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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
We're the team that helps you to root out antiques and collectibles in your home, | 0:00:03 | 0:00:07 | |
and then sell some with you at auction, | 0:00:07 | 0:00:09 | |
so that you can raise money for a project that's really close to your heart. | 0:00:09 | 0:00:13 | |
Today I'm in Wiltshire, and I'm very privileged | 0:00:13 | 0:00:16 | |
to be in what is probably one of the greatest monuments to Elizabethan architecture in the country - | 0:00:16 | 0:00:23 | |
we're at Longleat House. | 0:00:23 | 0:00:26 | |
This house has had more than its fair share of royal visitors, | 0:00:28 | 0:00:31 | |
but right now we're off to visit a local resident, | 0:00:31 | 0:00:34 | |
and see what antiques and collectibles we can find that we can take to that all-important auction. | 0:00:34 | 0:00:41 | |
Coming up, is this Edwardian bath chair Jonty's perfect ride to auction? | 0:01:00 | 0:01:05 | |
Help! | 0:01:05 | 0:01:07 | |
I hope we don't have to go up a slope! | 0:01:07 | 0:01:09 | |
And has Jonty found a route to fortune that will make everyone smile? | 0:01:09 | 0:01:14 | |
This map is worth a lot of money. | 0:01:14 | 0:01:16 | |
I liked it, but I like it even more now! | 0:01:16 | 0:01:20 | |
But it takes a lot more to make John happy at auction day. | 0:01:20 | 0:01:24 | |
I've detected a tiny little smile on John's face. | 0:01:24 | 0:01:29 | |
What will the verdict be when the hammer falls? | 0:01:29 | 0:01:32 | |
I've now come just a few miles down the road | 0:01:34 | 0:01:37 | |
to the very charming village of Mere, | 0:01:37 | 0:01:39 | |
which is where I'm about to meet a lady | 0:01:39 | 0:01:42 | |
who would like the fruits of her de-cluttering to go to a very worthy cause. | 0:01:42 | 0:01:47 | |
Living here in this converted village shop in Wiltshire are our hosts, Rosemary and John Cox. | 0:01:47 | 0:01:54 | |
They met in the 1960s, and it was love at first sight. | 0:01:54 | 0:01:57 | |
They married soon after, and went on to have three children who are now all grown up. | 0:01:57 | 0:02:02 | |
The couple enjoyed very different careers - John started out with the Merchant Navy | 0:02:02 | 0:02:07 | |
before running his family's food business, while Rosemary enjoyed a career as a nurse. | 0:02:07 | 0:02:13 | |
Now both retired, John has been diagnosed | 0:02:13 | 0:02:16 | |
with early stages of Alzheimer's, and they've decided that it's time to downsize. | 0:02:16 | 0:02:21 | |
They've called in the Cash In The Attic team to help. | 0:02:21 | 0:02:23 | |
'So whilst Jonty Hearnden gets the search under way, | 0:02:23 | 0:02:26 | |
'I meet our hosts and their close friend, Maureen.' | 0:02:26 | 0:02:29 | |
So, this is where you all are, out in the garden. | 0:02:30 | 0:02:33 | |
So, whose idea was it to call in Cash In The Attic? | 0:02:33 | 0:02:37 | |
Well, I think it was mine. | 0:02:37 | 0:02:39 | |
Well, we've lived here for 13 years, and it's now too big for us. | 0:02:39 | 0:02:43 | |
Our family have grown up, so we don't need such a big house, and we are going to downsize - | 0:02:43 | 0:02:49 | |
get rid of possessions. | 0:02:49 | 0:02:51 | |
So, which charity is it you want to raise money for? | 0:02:51 | 0:02:54 | |
It's the local branch of the Alzheimer's Society in Salisbury, | 0:02:54 | 0:02:58 | |
who do so much good work for people newly diagnosed with dementia, | 0:02:58 | 0:03:02 | |
and people further down the path of dementia. | 0:03:02 | 0:03:05 | |
And have you got a specific thing in mind that you'd like to buy for them? | 0:03:05 | 0:03:09 | |
Yes, they have a lunch club that needs new chairs, | 0:03:09 | 0:03:13 | |
and they cost £250 each, so I said I would try and raise for three chairs. | 0:03:13 | 0:03:19 | |
-So, that's £750? -Mmm. | 0:03:19 | 0:03:23 | |
Maureen, you two have been friends for longer, probably, than you care to remember. | 0:03:23 | 0:03:27 | |
Ooh, about 30... | 0:03:27 | 0:03:28 | |
50 years. | 0:03:28 | 0:03:30 | |
Is it? Oh, yes, 50 years. | 0:03:30 | 0:03:31 | |
So, you've seen all this stuff building up over the years, have you? | 0:03:31 | 0:03:35 | |
Yes, definitely. She's always been a big collector. | 0:03:35 | 0:03:37 | |
