Browse content similar to Greenwood. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to Cash In The Attic, | 0:00:02 | 0:00:03 | |
the programme that hunts for antiques and collectables in your home | 0:00:03 | 0:00:07 | |
and then sells them with you at auction so that you can raise money for something special. | 0:00:07 | 0:00:11 | |
You join me in Surrey at the Gatwick Aviation Museum. | 0:00:11 | 0:00:16 | |
One of our guests should feel at home here - she used to work for British Airways. | 0:00:16 | 0:00:20 | |
So let's hope that all of her antiques and collectables, | 0:00:20 | 0:00:24 | |
rather like these aircraft in their heyday, | 0:00:24 | 0:00:27 | |
will have a very smooth and successful take-off | 0:00:27 | 0:00:30 | |
when we get to auction. | 0:00:30 | 0:00:31 | |
Coming up on Cash In The Attic, who recognises this portly figure? | 0:00:51 | 0:00:55 | |
-Come and take a look at this. -I think he has the same exercise programme as me, doesn't he? | 0:00:55 | 0:01:00 | |
I wouldn't dwell on that if I were you, John. | 0:01:00 | 0:01:03 | |
Can the family bear to part with their precious silver? | 0:01:03 | 0:01:06 | |
I'm not too certain about this, particularly on this. | 0:01:06 | 0:01:08 | |
It's quite an old piece and perhaps we can wait till the auction. | 0:01:08 | 0:01:12 | |
And will these Dinky Toys steer us towards the highest bidder? | 0:01:12 | 0:01:16 | |
-I caught him trying to play with them, John. -Let's see if the room shares our enthusiasm. | 0:01:16 | 0:01:20 | |
Here comes the hammer. | 0:01:20 | 0:01:21 | |
I've come to Redhill in Surrey | 0:01:23 | 0:01:25 | |
to meet husband and wife Rosalind and John, | 0:01:25 | 0:01:27 | |
who've called in the Cash In The Attic team to help them raise money | 0:01:27 | 0:01:31 | |
for what is going to be a very special birthday party. | 0:01:31 | 0:01:34 | |
Keen gardeners Rosalind and John have lived | 0:01:35 | 0:01:38 | |
in their beautiful Victorian property for the past 26 years. | 0:01:38 | 0:01:43 | |
Rosalind originally came from Canada and met John back in 1970, | 0:01:43 | 0:01:46 | |
just minutes into her first ever visit to the UK. | 0:01:46 | 0:01:50 | |
Since that time, Rosalind has always felt especially close to John's mother, Margaret, | 0:01:50 | 0:01:54 | |
and so, with that very special lady's birthday on the horizon, | 0:01:54 | 0:01:59 | |
they've called in the Cash In The Attic team, | 0:01:59 | 0:02:01 | |
so that we can help raise funds to mark the occasion in style. | 0:02:01 | 0:02:05 | |
And there's our expert, John Cameron. | 0:02:05 | 0:02:07 | |
He's been immersed in the antiques business for over 20 years | 0:02:07 | 0:02:11 | |
and his knowledge on all things collectable is priceless. | 0:02:11 | 0:02:14 | |
Whilst he makes a good start indoors, | 0:02:14 | 0:02:17 | |
I find Rosalind and John out in the garden. | 0:02:17 | 0:02:20 | |
John, Rosalind. Why have you called in Cash In The Attic? | 0:02:20 | 0:02:23 | |
My mother's recently gone into a care home so her house is empty. | 0:02:23 | 0:02:28 | |
We're selling it. | 0:02:28 | 0:02:29 | |
And she's got a lot of old bits and pieces, shall I call them, | 0:02:29 | 0:02:33 | |
and we thought, "We've got to get rid of some. | 0:02:33 | 0:02:35 | |
"They might be worth a little bit of money, so why not Cash In The Attic?" | 0:02:35 | 0:02:40 | |
And your mum is happy for you to sell the stuff? | 0:02:40 | 0:02:42 | |
She's delighted that it might go to someone who's going to appreciate it, | 0:02:42 | 0:02:46 | |
and get a little money as well. | 0:02:46 | 0:02:47 | |
When you've raised all this money, what are you going to spend it on? | 0:02:47 | 0:02:51 | |
The idea is to have a slap-up birthday party. | 0:02:51 | 0:02:55 | |
She's going to be 97 and she has five grandchildren | 0:02:55 | 0:02:58 | |
and one great-grandchild | 0:02:58 | 0:03:00 | |
and she'd like to take us all out for a birthday do. | 0:03:00 | 0:03:04 | |
How much do you think you'll raise? | 0:03:04 | 0:03:06 | |
We were thinking around £500 might do us for a reasonable lunch. | 0:03:06 | 0:03:11 | |
A slap-up lunch and party, as you say, for £500! | 0:03:11 | 0:03:14 | |
Let's see how much of that money we can make for you. Come on. | 0:03:14 | 0:03:17 | |
I think a slap-up lunch with all the family sounds like the perfect way to celebrate a 97th birthday. | 0:03:17 | 0:03:24 | |
But if we're going to give Margaret an event to remember, | 0:03:24 | 0:03:27 | |
we need to start searching for items to sell. | 0:03:27 | 0:03:29 | |
