09 | |
who are longing to find out more about items like this. | 0:00:09 | 0:00:12 | |
It could be silver and it could be worth a fortune. | 0:00:12 | 0:00:15 | |
Find out in today's Cash In The Attic. | 0:00:15 | 0:00:18 | |
Coming up on Cash In The Attic - | 0:00:37 | 0:00:40 | |
a Victorian cabinet rockets in value thanks to a surprise discovery. | 0:00:40 | 0:00:45 | |
Isn't that lovely? I've never, ever seen that. I have seen so many | 0:00:45 | 0:00:49 | |
small little cabinets like this, but never seen the original tobacco jar. | 0:00:49 | 0:00:54 | |
Could the damage to this Georgian chaise longue wreck its sale chances? | 0:00:54 | 0:00:58 | |
We've got these amazing, fantastic claw marks. | 0:00:58 | 0:01:02 | |
-Teeth marks. -Teeth, are they?! -Yes. -I hope they're not yours. | 0:01:02 | 0:01:05 | |
No, it's my dog. | 0:01:05 | 0:01:07 | |
And, come auction day, our hosts are anxious to spot the bidders with the fattest wallets. | 0:01:07 | 0:01:13 | |
-Have you seen any dealers here? -The room is full of them, my darling. | 0:01:13 | 0:01:17 | |
-Is it? -Yes. This is what they look like. | 0:01:17 | 0:01:19 | |
But will they be in the mood for buying? Find out when the final hammer falls. | 0:01:19 | 0:01:23 | |
Today, I'm in Manchester, and I'm going to meet a woman | 0:01:24 | 0:01:28 | |
and her cousin who have called the Cash In The Attic team | 0:01:28 | 0:01:31 | |
to help make their dreams for a new look come true. | 0:01:31 | 0:01:34 | |
Meet 70-year-old retired teacher Vivienne Clarke, | 0:01:36 | 0:01:39 | |
her beloved bulldog Boris, and her cousin Miriam. | 0:01:39 | 0:01:44 | |
Vivienne has recently had to deal with a life-changing dilemma. | 0:01:44 | 0:01:48 | |
Should she move to Cornwall to a stunning barn conversion? | 0:01:48 | 0:01:53 | |
Or stay at Blackley in North Manchester and live in her recently inherited childhood home? | 0:01:53 | 0:01:58 | |
Well, I know what I'd do, but then again, I don't have | 0:02:00 | 0:02:02 | |
a four-legged friend to consider, and Boris prefers Manchester. | 0:02:02 | 0:02:06 | |
With the decision made, Vivienne is planning a home makeover in Blackley | 0:02:06 | 0:02:10 | |
and has called in the Cash team to help. | 0:02:10 | 0:02:13 | |
Today's expert is Jonty, and we're all set to get to work. | 0:02:13 | 0:02:18 | |
-Hello. -Hi. How are you? -I'm good. | 0:02:18 | 0:02:20 | |
-Ready for action? -Absolutely, yes. Let's go. | 0:02:20 | 0:02:23 | |
Hello, ladies. Good morning. Hello! | 0:02:24 | 0:02:27 | |
Just in time. We've just come in after a little walk. | 0:02:27 | 0:02:30 | |
-Who's this? -That is Boris. | 0:02:31 | 0:02:33 | |
Hello, Boris. You're absolutely, indescribably gorgeous. | 0:02:33 | 0:02:36 | |
-And heavy! -He is, isn't he? | 0:02:36 | 0:02:39 | |
He weighs five stone. | 0:02:39 | 0:02:40 | |
-He's a bit excited. -Fair enough. You're Vivienne, obviously. | 0:02:40 | 0:02:43 | |
I am, yes. And Miriam. | 0:02:43 | 0:02:46 | |
-And you're cousins. -We are. -Cousins, yes. -OK. Why am I here? | 0:02:46 | 0:02:50 | |
I want to raise some money to do up my bedrooms. | 0:02:50 | 0:02:52 | |
Right. So, Miriam, does your cousin have lots of collectibles all around the house? | 0:02:52 | 0:02:58 | |
Downstairs I've seen quite a lot, yes. I haven't been upstairs yet. | 0:02:58 | 0:03:02 | |
-OK. -It's a little surprise for you. | 0:03:02 | 0:03:04 | |
-Are you a bit of a collector? -More an eclectic collector. When I see something I like, I'll buy it. | 0:03:04 | 0:03:09 | |
I've got a lot of miniatures of bulldogs, but anything else, anything that catches my eye. | 0:03:09 | 0:03:16 | |
She's got little ones of you! | 0:03:16 | 0:03:18 | |
All right, so how much money d'you reckon we might be able to get? What is our target going to be? | 0:03:18 | 0:03:23 | |
-Well, I'd like to get around about £800. -OK. | 0:03:23 | 0:03:27 | |
-Are you ready? -Ready. -Are you ready? -Ready indeed. -Are you ready? -He is. | 0:03:27 | 0:03:31 | |
He is! OK, let's do it. Come on. | 0:03:31 | 0:03:34 | |
£800 would certainly go a long way | 0:03:36 | 0:03:37 | |
towards helping Vivienne update the bedrooms of the house she's known | 0:03:37 | 0:03:41 | |
all her life, and by the sound of it, we won't be short of items to look at. | 0:03:41 | 0:03:45 | |
One man who has unearthed more than his fair share of valuables | 0:03:46 | 0:03:50 | |
in his time is our expert, Jonty Hearnden. | 0:03:50 | 0:03:53 | |
He's been in the antiques business | 0:03:53 | 0:03:55 | |
all his life and it doesn't take him long to spot Vivienne's teapot. | 0:03:55 | 0:03:58 | |
If it's real silver, it could be worth a fortune. | 0:03:58 | 0:04:02 | |
Well, let's find out. | 0:04:03 | 0:04:05 | |
There is the man himself! | 0:04:05 | 0:04:08 | |
I think it's time for a cuppa, don't you? | 0:04:08 | 0:04:11 | |
-That does make a nice cup of tea, actually. -Does it? | 0:04:11 | 0:04:15 | |
Yes, we've used it quite a lot. | 0:04:15 | 0:04:16 | |
-Have you? -Yes. -I've been admiring this. | 0:04:16 | 0:04:19 | |
This is really superb quality. | 0:04:19 | 0:04:21 | |
-Wonderful. -Is it a proper job? Is it silver? | 0:04:21 | 0:04:23 | |
-Proper, proper job. -Is it?! -Proper. -Oh, I say! | 0:04:23 | 0:04:26 | |
There's wonderful hallmarks on the underside here. | 0:04:26 | 0:04:28 | |
Do you have any idea how old this is? | 0:04:28 | 0:04:31 | |
Yes, the gentleman who sold it to me said it was made by the Angell Brothers in 1831. | 0:04:31 | 0:04:38 | |
Well you're 99% there. They weren't brothers. | 0:04:38 | 0:04:43 | |
They were uncle and nephew. | 0:04:43 | 0:04:45 | |
So we have Joseph, the uncle, and John, the nephew. | 0:04:45 | 0:04:50 | |
They went into business at the beginning of 1831, which is when this teapot was made. | 0:04:50 | 0:04:57 | |
I don't know if you have ever noticed this, | 0:04:57 | 0:05:00 | |
but we have a lion's head here. | 0:05:00 | 0:05:01 | |
That's a family crest. | 0:05:01 | 0:05:04 | |
An aristocratic family would've bought this teapot | 0:05:04 | 0:05:07 | |
and personalised it at some point. | 0:05:07 | 0:05:09 | |
Has it come through the best part of 200 years | 0:05:09 | 0:05:11 | |
-pretty much unscathed then? -There's a few little dents. | 0:05:11 | 0:05:14 | |
-There's one there and I've noticed one around the other side. Just there. -Did you drop it? | 0:05:14 | 0:05:20 | |
Probably! | 0:05:20 | 0:05:23 | |
This teapot at auction is going to be worth between £200-300, easily. | 0:05:23 | 0:05:29 | |
I'm sure there's going to be a lot of interest | 0:05:29 | 0:05:31 | |
if we put this into the sale. | 0:05:31 | 0:05:33 | |
It really is very good quality indeed. | 0:05:33 | 0:05:36 | |
London silver. London silver is best, that's going to sell. | 0:05:36 | 0:05:39 | |
It's a great start - really good start to the day, actually, but we | 0:05:39 | 0:05:43 | |
-need to find more, so where shall we go? -Shall we go this way? Yes. | 0:05:43 | 0:05:46 | |
