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Hello and welcome to the programme that helps make dreams come true. | 0:00:02 | 0:00:04 | |
We find hidden gems around people's homes, then we value them, | 0:00:04 | 0:00:08 | |
take them to auction and raise the money. | 0:00:08 | 0:00:10 | |
But I think we're all a bit guilty of hoarding far too much stuff. | 0:00:10 | 0:00:14 | |
So it's only when you come to do a little bit of a clear-out | 0:00:14 | 0:00:17 | |
that all those memories come flooding back. | 0:00:17 | 0:00:19 | |
And it's those stories that make looking for cash in the attic | 0:00:19 | 0:00:23 | |
a really enjoyable experience. | 0:00:23 | 0:00:25 | |
Today on Cash In The Attic, | 0:00:44 | 0:00:46 | |
it's confession time about a Victorian painting. | 0:00:46 | 0:00:49 | |
-It didn't match this one in particular? -No, not at all. | 0:00:49 | 0:00:52 | |
-What happened to it? -I broke it. | 0:00:52 | 0:00:55 | |
Shock, horror, Susan! Oh, my goodness! | 0:00:55 | 0:00:57 | |
On auction day, a last-minute addition causes a flurry of bidding. | 0:00:57 | 0:01:02 | |
One, two, three, four, five, six, seven, eight, nine, ten, 11 bids. | 0:01:02 | 0:01:07 | |
-Wow! -Find out what happens when the hammer falls. | 0:01:07 | 0:01:10 | |
Now, today, I'm in Irchester in Northamptonshire. | 0:01:10 | 0:01:14 | |
And we're going to be meeting a couple called Brian and Susan, | 0:01:14 | 0:01:17 | |
and they want to convert the money they make on Cash In The Attic | 0:01:17 | 0:01:20 | |
into preserving their family history for future generations. | 0:01:20 | 0:01:23 | |
And I'm told that they absolutely love being in their garden. | 0:01:23 | 0:01:27 | |
Susan and Brian Evans have been married for 36 years. | 0:01:27 | 0:01:31 | |
They have two sons and three grandchildren. | 0:01:31 | 0:01:34 | |
Brian's mother Dot lived with them for the last 25 years, | 0:01:34 | 0:01:38 | |
in a large four-bedroomed house but when she died last year, | 0:01:38 | 0:01:42 | |
they downsized into a smaller property, to this bungalow. | 0:01:42 | 0:01:44 | |
Even so, they have boxes of items belonging to Brian's mother | 0:01:44 | 0:01:47 | |
still lying around the place, | 0:01:47 | 0:01:49 | |
and they've asked us to help to sort through them. | 0:01:49 | 0:01:52 | |
Joining me with the search is Paul Hayes, | 0:01:52 | 0:01:54 | |
and while he gets the hunt under way, I go in search of our hosts. | 0:01:54 | 0:02:00 | |
Well, well, well, I find Susan and Brian hard at work in the garden. | 0:02:01 | 0:02:05 | |
-How are you doing? -OK, not bad at all. -Excellent. | 0:02:05 | 0:02:08 | |
We're really pleased to be here as a team, but why have you | 0:02:08 | 0:02:11 | |
called in Cash In The Attic? | 0:02:11 | 0:02:12 | |
We've got too much for a small bungalow, after having downsized | 0:02:12 | 0:02:16 | |
from a nice big four bedroomed terraced house. | 0:02:16 | 0:02:19 | |
How much money, in an ideal world, would you like to raise? | 0:02:19 | 0:02:23 | |
£500 would be a nice amount. | 0:02:23 | 0:02:25 | |
And how would you spend that money? | 0:02:25 | 0:02:26 | |
We haven't done an official portrait | 0:02:26 | 0:02:28 | |
-since my oldest son was three years old. -And how old is he now? | 0:02:28 | 0:02:32 | |
33. | 0:02:32 | 0:02:34 | |
I think it's about time you did it. | 0:02:34 | 0:02:36 | |
-Yes! -I'm going to take you inside to do a lot of work. | 0:02:36 | 0:02:40 | |
-Right! -Shall we go in? | 0:02:40 | 0:02:43 | |
Sorting through the belongings of a recently departed relative | 0:02:43 | 0:02:47 | |
can be a really daunting task, but luckily we have an expert on hand. | 0:02:47 | 0:02:51 | |
Paul was born into the antique business | 0:02:51 | 0:02:53 | |
and it hasn't taken him long to spot something that could be a big hit. | 0:02:53 | 0:02:58 | |
-Hello. -Meet Susan, the lady of the house. -Hello, Susan. | 0:02:58 | 0:03:00 | |
What have you found already? | 0:03:00 | 0:03:02 | |
I've found one of my favourite items, a crystoleum, this is a nice example. | 0:03:02 | 0:03:06 | |
I have never heard that word, crystoleum. | 0:03:06 | 0:03:09 | |
Crystal being the glass, a glass picture. So if you're the artist, | 0:03:09 | 0:03:12 | |
you have to work from this side of the glass, | 0:03:12 | 0:03:14 | |
so what you see on the front is what you get. | 0:03:14 | 0:03:17 | |