Fortunately, Rosalind and John's home looks like it's full of potential goodies. | 0:03:30 | 0:03:36 | |
It looks like John Cameron's already made our first discovery of the day. | 0:03:36 | 0:03:41 | |
John, you've been busy. What have you found there? | 0:03:41 | 0:03:44 | |
I've found a rather elegant Victorian jewellery box, | 0:03:44 | 0:03:47 | |
but I'm hoping that you can tell me something about it. | 0:03:47 | 0:03:49 | |
All I know is it did come from my grandfather's family, | 0:03:49 | 0:03:52 | |
and it may have belonged to my grandmother, | 0:03:52 | 0:03:56 | |
but I rather think that it belonged to a lady who he cared for. | 0:03:56 | 0:04:00 | |
Her husband died during the Boer War | 0:04:00 | 0:04:02 | |
and he had agreed that when they went off to fight together, | 0:04:02 | 0:04:06 | |
that if one of them didn't come back, | 0:04:06 | 0:04:08 | |
the other one would look after his wife, | 0:04:08 | 0:04:10 | |
and so my grandfather looked after her until she died, | 0:04:10 | 0:04:13 | |
and I have a feeling that this could have been hers. | 0:04:13 | 0:04:16 | |
It's a super jewellery box. The quality is good. | 0:04:16 | 0:04:19 | |
It dates from the Victorian period. | 0:04:19 | 0:04:21 | |
You can see that quite clearly. | 0:04:21 | 0:04:22 | |
Looking at the quality again, | 0:04:22 | 0:04:24 | |
have a look at that beautiful violet or mauve velvet interior. | 0:04:24 | 0:04:29 | |
Very popular colour during the Victorian period | 0:04:29 | 0:04:31 | |
and you can see, no fading at all. This has hardly been used. | 0:04:31 | 0:04:35 | |
Then look at the furniture on here, | 0:04:35 | 0:04:37 | |
the hinges, the lock plates - it's just super quality. | 0:04:37 | 0:04:41 | |
The engraving and the finishing on there is first-class. | 0:04:41 | 0:04:45 | |
Straight away it would appeal to collectors of boxes. | 0:04:45 | 0:04:48 | |
-High quality boxes. -Oh, right. | 0:04:48 | 0:04:50 | |
If we took it to auction, what might we get for it? | 0:04:50 | 0:04:53 | |
I think a good starting point would be about £80 to £120, | 0:04:53 | 0:04:56 | |
but I won't be surprised if it makes more. | 0:04:56 | 0:04:58 | |
-It's a super example of its time. -That would be wonderful. | 0:04:58 | 0:05:01 | |
-Shall we go and see what else you've got? -Yes. -Come on. | 0:05:01 | 0:05:04 | |
What a terrific start to our day here in Redhill. | 0:05:04 | 0:05:07 | |
If we carry on like this, | 0:05:07 | 0:05:08 | |
we'll be popping open the champagne in no time at all. | 0:05:08 | 0:05:11 | |
Rosalind heads out to the garden and digs out a Georgian oak table | 0:05:11 | 0:05:17 | |
which used to belong to John's aunt. | 0:05:17 | 0:05:19 | |
It's not in the best condition, so it gets a moderate £50-100 price tag. | 0:05:19 | 0:05:22 | |
In the bedroom, John unearths a long lost childhood favourite. | 0:05:22 | 0:05:26 | |
John, are you there? I've found something that may be interesting. | 0:05:29 | 0:05:33 | |
Hornby Series M Station set. | 0:05:33 | 0:05:36 | |
Let's have a look inside. | 0:05:36 | 0:05:38 | |
I remember playing with that in my very young days. | 0:05:38 | 0:05:41 | |
I used to have a train set as well, but unfortunately that's not with it. | 0:05:41 | 0:05:44 | |
So when did you get this? | 0:05:44 | 0:05:46 | |
I must have been... It must be 55, 60 years ago. | 0:05:46 | 0:05:50 | |
-In the '50s. -Yeah. Must be. | 0:05:50 | 0:05:53 | |
It's a fantastic set and the condition looks absolutely superb. | 0:05:53 | 0:05:57 | |
-It's Hornby, as we know. -Yeah. | 0:05:57 | 0:05:59 | |
But did you know he also patented Meccano? | 0:05:59 | 0:06:02 | |
That was his first invention. | 0:06:02 | 0:06:04 | |
Patented it at the beginning of the 20th century, about 1901. | 0:06:04 | 0:06:07 | |
A lot of the parts were from Meccano, the early parts, | 0:06:07 | 0:06:10 | |
and they all featured this wonderful lithographic decoration on all the pieces. | 0:06:10 | 0:06:15 | |
It's certainly a nice thing and we can sell this. | 0:06:15 | 0:06:18 | |
The great thing about it is we have the model and the box - | 0:06:18 | 0:06:21 | |
once this gets to auction, and the internet does a bit of work for us, it should generate some interest. | 0:06:21 | 0:06:26 | |
There are collectors out there and stuff like this is becoming scarcer, | 0:06:26 | 0:06:29 | |
certainly in this condition and so complete. | 0:06:29 | 0:06:32 | |
If we were to put it into auction, | 0:06:32 | 0:06:34 | |
I'd suggest an estimate of about £30 to £50, | 0:06:34 | 0:06:36 | |
-Would you be happy with that? -Goodness me, that's fine to me. | 0:06:36 | 0:06:40 | |
