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Hello and welcome to Cash In The Attic. | 0:00:02 | 0:00:04 | |
I imagine we've all got bits and pieces lying around the house that have been passed down | 0:00:04 | 0:00:08 | |
and which frankly are just gathering dust, because we don't think they're worth anything. | 0:00:08 | 0:00:13 | |
Well, I hope our lady today has had her duster out, | 0:00:13 | 0:00:16 | |
because she's in for a few surprises. | 0:00:16 | 0:00:18 | |
Coming up on Cash In The Attic: | 0:00:38 | 0:00:40 | |
This family enjoys collecting more than just antiques. | 0:00:40 | 0:00:44 | |
I must say there is some wonderful authentic dust. | 0:00:44 | 0:00:49 | |
I knew you would catch me out on that one. | 0:00:49 | 0:00:51 | |
James earns a reputation. | 0:00:51 | 0:00:54 | |
So I can call you Mr Mean? | 0:00:54 | 0:00:57 | |
And we learn the lessons of the auction room the hard way. | 0:00:57 | 0:01:00 | |
This one's going to hurt, isn't it? | 0:01:00 | 0:01:03 | |
-This is the one that's going to hurt. -I love it. | 0:01:03 | 0:01:06 | |
Find out what happens when the hammer falls. | 0:01:06 | 0:01:09 | |
Today I'm in a very windy Salisbury, | 0:01:10 | 0:01:12 | |
and I'm on my way to meet a lady who's | 0:01:12 | 0:01:14 | |
called in the Cash In The Attic team | 0:01:14 | 0:01:16 | |
to help raise money for a new abode. | 0:01:16 | 0:01:18 | |
Jane Andrews feels right at home here in the countryside. | 0:01:18 | 0:01:22 | |
It's where she can spend time with the cherished members of her extended family - | 0:01:22 | 0:01:27 | |
these wonderful ponies. | 0:01:27 | 0:01:28 | |
She's been breeding championship horses all her life, | 0:01:28 | 0:01:31 | |
and her son and granddaughter are also accomplished equestrians. | 0:01:31 | 0:01:36 | |
Today I'm joined by antiques expert James Rylands, | 0:01:36 | 0:01:39 | |
who's all set to sniff out the best things for Jane | 0:01:39 | 0:01:43 | |
to take to auction. I let him go ahead and check in with Jane | 0:01:43 | 0:01:46 | |
and her 14-year-old granddaughter, who will be helping us today. | 0:01:46 | 0:01:50 | |
-Hello! Hi. -Hello, Jennie. | 0:01:50 | 0:01:52 | |
-You must be Jane? -I am. | 0:01:52 | 0:01:54 | |
And you're...is it Emma-Jo or Emma? | 0:01:54 | 0:01:56 | |
-Emma-Jo. -OK. My little girl's called Emma, | 0:01:56 | 0:01:58 | |
so forgive me if I get it wrong some time during the day. | 0:01:58 | 0:02:01 | |
Well, I see there are ponies absolutely everywhere. | 0:02:01 | 0:02:04 | |
What's all that about? | 0:02:04 | 0:02:05 | |
We breed and show Connemara ponies, have done for several years now. | 0:02:05 | 0:02:09 | |
Connemara ponies? | 0:02:09 | 0:02:11 | |
Yes. They originate from Ireland, in Connemara down in County Galway, | 0:02:11 | 0:02:15 | |
where I live so many months of the year and so many months back here. | 0:02:15 | 0:02:20 | |
OK, so...why am I here? | 0:02:20 | 0:02:23 | |
I want to build an extension, | 0:02:23 | 0:02:26 | |
and so I am trying to raise some funds to help towards it. | 0:02:26 | 0:02:30 | |
So how much do you think we might be able to raise today? | 0:02:30 | 0:02:33 | |
I would like to raise 600, and if I could raise more it would be good. | 0:02:33 | 0:02:38 | |
600-plus. OK, so that's the target. | 0:02:38 | 0:02:40 | |
Has Gran got lots of bits and pieces everywhere? | 0:02:40 | 0:02:43 | |
She's a hoarder. A big one. | 0:02:43 | 0:02:45 | |
You said that, excellent. I didn't want to say it. | 0:02:45 | 0:02:48 | |
I am a hoarder. Very much so. I hate parting with things. | 0:02:48 | 0:02:51 | |
I always think they may have a use. | 0:02:51 | 0:02:53 | |
I tell you what, we like hoarders on this show, it's exactly what we want. | 0:02:53 | 0:02:57 | |
I think James has already found something, by the look of it. | 0:02:57 | 0:03:00 | |
Shall we go and find him? I like it when he gets going straightaway. | 0:03:00 | 0:03:05 | |
It's always intriguing to imagine what we might discover on a rummage. | 0:03:05 | 0:03:09 | |
And I'm impressed that this crisp winter morning hasn't stopped James | 0:03:09 | 0:03:13 | |
stepping outside to find something rather special. | 0:03:13 | 0:03:16 | |
It's quite nippy out here. | 0:03:17 | 0:03:18 | |
OK, James, we saw you had spotted something. | 0:03:18 | 0:03:21 | |
What you got here? | 0:03:23 | 0:03:25 | |
Well, Jane, you tell us. Where did it come from? | 0:03:25 | 0:03:29 | |
Well, it belonged to my grandmother. | 0:03:29 | 0:03:31 | |
