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Welcome to the show that searches your home for hidden treasures | 0:00:02 | 0:00:05 | |
which we then sell at auction. | 0:00:05 | 0:00:06 | |
Most people at some time in their life | 0:00:06 | 0:00:08 | |
inherit various heirlooms, but which ones are valuable | 0:00:08 | 0:00:12 | |
and which ones can you afford to throw away? | 0:00:12 | 0:00:14 | |
That's the question everybody asks, and today we hope to find an answer. | 0:00:14 | 0:00:18 | |
Will we find some very valuable heirlooms | 0:00:18 | 0:00:21 | |
on today's Cash In The Attic? Time to find out. | 0:00:21 | 0:00:24 | |
'On today's Cash In The Attic, a 19th-century train timetable | 0:00:43 | 0:00:48 | |
'gives us a glimpse into the glamorous world of Victorian travel.' | 0:00:48 | 0:00:51 | |
I love the way they list all these really important people, | 0:00:51 | 0:00:54 | |
then we get "Third Class", and there's not a word! | 0:00:54 | 0:00:58 | |
And Jonty gets into his Peckham mode | 0:00:58 | 0:01:00 | |
when he assesses some gold-sovereign jewellery. | 0:01:00 | 0:01:04 | |
Somehow there's a Del Boy feel to wearing a sovereign. | 0:01:04 | 0:01:07 | |
What do you think? | 0:01:07 | 0:01:08 | |
On auction day, our experts' estimates are slightly out. | 0:01:08 | 0:01:13 | |
Jonty, you got that one wrong! | 0:01:13 | 0:01:15 | |
But it's great when you get it wrong that way round. | 0:01:15 | 0:01:18 | |
Find out if all comes right when the hammer falls. | 0:01:18 | 0:01:22 | |
I'm going to sell it for 50. | 0:01:22 | 0:01:24 | |
Today I've come to Buckinghamshire to meet Keith Davies. | 0:01:24 | 0:01:27 | |
He's called in the Cash In The Attic team to help him raise some funds | 0:01:27 | 0:01:31 | |
for one of his sons, who's flown the nest and gone to study abroad. | 0:01:31 | 0:01:36 | |
Keith is the only son of a wartime globetrotting couple | 0:01:36 | 0:01:40 | |
who liked to pick up a souvenir from every place they visited. | 0:01:40 | 0:01:44 | |
Keith's parents have now died, and he's inherited their collections | 0:01:45 | 0:01:48 | |
and those from their siblings, too. This means his home, | 0:01:48 | 0:01:52 | |
which he shares with his wife Penny and sons Leslie and Mark, | 0:01:52 | 0:01:55 | |
is absolutely full of exotic and eclectic items | 0:01:55 | 0:01:58 | |
from the four corners of the world. | 0:01:58 | 0:02:01 | |
Keith's son Leslie now has the family travelling bug, | 0:02:01 | 0:02:04 | |
and is in America. Keith's wife is at work today, | 0:02:04 | 0:02:07 | |
so it falls to his youngest son to help with the rummage. | 0:02:07 | 0:02:10 | |
And joining me is our expert antique hunter, Jonty Hearnden. | 0:02:10 | 0:02:14 | |
Mind your feet! Whoo! | 0:02:14 | 0:02:16 | |
Oh, look! It's got a real cottage feel! | 0:02:18 | 0:02:21 | |
-Oh, look at the beams! -Mind your head on those. | 0:02:21 | 0:02:24 | |
I haven't got a problem, look. I'm so little! | 0:02:24 | 0:02:27 | |
Jonty gets to work straightaway. He's certainly got his work cut out, | 0:02:27 | 0:02:32 | |
as I've heard this family want to raise £1,000. | 0:02:32 | 0:02:35 | |
Tell me, who are you looking at there? | 0:02:37 | 0:02:39 | |
These are photographs of Leslie. Just looking and reminiscing, really, | 0:02:39 | 0:02:43 | |
of the old pictures of him before he went to America. | 0:02:43 | 0:02:47 | |
He's gone off to study and do a university course, | 0:02:47 | 0:02:52 | |
and we're looking to raise some money to pay for his fees | 0:02:52 | 0:02:55 | |
and help towards the fees, because it's so expensive in the States for education. | 0:02:55 | 0:02:59 | |
-Do you miss Leslie, I take it? -Oh, yes. Yes, we do. | 0:02:59 | 0:03:02 | |
It's four months, five months... 1st of August he went, | 0:03:02 | 0:03:06 | |
and we miss him big time, yeah. | 0:03:06 | 0:03:09 | |
-What are you studying? -Film studies. | 0:03:09 | 0:03:11 | |
-Are you enjoying it? -Yeah, it's really good. | 0:03:11 | 0:03:13 | |
It's really good fun. I've got lots of friends, and it's good fun. | 0:03:13 | 0:03:17 | |
So we need to raise £1,000 for Leslie's tuition fees in America. | 0:03:17 | 0:03:20 | |
Let's see if Jonty's found anything yet. Got a lot to get through! | 0:03:20 | 0:03:24 | |
Keith is lucky to have so many international collectables | 0:03:26 | 0:03:29 | |
with fascinating family provenance. They come thanks to his parents, | 0:03:29 | 0:03:33 | |
and we'll find out more about how they acquired them later. | 0:03:33 | 0:03:36 | |
It doesn't take long before Jonty finds something from their travels. | 0:03:36 | 0:03:40 | |