-Yeah? -Let's push it through. -Excellent. | 0:06:40 | 0:06:42 | |
-We haven't reached the end of the line yet! -Yes. | 0:06:42 | 0:06:44 | |
-Come on, we need to see what else you can find. -OK. | 0:06:44 | 0:06:48 | |
What a great find. | 0:06:48 | 0:06:49 | |
And under the stairs, | 0:06:49 | 0:06:51 | |
John finds an old album of illustrated Bonzo Dog postcards | 0:06:51 | 0:06:55 | |
by the British artist George Studdy. | 0:06:55 | 0:06:58 | |
Lovable pup Bonzo became hugely popular in Europe and America in the early 1920s | 0:06:58 | 0:07:03 | |
and today he could still fetch £40 to £60. | 0:07:03 | 0:07:07 | |
When the postcard collection gets to auction, | 0:07:07 | 0:07:09 | |
will the bidders bite off our hand for a bargain? | 0:07:09 | 0:07:12 | |
Will they appreciate Bonzo's pedigree? | 0:07:12 | 0:07:15 | |
90, 95, 100... | 0:07:15 | 0:07:18 | |
Find out later if they'll throw us a bone. | 0:07:18 | 0:07:21 | |
We're progressing steadily towards that £500 target | 0:07:22 | 0:07:26 | |
and John has dug out a box of building and pharmaceutical trade metals. | 0:07:26 | 0:07:31 | |
They denote the professional associations | 0:07:31 | 0:07:33 | |
to which each of his grandfathers belonged, | 0:07:33 | 0:07:36 | |
but sadly, these aren't as collectable as military medals, | 0:07:36 | 0:07:39 | |
so our expert values them at an unremarkable £20 to £30. | 0:07:39 | 0:07:43 | |
In the kitchen, John finds a cupboard full of cut glass. | 0:07:43 | 0:07:46 | |
It includes two decanters | 0:07:46 | 0:07:48 | |
and drinking vessels of all shapes and sizes. | 0:07:48 | 0:07:51 | |
He thinks the collection could raise £60 to £80 at auction. | 0:07:51 | 0:07:54 | |
John, take a look at our Jovial Monk. | 0:07:54 | 0:07:57 | |
Isn't he cute? | 0:07:57 | 0:08:00 | |
I think he has the same exercise programme as me, doesn't he? | 0:08:00 | 0:08:02 | |
I wouldn't dwell on that if I were you. | 0:08:02 | 0:08:05 | |
Is this one of your mother's or one of yours, John? | 0:08:05 | 0:08:07 | |
No, it came from my mother's house. | 0:08:07 | 0:08:10 | |
Well, as you know, he's Doulton, | 0:08:10 | 0:08:11 | |
designed by a lady called Margaret May Davis, | 0:08:11 | 0:08:14 | |
who's more commonly known to Doulton collectors as Peggy Davis. | 0:08:14 | 0:08:18 | |
She enjoyed a very long and successful career with Doulton. | 0:08:18 | 0:08:22 | |
I think he was introduced in the mid-1950s, | 0:08:22 | 0:08:24 | |
and continued up until the 1970s. | 0:08:24 | 0:08:26 | |
He enjoyed about 20 years in production, | 0:08:26 | 0:08:28 | |
but I think he's very, very charming. | 0:08:28 | 0:08:30 | |
If we take this to auction, what do you think we might get on it? | 0:08:30 | 0:08:34 | |
There's been a well-documented drop in demand for Doulton in recent years | 0:08:34 | 0:08:38 | |
but the thing I love about Doulton is their range is so diverse | 0:08:38 | 0:08:40 | |
that there's something for everyone and he's a charming figure | 0:08:40 | 0:08:43 | |
-and I think he should still have no trouble making between about £50 and £80. -Really? -Gosh. | 0:08:43 | 0:08:49 | |
-Happy with that? -More than happy with that. -More than happy with that. | 0:08:49 | 0:08:52 | |
£80 is a good sum again to put towards that 500, | 0:08:52 | 0:08:56 | |
but shall we see what else we can find? | 0:08:56 | 0:08:58 | |
And put our rather fat jolly gentleman back on the piano. | 0:08:58 | 0:09:02 | |
Come on, John. | 0:09:02 | 0:09:05 | |
I rather like our Jovial Monk, | 0:09:05 | 0:09:07 | |
and if he can raise us that £50 at auction, I'll like him even more. | 0:09:07 | 0:09:11 | |
In the dining room, Rosalind decides to part with these two large decorative vases. | 0:09:11 | 0:09:16 | |
Like our monk, they were made by Royal Doulton | 0:09:16 | 0:09:20 | |
and John thinks they could make us as much as £80 to £100. | 0:09:20 | 0:09:23 | |
John? | 0:09:23 | 0:09:25 | |
I think I may well have found a couple of items | 0:09:25 | 0:09:27 | |
-we can send to the auction. -Right, yes. | 0:09:27 | 0:09:29 | |
These two little silver vessels, this cup and this cream jug. | 0:09:29 | 0:09:32 | |
-Yes. -What's the story behind these? | 0:09:32 | 0:09:34 | |
I think it came from the Greenwood side of the family | 0:09:34 | 0:09:37 | |
from whom we called the Aunts | 0:09:37 | 0:09:39 | |
who were the seven sisters of my grandmother. | 0:09:39 | 0:09:43 | |
This first piece, a little cream jug is part of a Victorian tea set | 0:09:43 | 0:09:47 | |
and if we turn it upside down we can see the hallmarks there | 0:09:47 | 0:09:50 | |