It's really difficult, because if you're actually painting something | 0:03:17 | 0:03:20 | |
you have to get colours in the right order, | 0:03:20 | 0:03:22 | |
-you can't go back and re-alter it. -So is this worth a bit of money? | 0:03:22 | 0:03:25 | |
It is, I think this has been part of a pair, | 0:03:25 | 0:03:27 | |
they call it the Serenade or the Proposal, | 0:03:27 | 0:03:29 | |
that was the idea with the Victorians, they're all for symmetry. | 0:03:29 | 0:03:32 | |
Was there another one? | 0:03:32 | 0:03:33 | |
There was another one, but the other picture was very different. | 0:03:33 | 0:03:36 | |
The other was a girl, a dancing girl, in a nice, | 0:03:36 | 0:03:39 | |
flounced, coloured skirt. | 0:03:39 | 0:03:42 | |
-It didn't match this one in particular? -No, not at all. | 0:03:42 | 0:03:44 | |
-What happened to it? -I broke it. | 0:03:44 | 0:03:47 | |
Shock, horror, Susan, oh, my goodness, you broke it! | 0:03:47 | 0:03:50 | |
-Yes, it got broken. -How much you reckon, Paul? | 0:03:50 | 0:03:52 | |
It's a nice subject. | 0:03:52 | 0:03:54 | |
I mean, if I said around £50, £50 to £60, I mean, there are another couple | 0:03:54 | 0:03:58 | |
of pictures around that I've seen, | 0:03:58 | 0:04:00 | |
if we put them in as a lot for that sort of price and give them a chance | 0:04:00 | 0:04:03 | |
at the auction, how does that sound? | 0:04:03 | 0:04:04 | |
-What do you think, Susan? -That's good, yes. | 0:04:04 | 0:04:07 | |
You could have had another 50 quid if you hadn't broken that. | 0:04:07 | 0:04:10 | |
I could have done! | 0:04:10 | 0:04:12 | |
Tut tut. Susan takes Paul's advice and finds | 0:04:14 | 0:04:16 | |
three other pictures to make up the lot - | 0:04:16 | 0:04:18 | |
two woodland scenes with stags, | 0:04:18 | 0:04:20 | |
and a painted panel of roses all were created by Brian's grandmother. | 0:04:20 | 0:04:26 | |
This collection of brass toasting forks | 0:04:26 | 0:04:29 | |
started when Brian found one of them in the garden of their last house. | 0:04:29 | 0:04:32 | |
He liked it so much that he started to collect them. | 0:04:32 | 0:04:35 | |
Each handle is very decorative, | 0:04:35 | 0:04:37 | |
and Paul reckons they could spark some interest at auction. | 0:04:37 | 0:04:42 | |
While Susan continues her search of the house, | 0:04:42 | 0:04:45 | |
the rest of us have headed | 0:04:45 | 0:04:46 | |
to the garage, where many of Brian's mum's possessions have been stored. | 0:04:46 | 0:04:50 | |
Hey, look at this. | 0:04:52 | 0:04:54 | |
-Ah-ha! -Isn't that fabulous? | 0:04:54 | 0:04:57 | |
D'you know what, my granny used to have one of those. | 0:04:57 | 0:04:59 | |
It's got a lemon-squeezer, and these would have been what, | 0:04:59 | 0:05:02 | |
-cocktail sticks? -Exactly, yes. | 0:05:02 | 0:05:04 | |
All intact. It's fantastic, and who did this belong to, Brian? | 0:05:04 | 0:05:07 | |
This actually belonged to my father. And we bought it in the '50s. | 0:05:07 | 0:05:10 | |
And do you remember it being all stocked with glasses and everything? | 0:05:10 | 0:05:13 | |
Oh, yes, loads of glasses in there, and all the booze underneath. | 0:05:13 | 0:05:17 | |
I doubt if there's any booze underneath now, but... | 0:05:17 | 0:05:20 | |
Under lock and key. | 0:05:20 | 0:05:22 | |
No, absolutely empty, but you've got the racking for the bottles. | 0:05:22 | 0:05:25 | |
-That's right. -The 1930's tends to be the golden age of these items. | 0:05:25 | 0:05:29 | |
It's a time where people were dispensing with their maids | 0:05:29 | 0:05:32 | |
and their servants, more people were | 0:05:32 | 0:05:34 | |
having their own bars and serving themselves. | 0:05:34 | 0:05:36 | |
-And of course, the age of the cocktail. -Assessment, Paul? | 0:05:36 | 0:05:38 | |
Yes, these really went out of fashion. | 0:05:38 | 0:05:41 | |
I saw these in the 1990's, nobody wanted them. | 0:05:41 | 0:05:43 | |
But this retro look is really in fashion. | 0:05:43 | 0:05:46 | |
It reminds me of the Austin Powers days, or Hercule Poirot, | 0:05:46 | 0:05:50 | |
the good times, really, and the nice entertaining times. | 0:05:50 | 0:05:53 | |
Quite saleable, if I said around the £50 mark...? | 0:05:53 | 0:05:56 | |
-That's good. -Happy with that, Brian? | 0:05:56 | 0:05:58 | |
-Yes, very well. -Bottoms up? -Bottoms up. | 0:05:58 | 0:06:00 | |
Well, I hope there's a groovy 1960's type there at auction day, | 0:06:00 | 0:06:04 | |