I remember it right as a very small child. | 0:03:31 | 0:03:34 | |
She actually had a pair of them. | 0:03:34 | 0:03:37 | |
My sister has the other chair. It's always out in all weathers, | 0:03:37 | 0:03:41 | |
it's never ever been kept in. So you can see it's extremely strong. | 0:03:41 | 0:03:46 | |
I'm astonished - I thought it was a piece of relatively modern garden furniture. | 0:03:46 | 0:03:50 | |
We've got a plaque here, and it says, | 0:03:50 | 0:03:52 | |
"Made by the Hughes Bolckow Shipbreaking Company Ltd, | 0:03:52 | 0:03:56 | |
"Blyth, Northumberland, from teak taken from RMS Arlanza." | 0:03:56 | 0:04:00 | |
RMS, Royal Mail Service. So it was a mail ship. | 0:04:01 | 0:04:03 | |
Mail ship, operated between Southampton and South America. | 0:04:03 | 0:04:07 | |
And then I think in the 1930s she was finally broken up, and that's when | 0:04:07 | 0:04:12 | |
this firm, Hughes Bolckow, | 0:04:12 | 0:04:13 | |
they specialised in breaking up the ships, and then recycling... It's a nice example of early recycling. | 0:04:13 | 0:04:19 | |
So it wasn't a shipwreck, she was kind of decommissioned. | 0:04:19 | 0:04:22 | |
She was actually broken up. It wasn't a shipwreck. | 0:04:22 | 0:04:25 | |
So what value would you put on this, James? A nice one? | 0:04:25 | 0:04:29 | |
Well, I'd probably put in it with an estimate of between £30 and £50, | 0:04:29 | 0:04:32 | |
but I would hope with all that history that somebody would pay more. | 0:04:32 | 0:04:36 | |
Well, I would hope they would pay more. We'll have a go. | 0:04:36 | 0:04:39 | |
Let's go in, it's cold. | 0:04:39 | 0:04:40 | |
Everywhere you look, there's proof that Jane's a pony fanatic. | 0:04:42 | 0:04:46 | |
So I'm hoping she won't mind if we throw in this horse figurine. | 0:04:46 | 0:04:49 | |
With her love for the Connemaras, | 0:04:49 | 0:04:51 | |
Jane just had to have this one when she saw it at an antiques fair. | 0:04:51 | 0:04:55 | |
What's better still is that this is made by Beswick, | 0:04:55 | 0:04:58 | |
a company best known for collectable racehorse and canine figurines. | 0:04:58 | 0:05:03 | |
James thinks someone might run off with this old boy for £20 to £30. | 0:05:03 | 0:05:07 | |
Meanwhile Emma-Jo's found a jug that reminds her of fond family memories. | 0:05:08 | 0:05:14 | |
-Hello. -Ooh... Emma-Jo, what have you got there? | 0:05:14 | 0:05:18 | |
This belonged to my great-grandparents. | 0:05:18 | 0:05:22 | |
Oh, OK. Well, I love it. A jug covered with hunting scenes. | 0:05:22 | 0:05:25 | |
Were they good hunting folks? | 0:05:25 | 0:05:27 | |
-Well, they were actually really good animal lovers. -Were they? | 0:05:27 | 0:05:33 | |
They were, and so I was quite surprised when I found this | 0:05:33 | 0:05:36 | |
because it had hunting on it. | 0:05:36 | 0:05:37 | |
I agree. But you probably like this, don't you? | 0:05:37 | 0:05:40 | |
-Yes, I like horses and I like riding and I like hunting. -Oh, I love it. | 0:05:40 | 0:05:46 | |
Ah... No, there we go. | 0:05:46 | 0:05:48 | |
The bottom of it says it all, it says, "D'ye ken John Peel". | 0:05:48 | 0:05:52 | |
-Do you know what that means? -No. | 0:05:52 | 0:05:55 | |
Well, what it is, is a north of England or Scottish dialect for | 0:05:55 | 0:06:00 | |
-"Do you know John Peel?" -OK. | 0:06:00 | 0:06:02 | |
And John Peel himself was actually | 0:06:02 | 0:06:04 | |
a farmer originally | 0:06:04 | 0:06:05 | |
in the Lake District, and he was born | 0:06:05 | 0:06:09 | |
in the sort of 1770s, 1780s. | 0:06:09 | 0:06:11 | |
And he didn't spend much time farming, | 0:06:11 | 0:06:14 | |
he became one of the most famous huntsmen in the country. | 0:06:14 | 0:06:17 | |
And not just foxes, | 0:06:17 | 0:06:18 | |
he hunted pine martens, hares - | 0:06:18 | 0:06:20 | |
you name it, he hunted it. | 0:06:20 | 0:06:22 | |
And he became so famous | 0:06:22 | 0:06:24 | |
that after he died they actually wrote a song about him, | 0:06:24 | 0:06:27 | |
"D'ye ken John Peel?" Don't ask me to sing it to you. | 0:06:27 | 0:06:29 | |
But it is actually quite well known. | 0:06:29 | 0:06:31 | |
But also on here you can see | 0:06:31 | 0:06:34 | |
the name of the factory - | 0:06:34 | 0:06:35 | |
Wedgwood, Etruria, England. | 0:06:35 | 0:06:37 | |
And then 1829. | 0:06:37 | 0:06:39 | |
Well, I think we should probably put about £40 to £60 on it. | 0:06:39 | 0:06:41 | |
-How does that sound? -That sounds good. | 0:06:41 | 0:06:44 | |
