Browse content similar to Field. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to the show that searches out the hidden treasures in people's homes. | 0:00:02 | 0:00:06 | |
We then get them all valued, and take the worthwhile ones to auction, raising funds for the family. | 0:00:06 | 0:00:11 | |
Some people like to have a clear-out to get rid of clutter, others know their collectibles have potential, | 0:00:11 | 0:00:16 | |
and it's a couple like that that we're going to be meeting later on in Cash In The Attic. | 0:00:16 | 0:00:21 | |
On today's Cash In The Attic, we find valuable furniture of all shapes and sizes. | 0:00:42 | 0:00:48 | |
-Ecclesiastical furniture. -Yes. | 0:00:48 | 0:00:51 | |
A tiny weeny chair. | 0:00:51 | 0:00:53 | |
And an Edwardian-style carriage clock reveals a special secret. | 0:00:53 | 0:00:58 | |
Now, what I love about the case is the fact we have got this little door here. Look at this. | 0:00:58 | 0:01:04 | |
-Yes. -Un-slide that. | 0:01:04 | 0:01:06 | |
Then, at auction, a set of antiquated scientific instruments give us all a surprise. | 0:01:06 | 0:01:11 | |
-Fantastic. -It is good, isn't it, yes. -That's excellent news. | 0:01:11 | 0:01:14 | |
Find out what happens when the hammer falls. | 0:01:14 | 0:01:18 | |
Today, I have come to Fakenham in Norfolk to meet a very special | 0:01:18 | 0:01:22 | |
couple who want to raise money for something very close to their heart. | 0:01:22 | 0:01:26 | |
It's a charity. | 0:01:26 | 0:01:28 | |
Pat Field and her husband Bernard have been happily married for 28 years. | 0:01:28 | 0:01:34 | |
Throughout her life, Pat has been passionate about helping and caring for other people. | 0:01:34 | 0:01:38 | |
Today, she manages a successful charity shop which helps children in Colombia. | 0:01:38 | 0:01:44 | |
Her husband Bernard is a retired scientist, and he also helps out at the shop. | 0:01:44 | 0:01:49 | |
I am joined today by antiques expert Jonty Hearnden, | 0:01:49 | 0:01:52 | |
who is going to help our couple raise some cash for a special cause. | 0:01:52 | 0:01:56 | |
There's some nice furniture in there if you want to have a look, Jonty. | 0:01:56 | 0:02:00 | |
-This will be good. -I'll go and find Pat. | 0:02:00 | 0:02:02 | |
-Ah. Good morning. -Hello, Lorne. Nice to see you, welcome. -Thank you very much. | 0:02:02 | 0:02:06 | |
Yes, I have a lovely journey here, it's a beautiful part of the world, isn't it? | 0:02:06 | 0:02:10 | |
-It is. -Yes, north Norfolk. | 0:02:10 | 0:02:13 | |
And why have you called in Cash In The Attic? | 0:02:13 | 0:02:15 | |
Well, we work for this a charity, Let The Children Live. | 0:02:15 | 0:02:18 | |
Street children in Colombia. | 0:02:18 | 0:02:20 | |
And, an offshoot of that now is that we are forming a boys' choir. | 0:02:20 | 0:02:26 | |
And of course it all takes extra money. | 0:02:26 | 0:02:29 | |
And we feel we would like to do something to give them a boost. | 0:02:29 | 0:02:33 | |
-And the things we're going to be looking at? -Some of the items we will see today, | 0:02:33 | 0:02:37 | |
we have donated personally. | 0:02:37 | 0:02:39 | |
-Oh, OK. -We have literally raided our attic. | 0:02:39 | 0:02:41 | |
In terms of raising the money for this boys' choir, | 0:02:41 | 0:02:45 | |
how much would you like to raise from the items that we sell? | 0:02:45 | 0:02:48 | |
Ideally, in the region of £300. | 0:02:48 | 0:02:52 | |
-We have set the target low because then anything else we do make above that will be a bonus for them. -Right. | 0:02:52 | 0:02:58 | |
So we need to raise £300 towards funding the Colombian boys' choir. | 0:02:58 | 0:03:02 | |
So let's go and speak to a former choir boy himself, Jonty Hearnden. | 0:03:02 | 0:03:06 | |
Pat and Bernard have lived in this charming bungalow for eight years, | 0:03:06 | 0:03:10 | |
and it looks like it is full of all sorts of interesting collectibles. | 0:03:10 | 0:03:15 | |
So hopefully there will be no trouble in raising their target of £300. | 0:03:15 | 0:03:20 | |
Our expert Jonty has a lifetime of experience of assessing antiques, | 0:03:20 | 0:03:24 | |
and he has already spotted a rather handsome piece of furniture. | 0:03:24 | 0:03:29 | |