someone who's keen on snowballs. | 0:06:04 | 0:06:07 | |
Back indoors, Paul's discovered two hallmarked | 0:06:07 | 0:06:09 | |
silver pocket watches that belonged to Brian's maternal grandfather. | 0:06:09 | 0:06:13 | |
One of them has an open face, the other is called a full hunter, | 0:06:13 | 0:06:17 | |
which has a cover to protect the face from damage. | 0:06:17 | 0:06:21 | |
They're both early 20th century, | 0:06:21 | 0:06:23 | |
and Paul puts an estimate of £60-£80 on them. | 0:06:23 | 0:06:28 | |
Going by Paul's lowest estimates so far, | 0:06:28 | 0:06:31 | |
we stand to raise £180 at auction. | 0:06:31 | 0:06:33 | |
But you know what? I'll keep that figure to myself for the moment. | 0:06:33 | 0:06:37 | |
Now, Susan, I have it on very good authority | 0:06:37 | 0:06:39 | |
that you are a very artistic lady. | 0:06:39 | 0:06:41 | |
Because you do stained glass stuff, don't you? | 0:06:41 | 0:06:44 | |
Yes, I do. I love doing it, but it's murder on your fingers and nails. | 0:06:44 | 0:06:48 | |
Did you do the window in the bathroom? | 0:06:48 | 0:06:51 | |
-Yes, I did. -That is beautiful. | 0:06:51 | 0:06:53 | |
What's the process of doing it? | 0:06:53 | 0:06:55 | |
You have to mark all the glass out first, and then cut it. | 0:06:55 | 0:06:59 | |
Would you draw it on paper first of all, the design? | 0:06:59 | 0:07:01 | |
Yes, to the right size as well. | 0:07:01 | 0:07:04 | |
Beautiful, I love it. | 0:07:04 | 0:07:06 | |
How hard has it been for you having your mother-in-law? | 0:07:06 | 0:07:09 | |
No matter how nice a mother-in-law is, it's quite tough | 0:07:09 | 0:07:12 | |
having responsibility for all those years. | 0:07:12 | 0:07:15 | |
Yes, it was nice to have her here for her experience and her life. | 0:07:15 | 0:07:22 | |
She helped look after the boys when they were young, | 0:07:22 | 0:07:25 | |
so I worked. | 0:07:25 | 0:07:26 | |
You must have fed her the right food, though, because she lived | 0:07:26 | 0:07:30 | |
-to become what, 93? -Yes. | 0:07:30 | 0:07:33 | |
-Fantastic. -I hope somebody looks after me like that. | 0:07:33 | 0:07:35 | |
Drop a note to your sons. | 0:07:35 | 0:07:38 | |
Only thing is, you're slacking and enjoying that sit-down, haven't you? | 0:07:38 | 0:07:41 | |
-We've got to get back to work. -Right, OK. -Come with me. | 0:07:41 | 0:07:44 | |
-I think we'll go this way. -Right. | 0:07:44 | 0:07:46 | |
Brian's discovered a 19th century portrait brooch. | 0:07:48 | 0:07:53 | |
It's painted on porcelain, with a gilt border, and it belonged | 0:07:53 | 0:07:56 | |
to his paternal grandmother. | 0:07:56 | 0:07:57 | |
Paul reckons it should attract £30-£50 at auction. | 0:07:57 | 0:08:02 | |
Brian's family certainly had a good eye, and I wonder what | 0:08:02 | 0:08:05 | |
little gem will turn up next. | 0:08:05 | 0:08:07 | |
-Paul, what about these? -Let's have a look. | 0:08:10 | 0:08:12 | |
So what have we found here, then, some medals? | 0:08:12 | 0:08:14 | |
Oh, Masonic medals. | 0:08:14 | 0:08:16 | |
No, these aren't Masonic, these are | 0:08:16 | 0:08:19 | |
the Royal Antediluvian Order of the Buffaloes. | 0:08:19 | 0:08:22 | |
-So, who was in the Buffaloes? -Brian's grandfather. | 0:08:22 | 0:08:25 | |
They are very similar to the Masonic Lodge. | 0:08:25 | 0:08:27 | |
They're a charitable organisation, they do | 0:08:27 | 0:08:30 | |
a lot of good in the community and they look after their fellow members. | 0:08:30 | 0:08:33 | |
So once you're in the Buffaloes, if anything happens to you, | 0:08:33 | 0:08:36 | |
they will rally round and help you out. | 0:08:36 | 0:08:38 | |
They were established in the late 19th century. | 0:08:38 | 0:08:41 | |
What you're looking for are silver examples. | 0:08:41 | 0:08:44 | |
That one's just a base metal, I can tell that straightaway. | 0:08:44 | 0:08:47 | |
But this one is solid silver. | 0:08:47 | 0:08:49 | |
-But this masonic one is Fattorini. -Have you heard of Fattorinis? No. | 0:08:49 | 0:08:53 | |
They were an Italian family, they were massive retailers in the north | 0:08:53 | 0:08:57 | |
of England, and they sold barometers, medals, clocks, all of that sort | 0:08:57 | 0:09:00 | |
of thing. So that's a good box. Ah, it's a tie pin. | 0:09:00 | 0:09:04 | |
Here we go. At one point this would have had a Masonic medal in here. | 0:09:04 | 0:09:08 | |
