Browse content similar to Norton. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to the programme that helps you hunt for treasures | 0:00:02 | 0:00:05 | |
and then sells them at auction. | 0:00:05 | 0:00:07 | |
It's really sad when a life partner dies and leaves you on your own. | 0:00:07 | 0:00:11 | |
It's tough, especially when it comes to making decisions by yourself. | 0:00:11 | 0:00:15 | |
What happens if you decide you're going to downsize? | 0:00:15 | 0:00:19 | |
There are things you're going to have to keep | 0:00:19 | 0:00:21 | |
and others you're going to have to part with. | 0:00:21 | 0:00:23 | |
And it's difficult deciding which ones should go, | 0:00:23 | 0:00:26 | |
especially when many of them have sentimental associations. | 0:00:26 | 0:00:30 | |
But those are the problems facing a lady | 0:00:30 | 0:00:33 | |
I'm about to meet on Cash In The Attic. | 0:00:33 | 0:00:35 | |
Coming up on Cash In The Attic... | 0:00:55 | 0:00:58 | |
Some rather cheeky 20th cartoons. | 0:00:58 | 0:01:01 | |
You've quite a few risque ones here! | 0:01:01 | 0:01:04 | |
We'll have to put some sticky tape on at the auction. Censored! | 0:01:04 | 0:01:08 | |
Our expert shows off his knowledge of 18th century sculpture. | 0:01:08 | 0:01:12 | |
I can tell you what it is, it's a statue! | 0:01:12 | 0:01:15 | |
And unexpected interest in '70s silver at auction. | 0:01:15 | 0:01:19 | |
-I've got 11 bids. -11 bids. | 0:01:19 | 0:01:24 | |
But will we still be smiling at the end of the day? | 0:01:24 | 0:01:27 | |
You'll see when we crack that gavel. | 0:01:27 | 0:01:30 | |
Today I'm on the outskirts of Doncaster where I'm about to | 0:01:30 | 0:01:33 | |
meet a lady called Annette who has called in the team to help her | 0:01:33 | 0:01:38 | |
raise money for two special trips. | 0:01:38 | 0:01:41 | |
Keen calligrapher Annette Norton left school at 15 to join | 0:01:42 | 0:01:47 | |
her parents, who worked for Sheffield Steel. | 0:01:47 | 0:01:50 | |
Later jobs found her in a stockbrokers and at Midland Bank | 0:01:50 | 0:01:54 | |
and in 1980 she married Derek Norton, | 0:01:54 | 0:01:56 | |
a notable figure in the British steel industry, | 0:01:56 | 0:01:59 | |
who sadly died in 2008. | 0:01:59 | 0:02:00 | |
Joining Annette today at her Doncaster home is her youngest sister, Andrena. | 0:02:02 | 0:02:07 | |
The two share fond memories of childhood holidays caravanning in Bridlington. | 0:02:07 | 0:02:12 | |
But Annette is planning a trip that's somewhat more adventurous. | 0:02:12 | 0:02:15 | |
She's called in the Cash team to help. | 0:02:15 | 0:02:18 | |
-Hi, Annette! And this is one of your sisters. -This is Andrena. | 0:02:18 | 0:02:23 | |
-You've another sister as well. -Yes, Arlene. | 0:02:23 | 0:02:27 | |
Your mum must have had a sense of humour calling the three of you with As. | 0:02:27 | 0:02:30 | |
All ADs, actually. Andrena Diane, Annette Delicia and Arlene Denise! | 0:02:30 | 0:02:36 | |
-That must have led to complications! -It did a little. | 0:02:36 | 0:02:40 | |
It did when I was younger. | 0:02:40 | 0:02:42 | |
I was the first one in from school so the post arrived | 0:02:42 | 0:02:46 | |
and anything address to Miss AD Clark, I opened them! | 0:02:46 | 0:02:51 | |
-So, I knew what the boyfriends were saying before they did. -She did. | 0:02:51 | 0:02:55 | |
-And you still stayed friends. -We did. -Amazing. | 0:02:55 | 0:02:58 | |
-You're going to help us today. -I'll try. | 0:02:58 | 0:03:00 | |
So why, Annette have you called in Cash In The Attic? | 0:03:00 | 0:03:03 | |
We're hoping a world cruise with the family | 0:03:03 | 0:03:05 | |
and visit my pen friend of 58 years. | 0:03:05 | 0:03:09 | |
-I've never been over to see her. -Where is she? -She's in Texas. | 0:03:09 | 0:03:13 | |
-Fantastic. How much you think that's going to cost? Quite a lot. -A lot. | 0:03:13 | 0:03:20 | |
How much do we hope to raise today towards that? | 0:03:20 | 0:03:22 | |
-Hopefully about £1,000. -Well, I've brought just the man for the job. | 0:03:22 | 0:03:26 | |
It's Paul Hayes and I know he's already started | 0:03:26 | 0:03:29 | |
looking for things we can take to auction. | 0:03:29 | 0:03:31 | |
Why don't you go and see what you can find and we'll meet Paul? | 0:03:31 | 0:03:35 | |
Great! | 0:03:35 | 0:03:37 | |
With two rather expensive holidays on the cards, | 0:03:37 | 0:03:39 | |
£1,000 should be just the ticket so let's hope | 0:03:39 | 0:03:43 | |
we can find enough goodies around the house to make it happen. | 0:03:43 | 0:03:46 | |
Our expert, Paul Hayes, is a bit of a bloodhound with | 0:03:46 | 0:03:49 | |
a good nose for antiques. Nearly 30 years in the business | 0:03:49 | 0:03:52 | |
has taught him to follow a lead, to canine-themed etchings like these. | 0:03:52 | 0:03:57 | |
There we are. Here's Paul. I told you he'd be hard at work all ready. | 0:03:57 | 0:04:01 | |
-What have you found? -Some risque pictures. Cover your eyes, ladies. | 0:04:01 | 0:04:05 | |
Where did these come from? | 0:04:05 | 0:04:06 | |
My husband, Derek, was chairman of a company in Sheffield | 0:04:06 | 0:04:11 | |
and a member of the board bought these for him. | 0:04:11 | 0:04:13 | |
One at a time, each year, for his birthday. | 0:04:13 | 0:04:15 | |
He thought they resembled the board members. | 0:04:15 | 0:04:18 | |
-So, if that's the board of directors, which one is Derek? -The bulldog! | 0:04:18 | 0:04:21 | |
Who else could it possibly be? | 0:04:21 | 0:04:24 | |
But these are quite famous cartoons, aren't they? | 0:04:24 | 0:04:26 | |
Yeah, these were popular in the 1920s and 1930s. | 0:04:26 | 0:04:29 | |
There were two artists, one called Hubert and one called O'Klein. | 0:04:29 | 0:04:32 | |
You've got the O'Klein version. | 0:04:32 | 0:04:34 | |
But they all capture this 1920/1930s French Parisian scene. | 0:04:34 | 0:04:38 | |
The days of decadence, jazz, that sort of thing. | 0:04:38 | 0:04:42 | |
They're always doing toilet humour. There's all sorts of humour. Could you translate that for me? | 0:04:42 | 0:04:48 | |
It's colloquial French but what he's saying is, "Oh, to be a free dog!" | 0:04:48 | 0:04:53 | |
You've got all these little dogs that aren't on leads | 0:04:53 | 0:04:56 | |
chasing this rather attractive little bitch here. | 0:04:56 | 0:04:59 | |
-Unfortunately, he's got the lead on and can't join them. -Right. | 0:04:59 | 0:05:03 | |
That's the tamest of the ones I've seen. | 0:05:03 | 0:05:06 | |
They are quite valuable, aren't they? | 0:05:06 | 0:05:08 | |
Yes, they're very collectible. | 0:05:08 | 0:05:10 | |
The more risque they are, the more desirable they tend to be. | 0:05:10 | 0:05:13 | |
And you've got quite a few risque ones here! | 0:05:13 | 0:05:17 | |
I'll put some sticky tape on at the auction. Censored! | 0:05:17 | 0:05:21 | |
Joking apart, you have a set of five here. I'd say around the £100 mark. | 0:05:21 | 0:05:27 | |
70-100 will give them a chance. | 0:05:27 | 0:05:29 | |
-Hopefully somebody will want to spend a penny! -Oh, Paul! | 0:05:29 | 0:05:32 | |
-And it's so early in the day. -I know! Sorry about that! | 0:05:32 | 0:05:36 | |