This is a lovely room. Ah, there's Jonty! | 0:03:42 | 0:03:44 | |
-I have been hard at work. -What have you found? | 0:03:44 | 0:03:48 | |
I've found a lovely little case here. This is a cigarette case. | 0:03:48 | 0:03:51 | |
-And a cigarette box. -Right. -Inside this one here | 0:03:51 | 0:03:55 | |
is a picture. Who's that? | 0:03:55 | 0:03:57 | |
That's a photograph of my mother. This was a cigarette case | 0:03:57 | 0:04:00 | |
that was given to my father, | 0:04:00 | 0:04:03 | |
I presume as maybe a wedding gift, or maybe an engagement gift. | 0:04:03 | 0:04:08 | |
And it says here, "To my darling Les, all my love, Nan". | 0:04:08 | 0:04:11 | |
Mum, from a very young age, was always called Nan. | 0:04:11 | 0:04:14 | |
-It was Nan Davies. -Lorne, I've been looking for a hallmark on here, | 0:04:14 | 0:04:18 | |
and I haven't been able to find one, but I do have a little number here - | 0:04:18 | 0:04:22 | |
833. | 0:04:22 | 0:04:24 | |
Now that obviously means that this case is solid silver, | 0:04:24 | 0:04:27 | |
but it wasn't made in the UK. | 0:04:27 | 0:04:29 | |
This possibly could have come from the Egyptian-jeweller friend | 0:04:29 | 0:04:35 | |
-that they had. -All sounds very exotic! | 0:04:35 | 0:04:38 | |
Yeah. When it comes to selling an object like this in an auction sale, | 0:04:38 | 0:04:42 | |
we cannot call it solid silver, by law. | 0:04:42 | 0:04:45 | |
We have to call it white metal. Whereas this box is. | 0:04:45 | 0:04:49 | |
If you look on the side here, lovely crisp, clean hallmarks, | 0:04:49 | 0:04:53 | |
and it's got the inscription "Thomas Hugh Davies". | 0:04:53 | 0:04:56 | |
That was my grandfather. That was a gift from the company he worked for, | 0:04:56 | 0:05:00 | |
-for long service. -So, where do we stand in terms of the value | 0:05:00 | 0:05:03 | |
-of these items, then? -The problem we have is, | 0:05:03 | 0:05:06 | |
it's been incredibly personalised, | 0:05:06 | 0:05:08 | |
so therefore they just have to be sold for their weight. | 0:05:08 | 0:05:12 | |
But, having said that, they're still worth £60, £80. | 0:05:12 | 0:05:15 | |
OK. Well, let's hope we can take these to auction | 0:05:15 | 0:05:18 | |
and get £60 to £100. That would be wonderful, wouldn't it? | 0:05:18 | 0:05:21 | |
-We're a tenth of the way there. -It's gone up! | 0:05:21 | 0:05:24 | |
THEY LAUGH Optimistic! | 0:05:24 | 0:05:26 | |
Absolutely! Well, why not? They're both lovely objects, | 0:05:26 | 0:05:29 | |
and to get £100 - let's be positive. | 0:05:29 | 0:05:32 | |
I really like Keith's enthusiasm. | 0:05:32 | 0:05:35 | |
Let's hope it does make nearer the £100 mark for him. | 0:05:35 | 0:05:38 | |
In the bedroom, Jonty finds a cameo brooch and ring | 0:05:38 | 0:05:41 | |
which belonged to Keith's aunt Ethel from Sunderland. | 0:05:41 | 0:05:45 | |
These examples are from the early 20th century, | 0:05:45 | 0:05:47 | |
but are quite good quality, so Jonty values them accordingly | 0:05:47 | 0:05:51 | |
at £80 to £100. | 0:05:51 | 0:05:53 | |
And Keith looks like he may have struck gold already. | 0:05:55 | 0:05:58 | |
-Ah, Jonty! -Yeah? | 0:06:01 | 0:06:03 | |
Look what I've got here! | 0:06:03 | 0:06:05 | |
Two fabulous pocket watches. | 0:06:05 | 0:06:07 | |
-So, where were these from? -That's Grandfather's, | 0:06:07 | 0:06:11 | |
and he gave them to me when I was about 13. | 0:06:11 | 0:06:14 | |
And the smaller pocket watch was from my great-aunt Maggie. | 0:06:14 | 0:06:17 | |
Let's have a look at this gent's one first. | 0:06:17 | 0:06:20 | |
Have you ever looked at the back of it? | 0:06:20 | 0:06:22 | |
-Yes. Little engravings on the back. -OK. | 0:06:22 | 0:06:25 | |
This is interesting. This is not a British-made pocket watch. | 0:06:25 | 0:06:29 | |
This is an American one, because we can see here | 0:06:29 | 0:06:32 | |
that it's the American Watch Company, | 0:06:32 | 0:06:34 | |
Waltham, Massachusetts. | 0:06:34 | 0:06:36 | |
They were a very big watchmaker. | 0:06:36 | 0:06:39 | |
In fact they made millions of watches | 0:06:39 | 0:06:42 | |
in the late 19th century. They went out of business in the 1950s. | 0:06:42 | 0:06:46 | |
The great news is - I've just had a look on the back here - | 0:06:46 | 0:06:49 | |
this is what they call ten-carat gold, | 0:06:49 | 0:06:51 | |
which we don't use in this country, which is very good news indeed. | 0:06:51 | 0:06:56 | |
Tell me about this small ladies' pocket watch. | 0:06:56 | 0:06:58 | |
I would presume that was, sort of, late 1800s, type of... | 0:06:58 | 0:07:03 | |
-Over 100 years old. -Well, you're about right, | 0:07:03 | 0:07:06 | |