-So this tie pin doesn't actually go with the box. -Oh, right. | 0:09:08 | 0:09:11 | |
-So whose was this? -Brian's father. | 0:09:11 | 0:09:13 | |
But that's solid gold, so that's a nice, desirable item, isn't it? | 0:09:13 | 0:09:17 | |
-They're not sentimental to Brian at all? -No, not at all. | 0:09:17 | 0:09:20 | |
If I said sort of £40-£60, how does that sound? | 0:09:20 | 0:09:24 | |
That sounds good. | 0:09:24 | 0:09:26 | |
-And do I get a medal for being the best expert today? -Definitely. | 0:09:26 | 0:09:29 | |
Oh, he loves it! | 0:09:29 | 0:09:32 | |
The Order of Buffaloes, | 0:09:32 | 0:09:34 | |
a bit like the Freemasons, has been going for about 200 years. | 0:09:34 | 0:09:37 | |
As the search of Susan and Brian's home continues, | 0:09:37 | 0:09:40 | |
I find something else that belonged to Brian's maternal grandmother. | 0:09:40 | 0:09:45 | |
It's a 1920s Silvertone melodeon accordion. | 0:09:45 | 0:09:47 | |
I wonder if she used to play it, unlike me? | 0:09:47 | 0:09:50 | |
At £20 to £30, let's hope this estimate appeals to the bidders. | 0:09:50 | 0:09:53 | |
Now, we're doing very well today, but hold your horses, Susan, | 0:09:53 | 0:09:57 | |
it's too soon to pop open the champagne, or even stop for a cuppa. | 0:09:57 | 0:10:02 | |
Ah, now, then, look at that lot. Wow! | 0:10:02 | 0:10:06 | |
These are all gold. Whose is all this? | 0:10:06 | 0:10:08 | |
That was my grandfather's on my father's side. | 0:10:08 | 0:10:11 | |
And he gave that to me when I was very young. | 0:10:11 | 0:10:15 | |
Is this his initials here? | 0:10:15 | 0:10:17 | |
Well, DR Evans, it's got on it. | 0:10:17 | 0:10:19 | |
I'm not sure what the R stands for, possibly Rhys, I should think. | 0:10:19 | 0:10:23 | |
This is an Albert chain, named after Prince Albert, Victoria's husband. | 0:10:23 | 0:10:27 | |
And the idea was, you'd wear your pocket watch on your waistcoat. | 0:10:27 | 0:10:31 | |
So you'd have this T-bar here which would go through your button hook, | 0:10:31 | 0:10:34 | |
you'd have your clasp at the end | 0:10:34 | 0:10:36 | |
where you would hang your watch on, and it would look very attractive. | 0:10:36 | 0:10:40 | |
And the everyday man would have a silver one. | 0:10:40 | 0:10:43 | |
For best, you'd have gold, like this one. You've a lady's bracelet too? | 0:10:43 | 0:10:46 | |
That was the grandmother's. | 0:10:46 | 0:10:48 | |
Now, I didn't actually know her, she died when my father was very young. | 0:10:48 | 0:10:52 | |
-So there's no sentiment here, happy to get rid of them? -None whatsoever. | 0:10:52 | 0:10:56 | |
Well, this is going to really bump your target up, I can see easily £250 | 0:10:56 | 0:11:01 | |
up to maybe £400, how does that sound? | 0:11:01 | 0:11:04 | |
That sounds very good. | 0:11:04 | 0:11:06 | |
Brian has certainly inherited some wonderful mementos from his family. | 0:11:06 | 0:11:10 | |
And here's another one - | 0:11:10 | 0:11:11 | |
an 1880's Japanese occasional table, carved with lotus flowers. | 0:11:11 | 0:11:16 | |
It belonged to Brian's grandmother, who was a seamstress. | 0:11:16 | 0:11:19 | |
She kept it in her shop, apparently, | 0:11:19 | 0:11:21 | |
as a place for clients to put down their elegant hats. | 0:11:21 | 0:11:24 | |
Paul values it at a very respectable £80-£120. | 0:11:24 | 0:11:28 | |
We're getting a really good sense of Brian's ancestors today, | 0:11:30 | 0:11:33 | |
and it's fascinating to hear the stories behind the pieces. | 0:11:33 | 0:11:38 | |
Paul, are you around? | 0:11:38 | 0:11:40 | |
-We are, yes. -Look at these gorgeous plates. -Ah, now, these are lovely. | 0:11:40 | 0:11:43 | |
Can I have a look? | 0:11:43 | 0:11:44 | |
-Yeah. -They're not actually plates, they're chargers, | 0:11:44 | 0:11:47 | |
they go on the wall. | 0:11:47 | 0:11:48 | |
So they're not really designed to be eaten off. | 0:11:48 | 0:11:50 | |
But these are very good indeed. | 0:11:50 | 0:11:52 | |
They're a range called Crown Ducal. The name comes really from regal, | 0:11:52 | 0:11:55 | |
they try to make it sound very posh, Ducal. | 0:11:55 | 0:11:58 | |
Ducal! | 0:11:58 | 0:12:00 | |
But they employed some of the best artists. | 0:12:00 | 0:12:02 | |
-Do you know who this artist is? -No. | 0:12:02 | 0:12:04 | |
I can tell straight away. Charlotte Rhead. | 0:12:04 | 0:12:07 | |
That's her signature and she was mega-famous working at that time. | 0:12:07 | 0:12:10 | |