No time for comfort breaks, Paul, | 0:05:38 | 0:05:40 | |
if we want to send Annette and her sisters around the world. | 0:05:40 | 0:05:43 | |
Andrena has been hard at work and thinks this 19th century | 0:05:43 | 0:05:47 | |
mahogany side table might be worth our consideration. | 0:05:47 | 0:05:50 | |
It used to belong to Annette's mother-in-law and Paul reckons | 0:05:50 | 0:05:53 | |
it could fetch in the region of £100 to £150 at auction. | 0:05:53 | 0:05:58 | |
Paul, can you look at this? | 0:05:58 | 0:06:02 | |
What have you got? Oh, I wasn't expecting that! | 0:06:03 | 0:06:05 | |
Look at that! So, who plays the saxophone? | 0:06:05 | 0:06:10 | |
Well, Derek was trying to learn to play. | 0:06:10 | 0:06:13 | |
What sort of music did he like, rock and roll or jazz? | 0:06:13 | 0:06:17 | |
He really liked all kinds of music. A broad spectrum of different things. | 0:06:17 | 0:06:20 | |
Well, this is a very versatile instrument. | 0:06:20 | 0:06:24 | |
It was designed for military bands, military brass bands. | 0:06:24 | 0:06:28 | |
Of course, you'd have to be heard over the noise of the drums. | 0:06:28 | 0:06:31 | |
It's a very loud instrument. | 0:06:31 | 0:06:33 | |
The 1930s and '40s, we get the jazz era and rock and roll. | 0:06:33 | 0:06:37 | |
It's wonderful - I think Buddy Holly, True Love Ways and Bill Haley, | 0:06:37 | 0:06:42 | |
Rock Around The Clock, saxophones, wonderful stuff. | 0:06:42 | 0:06:47 | |
The basic concept is it's a reed instrument. | 0:06:47 | 0:06:49 | |
If I get the end piece here. In here would be a little reed. | 0:06:49 | 0:06:52 | |
Of course, it uses the vibrations on this reed to create the sound. | 0:06:52 | 0:06:56 | |
That's then amplified and affected by these buttons. Very clever. | 0:06:56 | 0:07:00 | |
-Is it something you wanted to take up yourself? -No, I don't think so. | 0:07:00 | 0:07:04 | |
It's boxed, in mint condition | 0:07:04 | 0:07:06 | |
and I imagine it's been quite expensive when bought. | 0:07:06 | 0:07:09 | |
To give it a chance at auction I'd like to put it in with | 0:07:09 | 0:07:13 | |
an estimate of less than £100. | 0:07:13 | 0:07:15 | |
If I said £60 to £100 as an estimate and go from there. | 0:07:15 | 0:07:19 | |
-How does that sound? -Yes, fine. -Is that music to your ears? -Yes! | 0:07:19 | 0:07:23 | |
I hope that Paul is right and the saxophone hits all the right notes on sale day. | 0:07:23 | 0:07:28 | |
He started at 70! | 0:07:30 | 0:07:31 | |
As our rummage continues, I notice more of the wonderful things Annette has collected. | 0:07:31 | 0:07:36 | |
I'd like to know more about her - | 0:07:36 | 0:07:39 | |
the distant pen-pal she mentioned and those childhood holidays with her sisters. | 0:07:39 | 0:07:44 | |
We can take the weight off our feet for five minutes. | 0:07:44 | 0:07:48 | |
The thing I love about you three sisters is you're going on this cruise together | 0:07:48 | 0:07:52 | |
but you've grown up being really close. | 0:07:52 | 0:07:56 | |
Yes, we have. | 0:07:56 | 0:07:58 | |
All our younger lives especially. As we've got older we've | 0:07:58 | 0:08:03 | |
not seen quite as much of each other but we do get on well. | 0:08:03 | 0:08:07 | |
And you always went on holiday together? | 0:08:07 | 0:08:08 | |
We did, we had some great times. We went to Bridlington every year | 0:08:08 | 0:08:12 | |
for the same two weeks every year. | 0:08:12 | 0:08:15 | |
-In a converted bus. -Yes! We lived for two weeks in a converted bus. | 0:08:15 | 0:08:19 | |
-Whose was the bus? -It was somebody on the camp-site. | 0:08:19 | 0:08:23 | |
I'm not sure how Mum and Dad found it. | 0:08:23 | 0:08:25 | |
-It was great. -Everybody else stayed in beautiful caravans. We stayed in a bus! | 0:08:25 | 0:08:32 | |
THEY LAUGH | 0:08:32 | 0:08:33 | |
Annette, tell me about this pen-pal of yours | 0:08:33 | 0:08:36 | |
because you've been writing to each other since you were seven. | 0:08:36 | 0:08:39 | |
Yes. We started writing to each other because a girl from America | 0:08:39 | 0:08:46 | |
came into my class at school and she was a friend of hers. | 0:08:46 | 0:08:49 | |
I joined in and wrote to her. | 0:08:49 | 0:08:51 | |
And over the years she's been to visit me twice | 0:08:51 | 0:08:56 | |
but I've never felt able to go over there. | 0:08:56 | 0:09:00 | |
I'm making the effort this year and I'll visit. | 0:09:00 | 0:09:04 | |
When you actually met, there must have been a moment when | 0:09:04 | 0:09:06 | |
-you thought in spite of all this, am I going to like her? -True! | 0:09:06 | 0:09:10 | |
Yes, there was. | 0:09:10 | 0:09:11 | |
But as it happened, we were an instant click. | 0:09:11 | 0:09:15 | |
Tell me about this holiday, whose idea was it that you were going to go together? | 0:09:15 | 0:09:20 | |
It was mine, I'm afraid! | 0:09:20 | 0:09:22 | |
I retire this year so we were talking about the fact we'd follow | 0:09:22 | 0:09:27 | |
it through and I'd do this world cruise | 0:09:27 | 0:09:30 | |
so they decided they would come along and spoil it for me! | 0:09:30 | 0:09:33 | |
-So, we need that £1,000 to get you on your way. -We certainly do. | 0:09:34 | 0:09:38 | |
Well, I think Paul has been quite busy finding things to take to auction. | 0:09:38 | 0:09:42 | |
-Shall we see how he's doing? -Yes. -Good idea. | 0:09:42 | 0:09:44 | |
It looks a bit drizzly outside. | 0:09:46 | 0:09:48 | |
Here in the lounge, Paul can't resist finding Annette's favourite | 0:09:48 | 0:09:52 | |
creatures of the deep. | 0:09:52 | 0:09:55 | |
Presents from colleagues of her husband who knew of her love | 0:09:55 | 0:09:57 | |
for dolphins - this pair of decorative tables will | 0:09:57 | 0:10:00 | |
hopefully entertain the bidders for £100 to £140 | 0:10:00 | 0:10:04 | |
without the auctioneer jumping through too many hoops! | 0:10:04 | 0:10:07 | |
Don't blink! I think she just moved. | 0:10:07 | 0:10:09 | |
Perhaps she wants a brolly. | 0:10:09 | 0:10:12 | |
Angela, we've had this statue in the garden for quite some time | 0:10:12 | 0:10:15 | |
and I'm thinking maybe I should move it on. | 0:10:15 | 0:10:18 | |
What do you think? | 0:10:18 | 0:10:20 | |
It's rather splendid. Shall we have a look? | 0:10:20 | 0:10:22 | |
-Yes. -Oh, hang on! It's pouring with rain out there. Paul! | 0:10:22 | 0:10:26 | |
-Uh-huh! -Can you come and join us? | 0:10:26 | 0:10:29 | |
-Hello. -Paul, you see out there in the garden? -I do. | 0:10:29 | 0:10:32 | |
There's this lovely statue. Would you like to go and take a look at it? | 0:10:32 | 0:10:36 | |
I think I would. | 0:10:36 | 0:10:38 | |
-Bleurgh! -While he's having a look at it, where does it come from? | 0:10:38 | 0:10:42 | |
She was actually in an apartment that Derek was living in, | 0:10:42 | 0:10:46 | |
in Sheffield, when I first knew him. | 0:10:46 | 0:10:48 | |
-And... -Where, in an apartment, would you keep that? | 0:10:48 | 0:10:51 | |
She was actually in the entrance hall. | 0:10:51 | 0:10:53 | |
The first time we moved into our own house. | 0:10:53 | 0:10:55 | |
She moved into the garden. And there's she's been ever since. | 0:10:55 | 0:11:00 | |
Each time we move, she's moved with us. | 0:11:00 | 0:11:03 | |