See what we can find out here. | 0:05:46 | 0:05:48 | |
Well, Jonty is clearly a fan of the silver teapot, | 0:05:48 | 0:05:51 | |
and that £200 price tag makes it even more attractive. | 0:05:51 | 0:05:55 | |
It's the perfect start to our day here in Manchester. | 0:05:55 | 0:05:58 | |
And the first contribution towards our target of £800. | 0:05:58 | 0:06:01 | |
We're feeling full of optimism now, so we've split up | 0:06:01 | 0:06:05 | |
to begin a thorough search of this charming 1930s house. | 0:06:05 | 0:06:09 | |
I head to the dining room, and in a sideboard, discover a rather elegant mantel clock. | 0:06:10 | 0:06:16 | |
It was bought by Vivienne five years ago at a house clearance | 0:06:16 | 0:06:20 | |
and Jonty thinks it could fetch £30-50 at auction. | 0:06:20 | 0:06:24 | |
In the lounge, Vivienne has another item that could be destined for the sale room. | 0:06:24 | 0:06:29 | |
Jonty, would you like to look at this, please? | 0:06:29 | 0:06:32 | |
What have we got? | 0:06:32 | 0:06:34 | |
-We were just looking at this sofa. -It's a wonderful shape. Look at it. | 0:06:34 | 0:06:38 | |
-It's quite extraordinary. -Very elegant. | 0:06:38 | 0:06:40 | |
Yes. Look at those wonderful gilded mounts on the top there. | 0:06:40 | 0:06:44 | |
-D'you remember how much you paid for it? -£150, I think it was. | 0:06:44 | 0:06:48 | |
I bought it five or six years ago. | 0:06:48 | 0:06:51 | |
This is very typically French. | 0:06:51 | 0:06:53 | |
This is a sofa that would have been made in the mid-19th century, but it | 0:06:53 | 0:06:58 | |
is French because of these wonderful mounts, those gilded metal tops. | 0:06:58 | 0:07:03 | |
Now, as I look down, I notice | 0:07:03 | 0:07:06 | |
on the sides here we've got these amazing, fantastic claw marks. | 0:07:06 | 0:07:10 | |
-Teeth marks. -Teeth, are they?! -Yes. -I hope they're not yours? | 0:07:10 | 0:07:14 | |
No, it's my dog! I haven't chewed anything. | 0:07:14 | 0:07:17 | |
These really look wonderfully as if they are animal claw marks. | 0:07:17 | 0:07:21 | |
-Are they dog rather than cat? -That's right, yes. | 0:07:21 | 0:07:25 | |
Well, the dealer that possibly might buy this will consider | 0:07:25 | 0:07:29 | |
that they have to have the whole frame re-polished | 0:07:29 | 0:07:32 | |
and then possibly re-cover as well and as a consequence, | 0:07:32 | 0:07:37 | |
it's going to be valued, I would value this sofa in auction at the moment around the £100 mark. | 0:07:37 | 0:07:42 | |
We're looking in the catalogue £80-120. | 0:07:42 | 0:07:46 | |
How do you feel about that? | 0:07:46 | 0:07:48 | |
Well, it's less than I paid for it but I want to free up the space, | 0:07:48 | 0:07:53 | |
-so I think I will sell it. -Wonderful. That will definitely sell. | 0:07:53 | 0:07:58 | |
-I think it's beautiful, but we can't sit on it because we've got a lot more work to do. -Right. | 0:07:58 | 0:08:03 | |
We'll go looking for other things. | 0:08:03 | 0:08:04 | |
Vivienne may have been hoping for a little more for the chaise longue, | 0:08:04 | 0:08:09 | |
and she might well have got it, had it not been for her bulldog's sharp teeth. | 0:08:09 | 0:08:14 | |
But it's a definite restoration project for someone. | 0:08:14 | 0:08:18 | |
Fortunately, it doesn't look as if Boris has got his fangs | 0:08:18 | 0:08:21 | |
into this collection of vintage handbags that Miriam finds in a bedroom. | 0:08:21 | 0:08:25 | |
They were bought by Vivienne back in the '50s, but she doesn't use them any more, | 0:08:25 | 0:08:29 | |
so they head off to auction with a valuation of £30-40. | 0:08:29 | 0:08:32 | |
We're progressing steadily towards that £800 target. | 0:08:35 | 0:08:38 | |
Downstairs, Miriam looks as if she may have unearthed something else. | 0:08:38 | 0:08:42 | |
Jonty, could you come and have a look at these? | 0:08:45 | 0:08:47 | |
-These look rather exciting. -We've got a pair, have we? | 0:08:47 | 0:08:50 | |
-Pair of decanters. -Yes. -Those are rather fine, aren't they? | 0:08:50 | 0:08:53 | |
We've got a silver neck to them... Ooh, that's very good news. | 0:08:53 | 0:08:57 | |
-We've got a mark that says they are solid silver. -Yes. -Very nice quality. | 0:08:57 | 0:09:01 | |
We've also got a maker's mark there. That's LRW - | 0:09:01 | 0:09:04 | |
that's Laurence Watson - and they're still in business. | 0:09:04 | 0:09:07 | |
They're based in Sheffield. They are a very good company and it's always very nice to see a pair of anything. | 0:09:07 | 0:09:13 | |
Decanters were very popular in the 18th and 19th century. | 0:09:13 | 0:09:17 | |
The whole point was that you decanted your wine and your port, etc, | 0:09:17 | 0:09:23 | |
into bottles, into stylish bottles like this, because it was | 0:09:23 | 0:09:26 | |
un-PC to actually have wine bottles on the table. | 0:09:26 | 0:09:30 | |
-Yes. -Are you a decanter girl? | 0:09:30 | 0:09:32 | |
Only decanters at Christmas. | 0:09:32 | 0:09:34 | |
Wine bottles don't exist. | 0:09:34 | 0:09:37 | |
Well, it's the reason why a lot of decanters are actually on the market, | 0:09:37 | 0:09:41 | |
because they're good lookers, but not necessarily very practical. | 0:09:41 | 0:09:44 | |
What you need to do is take the stopper out. | 0:09:44 | 0:09:46 | |
If you have a look at your stopper, look at the top there, | 0:09:46 | 0:09:49 | |
make sure there's no chips or breaks. | 0:09:49 | 0:09:51 | |
-Can you see if yours is in very good condition? -It looks fine. I can't see anything wrong. | 0:09:51 | 0:09:56 | |
For my money, they look in pretty good condition. They are mint. | 0:09:56 | 0:10:00 | |
That's very nice indeed. | 0:10:00 | 0:10:02 | |
The only thing to remember is, if you're ever thinking of buying a beautiful object like a decanter, | 0:10:02 | 0:10:07 | |
make sure that the stopper started life with the base. | 0:10:07 | 0:10:11 | |
Have a close look at the decoration, they need to be similar. | 0:10:11 | 0:10:14 | |
That's the way to tell, and they need to fit very snugly in the top. | 0:10:14 | 0:10:19 | |
They're brand-new, so they're second-hand, they're not antique. | 0:10:19 | 0:10:23 | |
-We're still looking at £30-50 worth of decanter. -Right. | 0:10:23 | 0:10:26 | |
-Shall we go and ask the boss if we can sell them? -We'll go and ask the boss, yes. | 0:10:26 | 0:10:31 | |
Well, they may not be antique, but £30 is still another useful boost to the bedroom makeover fund. | 0:10:31 | 0:10:37 | |
So, Vivienne, this is your family home? | 0:10:40 | 0:10:42 | |
Yes. My mother and father came here when they first got married. | 0:10:42 | 0:10:46 | |
And of course I was born here and lived here for a long time. | 0:10:46 | 0:10:51 | |
Then I bought a property in Cornwall and I was going to live there. | 0:10:51 | 0:10:55 | |
But for one thing and another, I have been held here. | 0:10:55 | 0:10:58 | |
My parents had been ill and what have you and so... | 0:10:58 | 0:11:02 | |