She's on a par with Clarice Cliff | 0:12:10 | 0:12:13 | |
-and Susie Cooper. -Oh, gosh, she's as famous as they are? | 0:12:13 | 0:12:15 | |
As famous as them, yes. But she perfected the use | 0:12:15 | 0:12:18 | |
of tube lining, which is a type of decoration, and the way it's done | 0:12:18 | 0:12:22 | |
is almost like icing a cake. | 0:12:22 | 0:12:24 | |
She'd come along, and she'd do a very thick outline of the | 0:12:24 | 0:12:26 | |
particular design, and then fill in the colours afterwards, | 0:12:26 | 0:12:29 | |
a bit like painting by numbers. If these went to auction, if I said, | 0:12:29 | 0:12:34 | |
around the 150 mark, how does that sound, sort of 120-150? | 0:12:34 | 0:12:39 | |
That's very good. | 0:12:39 | 0:12:40 | |
I'm gobsmacked myself! | 0:12:40 | 0:12:43 | |
-That is terrific, isn't it? -Fabulous, they're works of art. | 0:12:43 | 0:12:45 | |
Well, that helps my total. | 0:12:45 | 0:12:47 | |
You wanted £500 so that you could have this wonderful portrait taken | 0:12:47 | 0:12:52 | |
and lots of good records of all the children and everything. | 0:12:52 | 0:12:54 | |
Well, you haven't got the £500. | 0:12:54 | 0:12:57 | |
No... | 0:12:57 | 0:12:58 | |
-But you have got 720! -That's good! | 0:12:58 | 0:13:02 | |
Are you pleased with that? | 0:13:02 | 0:13:03 | |
-Very pleased. -That's brilliant. | 0:13:03 | 0:13:07 | |
What a fantastic result - thanks to the treasures from Brian's family. | 0:13:07 | 0:13:12 | |
And here's a reminder of the most interesting ones. | 0:13:12 | 0:13:14 | |
His grandmother's 19th century porcelain brooch. | 0:13:14 | 0:13:19 | |
It should certainly draw some interest. | 0:13:19 | 0:13:22 | |
There's also her gold bracelet and her husband's gold watch chain. | 0:13:24 | 0:13:28 | |
This would help Brian and Susan reach their target in no time. | 0:13:28 | 0:13:33 | |
And the walnut veneer cocktail cabinet which his dad bought. | 0:13:35 | 0:13:39 | |
The style is certainly in vogue at the moment. | 0:13:39 | 0:13:41 | |
This could well be snapped up. | 0:13:41 | 0:13:46 | |
Still to come on Cash In The Attic - | 0:13:46 | 0:13:48 | |
those stag paintings inspire Paul's fine sense of humour. | 0:13:48 | 0:13:52 | |
They weren't "too dear" in the end, were they? | 0:13:52 | 0:13:55 | |
Dreadful! And which of the Evans' items causes this reaction? | 0:13:57 | 0:14:00 | |
Sorry, guys. | 0:14:00 | 0:14:03 | |
£10, anywhere? | 0:14:03 | 0:14:06 | |
Let's hope it's a happy ending. | 0:14:06 | 0:14:09 | |
Brian and Susan's items are being sold at Bamford's auctioneers | 0:14:16 | 0:14:19 | |
in Derby. Remember they're looking to raise £500 for a family portrait. | 0:14:19 | 0:14:24 | |
Sadly, I can't be there, but they're in the very capable | 0:14:24 | 0:14:27 | |
hands of our expert Paul, | 0:14:27 | 0:14:30 | |
who's making last-minute checks with the auctioneer. | 0:14:30 | 0:14:32 | |
What do make of our items, anything in particular that stands out? | 0:14:32 | 0:14:36 | |
I've got a feeling you don't know about this one, do you? | 0:14:36 | 0:14:38 | |
No, I didn't, actually, they found that in the house after, go on. | 0:14:38 | 0:14:41 | |
We had a nice conservative estimate | 0:14:41 | 0:14:43 | |
of 40-60, but with this I think we're looking at nearer £200 now. | 0:14:43 | 0:14:48 | |
Because all the others that you saw were silver. | 0:14:48 | 0:14:50 | |
-This one's a nine-carat, have a look. -Oh, right, OK, got you. | 0:14:50 | 0:14:53 | |
Fantastic and that's made a difference, has it? | 0:14:53 | 0:14:55 | |
Gold is so buoyant at the moment, we just can't get enough of it. | 0:14:55 | 0:14:59 | |
So even this little tiny piece | 0:14:59 | 0:15:01 | |
here I think is going to be worth at least £150. | 0:15:01 | 0:15:03 | |
So, 200-220, something around there. | 0:15:03 | 0:15:06 | |
I think the family will be absolutely made up with that. | 0:15:06 | 0:15:08 | |
That bumps up our target. I know the auction will start again in a minute. | 0:15:08 | 0:15:11 | |
-Great to see you again, James. -And you. -Won't keep you any longer. -Bye. | 0:15:11 | 0:15:16 | |
Since Brian and Susan are unaware of the value of the medal, | 0:15:16 | 0:15:21 | |
Paul is very keen to break the good news. | 0:15:21 | 0:15:23 | |
Now then, you two. | 0:15:23 | 0:15:25 | |
Lovely to see you. | 0:15:25 | 0:15:27 | |