and both feature, as well as the standard set of hallmarks, | 0:09:50 | 0:09:54 | |
a duty mark which is denoted by the reigning monarch's portrait bust. | 0:09:54 | 0:09:59 | |
In this case it's Queen Victoria. | 0:09:59 | 0:10:00 | |
Along with the hallmarks, we can tell that this assayed and made in about 1840. | 0:10:00 | 0:10:05 | |
So, the beginning of Queen Victoria's very long reign. | 0:10:05 | 0:10:08 | |
This particular one is my favourite of the two. | 0:10:08 | 0:10:11 | |
It's a nice quality piece. | 0:10:11 | 0:10:13 | |
There's a good weight to it | 0:10:13 | 0:10:15 | |
and I love the different types of decoration | 0:10:15 | 0:10:18 | |
displayed on one single piece. | 0:10:18 | 0:10:20 | |
First, we've got this cantilevered cast acanthus leaf handle. | 0:10:20 | 0:10:24 | |
Around the body we've a continuous band of fruiting grapevines, | 0:10:24 | 0:10:29 | |
which could suggest this was for holding wine - | 0:10:29 | 0:10:32 | |
maybe a communion cup or something like that. | 0:10:32 | 0:10:34 | |
-Then the lower part of the belly has a very contrasting panelled bottom, doesn't it? -Yes, it does. | 0:10:34 | 0:10:41 | |
All great skills for the silversmith to display in one single piece. We look at the hallmarks, | 0:10:41 | 0:10:45 | |
right on the end there after the standard set of hallmarks, | 0:10:45 | 0:10:48 | |
we've got another duty mark and that portrait bust there is George III. | 0:10:48 | 0:10:51 | |
I'd date this along with the date letter to about 1818 in date. | 0:10:51 | 0:10:55 | |
So it's a good... Nearly a couple of hundred years old. A nice thing. | 0:10:55 | 0:10:58 | |
If I'm putting them to auction, | 0:10:58 | 0:11:00 | |
I think I'd put them in together. An estimate of about £100, £200 | 0:11:00 | 0:11:03 | |
-should see those sell quite comfortably. How would that be? -I'm not too certain about this. | 0:11:03 | 0:11:07 | |
It's quite an old piece and perhaps we can wait till the auction. | 0:11:07 | 0:11:11 | |
Well, that means we still have some rummaging to do, John, | 0:11:11 | 0:11:13 | |
if we're going to hit that target. | 0:11:13 | 0:11:15 | |
Yes, I'm sorry. We'd better get going. | 0:11:15 | 0:11:17 | |
We'd better get going and see what else we can find. Come on. | 0:11:17 | 0:11:20 | |
We'll have to wait to find out if the silver cup and creamer make it to auction. | 0:11:20 | 0:11:24 | |
Upstairs in a bedroom, | 0:11:25 | 0:11:27 | |
I uncover a rather impressive collection of silver cutlery. | 0:11:27 | 0:11:30 | |
These sets were all wedding presents to the couple | 0:11:30 | 0:11:33 | |
and our expert thinks they should fetch | 0:11:33 | 0:11:36 | |
between £100 and £200 at auction. | 0:11:36 | 0:11:38 | |
And with every find, we inch closer to that £500 target | 0:11:39 | 0:11:43 | |
for the party for a very special birthday girl. | 0:11:43 | 0:11:45 | |
John, I'd like to know more about your mother, Margaret, | 0:11:45 | 0:11:48 | |
because she sounds like a real character. | 0:11:48 | 0:11:50 | |
What are your memories of her as a character when you were growing up? | 0:11:50 | 0:11:55 | |
Well, initially she was just Mum. | 0:11:55 | 0:11:58 | |
You know, she was a housewife | 0:11:58 | 0:12:00 | |
and dad went out to work and she looked after us. | 0:12:00 | 0:12:03 | |
She did lots of WVS as it was in those days. | 0:12:03 | 0:12:06 | |
-Women's Voluntary Service? -That's right. It became WRVS. | 0:12:06 | 0:12:09 | |
But...no, she was just ordinary. | 0:12:09 | 0:12:12 | |
I gather she did have a life before she was married. | 0:12:12 | 0:12:15 | |
She certainly did have quite a life before she was married. | 0:12:15 | 0:12:18 | |
One of the things that she did I gather was that she was a navigator in the Monte Carlo Rally. | 0:12:18 | 0:12:22 | |
Yes, she was. She had a very good friend, | 0:12:22 | 0:12:25 | |
who obviously had a little bit of money | 0:12:25 | 0:12:28 | |
and she bought the cars and she used to drive | 0:12:28 | 0:12:31 | |
and my mother used to navigate. | 0:12:31 | 0:12:33 | |
And the Monte Carlo Rally at that time was the popular one | 0:12:33 | 0:12:36 | |
where you didn't have to be a professional to enter it. | 0:12:36 | 0:12:40 | |
You just needed to enjoy yourself | 0:12:40 | 0:12:42 | |
and that's what she did for a couple of years. | 0:12:42 | 0:12:44 | |
Rosalind, it must have been wonderful for your sons growing up | 0:12:44 | 0:12:47 | |
-having a granny who clearly is a pretty feisty lady. -Oh, absolutely. | 0:12:47 | 0:12:51 | |
They absolutely dote on her. She has five grandchildren. | 0:12:51 | 0:12:55 | |