and you can tell that by looking at the decoration on the outside. | 0:07:06 | 0:07:09 | |
Look at all the chasing on the reverse and on the side here. | 0:07:09 | 0:07:13 | |
It's very, very busy, so this has to be late 19th century, | 0:07:13 | 0:07:16 | |
possibly early 20th century. Let's see if we can get to the back of it. | 0:07:16 | 0:07:20 | |
Ah! That's really very good news indeed. | 0:07:20 | 0:07:22 | |
I suspected so. Because this casing here is nine-carat gold. | 0:07:22 | 0:07:26 | |
But look at the condition of that on the inside! Isn't that wonderful? | 0:07:26 | 0:07:30 | |
-That's almost mint. -Why should it not be? | 0:07:30 | 0:07:33 | |
It's always been enclosed. | 0:07:33 | 0:07:35 | |
That ladies' pocket watch is in very good condition, | 0:07:35 | 0:07:38 | |
this not so, so as far as value is concerned, | 0:07:38 | 0:07:41 | |
on a poor day we're looking at £200, but on a good day, | 0:07:41 | 0:07:45 | |
as much as £400, so that's a very good find. | 0:07:45 | 0:07:48 | |
-That's excellent. -So, rather than being stuffed in a drawer, | 0:07:48 | 0:07:51 | |
you could turn that into a really useful... | 0:07:51 | 0:07:54 | |
-Bit more tuition fees coming our way! -That could be very useful for you. | 0:07:54 | 0:07:58 | |
These family heirlooms from Keith's adventurous parents | 0:07:58 | 0:08:02 | |
certainly have an international theme. | 0:08:02 | 0:08:05 | |
In the bedroom, Keith has come across something from his childhood. | 0:08:05 | 0:08:09 | |
It's a toy van made by Budgie, | 0:08:09 | 0:08:11 | |
one of the British die-cast toymakers of the 1960s. | 0:08:11 | 0:08:15 | |
Keith assumes he didn't play with it much as it's in very good condition. | 0:08:15 | 0:08:19 | |
It comes with its box. It's not as valuable as other well known makes | 0:08:19 | 0:08:22 | |
such as Dinky and Matchbox, so it gets a slightly lower valuation | 0:08:22 | 0:08:26 | |
of just £20 to £30. | 0:08:26 | 0:08:28 | |
Thanks to Keith's family's collecting eye, | 0:08:28 | 0:08:31 | |
it looks like we may be able to help son Leslie | 0:08:31 | 0:08:34 | |
with a good portion of those tuition fees. | 0:08:34 | 0:08:37 | |
We've seen some really lovely items, | 0:08:37 | 0:08:40 | |
and most of them seem to have come from your mum and dad. | 0:08:40 | 0:08:43 | |
A lot of those are from rather glamorous locations. | 0:08:43 | 0:08:47 | |
So, tell me about the connection there. | 0:08:47 | 0:08:49 | |
I think Mum left home when she was about 16 and went dancing. | 0:08:49 | 0:08:52 | |
And then, as war broke out, | 0:08:52 | 0:08:55 | |
Dad was in the Pioneer Corps in Palestine. | 0:08:55 | 0:08:58 | |
And when they had leave periods, they would go to places like Cyprus. | 0:08:58 | 0:09:03 | |
Went to Cyprus, met Mum. | 0:09:03 | 0:09:06 | |
They got together in about '43, | 0:09:06 | 0:09:09 | |
then about 1944, I think, they got engaged, | 0:09:09 | 0:09:12 | |
and all the time they were travelling around the Palestine, | 0:09:12 | 0:09:16 | |
the Middle East, Egypt, | 0:09:16 | 0:09:19 | |
and all those, in those days, far-off places. | 0:09:19 | 0:09:22 | |
It does all sound quite exotic and glamorous, | 0:09:22 | 0:09:25 | |
-but there was a war going on. -Yeah. It was difficult for them | 0:09:25 | 0:09:29 | |
as a young couple that had met, | 0:09:29 | 0:09:31 | |
because Mum was entertaining the troops, | 0:09:31 | 0:09:34 | |
Dad was obviously with the Pioneer Corps, | 0:09:34 | 0:09:38 | |
and I think they had this relationship, | 0:09:38 | 0:09:41 | |
a distant relationship, lots of letters to-ing and fro-ing, | 0:09:41 | 0:09:44 | |
before they got together and finally got married in Jerusalem. | 0:09:44 | 0:09:48 | |
What are your memories as a little boy, then? | 0:09:48 | 0:09:51 | |
-You're an only child, aren't you? -Yeah. I was an only child, | 0:09:51 | 0:09:54 | |
although that's sometimes a disadvantage. | 0:09:54 | 0:09:56 | |
As a child, Mum would always be there. | 0:09:56 | 0:09:59 | |
She was always there, because they didn't work in those days. | 0:09:59 | 0:10:03 | |
Mum was a housewife. When I went to secondary school, | 0:10:03 | 0:10:06 | |
Mum reincarnated herself, I suppose, | 0:10:06 | 0:10:10 | |
because she started a dancing school, so she went back to dancing. | 0:10:10 | 0:10:14 | |
What are your thoughts on these objects now, given the family connection? | 0:10:14 | 0:10:18 | |
Sentiment. It's nice to have it, | 0:10:18 | 0:10:21 | |
but the trouble is, they're all items you're not going to be using. | 0:10:21 | 0:10:25 | |
They're going to stay in a drawer, never use them. | 0:10:25 | 0:10:29 | |