And do you think your granny's going to be happy to see it sold? | 0:06:44 | 0:06:48 | |
She would be happy, but she'll be sad to see it go. | 0:06:48 | 0:06:50 | |
Well, your great-grandparents will be very happy to see it go, | 0:06:50 | 0:06:54 | |
since they didn't like hunting! | 0:06:54 | 0:06:56 | |
Let's see if we can find something else. | 0:06:56 | 0:06:58 | |
It's a modest valuation, but every bit helps Jane | 0:06:58 | 0:07:00 | |
towards that extra much-needed space around the house. | 0:07:00 | 0:07:05 | |
In the meantime, she's managed to find this stunning diamond ring. | 0:07:05 | 0:07:08 | |
She bought it several years ago at auction, | 0:07:08 | 0:07:10 | |
but it's spent more time in a box than on her finger. | 0:07:10 | 0:07:13 | |
James hopes the bidders will be fighting over the bling | 0:07:14 | 0:07:17 | |
if he sets the price at £300 to £500. | 0:07:17 | 0:07:19 | |
Speaking of James, he's back in the living room - | 0:07:22 | 0:07:25 | |
and there's a particular piece of furniture that's caught his eye. | 0:07:25 | 0:07:29 | |
What you found there, then? | 0:07:29 | 0:07:31 | |
Well, Jane, I'm hoping you can tell US. | 0:07:31 | 0:07:33 | |
Well, I know it as a "co-fer", | 0:07:33 | 0:07:35 | |
but I don't know that that's the correct word. | 0:07:35 | 0:07:38 | |
-"Co-fer"! Doesn't that sound frightfully posh(?) -Yes. | 0:07:38 | 0:07:42 | |
Is that a Salisbury way of saying it? | 0:07:42 | 0:07:44 | |
I... I assume it is, because most people now call them coffers. | 0:07:44 | 0:07:48 | |
Is that correct? | 0:07:48 | 0:07:50 | |
I think that's absolutely right. But I like "co-fer". | 0:07:50 | 0:07:53 | |
I just had a cup of "co-fee"(!) | 0:07:53 | 0:07:55 | |
THEY ALL LAUGH | 0:07:55 | 0:07:57 | |
-Well...we'll call it whatever you think! -Exactly. | 0:07:57 | 0:08:01 | |
-Well, it's very handsome, I think. -Where did it come from? | 0:08:01 | 0:08:04 | |
As far as I'm aware it belonged to my great-great-grandmother. | 0:08:04 | 0:08:08 | |
So when will that be... That's back in the 19th century? | 0:08:08 | 0:08:11 | |
-Yeah. -But I think it goes back a bit further than that. | 0:08:11 | 0:08:14 | |
Right... | 0:08:14 | 0:08:16 | |
I think this was probably made | 0:08:16 | 0:08:18 | |
some time in the second half of the 18th century. | 0:08:18 | 0:08:21 | |
-So that's over 250 years old. -Yes. | 0:08:21 | 0:08:24 | |
Oh, wow. it's even older than what I anticipated. Gosh. | 0:08:24 | 0:08:27 | |
This form of chest - or coffer, it's got lots of different names - | 0:08:27 | 0:08:31 | |
in a way was one of the earliest pieces of furniture. | 0:08:31 | 0:08:34 | |
And the earliest ones were used in churches. | 0:08:34 | 0:08:37 | |
And they were used to store vestments, in other words the outfits | 0:08:37 | 0:08:40 | |
that the clergy wore, but also documents and things like that. | 0:08:40 | 0:08:43 | |
Well, that actually would probably make sense. | 0:08:43 | 0:08:46 | |
My grandparents' side of that family were chapel Methodist people. | 0:08:46 | 0:08:53 | |
That makes sense. | 0:08:53 | 0:08:54 | |
I can see that it HAS been restored, | 0:08:54 | 0:08:56 | |
and obviously that does make a bit of difference. | 0:08:56 | 0:08:58 | |
There's a length of wood here that's actually been sort of | 0:08:58 | 0:09:01 | |
restored and sleeved in, you can see the difference in colour. | 0:09:01 | 0:09:05 | |
But in fairness, it's still got its original hinges | 0:09:05 | 0:09:08 | |
with these really nice hand-made hand-hammered nails - | 0:09:08 | 0:09:11 | |
that's a nice point because usually they don't. | 0:09:11 | 0:09:14 | |
How much do you reckon it'll fetch? | 0:09:14 | 0:09:15 | |
Well, I'd probably put a valuation | 0:09:15 | 0:09:18 | |
of between £200 and £300 on it. | 0:09:18 | 0:09:20 | |
It would be great if it would go more. | 0:09:20 | 0:09:22 | |
Well, let's hope it does better, | 0:09:22 | 0:09:23 | |
because I am known as Mr Mean. | 0:09:23 | 0:09:25 | |
-Ah, right. So I can call you Mr Mean, then? -Yes, Mr Meany. | 0:09:25 | 0:09:29 | |
Come on, Mr Mean, let's find something else then. | 0:09:29 | 0:09:31 | |
A wonderful valuation for a fine piece of craftsmanship. | 0:09:35 | 0:09:39 | |
I wonder what else we can find here in Salisbury for Jane to take to the auction? | 0:09:39 | 0:09:43 | |
She's digging deep into her jewellery box, | 0:09:43 | 0:09:46 | |
and has found yet another set of precious stones. | 0:09:46 | 0:09:50 | |