Well, £750 is our target, Jonty, I know, has already started work, shall we go and join him? Come on. | 0:03:37 | 0:03:44 | |
'Ready to identify the treasures is our expert, Jonty Hearnden. | 0:03:45 | 0:03:49 | |
'He's spent his life immersed in the world of antiques, | 0:03:49 | 0:03:52 | |
'and he's already discovered an item that deserves a little closer inspection.' | 0:03:52 | 0:03:56 | |
Hi, Jonty. | 0:03:58 | 0:04:00 | |
Who needs their nails clipping? | 0:04:00 | 0:04:02 | |
This must bring back memories for you, you trained as nurses together, didn't you? | 0:04:02 | 0:04:06 | |
Yes, we did. | 0:04:06 | 0:04:08 | |
So, what have we actually got here, Rosemary? | 0:04:08 | 0:04:11 | |
I think it's a field kit for a surgeon. | 0:04:11 | 0:04:14 | |
And what are all these different things in the box? | 0:04:14 | 0:04:16 | |
We've got forceps and scissors, and scalpels, of course. | 0:04:16 | 0:04:22 | |
I think it's really fascinating. | 0:04:22 | 0:04:25 | |
Taking it out of its canvas bag, it all folds out, | 0:04:25 | 0:04:29 | |
and, of course, what we see here is this travelling medical or surgeon's kit. | 0:04:29 | 0:04:33 | |
Now, I've looked all over this to see if I can find a date or a maker's name, absolutely nothing, | 0:04:33 | 0:04:39 | |
so we really are looking at the Second World War or possibly just post the Second World War. | 0:04:39 | 0:04:44 | |
As for value, | 0:04:44 | 0:04:45 | |
I still think we're looking at £20 to £30 at auction. | 0:04:45 | 0:04:48 | |
'I've got a good feeling about this rummage, and I think we'll be pleasantly surprised. | 0:04:48 | 0:04:52 | |
'Out in the garage, John uncovers a collection of old trunks, | 0:04:52 | 0:04:58 | |
'including one that he took around the world when he was in the Merchant Navy. | 0:04:58 | 0:05:02 | |
'These may not be a matching set, | 0:05:02 | 0:05:05 | |
'but Jonty still thinks they could fetch £20 to £40 at auction.' | 0:05:05 | 0:05:09 | |
On the landing, Maureen locates an engraving, | 0:05:09 | 0:05:12 | |
depicting the magnificent French cathedral of Chartres, | 0:05:12 | 0:05:16 | |
by a living American artist called Catherine Merrill. | 0:05:16 | 0:05:20 | |
Jonty is cautious with his valuation as we'll be selling it in the UK, | 0:05:20 | 0:05:24 | |
so it heads off to auction with a slim £10 to £20 price tag. | 0:05:24 | 0:05:28 | |
-Jonty? -Yes, John. -Have a look at the sextant. | 0:05:28 | 0:05:33 | |
Let's have a look. Oh, wow. | 0:05:33 | 0:05:35 | |
So, John, is this your personal sextant you used at sea? | 0:05:35 | 0:05:38 | |
-Yes, this one I've had for years. -Wow. | 0:05:38 | 0:05:40 | |
And I used it, I mean, it was an instrument of use, not decoration. | 0:05:40 | 0:05:45 | |
How often would you use it? | 0:05:45 | 0:05:47 | |
We'd use it first thing in the morning for a sight, and then at midday for another sight. | 0:05:47 | 0:05:51 | |
You then run one forward, get the crossover, and you'd know where you are at noon. | 0:05:51 | 0:05:55 | |
OK, and I see you have got the maker's name, Kelvin & Hughes. | 0:05:55 | 0:05:58 | |
-That's great. And I see here we've got a date clearly, 1952. Now, Henry Hughes... -Yes. | 0:05:58 | 0:06:05 | |
..was making precision and nautical instruments way back in the 1830s. | 0:06:05 | 0:06:11 | |
So, there's been a lineage of this company, | 0:06:11 | 0:06:13 | |
and the company's development. | 0:06:13 | 0:06:15 | |
But they changed their name to Kelvin & Hughes in 1947. | 0:06:15 | 0:06:20 | |
So, as far as value is concerned, | 0:06:20 | 0:06:21 | |
we're looking at between £80 to £120. | 0:06:21 | 0:06:23 | |
-That seems reasonable. -All right? | 0:06:23 | 0:06:26 | |
I think John's going to be sad to say goodbye to the sextant which accompanied him around the globe. | 0:06:26 | 0:06:31 | |
But will it raise the roof at auction? | 0:06:31 | 0:06:35 | |
£80, then, for it. | 0:06:35 | 0:06:36 | |
I'm bid £80. 85. 90. | 0:06:36 | 0:06:38 | |
'Let's hope that it makes a healthy contribution towards our target, | 0:06:40 | 0:06:44 | |
-'which is for a very worthwhile cause.' -£120, sir. | 0:06:44 | 0:06:46 | |
'As our rummage in Wiltshire continues, | 0:06:47 | 0:06:50 | |