No-one's ever going to see them, | 0:10:29 | 0:10:31 | |
so we're not actually gaining any pleasure from it. | 0:10:31 | 0:10:34 | |
-Shall we go and see if Jonty's got anything to add to the pile? -Yeah. | 0:10:34 | 0:10:38 | |
Jonty's exploring one of the bedrooms. | 0:10:40 | 0:10:42 | |
But has Mark laid his hands on another one of those intriguing family heirlooms? | 0:10:42 | 0:10:47 | |
Hi, Jonty. I've found something of interest for you. | 0:10:49 | 0:10:52 | |
Good. I'd like to hear. | 0:10:52 | 0:10:54 | |
-A ring and a pennant-type brooch. -Yes, OK. | 0:10:54 | 0:10:58 | |
Oh, wow! They've got sovereigns inset inside them, | 0:10:58 | 0:11:01 | |
in the middle there. Where are they from? | 0:11:01 | 0:11:03 | |
They were originally my great-aunt's. | 0:11:03 | 0:11:05 | |
She used to wear them quite often. The brooch she would wear daily | 0:11:05 | 0:11:09 | |
with scarves and things like that. We're not sure she wore the ring, | 0:11:09 | 0:11:12 | |
but she did wear the brooch. | 0:11:12 | 0:11:14 | |
It was very fashionable, in the late 19th century | 0:11:14 | 0:11:17 | |
and throughout the 20th century, for many people | 0:11:17 | 0:11:20 | |
to convert their sovereigns into jewellery. | 0:11:20 | 0:11:23 | |
You were simply wearing your money, wearing your wealth. | 0:11:23 | 0:11:27 | |
If you could afford to buy a sovereign, or a half-sovereign, | 0:11:27 | 0:11:30 | |
why not turn it into a ring, because it is solid gold after all. | 0:11:30 | 0:11:35 | |
But somehow there's a touch of the Del Boy about them. | 0:11:35 | 0:11:38 | |
I certainly wouldn't be caught wearing that. | 0:11:38 | 0:11:40 | |
-You sure? -No. It's not for me, I'm afraid. | 0:11:40 | 0:11:43 | |
-So can we sell this pair? -Oh, for sure. Yeah. | 0:11:43 | 0:11:46 | |
They're not strictly a pair. I imagine they were converted | 0:11:46 | 0:11:49 | |
probably at the same time. | 0:11:49 | 0:11:51 | |
In the brooch, the half-sovereign here is 1905, | 0:11:51 | 0:11:54 | |
so that's Edwardian, | 0:11:54 | 0:11:56 | |
and this one is a similar age. This is 1914, | 0:11:56 | 0:11:59 | |
so the beginning of the First World War. | 0:11:59 | 0:12:02 | |
We're selling just at the right time, | 0:12:02 | 0:12:05 | |
because the market is really at an all-time high as we speak. | 0:12:05 | 0:12:09 | |
Five years ago, I would value these | 0:12:09 | 0:12:12 | |
at between £60 and £80. In today's market, at auction, | 0:12:12 | 0:12:15 | |
-we're looking between £150 and £200. -Brilliant! | 0:12:15 | 0:12:18 | |
-So that is very good news. -Good job you came now, then! | 0:12:18 | 0:12:21 | |
Good job you showed them to me! | 0:12:21 | 0:12:23 | |
-I'll give those back to you for safekeeping. We'll carry on. -OK. | 0:12:23 | 0:12:27 | |
Obviously half-sovereigns are half the weight and half the gold content | 0:12:27 | 0:12:31 | |
of a full sovereign. | 0:12:31 | 0:12:33 | |
At auction, will the gold have the Midas touch with the bidders? | 0:12:33 | 0:12:37 | |
110, 120, 130, 140. | 0:12:37 | 0:12:41 | |
-Will it reach Jonty's estimate? -150. In the room at 150. 160. | 0:12:41 | 0:12:45 | |
Will it go higher still? Find out later. | 0:12:45 | 0:12:48 | |
All that excitement is still to come. | 0:12:49 | 0:12:52 | |
But as our rummage continues here in Buckinghamshire, | 0:12:52 | 0:12:55 | |
going by Jonty's lowest estimates, so far we stand to raise £510 | 0:12:55 | 0:13:00 | |
at auction. So we're doing quite well. | 0:13:00 | 0:13:02 | |
'In my search, I spot these two old teddy bears | 0:13:04 | 0:13:07 | |
'that belonged to Keith's mother. | 0:13:07 | 0:13:09 | |
'He unearthed them when he was clearing her house after she died, | 0:13:09 | 0:13:12 | |
'so they're at least 50 years old. | 0:13:12 | 0:13:15 | |
'Unfortunately they're not very valuable, | 0:13:15 | 0:13:17 | |
'only getting a £20 to £30 estimate from Jonty.' | 0:13:17 | 0:13:20 | |
-Here we are, Lorne. -Oh, what have you got there? | 0:13:23 | 0:13:26 | |
-Jonty? -Let's have a look. | 0:13:26 | 0:13:28 | |
This is a silk time-bill, it's described as, | 0:13:28 | 0:13:33 | |
and it's an old Indian train journey | 0:13:33 | 0:13:35 | |
that took place in 1876, I think. | 0:13:35 | 0:13:37 | |
-That's right. Yes. -For the Prince of Wales'... | 0:13:37 | 0:13:41 | |
journey through from Delhi to Lahore. | 0:13:41 | 0:13:45 | |
So, is this, like, an itinerary, then, | 0:13:45 | 0:13:48 | |
a train timetable that he was going to use | 0:13:48 | 0:13:51 | |
to get to where he was going? | 0:13:51 | 0:13:53 | |
I'm not sure whether it's a timetable, but if you look here, | 0:13:53 | 0:13:56 | |