These matching silver earrings, necklace and brooch | 0:09:50 | 0:09:52 | |
are embellished with amethyst stones. | 0:09:52 | 0:09:54 | |
It's another thing that hasn't seen much wear in the last few years, | 0:09:54 | 0:09:58 | |
and James thinks someone who fancies Victorian-style jewellery | 0:09:58 | 0:10:02 | |
might take it off her hands | 0:10:02 | 0:10:04 | |
for £80 to £120. | 0:10:04 | 0:10:06 | |
It's rather like living in a stable here, that looks like a stable door. | 0:10:09 | 0:10:12 | |
That's right. Well, we try to keep it as near to reality as possible with the horses. | 0:10:12 | 0:10:18 | |
-You just are crazy about horses, aren't you? -Yes. | 0:10:18 | 0:10:21 | |
-Everywhere I look... -Yes, there's ponies and horses all the time. | 0:10:21 | 0:10:25 | |
Now, most of them are over in Ireland, I understand. | 0:10:25 | 0:10:27 | |
You live in Ireland part of each year? | 0:10:27 | 0:10:30 | |
Yes. I spend so much time in Ireland and so much time here. | 0:10:30 | 0:10:34 | |
-What's it like over there? -I'm down in Connemara, and it's beautiful. | 0:10:34 | 0:10:38 | |
I miss England, of course I do, | 0:10:38 | 0:10:40 | |
but erm, we... I come backwards and forwards. | 0:10:40 | 0:10:45 | |
-And that's why you need your own space here. -Yes. | 0:10:45 | 0:10:48 | |
Your own annexe. Better go and make some more money towards it. | 0:10:48 | 0:10:51 | |
Yes. We need to do that. | 0:10:51 | 0:10:53 | |
I'm sure there's some places we haven't checked. | 0:10:53 | 0:10:55 | |
Go through this way, shall we? | 0:10:55 | 0:10:57 | |
As Jane and I get back to work, Emma-Jo's found this blazing red accordion from the 1950s. | 0:10:58 | 0:11:04 | |
It's made by Hohner, | 0:11:04 | 0:11:05 | |
and Jane bought it during her travels around Ireland. | 0:11:05 | 0:11:08 | |
Hohner is a German company best known for harmonicas, | 0:11:08 | 0:11:11 | |
but over the years it's also made a range of other musical instruments. | 0:11:11 | 0:11:16 | |
James thinks someone might part with £20 to £40 for this accordion. | 0:11:16 | 0:11:21 | |
I've actually lost the clanger on that bell, James. | 0:11:21 | 0:11:25 | |
What you mean, Jo, is you've DROPPED a clanger! | 0:11:25 | 0:11:28 | |
Probably. I wonder if this might be of some interest. | 0:11:28 | 0:11:31 | |
Oh, a stamp album. | 0:11:31 | 0:11:32 | |
-My father had this when he was a boy... -OK. | 0:11:32 | 0:11:35 | |
..and then he started collecting stamps. | 0:11:35 | 0:11:38 | |
So many boys of that period and later were given stamp albums to fill. | 0:11:39 | 0:11:44 | |
And most of the ones we see are pretty empty, | 0:11:44 | 0:11:47 | |
because the enthusiasm lasted for a year or so. | 0:11:47 | 0:11:50 | |
But just flicking through this, your dad spent | 0:11:50 | 0:11:53 | |
a lot of time and effort on this - | 0:11:53 | 0:11:55 | |
and here in the front, here's where it all began. | 0:11:55 | 0:11:57 | |
Here we've got a Penny Black - | 0:11:57 | 0:11:59 | |
well, actually, it's a reproduction. | 0:11:59 | 0:12:01 | |
Right... Bit disappointed on that, because | 0:12:01 | 0:12:06 | |
although he never said it was an original one, I assumed it was. | 0:12:06 | 0:12:10 | |
But you know they produced 68 million of these? | 0:12:10 | 0:12:12 | |
I didn't. But that eases it a bit for me, knowing that. | 0:12:12 | 0:12:16 | |
What makes this album for me is your dad was obviously very diligent. | 0:12:16 | 0:12:22 | |
-It's quite a full album... -Yes. | 0:12:22 | 0:12:24 | |
That's the good news. The bad news is that | 0:12:24 | 0:12:26 | |
he and millions and millions of little boys and girls of this period | 0:12:26 | 0:12:30 | |
-were doing exactly the same thing. -Yeah. | 0:12:30 | 0:12:33 | |
Value on this, with all the stamps that can I see here - | 0:12:33 | 0:12:36 | |
it's probably between £50 and £100. | 0:12:36 | 0:12:39 | |
But it's a bit, if you like, of geographic and social history, | 0:12:39 | 0:12:43 | |
that's what I like about it. | 0:12:43 | 0:12:44 | |
Can I call you Mr Meany(?) | 0:12:44 | 0:12:46 | |
You can! You can call me Mr Meany all day. | 0:12:46 | 0:12:49 | |
Let's see what else we can find, shall we? | 0:12:49 | 0:12:52 | |
But, with that valuation | 0:12:52 | 0:12:53 | |
we're certainly climbing towards our £600 target. | 0:12:53 | 0:12:56 | |
James has luckily stumbled across two more relics | 0:12:56 | 0:12:59 | |
left by Jane's father - | 0:12:59 | 0:13:02 | |
these watches from the 1920s. | 0:13:02 | 0:13:04 | |