But, unfortunately, the last move, she did get some damage. | 0:11:03 | 0:11:06 | |
-To the hand? -To the hand, yes. | 0:11:06 | 0:11:08 | |
And, I stuck her back together with super glue but... | 0:11:08 | 0:11:11 | |
One or two pieces were still missing. | 0:11:11 | 0:11:13 | |
Why have you kept her, though? What was the sentimental value? | 0:11:13 | 0:11:17 | |
We thought she was lucky. And so, wherever we went, she came with us. | 0:11:17 | 0:11:21 | |
And we called her Moliath. We gave her a name. | 0:11:21 | 0:11:24 | |
-Moliath! -So, Moliath moved everywhere. -Instead of Goliath? -Correct. | 0:11:24 | 0:11:28 | |
-Paul! Do you want to come and tell us about the statue then? -Well... | 0:11:28 | 0:11:33 | |
I'll tell you what it is. It's a statue. | 0:11:33 | 0:11:35 | |
It's quite a nice one, actually. | 0:11:35 | 0:11:37 | |
Have you ever had it valued before? | 0:11:37 | 0:11:39 | |
Some years ago we did send her to auction. | 0:11:39 | 0:11:42 | |
And we regretted it. So... | 0:11:42 | 0:11:44 | |
We decided to fetch her back instead of letting the sale go through. | 0:11:44 | 0:11:48 | |
-So, how long have you had it yourself? -30 years. -OK. | 0:11:48 | 0:11:51 | |
-Was it new then...? -No, no! | 0:11:51 | 0:11:52 | |
-No. -Right. | 0:11:52 | 0:11:54 | |
If I said, sort of 300 to 500, how does that sound? | 0:11:54 | 0:11:57 | |
Fine! Yeah, great. | 0:11:57 | 0:11:58 | |
-Moliath, you're going to a new home. -Moliath?! | 0:11:58 | 0:12:01 | |
-Yes, Moliath. I'll tell you later. Shall we go and see what else we can find? -Right. | 0:12:01 | 0:12:07 | |
Here's hoping lucky Moliath's patina is pretty enough for bidders at the auction. | 0:12:07 | 0:12:11 | |
Time to find Andrena again. | 0:12:11 | 0:12:13 | |
Scouring the kitchen, she's found these shop scales - | 0:12:13 | 0:12:16 | |
inherited from Derek's mother. | 0:12:16 | 0:12:18 | |
They were made by Avery, an old West Midlands company. | 0:12:18 | 0:12:22 | |
And they're marked with imperial measurements. | 0:12:22 | 0:12:24 | |
The weighty reading of £40 to £60 takes us | 0:12:24 | 0:12:28 | |
closer to our target. | 0:12:28 | 0:12:30 | |
As we continue sorting through Annette's vases and ornaments, dotted around the place, | 0:12:30 | 0:12:34 | |
this lady writer reminds me there's something surely missing from Derek's old office. | 0:12:34 | 0:12:41 | |
No time for slacking. Come on! This is nice, isn't it? | 0:12:41 | 0:12:44 | |
-It is. It's beautiful. -Look at that! | 0:12:44 | 0:12:47 | |
-Now then, so what does Annette use this for? -It was in Derek's office. -OK. | 0:12:47 | 0:12:51 | |
-So it's surplus now to requirements. -It is now, yes. -It's a type of captain's chair. | 0:12:51 | 0:12:56 | |
-Have you heard of that expression before? -I haven't. | 0:12:56 | 0:13:00 | |
Oddly enough, that was Derek's nickname. | 0:13:00 | 0:13:02 | |
-Was it really? -The Captain! -The Captain! | 0:13:02 | 0:13:05 | |
-Right, it's really suitable, isn't it? -Absolutely! -It's quite modern. | 0:13:05 | 0:13:10 | |
I'd say you're looking maybe '70s, '80s - maybe a bit more modern than that. | 0:13:10 | 0:13:14 | |
They swivel around. You can imagine a sea captain who is able to get at all his controls | 0:13:14 | 0:13:17 | |
and his wheel and so on. That's where the inspiration comes from. | 0:13:17 | 0:13:20 | |
And in about 1840/1850, they started to produce this wonderful, quilted leather. | 0:13:20 | 0:13:25 | |
Everything was stuffed and comfortable. | 0:13:25 | 0:13:28 | |
They had these shorter arms for the simple reason, | 0:13:28 | 0:13:30 | |
if you're a Victorian lady and you had crinoline dresses, | 0:13:30 | 0:13:34 | |
all your dress would be able to wrap around the sides here. | 0:13:34 | 0:13:38 | |
But, it's in remarkable condition. It's hardly been used. | 0:13:38 | 0:13:40 | |
-It is - it's beautiful. -So, is it sentimental? -No, I don't think so. | 0:13:40 | 0:13:44 | |
If I said, at auction, maybe £150 to £200, how does that sound? | 0:13:44 | 0:13:50 | |
-That sounds OK to me. -OK. Let's keep looking. | 0:13:50 | 0:13:53 | |
I'm sure the captain won't mind if we send his old chair to auction. | 0:13:53 | 0:13:59 | |
Or any of the items that Annette has amassed | 0:13:59 | 0:14:01 | |
while pottering about in antique shops over the years. | 0:14:01 | 0:14:04 | |
For instance, this landscape was found in a box of odds and ends 40 years ago. | 0:14:04 | 0:14:09 | |
The signature is unclear but Paul still thinks that, | 0:14:09 | 0:14:11 | |
due to the quality, condition and the scene, it could do well. | 0:14:11 | 0:14:16 | |
He values it at a very promising £120 to £160. | 0:14:16 | 0:14:19 | |
Now, I've found some other framed pictures, which bear closer examination. | 0:14:19 | 0:14:23 | |
Here's Annette and her hubby enjoying an ice cream together. | 0:14:23 | 0:14:28 | |
with him beaming that lovely broad grin. | 0:14:28 | 0:14:31 | |
But, back in his days as a hero of the steel industry strikes, | 0:14:31 | 0:14:34 | |
Derek "Dan" Norton was occasionally depicted rather more humorously. | 0:14:34 | 0:14:38 | |
Annette, this cartoon, by Mac, that appeared in the Daily Mail, | 0:14:40 | 0:14:45 | |
is proof that Derek wasn't just a very important character in your life. | 0:14:45 | 0:14:50 | |
-He was a major figure in the industrial life of the Midlands. -He was, yes. | 0:14:50 | 0:14:56 | |
Of course, he was chairman of Hadfields, the steel company where | 0:14:56 | 0:15:00 | |
a lot of the trouble happened when the steel strike was going ahead in 1980. | 0:15:00 | 0:15:06 | |
Just remind us about what happened in that strike? | 0:15:06 | 0:15:08 | |
Um, well, he did refuse to pay any taxes to the Government whilst the strike was on. | 0:15:08 | 0:15:14 | |
He was going to... Eventually he knew he would have to pay. | 0:15:14 | 0:15:17 | |
But he was going to write the cheque on a billet - on a steel billet. | 0:15:17 | 0:15:20 | |
-That's one of the very big pieces of steel. -Yeah. | 0:15:20 | 0:15:24 | |
He was going to deliver it to the Inland Revenue on a truck. | 0:15:24 | 0:15:27 | |
But the bailiffs beat him to it. | 0:15:27 | 0:15:30 | |
-They came in to obviously demand the money, or goods. -Hence the caption here. | 0:15:30 | 0:15:36 | |
"Mrs Thatcher has sent an envoy, Sir, | 0:15:36 | 0:15:39 | |
"to persuade you to carry on paying your taxes." | 0:15:39 | 0:15:41 | |
There's our Henry. Henry Cooper. | 0:15:41 | 0:15:43 | |
-Yes. -That's Derek, of course. -Absolutely! | 0:15:43 | 0:15:45 | |
I've looked around the house and there are wonderful photographs everywhere. | 0:15:45 | 0:15:50 | |
-In every one, he's got a big smile on his face. -Yes. | 0:15:50 | 0:15:53 | |
-Always! He was always smiling. -He did become very ill towards the end of his life. -He did, I'm afraid, yes. | 0:15:53 | 0:16:00 | |
He was diagnosed with Type 2 diabetes. | 0:16:00 | 0:16:04 | |
Like most people, you don't take it very seriously. | 0:16:04 | 0:16:07 | |
But eventually he did lose a leg. And it overtook him in the end. | 0:16:07 | 0:16:13 | |
But he was always cheerful - always cheerful! Never moaned. | 0:16:13 | 0:16:17 | |