it has all these carriages, and it tells you who's... | 0:13:56 | 0:13:59 | |
-Who's in every one. -Oh, yeah! Carriage! | 0:13:59 | 0:14:01 | |
I love the way they list all these important people, | 0:14:01 | 0:14:04 | |
and then we get "Third Class", and there's not a word! | 0:14:04 | 0:14:07 | |
You have second class, third class, and that's it. | 0:14:07 | 0:14:10 | |
-That's it. They won't mention those. -THEY LAUGH | 0:14:10 | 0:14:13 | |
How did this come into your possession, then? | 0:14:13 | 0:14:16 | |
This probably came from my great-uncle Rich, | 0:14:16 | 0:14:18 | |
who was a bit of an eccentric and went travelling around the world | 0:14:18 | 0:14:22 | |
in the mid-'60s, and went from Victoria Coach Station to Bombay | 0:14:22 | 0:14:27 | |
-on a bus. -I think that was just insane. | 0:14:27 | 0:14:30 | |
-He did rather stupid things. -He got there, did he? -Yeah! | 0:14:30 | 0:14:33 | |
I can only presume that he's picked this up on his travels, | 0:14:33 | 0:14:36 | |
because he certainly wouldn't have been alive | 0:14:36 | 0:14:40 | |
in that sort of timetable date. | 0:14:40 | 0:14:42 | |
Now, the condition is pretty poor, because it's made of silk, | 0:14:42 | 0:14:46 | |
and silk does perish quite badly. Now, this is a rare item, | 0:14:46 | 0:14:51 | |
but it doesn't necessarily make it incredibly valuable. | 0:14:51 | 0:14:54 | |
I just find it fascinating, and a lot of other people will, too. | 0:14:54 | 0:14:57 | |
So what sort of price do you think? | 0:14:57 | 0:14:59 | |
I would put £20 to £30 on it, | 0:14:59 | 0:15:01 | |
and just see what happens in the auction sale. | 0:15:01 | 0:15:03 | |
I think we go for it. | 0:15:03 | 0:15:05 | |
Perhaps this is what is known in the trade as a sleeper - | 0:15:05 | 0:15:08 | |
something that could surprise us with a high result on auction day. | 0:15:08 | 0:15:13 | |
Jonty makes the next discovery in the hall - | 0:15:13 | 0:15:15 | |
two French spelter figures of children. | 0:15:15 | 0:15:18 | |
Again, they came from Keith's parents, | 0:15:18 | 0:15:20 | |
who became interested in making money from antiques when they retired. | 0:15:20 | 0:15:24 | |
But a lot of the items they bought were never sold on, | 0:15:24 | 0:15:27 | |
and were left for Keith to inherit. | 0:15:27 | 0:15:29 | |
Jonty reckons this pair should attract some attention | 0:15:29 | 0:15:32 | |
at £50 to £80. | 0:15:32 | 0:15:35 | |
Keith's son Leslie is the person we're raising the money for today. | 0:15:35 | 0:15:39 | |
But, as he's now living in America, I get the low-down on him from his brother Mark. | 0:15:39 | 0:15:43 | |
So, this was Leslie's bedroom before he went away. | 0:15:43 | 0:15:46 | |
-It's big, isn't it? -Nice and big. He got the bigger room of the two. | 0:15:46 | 0:15:50 | |
-SHE LAUGHS -Right. So, what's this? | 0:15:50 | 0:15:53 | |
This is a wakeboard. It's the snowboarding equivalent of water-skiing. | 0:15:53 | 0:15:57 | |
You're behind a boat, and you get towed at 30 miles an hour, | 0:15:57 | 0:16:00 | |
and it's all about doing the biggest, baddest trick you can do. | 0:16:00 | 0:16:03 | |
-Your parents must have a fit. -Not the best thing to watch your child do, | 0:16:03 | 0:16:07 | |
but as a participant, it's exhilarating. It's great fun. | 0:16:07 | 0:16:10 | |
-This all looks quite expensive. -Oh, it's very expensive. | 0:16:10 | 0:16:13 | |
The kit itself here is about £500, £600 worth, | 0:16:13 | 0:16:16 | |
and if you add on your memberships and each time you go out behind a boat, | 0:16:16 | 0:16:20 | |
-it all starts to add up. -You've got lots of medals here. | 0:16:20 | 0:16:23 | |
-These are Leslie's medals? -Came second in one competition, | 0:16:23 | 0:16:26 | |
third in another, and the best one we have of him | 0:16:26 | 0:16:29 | |
is Best Crash award, where he completely totalled himself | 0:16:29 | 0:16:32 | |
in a competition and had memory loss for a day, | 0:16:32 | 0:16:36 | |
so we had a lot of fun taking the mick out of him. | 0:16:36 | 0:16:39 | |
What has he gone to America to do? Is it linked to this sport? | 0:16:39 | 0:16:43 | |
He's doing physiotherapy, and it connects with this, | 0:16:43 | 0:16:46 | |
because in wakeboarding there's a lot of impact injuries, | 0:16:46 | 0:16:50 | |
and it helps to know a good physiotherapist | 0:16:50 | 0:16:52 | |
once you get out of those crutches and get walking again, | 0:16:52 | 0:16:55 | |
so it's quite linked, really. | 0:16:55 | 0:16:57 | |
It's been quite tough for your mum and dad. | 0:16:57 | 0:16:59 | |
They get quite emotional talking about it. | 0:16:59 | 0:17:02 | |