One is made by Waltham, a well-known American watchmaker, | 0:13:04 | 0:13:08 | |
and the other is from the local Salisbury company, HR Tribbeck's. | 0:13:08 | 0:13:12 | |
James thinks they COULD bring us another £30 to £50. | 0:13:12 | 0:13:16 | |
We've searched high and low to find the best items for auction, | 0:13:16 | 0:13:20 | |
and Jane's interested to find out more about one last piece | 0:13:20 | 0:13:23 | |
that she MIGHT give up to auction. | 0:13:23 | 0:13:26 | |
Another family heirloom! | 0:13:26 | 0:13:28 | |
-Here we go. -That's beautiful. | 0:13:28 | 0:13:30 | |
-Where did it come from, Jane? -It actually came from my grandmother. | 0:13:30 | 0:13:35 | |
It was on top of a bookcase, | 0:13:35 | 0:13:38 | |
and for as long as can I remember in any of her houses | 0:13:38 | 0:13:41 | |
it was always there. | 0:13:41 | 0:13:43 | |
Well, the originals of these had pendulums hanging down, | 0:13:43 | 0:13:46 | |
but they were very unwieldy | 0:13:46 | 0:13:48 | |
because you had to hang them on the wall, these lantern clocks. | 0:13:48 | 0:13:51 | |
About 100 years ago, when this was made, they actually made them | 0:13:51 | 0:13:56 | |
-with French carriage clock movements in the back. -Right. | 0:13:56 | 0:13:59 | |
So in the inside there you've actually got a movement that | 0:13:59 | 0:14:03 | |
would have come from a French carriage clock. | 0:14:03 | 0:14:05 | |
I must say, there's some wonderful authentic dust! | 0:14:05 | 0:14:09 | |
-THEY ALL LAUGH -I knew you would catch me out on that one. | 0:14:09 | 0:14:12 | |
I wondered if you'd had your duster out today. | 0:14:12 | 0:14:14 | |
But that's what the auctioneers call "in country house condition"! | 0:14:14 | 0:14:19 | |
Can I send it along with load of dust on, then? | 0:14:19 | 0:14:21 | |
You can. You get the vacuum cleaner, put it in reverse, | 0:14:21 | 0:14:24 | |
blow dust over all the things - make them look old. | 0:14:24 | 0:14:27 | |
So what do YOU reckon it might be worth? | 0:14:27 | 0:14:30 | |
Three? Two-and-a-half, three...? | 0:14:30 | 0:14:32 | |
Do you know, you're going to get my job. You are going to get my job... | 0:14:32 | 0:14:36 | |
-I'll take your job, James. -Are we talking thousands? | 0:14:36 | 0:14:39 | |
Well, I wish. I hope you weren't talking thousands. | 0:14:39 | 0:14:43 | |
But in fact, because I'm Mr Meany | 0:14:43 | 0:14:46 | |
I'm going to go £200 to £300. | 0:14:46 | 0:14:49 | |
That's all right, isn't it? That's a few quid in the pot. | 0:14:50 | 0:14:53 | |
-Well, at the start of the day we said we wanted how much? -600. | 0:14:53 | 0:14:57 | |
£600. So that Gran can have her own space, | 0:14:57 | 0:15:00 | |
which I think's very important indeed. | 0:15:00 | 0:15:02 | |
We can't find enough money for the WHOLE of the annexe, | 0:15:02 | 0:15:05 | |
but with any luck, on James' lowest estimates, | 0:15:05 | 0:15:08 | |
you should make not £600... | 0:15:08 | 0:15:11 | |
but £970. | 0:15:11 | 0:15:13 | |
£970! | 0:15:13 | 0:15:15 | |
Well... What would that do? | 0:15:15 | 0:15:18 | |
-Couple of windows(?) -I think it should. | 0:15:18 | 0:15:21 | |
Great, thank you very much indeed. | 0:15:21 | 0:15:23 | |
It's not often you mix animals with antiques, | 0:15:24 | 0:15:27 | |
but whatever the case, I'd say that was a day well spent. | 0:15:27 | 0:15:30 | |
We have some wonderful items on their way to auction... | 0:15:30 | 0:15:33 | |
The 18th-century oak coffer will hopefully bring us £200 to £300. | 0:15:34 | 0:15:39 | |
And there's the 19th-century garden chair - at £30 to £50 | 0:15:42 | 0:15:45 | |
we hope its seafaring past | 0:15:45 | 0:15:47 | |
will raise our estimated price even higher. | 0:15:47 | 0:15:51 | |
And finally, the brass lantern clock. | 0:15:51 | 0:15:53 | |
Jane may need to get out the feather duster on this one, | 0:15:54 | 0:15:57 | |
but with a price tag of £200 to £300, | 0:15:57 | 0:16:00 | |
she could consider it a worthwhile investment. | 0:16:00 | 0:16:03 | |
'Still to come on Cash In The Attic: | 0:16:06 | 0:16:08 | |
'Will the recycling history of this chair impress our bidders?' | 0:16:08 | 0:16:12 | |
That's the builder's certificate paid for! | 0:16:12 | 0:16:15 | |
I'm glad that was appreciated. | 0:16:15 | 0:16:16 | |
'And what's got Jane so excited at auction?' | 0:16:16 | 0:16:19 | |
Yes! | 0:16:19 | 0:16:21 | |
'Find out what happens when the hammer falls.' | 0:16:21 | 0:16:23 | |