-Thanks for coming, exciting, isn't it? -Very exciting. | 0:15:27 | 0:15:29 | |
I've got some good news for you, actually. | 0:15:29 | 0:15:32 | |
-The Masonic medals, you know those Buffalo medals? -Yes. | 0:15:32 | 0:15:35 | |
You found another medal after we left the house, is that right? | 0:15:35 | 0:15:38 | |
-Yes. -Originally I said between £40 and £60. | 0:15:38 | 0:15:40 | |
The auctioneer has put that lot in at between £200 and £250. | 0:15:40 | 0:15:45 | |
-That's good. -That's surprising. | 0:15:45 | 0:15:46 | |
-Is that all right? -That is really good, yes. | 0:15:46 | 0:15:48 | |
Come on, let's take our places. | 0:15:48 | 0:15:50 | |
The new addition to their lots means that on Paul's lower estimate, | 0:15:52 | 0:15:57 | |
Susan and Brian could now make £880 - | 0:15:57 | 0:15:59 | |
just the ticket for setting up | 0:15:59 | 0:16:01 | |
those professional family photographs that they're so keen on. | 0:16:01 | 0:16:05 | |
The first of their lots is the Victorian crystoleum, | 0:16:05 | 0:16:09 | |
priced at £50-£60. | 0:16:09 | 0:16:10 | |
It goes with an alabaster picture and two other paintings. | 0:16:10 | 0:16:15 | |
Now, where did these all come from? | 0:16:15 | 0:16:17 | |
-Brian's grandmother. -Yeah, from my grandmother, she painted them all. | 0:16:17 | 0:16:21 | |
-Really? -Yeah. -That's amazing, isn't it? -Many years back. | 0:16:21 | 0:16:25 | |
So we're looking for about £50. | 0:16:25 | 0:16:27 | |
Two bids. At 35, 40, | 0:16:27 | 0:16:30 | |
do I see? 55, 60... | 0:16:30 | 0:16:34 | |
Against you, at 55... | 0:16:34 | 0:16:38 | |
That's good, isn't it? | 0:16:38 | 0:16:39 | |
At £55, and 60 now? At 55, all sure? That's great, isn't it? | 0:16:39 | 0:16:43 | |
-That's exactly what you wanted. Are you happy with that? -Yeah. | 0:16:43 | 0:16:47 | |
They weren't "two dear" in the end. | 0:16:47 | 0:16:50 | |
I knew I shouldn't have left Paul in charge - always the joker. | 0:16:50 | 0:16:55 | |
But he was right with his estimate there. | 0:16:55 | 0:16:58 | |
The next lot is that collection of gold and silver Buffalo medals | 0:16:58 | 0:17:01 | |
and gold tie-pin. | 0:17:01 | 0:17:02 | |
We're hoping for between £200 and £220. So let's see how they do. | 0:17:02 | 0:17:09 | |
I've got one, two, three, four, five, six, seven, eight, | 0:17:09 | 0:17:12 | |
-nine, ten, 11 bids. -Wow! -And I can start it at £170. | 0:17:12 | 0:17:18 | |
At 170... The lady has bid 180. | 0:17:20 | 0:17:23 | |
190. 200, 210, 220. 230... | 0:17:23 | 0:17:27 | |
230 in the cap, 240. | 0:17:30 | 0:17:32 | |
At 230, in the cap, right at the back. | 0:17:32 | 0:17:35 | |
At £230, any advance? | 0:17:35 | 0:17:40 | |
Wonderful. | 0:17:40 | 0:17:41 | |
That's fantastic, it just goes to show that one medal | 0:17:41 | 0:17:43 | |
made all that difference. | 0:17:43 | 0:17:45 | |
You haven't got any more in the cupboard, have you?! | 0:17:45 | 0:17:48 | |
That was a fantastic result. | 0:17:48 | 0:17:51 | |
I'm not sure if the medals that were collectible or the gold, | 0:17:51 | 0:17:53 | |
but it made just under half their target in one go. | 0:17:53 | 0:17:57 | |
Next up, is that fabulous walnut cocktail cabinet, | 0:17:57 | 0:18:01 | |
which belonged to Brian's father. | 0:18:01 | 0:18:04 | |
Originally I said between £40 and £60, and I'm standing by that. | 0:18:04 | 0:18:07 | |
Hopefully someone will agree with me, | 0:18:07 | 0:18:09 | |
but you're happy if it fetches less than that? | 0:18:09 | 0:18:11 | |
You don't want to take it home? | 0:18:11 | 0:18:13 | |
No! | 0:18:13 | 0:18:14 | |
Here we are, classic 1950's, and £40, do I see? | 0:18:14 | 0:18:21 | |
£40 somewhere? | 0:18:21 | 0:18:23 | |
Nice bit of '50s walnut, 30, then. | 0:18:23 | 0:18:26 | |
He's trying, he's really trying. | 0:18:26 | 0:18:28 | |
£10, who wants it? | 0:18:28 | 0:18:30 | |
£10, anywhere? Sorry, guys. | 0:18:30 | 0:18:34 | |
£10, anywhere? | 0:18:34 | 0:18:36 | |
Oh dear! | 0:18:36 | 0:18:38 | |
No, not sold, I'm afraid. | 0:18:38 | 0:18:40 | |
Oh, no! | 0:18:40 | 0:18:42 | |
Uh-oh. He may not want to take it home, | 0:18:42 | 0:18:44 | |
but Brian and Susan will probably be looking forward to a cocktail | 0:18:44 | 0:18:47 | |
by the time this is all over. | 0:18:47 | 0:18:49 | |
Now, I wonder how their next lot will fare. | 0:18:49 | 0:18:52 | |
It's the two Charlotte Rhead Crown Ducal chargers, | 0:18:52 | 0:18:55 | |