Every time Les comes up in conversation, they're welling up. | 0:17:02 | 0:17:05 | |
But they're pleased for him because this is an avenue for him to follow. | 0:17:05 | 0:17:09 | |
-So they were pleased. -And what has it been like for you? | 0:17:09 | 0:17:12 | |
Obviously you grew up together, share the interest in this sport, | 0:17:12 | 0:17:16 | |
-and now he's not here. -Yeah, it was weird. | 0:17:16 | 0:17:18 | |
We used to go down the lake together, | 0:17:18 | 0:17:20 | |
we're on the same football team. We've done a lot together - | 0:17:20 | 0:17:23 | |
same school, and he's always been there, | 0:17:23 | 0:17:25 | |
but then he's gone, and it's quite strange adapting to that | 0:17:25 | 0:17:29 | |
-and getting used to it. -What are your plans for going out there? | 0:17:29 | 0:17:32 | |
Hopefully in August the whole family will be going out, | 0:17:32 | 0:17:36 | |
so it'll be good to get back together again. | 0:17:36 | 0:17:38 | |
It will be. There'll be lots of tears then. | 0:17:38 | 0:17:41 | |
I'm sure there will be. Lots of hugs and kisses. | 0:17:41 | 0:17:43 | |
There'll be tears if Jonty doesn't find some more stuff to sell. Let's see how he's doing. | 0:17:43 | 0:17:48 | |
I'm not sure where our expert's got to, | 0:17:50 | 0:17:53 | |
but Mark makes an interesting discovery downstairs. | 0:17:53 | 0:17:55 | |
It's a Victorian cast-iron doorstop | 0:17:55 | 0:17:58 | |
in the shape of the puppet, Mr Punch. | 0:17:58 | 0:18:00 | |
It belonged to Keith's great-aunt Maggie, | 0:18:00 | 0:18:03 | |
who worked as a governess for families in France and England. | 0:18:03 | 0:18:07 | |
Jonty values it at £30 to £40. | 0:18:07 | 0:18:09 | |
The house is just full of interesting objects | 0:18:11 | 0:18:14 | |
collected by Keith's parents and family, | 0:18:14 | 0:18:16 | |
and Mark is keen to show Jonty yet another one. | 0:18:16 | 0:18:20 | |
Jonty, this could be of interest. I'm sure we could sell this at the auction. | 0:18:20 | 0:18:23 | |
Let's have a look. Wow! OK... So, where was this beauty from? | 0:18:23 | 0:18:28 | |
It came from my great-aunt, and she's passed it down | 0:18:28 | 0:18:30 | |
with the other things you've found today. | 0:18:30 | 0:18:33 | |
I notice here that it's perpetually at quarter past three, | 0:18:33 | 0:18:37 | |
but it's not even that. We're missing the minute hand. | 0:18:37 | 0:18:40 | |
This is a late 19th-century French mantel clock. | 0:18:40 | 0:18:43 | |
It's a classical style, so it's classical referencing, | 0:18:43 | 0:18:47 | |
but you've got all these other 19th-century details, | 0:18:47 | 0:18:50 | |
so if you look at the plinth which is surrounding this marble base, | 0:18:50 | 0:18:54 | |
all of this gilded decoration is very 19th century, | 0:18:54 | 0:18:58 | |
that sort of heavy, OTT feel about the whole thing. | 0:18:58 | 0:19:01 | |
So if we turn it on its side here, | 0:19:01 | 0:19:03 | |
we can see that the detailing on the back is the same as the front, | 0:19:03 | 0:19:09 | |
and there's a reason for that. On a mantel shelf, | 0:19:09 | 0:19:11 | |
particularly in France, you would have a mirror on the mantel shelf, | 0:19:11 | 0:19:15 | |
so it would reflect the back of any clock, | 0:19:15 | 0:19:18 | |
so it was important that the back was as detailed as the front. | 0:19:18 | 0:19:21 | |
So, do you remember the clock working? | 0:19:21 | 0:19:24 | |
It used to. It used to sit on the fireplace, | 0:19:24 | 0:19:26 | |
and my brother and I were playing in here with a tennis ball, | 0:19:26 | 0:19:30 | |
and accidentally hit the glass dome that surrounded it and smashed it, | 0:19:30 | 0:19:33 | |
and it's never been the same since, really. | 0:19:33 | 0:19:37 | |
You're right. Clocks like this would have come in a dome case, | 0:19:37 | 0:19:40 | |
and not only was that design but had a practical purpose, | 0:19:40 | 0:19:44 | |
to stop all the dust laying on top of it, | 0:19:44 | 0:19:47 | |
so all the movement would have been dust-free. | 0:19:47 | 0:19:49 | |
As far as value is concerned, what do you think? | 0:19:49 | 0:19:52 | |
-I'd be guessing around the £40 mark. -It's worth a lot more than that, | 0:19:52 | 0:19:56 | |
double that, so in the catalogue, | 0:19:56 | 0:19:58 | |
the auction estimate would be between £80 and £100. | 0:19:58 | 0:20:01 | |
It's a pity that we don't have the hand. | 0:20:01 | 0:20:04 | |
It's replaceable, but not to worry about that, | 0:20:04 | 0:20:07 | |
because dealers just want to buy something | 0:20:07 | 0:20:09 | |
-they know they can trade with almost straightaway. -Excellent! | 0:20:09 | 0:20:13 | |