'Jonty is on the trail of more interesting items, | 0:06:50 | 0:06:53 | |
'but I take a minute to enjoy the garden.' | 0:06:53 | 0:06:56 | |
Rosemary, you're raising money for the Alzheimer's Society, | 0:06:56 | 0:06:59 | |
and you've got a very personal reason for wanting to do this, haven't you? | 0:06:59 | 0:07:03 | |
Well, yes, a few years ago John was diagnosed with early Alzheimer's, | 0:07:03 | 0:07:09 | |
and we were introduced to the Alzheimer's Society, | 0:07:09 | 0:07:13 | |
who have been incredibly supportive, | 0:07:13 | 0:07:15 | |
-with not just leaflets, but people contact, and carers groups, and a memory support group for you. -Yes. | 0:07:15 | 0:07:22 | |
We couldn't have managed without the support of the society, | 0:07:22 | 0:07:26 | |
-as well as, of course, the doctors, and the drugs, and that sort of thing. -And everything else. | 0:07:26 | 0:07:32 | |
But we've met interesting people who've come from all walks of life. | 0:07:32 | 0:07:37 | |
And you realise you're not the only person suffering from this, | 0:07:37 | 0:07:42 | |
which is always helpful. You don't feel so isolated. | 0:07:42 | 0:07:47 | |
-John, what difference has it made to you? -I can't drive a car now, | 0:07:47 | 0:07:53 | |
which is probably just as well for everybody else! | 0:07:53 | 0:07:55 | |
So, no... I'm very dependent on Rose. | 0:07:57 | 0:08:00 | |
I'm very lucky that she puts up with me, actually. | 0:08:01 | 0:08:04 | |
We obviously want to make sure that you raise the money for those chairs, | 0:08:04 | 0:08:08 | |
so I think perhaps we should go back into the house, and see what else we can find. | 0:08:08 | 0:08:13 | |
'A charity like this can make such a difference to couples like John and Rosemary. | 0:08:13 | 0:08:19 | |
'So, we head back inside, more determined than ever to raise that £750. | 0:08:19 | 0:08:24 | |
'Maureen is still hard at work, and in a cupboard, | 0:08:24 | 0:08:27 | |
'she uncovers this decorative inlaid Chinese hardwood tray that once belonged to Rosemary's mother. | 0:08:27 | 0:08:34 | |
'Sadly, these were produced in great numbers for the tourist trade, and aren't particularly fashionable, | 0:08:34 | 0:08:40 | |
'so Jonty values it at just £20 to £30. | 0:08:40 | 0:08:43 | |
Rosemary also decides to add this pen-and-ink drawing to the auction hall. | 0:08:43 | 0:08:48 | |
It was a gift from the artist Jamie Goodbrand who was once a neighbour of theirs. | 0:08:48 | 0:08:53 | |
As he isn't well-known, Jonty gives it a modest £20-to-£40 valuation. | 0:08:53 | 0:08:57 | |
'In the lounge, I'm drawn to a rather striking portrait, | 0:08:59 | 0:09:02 | |
'hanging in pride of place over the fireplace.' | 0:09:02 | 0:09:07 | |
Rosemary? Jonty? | 0:09:09 | 0:09:11 | |
Rosemary, what's the story behind this rather dour-looking gentleman? | 0:09:12 | 0:09:17 | |
Well, he was... He was my great-grandfather - | 0:09:17 | 0:09:21 | |
a Scotsman called James Patterson. | 0:09:21 | 0:09:23 | |
Not THE James Patterson? | 0:09:23 | 0:09:25 | |
-I don't know. -The artist, James Patterson? | 0:09:25 | 0:09:27 | |
Well, he was an artist, yes, but this was a self-portrait by him. | 0:09:27 | 0:09:31 | |
-Wow! -He was a rather dour Scotsman, I'm told. | 0:09:31 | 0:09:34 | |
But he spent all his life painting. | 0:09:34 | 0:09:37 | |
I've only recently inherited this one, | 0:09:37 | 0:09:39 | |
so it hangs in pride of place. | 0:09:39 | 0:09:41 | |
The way you said, "not THE James Patterson?" | 0:09:41 | 0:09:44 | |
Presumably, Jonty, you do know quite a lot about him? | 0:09:44 | 0:09:46 | |
Well, he's extraordinarily well-known and respected as an artist. | 0:09:46 | 0:09:51 | |
He was born in Glasgow in the 1850s. | 0:09:51 | 0:09:54 | |
He went to the Glasgow School Of Art, and he also was able to go to Paris to study art as well. | 0:09:54 | 0:09:59 | |
But he's highly respected as, really, a landscape artist, | 0:09:59 | 0:10:04 | |
a watercolourist, not necessarily in the medium of oils, as we see here. | 0:10:04 | 0:10:08 | |
Knowing the sort of price that his pictures sell for at auction at the moment, | 0:10:08 | 0:10:13 | |
roughly, they sell between £2,000-£10,000 each. | 0:10:13 | 0:10:17 | |
OK? That's the market value at the moment. | 0:10:17 | 0:10:19 | |