I'm now stuck with two houses. | 0:11:02 | 0:11:04 | |
I've got to offload one. | 0:11:04 | 0:11:07 | |
Looking around your house, Vivienne, | 0:11:07 | 0:11:09 | |
I've noticed that every nook and cranny has a little gem hidden away. | 0:11:09 | 0:11:13 | |
You are quite a collector, aren't you? | 0:11:13 | 0:11:15 | |
Yes. My mother was a collector as well as me. | 0:11:15 | 0:11:18 | |
I collect little bulldog figurines. | 0:11:18 | 0:11:21 | |
And anything eclectic, really. | 0:11:21 | 0:11:25 | |
Anything I like the look of, I'll take. I'll buy it. | 0:11:25 | 0:11:28 | |
Do you see much of each other? | 0:11:28 | 0:11:31 | |
We see more of each other now, don't we? | 0:11:31 | 0:11:33 | |
We go out for meals every two or three weeks. | 0:11:33 | 0:11:36 | |
These bedrooms - I must say, they look fine to me, but what exactly | 0:11:36 | 0:11:40 | |
do you want to do with them? | 0:11:40 | 0:11:42 | |
I want to have them redecorated. | 0:11:42 | 0:11:44 | |
We had the electricity all done and rewired | 0:11:44 | 0:11:48 | |
and it's left gaps round the light switches and it irks me. | 0:11:48 | 0:11:51 | |
-I thought I'd get this place done up! -OK, well, if we're to make the money | 0:11:54 | 0:11:57 | |
to give your rooms a lick of paint and the rest of it, | 0:11:57 | 0:12:00 | |
we'd better get on with the rummage, hadn't we? Come on. | 0:12:00 | 0:12:03 | |
Vivienne wasn't kidding when she said she collected anything to do with bulldogs. | 0:12:05 | 0:12:09 | |
The house is full of ornaments and pictures! | 0:12:09 | 0:12:12 | |
Even life-sized lookalikes! | 0:12:12 | 0:12:14 | |
Fortunately, while we have been chatting, | 0:12:16 | 0:12:18 | |
Jonty has been hard at work | 0:12:18 | 0:12:20 | |
and finds not just one, but four framed etchings. | 0:12:20 | 0:12:24 | |
Surprisingly, they are not of bulldogs, but rural scenes. | 0:12:24 | 0:12:28 | |
Bought by Vivienne's father back in the 1930s, Jonty thinks they could fetch £40-60 at auction. | 0:12:28 | 0:12:34 | |
In the bedroom, I spot something that might be of interest. | 0:12:38 | 0:12:41 | |
If only I could reach it! | 0:12:41 | 0:12:43 | |
Jonty? Jonty, come and look. I think that's absolutely gorgeous. | 0:12:45 | 0:12:49 | |
-I don't know what it is. -Can we get this down? | 0:12:49 | 0:12:51 | |
Yes, it's a wall cabinet for smokers. | 0:12:51 | 0:12:54 | |
That's right, yes, it would be. | 0:12:54 | 0:12:56 | |
-Because it's actually made of wonderful English oak. -Is it? -Yes, feel the weight. | 0:12:56 | 0:13:00 | |
It is heavy. I'm glad I didn't try to get it down. | 0:13:00 | 0:13:02 | |
You know something is always made of English oak because it's just that wee bit heavier. | 0:13:02 | 0:13:07 | |
These cabinets, if you look at the design, the busy-ness of it all | 0:13:07 | 0:13:10 | |
will be always turn of the century, so you're looking at 1880-1908. | 0:13:10 | 0:13:15 | |
Can we have a look inside? | 0:13:15 | 0:13:17 | |
Because there should be lovely drawers and interiors there. | 0:13:17 | 0:13:20 | |
-Yes, indeed. -Here, the holes on the side here would be designed | 0:13:20 | 0:13:24 | |
to house one's pipes. Look at this! | 0:13:24 | 0:13:26 | |
Isn't that lovely? I've never, ever seen that. | 0:13:28 | 0:13:31 | |
I have seen so many small, little cabinets like this, | 0:13:31 | 0:13:35 | |
but never seen the original tobacco jar. | 0:13:35 | 0:13:37 | |
Because that's exactly what this is. This little screw-top, look at this, | 0:13:37 | 0:13:40 | |
is designed to keep the pressure down so tightly | 0:13:40 | 0:13:43 | |
that it allows or doesn't allow the oxygen to get in. | 0:13:43 | 0:13:48 | |
So it's kind of vacuum packed? | 0:13:48 | 0:13:50 | |
That's right. But this is really lovely and really very nice indeed. | 0:13:50 | 0:13:53 | |
It's wonderful. Put that into the auction sale and we're looking at £40-60. | 0:13:53 | 0:13:58 | |
-Right. Yes. Lovely. -Yes? Another one for the auction sale? | 0:13:58 | 0:14:01 | |
-Yes. -I was hoping for more! | 0:14:01 | 0:14:04 | |
So was I. I'm just hoping there's somebody there who wants it. | 0:14:04 | 0:14:07 | |
-Or two people who want it. -I think it's worth every penny there. | 0:14:07 | 0:14:10 | |
I think it's gorgeous, I really do. | 0:14:10 | 0:14:13 | |
'And I think Jonty's being very mean with his valuation! | 0:14:15 | 0:14:18 | |
'It's an absolutely charming cabinet, | 0:14:18 | 0:14:20 | |
'but will Vivienne's hopes for a bidding war come true?' | 0:14:20 | 0:14:24 | |
-Too many people interested! -Great! I want a fight for it. | 0:14:24 | 0:14:27 | |
£20? £20. Two, five, eight, | 0:14:27 | 0:14:31 | |
30, two, five, eight, 40... | 0:14:31 | 0:14:35 | |
'Stay tuned to find out how the cabinet fares and whether we raise | 0:14:35 | 0:14:39 | |
-'enough cash to help Vivienne complete her home makeover.' -Any advance now? | 0:14:39 | 0:14:44 | |
As we plough on, Vivienne finds a set of pearls | 0:14:44 | 0:14:47 | |
that she once bought as a birthday gift for her mother. | 0:14:47 | 0:14:51 | |
She feels the time is now right to let them go and Jonty values them at £60 to £80. | 0:14:51 | 0:14:56 | |
Mirium's on a mission downstairs, and gathers together a collection | 0:14:58 | 0:15:02 | |
of silver that includes a tankard, | 0:15:02 | 0:15:04 | |
a cigarette case, perfume bottles, napkin rings and spoons. | 0:15:04 | 0:15:08 | |
Jonty values the lot at £40 to £60. | 0:15:08 | 0:15:12 | |
Vivienne did say that her style of collecting could be described as eclectic, and she wasn't wrong. | 0:15:14 | 0:15:21 | |
There's such a lot of history in this house, which she's known all her life. | 0:15:21 | 0:15:25 | |
And it's in her parents' old bedroom that Jonty makes his next discovery. | 0:15:26 | 0:15:31 | |
Vivienne, have a look at this. This looks interesting. | 0:15:31 | 0:15:35 | |
-Oh, that's my tapestry. -Look at that. | 0:15:35 | 0:15:37 | |
-Yes. -Don't tell me you did it. | 0:15:37 | 0:15:38 | |
No, no. I just paid for it! | 0:15:38 | 0:15:41 | |
The style is French, and in fact if you look at the design, it's French. | 0:15:41 | 0:15:45 | |
You are looking almost at the courting couple down in the foreground here and certainly | 0:15:45 | 0:15:51 | |
if you look at the statuary, | 0:15:51 | 0:15:52 | |
look at this cherub here on a stand, it has a wonderful French feel. | 0:15:52 | 0:15:57 | |
-Yes. -Tapestries of this style were made in the southern half of France, | 0:15:57 | 0:16:03 | |
so often with a scene - a romantic scene, | 0:16:03 | 0:16:07 | |
or a country scene, a hunting scene possibly. | 0:16:07 | 0:16:09 | |
The colours are pretty good too, aren't they? | 0:16:09 | 0:16:12 | |
Yes, well, it's never been hung. | 0:16:12 | 0:16:14 | |
Yes, it's always been rolled up. | 0:16:14 | 0:16:16 | |
-Yes, it has. -So did you buy it new? | 0:16:16 | 0:16:18 | |
I did. I bought it in Manchester, | 0:16:18 | 0:16:21 | |
-ooh, a good few years ago, and I paid £160 for it. -Right. | 0:16:21 | 0:16:27 | |