which have an estimate of £120 to £150. | 0:18:55 | 0:18:58 | |
-There's a reserve on this. How much for? -£100. | 0:18:58 | 0:19:03 | |
-Was that for any particular reason? -Just so that they | 0:19:03 | 0:19:05 | |
don't go too cheap. | 0:19:05 | 0:19:07 | |
I'd rather have them on the wall than go for nothing. | 0:19:07 | 0:19:10 | |
And I can start the bidding with one, two, three, four bids on it. | 0:19:10 | 0:19:13 | |
-Four bids already. -Four very, very close. 95, 100 now? | 0:19:13 | 0:19:18 | |
At 95, 105, 110. | 0:19:18 | 0:19:22 | |
That's excellent. | 0:19:23 | 0:19:25 | |
120 where? At £110, down the centre. | 0:19:25 | 0:19:27 | |
130, 140, 150. | 0:19:27 | 0:19:32 | |
-Come on! -170, 180, 190. One more? | 0:19:32 | 0:19:39 | |
185? At 180... | 0:19:39 | 0:19:41 | |
That sounds like a darts score. | 0:19:41 | 0:19:43 | |
Any advance? | 0:19:43 | 0:19:45 | |
At 180... | 0:19:45 | 0:19:48 | |
Hey, 180! | 0:19:48 | 0:19:49 | |
-How's that, is that amazing? -It's good. | 0:19:49 | 0:19:51 | |
It's really good. | 0:19:51 | 0:19:53 | |
£30 over Paul's top estimate is a great result for those two chargers. | 0:19:53 | 0:19:58 | |
Now, will the bidders like Brian and Susan's next offering? | 0:19:58 | 0:20:01 | |
It's the 19th century porcelain brooch with a gilt border. | 0:20:01 | 0:20:05 | |
And it's up for £30 to £50. | 0:20:05 | 0:20:09 | |
Pretty little lot, this one. | 0:20:09 | 0:20:11 | |
And 1870, 1880 or so. And £25 bid. | 0:20:11 | 0:20:15 | |
At 25, 28 and 30. | 0:20:15 | 0:20:18 | |
It's against you at £30. 32 now. | 0:20:18 | 0:20:22 | |
At £30. | 0:20:22 | 0:20:24 | |
-32, sir, 35... -35! | 0:20:24 | 0:20:27 | |
Are we all done at £35? | 0:20:27 | 0:20:30 | |
-38, sir. -New bidder, here we go. | 0:20:30 | 0:20:34 | |
And 40 now. New place. | 0:20:34 | 0:20:36 | |
At £38, any advance? | 0:20:36 | 0:20:38 | |
There you go. | 0:20:38 | 0:20:40 | |
That's quite exciting, | 0:20:40 | 0:20:43 | |
-isn't it? -Just about bang in the middle of the estimate. | 0:20:43 | 0:20:46 | |
Brian and Susan's lot seemed to be a big hit with the bidders. | 0:20:46 | 0:20:50 | |
If you'd like to try your hand at the auction game, do bear in mind | 0:20:50 | 0:20:54 | |
that there are charges to be paid, including commission. | 0:20:54 | 0:20:57 | |
These can vary from one sale room to another, so it's always worth | 0:20:57 | 0:21:01 | |
inquiring in advance. | 0:21:01 | 0:21:04 | |
It's the silver pocket watches now, | 0:21:04 | 0:21:07 | |
with a price in the catalogue of £60-£80. | 0:21:07 | 0:21:10 | |
And where shall we start it? £40, please. | 0:21:11 | 0:21:14 | |
40 bid, 45, 50. And five now? | 0:21:14 | 0:21:20 | |
-Come on. -At £50, 55, do I see? | 0:21:20 | 0:21:22 | |
55? At 50. Five with me, | 0:21:22 | 0:21:27 | |
60, at 55, it remains with me at 55. | 0:21:27 | 0:21:30 | |
60 anywhere? | 0:21:30 | 0:21:32 | |
-Can I sell it at that? -Yes, I think so, yes. | 0:21:32 | 0:21:35 | |
55, thank you. Absentee bid, at £55. | 0:21:35 | 0:21:38 | |
Below estimate but selling. | 0:21:38 | 0:21:41 | |
There you go, just below the estimate. That's the two watches, 55. | 0:21:41 | 0:21:45 | |
But that's the way auctions go, | 0:21:45 | 0:21:47 | |
you sometimes get a bit of a dip but you can make it back. | 0:21:47 | 0:21:49 | |
That's all right. | 0:21:49 | 0:21:52 | |
That's the kind of attitude I like to hear. | 0:21:52 | 0:21:54 | |
Brian and Susan are obviously not too disappointed | 0:21:54 | 0:21:57 | |
by that slightly under-par result. | 0:21:57 | 0:21:59 | |
Next up, are those 16 brass toasting forks which Brian collected. | 0:21:59 | 0:22:03 | |
Their price here is £30-£50, and they're snapped up for... | 0:22:03 | 0:22:08 | |
At 32... | 0:22:08 | 0:22:11 | |
£2 over the lower estimate. | 0:22:11 | 0:22:14 | |
And when Brian's grandmother's Silvertone accordion comes up | 0:22:14 | 0:22:17 | |
for £20-£30... | 0:22:17 | 0:22:20 | |
Any advance, at 22? | 0:22:20 | 0:22:23 | |
£22, how's that? | 0:22:23 | 0:22:25 | |
-Is that all right with you? -Yes. | 0:22:25 | 0:22:26 | |
That's music to my ears. | 0:22:26 | 0:22:29 | |
It, too, hits the right note | 0:22:29 | 0:22:31 | |
with the bidders, going for £2 over the lower estimate. | 0:22:31 | 0:22:35 | |
Brian and Susan's next lot is that heavily-carved table | 0:22:35 | 0:22:39 | |
which Brian's grandmother kept in her dressmaker's shop. | 0:22:39 | 0:22:43 | |