I would suggest that we are looking at a picture at the top end of that range. | 0:10:19 | 0:10:25 | |
So, we're looking at really between, I suppose, anything from £7,000 to £10,000 at auction. | 0:10:25 | 0:10:32 | |
-So, can we take this to auction? -I think I'd like to think about that! | 0:10:32 | 0:10:36 | |
Are you in shock a bit? | 0:10:36 | 0:10:38 | |
A little, yes, I have to say I had no idea that it was that valuable. | 0:10:38 | 0:10:42 | |
What a magnificent painting! | 0:10:42 | 0:10:45 | |
And a quite staggering valuation. | 0:10:45 | 0:10:48 | |
I'm really not sure if Rosemary and John will send the portrait to auction, but if they do, | 0:10:48 | 0:10:52 | |
it could blow our target right out of the water! | 0:10:52 | 0:10:55 | |
Rosemary bought this clock at a charity auction some years ago, | 0:10:55 | 0:10:59 | |
but sadly any sign of a maker's name has long since vanished. | 0:10:59 | 0:11:02 | |
It's a traditional example, commonly seen at auctions, and Jonty values it at a very affordable £10 to £20. | 0:11:02 | 0:11:10 | |
Rosemary's been sorting through the kitchen cupboards, | 0:11:10 | 0:11:14 | |
and has gathered an assortment of Royal commemorative china. | 0:11:14 | 0:11:17 | |
Jonty values them at another modest £10 to £20. | 0:11:17 | 0:11:21 | |
We're still way some off our target, | 0:11:21 | 0:11:23 | |
so no time for a sit down, Jonty! | 0:11:23 | 0:11:25 | |
Ah-h! | 0:11:25 | 0:11:27 | |
Essentially, what we're looking at here is a bath chair, or invalid's chair. | 0:11:28 | 0:11:32 | |
It's a chair that can be manoeuvred by one person, | 0:11:32 | 0:11:35 | |
but also by two people, | 0:11:35 | 0:11:36 | |
so if you're trying to carry your patient up or down stairs, for instance, then it's easily managed. | 0:11:36 | 0:11:42 | |
-You've got two handles at the back and two adjustable handles at the front. It lifts up like so. -Ah. | 0:11:42 | 0:11:48 | |
So, one person can carry the front, and one person can carry the reverse. | 0:11:48 | 0:11:54 | |
I think it's got bags of character. Do you know where this came from? | 0:11:54 | 0:11:57 | |
I like it. Yes, it came from a colleague of ours. | 0:11:57 | 0:11:59 | |
Because she has a nursing home herself, she decided it would be better for this cause. | 0:11:59 | 0:12:05 | |
-This is something we can sell? -Yes. -Oh, great. | 0:12:05 | 0:12:07 | |
People love to buy items that are just a little bit quirky, a little bit different. | 0:12:07 | 0:12:13 | |
I love the shape of the construction. | 0:12:13 | 0:12:15 | |
So, if you look at the back here, | 0:12:15 | 0:12:17 | |
if you look at the top handle running all the way down to the front, this is one piece of timber. | 0:12:17 | 0:12:23 | |
This is ash, steamed into this lovely S shape. | 0:12:23 | 0:12:28 | |
I love the fact that this caning is in perfect condition, | 0:12:28 | 0:12:32 | |
because this costs a small fortune to replace. | 0:12:32 | 0:12:34 | |
And if you see these rubberised wheels at the back there... | 0:12:34 | 0:12:37 | |
-Oh, they're quite tough. -It's all sort of, like, perfectly balanced. | 0:12:37 | 0:12:42 | |
-Yeah. -It's like a... I suppose almost like a wheelbarrow, | 0:12:42 | 0:12:45 | |
insofar that it's designed in such a way that it's easy to manoeuvre. | 0:12:45 | 0:12:49 | |
-How much do you think you'll get for it? -I think we're looking at £30, £40, maybe even £50. | 0:12:49 | 0:12:55 | |
I'd think it's great fun. Talking of which, I'm dying to have a go. | 0:12:55 | 0:12:58 | |
-Can we take it off for auction if I sit into it? -Try. | 0:12:58 | 0:13:00 | |
Come on! Come on! | 0:13:00 | 0:13:03 | |
-Ready, here we go. Ready? -Oh...whoops! -Help! | 0:13:03 | 0:13:05 | |
Hope we don't have to go up a slope! | 0:13:05 | 0:13:09 | |
Don't get too comfy, Jonty! | 0:13:09 | 0:13:10 | |
We still need you to come up with more! | 0:13:10 | 0:13:13 | |
'These opera glasses are just one of two pairs stored in an old box, | 0:13:13 | 0:13:18 | |
'together with an assortment of oddities, including vintage buttons, | 0:13:18 | 0:13:22 | |
'a 1930s Persian brass date box, and slide rules. | 0:13:22 | 0:13:26 | |
'It's certainly a mixed lot, and Jonty values it at £20 to £40. | 0:13:26 | 0:13:30 | |