Well, we learned a fair bit about horses there with Jane and Emma, and we found some great pieces too. | 0:16:29 | 0:16:34 | |
And today we've brought everything here to Lawrences auction rooms at Crewkerne in Somerset. | 0:16:34 | 0:16:39 | |
Now, remember - Jane wants to raise £600, to go towards creating a bit more living space. | 0:16:39 | 0:16:45 | |
So let's hope the bidders here are ready for a flutter, when her items go under the hammer. | 0:16:45 | 0:16:50 | |
Today's general sale contains an array of household items, ceramics and furniture, | 0:16:50 | 0:16:56 | |
plus a stunning selection of jewellery. | 0:16:56 | 0:16:58 | |
And with over 500 lots crossing the auction block, | 0:16:58 | 0:17:01 | |
there's plenty of bidders eager to bag a bargain. | 0:17:01 | 0:17:04 | |
James has his finger on the pulse of the auction room today, | 0:17:04 | 0:17:07 | |
and I'm wondering if our family's accordion is indeed one to watch. | 0:17:07 | 0:17:12 | |
A talent I had no idea you had, I must say... | 0:17:13 | 0:17:16 | |
News to me as well, Jennie, I have to say! | 0:17:16 | 0:17:18 | |
Unconventional way of holding it. | 0:17:18 | 0:17:20 | |
Well, I haven't got a clue, I've just been twirling away on the keys. | 0:17:20 | 0:17:24 | |
Has there been any interest in it? | 0:17:24 | 0:17:26 | |
Well, I hope so, because funnily enough we've got a piano, drums... | 0:17:26 | 0:17:30 | |
so if anybody wants to start a band, it's all here. That's got to help. | 0:17:30 | 0:17:34 | |
Well, I'm curious to see how that diamond ring's going to go. | 0:17:34 | 0:17:37 | |
That's worth a bit of money. | 0:17:37 | 0:17:39 | |
And that nice clock. | 0:17:39 | 0:17:41 | |
And the chair - I do hope that that shipbreakers' chair... | 0:17:41 | 0:17:45 | |
Well, the sun's nearly shining today, | 0:17:45 | 0:17:47 | |
-so that might help. -Ever the optimist, OK. | 0:17:47 | 0:17:49 | |
Let's see if they've arrived. If you can bear to part with that! | 0:17:49 | 0:17:54 | |
Jane and her granddaughter Emma-Jo are exactly where we'd expect - | 0:17:54 | 0:17:57 | |
right next to the horses. | 0:17:57 | 0:18:00 | |
-Good morning! -Morning! | 0:18:00 | 0:18:01 | |
-Nice to see you. -Nice to see you. | 0:18:01 | 0:18:03 | |
-How's Granny today? -She's behaving herself. | 0:18:03 | 0:18:06 | |
-Are you behaving? -I hope so. | 0:18:06 | 0:18:08 | |
-Are you nervous? -No. No, not really. | 0:18:08 | 0:18:11 | |
Well done - cos you haven't been to an auction before. | 0:18:11 | 0:18:13 | |
Not for putting my own stuff in - | 0:18:13 | 0:18:15 | |
I've been to an auction for buying bits and pieces, | 0:18:15 | 0:18:18 | |
but not for putting my own stuff in. | 0:18:18 | 0:18:20 | |
-So what about horse auctions? -Oh, yes, plenty of those. I go to plenty of sales like that. | 0:18:20 | 0:18:26 | |
All right, let's find a spot, cos the auction is about to start. | 0:18:26 | 0:18:31 | |
Now, if you would like to raise money for something special, do take note that auction rooms | 0:18:31 | 0:18:36 | |
may charge additional fees such as commission. | 0:18:36 | 0:18:38 | |
They'll vary from house to house, so it's best to enquire in advance. | 0:18:38 | 0:18:43 | |
As the auction gets under way, we stake out a good spot | 0:18:43 | 0:18:46 | |
for Jane's first item - the 1950s Hohner accordion. | 0:18:46 | 0:18:50 | |
James was having a little fiddle with it earlier, weren't you? | 0:18:50 | 0:18:52 | |
Well, if you can call it playing... | 0:18:52 | 0:18:55 | |
I didn't say that, I said fiddling! | 0:18:55 | 0:18:57 | |
-So have you played it? -No. | 0:18:57 | 0:18:59 | |
I bought it for Emma to practise on, | 0:18:59 | 0:19:03 | |
and she started to have lessons for a bit | 0:19:03 | 0:19:05 | |
but it didn't materialise very much. | 0:19:05 | 0:19:08 | |
Is it OK to sell it? | 0:19:08 | 0:19:09 | |
Yeah, I'll miss it, but...oh well. Life goes on. | 0:19:09 | 0:19:13 | |
Yeah, we've got £20 to £40. Should make that. That's a squeeze! | 0:19:13 | 0:19:17 | |
Start me here at £20. | 0:19:18 | 0:19:21 | |
£20 is bid. 25. 30. 35... | 0:19:21 | 0:19:23 | |
£45... For the last time, £45 - if you're all done at 45... | 0:19:24 | 0:19:28 | |
-GAVEL BANGING -Well, that's OK. | 0:19:28 | 0:19:31 | |
-Are you pleased to see that go, Emma? -Sad, but...yeah. | 0:19:31 | 0:19:34 | |
-But it's above the estimate. -Mm. | 0:19:34 | 0:19:36 | |
I don't think any of us realised how much Emma-Jo loved that accordion, | 0:19:36 | 0:19:40 | |