He'd just got on with it and still did some work. | 0:16:17 | 0:16:21 | |
Well, we want to make that cruise very special for you. | 0:16:21 | 0:16:24 | |
We got £1,000 to raise towards it, so... | 0:16:24 | 0:16:26 | |
-Shall we go and see what Paul and your sister have been up to? -Good idea! | 0:16:26 | 0:16:30 | |
'Derek was clearly an exceptional man.' | 0:16:30 | 0:16:33 | |
In the Doncaster home he shared with Annette, there are plenty more reminders of him. | 0:16:33 | 0:16:40 | |
This silver salver belonged to him before he met Annette. | 0:16:40 | 0:16:44 | |
It carries no special sentimental value. | 0:16:44 | 0:16:46 | |
It was made by the Sheffield silversmiths, Walker and Hall. | 0:16:46 | 0:16:49 | |
And the hallmark is 1977. Paul is impressed | 0:16:49 | 0:16:54 | |
and values it at a very pleasing £70 to £120. | 0:16:54 | 0:16:58 | |
Andrena! | 0:16:58 | 0:17:00 | |
Ah, now then, who's this chess set? | 0:17:00 | 0:17:02 | |
I believe it came from South Africa. | 0:17:02 | 0:17:05 | |
-It was a present from a friend of Derek's. -Are you a chess lover? | 0:17:05 | 0:17:09 | |
Yes, I can play but I'm not very good. | 0:17:09 | 0:17:11 | |
I know a lot of people who have chess sets just like this | 0:17:11 | 0:17:13 | |
and they never, ever get used. | 0:17:13 | 0:17:15 | |
But they make a fantastic present for somebody, don't they? | 0:17:15 | 0:17:17 | |
Well, it's a fantastic game but it dates back to the 16th century | 0:17:17 | 0:17:21 | |
and it's from India | 0:17:21 | 0:17:22 | |
and it used to be different armies were represented by different pieces. | 0:17:22 | 0:17:26 | |
But there's all different types of varieties of these. | 0:17:26 | 0:17:29 | |
Sometimes you get them solid ivory. | 0:17:29 | 0:17:30 | |
I've seen stone ones with all sorts of enamel work on them. | 0:17:30 | 0:17:35 | |
This one will be African. | 0:17:35 | 0:17:36 | |
And it's made from lignum vitae. Have you heard of that before? | 0:17:36 | 0:17:39 | |
-Never. -Right, well it's the densest wood known to man. | 0:17:39 | 0:17:42 | |
It's almost like ebony | 0:17:42 | 0:17:44 | |
but it has these little bits of white fleck in it. | 0:17:44 | 0:17:46 | |
-Can you see that? -Yes. -And it's the only wood that actually sinks. | 0:17:46 | 0:17:50 | |
If I said 25, up to about 45, | 0:17:50 | 0:17:53 | |
does that sound all right to you? | 0:17:53 | 0:17:56 | |
-It does to me. -Great. It's your move. | 0:17:56 | 0:17:58 | |
Come on, let's keep looking. | 0:17:58 | 0:18:00 | |
Annette never played chess at all, | 0:18:00 | 0:18:02 | |
so selling it is indeed a good move. | 0:18:02 | 0:18:05 | |
A step closer perhaps to a grand master target? | 0:18:05 | 0:18:07 | |
In this display cabinet, I spy a delicate Japanese tea set, | 0:18:08 | 0:18:11 | |
which Annette bought for £30 in 1982. | 0:18:11 | 0:18:14 | |
Paul values it still at around £30 to £40. | 0:18:14 | 0:18:16 | |
-Now then, Annette, I wanted to ask you about this clock. -Yes. | 0:18:19 | 0:18:23 | |
Is this really sentimental or can this go? | 0:18:23 | 0:18:26 | |
-Um, it is sentimental, but it can go. -Right, I see. | 0:18:26 | 0:18:29 | |
-So, is it a family heirloom? -Er, no. | 0:18:29 | 0:18:32 | |
I bought it from an antique shop for Derek one Christmas. | 0:18:32 | 0:18:35 | |
-And how long ago was that? -That would be around 1980, '81. | 0:18:35 | 0:18:40 | |
This is a very old clock, actually. | 0:18:40 | 0:18:41 | |
Have you got any idea how old this is? | 0:18:41 | 0:18:43 | |
-I was told it was around 1700 and something? -Well, you're dead right there. | 0:18:43 | 0:18:48 | |
This dates from the middle to the late 18th century | 0:18:48 | 0:18:51 | |
and we can tell that because of the square dial. | 0:18:51 | 0:18:53 | |
By the year 1800, and throughout the 19th century, | 0:18:53 | 0:18:56 | |
all the grandfather clocks tended to have this arch dial. | 0:18:56 | 0:19:00 | |
Sometimes you'll see a sun and moon or a different effect on the top. | 0:19:00 | 0:19:03 | |
The way to tell a good clock is how often you need to actually wind it up. | 0:19:03 | 0:19:07 | |
Now, if I just open it up, it has two weights. | 0:19:07 | 0:19:10 | |
That tells me that it runs for eight days. | 0:19:10 | 0:19:12 | |
It only needs winding up once a week. | 0:19:12 | 0:19:14 | |
Whereas with one weight, it needs winding up every day. | 0:19:14 | 0:19:17 | |
And it is in good condition. There's no sort of cracks or splits or anything. | 0:19:17 | 0:19:20 | |
It's a nice, solid oak. It's a Georgian piece. | 0:19:20 | 0:19:23 | |
But this one looks like it's been cut down to go into a smaller place. | 0:19:23 | 0:19:26 | |
If you have a look at the feet, that should actually sit off the ground, not dead flat like that. | 0:19:26 | 0:19:32 | |
And on here would be a finial, and of course that would've been too tall, so it's been reduced slightly in height. | 0:19:32 | 0:19:37 | |
Are you sure you want to part with it? | 0:19:37 | 0:19:40 | |
Um, I think so, yes. | 0:19:40 | 0:19:43 | |
-OK. Well, if I said between 400 and £600, how does that sound? -Mmm. | 0:19:43 | 0:19:48 | |
Is that a little less than you were expecting? | 0:19:48 | 0:19:51 | |
Can we hit it in the middle? | 0:19:51 | 0:19:52 | |
I wouldn't like to take less than 500, I think. | 0:19:52 | 0:19:54 | |
-So we'll put a reserve of 500? -Yes. -OK, we'll give that a go. | 0:19:54 | 0:19:57 | |
-Do I hear £500? -You certainly do. | 0:19:57 | 0:20:00 | |
-Well, for the clock? -For the clock, yes. | 0:20:01 | 0:20:03 | |
-That's splendid-looking... were you with your sister when she bought this? -I was. | 0:20:03 | 0:20:07 | |
So how do you feel about it leaving the house? | 0:20:07 | 0:20:09 | |
I won't to be sorry to see it go. | 0:20:09 | 0:20:11 | |
-I take it it's not your taste then? -No! | 0:20:11 | 0:20:13 | |
Someone who'll be happy to see the bidding go up, | 0:20:15 | 0:20:17 | |
-but £500 you're going to put on as a reserve? -I think so, yes. | 0:20:17 | 0:20:21 | |
OK, if we add that to all of the other things that he's looked at today | 0:20:21 | 0:20:24 | |
and again take the lowest estimate... | 0:20:24 | 0:20:27 | |
Well, you want to raise £1,000, but if all goes well at auction, | 0:20:27 | 0:20:32 | |
we should be able to make at least £1,565. | 0:20:32 | 0:20:35 | |
-Oh, wow. -That's great. | 0:20:35 | 0:20:39 | |
And that is only his lowest estimate, | 0:20:39 | 0:20:41 | |
so if we get more than that for any of the items, then, | 0:20:41 | 0:20:44 | |
going to Las Vegas will be a treat, darling. | 0:20:44 | 0:20:47 | |
-Marvellous. -Fantastic. | 0:20:49 | 0:20:50 | |
We've had great fun here in Doncaster with sisters Annette and Andrena, | 0:20:50 | 0:20:55 | |
finding a splendid variety of items to go to auction. | 0:20:55 | 0:20:59 | |
There's the rather cheeky set of dog prints | 0:20:59 | 0:21:02 | |
that might tickle the bidders' fancy at 70 to £100. | 0:21:02 | 0:21:05 | |
The splendid captain's chair, which Annette's husband adored. | 0:21:05 | 0:21:08 | |
We're hoping the bidders will love it too and pay upwards of £150. | 0:21:08 | 0:21:13 | |