Rosemary? Can you look at this map with me. | 0:13:30 | 0:13:33 | |
Yes, Jonty, of course. | 0:13:33 | 0:13:35 | |
Has this been in your family for a long time? | 0:13:35 | 0:13:38 | |
I can't remember when it wasn't hanging in my mother's house, | 0:13:38 | 0:13:41 | |
so, probably. | 0:13:41 | 0:13:42 | |
That's very interesting, | 0:13:42 | 0:13:45 | |
because this map's an exceedingly old map. | 0:13:45 | 0:13:47 | |
Can you see that we've got a join running down the middle there? | 0:13:47 | 0:13:51 | |
I can, yes. Worried about that, too! | 0:13:51 | 0:13:54 | |
Well, don't be concerned, because that's completely correct, because this map was part of a book. | 0:13:54 | 0:13:59 | |
The map maker was Britain's best-known map maker of his time, John Speed. | 0:13:59 | 0:14:06 | |
This was originally made, this particular map, in 1676. | 0:14:06 | 0:14:13 | |
-Well, it is old! -That old. It's very, very old. | 0:14:13 | 0:14:18 | |
And what's so interesting, is just how accurate it is in today's terms. | 0:14:18 | 0:14:24 | |
Now, on the reverse, there should be some writing. | 0:14:24 | 0:14:26 | |
-Can I take it off? -Yes, please. | 0:14:26 | 0:14:29 | |
-Let's have a look. What can you see? -Writing. -Very good. | 0:14:29 | 0:14:32 | |
That all makes sense. That all makes sense to me, | 0:14:32 | 0:14:35 | |
because this was part of the book. | 0:14:35 | 0:14:38 | |
The book in question was called Prospects Of The Important Parts Of the World. | 0:14:38 | 0:14:44 | |
So, this is worth an awful lot of money. | 0:14:44 | 0:14:47 | |
Really? Because I did worry that it was actually photocopied out of a newspaper by my mother. | 0:14:48 | 0:14:54 | |
Really? How wonderful. | 0:14:54 | 0:14:58 | |
Have we got a very expensive photocopy, then, Jonty? | 0:14:58 | 0:15:01 | |
No, this is a wonderful original, this is superb. | 0:15:01 | 0:15:04 | |
This print is worth between £600 to £1,000 at auction. | 0:15:04 | 0:15:10 | |
-How about that? -Really great. | 0:15:10 | 0:15:12 | |
-Shattered. -Shattering, actually! | 0:15:12 | 0:15:15 | |
Jonty has looked at lots of things with you today, | 0:15:15 | 0:15:17 | |
and if we take the lowest estimate on everything, | 0:15:17 | 0:15:20 | |
add them all together, | 0:15:20 | 0:15:21 | |
then we should be able to make at least £840. | 0:15:21 | 0:15:27 | |
-Great. -That's very good. | 0:15:27 | 0:15:29 | |
£750 is your target. | 0:15:29 | 0:15:31 | |
£840 he thinks you might make. | 0:15:31 | 0:15:34 | |
That might take off, and, of course, | 0:15:34 | 0:15:36 | |
if you do decide to bring the Patterson, | 0:15:36 | 0:15:39 | |
never mind the chairs, we could buy a new centre for Salisbury! | 0:15:39 | 0:15:42 | |
But let's wait and see what happens at auction with that one. | 0:15:42 | 0:15:45 | |
Well, what a day we've had here in Wiltshire with Rosemary and John, | 0:15:45 | 0:15:49 | |
and we've unearthed some truly fascinating items for auction. | 0:15:49 | 0:15:53 | |
There's John's sextant, | 0:15:53 | 0:15:54 | |
which accompanied him around the world during his time in the Navy, | 0:15:54 | 0:15:58 | |
and could steer us northwards of £80 at auction. | 0:15:58 | 0:16:02 | |
The incredible map of Europe, | 0:16:02 | 0:16:04 | |
from cartographer John Speed's World Atlas. | 0:16:04 | 0:16:07 | |
It dates from 1676, and could far exceed its £600 estimate. | 0:16:07 | 0:16:13 | |
And will that fabulous self-portrait | 0:16:14 | 0:16:16 | |
of artist James Patterson make it to auction? | 0:16:16 | 0:16:20 | |
It's possibly one of the most important finds I've experienced on Cash In The Attic, | 0:16:20 | 0:16:24 | |
and I think its £7,000 valuation could just be the tip of the iceberg. | 0:16:24 | 0:16:29 | |
'Still to come on Cash In The Attic, are today's bidders unusually quiet?' | 0:16:33 | 0:16:39 | |
There's a mouse running through the room, making a lot more noise than the buyers. | 0:16:39 | 0:16:43 | |
'Or are they just not in the mood for buying?' | 0:16:43 | 0:16:45 | |
Not quite enough, I'm afraid. | 0:16:45 | 0:16:47 | |
'So, will we have reached our target when the hammer falls?' | 0:16:47 | 0:16:51 | |
Well, it's been a couple of weeks since we were with Rose and John Cox, | 0:16:55 | 0:16:59 | |