-So you have found something then? -Yes. I have found a lovely bureau bookcase. | 0:03:29 | 0:03:33 | |
Is this all empty, Pat, in preparation for being sold? | 0:03:33 | 0:03:36 | |
Yes, it is. Already dusted. | 0:03:36 | 0:03:39 | |
Good for you. Most people don't bother dusting before we arrive! | 0:03:39 | 0:03:42 | |
Let's take a good look at the cabinet itself. It is a bureau bookcase. | 0:03:42 | 0:03:47 | |
We have got the glazed bookcase on the top here which, as you know, is independent to the bureau. | 0:03:47 | 0:03:52 | |
This can easily be screwed to the base. | 0:03:52 | 0:03:55 | |
But the timber that has been used is walnut, so, veneered walnut. | 0:03:55 | 0:04:00 | |
So all of this is 18th century in style. | 0:04:00 | 0:04:04 | |
We have these lovely two glazed doors to the bookcase. | 0:04:04 | 0:04:09 | |
Then, down below, we have this bureau. | 0:04:09 | 0:04:12 | |
If I open it up, these arms come out at the same time. | 0:04:12 | 0:04:16 | |
They are mechanically connected this way, like so, so the whole thing is supported instantly. | 0:04:16 | 0:04:23 | |
You have these pigeon holes and these two drawers on the inside. | 0:04:23 | 0:04:27 | |
Fold it back up again. | 0:04:27 | 0:04:29 | |
Down below, three drawers. The legs are early 18th century in style. | 0:04:29 | 0:04:35 | |
You are saying "in style" a lot. | 0:04:35 | 0:04:36 | |
So what is the actual date of the piece of furniture? Obviously it is not that early. | 0:04:36 | 0:04:41 | |
18th century in style, yes, but this is a 1920s interpretation of an 18th century piece of furniture. | 0:04:41 | 0:04:48 | |
And in terms of price? | 0:04:48 | 0:04:50 | |
At auction, the estimate would be £50-70. | 0:04:50 | 0:04:54 | |
Is that OK with you, Pat? | 0:04:54 | 0:04:55 | |
-Very, yes, very. Thank you. -OK. | 0:04:55 | 0:05:00 | |
It's a good start. But there's still a long way to go. | 0:05:00 | 0:05:04 | |
Jonty is heading in the right direction when he comes across a brass compass in a wooden case. | 0:05:04 | 0:05:08 | |
At first glance, it might appear to be Army issue, | 0:05:08 | 0:05:11 | |
but it is, in fact, a reproduction. | 0:05:11 | 0:05:13 | |
Still, Jonty thinks it could fetch north of £50. | 0:05:13 | 0:05:17 | |
I am checking out Pat's jewellery boxes in the bedroom. | 0:05:17 | 0:05:20 | |
While Bernard spies something he thinks may be of value too. | 0:05:20 | 0:05:24 | |
-Jonty? -Oh. | 0:05:24 | 0:05:26 | |
A couple of items here I thought you might be interested in. | 0:05:26 | 0:05:28 | |
Yes. Show me? | 0:05:28 | 0:05:31 | |
They're microscopes. | 0:05:31 | 0:05:33 | |
-Biological microscopes. -Right. | 0:05:33 | 0:05:35 | |
I picked them up over the last five or six years. | 0:05:35 | 0:05:39 | |
-I have always been interested in scientific instruments. -So where did you acquire these? | 0:05:39 | 0:05:44 | |
-From car boots, basically. -Let's have a look at this baby one first. | 0:05:44 | 0:05:48 | |
We are missing the mirror down at the bottom. | 0:05:48 | 0:05:51 | |
-Yes. -But we have got... Does this look like we have got three different lenses down the bottom? | 0:05:51 | 0:05:55 | |
It's three lenses. By taking two off you have got a very low power. | 0:05:55 | 0:05:59 | |
You put one on and it's medium power. You put all three on and it's a higher power. | 0:05:59 | 0:06:03 | |
It's about times 200, I think. | 0:06:03 | 0:06:07 | |
-Really? -I've not seen one like that before myself. | 0:06:07 | 0:06:09 | |
But for me, the star of the show is this much larger one here. | 0:06:09 | 0:06:13 | |
-Yes. -Tell me about this one? -This has only got one objective. | 0:06:13 | 0:06:15 | |
There may have been others, which are obviously not here. | 0:06:15 | 0:06:19 | |
The objective unscrews, and you can replace it. | 0:06:19 | 0:06:22 | |
It's giving, I think, about times 100, as it stands now. | 0:06:22 | 0:06:26 | |
And it's got this lovely, substantial cast-iron... | 0:06:26 | 0:06:28 | |
It's quite peculiar, this stand, because it can go two ways. | 0:06:28 | 0:06:32 | |
-There's flaps there, so it can go up. -It can be flipped over. -Yes. | 0:06:32 | 0:06:35 | |