I also notice here we've got a bit of shading that's gone on here. | 0:16:27 | 0:16:32 | |
That's probably exposure, maybe a bit of damp's got in there. | 0:16:32 | 0:16:36 | |
That's going to be almost impossible to take out. | 0:16:36 | 0:16:39 | |
-Having said that, I think it gives it a bit of character. -Yes. | 0:16:39 | 0:16:43 | |
But please don't slap my wrists when I give you the valuation. It's going | 0:16:43 | 0:16:47 | |
to be £30 to £40. | 0:16:47 | 0:16:49 | |
That is a big reduction on what I paid for it. | 0:16:49 | 0:16:51 | |
It is. But that's the market for it. | 0:16:51 | 0:16:54 | |
But I think the quality is all there. It's very, very good quality. | 0:16:54 | 0:16:57 | |
-So, time to sell it? -Yes, I think so. | 0:16:57 | 0:17:00 | |
-Let's get you some money. -Yes. | 0:17:00 | 0:17:02 | |
OK. Let's leave that there. | 0:17:02 | 0:17:04 | |
Considering she paid £160 for it, | 0:17:07 | 0:17:09 | |
Jonty's conservative estimate is obviously disappointing. | 0:17:09 | 0:17:13 | |
We've really been spoiled by the amount of collectibles | 0:17:14 | 0:17:17 | |
crammed into this house in a North Manchester suburb. | 0:17:17 | 0:17:21 | |
It's an area Vivienne's known since her childhood. From what I can see, | 0:17:21 | 0:17:25 | |
it's a world away from her other property in rural Cornwall. | 0:17:25 | 0:17:30 | |
This has been a massive project for you, hasn't it? | 0:17:31 | 0:17:34 | |
Yes. It was a farming complex which was deserted, derelict. | 0:17:34 | 0:17:38 | |
And I bought one of the barns. | 0:17:38 | 0:17:41 | |
It was so funny. I bought it and I walked across fields to it. | 0:17:41 | 0:17:46 | |
And then I came home. | 0:17:46 | 0:17:47 | |
And the next year when I went back, I couldn't find it! | 0:17:47 | 0:17:50 | |
I was driving round thinking, this is ridiculous - I've bought a barn and I don't know where it is! | 0:17:50 | 0:17:55 | |
It didn't have an address, you see. | 0:17:55 | 0:17:57 | |
-So, how long ago was this? -In the '80s. | 0:17:57 | 0:17:59 | |
So that's the barn today. | 0:17:59 | 0:18:01 | |
It's looking really spruced-up and fantastic, I must say. | 0:18:01 | 0:18:04 | |
-There's me on the wall gardening. -Yes. | 0:18:04 | 0:18:06 | |
Why is it that you're going to sell it? Are you mad? | 0:18:06 | 0:18:09 | |
-It's too expensive to run. -Oh, is it? | 0:18:09 | 0:18:12 | |
So will it upset you a lot? | 0:18:12 | 0:18:14 | |
No, I've decided I'm going to sell it and that's it. | 0:18:14 | 0:18:17 | |
Did you ever take your parents there? | 0:18:17 | 0:18:19 | |
I took my mother once or twice and I took the dog as well. | 0:18:19 | 0:18:22 | |
He didn't like it because it was surrounded by cows | 0:18:22 | 0:18:25 | |
and horses and ducks and all that kind of thing. | 0:18:25 | 0:18:28 | |
And he just didn't like that. | 0:18:28 | 0:18:29 | |
Well, that's lovely to see your project down in Cornwall. | 0:18:29 | 0:18:33 | |
In the meantime, we had better get on actually. | 0:18:33 | 0:18:35 | |
We'd better not leave them rummaging. | 0:18:35 | 0:18:38 | |
'After a sneaky rest, it's back to work, and tucked away | 0:18:38 | 0:18:41 | |
'in the back of an old writing desk, I find this rather unusual brooch. | 0:18:41 | 0:18:46 | |
'It's nine carat gold and was given to Vivienne as a gift | 0:18:46 | 0:18:49 | |
'when she worked in Singapore. | 0:18:49 | 0:18:51 | |
'Jonty thinks it could fetch as much as £80 to £120 at auction. | 0:18:51 | 0:18:57 | |
'And it's not the only piece of Vivienne's jewellery | 0:18:57 | 0:19:00 | |
'that might be destined for the sale room.' | 0:19:00 | 0:19:03 | |
Jonty, will you please come and have a look at this? | 0:19:03 | 0:19:07 | |
Let's have a look. Oh, I say. Isn't that charming? | 0:19:07 | 0:19:10 | |
That's so beautiful. | 0:19:12 | 0:19:14 | |
So, we've got a lovely...what looks like a brown diamond, which has that green hue in the middle. | 0:19:14 | 0:19:21 | |
Surrounded by all these other tiny white diamonds. That's lovely. | 0:19:21 | 0:19:25 | |
I bought it six or seven years ago at a second-hand jewellers, | 0:19:25 | 0:19:29 | |
and he told me it was a green diamond and it was 3.5 carat. | 0:19:29 | 0:19:33 | |
-3.5 carat? -That's what he said. | 0:19:33 | 0:19:35 | |
-It doesn't look like that size to me. -No. | 0:19:35 | 0:19:37 | |
Because carat's actually the weight. | 0:19:37 | 0:19:40 | |
-Yes. -That's what we're looking at here. | 0:19:40 | 0:19:42 | |
Have you ever had this assessed? | 0:19:42 | 0:19:44 | |
Yes, I have. I've got a paper somewhere. | 0:19:44 | 0:19:46 | |
I've had all my jewellery assessed. Yes, here we are. | 0:19:46 | 0:19:50 | |
-Can I have a look at it? -Yes. | 0:19:50 | 0:19:52 | |
-Right. So this is an insurance valuation we've got here? -Yes. | 0:19:52 | 0:19:56 | |
And it's a trilliant cut diamond, which makes absolute sense. | 0:19:56 | 0:20:00 | |
A trilliant cut diamond is the triangular form. | 0:20:00 | 0:20:04 | |
Oh, right. I thought that was the number of cuts, I thought. | 0:20:04 | 0:20:07 | |
No. The number of facets, which is the number of sides, should be 31. | 0:20:07 | 0:20:11 | |
Right. | 0:20:11 | 0:20:12 | |
But here, the weight is 1.8 carat, so rather than being, you say... | 0:20:12 | 0:20:18 | |
3.5 carat, he said. | 0:20:18 | 0:20:20 | |
And he charged me £1,000 a carat for it. I paid £3,500 for that. | 0:20:20 | 0:20:26 | |
You paid £3,500? Aw! That hurts. | 0:20:26 | 0:20:31 | |
It's a huge price differential between a 3.5 carat diamond | 0:20:31 | 0:20:35 | |
and something that's 1.8 carat. | 0:20:35 | 0:20:37 | |
And if you were to sell this at auction, we are looking at more like £600 to £800, | 0:20:37 | 0:20:42 | |
-which is a huge difference. -It is a big difference, isn't it? | 0:20:42 | 0:20:46 | |
So there's a bit of food for thought for you. | 0:20:46 | 0:20:49 | |
There is indeed. I have to think about that very carefully. | 0:20:49 | 0:20:53 | |
Oh, there you all are. | 0:20:53 | 0:20:55 | |
I've been rummaging away wondering what you're all up to. | 0:20:55 | 0:20:58 | |
We've been looking at this lovely ring. Take a look at that. | 0:20:58 | 0:21:01 | |
Gosh, that is gorgeous, isn't it? Is this something you're taking to the auction? | 0:21:01 | 0:21:05 | |
I'm thinking about it, yes. | 0:21:05 | 0:21:06 | |
What's the estimation on it? | 0:21:06 | 0:21:08 | |
I put £600 to £800. | 0:21:08 | 0:21:10 | |
-And you're going to have a think about it? -Yes, I am. | 0:21:10 | 0:21:12 | |
-Let us know on the day of the auction. -I will, yes. | 0:21:12 | 0:21:15 | |
I tell you what that means. It means that we can end our day of rummaging. | 0:21:15 | 0:21:19 | |
-Oh, right! -Have you enjoyed yourselves? | 0:21:19 | 0:21:21 | |
I've enjoyed myself very much, yes. | 0:21:21 | 0:21:23 | |
At the start of the day, you said that you'd like to raise £800, so that you can do up these bedrooms. | 0:21:23 | 0:21:29 | |