in that lovely home of theirs in Wiltshire. | 0:16:59 | 0:17:02 | |
If you remember, their aim is to raise £750 for the Alzheimer's Society. | 0:17:02 | 0:17:06 | |
So, we've sent all of their wonderful antiques and collectibles | 0:17:06 | 0:17:10 | |
off to the Chiswick auction rooms in west London. | 0:17:10 | 0:17:13 | |
Sadly, I can't be with them for the auction, but no problem, | 0:17:13 | 0:17:16 | |
because they're in the very capable hands of Jonty Hearnden. | 0:17:16 | 0:17:19 | |
The doors are open, and the sale room is filling up rapidly with potential buyers. | 0:17:19 | 0:17:25 | |
Rosemary, John and Maureen have arrived, | 0:17:25 | 0:17:28 | |
but I wonder if that spectacular painting of James Patterson has come with them? | 0:17:28 | 0:17:33 | |
-Rose, John, Maureen, how are you guys? How lovely to see you. -Hi, Jonty. Good, yes. | 0:17:35 | 0:17:39 | |
Now, the big burning question is, have you bought that beautiful James Patterson portrait? | 0:17:39 | 0:17:44 | |
No, it was decided that it should stay for the family for the future. | 0:17:44 | 0:17:48 | |
I had a hunch you might be telling me that. | 0:17:48 | 0:17:51 | |
It's a beautiful, beautiful thing, and I can see clearly why you want to pass it down. | 0:17:51 | 0:17:54 | |
I think the auction's about to start, so let's go and take our places. | 0:17:54 | 0:17:58 | |
You know, I really didn't think they would part with that painting, and I do understand. | 0:17:58 | 0:18:04 | |
But it was our highest valued lot! | 0:18:04 | 0:18:06 | |
So, the pressure is on, as we still want to reach that target of £750 for the charity. | 0:18:06 | 0:18:11 | |
If you're thinking of heading to auction, | 0:18:11 | 0:18:13 | |
please remember that commission and other charges may be added to your bill. | 0:18:13 | 0:18:17 | |
Do check the details with your auction house first, to avoid any unexpected additional costs. | 0:18:17 | 0:18:23 | |
Five. £65. The lady, then, at 65. | 0:18:23 | 0:18:27 | |
The auction is already under way, | 0:18:27 | 0:18:30 | |
so they gather at the back just in time for their first lot of the day, | 0:18:30 | 0:18:33 | |
that striking pen-and-ink drawing, | 0:18:33 | 0:18:36 | |
which could tempt one of the bidders. | 0:18:36 | 0:18:38 | |
OK, our first lot is the Jamie Goodbrand picture. | 0:18:38 | 0:18:42 | |
Now, remind us, Rose, where that came from. | 0:18:42 | 0:18:44 | |
Well, many moons ago we had a lovely neighbour, | 0:18:44 | 0:18:48 | |
he was an artist and sculptor. One day he said, "Would you like one of my drawings?" | 0:18:48 | 0:18:52 | |
We've enjoyed it ever since. | 0:18:52 | 0:18:54 | |
Great. OK. This is not a vast sum of money, | 0:18:54 | 0:18:57 | |
-but it's all going to help. -It is. | 0:18:57 | 0:18:58 | |
£10 for the picture. | 0:18:58 | 0:19:00 | |
Surely for £10? | 0:19:00 | 0:19:02 | |
At £10 I'm bid. £10 here. Maiden bid of £10. | 0:19:02 | 0:19:05 | |
£12. | 0:19:05 | 0:19:06 | |
£14. Next to me at £14. I'm going to sell it at £14, it's still cheap. | 0:19:06 | 0:19:12 | |
At £14 it goes. 14, then? 14. | 0:19:12 | 0:19:15 | |
-£14. -Oh, well. | 0:19:15 | 0:19:18 | |
In spite of the auctioneer's best efforts, | 0:19:18 | 0:19:21 | |
not a very good result for that charming drawing. | 0:19:21 | 0:19:24 | |
The bidders aren't digging deep just yet. | 0:19:24 | 0:19:27 | |
Our cathedral engraving and Coronation china make just £14 between them. | 0:19:27 | 0:19:32 | |
Anybody else? £9, it goes for £9. | 0:19:32 | 0:19:35 | |
Things are moving very slowly and that £750 target seems a long way off. | 0:19:35 | 0:19:42 | |
Maybe our next item will make a bit of a splash in the saleroom. | 0:19:42 | 0:19:47 | |
It's a novelty item really. | 0:19:47 | 0:19:48 | |
It's anybody's guess as to what it really might make. | 0:19:48 | 0:19:51 | |
I put £30 to £50 on it. Let's just see what the room decides. | 0:19:51 | 0:19:55 | |
£10 at £10. £10 I'm bid. £12? | 0:19:55 | 0:19:58 | |
12. 14. 16. | 0:19:58 | 0:20:01 | |
£14 is all I'm bid, not quite enough at £14. | 0:20:01 | 0:20:05 | |
£16 I need. For £14. All done at £14? | 0:20:05 | 0:20:08 | |
Not quite enough. £14. | 0:20:08 | 0:20:11 | |
Unsold. | 0:20:11 | 0:20:12 | |