-It is probably 1881-1890. -Something like that. | 0:06:35 | 0:06:41 | |
-So it's a good 120-130 years old. -Good. That's gratifying. | 0:06:41 | 0:06:44 | |
That's lovely. | 0:06:44 | 0:06:46 | |
So, a proper Victorian microscope. Of course, the Victorians had this passion. Science was growing. | 0:06:46 | 0:06:52 | |
And every gentleman that had the spare time, had the spare cash, wanted to be his own scientist. | 0:06:52 | 0:06:58 | |
Have his own microscope on the side. | 0:06:58 | 0:07:00 | |
Yes. | 0:07:00 | 0:07:02 | |
And it would be in this lovely mahogany case, | 0:07:02 | 0:07:05 | |
-with all the appliances. -Yes. | 0:07:05 | 0:07:07 | |
If you can get the hands on one of those, they're worth a fortune. | 0:07:07 | 0:07:11 | |
-Yes. -But of course, this is not in its box. -No, no. | 0:07:11 | 0:07:13 | |
And we might have a few pieces missing here. | 0:07:13 | 0:07:16 | |
But it's still going to add interest to the auction. | 0:07:16 | 0:07:20 | |
Value at auction, £50-70. | 0:07:20 | 0:07:23 | |
-I'd be very pleased with that. -Excellent. | 0:07:23 | 0:07:25 | |
While we continue rummaging, I stumble across something of | 0:07:25 | 0:07:29 | |
Bernard's that's really quite unusual. It's a brass inclinometer. | 0:07:29 | 0:07:33 | |
In everyday language, it's an instrument for measuring angles. | 0:07:33 | 0:07:36 | |
It dates back to the 1930s or '40s, | 0:07:36 | 0:07:39 | |
and Jonty thinks a collector may play £30-50 for it. | 0:07:39 | 0:07:43 | |
Pat is always happy to take in any unwanted bits and bobs for her Colombian charity shop. | 0:07:43 | 0:07:49 | |
So, her spare bedroom seems to have turned into the junk room. | 0:07:49 | 0:07:52 | |
Amongst all the clutter, Jonty finds this 19th century piano stool | 0:07:52 | 0:07:56 | |
which he thinks may make £40-60. | 0:07:56 | 0:08:00 | |
In the meantime, Pat has found a piece of furniture that is definitely a bit odd. | 0:08:00 | 0:08:05 | |
Jonty, Lorne? | 0:08:05 | 0:08:08 | |
-This might interest you. -Oh. | 0:08:08 | 0:08:12 | |
A piece of ecclesiastical furniture. | 0:08:12 | 0:08:14 | |
-Yes. -A tiny weeny chair. | 0:08:14 | 0:08:16 | |
It's a tiny chair, and it came from a convent, a Carmelite convent. | 0:08:16 | 0:08:20 | |
When the sisters sold the house, they had to dispose of all the contents. | 0:08:20 | 0:08:26 | |
And I was given this one, which was made for, I suppose you would call her the Mother Superior. | 0:08:26 | 0:08:32 | |
-And she wasn't very tall. And would not sit on a chair where her feet dangled. -Oh. OK. | 0:08:32 | 0:08:37 | |
So, the story goes that she had a series of these chairs made. | 0:08:37 | 0:08:41 | |
How did it actually get to you? What's the connection between you and the convent? | 0:08:41 | 0:08:45 | |
I got to know them. And I used to make them cheese scones for breakfast. | 0:08:45 | 0:08:49 | |
-That sounds good. -Yes. | 0:08:49 | 0:08:53 | |
One thing led to another. | 0:08:53 | 0:08:55 | |
And, well, they wanted me to have something to remember them by. | 0:08:55 | 0:09:00 | |
So, can we sell this? | 0:09:00 | 0:09:02 | |
Yes. | 0:09:02 | 0:09:03 | |
-I hesitated, because I've got great affection for it. -OK. OK. | 0:09:03 | 0:09:08 | |
-Let's have a look at it in detail. -Yes, please. | 0:09:08 | 0:09:10 | |
I'm going to pick it up actually. | 0:09:10 | 0:09:12 | |
And of course it's made of oak. | 0:09:12 | 0:09:14 | |
You can often tell oak by the weight, the density of oak. | 0:09:14 | 0:09:18 | |
But if you were to have a look at the back of the chair and look at the top, all of that is hand-carved, | 0:09:18 | 0:09:23 | |
including the cross in the middle. | 0:09:23 | 0:09:25 | |
If you have a look at the legs down below, that's in Victorian style. Shall we put it down again? | 0:09:25 | 0:09:30 | |
I fear we are not going to get too much for it. | 0:09:30 | 0:09:33 | |
Because I don't think we are going to have | 0:09:33 | 0:09:36 | |
sub-five foot nuns wandering around the auction room | 0:09:36 | 0:09:41 | |
-putting their hands up. -Although you never know! | 0:09:41 | 0:09:44 | |
It would make a nice hall chair. | 0:09:44 | 0:09:46 | |