My sister-in-law has a boy and a girl as well | 0:12:55 | 0:12:59 | |
and they just absolutely adore her. She's wonderful. | 0:12:59 | 0:13:02 | |
You have a very special relationship, don't you? | 0:13:02 | 0:13:04 | |
Which I think is very fortunate - | 0:13:04 | 0:13:06 | |
not everyone gets on well with their mother-in-law. | 0:13:06 | 0:13:08 | |
Yes, she... | 0:13:08 | 0:13:11 | |
She's not the typical mother-in-law person at all. | 0:13:11 | 0:13:16 | |
She stepped in as my mother literally | 0:13:16 | 0:13:19 | |
from the time I was married and she's been absolutely marvellous. | 0:13:19 | 0:13:24 | |
Just the best. Absolutely the best. | 0:13:24 | 0:13:27 | |
Hopefully we're going to do a really good job for your mum | 0:13:27 | 0:13:30 | |
to ensure that her 97th birthday really is an event to remember. | 0:13:30 | 0:13:34 | |
-Shall we take a look at what else both you and she have accumulated? -Yes, we shall. | 0:13:34 | 0:13:38 | |
Well, Margaret sounds like quite a lady | 0:13:38 | 0:13:41 | |
and I can see just how much she's clearly treasured by all her family. | 0:13:41 | 0:13:45 | |
Rosalind's on a mission and finds more of her husband's childhood toys buried in an old trunk. | 0:13:45 | 0:13:52 | |
It turns out to be an impressive collection of Dinky toys | 0:13:52 | 0:13:54 | |
and John values them at £100 to £120. | 0:13:54 | 0:13:57 | |
That's more like it! | 0:13:57 | 0:13:59 | |
Good work, boys. | 0:13:59 | 0:14:00 | |
But Rosalind and I think that we may have come up trumps. | 0:14:00 | 0:14:05 | |
Oh, John and John, how sweet. | 0:14:05 | 0:14:06 | |
But you don't both have to be on your knees to us, honestly! | 0:14:06 | 0:14:10 | |
John, when you get up, will you just take a look at that, | 0:14:10 | 0:14:13 | |
because Rosalind and I have just found this rather lovely pendant. | 0:14:13 | 0:14:17 | |
John, what can you tell me about the bewhiskered gentleman in the picture? | 0:14:17 | 0:14:21 | |
I believe he's my great-grandfather on my father's side. | 0:14:21 | 0:14:25 | |
And I know very little about him. | 0:14:25 | 0:14:27 | |
Except I think he was one of the founders of the building firm. | 0:14:27 | 0:14:31 | |
Date-wise I would put it at the turn of the last century, | 0:14:31 | 0:14:34 | |
late Victorian, early Edwardian. | 0:14:34 | 0:14:36 | |
-Would that tie in, do you think, with his dates? -That would fit in. | 0:14:36 | 0:14:39 | |
The use of these seed pearls around the frame and throughout that bow, | 0:14:39 | 0:14:44 | |
which are natural seed pearls. | 0:14:44 | 0:14:46 | |
How much do you think it might make at auction? | 0:14:46 | 0:14:48 | |
We always have to think about demand for things like this and who's going to wear it. | 0:14:48 | 0:14:52 | |
If somebody did buy it to wear it, | 0:14:52 | 0:14:54 | |
they'll have to take grandfather out and put their own photographs in. | 0:14:54 | 0:14:57 | |
Or it would be kept as... Somebody who collects that kind of drawing | 0:14:57 | 0:15:01 | |
and put in a bijouterie table or something. | 0:15:01 | 0:15:03 | |
But I think with all said, it should easily make between £100 and £200. | 0:15:03 | 0:15:06 | |
It will certainly get the bidding started and if it made over 200, | 0:15:06 | 0:15:10 | |
I don't think I'd be the least bit surprised. | 0:15:10 | 0:15:12 | |
-John looks pleased with that. -Yes, that sounds good to me. | 0:15:12 | 0:15:16 | |
If you're pleased with that, | 0:15:16 | 0:15:18 | |
hopefully you'll be pleased with the final total, | 0:15:18 | 0:15:20 | |
because I know your target is £500. | 0:15:20 | 0:15:23 | |
We think we might be able to make at auction £810. | 0:15:23 | 0:15:28 | |
-Gosh! -That would certainly give you a slap-up lunch. | 0:15:28 | 0:15:33 | |
Your mother will be dancing on the table at 97! | 0:15:33 | 0:15:35 | |
Well, what a day we've had in Surrey with Rosalind and John | 0:15:36 | 0:15:41 | |
and we've unearthed a truly eclectic mix of items to take to auction. | 0:15:41 | 0:15:45 | |
There's the stunning Victorian jewellery box | 0:15:45 | 0:15:47 | |
and I think it's worth every penny of its £80 to £120 estimate. | 0:15:47 | 0:15:52 | |
John's impressive collection of vintage Dinky toys have been well played with, | 0:15:52 | 0:15:56 | |
but, as many are still boxed, I think the bidders will be fighting | 0:15:56 | 0:16:00 | |
to get their hands of them for at least £100. | 0:16:00 | 0:16:02 | |
The question is, | 0:16:02 | 0:16:03 | |
will the delightful silver cup and creamer make it to auction? | 0:16:03 | 0:16:07 | |