We didn't quite get enough bids. | 0:20:12 | 0:20:15 | |
Very disappointing. I don't want to take that one home! | 0:20:15 | 0:20:19 | |
That chair may need to wait for another day. | 0:20:19 | 0:20:22 | |
Let's hope the job lot of opera glasses and other items might attract the bidders' curiosity, | 0:20:22 | 0:20:28 | |
12, madam? £12. 14. | 0:20:28 | 0:20:31 | |
16. £16 nearer to me at £16, the lady at £16. | 0:20:31 | 0:20:35 | |
Anybody else at £16? I'm going to sell it, then, for £16. | 0:20:35 | 0:20:40 | |
The mixed lot, selling it for 16. | 0:20:40 | 0:20:42 | |
It's very, very quiet in the auction room. | 0:20:42 | 0:20:44 | |
In fact, there's a mouse running through the auction room, | 0:20:44 | 0:20:47 | |
and he's making a lot more noise than the buyers. | 0:20:47 | 0:20:50 | |
I think it's not just the mice that are scampering out of sight. | 0:20:50 | 0:20:53 | |
It's the bidders too. | 0:20:53 | 0:20:55 | |
Maybe the next lot will lift our spirits. | 0:20:55 | 0:20:59 | |
We've got a very nice decorative Chinese inlaid tray. Where was this from? | 0:20:59 | 0:21:03 | |
Well, a present from my mother many years ago, | 0:21:03 | 0:21:06 | |
and it's quite heavy to use as a tray. So, now it needs to go. | 0:21:06 | 0:21:11 | |
Right, I put £20-£30. | 0:21:11 | 0:21:13 | |
We need a bit more injection of enthusiasm from our buyers. Come on! | 0:21:13 | 0:21:17 | |
Start me at £10 for the lot for the inlaid tray. I'm bid £10. | 0:21:17 | 0:21:21 | |
£12. 14. 16. 18. On the sofa at £18. | 0:21:21 | 0:21:26 | |
Come on. Come on. We want two more pounds, please. Two more pounds. | 0:21:26 | 0:21:30 | |
£18. 552. | 0:21:30 | 0:21:32 | |
-Nearly, isn't it? -It's all nearly, but it's all selling. | 0:21:32 | 0:21:35 | |
So, in fact, the money is accumulating. | 0:21:35 | 0:21:39 | |
But I just want that... A bit more. | 0:21:39 | 0:21:41 | |
A sale is a sale, after all. | 0:21:41 | 0:21:45 | |
But again, this is still below Jonty's lowest valuation. | 0:21:45 | 0:21:49 | |
Nothing seems to be taking the bidders' fancy today, | 0:21:49 | 0:21:51 | |
and with half our lots sold, we've made just £62 towards that £750 target. | 0:21:51 | 0:21:57 | |
It's disastrous! | 0:21:57 | 0:22:00 | |
There are some wonderful items still to sell, though, so the only way is up | 0:22:00 | 0:22:04 | |
We've got your lovely sextant coming up now. | 0:22:04 | 0:22:06 | |
-Will you miss if it's sold? -Well, I'm not using it now, but I used to use it, yes. | 0:22:06 | 0:22:10 | |
Will you be disappointed if it doesn't sell? | 0:22:10 | 0:22:12 | |
I certainly don't want to give it away. | 0:22:12 | 0:22:14 | |
Good, well, that's the reason why we've got this reserve of £120. | 0:22:14 | 0:22:18 | |
So, if it doesn't sell, it's coming home with you. | 0:22:18 | 0:22:21 | |
Here it comes. | 0:22:21 | 0:22:22 | |
Start me. £80, then, for it. I'm bid £80, 85, 90. | 0:22:22 | 0:22:26 | |
£90, 95, 100. | 0:22:28 | 0:22:30 | |
110, I can take 115. Do you want 120, sir? | 0:22:30 | 0:22:34 | |
120 there, at £120, anybody else? | 0:22:34 | 0:22:36 | |
-That's great. -That's better. -That's good. | 0:22:36 | 0:22:39 | |
£120 for the sextant. At 120, then, I'm going to sell it at 120. 161. | 0:22:39 | 0:22:43 | |
I've detected a tiny little smile on John's face. | 0:22:43 | 0:22:48 | |
It's tiny, but I've spotted one. | 0:22:48 | 0:22:50 | |
What a relief. John's Navy background has come into its own | 0:22:50 | 0:22:53 | |
and the handsome bracket clock proves popular too. | 0:22:53 | 0:22:56 | |
£10, £12, 14, 16. £16, 18, 20. | 0:22:56 | 0:23:02 | |
-That's good. -£20, then. | 0:23:02 | 0:23:03 | |
22, 24, 26. | 0:23:03 | 0:23:06 | |
Next to me's at £26, anybody else? | 0:23:06 | 0:23:09 | |
26, then, to my left, on the dining table, at £26. | 0:23:09 | 0:23:14 | |
Because it wasn't antique at all, | 0:23:14 | 0:23:16 | |
I had to put a very low figure on it, but, £26, John, can you smile for me? | 0:23:16 | 0:23:21 | |
Can you just...? | 0:23:21 | 0:23:23 | |
Just a little smile? | 0:23:23 | 0:23:25 | |
Well, the last two items have exceeded Jonty's highest estimate, | 0:23:25 | 0:23:30 | |
But will the exceptional map live up to its promise? | 0:23:30 | 0:23:33 | |