It's a lovely piece of furniture, but my criticism of it is it is just too low. | 0:09:46 | 0:09:50 | |
So therefore, value, £20-30. | 0:09:50 | 0:09:54 | |
How do you feel about that? | 0:09:54 | 0:09:56 | |
If it comes back with me, then all well and good. | 0:09:56 | 0:09:59 | |
All right. We can leave the chair behind for this moment in time, | 0:09:59 | 0:10:03 | |
and see if we can find something else of more regular proportions. | 0:10:03 | 0:10:06 | |
OK. This way, let's go this way. | 0:10:06 | 0:10:09 | |
What a lovely story, I hope whoever bids for it appreciates the history behind this chair. | 0:10:09 | 0:10:15 | |
In the study, Jonty finds a solid silver communion dish | 0:10:15 | 0:10:19 | |
with a Birmingham hallmark dating it back to 1930. | 0:10:19 | 0:10:22 | |
Pat also acquired this from the Sisters of the Carmel. | 0:10:22 | 0:10:26 | |
Jonty values it at £30-40. | 0:10:26 | 0:10:28 | |
It is Pat's turn to have a root around the spare bedroom, | 0:10:28 | 0:10:32 | |
now a treasure trove of neglected objects waiting to find a home. | 0:10:32 | 0:10:36 | |
She discovers some old brass miners' lamps that date back to the 19th century, | 0:10:36 | 0:10:41 | |
and a set of 20th century opera glasses. | 0:10:41 | 0:10:44 | |
They are not hugely valuable, but Jonty is optimistic that | 0:10:44 | 0:10:47 | |
at auction a dealer might buy them as a job lot. | 0:10:47 | 0:10:50 | |
So he prices them together at £20-30. | 0:10:50 | 0:10:54 | |
Bernard's not slacking either, and finds a very special memento from his past. | 0:10:54 | 0:10:58 | |
-Jonty? -Yes. -I wonder whether you might be interested in this? | 0:11:00 | 0:11:03 | |
-It's a French carriage clock. -Oh, right. | 0:11:03 | 0:11:05 | |
It was given to me when I left my company I worked for after 30 years. | 0:11:05 | 0:11:10 | |
-Wow. -So. | 0:11:10 | 0:11:12 | |
-You might have a look at it. -Oh, wow. So, it is in its original leather case here. -Yes. | 0:11:12 | 0:11:17 | |
So is this the little plaque? | 0:11:17 | 0:11:20 | |
Yes. It is inscribed saying... after 30 years' hard labour! | 0:11:20 | 0:11:26 | |
-So you actually got the carriage clock. -There's a little knob to press there. | 0:11:26 | 0:11:30 | |
There it is. Let's have a look. Wow, look at that. | 0:11:30 | 0:11:34 | |
It's beautiful. | 0:11:34 | 0:11:35 | |
Now, what I love about the case is the fact we have got this little door here. | 0:11:35 | 0:11:39 | |
Look at this. If I un-slide that, put the lid back over. | 0:11:39 | 0:11:44 | |
It shows that you can take the clock wherever you want to go, but you don't have to take it out of | 0:11:44 | 0:11:49 | |
the case, you can still see the face without actually having to take the mechanism out of the box. | 0:11:49 | 0:11:54 | |
It's lovely. And it really does add value to have its original leather case. | 0:11:54 | 0:11:58 | |
Now, the vast majority of carriage clocks of this style | 0:11:58 | 0:12:03 | |
tend to be late 19th century or early 20th century. | 0:12:03 | 0:12:07 | |
They were very fashionable at that time. | 0:12:07 | 0:12:10 | |
And the vast majority of them were made in France. | 0:12:10 | 0:12:13 | |
If I look at the dial here, the enamelled dial, | 0:12:13 | 0:12:18 | |
we have a severe chip in the top corner. We have a chip on actual glass, | 0:12:18 | 0:12:21 | |
which is not too much of a problem. | 0:12:21 | 0:12:23 | |
-But, price, we're looking at £80-120. -Lovely. | 0:12:23 | 0:12:26 | |
Thank you very much for that. That's a real find. | 0:12:26 | 0:12:30 | |
So, it looks as though Bernard's 30 years' service has paid off, | 0:12:30 | 0:12:33 | |
with that lovely carriage clock now on its way to auction. | 0:12:33 | 0:12:37 | |
And, don't forget, it will help raise money for the Colombian children's choir. | 0:12:37 | 0:12:42 | |
Jonty also finds this very fine German tea set, given to Pat by a friend, | 0:12:42 | 0:12:46 | |
which he values at £20-30. | 0:12:46 | 0:12:49 | |
And Bernard digs out yet another item | 0:12:49 | 0:12:52 | |
from his past that Jonty thinks could be lethal. | 0:12:52 | 0:12:55 | |
Bernard, what have you got there? | 0:12:55 | 0:12:57 | |