-Very good find. Onwards and upwards! -Let's go. | 0:20:13 | 0:20:16 | |
It seems Mark's great-aunts had a great eye | 0:20:18 | 0:20:20 | |
for collecting quality items. In the bedroom, | 0:20:20 | 0:20:24 | |
it looks like Keith might have found something sparkling, | 0:20:24 | 0:20:27 | |
but there's no stopping Mark at the moment. | 0:20:27 | 0:20:29 | |
In the snug, he's come across something else that has family connections. | 0:20:29 | 0:20:34 | |
It's the war medals that were given to Keith's father | 0:20:35 | 0:20:37 | |
and his great-uncle Oswald for their services during the wars. | 0:20:37 | 0:20:42 | |
These war medals, however, are fairly common, | 0:20:42 | 0:20:46 | |
and that is reflected in Jonty's estimate | 0:20:46 | 0:20:48 | |
as he values them at £50 to £80. | 0:20:48 | 0:20:51 | |
-So, how have you found today, Mark? -It's been really good. | 0:20:52 | 0:20:55 | |
Are you surprised at some of the stuff your mum and dad have got? | 0:20:55 | 0:20:59 | |
-I haven't seen half of this before. It's been in boxes. -Hello! | 0:20:59 | 0:21:02 | |
-Oh, do I see diamonds? -We do. -Oh, hello! | 0:21:02 | 0:21:05 | |
And whose ring is this? | 0:21:05 | 0:21:07 | |
This is actually my mother's engagement ring. | 0:21:07 | 0:21:10 | |
Your mother's? This looks like a man's ring to me. | 0:21:10 | 0:21:13 | |
No. This is definitely Mother's engagement ring. | 0:21:13 | 0:21:16 | |
It was made for her by a jeweller in Cairo | 0:21:16 | 0:21:20 | |
who was a personal friend of hers. | 0:21:20 | 0:21:22 | |
That's a proper knuckleduster! Excuse me. | 0:21:22 | 0:21:24 | |
-We're being polite. Can I have a look? -Certainly. | 0:21:24 | 0:21:27 | |
-So, how many diamonds have we got in here? -Ten. | 0:21:27 | 0:21:30 | |
Yes, you're right. We've got eight smaller ones, | 0:21:30 | 0:21:33 | |
and two large ones on the ends. | 0:21:33 | 0:21:36 | |
And those diamonds are inset in a very fine platinum ridge. | 0:21:36 | 0:21:40 | |
The band itself, the ring itself, is gold, probably nine-carat gold. | 0:21:40 | 0:21:45 | |
-Mark, what do you think about this? -It's certainly different. | 0:21:45 | 0:21:48 | |
I couldn't give it to someone as an engagement ring. | 0:21:48 | 0:21:52 | |
-I think it would be given back. -It has a very modern feel. | 0:21:52 | 0:21:55 | |
-When do you think this was made? -This would've been 1944. | 0:21:55 | 0:21:58 | |
They were married in '44, in December, | 0:21:58 | 0:22:00 | |
so round about '43, '44. It was an engagement ring, | 0:22:00 | 0:22:03 | |
but they met and married fairly soon after meeting. | 0:22:03 | 0:22:07 | |
For a lady in that period to be wearing a ring like that | 0:22:07 | 0:22:10 | |
-would have been very unusual. -It's very avant-garde. | 0:22:10 | 0:22:12 | |
It's completely different to the style of jewellery | 0:22:12 | 0:22:15 | |
that would've been made just before the war and straight after the war. | 0:22:15 | 0:22:19 | |
We know there's ten diamonds in that ring, | 0:22:19 | 0:22:22 | |
but do we know the carat weight of them? | 0:22:22 | 0:22:24 | |
That'll make all the difference, won't it? | 0:22:24 | 0:22:27 | |
I would hazard a guess between two and three carats. | 0:22:27 | 0:22:30 | |
We would have to properly assess the clarity of those diamonds, | 0:22:30 | 0:22:34 | |
because I think they're not the best, | 0:22:34 | 0:22:37 | |
but as far as value is concerned, an auction value is concerned, | 0:22:37 | 0:22:41 | |
we're looking at between £500 and £600. | 0:22:41 | 0:22:44 | |
-What do you think about that? -Superb. I think that's good. | 0:22:44 | 0:22:47 | |
I'm quite pleased that we've got nearer our target, | 0:22:47 | 0:22:50 | |
and £1,000... Nearer to £1,000. | 0:22:50 | 0:22:54 | |
Well, it certainly has taken us a lot nearer our target, | 0:22:54 | 0:22:57 | |
because, as you say, you wanted £1,000 | 0:22:57 | 0:22:59 | |
towards Leslie's education, or the fees for him studying in America, | 0:22:59 | 0:23:03 | |
and thanks to the ring, the value of everything going to auction | 0:23:03 | 0:23:07 | |
comes to £1,260! | 0:23:07 | 0:23:11 | |
-Oh, really? -That's pretty good. -That is good, isn't it? | 0:23:11 | 0:23:14 | |
-That's fantastic. -The ring's made all the difference. | 0:23:14 | 0:23:18 | |
How wonderful! That's great. | 0:23:18 | 0:23:20 | |
There was certainly a Middle Eastern flavour to our items today. | 0:23:20 | 0:23:24 | |
I can't wait to see how they all do when we take them to auction. | 0:23:24 | 0:23:27 | |
There's the two gold pocket watches. | 0:23:27 | 0:23:30 | |