but she's going to have to take up a new instrument now. | 0:19:40 | 0:19:44 | |
Next up is one of my favourites - | 0:19:44 | 0:19:46 | |
it's your garden chair, the shipbreakers' chair. | 0:19:46 | 0:19:48 | |
So what have we got? £30 to £50... | 0:19:48 | 0:19:51 | |
It's well built and it's comfortable. I think it should make that. | 0:19:51 | 0:19:54 | |
Lot 84 is a garden chair... | 0:19:54 | 0:19:56 | |
-It's not JUST a garden chair. -It's not any old garden chair! | 0:19:57 | 0:20:01 | |
30 now. 35. 40. 45. 50. | 0:20:01 | 0:20:04 | |
£50. Lady's bid. | 0:20:04 | 0:20:06 | |
55. 60. | 0:20:06 | 0:20:08 | |
55. 70. | 0:20:08 | 0:20:10 | |
£70, still by the pillar. Selling at 70 now, all done at 70... | 0:20:10 | 0:20:14 | |
-That's the builder's certificate paid for! -That's good. | 0:20:15 | 0:20:18 | |
I'm glad that was appreciated. Are you pleased with that? | 0:20:18 | 0:20:22 | |
I was. That'll pay for the building certificate of lawfulness. | 0:20:22 | 0:20:26 | |
Well, Jane's certainly embraced the selling spirit today. | 0:20:26 | 0:20:29 | |
If she keeps this up, | 0:20:29 | 0:20:30 | |
she'll be drawing up the plans for her new extension in no time at all. | 0:20:30 | 0:20:34 | |
We've got your fob watches coming up now. | 0:20:34 | 0:20:37 | |
How are you feeling about selling them? They belonged to your father? | 0:20:37 | 0:20:41 | |
A bit sad, but hopefully somebody will get some pleasure from them. | 0:20:41 | 0:20:44 | |
Bids start at 10, I'm looking for more... | 0:20:44 | 0:20:46 | |
We want more than 10. | 0:20:46 | 0:20:48 | |
..18. 20. | 0:20:48 | 0:20:50 | |
22. 25. 28 now, | 0:20:50 | 0:20:52 | |
at £28... 30 now. | 0:20:52 | 0:20:54 | |
35... 40. 45. | 0:20:54 | 0:20:55 | |
How stingy! | 0:20:55 | 0:20:57 | |
£50. All done at 50 then, it's yours, sir, at 50... | 0:20:57 | 0:21:00 | |
Top end of the estimate. That's all right. Let's hope we can keep it up! | 0:21:01 | 0:21:07 | |
So far James has been spot on with the estimates. | 0:21:07 | 0:21:10 | |
We're either meeting or exceeding the top end every time. | 0:21:10 | 0:21:13 | |
Next, it's the diamond ring. It's the most expensive lot of the day, | 0:21:14 | 0:21:18 | |
and Jane's put a £300 reserve on it. | 0:21:18 | 0:21:21 | |
Does it fit YOU, Emma? | 0:21:21 | 0:21:22 | |
-It does. -Oooh! | 0:21:22 | 0:21:24 | |
I want it. I love it. | 0:21:24 | 0:21:26 | |
This one's going to hurt, isn't it? | 0:21:26 | 0:21:28 | |
This is the one that's going to hurt. | 0:21:28 | 0:21:31 | |
And bids start me here at 250. | 0:21:31 | 0:21:34 | |
-260. 270 is bid... -You've got a reserve of 300. | 0:21:34 | 0:21:38 | |
£270 is bid. | 0:21:38 | 0:21:40 | |
I can sell at 270. | 0:21:40 | 0:21:42 | |
It's at £270, and I'm selling... | 0:21:42 | 0:21:45 | |
Absentee bidder, at 270. Last time... | 0:21:45 | 0:21:48 | |
-I'm sorry, Em... -They did sell it, at the discretion of the reserve. | 0:21:48 | 0:21:53 | |
Comfort your granddaughter(!) | 0:21:53 | 0:21:55 | |
JAMES LAUGHS | 0:21:55 | 0:21:57 | |
Well, that was obviously a tough one for Emma-Jo. Now, our next lot | 0:21:58 | 0:22:03 | |
might not be diamonds, but it'll put a sparkle in a philatelist's eye... | 0:22:03 | 0:22:07 | |
It's the stamp collection. | 0:22:07 | 0:22:09 | |
Your father had gone to a huge amount of trouble, and really stuck at it | 0:22:09 | 0:22:13 | |
because there are loads and loads of them in that album. | 0:22:13 | 0:22:17 | |
So for any schoolboy that's here, what a great starter collection. | 0:22:17 | 0:22:20 | |
OK. £50 at least, a big estimate - £50 to £100 actually, | 0:22:21 | 0:22:25 | |
so it could go anywhere. | 0:22:25 | 0:22:26 | |
£30 for the stamps? At £30... | 0:22:26 | 0:22:29 | |
At £30. 20 if it helps... Or I'll move on. | 0:22:30 | 0:22:33 | |
No. Nobody wants them. | 0:22:33 | 0:22:34 | |
All done at 20, then... | 0:22:34 | 0:22:36 | |
All that means is that today there weren't any stamp collectors here. So they'll live to have a day. | 0:22:36 | 0:22:43 | |
We might not have sold the stamps today, but Jane can enter them | 0:22:43 | 0:22:47 | |
in a specialist sale, | 0:22:47 | 0:22:48 | |
and hopefully find the bidder and price worthy of the collection. | 0:22:48 | 0:22:52 | |
We'd hoped that the sale of the diamond ring was going to set the pattern for today, | 0:22:52 | 0:22:56 | |
but our luck doesn't seem to have rubbed off | 0:22:56 | 0:22:59 | |
on the Victorian-style jewellery set with amethyst stones. | 0:22:59 | 0:23:03 | |