-This might interest Jonty. -Let's have a look. -My old violin. | 0:12:57 | 0:13:01 | |
I thought it was a machine gun. | 0:13:01 | 0:13:04 | |
It's all there, look. | 0:13:04 | 0:13:05 | |
Ah, wow, look at that. | 0:13:05 | 0:13:07 | |
When you say old, how old is this, Bernard? | 0:13:07 | 0:13:10 | |
-Well, my mum bought it for me second hand in 1940-41. -Right. -In Slough. | 0:13:10 | 0:13:16 | |
-Yes. -And you play, I take it? | 0:13:16 | 0:13:18 | |
Well. Yes. | 0:13:18 | 0:13:20 | |
I started lessons before that, and I went to the choir school at Eton, | 0:13:20 | 0:13:26 | |
Eton College Choir School. | 0:13:26 | 0:13:29 | |
And there, they allowed me to have lessons from one of the Eton masters. | 0:13:29 | 0:13:32 | |
So it brought me on quicker. And I played a lot of music with my dear old dad, | 0:13:32 | 0:13:38 | |
because he played the piano, and his father had played the violin. | 0:13:38 | 0:13:42 | |
-So, it gave a lot of pleasure to him and a lot of pleasure to me, I can tell you. -Another item from Bernard. | 0:13:42 | 0:13:48 | |
-What a generous husband you have. -Absolutely. | 0:13:48 | 0:13:50 | |
Wonderful. It's a violin made in the classical way. | 0:13:50 | 0:13:55 | |
We have a spruce front here and the maple sides. Wonderful. | 0:13:55 | 0:13:59 | |
And they never really seem to sell in excess of £100. | 0:13:59 | 0:14:03 | |
-So it's going to be less than that. -OK. | 0:14:03 | 0:14:05 | |
So, on order to attract the right person, or hopefully more than one person, | 0:14:05 | 0:14:10 | |
we are looking at £40-60. | 0:14:10 | 0:14:11 | |
-Is that OK with you? -OK, yes. | 0:14:11 | 0:14:13 | |
The main thing would be to get it being used again and doing a little bit of good for the charity. | 0:14:13 | 0:14:19 | |
Well, we wanted £300 towards the Colombian boys' choir, didn't we? | 0:14:19 | 0:14:23 | |
Do you think we have raised that much? | 0:14:23 | 0:14:25 | |
I would be surprised. | 0:14:25 | 0:14:27 | |
-I would be surprised. -I am very happy to be the bearer of good news, then, | 0:14:27 | 0:14:31 | |
because the value of everything going to auction comes to £430. | 0:14:31 | 0:14:35 | |
-Oh, that's wonderful. -Yes. | 0:14:35 | 0:14:37 | |
So the next time you see your violin, | 0:14:37 | 0:14:39 | |
somebody hopefully will be giving a little tune at the auction house. | 0:14:39 | 0:14:43 | |
And TLC. | 0:14:43 | 0:14:44 | |
Bernard has fond memories of that violin, so I do hope it will do well at auction. | 0:14:46 | 0:14:50 | |
Also going to the sale are: The French carriage clock. | 0:14:51 | 0:14:55 | |
Bernard got it as a thank you present | 0:14:55 | 0:14:57 | |
from his firm after 30 years' service. | 0:14:57 | 0:15:00 | |
Hopefully we can turn it into £80-120 at auction. | 0:15:00 | 0:15:04 | |
And, at £50-70, Bernard's brass microscopes | 0:15:06 | 0:15:09 | |
will certainly encourage bidders to take a closer look. | 0:15:09 | 0:15:12 | |
And the brass mirrored compass, | 0:15:12 | 0:15:14 | |
a handsome navigational piece | 0:15:14 | 0:15:16 | |
that will hopefully attract some interest at £50-70. | 0:15:16 | 0:15:19 | |
Find out how much these | 0:15:19 | 0:15:21 | |
and the Fields' other items will raise on auction day. | 0:15:21 | 0:15:24 | |
Still to come on Cash In The Attic: Our family discover the ups and downs of the sale room. | 0:15:24 | 0:15:31 | |
Are you disappointed with that? | 0:15:31 | 0:15:33 | |
-Very disappointed. -Just a little. | 0:15:33 | 0:15:35 | |
But, what goes down must always go up, fortunately. | 0:15:35 | 0:15:38 | |
-You must be pleased with that. -I'm absolutely thrilled for you. | 0:15:38 | 0:15:41 | |
Find out what happens when the hammer falls. | 0:15:41 | 0:15:45 | |
It's been a few weeks since we visited Pat and Bernard at their home in north Norfolk. | 0:15:50 | 0:15:54 | |
We found plenty of antiques and collectibles to bring to their very local auction room, | 0:15:54 | 0:15:59 | |
Keys in Aylesham. So we're just hoping that | 0:15:59 | 0:16:01 | |
today we can make the £500 they're looking for, and that there's plenty of bidders here ready to buy. | 0:16:01 | 0:16:07 | |