There's clearly a strong sentimental attachment to them, | 0:16:07 | 0:16:09 | |
but with a valuation of £100 to £200, | 0:16:09 | 0:16:12 | |
they could certainly help to get the party going with a bang. | 0:16:12 | 0:16:15 | |
Still to come on Cash In The Attic... | 0:16:17 | 0:16:19 | |
John's looking rather pleased. | 0:16:19 | 0:16:21 | |
A smile on your faces, like the smile on the monk's face. | 0:16:21 | 0:16:24 | |
The auctioneer looks exasperated. | 0:16:24 | 0:16:27 | |
Ah! What's all that about, then? | 0:16:27 | 0:16:28 | |
And we all look surprised when the final hammer falls. | 0:16:28 | 0:16:32 | |
We had such fun meeting John and Rosalind | 0:16:37 | 0:16:40 | |
and sorting through that rather eclectic collection of items, | 0:16:40 | 0:16:44 | |
which we brought to sell today here at the Chiswick Auction Rooms in West London. | 0:16:44 | 0:16:48 | |
If you remember, their goal is £500, | 0:16:48 | 0:16:51 | |
so that they can have a really slap-up 97th birthday party for John's mother, Margaret. | 0:16:51 | 0:16:56 | |
We're rather hoping that our bidders are going to be really generous | 0:16:56 | 0:17:00 | |
when their items go under the hammer today. | 0:17:00 | 0:17:02 | |
Our items have been on view here well in advance of the actual sale | 0:17:02 | 0:17:07 | |
and in the busy auction room, | 0:17:07 | 0:17:09 | |
potential bidders are gathering, checking catalogues and noting bargains. | 0:17:09 | 0:17:14 | |
Ooh! Is a family heirloom getting a fond farewell? | 0:17:14 | 0:17:17 | |
Rosalind and John, well I see you've brought the silver cup, | 0:17:19 | 0:17:22 | |
but has it come on its own? | 0:17:22 | 0:17:23 | |
I'm afraid it is on its own. | 0:17:23 | 0:17:25 | |
It did have a silver milk jug with it, | 0:17:25 | 0:17:27 | |
but it's something that my sister has a sentimental attachment to, | 0:17:27 | 0:17:31 | |
so she would like to hang on to that. | 0:17:31 | 0:17:34 | |
John and I have also been looking around the room and we can't see | 0:17:34 | 0:17:36 | |
the gate-leg table either. What happened to that, Rosalind? | 0:17:36 | 0:17:39 | |
One of my sons actually tended to take a little bit of a shine to it | 0:17:39 | 0:17:43 | |
when we told him that it was on the way out, | 0:17:43 | 0:17:45 | |
so he... We've kept it at home. | 0:17:45 | 0:17:47 | |
As the auction's about to begin, Rosalind, | 0:17:47 | 0:17:50 | |
we should put that down, so everyone can have a good look at it | 0:17:50 | 0:17:53 | |
and that way we will get a good price on it | 0:17:53 | 0:17:55 | |
and take our place over in the corner there. | 0:17:55 | 0:17:57 | |
If, like Rosalind and John, | 0:17:59 | 0:18:01 | |
you're thinking of heading to auction, | 0:18:01 | 0:18:03 | |
remember that charges such as commission may apply, | 0:18:03 | 0:18:06 | |
so please do check all the details with the auction house. | 0:18:06 | 0:18:10 | |
Today's sale gets under way with our first lot, | 0:18:10 | 0:18:13 | |
that rather smart vintage jewellery case, | 0:18:13 | 0:18:16 | |
which our expert, John, thinks should do very well. | 0:18:16 | 0:18:18 | |
This is a wonderful item, still usable. | 0:18:18 | 0:18:20 | |
It's by a very good maker, Fisher, they don't come much better. | 0:18:20 | 0:18:24 | |
Condition-wise, very nice on the outside and on the in, | 0:18:24 | 0:18:27 | |
so I think it's worth every bit of its £80 to £120 estimate. | 0:18:27 | 0:18:30 | |
-Well, we'll soon find out. -Start me at £100 for it? | 0:18:30 | 0:18:34 | |
He's already got bids in for it! | 0:18:34 | 0:18:37 | |
50 for it? Bid at £50. At £50. Say 55? | 0:18:37 | 0:18:40 | |
55, 60. 5? | 0:18:40 | 0:18:42 | |
70, 5? | 0:18:42 | 0:18:43 | |
80, 5? 90, 5? | 0:18:43 | 0:18:46 | |
100. 110? | 0:18:46 | 0:18:47 | |
£100. At 110? | 0:18:47 | 0:18:48 | |
At £100, are we done? | 0:18:48 | 0:18:50 | |
-Someone's keen to have it. -Yes. | 0:18:50 | 0:18:52 | |
Going, done. £100. | 0:18:52 | 0:18:53 | |
£100, bang in the middle of John's estimate. | 0:18:53 | 0:18:56 | |
Yes, happy with that. How about you guys? | 0:18:56 | 0:18:58 | |
-Very happy with that. -Good start. | 0:18:58 | 0:19:01 | |
The well-kept condition of that velvet-lined jewellery box caught someone's eye, | 0:19:01 | 0:19:05 | |
securing us a healthy start for our party fund. | 0:19:05 | 0:19:09 | |
Will the collection of glassware hit its estimate, too? | 0:19:09 | 0:19:14 | |
Start me at £50? | 0:19:14 | 0:19:16 | |
£30? Bid at £30. At 30, 32? At £30, take two, 32. 35 you want? | 0:19:16 | 0:19:20 | |
35? | 0:19:20 | 0:19:22 | |