We reckon that if you do take the ring along, with the other | 0:21:29 | 0:21:33 | |
items and Jonty's valuations - we take the lowest valuations - | 0:21:33 | 0:21:36 | |
you will make at auction... | 0:21:36 | 0:21:38 | |
not £800 but £1,260. | 0:21:38 | 0:21:41 | |
That sounds a lot better. | 0:21:41 | 0:21:43 | |
It does, you see. That's why you might want to think about the ring. | 0:21:43 | 0:21:47 | |
Obviously without the ring, that would come down to £660, so not quite up to target. | 0:21:47 | 0:21:53 | |
But a pretty penny for some painting. | 0:21:53 | 0:21:55 | |
And we've got some lovely items as well, so hopefully we should | 0:21:55 | 0:21:58 | |
get up to that figure even without the ring. | 0:21:58 | 0:22:00 | |
But that's food for thought for you. | 0:22:00 | 0:22:02 | |
Yes. | 0:22:02 | 0:22:04 | |
We've had a thoroughly enjoyable day in Manchester with Vivienne and her | 0:22:04 | 0:22:07 | |
cousin Miriam - and what a variety of items we've found for action. | 0:22:07 | 0:22:13 | |
There is the stunning silver teapot that's almost 200 years old, | 0:22:13 | 0:22:17 | |
yet apparently still makes a great cuppa. | 0:22:17 | 0:22:19 | |
The only thing we want it to make is upwards of £200. | 0:22:19 | 0:22:24 | |
Jonty was blown away | 0:22:24 | 0:22:25 | |
by the beautifully preserved smoking cabinet. | 0:22:25 | 0:22:28 | |
It comes complete with its original tobacco jar | 0:22:28 | 0:22:31 | |
and a price tag of £40 to £60. | 0:22:31 | 0:22:33 | |
And what about Vivienne's amazing diamond ring? | 0:22:35 | 0:22:37 | |
Jonty's estimate was just a fraction of the £3,500 | 0:22:37 | 0:22:42 | |
she originally paid for it, so can she bear to part with it? | 0:22:42 | 0:22:46 | |
Only time will tell. | 0:22:46 | 0:22:48 | |
Still to come on Cash In The Attic - some items prove hard to part with. | 0:22:51 | 0:22:56 | |
-Oh, the hurt in your eyes. -I know! | 0:22:56 | 0:22:59 | |
While others struggle to gain any interest at all. | 0:22:59 | 0:23:02 | |
The dealers have their hands in their pockets but not in their purses. | 0:23:02 | 0:23:05 | |
-Will the makeover plans fly out of the window? -What are you doing with that £5? | 0:23:05 | 0:23:09 | |
I don't know. An icecream might be nice. | 0:23:09 | 0:23:12 | |
Find out when the final hammer falls. | 0:23:12 | 0:23:15 | |
For our auction today it's a welcome return to Knutsford in Cheshire. | 0:23:19 | 0:23:23 | |
It's a beautiful town made famous by the novels of Elizabeth Gaskell. | 0:23:23 | 0:23:28 | |
Frank Marshall Auctioneers hold their sales in a former school in the heart of Knutsford. | 0:23:28 | 0:23:34 | |
They take place twice a month. | 0:23:34 | 0:23:35 | |
Now, if you remember, Vivienne wants to raise £800 so she can give | 0:23:35 | 0:23:40 | |
the bedrooms in her Manchester home a bit of a makeover. | 0:23:40 | 0:23:43 | |
So let's hope the bidders here are feeling generous when our items go under the hammer. | 0:23:43 | 0:23:47 | |
One man who's always at the front of the queue come sale day is Jonty. | 0:23:49 | 0:23:52 | |
And it doesn't take him long to spot our star item. | 0:23:52 | 0:23:56 | |
Now, that's what I call a classy little number. | 0:23:58 | 0:24:00 | |
-It is, isn't it? -And I don't mean you. | 0:24:00 | 0:24:02 | |
Isn't it beautiful? | 0:24:02 | 0:24:04 | |
It really is a beautiful teapot, and I priced it to make it very competitive in the room, | 0:24:04 | 0:24:09 | |
so I'm convinced this should do well. In fact this area - Knutsford particularly - | 0:24:09 | 0:24:13 | |
is a very good place to sell your items. They get very good prices here. | 0:24:13 | 0:24:17 | |
Actually, talking of money, what about that ring Vivienne paid, what, £3,500 for? | 0:24:17 | 0:24:22 | |
I know. It was difficult telling her the true value of that, but at the end of the day the truth will out, | 0:24:22 | 0:24:27 | |
because if you are going to have something like that for auction, | 0:24:27 | 0:24:30 | |
it's the wrong time to find out when the hammer has fallen. | 0:24:30 | 0:24:33 | |
I wonder if she's brought it. I don't think I would if it was mine. | 0:24:33 | 0:24:36 | |
-I suspect possibly not. -Never mind. Hopefully, this will be the star of the show. | 0:24:36 | 0:24:40 | |
Maybe she did bring it. I think they've arrived. | 0:24:40 | 0:24:42 | |
So, high hopes for the teapot, but uncertainty over the destiny of the ring. | 0:24:44 | 0:24:48 | |
I'm encouraged to hear Jonty's prediction for a good sale though. | 0:24:48 | 0:24:52 | |
Let's hope he's right. | 0:24:52 | 0:24:54 | |
We find Vivienne and Miriam among the hustle of the sale room, | 0:24:54 | 0:24:58 | |
saying a fond farewell to one of my favourite items. | 0:24:58 | 0:25:01 | |
Hello, Jennie. I was just saying I think I'm going to miss this | 0:25:01 | 0:25:07 | |
cos I don't know where I'm going to put all my bits and pieces. | 0:25:07 | 0:25:10 | |
I think you might be all right on this one, because I saw a gentleman | 0:25:10 | 0:25:13 | |
looking at it a moment ago and he really loved it, actually. He thought it was great. | 0:25:13 | 0:25:17 | |
Right. Oh, well. | 0:25:17 | 0:25:18 | |
Let's hope somebody else wants it and there is a bit of a fight! | 0:25:18 | 0:25:22 | |
-Have you brought that ring? -Well, no, I haven't. | 0:25:22 | 0:25:25 | |
I didn't even put it on because I thought I might be persuaded to put it in. | 0:25:25 | 0:25:30 | |
But no, I don't want to sell that so I have not brought it. | 0:25:30 | 0:25:33 | |
We're not surprised really, are we? | 0:25:33 | 0:25:35 | |
-Very understandable. -Have you been to an auction before? -No, I haven't. | 0:25:35 | 0:25:39 | |
And I'm very excited. | 0:25:39 | 0:25:41 | |
-And how are you feeling? -Absolutely... excited. | 0:25:41 | 0:25:45 | |
But I'm trying not to show it. A sort of subdued exuberance. | 0:25:45 | 0:25:50 | |
OK, well, let's take that subdued exuberance over there, | 0:25:50 | 0:25:53 | |
because the auction's about to start. Come on. | 0:25:53 | 0:25:56 | |
Well, we didn't think Vivienne would bring the ring, | 0:25:58 | 0:26:01 | |
but it was our highest valued lot and without it, | 0:26:01 | 0:26:03 | |
the pressure is really on if we are to meet our target of £800. | 0:26:03 | 0:26:08 | |
If you're thinking of heading to auction, please remember | 0:26:08 | 0:26:11 | |
that commission and VAT may be added to your bill, so do check the details | 0:26:11 | 0:26:15 | |
with your auction house first to avoid any unwelcome surprises. | 0:26:15 | 0:26:19 | |
With the auction already under way, | 0:26:19 | 0:26:21 | |
we find a corner at the back of the packed salesroom | 0:26:21 | 0:26:25 | |
in time for our first lot, the Victorian smoking cabinet. | 0:26:25 | 0:26:29 | |
Jonty valued it at £40 to £60. | 0:26:29 | 0:26:32 | |
-OK, Vivienne, it's time to say farewell to that smokers cabinet now. -Yes, indeed. | 0:26:34 | 0:26:38 | |