Jonty valued all our auction items at £430 on rummage day. | 0:16:07 | 0:16:11 | |
And, despite the £300 target, Pat and Bernard have set us a new challenge to make £500. | 0:16:11 | 0:16:16 | |
£200 more than expected. | 0:16:16 | 0:16:19 | |
Today's midweek auction is a busy one, so let's hope | 0:16:19 | 0:16:24 | |
the Fields' mix of items help us meet our new target. | 0:16:24 | 0:16:28 | |
At six foot three, Jonty's wondering how anybody could ever sit on this little chair. | 0:16:28 | 0:16:32 | |
-Good morning, Jonty. -Hello. | 0:16:32 | 0:16:35 | |
Ah, you found the chair? | 0:16:35 | 0:16:37 | |
-I have indeed. -We're here at an auction that's right in Norfolk. | 0:16:37 | 0:16:40 | |
Lots of country furniture. Hopefully it should do well. | 0:16:40 | 0:16:43 | |
It's a lovely thing, it's a one-off, a bespoke piece of furniture. | 0:16:43 | 0:16:46 | |
All of that's hand-carving. I think it's a really sweet little chair, it should do well. | 0:16:46 | 0:16:50 | |
I'm hoping that Bernard's two microscopes will do incredibly well. | 0:16:50 | 0:16:54 | |
Very good quality. | 0:16:54 | 0:16:55 | |
And he's got the inclinometer as well, so those three scientific instruments I'm very hopeful for. | 0:16:55 | 0:17:01 | |
I know they're here because they've been walking the dogs out in a car park. | 0:17:01 | 0:17:06 | |
So, come on, let's go and get them in. | 0:17:06 | 0:17:08 | |
If you're thinking of heading to auction to raise money for something special, | 0:17:08 | 0:17:12 | |
do take note that auction rooms may charge additional fees, such as commission and VAT. | 0:17:12 | 0:17:17 | |
Fees vary from auction to auction, so it's best to inquire in advance. | 0:17:17 | 0:17:21 | |
All items from the rummage made it safely to auction, except one, the German tea set. | 0:17:21 | 0:17:28 | |
Pat and Bernard accidentally broke the set in transit, | 0:17:28 | 0:17:31 | |
so we'll have to live without the £20-30 it may have raised. | 0:17:31 | 0:17:34 | |
As the auction gets under way, our first lot is the Mother Superior's custom-made oak chair. | 0:17:34 | 0:17:40 | |
It's a unique item with a fascinating history, | 0:17:40 | 0:17:43 | |
so hopefully its modest price tag will get the bidders going. | 0:17:43 | 0:17:46 | |
Can you start me at £10? | 0:17:46 | 0:17:48 | |
I have £10 to start here. At 10. | 0:17:48 | 0:17:50 | |
12 bid. 15. 18. | 0:17:50 | 0:17:53 | |
20 bid. At 20. | 0:17:53 | 0:17:56 | |
22 bid. 25 bid. 28. 30. | 0:17:56 | 0:17:59 | |
2. 35. 35 on the right-hand side. | 0:17:59 | 0:18:02 | |
At 35. At £35. | 0:18:02 | 0:18:05 | |
-Well, I was hoping for a bit more for you. -£35 is better than £25. | 0:18:05 | 0:18:11 | |
Well, Jonty may have wanted more for it, but | 0:18:13 | 0:18:16 | |
it raised £5 over his top estimate, so a good way to kick off the sale. | 0:18:16 | 0:18:20 | |
Now, our next lot is made up of two 19th century brass miners' lamps, | 0:18:20 | 0:18:25 | |
plus a pair of opera glasses, all for £20-30. | 0:18:25 | 0:18:30 | |
It's a nice mixed lot, Jonty. | 0:18:30 | 0:18:31 | |
Yes, and miners' lamps are always attractive, good sellers as well. | 0:18:31 | 0:18:35 | |
And opera glasses, amazing, I never know why they sell, but they always seem to. | 0:18:35 | 0:18:39 | |
-Useless things. -Yes. | 0:18:39 | 0:18:41 | |
I'm bid 10 for the start for those. At 10. 12 bid. 15. 18. 20. 2. 25. | 0:18:41 | 0:18:47 | |
28. 30. 30. The front row, I've got it at 30. | 0:18:47 | 0:18:50 | |
30. Any more, quickly? Sold to the front row... | 0:18:50 | 0:18:53 | |
2, fresh bidder. 32. 5. 35. | 0:18:53 | 0:18:58 | |
8, sir? 38. 38, 38? | 0:18:58 | 0:19:00 | |
On the door now then at 38. | 0:19:00 | 0:19:02 | |
-That's good. -Yes, it all helps. | 0:19:02 | 0:19:04 | |
-Selling at 38. -Very good. -£38, that's good, isn't it? | 0:19:04 | 0:19:09 | |
The opera glasses and miners' lamps may be a strange mix of a lot, | 0:19:09 | 0:19:13 | |
but somebody obviously thought they | 0:19:13 | 0:19:15 | |
were a winning combination, as they fetched a better price than we expected. | 0:19:15 | 0:19:20 | |
Now, our next lot is the George V silver-gilt communion dish. | 0:19:20 | 0:19:24 | |