This one had a specific use, didn't it? | 0:22:43 | 0:22:45 | |
Yes, it was a hat table for people to put their hats on when | 0:22:45 | 0:22:49 | |
they went into the shop, so that they could browse much more easily. | 0:22:49 | 0:22:53 | |
-What period are we looking at there? -That would have been about 1900. | 0:22:53 | 0:22:57 | |
Wow! So it could be the gentlemen's top hats or the ladies'? | 0:22:57 | 0:23:00 | |
The ladies' hats, yep. | 0:23:00 | 0:23:02 | |
Well, it's certainly a nice example, | 0:23:02 | 0:23:03 | |
and to me it looks Japanese, that Oriental sort of feel to it. | 0:23:03 | 0:23:06 | |
And we're looking at between £80 to £120. | 0:23:06 | 0:23:09 | |
Do I see £80 for it? | 0:23:09 | 0:23:11 | |
70, then, and five now. | 0:23:11 | 0:23:15 | |
Five, do I see? 75, 80. | 0:23:15 | 0:23:19 | |
-With me at 80 now. -Excellent. | 0:23:19 | 0:23:21 | |
80 anywhere? £75, any advance at 75? | 0:23:21 | 0:23:25 | |
He's done it. OK, there we go. | 0:23:25 | 0:23:29 | |
It's such an attractive table, | 0:23:29 | 0:23:32 | |
and I think £75 is a very reasonable price for it. | 0:23:32 | 0:23:35 | |
So it's time for the Evanses' final lot. | 0:23:35 | 0:23:38 | |
They could be going out with a bang, | 0:23:38 | 0:23:40 | |
because it's another lot of gold. All nine carat. | 0:23:40 | 0:23:42 | |
You've got the watch chain and fob, | 0:23:42 | 0:23:44 | |
the bar brooch with an aquamarine stone, and the bracelet. | 0:23:44 | 0:23:48 | |
Loads of bidding as usual on the gold. | 0:23:48 | 0:23:50 | |
17 bids, and I can start the bidding at £310. | 0:23:50 | 0:23:54 | |
Whoa! | 0:23:54 | 0:23:56 | |
There we go! That's over my estimate already. | 0:23:56 | 0:23:58 | |
320, do I see? 320 the lady has bid, 340, 360, 380, 400. | 0:23:58 | 0:24:04 | |
That's your 400, there you go. | 0:24:04 | 0:24:07 | |
420 has it in the yellow. 430 in the doorway. | 0:24:07 | 0:24:10 | |
440 here. 450, sir. 450, 460, 470. | 0:24:10 | 0:24:14 | |
Yes? | 0:24:14 | 0:24:16 | |
Can't see you. Hiding behind the door now at 460 here. 470, do I see? | 0:24:16 | 0:24:22 | |
-That's amazing. -Any advance? At 460.. | 0:24:22 | 0:24:28 | |
Wow! | 0:24:28 | 0:24:30 | |
-Now, what do you think of that? -Brilliant. | 0:24:30 | 0:24:32 | |
Isn't it? It just goes to show how gold has rocketed through the roof. | 0:24:32 | 0:24:36 | |
It's exciting. Gold is attracting such high prices | 0:24:36 | 0:24:39 | |
at the moment, and that's been a real boon for Brian and Susan today. | 0:24:39 | 0:24:43 | |
I'm sure they're very keen to know how they've done. | 0:24:43 | 0:24:46 | |
So it's over to you, Paul. | 0:24:46 | 0:24:48 | |
I don't know about you, but I've had a fantastic day. | 0:24:48 | 0:24:50 | |
-Have you enjoyed yourself? -Yeah. -It's been a bit up and down. | 0:24:50 | 0:24:54 | |
We won't mention the cocktail cabinet ever again, all right? | 0:24:54 | 0:24:57 | |
That's now gone. But things have added up nicely, actually. | 0:24:57 | 0:25:00 | |
And I'm pleased to tell you that today you've made a total of £1,147. | 0:25:00 | 0:25:07 | |
That's lovely. That's brilliant. That's good. | 0:25:07 | 0:25:09 | |
I think that's fantastic, don't you? | 0:25:09 | 0:25:11 | |
Brilliant. | 0:25:11 | 0:25:13 | |
Susan and Brian are just delighted that their | 0:25:17 | 0:25:19 | |
auction outcome was high enough to pay for the Evans family portrait | 0:25:19 | 0:25:22 | |
that she's wanted for so long. | 0:25:22 | 0:25:24 | |
Son Barry is just as keen as his mum to pose for the camera. | 0:25:24 | 0:25:29 | |
I think it will be really good | 0:25:29 | 0:25:31 | |
to have a picture of all of us together. | 0:25:31 | 0:25:33 | |
And their three granddaughters | 0:25:33 | 0:25:36 | |
seem to be enjoying the entire experience. | 0:25:36 | 0:25:39 | |
I want to see some serious attitude. | 0:25:39 | 0:25:42 | |
Come on! | 0:25:42 | 0:25:45 | |
That's it, hands on hips, that's it. | 0:25:45 | 0:25:47 | |
Grit your teeth. We'll get you girls on the front of Heat magazine yet. | 0:25:49 | 0:25:53 | |
Isn't it wonderful to have all those photographs for the family album? | 0:25:57 | 0:26:02 | |
Better than the ones I had! | 0:26:02 | 0:26:04 | |
It went very well. Very entertaining. | 0:26:04 | 0:26:09 | |
Much better than I thought, yes, definitely. | 0:26:09 | 0:26:12 | |
Subtitles by Red Bee Media Ltd | 0:26:16 | 0:26:19 |