Well, I said earlier that I'd seen one person look at it, a chap. | 0:26:38 | 0:26:41 | |
I've seen a woman look at it too, so that's what you wanted. | 0:26:41 | 0:26:44 | |
Great. I want a fight for it, yes. | 0:26:44 | 0:26:47 | |
-OK, here we go. Let's see if we can get at least £40. -Yes. | 0:26:47 | 0:26:51 | |
Where are you going to start me now? £20 I have heard. | 0:26:51 | 0:26:53 | |
At £20, £22, £25, £28, £30. | 0:26:53 | 0:26:56 | |
£32, £35, £38, £40. £40 and seated at the front. | 0:26:56 | 0:27:03 | |
£42, fresh bidder. £45. £45. Any more, quickly? | 0:27:03 | 0:27:05 | |
At £45 in the front row. | 0:27:05 | 0:27:08 | |
Any advance now on a £45? | 0:27:08 | 0:27:12 | |
-£45, eh? -That's not too bad, is it? | 0:27:12 | 0:27:14 | |
-It's great. -Yes, that's all right. | 0:27:14 | 0:27:17 | |
That's more than all right - £5 over estimate and we have | 0:27:17 | 0:27:20 | |
our first contribution towards the bedroom makeover. | 0:27:20 | 0:27:24 | |
Next up it's the collection of handbags and purses that used to | 0:27:24 | 0:27:27 | |
accompany Vivienne on her nights on the town. | 0:27:27 | 0:27:31 | |
They date from the 1940s and '50s, | 0:27:31 | 0:27:33 | |
and we are looking for upwards of £30. | 0:27:33 | 0:27:38 | |
It's a girly one, yes, your evening bags. | 0:27:38 | 0:27:40 | |
I like those. Collected over the years. | 0:27:40 | 0:27:42 | |
Indeed, yes. I've had many a happy outing with them. | 0:27:42 | 0:27:44 | |
One for every occasion. There we go. Some good examples here. £20. | 0:27:44 | 0:27:48 | |
£15 then, come on. | 0:27:48 | 0:27:50 | |
£15? No. | 0:27:50 | 0:27:53 | |
Any advance then, quickly? £16, thank you. I knew somebody else would be there. £18? £18. | 0:27:53 | 0:27:58 | |
Try another one. £20. | 0:27:58 | 0:28:00 | |
£22. | 0:28:00 | 0:28:02 | |
Come on. Yes. | 0:28:02 | 0:28:04 | |
At £22, the lady right at the back. Anybody else want to go? | 0:28:04 | 0:28:07 | |
At £22 all done, at £22. | 0:28:07 | 0:28:12 | |
Well, they're worth more than that. | 0:28:12 | 0:28:14 | |
Yes. | 0:28:14 | 0:28:16 | |
The dealers had their hands in their pockets but not in their purses. | 0:28:16 | 0:28:20 | |
-Right. Yes. -That is a disappointing result. | 0:28:20 | 0:28:23 | |
Vivienne was clearly hoping for a little more for the handbags, | 0:28:23 | 0:28:27 | |
but vintage clothes buyers just weren't in the room. | 0:28:27 | 0:28:30 | |
Let's hope there are some jewellery buyers in. | 0:28:30 | 0:28:33 | |
So, this is the first of your jewellery. | 0:28:33 | 0:28:36 | |
Tell us where that came from. | 0:28:36 | 0:28:37 | |
It came from Singapore. I was doing some work there | 0:28:37 | 0:28:40 | |
and that was given to me as a gift. | 0:28:40 | 0:28:42 | |
-I was training some teachers how to mark exam work. -Sounds like fun! | 0:28:42 | 0:28:47 | |
And you got some jewellery to boot. | 0:28:47 | 0:28:49 | |
-I did, yes. -Let's hope we can get at least £80. | 0:28:49 | 0:28:52 | |
-Yes, indeed. -Good lot, here. Right, I can start the bidding on this one. | 0:28:52 | 0:28:56 | |
We got interest here at £85. | 0:28:56 | 0:28:58 | |
-That's not bad. -Bidding? £90. | 0:28:59 | 0:29:02 | |
£95 on commission. | 0:29:02 | 0:29:05 | |
At £95, I'll take £100 now. At £95. £95, it's a nice piece there. | 0:29:05 | 0:29:09 | |
At £95, I'm selling if nobody else bids now. All done at £95. | 0:29:11 | 0:29:14 | |
Marvellous. Yes. | 0:29:17 | 0:29:19 | |
Well done. I always get over excited when they say I've got interest. | 0:29:19 | 0:29:23 | |
And then actually, it's only a bit of interest. | 0:29:23 | 0:29:25 | |
The interesting part is that you don't know what's left with the auctioneer. | 0:29:25 | 0:29:29 | |
He might have £200, but if there's nobody else in the room, he can't get up to that. | 0:29:29 | 0:29:33 | |
That's the luck of auctions for you. | 0:29:33 | 0:29:35 | |
But £95, that sits nicely in the middle. Very good, yes. | 0:29:35 | 0:29:38 | |
So, the brooch has done us proud | 0:29:39 | 0:29:41 | |
and made a healthy contribution to our target. | 0:29:41 | 0:29:44 | |
Next to go under the hammer is an item that I know Vivienne is desperate to do well. | 0:29:46 | 0:29:51 | |
It's the tapestry that she bought new and paid handsomely for. | 0:29:51 | 0:29:55 | |
Will it show her any return for her money? | 0:29:55 | 0:29:57 | |
-It's not faded at all. -So it's in very good condition. | 0:29:57 | 0:30:01 | |
-It's brand new. -So let's hope that we can get at least £30 for it. | 0:30:01 | 0:30:04 | |
Oh. Yes. I paid a lot more than that. | 0:30:04 | 0:30:06 | |
I know you did, I know you did. | 0:30:06 | 0:30:07 | |
-Yes. -Oh, the hurt in your eyes! | 0:30:07 | 0:30:09 | |
I know! I know! | 0:30:09 | 0:30:11 | |
£30 for the tapestry. Come on. 30? | 0:30:11 | 0:30:14 | |
Thank you. 30, I've got. Lady's bid. | 0:30:14 | 0:30:16 | |
Take two. 32. Nice-quality thing. | 0:30:16 | 0:30:20 | |
35 now? 35. You're allowed to bid more than once. | 0:30:20 | 0:30:23 | |
38. 40, now. 40. And two. | 0:30:23 | 0:30:26 | |
45. 48. | 0:30:26 | 0:30:29 | |
£50. 55. | 0:30:29 | 0:30:32 | |
Shakes her head. 55 is the gentleman's bid. | 0:30:32 | 0:30:34 | |
-That's really good. -Last chances. At £55 I'm selling. At 55. | 0:30:34 | 0:30:41 | |
-55. -Let me see your face. How's your face? | 0:30:41 | 0:30:44 | |
Well, it's better than you said! | 0:30:44 | 0:30:46 | |
Although above Jonty's top estimate, it's still | 0:30:48 | 0:30:51 | |
a long way short of the £160 Vivienne originally paid for it. | 0:30:51 | 0:30:55 | |
Let's hope we can put a smile on her face with a good sale for our next lot. | 0:30:55 | 0:31:01 | |
Your clock's coming up next. I found it, and you told me, I think, that you'd bought it yourself. | 0:31:01 | 0:31:06 | |
-Yes, I did. I bought it in a house sale. -Ah! | 0:31:06 | 0:31:08 | |
-Yes. -How much did you pay for it? | 0:31:08 | 0:31:10 | |
-£30. -OK. -All right. | 0:31:10 | 0:31:12 | |
Hopefully, we'll get your money back for this one. | 0:31:12 | 0:31:14 | |
And a bit more! That's what we need. | 0:31:14 | 0:31:16 | |
£30 and away. Yes? 30. On commission. | 0:31:16 | 0:31:20 | |
-Oh, 30 already. -That's good. -Yes. | 0:31:20 | 0:31:22 | |
Two, quickly? | 0:31:22 | 0:31:23 | |
-32. -Made a profit. -35. 35. | 0:31:23 | 0:31:26 | |
Anybody got eight? At £35. At 35. | 0:31:26 | 0:31:31 | |
Yes, I've made a profit. | 0:31:31 | 0:31:33 | |
-£5 profit. What are you going to do with that £5? -I don't know. | 0:31:33 | 0:31:36 | |
Ice cream might be nice! | 0:31:36 | 0:31:39 | |
That's not a bad idea at all. | 0:31:39 | 0:31:41 | |
Hopefully, we'll have a similar success with our next item. | 0:31:43 | 0:31:47 | |
It's the mixed lot of silver that Jonty's given a value of £40 to £60. | 0:31:47 | 0:31:51 | |
I think you've been a bit mean on your estimate here, 40 to 60. | 0:31:53 | 0:31:57 | |
I hope I'm not mean, but I have to reflect what I think will happen in the marketplace. | 0:31:57 | 0:32:01 | |