It's engraved "Carmel Convent, Cambridge, 1930", which I think | 0:19:24 | 0:19:28 | |
you felt would make a difference to the price, Jonty? | 0:19:28 | 0:19:31 | |
Yes, I certainly think, without the engraving there, we would have more value. | 0:19:31 | 0:19:35 | |
I appreciate that. | 0:19:35 | 0:19:37 | |
But it has a scrap value. | 0:19:37 | 0:19:39 | |
But you have to remember here, as we are selling it here in the auction, you have to make a profit as well. | 0:19:39 | 0:19:44 | |
-But you put a reserve on it, haven't you? -Yes. £65. | 0:19:44 | 0:19:47 | |
Because of the high price of silver currently, there's seven ounces of silver there, standard silver. | 0:19:47 | 0:19:53 | |
So that's what the silver's worth, if not more now, as the price of silver goes up. | 0:19:53 | 0:19:58 | |
I'm bid £40 to start. | 0:19:58 | 0:19:59 | |
At 40. At 40? 40 only. 5 bid. | 0:19:59 | 0:20:03 | |
50. 5 bid. 60. 60. 5 bid. 65. 65. | 0:20:03 | 0:20:09 | |
Bidding on the back. 65. 65. | 0:20:09 | 0:20:10 | |
70 then? Sells then at £65 only. | 0:20:10 | 0:20:16 | |
-We got the result. -£65, are you happy about that? -Yes. | 0:20:17 | 0:20:21 | |
Well done to Bernard for putting in a reserve. | 0:20:21 | 0:20:25 | |
It certainly paid off as it sold for over double Jonty's lowest estimate. | 0:20:25 | 0:20:30 | |
Our next lot is the reproduction brass surveyor's inclinometer, | 0:20:30 | 0:20:33 | |
if I've pronounced that right. Where did this come from? | 0:20:33 | 0:20:36 | |
I saw it at a car boot, and I like instruments of this sort, | 0:20:36 | 0:20:41 | |
so I bought it and here it is today. | 0:20:41 | 0:20:44 | |
Can you remember what you paid for it at the car boot? | 0:20:44 | 0:20:47 | |
Something like £25. | 0:20:47 | 0:20:49 | |
-Jonty, what have you put on it? -I've put £30-50 on it, so it would | 0:20:49 | 0:20:53 | |
be nice if we could double, maybe triple what you've paid for it. | 0:20:53 | 0:20:56 | |
It would, wouldn't it? Let's see. | 0:20:56 | 0:20:58 | |
I'm 15, a low start. At 15. 18. | 0:20:58 | 0:21:01 | |
20. 2 bid. 25 here. 28. £30. | 0:21:01 | 0:21:06 | |
At 30. 32 bid. | 0:21:06 | 0:21:08 | |
32. Lady's bid, I've got. 35. | 0:21:08 | 0:21:11 | |
-38. -That's good. -Yeah. | 0:21:11 | 0:21:13 | |
42. | 0:21:13 | 0:21:15 | |
45. 48. 50 bid. 55. 60 bid. | 0:21:15 | 0:21:20 | |
60? 60. | 0:21:20 | 0:21:22 | |
The gent takes it at 60. | 0:21:22 | 0:21:24 | |
Any more quickly? It goes for 60. | 0:21:24 | 0:21:27 | |
-Yes. -Well done. -That's good. | 0:21:27 | 0:21:30 | |
What a surprise. The 20th century inclinometer | 0:21:30 | 0:21:33 | |
used for measuring angles | 0:21:33 | 0:21:35 | |
must appealed to the technical bidders in the crowd. | 0:21:35 | 0:21:38 | |
Our next lot, I think, is going to be one that you're | 0:21:38 | 0:21:41 | |
going to be rather sad to see go, because it's the violin. | 0:21:41 | 0:21:44 | |
I feel like playing it in rather sombre tones now. | 0:21:44 | 0:21:47 | |
Yes, I'd like to have one last go. | 0:21:47 | 0:21:49 | |
£40, I'm bid, for the start for the violin. At 40. 40. 5 bid. 50. 5. | 0:21:49 | 0:21:54 | |
60. 5. 70. | 0:21:54 | 0:21:59 | |
5. 80. 5. 90. 5. | 0:21:59 | 0:22:02 | |
100. 100? All over then. | 0:22:02 | 0:22:05 | |
Sells to a commission bid for £100. | 0:22:05 | 0:22:09 | |
-You must be pleased with that? -I'm thrilled you, absolutely thrilled for you. | 0:22:09 | 0:22:13 | |
I don't think any of us saw that coming. | 0:22:13 | 0:22:16 | |
What a wonderful outcome for a much-loved item. | 0:22:16 | 0:22:20 | |
We've had a good run of luck, so I'm sure Pat and Bernard are curious to know how much we've raised so far. | 0:22:20 | 0:22:26 | |
The good news is that, so far, you have actually banked £298. | 0:22:26 | 0:22:33 | |
Really? | 0:22:33 | 0:22:34 | |
-So we are well on the way to your £500. -Oh, that brilliant. | 0:22:34 | 0:22:38 | |
-Well done. -Are you pleased with that? -Absolutely, Lorne, thank you. | 0:22:38 | 0:22:42 | |
-And we've sold absolutely everything so far. -Yes. All sold. -Thank you. | 0:22:42 | 0:22:46 | |
We are over halfway towards Pat and Bernard's | 0:22:46 | 0:22:50 | |