38? 38, 40. | 0:19:22 | 0:19:24 | |
42, 45, 48, 50. 55. | 0:19:24 | 0:19:30 | |
It's in the middle at £50. You're out at £50. Say 55? | 0:19:30 | 0:19:33 | |
I'm going to sell at £50. 5 I'll take at £50. You'll be the £50... | 0:19:33 | 0:19:36 | |
Do you want 55 over there? | 0:19:36 | 0:19:38 | |
No? At £50, selling, all done at £50 and sold. £50. | 0:19:38 | 0:19:41 | |
-OK with that? -Yes. | 0:19:41 | 0:19:43 | |
-Goes a bit quick, doesn't it? -It does, absolutely. | 0:19:43 | 0:19:46 | |
Well, a fast 50 isn't bad. | 0:19:46 | 0:19:49 | |
Just £10 below the estimate. | 0:19:49 | 0:19:51 | |
I'm praying that our friendly friar will amuse somebody in the crowd. | 0:19:51 | 0:19:55 | |
£50 for it? | 0:19:55 | 0:19:56 | |
At £50, say 55? £50, say 5? | 0:19:56 | 0:20:00 | |
55, thank you. 60. | 0:20:00 | 0:20:03 | |
Two bids. We've got £55. At 55. Give me 60 for it? | 0:20:03 | 0:20:06 | |
Give me 58 for it, if you like. | 0:20:06 | 0:20:08 | |
58, you want to come back in? | 0:20:08 | 0:20:10 | |
To be really annoying, 56? | 0:20:10 | 0:20:12 | |
What's all that about then? At 55 over there. £55, £55. | 0:20:12 | 0:20:19 | |
£55. | 0:20:19 | 0:20:21 | |
-So, smile on your faces like the smile on the monk's face? -Certainly. | 0:20:21 | 0:20:25 | |
£55 is just inside our lowest estimate, | 0:20:25 | 0:20:30 | |
which is more than can be said for the Hornby station set, | 0:20:30 | 0:20:33 | |
which fails to attract any interest at all. | 0:20:33 | 0:20:34 | |
I'm afraid it hasn't sold. No bids. | 0:20:34 | 0:20:37 | |
Oh, dear, slightly derailed by that particular lot. | 0:20:37 | 0:20:39 | |
But there'll be another one along in a minute. | 0:20:39 | 0:20:42 | |
Well, there might not be any railway fans in the room, but everyone loves receiving a postcard. | 0:20:42 | 0:20:47 | |
John valued this lot at £40 to £60. | 0:20:47 | 0:20:51 | |
But as there's a strong sentiment attached, | 0:20:51 | 0:20:54 | |
our couple have asked for a £100 reserve. | 0:20:54 | 0:20:56 | |
A bid at £30. £30. You want 32? | 0:20:58 | 0:21:00 | |
35, 38, 40, 42, 45, 48, 50. | 0:21:00 | 0:21:05 | |
55, 60, 5, 70. | 0:21:05 | 0:21:08 | |
They're going up, John. | 0:21:08 | 0:21:10 | |
At £65, you want 70? 70 there. 75. | 0:21:10 | 0:21:12 | |
Still short of your £100. Getting there. | 0:21:12 | 0:21:16 | |
100. At £100, seated. | 0:21:16 | 0:21:18 | |
£100, are we done? | 0:21:18 | 0:21:19 | |
110, 110, and back in at 110. | 0:21:19 | 0:21:20 | |
-You want 120? £110. -Crikey! | 0:21:20 | 0:21:23 | |
No bids this time, £110, sold for 110. | 0:21:23 | 0:21:26 | |
You were right to put that reserve on it. | 0:21:26 | 0:21:28 | |
What a great result for that unusual collection. | 0:21:28 | 0:21:32 | |
And it's followed quickly by the boxed cutlery sets... | 0:21:32 | 0:21:36 | |
Your last chance, I'm going to sell at 95. All done? | 0:21:36 | 0:21:38 | |
..which sell for £5 under their £100 estimate. | 0:21:38 | 0:21:43 | |
So far, it's been a good auction for the Greenwoods, | 0:21:43 | 0:21:46 | |
and at the halfway point, we've made £410 towards our £500 target. | 0:21:46 | 0:21:52 | |
That's impressive going. | 0:21:52 | 0:21:53 | |
Our next lot is a personal favourite for both the Johns. | 0:21:55 | 0:21:58 | |
John Cameron reckons that John Greenwood's Dinky cars | 0:21:58 | 0:22:02 | |
could probably do at least a ton. | 0:22:02 | 0:22:04 | |
Well, a lot of them have been really well played with some time ago. | 0:22:04 | 0:22:08 | |
One or two still in their boxes, but, erm... | 0:22:08 | 0:22:11 | |
hopefully someone will see the age in them rather than the condition. | 0:22:11 | 0:22:15 | |
We've got a good mixed lot there, and I think they're worth every bit of about £100 to £120. | 0:22:15 | 0:22:20 | |
But let's see if the room shares our enthusiasm, John. | 0:22:20 | 0:22:23 | |
£100 for the lot. £100? | 0:22:23 | 0:22:25 | |
-I'm bid £100. -100 straight in, John. | 0:22:25 | 0:22:29 | |
120, 130, 140, 150, 160, | 0:22:29 | 0:22:33 | |
170, 180, 190? | 0:22:33 | 0:22:35 | |
180 bid. Take 190. | 0:22:35 | 0:22:37 | |
At 180, all out for 180? | 0:22:37 | 0:22:39 | |
At 180 and going. All done at 180. | 0:22:39 | 0:22:41 | |
496. 180. | 0:22:41 | 0:22:43 | |
-Well done! -Goodness me! You'd never think it, but there we are. | 0:22:43 | 0:22:47 | |
-Bit shocked at that? -Absolutely delighted, yes. | 0:22:47 | 0:22:49 | |
Those Dinky cars zoomed past John's upper estimate. | 0:22:49 | 0:22:53 | |
'So we come to that lonesome silver cup. | 0:22:53 | 0:22:57 | |
'The auctioneer has boosted the value to between £150 and £250. | 0:22:57 | 0:23:00 | |