And my particular favourite, Moliath, that enigmatic statue. | 0:21:13 | 0:21:19 | |
She's been a firm fixture in Annette's life, | 0:21:19 | 0:21:21 | |
but she's leaving the garden for good | 0:21:21 | 0:21:23 | |
with an estimate of 300 to £500. | 0:21:23 | 0:21:25 | |
I've got no doubt she's going to be the centre of attention again. | 0:21:25 | 0:21:29 | |
Still to come on Cash In The Attic... | 0:21:32 | 0:21:35 | |
The bidders are queuing up to get their hands on our items. | 0:21:35 | 0:21:38 | |
260. 270. 280. Up 270, on commission, 280 now. | 0:21:38 | 0:21:44 | |
-As for others, we'd struggle to give them away. -£40? | 0:21:44 | 0:21:48 | |
-I'll take it home. -A little bit too much, I think. | 0:21:48 | 0:21:51 | |
So, will we make that all-important target? Be there when the hammer falls. | 0:21:51 | 0:21:55 | |
You join me now at Bamford's Auctioneers in Derby, | 0:22:02 | 0:22:05 | |
where I'm waiting to meet up with Annette and her sister Andrena. | 0:22:05 | 0:22:09 | |
It's almost two weeks since we joined them | 0:22:09 | 0:22:12 | |
at Annette's home just outside Doncaster. | 0:22:12 | 0:22:15 | |
And I have to say, I was fascinated | 0:22:15 | 0:22:17 | |
to hear about the career of her late husband in the steel industry | 0:22:17 | 0:22:21 | |
and to join with her in the excitement of the world cruise | 0:22:21 | 0:22:25 | |
she's planning with the whole family. So let's hope that her items | 0:22:25 | 0:22:28 | |
really appeal to the bidders today and that they'll help us | 0:22:28 | 0:22:32 | |
to make that £1,000 target. | 0:22:32 | 0:22:34 | |
Bamford's Auctioneers hold a general sale in Derby several times a month | 0:22:36 | 0:22:40 | |
and there's always a rich variety of items on offer. | 0:22:40 | 0:22:43 | |
Today is no exception. | 0:22:43 | 0:22:46 | |
Now, one man who enjoys the cut and thrust of the sale room | 0:22:46 | 0:22:49 | |
is our expert, Paul Hayes. | 0:22:49 | 0:22:52 | |
Paul, I know that Annette had a real fascination for dolphins, didn't she? | 0:22:53 | 0:22:56 | |
The house was full of them. | 0:22:56 | 0:22:58 | |
Yes. I think she's a bit loath to part with them actually, | 0:22:58 | 0:23:00 | |
because I realise there's only one dolphin table here | 0:23:00 | 0:23:03 | |
and there should be two so unless one swam away somewhere... | 0:23:03 | 0:23:05 | |
And made a swim for it, yes. | 0:23:05 | 0:23:07 | |
She had some terrific items in the house. | 0:23:07 | 0:23:09 | |
I have to say, I think one of the most unusual to get here | 0:23:09 | 0:23:12 | |
is that enormous garden statue. | 0:23:12 | 0:23:13 | |
It certainly is. I don't know how it's got here, | 0:23:13 | 0:23:15 | |
but I have seen it, so it's in one piece, which is great. | 0:23:15 | 0:23:18 | |
It's such a difficult thing to value, those items, | 0:23:18 | 0:23:21 | |
but let's see how it goes. | 0:23:21 | 0:23:22 | |
I know it will be music to your ears if we sell that saxophone today. | 0:23:22 | 0:23:25 | |
Yes, that's a great instrument, almost in brand new condition, | 0:23:25 | 0:23:28 | |
but I can't get a note out of it at all. | 0:23:28 | 0:23:30 | |
Hopefully it will raise quite a few notes when it goes under the hammer. | 0:23:30 | 0:23:33 | |
Let's go and see Annette. I think she's just arrived with her sister. | 0:23:33 | 0:23:36 | |
Paul is confident of a successful day | 0:23:36 | 0:23:39 | |
and while Annette and Andrena have been saying goodbye to Moliath, | 0:23:39 | 0:23:42 | |
Paul and I have received some unexpected news from the auctioneer. | 0:23:42 | 0:23:45 | |
I think the girls are going to want to hear this. | 0:23:45 | 0:23:48 | |
-Hey. -You're taking a final look at Moliath, aren't you? -We are. | 0:23:48 | 0:23:52 | |
When you came in, didn't I see you sneaking a little kiss | 0:23:52 | 0:23:55 | |
-on her nose just to say goodbye? -I did. | 0:23:55 | 0:23:57 | |
Are you going to miss her then? | 0:23:57 | 0:23:59 | |
I am, because we've had her a long time. It'll be sad to see her go. | 0:23:59 | 0:24:02 | |
I have to tell you some bad news, I'm afraid. | 0:24:02 | 0:24:05 | |
-She's not going to be sold today. -Why? | 0:24:05 | 0:24:08 | |
But there's good news as to why she's not going to be sold. Paul. | 0:24:08 | 0:24:12 | |
I have some really good news for you, actually. I've had a chat to the auctioneer, | 0:24:12 | 0:24:16 | |
he's had a bit of time to study this statue and he thinks it's fairly old. | 0:24:16 | 0:24:19 | |
It could be a genuine item of antiquity. | 0:24:19 | 0:24:21 | |
It could be a couple of hundred years old, all right? | 0:24:21 | 0:24:24 | |
-And that makes a big difference to the value. -Really? | 0:24:24 | 0:24:27 | |
Now we said 300 to 500, | 0:24:27 | 0:24:29 | |
but he thinks it could do very well | 0:24:29 | 0:24:30 | |
and he thinks rather than sell it here today, | 0:24:30 | 0:24:33 | |
put it into a fine art sale to give it its best chance of getting a bit of promotion. | 0:24:33 | 0:24:36 | |
-Fantastic. -What sort of money do we think, Paul? | 0:24:36 | 0:24:39 | |
-Well, he's talking in the thousands. -No! -Straight up, yes. | 0:24:39 | 0:24:44 | |
We'll book another cruise! | 0:24:47 | 0:24:49 | |
She may not be being sold today, but we have got | 0:24:49 | 0:24:53 | |
a lot of other things that are going to go under the hammer. | 0:24:53 | 0:24:55 | |
You've got the dog pictures behind you there | 0:24:55 | 0:24:57 | |
and of course, the dolphin tables. | 0:24:57 | 0:24:59 | |
Now, Paul and I noticed there's only one, when originally there were two. | 0:24:59 | 0:25:03 | |
Um, I... I didn't want to part with that one. | 0:25:03 | 0:25:05 | |
It was sentimental value, really. | 0:25:05 | 0:25:09 | |
So I decided to keep it. | 0:25:09 | 0:25:11 | |
And Moliath, well she's going to be here for a few weeks yet, | 0:25:11 | 0:25:14 | |
but that is going to be such an exciting sale, | 0:25:14 | 0:25:16 | |
-as I hope this one will be, so let's take our places. -Thank you. | 0:25:16 | 0:25:20 | |
So, exciting developments there, regarding Moliath. | 0:25:21 | 0:25:25 | |
But whilst we were carried away with that news, | 0:25:25 | 0:25:27 | |
Annette forgot to mention that she's also decided | 0:25:27 | 0:25:30 | |
not to bring her long case clock. | 0:25:30 | 0:25:33 | |
So, we're now three lots down and stand to lose out by around £750. | 0:25:33 | 0:25:38 | |
That means that our auction total today, without Moliath, | 0:25:38 | 0:25:42 | |
is likely to be nearer the £800 mark, | 0:25:42 | 0:25:44 | |
rather than the £1500 or so that Paul estimated at the house. | 0:25:44 | 0:25:48 | |
With the auctioneer in position and the sale under way, | 0:25:48 | 0:25:51 | |
we take our positions in time for an item that did make it to the auction. | 0:25:51 | 0:25:55 | |
Eyes down, everyone for the stylish African chess set. | 0:25:55 | 0:25:59 | |
-Did you and your husband ever actually play chess? -No, I didn't. | 0:26:00 | 0:26:04 | |
My husband did. | 0:26:04 | 0:26:05 | |
-And Andrena, you don't play either, do you? -No, I don't play. Far too boring for me. | 0:26:05 | 0:26:10 | |