£500 target, and there are still many more interesting items to come. | 0:22:50 | 0:22:54 | |
Up next is the Victorian piano stool, priced at £40-60. | 0:22:54 | 0:22:59 | |
I'm bid £20 for a low start on the stool. 20. 2 bid. 25. 28. | 0:22:59 | 0:23:04 | |
30. 30. Only 2 bid. 32. 32. | 0:23:04 | 0:23:09 | |
35. 35. 35. 38. 40 bid. At 40. | 0:23:09 | 0:23:13 | |
We've got the lower end of the estimate. | 0:23:13 | 0:23:15 | |
Sells now at 40. | 0:23:15 | 0:23:19 | |
-£40. Are you happy with that? -That's another 40. | 0:23:19 | 0:23:22 | |
How fitting that the Fields' neglected music stool | 0:23:23 | 0:23:26 | |
has gone to raise money for music students. | 0:23:26 | 0:23:28 | |
Now, the next two lots don't disappoint. | 0:23:28 | 0:23:31 | |
The 18th century style bureau met Jonty's lowest estimate | 0:23:31 | 0:23:36 | |
with a sale of £50. | 0:23:36 | 0:23:37 | |
At 50 only. | 0:23:37 | 0:23:39 | |
And another reproduction, the brass mirrored compass | 0:23:39 | 0:23:42 | |
set off in the right direction and managed to climb to £38. | 0:23:42 | 0:23:47 | |
Our next a lot is the French carriage clock, | 0:23:47 | 0:23:50 | |
which I think is rather down to you, Bernard. | 0:23:50 | 0:23:52 | |
-Yes. -You had to do a bit of work to get this. | 0:23:52 | 0:23:55 | |
30 years' hard labour, really, with my old company. But it was worth it. | 0:23:55 | 0:23:59 | |
30 I'm bid for a low start. 30. | 0:23:59 | 0:24:02 | |
5 bid. 40. 5 bid. 45 only. 45. 45. | 0:24:02 | 0:24:06 | |
50 I've got. 50. 50. 50. Putting it on the back-burner, then, 50. | 0:24:06 | 0:24:12 | |
Takes it to the back and sells at 50 only. | 0:24:12 | 0:24:16 | |
Are you disappointed with that? | 0:24:16 | 0:24:17 | |
-Very disappointed. -Just a little. | 0:24:17 | 0:24:20 | |
Well, probably not what Bernard wanted to see considering all of those years of hard work. | 0:24:20 | 0:24:26 | |
Just before the sale, the auctioneer told me | 0:24:26 | 0:24:28 | |
there was a great deal of interest in these historical microscopes. | 0:24:28 | 0:24:32 | |
Maybe we can surprise Bernard with a result which will make up | 0:24:32 | 0:24:35 | |
for the poor price realised by his carriage clock. | 0:24:35 | 0:24:38 | |
Now, the next lot is not one but two microscopes. | 0:24:38 | 0:24:41 | |
-Bernard's toys. -My toys, yes. | 0:24:41 | 0:24:45 | |
-Have you actually used them? -Yes, yes. A little bit. | 0:24:45 | 0:24:49 | |
Well, we are hoping for £50-70. | 0:24:49 | 0:24:51 | |
I hope a bit more than that, too. | 0:24:51 | 0:24:54 | |
And I'm bid £80 for the two microscopes. | 0:24:54 | 0:24:57 | |
-Started at £80. -Yes. Lovely. | 0:24:57 | 0:24:59 | |
85 bid. | 0:25:01 | 0:25:03 | |
90 bid. 90. 90. 90 for the two. | 0:25:03 | 0:25:05 | |
At 90, and gone. | 0:25:05 | 0:25:10 | |
-£90. -That's fantastic. | 0:25:10 | 0:25:12 | |
It is good, isn't it? | 0:25:12 | 0:25:14 | |
That's excellent news. | 0:25:14 | 0:25:17 | |
I'm glad to see that we ended on a high note. | 0:25:17 | 0:25:20 | |
And, all in all, a fantastic day here in Norfolk. | 0:25:20 | 0:25:23 | |
I'm sure Pat and Bernard will be thrilled with the amount we were able to raise for charity. | 0:25:23 | 0:25:28 | |
-It would have been nice to get more, but at the end of the day you wanted to raise £500. -Yes. And? | 0:25:28 | 0:25:33 | |
-And you've actually banked £566. -Well done. | 0:25:33 | 0:25:40 | |
-That's good. -So what sort of difference is that going to make? | 0:25:40 | 0:25:43 | |
All the difference in the world. Thank you, thank you, Lorne. | 0:25:43 | 0:25:46 | |
Pat couldn't be more thrilled that every penny will be | 0:25:52 | 0:25:55 | |
helping Colombia's street children fulfil their musical dreams by participating in the new choir. | 0:25:55 | 0:26:02 | |
THEY SING | 0:26:02 | 0:26:04 | |
We had this idea and thought, let's do this for the children. | 0:26:04 | 0:26:07 | |
Today, she's presenting the money to the charity's founder, Father Peter Walters. | 0:26:07 | 0:26:13 | |
It was a totally unexpected boost to our funds, so we are delighted with it and very grateful. | 0:26:13 | 0:26:17 | |
Subtitles by Red Bee Media Ltd | 0:26:34 | 0:26:37 |