But it's a lovely lot. It's a proper dealer's lot. | 0:32:01 | 0:32:03 | |
We've got all sorts of bits and pieces. | 0:32:03 | 0:32:05 | |
Have you seen any dealers here? | 0:32:05 | 0:32:07 | |
The room is full of them, my darling, yes. | 0:32:07 | 0:32:09 | |
This is what they look like! | 0:32:09 | 0:32:11 | |
Right, where are you going to be? Who's going to start me at £40? | 0:32:11 | 0:32:14 | |
-Come on, come on. -Yes, thank you. £40 on commission. 42. 45. 48. | 0:32:14 | 0:32:19 | |
-50. 55. 60. -That sounds good. | 0:32:19 | 0:32:23 | |
She shakes her head. 60 on commission. | 0:32:23 | 0:32:25 | |
Is there another five? At £60. | 0:32:25 | 0:32:26 | |
Going once, twice. At £60 we sell. | 0:32:26 | 0:32:30 | |
Very good! Top end of the estimate. | 0:32:30 | 0:32:32 | |
-Yes. -Wonderful. -Yes. -That is wonderful. | 0:32:32 | 0:32:34 | |
Another estimate that was right on the money. | 0:32:34 | 0:32:38 | |
We've had a pretty good first half to our sale, | 0:32:38 | 0:32:41 | |
with all but one of our lots topping their estimates. | 0:32:41 | 0:32:43 | |
Time for me to do my sums and work out just how we're doing at the halfway stage. | 0:32:43 | 0:32:49 | |
-OK, £800 is what we're looking for so you can make your bedrooms look absolutely gorgeous. -Yes. | 0:32:49 | 0:32:54 | |
At this halfway point we're not quite at 400, actually, but we've got some good items to come. | 0:32:54 | 0:33:00 | |
-We're at 312. -Right. | 0:33:00 | 0:33:02 | |
I've got the chaise to come yet, | 0:33:02 | 0:33:06 | |
plus one or two bits and pieces. | 0:33:06 | 0:33:08 | |
Yeah, well, we've got the teapot, as well. I think we deserve a break. | 0:33:08 | 0:33:11 | |
-Yes. -Come on, follow me. | 0:33:11 | 0:33:14 | |
'As Vivienne and Miriam head off for a well-earned cuppa, | 0:33:14 | 0:33:17 | |
'Jonty's off to explore the saleroom. | 0:33:17 | 0:33:20 | |
'Today's auction is split over two floors, and downstairs, | 0:33:20 | 0:33:24 | |
'a rather unusual table has caught his eye.' | 0:33:24 | 0:33:26 | |
You never stop working, do you? What have you found? | 0:33:26 | 0:33:29 | |
I've come downstairs to have a look at the furniture section and found another genuine bargain. | 0:33:29 | 0:33:34 | |
This is a really good-quality folding table. | 0:33:34 | 0:33:37 | |
It's Middle Eastern rather than Indian. | 0:33:37 | 0:33:40 | |
But what's so extraordinary about these tables and Indian tables | 0:33:40 | 0:33:44 | |
is that everything you see here, every little detail, is hand-carved. | 0:33:44 | 0:33:48 | |
It's not machined at all. | 0:33:48 | 0:33:50 | |
So that is not only the wood but it's also the copper tray, as well. | 0:33:50 | 0:33:54 | |
-And what we have here are these stylised peacocks... -Uh-huh. | 0:33:54 | 0:33:59 | |
..and, rather oddly, maple leaves, | 0:33:59 | 0:34:02 | |
as well, so it's a combination of peacock and maple leaf. | 0:34:02 | 0:34:04 | |
So, how old do you think it is? | 0:34:04 | 0:34:06 | |
Date-wise, a lot of these tables are possibly between the two World Wars. | 0:34:06 | 0:34:12 | |
It was when trade really took off, so if you were a mariner | 0:34:12 | 0:34:15 | |
or in the Navy, this is a piece of furniture that you would bring home. | 0:34:15 | 0:34:19 | |
It was a very fashionable thing to do. | 0:34:19 | 0:34:21 | |
That's the reason why you see a lot of these in auctions today. | 0:34:21 | 0:34:24 | |
-How much is it worth, do you think? -Value, we're looking at £60 to £100, | 0:34:24 | 0:34:27 | |
which I find is staggering, again considering that everything you see is all hand-done. | 0:34:27 | 0:34:34 | |
Well done, eh? But we'd better get back to our own auctioneer. | 0:34:34 | 0:34:39 | |
'We'll return downstairs later to see how our chaise longue fares in the furniture sale. | 0:34:39 | 0:34:44 | |
'But for now, it's back upstairs, and we re-take our positions for our next lot of the day. | 0:34:44 | 0:34:49 | |
'It's the two rather lovely decanters. | 0:34:49 | 0:34:52 | |
'Jonty valued them at a very reasonable £30 to £50.' | 0:34:52 | 0:34:56 | |
-They had my brandy and my sherry in them. -What are you going to do now? | 0:34:56 | 0:35:02 | |
I'll have to just drink out of the bottle! | 0:35:02 | 0:35:05 | |
That's my girl! | 0:35:06 | 0:35:08 | |
And I've got interest on commission on this lot at £55. | 0:35:08 | 0:35:12 | |
Brilliant! That's very good. | 0:35:12 | 0:35:14 | |
£55. 58. 60. I'll take five. | 0:35:14 | 0:35:18 | |
65 in the room. At 65. Any more? | 0:35:18 | 0:35:19 | |
At 65, the seated bid. Anybody got 70? | 0:35:19 | 0:35:24 | |
At £65 I'm going to sell, then. | 0:35:24 | 0:35:26 | |
-All done at 65? -That's wonderful! | 0:35:26 | 0:35:29 | |
-Did you leave the brandy in there? -No, I had one before I came! | 0:35:29 | 0:35:32 | |
I needed it! | 0:35:32 | 0:35:33 | |
Fantastic. That's over their top estimate. | 0:35:36 | 0:35:38 | |
And considering they were modern, with no antique value, | 0:35:38 | 0:35:41 | |
it's a really good price. | 0:35:41 | 0:35:43 | |
'It's the perfect way to start the second half of the auction.' | 0:35:44 | 0:35:48 | |
Let's hope we can keep the momentum going with the sale of our next lot, | 0:35:48 | 0:35:52 | |
the four etchings of rural scenes. | 0:35:52 | 0:35:54 | |
We're looking for £40 to £60. | 0:35:54 | 0:35:57 | |
I think these were part of your father's collection, were they? | 0:35:59 | 0:36:02 | |
-Yes. He bought them in the '30s, and it was an art shop which was closing down. -Framed and glazed. | 0:36:02 | 0:36:07 | |
Where are we? £40 for them? 20? | 0:36:07 | 0:36:11 | |
We need some farmers in here. | 0:36:11 | 0:36:13 | |
At £15. Take 18 now. | 0:36:13 | 0:36:16 | |
18 bid. 20 for the lady. Two, sir? | 0:36:16 | 0:36:19 | |
£20. Shakes his head. | 0:36:19 | 0:36:21 | |
20 is the lady's bid. 22. 25. | 0:36:21 | 0:36:24 | |
-Struggling. Struggling. -Yes. | 0:36:24 | 0:36:25 | |
£30. 32. | 0:36:25 | 0:36:28 | |
35. No? 35 is the lady's bid. | 0:36:28 | 0:36:32 | |
Any advance now on £35? | 0:36:32 | 0:36:34 | |
Take another two. At 35, then. | 0:36:34 | 0:36:36 | |
Selling at 35. | 0:36:36 | 0:36:38 | |
£35. Disappointing. | 0:36:38 | 0:36:41 | |
-Yes. -You're right, somebody's got a bargain there. -Yes. | 0:36:41 | 0:36:44 | |
-It cost you more than that to frame them, didn't it? -It did indeed, yes. | 0:36:44 | 0:36:48 | |
Oh, dear. We're all disappointed with that result. | 0:36:48 | 0:36:51 | |
That's less than £10 a picture. | 0:36:51 | 0:36:53 | |
Let's hope it's not a sign of things to come, | 0:36:53 | 0:36:55 | |
as we've been doing so well. | 0:36:55 | 0:36:57 | |
It's back to the jewellery with our next lot, and we know there are | 0:36:57 | 0:37:00 | |
potential buyers in the room after the sale of the brooch. | 0:37:00 | 0:37:04 | |
Let's hope they like the pearl necklace | 0:37:04 | 0:37:07 | |
which means so much to Vivienne. | 0:37:07 | 0:37:09 | |