But not a boring price tag, £25? | 0:26:10 | 0:26:13 | |
Exactly. This is complete, this chess set, | 0:26:13 | 0:26:15 | |
which is very important. It's very difficult to match up | 0:26:15 | 0:26:18 | |
and marry up anything missing here. Of course, | 0:26:18 | 0:26:20 | |
you have a bit of tribal interest, | 0:26:20 | 0:26:21 | |
but I think it's very well carved. I really like this. | 0:26:21 | 0:26:24 | |
Lot number 50, 20th century... | 0:26:24 | 0:26:27 | |
African chess set. | 0:26:27 | 0:26:28 | |
-Good lot. -He likes it, doesn't he? | 0:26:28 | 0:26:32 | |
-And I have got four bids on it. -Ooh! -I've got four at £35. 38, I'm bid. | 0:26:32 | 0:26:37 | |
At £35, and eight now. At £35, 38. 40. 2. | 0:26:37 | 0:26:42 | |
At £40, on commission and two now. | 0:26:42 | 0:26:44 | |
At £40, a very pretty lot indeed. Two, do I see? One more? Two. | 0:26:44 | 0:26:49 | |
45. 48. | 0:26:49 | 0:26:50 | |
Selling at £45, eight do I see? | 0:26:50 | 0:26:54 | |
At 45, on commission and selling. At 45. 48 bid. | 0:26:54 | 0:26:57 | |
At 48 to the right. 50 now. | 0:26:57 | 0:26:59 | |
At £48, all done and selling? At £48. | 0:26:59 | 0:27:04 | |
-48. -Yes! -Fantastic. -Well done. | 0:27:04 | 0:27:06 | |
You've never been to an auction before, have you? | 0:27:06 | 0:27:09 | |
-Are you enjoying it? -I am. It's great. Absolutely fantastic. | 0:27:09 | 0:27:14 | |
-Is it the first time for both of you? -Yes, absolutely. | 0:27:14 | 0:27:17 | |
Now, just keep your hands to yourself. | 0:27:17 | 0:27:19 | |
Get excited but don't bid for anything. | 0:27:19 | 0:27:21 | |
Well, that's certainly how we like to kick off a day at auction. | 0:27:24 | 0:27:27 | |
£3 above top estimate | 0:27:27 | 0:27:29 | |
and our first contribution towards the holiday fund. | 0:27:29 | 0:27:32 | |
Let's hope our good fortune continues | 0:27:32 | 0:27:34 | |
with the sale of our second lot. It's the Japanese eggshell tea set. | 0:27:34 | 0:27:39 | |
OK, something very, very delicate now. | 0:27:39 | 0:27:41 | |
It's that beautiful Japanese tea service. | 0:27:41 | 0:27:43 | |
Nicely painted and it's a cracker. | 0:27:43 | 0:27:45 | |
-Was this like a family heirloom? -Um, I bought it myself in Scarborough. | 0:27:45 | 0:27:50 | |
From Scarborough. Not very exotic, was it? | 0:27:50 | 0:27:53 | |
I thought with all the travel that you and Derek did, | 0:27:53 | 0:27:56 | |
you might have gone to Japan just to buy it. | 0:27:56 | 0:27:58 | |
I wish we had. | 0:27:58 | 0:28:00 | |
Early 20th century Japanese eggshell tea service. | 0:28:00 | 0:28:03 | |
And £30, please. £30. 20 then. £20? | 0:28:03 | 0:28:07 | |
15 then, let's start it. 15 bid. 18 now. 18. 20. 20? Two. | 0:28:07 | 0:28:13 | |
25? At 22 in centre five now. £22 and five, do I see? 25. 28. | 0:28:13 | 0:28:21 | |
At £25 now. All done at 25? | 0:28:22 | 0:28:26 | |
I could see people rubbing their noses but they weren't bidding, I'm afraid, | 0:28:26 | 0:28:30 | |
they were just rubbing their noses! | 0:28:30 | 0:28:33 | |
So lots of fidgeting going on in the crowd. But not a lot of buying. | 0:28:33 | 0:28:40 | |
Can our next item register a few more pounds? | 0:28:40 | 0:28:44 | |
They were terrific, did you actually use them when you were cooking? | 0:28:44 | 0:28:47 | |
I did, yes. | 0:28:47 | 0:28:49 | |
I use them all the time. So I'll have to get some new ones. | 0:28:49 | 0:28:52 | |
She's a very good cook, isn't she? | 0:28:52 | 0:28:54 | |
She is a good cook, she's an excellent cook. | 0:28:54 | 0:28:56 | |
-But she needs some modern scales, electronic ones. -Take her shopping. Let's see how they do. | 0:28:56 | 0:29:01 | |
Lot number 70 is a set of 1970s or early '80s Avery shop scales | 0:29:01 | 0:29:07 | |
and we have got two bids on them. | 0:29:07 | 0:29:10 | |
We'll start at £32. Five, do I see? | 0:29:10 | 0:29:13 | |
35. 38. 40. | 0:29:13 | 0:29:16 | |
At £40, 42 at the back. 45, 48. | 0:29:16 | 0:29:20 | |
Yes? | 0:29:20 | 0:29:22 | |
48. | 0:29:22 | 0:29:24 | |
And 50? | 0:29:24 | 0:29:25 | |
-Go on. -At 48. Shake of the head at £48. 50 now. | 0:29:25 | 0:29:28 | |
At £48, all done and selling at 48? | 0:29:28 | 0:29:32 | |
-I think you can afford a new pair of scales. -Absolutely. Good idea. | 0:29:33 | 0:29:37 | |
And that's another good result, | 0:29:37 | 0:29:40 | |
selling mid-estimate. | 0:29:40 | 0:29:42 | |
And we've broken through the £100 barrier. | 0:29:42 | 0:29:44 | |
Just a few hundred pounds more to go. | 0:29:44 | 0:29:48 | |
Next it's the turn of Derek's saxophone, | 0:29:48 | 0:29:50 | |
which is in such good condition, | 0:29:50 | 0:29:52 | |
it looks as if it's never been played. | 0:29:52 | 0:29:55 | |
Did Derek ever actually learn how to play it? | 0:29:55 | 0:29:58 | |
He did take lessons, but he never really mastered it. | 0:29:58 | 0:30:01 | |
These are very collectable at auction, Paul. | 0:30:01 | 0:30:04 | |
Isn't that because new musical instruments are so very expensive? | 0:30:04 | 0:30:07 | |
-So it's really worth buying a good second-hand one? -Exactly. | 0:30:07 | 0:30:11 | |
If you're a serious musician, then obviously these cost a fortune. | 0:30:11 | 0:30:14 | |
This looks like a beginner's saxophone, it's a good maker. | 0:30:14 | 0:30:17 | |
But I can quite confidently say this will bring £60 to £100. | 0:30:17 | 0:30:21 | |
But I'm not one to blow my own trumpet! | 0:30:21 | 0:30:23 | |
Lot number 80. | 0:30:23 | 0:30:25 | |
It's a Stagg brass saxophone with a strap fitted with a hard case. | 0:30:25 | 0:30:29 | |
It's a good saxophone, this one. | 0:30:29 | 0:30:30 | |
We've got three bids... | 0:30:30 | 0:30:32 | |
-There you go. -Start at 70... -He started at 70! | 0:30:32 | 0:30:35 | |
..At £70 in five, five in two places. | 0:30:35 | 0:30:37 | |
80. Five, either of you? | 0:30:37 | 0:30:40 | |
At £80 on commission and five now, at £80 and five do I see? | 0:30:40 | 0:30:43 | |
In its case, at £80, five now? | 0:30:43 | 0:30:46 | |
All done at £80. | 0:30:46 | 0:30:48 | |
Bang in the middle of your estimate, Paul. | 0:30:50 | 0:30:52 | |
-Fantastic. -Music to your ears? | 0:30:52 | 0:30:54 | |
Absolutely, definitely. | 0:30:54 | 0:30:56 | |
Paul's valuations have been right on the money so far today | 0:30:58 | 0:31:01 | |
and it looks like our first-time auction-goers | 0:31:01 | 0:31:04 | |
are enjoying every minute of the sale so far as well. | 0:31:04 | 0:31:07 | |
The cartoon characters in our next lot | 0:31:07 | 0:31:09 | |
have raised plenty of smiles whilst on display. | 0:31:09 | 0:31:12 | |
It's the set of five rather cheeky comic dog prints. | 0:31:12 | 0:31:15 | |
They were very naughty, weren't they, Annette? | 0:31:15 | 0:31:18 | |
They were, yes. | 0:31:18 | 0:31:19 | |
You have to have a sense of humour and it doesn't matter if you can speak the French titles underneath, | 0:31:19 | 0:31:24 | |
because as long as you've got a sense of humour the cartoons are terrific. | 0:31:24 | 0:31:28 | |
They are, you can understand what it means. | 0:31:28 | 0:31:31 | |
-Did Derek have them in his office? -He did, yes. | 0:31:31 | 0:31:33 | |
A set of five 20th century comical prints of French dogs. | 0:31:33 | 0:31:38 | |