Righty-ho, chaps, this is the big one. This really is the big one. | 0:23:33 | 0:23:38 | |
-Remember, we've got the fixed reserve of £500. -Yes. | 0:23:38 | 0:23:41 | |
So, it has to sell. | 0:23:41 | 0:23:43 | |
It's vital, at this point. | 0:23:43 | 0:23:45 | |
Have you got your fingers crossed? | 0:23:45 | 0:23:48 | |
OK, here it comes. | 0:23:48 | 0:23:49 | |
Is it worth, start me £400 to go for it? For £400. | 0:23:49 | 0:23:53 | |
£400 to start me. 400 I'm bid. | 0:23:53 | 0:23:56 | |
420, 440. | 0:23:56 | 0:23:59 | |
£440 for it. At £440 for the map. | 0:23:59 | 0:24:03 | |
-For £440. -Come on, come on. | 0:24:03 | 0:24:04 | |
Not quite enough at £440. | 0:24:04 | 0:24:06 | |
460 I need. For 440, anybody? | 0:24:06 | 0:24:10 | |
£440 is the bid, then. Not quite enough, I'm afraid. | 0:24:10 | 0:24:14 | |
Disaster has struck. | 0:24:14 | 0:24:16 | |
Unsold. | 0:24:16 | 0:24:17 | |
What a disappointment! | 0:24:17 | 0:24:19 | |
We were depending on that to take us to our target. | 0:24:19 | 0:24:22 | |
Luck just isn't on our side today. | 0:24:22 | 0:24:25 | |
Then John's travelling trunk fails to attract any interest at all. | 0:24:25 | 0:24:28 | |
I'm going to have to pass the lot for £5. Nobody want them for five? | 0:24:28 | 0:24:32 | |
Becoming our third unsold lot of the day. | 0:24:32 | 0:24:35 | |
It's been a real roller coaster but now it's our final item | 0:24:35 | 0:24:38 | |
and everyone has their fingers crossed. | 0:24:38 | 0:24:42 | |
So, Rose, this is your surgical kit now. | 0:24:42 | 0:24:43 | |
I've got a little bit of interest in the lot, I'm bid £20. | 0:24:43 | 0:24:47 | |
I can take fives with me at £20. | 0:24:47 | 0:24:49 | |
25, 30, 35, 40. | 0:24:49 | 0:24:52 | |
It's still with me at £40, and five I'll take from somebody else. | 0:24:52 | 0:24:55 | |
At £40 for the surgeon's tools. | 0:24:55 | 0:24:57 | |
-45, 50. -Good. | 0:24:57 | 0:25:00 | |
Anybody else? At £50 I'm going to sell, then, | 0:25:00 | 0:25:02 | |
the surgeon's tools, selling for £50. | 0:25:02 | 0:25:05 | |
Aah! Have I got a smile on YOUR face now, Rose? | 0:25:05 | 0:25:08 | |
-Yes, I'm satisfied. -Well, that's good. | 0:25:08 | 0:25:11 | |
Indeed, it's smiles all round. | 0:25:11 | 0:25:13 | |
The World War II medical kit | 0:25:13 | 0:25:15 | |
has raised more than double its lowest valuation. | 0:25:15 | 0:25:18 | |
But what a terrible shame that there wasn't more interest | 0:25:18 | 0:25:21 | |
in some of our other items. | 0:25:21 | 0:25:23 | |
It's really bad luck for the Coxes, but all is not completely lost. | 0:25:23 | 0:25:29 | |
Well, guys, we've had some ups and some downs, some very big downs. | 0:25:29 | 0:25:32 | |
We didn't get the John Speed sold, so that's a huge dent into our target. | 0:25:32 | 0:25:38 | |
Nonetheless, we have still made £258. | 0:25:38 | 0:25:43 | |
It's better than nothing. | 0:25:43 | 0:25:45 | |
But I'm greedy! | 0:25:45 | 0:25:47 | |
But you still have some lovely items to take back with you, so they can all live for another day. | 0:25:47 | 0:25:52 | |
-Yes. -All right? -Thank you. | 0:25:52 | 0:25:54 | |
People with Alzheimer's and their families | 0:25:58 | 0:26:00 | |
have been coming to the Salisbury Day Care Centre to enjoy a variety of activities. | 0:26:00 | 0:26:06 | |
And the money that Coxes raised has gone towards much-needed new chairs. | 0:26:06 | 0:26:09 | |
I've asked them this morning, and they say they are very comfortable, which is reassuring! | 0:26:09 | 0:26:15 | |
Rosemary and John's generosity has given much-needed comfort to this important part of the community. | 0:26:15 | 0:26:21 | |
I think they deserve the support of anybody who can help, | 0:26:21 | 0:26:25 | |
to make it more comfortable and suitable, and generally keep it going. | 0:26:25 | 0:26:31 | |
If there's something you'd like to raise money for, | 0:26:36 | 0:26:39 | |
and you think you have things at home you'd be happy to send to auction, | 0:26:39 | 0:26:43 | |
then why not get in touch with the programme? | 0:26:43 | 0:26:45 | |
You can find all the details on our website. | 0:26:45 | 0:26:48 | |
And good luck, | 0:26:48 | 0:26:49 | |
maybe you'll be joining us on Cash In The Attic soon. | 0:26:49 | 0:26:52 | |
Subtitles by Red Bee Media Ltd | 0:27:12 | 0:27:15 |