'And John Greenwood has put a £150 reserve on it.' | 0:23:00 | 0:23:05 | |
We have our lone silver cup, because it's come without the jug. | 0:23:05 | 0:23:09 | |
But the auction house have actually upped the price that you put on it, John. | 0:23:09 | 0:23:13 | |
It's a nice example. It's late-Georgian and we've got the maker's mark on it. | 0:23:13 | 0:23:16 | |
Hopefully, yeah, if they're right, I will be delighted for you. | 0:23:16 | 0:23:20 | |
£100? £100 for it? £100 for it? It's worth £100. | 0:23:20 | 0:23:24 | |
£100, say 110? The bid's there for £100. £100. You want 110 there? | 0:23:24 | 0:23:28 | |
120, 130, 140, 150? 140 bid. | 0:23:28 | 0:23:32 | |
140. 140, is that all? At 140. | 0:23:32 | 0:23:34 | |
It's going to sell for 140. | 0:23:34 | 0:23:35 | |
£140, are you going to say yes or no? £140. £140, all done? | 0:23:35 | 0:23:38 | |
£140, you've got it. | 0:23:38 | 0:23:40 | |
I'm a little disappointed. I thought I might get a little bit more, but I'm happy with that. | 0:23:40 | 0:23:44 | |
The auctioneer used his discretion to make a sensible sale | 0:23:44 | 0:23:48 | |
under the circumstances, | 0:23:48 | 0:23:50 | |
pouring another £140 into the fund for Margaret's family meal. | 0:23:50 | 0:23:54 | |
The next lot to go under the hammer is this assorted collection of medals. | 0:23:55 | 0:23:59 | |
John Greenwood is pinning his hopes | 0:23:59 | 0:24:02 | |
on these decorating our burgeoning total with a modest £20 to £30. | 0:24:02 | 0:24:07 | |
Thank you. Straight in at £20. Say 22? At £20. | 0:24:08 | 0:24:10 | |
22, there, thank you. | 0:24:10 | 0:24:12 | |
25, 28, 30, 32, 35, 38. | 0:24:12 | 0:24:16 | |
-Crikey! -At £35, all out at £35? | 0:24:16 | 0:24:19 | |
38, 40, 42? | 0:24:19 | 0:24:22 | |
40 bid. At £40. At £40, say 42? | 0:24:22 | 0:24:23 | |
At £40, £40. | 0:24:23 | 0:24:26 | |
-That's a surprise, John, isn't it? -It IS a surprise. | 0:24:26 | 0:24:28 | |
Yes, there's a collector out there for almost anything, | 0:24:28 | 0:24:32 | |
well, except, it seems, for the Royal Doulton vases. | 0:24:32 | 0:24:35 | |
Out of fashion, no bids. | 0:24:38 | 0:24:39 | |
You're taking them home with you. | 0:24:39 | 0:24:41 | |
Oh, dear - unsold. Well, you can never tell. | 0:24:41 | 0:24:45 | |
But before we declare our grand total, there's just one final item for sale. | 0:24:45 | 0:24:50 | |
The auctioneers have increased the valuation | 0:24:50 | 0:24:52 | |
on this lovely gold pendant to £300-£400, | 0:24:52 | 0:24:55 | |
but will the bidders play ball? | 0:24:55 | 0:24:58 | |
-Start me at £200 for it? -200 he's starting at. | 0:24:58 | 0:25:02 | |
Looking for a bid of £200. Start me at £200 for it? | 0:25:02 | 0:25:05 | |
Nobody at £200? I'll pass the lot. Start me at £200 for it. | 0:25:05 | 0:25:08 | |
No-one for £200. If you change your mind, come to the desk. No bids. Not sold. | 0:25:08 | 0:25:12 | |
Interesting. | 0:25:12 | 0:25:13 | |
He started at £200, didn't get any interest in it at all and so has withdrawn it on your behalf. | 0:25:13 | 0:25:19 | |
Well, it just wasn't to be, but at least they can take it home. | 0:25:19 | 0:25:23 | |
John and Rosalind shouldn't feel too despondent, though, because I have a feeling that the total | 0:25:23 | 0:25:28 | |
is going to be very much to their liking. | 0:25:28 | 0:25:30 | |
You wanted £500 for Mum's 97th birthday. | 0:25:30 | 0:25:34 | |
I don't think you're going to be too disappointed, though, | 0:25:34 | 0:25:37 | |
because with everything else having sold, you've made £770. | 0:25:37 | 0:25:41 | |
-Wow! -That's great! | 0:25:41 | 0:25:43 | |
-That's going to be some celebration, isn't it? -It's fantastic. | 0:25:43 | 0:25:46 | |
A short while later, and the Greenwood family | 0:25:51 | 0:25:53 | |
are gathering to celebrate the 97th birthday of John's mother, Margaret. | 0:25:53 | 0:25:59 | |
All her grandchildren and their partners have all come up | 0:25:59 | 0:26:02 | |
from various parts of England to celebrate with her, including her great-grandson. | 0:26:02 | 0:26:09 | |
This is my little boy, George, and he's the great-grandchild. | 0:26:09 | 0:26:12 | |
He's the only great-grandchild, so he's the star attraction of today. | 0:26:12 | 0:26:15 | |
The whole clan assembled in her honour, and this grand lady was clearly delighted to see them. | 0:26:15 | 0:26:23 | |
Well, it's the most wonderful thing that could happen to me. | 0:26:23 | 0:26:26 | |
I've thoroughly enjoyed my day today. It's been wonderful. | 0:26:26 | 0:26:32 | |
Subtitles by Red Bee Media Ltd | 0:26:42 | 0:26:45 |