I have got seven bids. | 0:31:38 | 0:31:39 | |
THEY GASP Oh, my God. | 0:31:39 | 0:31:42 | |
£140. | 0:31:42 | 0:31:43 | |
EXCITED CHATTER | 0:31:43 | 0:31:45 | |
At 140, 150 now. | 0:31:45 | 0:31:47 | |
At £140, 150 do I see? | 0:31:47 | 0:31:49 | |
150 and five? | 0:31:49 | 0:31:51 | |
At 150 on commission, five do I see? | 0:31:51 | 0:31:54 | |
At £150, I'm selling. | 0:31:54 | 0:31:57 | |
On commission at £150. | 0:31:57 | 0:32:00 | |
THEY LAUGH | 0:32:00 | 0:32:01 | |
-There you are! -Amazing. | 0:32:01 | 0:32:03 | |
That is amazing, isn't it? | 0:32:03 | 0:32:05 | |
-That's great. -That's a real collector who went for those. -Exactly. | 0:32:05 | 0:32:09 | |
-Someone with a great sense of humour. -Absolutely. | 0:32:09 | 0:32:11 | |
What a terrific result, | 0:32:11 | 0:32:15 | |
selling for over twice the lower estimate. | 0:32:15 | 0:32:18 | |
We've had a super first half to our auction | 0:32:18 | 0:32:20 | |
and I can't wait to tell Annette and Andrena | 0:32:20 | 0:32:22 | |
just how much we've raised so far. | 0:32:22 | 0:32:25 | |
We've sold everything. | 0:32:25 | 0:32:27 | |
One item sold at £5 less than our lowest estimate, | 0:32:27 | 0:32:30 | |
everything else has either been on the nose, in the middle, or way above! | 0:32:30 | 0:32:34 | |
-So how much do you think you've made? -I don't know. | 0:32:34 | 0:32:36 | |
Well, I'll tell you. | 0:32:36 | 0:32:38 | |
So far we're up to £351! | 0:32:38 | 0:32:41 | |
Wow, well done. | 0:32:41 | 0:32:43 | |
And we've still got stuff to go. | 0:32:43 | 0:32:46 | |
We've still got the dolphin table, that's still to come | 0:32:46 | 0:32:49 | |
and a lot of other bits and pieces as well. | 0:32:49 | 0:32:52 | |
Shall we go and have a bit of a rest? | 0:32:52 | 0:32:53 | |
I think Annette and Andrena | 0:32:53 | 0:32:56 | |
could do with a bit of a break after all that excitement. | 0:32:56 | 0:33:00 | |
If you're thinking of heading off to auction, | 0:33:00 | 0:33:02 | |
then do remember that fees like commission will be added to your bill. | 0:33:02 | 0:33:06 | |
So it's worth checking the small print with your local auction house to avoid any surprises later. | 0:33:06 | 0:33:11 | |
As the auction continues here in Derby, | 0:33:13 | 0:33:15 | |
we resume our places just in time for our next lot. | 0:33:15 | 0:33:17 | |
It's the silver salver which Paul valued at £70 to £120. | 0:33:17 | 0:33:23 | |
What a quality item. Have you ever used it? | 0:33:24 | 0:33:27 | |
Occasionally, yes, we did. When we had drinks parties we'd carry them in. | 0:33:27 | 0:33:32 | |
These were used by butlers, | 0:33:32 | 0:33:34 | |
when people came to the house you would leave your business card in them. | 0:33:34 | 0:33:37 | |
-He used to dress up as a butler. -Did he really? | 0:33:37 | 0:33:40 | |
Lot number 100. | 0:33:40 | 0:33:42 | |
A good lot. Elizabeth II salver in George III style. | 0:33:42 | 0:33:46 | |
It's Walker and Hall, one of the best makes in Sheffield. | 0:33:46 | 0:33:50 | |
-I have got 11 bids... -11 bids! | 0:33:50 | 0:33:52 | |
..Popular lot and it starts at £180... | 0:33:52 | 0:33:55 | |
-180! -..180, 190 now. | 0:33:55 | 0:33:59 | |
At £180, 190 do I see? | 0:33:59 | 0:34:02 | |
At 180, 190, | 0:34:02 | 0:34:04 | |
200, 210. | 0:34:04 | 0:34:06 | |
At £200, 10 do I see? | 0:34:06 | 0:34:08 | |
At £200, a great lot and selling. | 0:34:08 | 0:34:11 | |
At 200. | 0:34:11 | 0:34:12 | |
That's fantastic. | 0:34:12 | 0:34:14 | |
It was worth getting dressed up as the butler for that! | 0:34:14 | 0:34:17 | |
A fabulous start to our second half of the sale. | 0:34:19 | 0:34:23 | |
The Derbyshire bidders do seem very appreciative of Annette's items | 0:34:23 | 0:34:27 | |
and long may it continue. | 0:34:27 | 0:34:30 | |
I know the sale of our next item | 0:34:30 | 0:34:31 | |
is really going to tug at the heartstrings. | 0:34:31 | 0:34:34 | |
All aboard for the captain's chair | 0:34:34 | 0:34:36 | |
that Annette's late husband, Derek, so adored. | 0:34:36 | 0:34:39 | |
-Lots of happy memories with it? -Absolutely. -Are you still certain you want it to go? -Yes, I think so. | 0:34:39 | 0:34:46 | |
Yeah. | 0:34:46 | 0:34:48 | |
We've got a pretty good price on it, haven't we? | 0:34:48 | 0:34:50 | |
The more I look at it, the nicer it seems to get. | 0:34:50 | 0:34:53 | |
It's a real quality, comfortable chair | 0:34:53 | 0:34:55 | |
and there's been quite a bit of interest around it. | 0:34:55 | 0:34:57 | |
So let's hope that relates to some buyers. I think it's a good price. | 0:34:57 | 0:35:01 | |
Lot number 110 is the leather swivel armchair. | 0:35:01 | 0:35:04 | |
Buttoned and studded green leather, very, very handsome chair indeed. | 0:35:04 | 0:35:08 | |
We have four bids on commission. I can start at £150, 160 do I see? | 0:35:08 | 0:35:12 | |
At £150, 160 now. | 0:35:12 | 0:35:15 | |
At 160, 170, 180, | 0:35:15 | 0:35:18 | |
190, 200, | 0:35:18 | 0:35:20 | |
210, 220? | 0:35:20 | 0:35:21 | |
210 with me, 220 do I see? | 0:35:21 | 0:35:23 | |
-220, 230... -Wow, terrific! -It's amazing. | 0:35:23 | 0:35:28 | |
..Commission 240 now. | 0:35:28 | 0:35:30 | |
240 new place. | 0:35:30 | 0:35:32 | |
250, 260, 270. | 0:35:32 | 0:35:35 | |
At 270 on commission, 280 now. | 0:35:35 | 0:35:38 | |
At 270. All done at 270. | 0:35:38 | 0:35:41 | |
-Amazing! -Worth every penny. | 0:35:41 | 0:35:43 | |
Yeah, what a fantastic thing. Derek would be very pleased. | 0:35:43 | 0:35:46 | |
-He would. Fantastic. -He would be pleased. | 0:35:46 | 0:35:50 | |
I'm so pleased for Annette | 0:35:50 | 0:35:52 | |
that her husband's chair reached such a terrific price. | 0:35:52 | 0:35:55 | |
Seeing as Derek's nickname was The Captain, | 0:35:55 | 0:35:57 | |
I think he'd have been pleased with that impressive result, too. | 0:35:57 | 0:36:01 | |
Our next item was originally one of a pair | 0:36:01 | 0:36:04 | |
when we found it at Annette's home. | 0:36:04 | 0:36:05 | |
If you ask me, it's looking a bit lonely | 0:36:05 | 0:36:08 | |
as she left the other one at home. | 0:36:08 | 0:36:10 | |
-You left one of the dolphin tables behind, why was that? -I did. | 0:36:10 | 0:36:14 | |
Sentimental value. I really couldn't part with that one. | 0:36:14 | 0:36:16 | |
-So it's staying? -It's staying. -100 to 140 on it? | 0:36:16 | 0:36:19 | |
That was the original estimate for the two dolphin tables that we had. | 0:36:19 | 0:36:22 | |
Now we only have one so we'll see how much it goes for. | 0:36:22 | 0:36:25 | |
But it's quite a nice painted top, isn't it? | 0:36:25 | 0:36:27 | |
Lot 120 is the modern circular mahogany tripod table. | 0:36:27 | 0:36:31 | |
Leather top with jumping dolphins in waves. | 0:36:31 | 0:36:34 | |
At £100, please. | 0:36:34 | 0:36:36 | |
£100? £100 for it? | 0:36:36 | 0:36:39 | |
50, then, £50? | 0:36:39 | 0:36:41 | |
£50 for it. £40? £40? | 0:36:43 | 0:36:46 | |
-No. -I'll take it home. | 0:36:46 | 0:36:48 | |
-A little bit too much, I think. -Didn't want to part with it? | 0:36:48 | 0:36:51 | |
Not really, no. | 0:36:51 | 0:36:53 | |
That's a bit of good news, then. | 0:36:54 | 0:36:57 | |