Your pearl necklace that you bought for your mother's birthday. | 0:37:10 | 0:37:14 | |
I did, yes, for her 80th birthday. | 0:37:14 | 0:37:16 | |
-You're parting with this? -I know, yes. | 0:37:16 | 0:37:18 | |
I've worn them sometimes, but they're just in a box. They're wasted. | 0:37:18 | 0:37:25 | |
Start me at 80. | 0:37:25 | 0:37:26 | |
I can start at 45 on commission. Anybody got 50? | 0:37:26 | 0:37:30 | |
At £45. 50 now? 50. At £50. 5. | 0:37:30 | 0:37:33 | |
-55. Any more? At £55. -Come on! -Any advance on 55? Last chances now. | 0:37:33 | 0:37:39 | |
At £55. Yes or no? I'm sorry, we can't quite go on that one. | 0:37:39 | 0:37:44 | |
Ah! So they didn't sell, thank goodness for that. | 0:37:44 | 0:37:47 | |
-I'm pleased about that, yes. -That would have hurt. | 0:37:47 | 0:37:49 | |
-Yes. I thought that price was too low. -Yeah. -Yes. | 0:37:49 | 0:37:53 | |
So the pearls head home with Vivienne, to her obvious relief. | 0:37:53 | 0:37:58 | |
It hasn't helped our target, though. | 0:37:58 | 0:38:00 | |
The second half hasn't exactly gone to plan. | 0:38:00 | 0:38:03 | |
We need some big sales, and we need them quickly. | 0:38:03 | 0:38:07 | |
We're running out of items, | 0:38:07 | 0:38:09 | |
and that target of £800 is getting even further from reach. | 0:38:09 | 0:38:12 | |
Fortunately, our star item is up next. | 0:38:12 | 0:38:15 | |
OK, this is the big deal. | 0:38:15 | 0:38:18 | |
This is the teapot. | 0:38:18 | 0:38:20 | |
-How are you feeling? -Er, excited, a bit. | 0:38:20 | 0:38:23 | |
I'm glad you're feeling good, because I've estimated | 0:38:23 | 0:38:26 | |
this between £200 and £300, | 0:38:26 | 0:38:27 | |
and I'm hoping we're going to smash all the way through the £200. | 0:38:27 | 0:38:31 | |
-Yes, I hope you're right. -And I'm hoping that we'll top over the 300, as well. | 0:38:31 | 0:38:35 | |
Right, a nice-quality piece here. Where are you going to be? Should be at least 200 for it. | 0:38:35 | 0:38:39 | |
200? 180. | 0:38:39 | 0:38:41 | |
180 bid. At 180. I'll take 190. | 0:38:41 | 0:38:44 | |
Yes, 190 bid. 200. 210. | 0:38:44 | 0:38:47 | |
-220. -A bit of a fight. | 0:38:47 | 0:38:49 | |
240. 240 commission bid with Stuart. | 0:38:49 | 0:38:52 | |
Any more? At £240. Anybody more? | 0:38:52 | 0:38:56 | |
At £240 for a super piece, there. | 0:38:56 | 0:38:58 | |
All done at 240. | 0:38:58 | 0:39:01 | |
Ah. We got there, but I was hoping for a bit more. But £240. | 0:39:01 | 0:39:05 | |
I was hoping for it going to 400. | 0:39:05 | 0:39:08 | |
-Ahhh! -Sometimes they do. You can never tell. | 0:39:08 | 0:39:11 | |
They just fly up the scale. | 0:39:11 | 0:39:13 | |
Jonty's valuation is once again spot-on, but there's no hiding | 0:39:13 | 0:39:17 | |
Vivienne's disappointment that the teapot didn't do even better. | 0:39:17 | 0:39:21 | |
One thing's for sure, though - that sale has brought our target | 0:39:21 | 0:39:25 | |
right into sight, and there's just one lot to go. | 0:39:25 | 0:39:28 | |
It's the chaise longue. | 0:39:28 | 0:39:30 | |
It's being sold in the furniture section. | 0:39:30 | 0:39:33 | |
But as we take up our positions, we're all rather concerned | 0:39:33 | 0:39:36 | |
when the carved table Jonty spotted earlier | 0:39:36 | 0:39:39 | |
fails to gain any interest whatsoever and goes unsold. | 0:39:39 | 0:39:44 | |
Is this an omen for our final lot? | 0:39:44 | 0:39:48 | |
-So, Vivienne, have you put a reserve on the settee? -Yes, I did. | 0:39:48 | 0:39:51 | |
I put on your lower-estimated price. | 0:39:51 | 0:39:54 | |
So that's £80. OK, fine. Right. | 0:39:54 | 0:39:57 | |
-OK. -I'm hoping for a lot more. | 0:39:57 | 0:40:00 | |
-Let's see if we can do that. -Nice-looking bit of furnishing. | 0:40:00 | 0:40:03 | |
At £80? £60? Who'll start me at 50? Thank you there. £50 seated. | 0:40:03 | 0:40:07 | |
And five against you. 60. 65. 70. 75. | 0:40:07 | 0:40:11 | |
80. 85. 90. | 0:40:11 | 0:40:14 | |
95. 100. 110. 120. 130. 140. 150. | 0:40:14 | 0:40:19 | |
Can't see you for a minute. 160. | 0:40:19 | 0:40:21 | |
-170. 180. 190. -That's brilliant! | 0:40:21 | 0:40:25 | |
At £190. Any further bids? | 0:40:25 | 0:40:27 | |
All done here? Selling, then, if you're sure, at 190 now. | 0:40:27 | 0:40:31 | |
-Great! -Yes, smashing. Lovely. | 0:40:31 | 0:40:34 | |
Now, that's a result. Selling for over twice Jonty's estimate, | 0:40:35 | 0:40:39 | |
the chaise longue has come up trumps. | 0:40:39 | 0:40:41 | |
We've had a tough second half, | 0:40:41 | 0:40:42 | |
but with two great sales to finish our auction, | 0:40:42 | 0:40:46 | |
have we managed to get anywhere near that elusive target of £800? | 0:40:46 | 0:40:51 | |
Time to find out. | 0:40:51 | 0:40:53 | |
All right, ladies, that is it, your auction is over. How was it for you? | 0:40:53 | 0:40:58 | |
-It's been marvellous. -You've enjoyed yourself? -Yes. -Yeah? | 0:40:58 | 0:41:01 | |
Well, all right. At the start of the day, we were looking for £800 so that you could do up your bedrooms. | 0:41:01 | 0:41:07 | |
You've actually exceeded your target. You have made £842. | 0:41:07 | 0:41:11 | |
Great. Thank you very much. Marvellous. | 0:41:11 | 0:41:14 | |
That's amazing, because that's without selling the ring. | 0:41:14 | 0:41:16 | |
You're right! Without the ring. | 0:41:16 | 0:41:18 | |
And you're going to take your pearls home, as well. | 0:41:18 | 0:41:21 | |
So that's a result, that really is. | 0:41:21 | 0:41:23 | |
-Yes. Yes, thank you. -Well, enjoy spending your money. | 0:41:23 | 0:41:26 | |
-You've earned it very well, and we've enjoyed being with you. -Yeah. | 0:41:26 | 0:41:29 | |
Well done. And congratulations. | 0:41:29 | 0:41:31 | |
It's just a few weeks after Vivienne's successful day at auction, | 0:41:36 | 0:41:40 | |
and she's already got the decorators in to strip down | 0:41:40 | 0:41:43 | |
and plaster the walls of her old family home. | 0:41:43 | 0:41:45 | |
But she has a very particular theme for her walls firmly fixed in her mind. | 0:41:45 | 0:41:50 | |
I've been thinking about butterflies and birds for a long time. | 0:41:50 | 0:41:54 | |
I'm determined to go and find that paper. | 0:41:54 | 0:41:57 | |
I don't know why I wanted birds, | 0:41:57 | 0:42:01 | |
it's just I thought it would be attractive in a bedroom. | 0:42:01 | 0:42:05 | |
With such an extraordinary range of designs and £800 in her pocket, | 0:42:05 | 0:42:09 | |
surely something in this shop will take Vivienne's fancy. | 0:42:09 | 0:42:13 | |
I've been and looked in dozens of wallpaper books, | 0:42:13 | 0:42:17 | |
but I've found the one I want. | 0:42:17 | 0:42:19 | |
And just a month later, the upstairs rooms have been totally transformed. | 0:42:19 | 0:42:23 | |
I've got this tranquil scene, butterflies here | 0:42:23 | 0:42:26 | |
and birds next door, and I like it very much. I wouldn't change it now. | 0:42:26 | 0:42:29 | |
I'm glad I've done this. It's come out very well. | 0:42:29 | 0:42:32 | |
Subtitles by Red Bee Media Ltd | 0:42:43 | 0:42:46 |