And when the handsome lantern clock also failed to rouse any interest... | 0:23:03 | 0:23:07 | |
well, we're all a bit downhearted. | 0:23:07 | 0:23:09 | |
However, Jane's still managed to raise £435 towards her £600 target - | 0:23:10 | 0:23:15 | |
and there's still more items to come. | 0:23:15 | 0:23:17 | |
We are going to try to sell your Beswick horse now. | 0:23:17 | 0:23:21 | |
Where's that from? | 0:23:21 | 0:23:22 | |
-I actually bought that at an auction. -Did you? | 0:23:22 | 0:23:24 | |
How much did you pay for it? | 0:23:24 | 0:23:25 | |
120. | 0:23:25 | 0:23:27 | |
-How much? -120! | 0:23:27 | 0:23:29 | |
Oooh! | 0:23:29 | 0:23:31 | |
Bids start me on this at £20. £20... | 0:23:31 | 0:23:34 | |
25. 30. | 0:23:34 | 0:23:35 | |
35. 40. 45. 50. | 0:23:35 | 0:23:38 | |
55. 60. | 0:23:38 | 0:23:39 | |
65, and I'm out. | 0:23:39 | 0:23:41 | |
£65, and I'm selling. | 0:23:41 | 0:23:42 | |
It's in the room at £65. It's yours, madam, at 65... | 0:23:42 | 0:23:45 | |
For the last time at 65... | 0:23:45 | 0:23:47 | |
Triple the estimate. Can't be bad. | 0:23:48 | 0:23:50 | |
It's half what you paid for it - but you've had all that pleasure. | 0:23:50 | 0:23:54 | |
That's right, yes. | 0:23:54 | 0:23:55 | |
Well, this horse may be off to greener pastures - | 0:23:55 | 0:23:59 | |
but will our next lot take a leaf out of the same book? | 0:23:59 | 0:24:02 | |
-Are you happy to part with your Wedgwood jug now? -Yes. I've got to sell something! | 0:24:02 | 0:24:06 | |
Start me here at £20 on this one if you will. £20 for it... | 0:24:06 | 0:24:11 | |
At £20. At £20... | 0:24:11 | 0:24:13 | |
They don't like it. | 0:24:13 | 0:24:15 | |
All done at 20 then. Last time, £20... | 0:24:15 | 0:24:17 | |
-Did he sell it? -No, I don't think he did. | 0:24:18 | 0:24:22 | |
Try as he might, the auctioneer failed to garner any interest - | 0:24:22 | 0:24:25 | |
and it looks as though Jane will be taking the jug home. | 0:24:25 | 0:24:29 | |
We've got one last chance to get more money in the pot for that extension, | 0:24:29 | 0:24:33 | |
and it's a large piece of furniture which, fingers crossed, should do well. | 0:24:33 | 0:24:38 | |
We need a really good sale here, your oak coffer. It's a big item. | 0:24:38 | 0:24:42 | |
-£200... Have you got a reserve? -Yes, I have on that. | 0:24:42 | 0:24:45 | |
You've got a £200 reserve with discretion, so the lowest | 0:24:45 | 0:24:48 | |
-it can be sold for is £180. -OK. | 0:24:48 | 0:24:51 | |
Remind me what you called it again? | 0:24:51 | 0:24:53 | |
-A "co-fer"! -A "co-fer". | 0:24:53 | 0:24:55 | |
If he describes it as a "co-fer" maybe that'll make worth a bit more. | 0:24:55 | 0:25:00 | |
Start me at 160. 170. 180. 190. 200. | 0:25:00 | 0:25:05 | |
-And 20 is bid. £220 is bid... -Good. | 0:25:05 | 0:25:09 | |
At 220... And I'm selling on commission at 220... | 0:25:09 | 0:25:13 | |
240. 260. | 0:25:13 | 0:25:15 | |
-280 and I'm out. At £280 now... -Keep it coming. | 0:25:15 | 0:25:19 | |
And selling at 280... For the last time. | 0:25:19 | 0:25:21 | |
-One more? -Yes! -Great stuff. | 0:25:21 | 0:25:23 | |
-How's that? Is that all right? -What a flourish to end with. | 0:25:23 | 0:25:27 | |
Now THAT'S more like it. At last, a great sale to round off the day. | 0:25:28 | 0:25:33 | |
So, the only question left is how much have we raised? | 0:25:35 | 0:25:39 | |
You had four items which didn't sell, but despite that | 0:25:40 | 0:25:43 | |
you have made £780. | 0:25:43 | 0:25:47 | |
Oh, well, that's great. Yes, lovely. | 0:25:47 | 0:25:49 | |
-Well, it's been a pleasure working with you. It really has. -Well, we enjoyed it as well. | 0:25:49 | 0:25:54 | |
Thanks to the auction, Jane's now got £780 that she can put towards that extension | 0:25:58 | 0:26:04 | |
she's planning to build. | 0:26:04 | 0:26:06 | |
We caught up with her at her second home in Ireland, | 0:26:06 | 0:26:09 | |
where she was spending some time with her beloved horses. | 0:26:09 | 0:26:12 | |
Every little helps, and it's all going towards the new annexe. | 0:26:12 | 0:26:16 | |
Well, I'm waiting at the moment for the certificate of lawfulness. | 0:26:16 | 0:26:22 | |
Unfortunately this takes a while, it could be about eight weeks - | 0:26:22 | 0:26:25 | |
but as soon as it's ready hopefully we can make a move. | 0:26:25 | 0:26:29 | |
And I hope I make it at the end of the day! | 0:26:29 | 0:26:33 | |
Subtitles by Red Bee Media Ltd | 0:26:43 | 0:26:47 |