So the dolphin table will go back to Doncaster with Annette | 0:36:57 | 0:37:01 | |
and take up its rightful place | 0:37:01 | 0:37:03 | |
alongside the one that stayed behind. | 0:37:03 | 0:37:05 | |
Annette may be happy taking that home, | 0:37:05 | 0:37:08 | |
but the no-sale isn't helping our total. | 0:37:08 | 0:37:10 | |
We could do with our next item grabbing the bidders' attention. | 0:37:10 | 0:37:14 | |
Fortunately, it's the lovely mahogany side table | 0:37:14 | 0:37:17 | |
and Paul is quite a fan. | 0:37:17 | 0:37:19 | |
OK, now it's the turn of the proper antique. | 0:37:19 | 0:37:21 | |
It's a 19th century mahogany side table. | 0:37:21 | 0:37:24 | |
It should be in a living room in pride of place on show. | 0:37:24 | 0:37:27 | |
We are looking for about 100 to 150 for this, a real antique. | 0:37:27 | 0:37:31 | |
Lot 130 is a 19th century mahogany side table. | 0:37:31 | 0:37:34 | |
It's a lovely table, George III table. | 0:37:34 | 0:37:37 | |
It's about 1810, 1820, it's a good colour. | 0:37:37 | 0:37:40 | |
-We've got three bids on commission... -Three bids already! | 0:37:40 | 0:37:44 | |
..Start with £130, 140 do I see? | 0:37:44 | 0:37:46 | |
At 140, 150, 160, 170, 180. | 0:37:46 | 0:37:51 | |
170 on commission, 180 now. | 0:37:51 | 0:37:53 | |
At £170, 180? A very popular lot throughout the view. | 0:37:53 | 0:37:57 | |
At 170, 180 do I see? | 0:37:57 | 0:38:00 | |
170 on commission, and selling at 170. | 0:38:00 | 0:38:03 | |
-I can't believe it. -I can't. | 0:38:05 | 0:38:06 | |
Who said antiques were out of fashion? Fantastic. | 0:38:06 | 0:38:09 | |
-That means we're still in fashion, then! -Exactly. | 0:38:09 | 0:38:12 | |
-What do you mean, "Exactly"? -Sorry. | 0:38:12 | 0:38:14 | |
You just watch what you say, Paul. Cheeky blighter. | 0:38:14 | 0:38:19 | |
But that last sale has put us right back on track | 0:38:19 | 0:38:22 | |
and the target is well within our sights, | 0:38:22 | 0:38:24 | |
which is just as well, as we only have one lot to go. | 0:38:24 | 0:38:27 | |
It's that landscape by an unknown artist. | 0:38:27 | 0:38:31 | |
Paul stuck his neck out with his estimate on this one of £120, | 0:38:31 | 0:38:34 | |
so this could be interesting. | 0:38:34 | 0:38:37 | |
You have an awful lot of paintings in your house. | 0:38:37 | 0:38:40 | |
-Was it difficult to decide which one you were going to bring to auction today? -It was, really. | 0:38:40 | 0:38:44 | |
So what made you decide on this one, which is that rather nice summer landscape with figures. | 0:38:44 | 0:38:49 | |
That one just didn't rock my boat as much as the others, I'm afraid. | 0:38:49 | 0:38:53 | |
That's a pretty good reason. | 0:38:53 | 0:38:55 | |
It's quite difficult to put a price on something like this, isn't it? | 0:38:55 | 0:38:58 | |
Especially when you don't know who the artist is. | 0:38:58 | 0:39:01 | |
Exactly. I valued this, really, on the appearance, | 0:39:01 | 0:39:04 | |
a very attractive painting. | 0:39:04 | 0:39:05 | |
But it says in the catalogue "indistinctly signed". | 0:39:05 | 0:39:09 | |
We don't know the artist is, so we put it in as a very visual picture. | 0:39:09 | 0:39:13 | |
£120 to £160, but that signature... | 0:39:13 | 0:39:15 | |
Unfortunately, we can't make out who he is. | 0:39:15 | 0:39:19 | |
Lot 140 is the Continental School 20th century summer landscape. | 0:39:19 | 0:39:24 | |
I have got interest here. | 0:39:24 | 0:39:26 | |
It starts with me at £30. | 0:39:26 | 0:39:30 | |
40, 50, 60, 70, 80. | 0:39:30 | 0:39:34 | |
80, 90, 90, 100. | 0:39:34 | 0:39:39 | |
At £100 near the dresser. 110, 110 new place. | 0:39:39 | 0:39:43 | |
120, 130, 140, | 0:39:43 | 0:39:47 | |
150, 160. | 0:39:47 | 0:39:49 | |
150 in the centre of the room, 160 now. | 0:39:49 | 0:39:52 | |
In the centre of the room, we're selling. All done at £150. | 0:39:52 | 0:39:56 | |
-£150! -There you go, how is that? | 0:39:56 | 0:40:01 | |
So a good choice by Annette to sell | 0:40:01 | 0:40:04 | |
and a good judgment call on the value from Paul. | 0:40:04 | 0:40:08 | |
'It's been quite a day with Annette and Andrena, | 0:40:08 | 0:40:10 | |
'but even without Moliath, | 0:40:10 | 0:40:12 | |
'how much have we raised so far towards that holiday?' | 0:40:12 | 0:40:15 | |
You've had a great day today, you two, haven't you? | 0:40:15 | 0:40:18 | |
-It's been absolutely brilliant. -It's been quite exciting. | 0:40:18 | 0:40:21 | |
It's been fantastic. Wonderful. | 0:40:21 | 0:40:23 | |
How have we done? £1,000 was what you wanted. | 0:40:23 | 0:40:26 | |
With all those things missing... | 0:40:26 | 0:40:28 | |
what you've made is... | 0:40:28 | 0:40:31 | |
£1,141. | 0:40:31 | 0:40:33 | |
I can't believe it! | 0:40:33 | 0:40:35 | |
How are you going to celebrate? | 0:40:35 | 0:40:38 | |
I'm going to crack the champagne when we get home. | 0:40:38 | 0:40:41 | |
-Even before you get on a cruise? -Absolutely. | 0:40:41 | 0:40:44 | |
That's a great result, Paul, | 0:40:44 | 0:40:46 | |
considering we left things behind? | 0:40:46 | 0:40:48 | |
Exactly. All eyes are going to be on that statue | 0:40:48 | 0:40:50 | |
to see exactly how it does. | 0:40:50 | 0:40:51 | |
The auctioneer is quite excited | 0:40:51 | 0:40:53 | |
and he's done you a real favour, he's put it to one side | 0:40:53 | 0:40:56 | |
and that's going into a fine art sale. | 0:40:56 | 0:40:58 | |
I hope it does really well. | 0:40:58 | 0:40:59 | |
It's been a few weeks since the girls' big day at auction | 0:41:03 | 0:41:07 | |
and Annette has been enjoying the fruits of their labour. | 0:41:07 | 0:41:10 | |
She's just returned from a trip to the States | 0:41:10 | 0:41:13 | |
where she was reunited with her old pen-pal. | 0:41:13 | 0:41:16 | |
It was marvellous to see Leah again. | 0:41:17 | 0:41:19 | |
It was so exciting because that's the first time I've been over there. | 0:41:19 | 0:41:23 | |
We also had three nights in Las Vegas, which was a bit expensive | 0:41:23 | 0:41:27 | |
because we couldn't keep off the slot machines, | 0:41:27 | 0:41:30 | |
but it was like being in La-La Land, really. | 0:41:30 | 0:41:32 | |
Plus, there's more good news for Annette. | 0:41:32 | 0:41:36 | |
Her enigmatic statute, Moliath, was entered into a fine art sale. | 0:41:36 | 0:41:39 | |
She totally stole the show, selling for an incredible £4,400. | 0:41:39 | 0:41:46 | |
As a result, Annette is now busy planning a world tour | 0:41:46 | 0:41:49 | |
with her two sisters and brother-in-law, Peter. | 0:41:49 | 0:41:52 | |
Well, someone needs to keep an eye on them. | 0:41:52 | 0:41:55 | |
I am excited. | 0:41:55 | 0:41:56 | |
I can't believe how quick it's coming round. | 0:41:56 | 0:41:59 | |
Visiting some fantastic places, it's going to be absolutely superb. | 0:41:59 | 0:42:03 | |
Yes, Cash In The Attic has been fantastic. | 0:42:03 | 0:42:05 | |
We've had quite a bit of fun doing it, raised some money, | 0:42:05 | 0:42:10 | |
and it's provided me with two fantastic holidays. | 0:42:10 | 0:42:14 | |
One to Texas, | 0:42:14 | 0:42:15 | |
and a little bit towards the world cruise in January. | 0:42:15 | 0:42:19 | |
Subtitles by Red Bee Media Ltd | 0:42:40 | 0:42:43 |