Will they tick all the boxes for the bidders, | 0:23:30 | 0:23:32 | |
with an estimate of £200 to £400? | 0:23:32 | 0:23:35 | |
The early 20th-century sovereign ring and pin | 0:23:37 | 0:23:40 | |
which belonged to Keith's aunt. With the price of gold being so high, | 0:23:40 | 0:23:44 | |
they should reach their £150 to £200 estimate. | 0:23:44 | 0:23:47 | |
And not forgetting the silk train timetable, | 0:23:49 | 0:23:51 | |
for the Prince of Wales's journey from Delhi to Lahore in 1876. | 0:23:51 | 0:23:56 | |
His valuation was only £20 to £30, | 0:23:56 | 0:23:59 | |
but who knows what it might fetch on the day. | 0:23:59 | 0:24:02 | |
Still to come on Cash In The Attic - I think Jonty is punch-drunk | 0:24:07 | 0:24:11 | |
after the sale of the Victorian doorstop. | 0:24:11 | 0:24:14 | |
That's the way to do it! | 0:24:14 | 0:24:16 | |
And what has us reacting like this? | 0:24:16 | 0:24:19 | |
-That's just bizarre. -I'm stunned. | 0:24:19 | 0:24:21 | |
I'm absolutely stunned. | 0:24:21 | 0:24:24 | |
'All will be revealed when the hammer finally falls.' | 0:24:24 | 0:24:27 | |
Now, it's been a few weeks since we met Keith and his son Mark, | 0:24:32 | 0:24:36 | |
and we found some lovely items in their home, | 0:24:36 | 0:24:38 | |
including that Indian railway timetable with a royal touch, | 0:24:38 | 0:24:42 | |
and the Egyptian ring. We've brought those and other items here | 0:24:42 | 0:24:45 | |
to Chiswick Auction House in West London. | 0:24:45 | 0:24:48 | |
Remember, Keith's looking to raise around £1,000 | 0:24:48 | 0:24:51 | |
so he can send the money to his other son, Leslie, | 0:24:51 | 0:24:53 | |
for his tuition fees in America. | 0:24:53 | 0:24:56 | |
Let's hope today the bidders are feeling very adventurous | 0:24:56 | 0:24:59 | |
and help us make our money. | 0:24:59 | 0:25:01 | |
These general auctions take place every Tuesday. | 0:25:01 | 0:25:04 | |
Today there are almost 800 lots, | 0:25:04 | 0:25:07 | |
and dealers and experts alike are eyeing up everything on offer. | 0:25:07 | 0:25:11 | |
Keith and Mark have never been to an auction before, | 0:25:13 | 0:25:16 | |
and I wonder if they're feeling anxious about how well all their family heirlooms will do. | 0:25:16 | 0:25:20 | |
-Hi, guys! -Hello. -Hello. How you doing? | 0:25:22 | 0:25:24 | |
Wonderful, auctions. I love them. You're got your doorstop here, | 0:25:24 | 0:25:28 | |
and in here... Anyone for a chocolate? | 0:25:28 | 0:25:31 | |
-They're actually still in the tin! -Put those away, quick. -From 1900! | 0:25:31 | 0:25:35 | |
Can you believe it? Amazing. Are you looking forward to the auction? | 0:25:35 | 0:25:39 | |
I'm a little bit nervous, not knowing what's going to happen. | 0:25:39 | 0:25:42 | |
So we'll wait and see. | 0:25:42 | 0:25:44 | |
I'm not nervous, but we never know what will happen at auction either. | 0:25:44 | 0:25:48 | |
-How are you feeling, Mark? -It's going to go well. | 0:25:48 | 0:25:51 | |
We'll make a lot of money and it should be good fun. | 0:25:51 | 0:25:53 | |
The show is underway, so let's hope Mr Punch gets us a good audience. | 0:25:53 | 0:25:57 | |
Come on! | 0:25:57 | 0:25:59 | |
The auction room is packed, and with all the lots available online too, | 0:26:00 | 0:26:04 | |
let's hope there'll be plenty of interest in Keith's belongings. | 0:26:04 | 0:26:08 | |
The first to come up is my favourite - that Victorian train timetable | 0:26:08 | 0:26:12 | |
with the royal connection. | 0:26:12 | 0:26:14 | |
You've still got a low estimate on that, for what it is. | 0:26:14 | 0:26:17 | |
It's a simple document. There's a bit of damage. | 0:26:17 | 0:26:19 | |
That's why I put £20 to £30 on it. | 0:26:19 | 0:26:22 | |
But the truth is, nobody knows what it really is worth. | 0:26:22 | 0:26:25 | |
Right, OK. Let's see, shall we? | 0:26:25 | 0:26:27 | |
There's interest in this straight off, I'm glad to say. | 0:26:27 | 0:26:30 | |
I'm bid £20. Straight off with me at 20. | 0:26:30 | 0:26:32 | |
22, everywhere. 22. | 0:26:32 | 0:26:33 | |
25. 28. | 0:26:33 | 0:26:36 | |
30. 32. | 0:26:36 | 0:26:37 | |
£32, the middle there. 35. | 0:26:37 | 0:26:40 | |
38. 40. Five. | 0:26:40 | 0:26:43 | |
50. Five. | 0:26:43 | 0:26:45 | |
£60 with Terry. | 0:26:45 | 0:26:47 | |
Anybody else? 65 here. 70. | 0:26:47 | 0:26:50 | |
Five. 80. £80 there, further away. At 80. | 0:26:50 | 0:26:54 | |
Anybody else? At £80. I'm going to sell it for 80. | 0:26:54 | 0:26:57 | |
-There it goes. -£80! That's really good, isn't it? | 0:26:57 | 0:27:01 | |
How about that? That put a smile on your face. | 0:27:01 | 0:27:03 | |
-Jonty, you got that one wrong! -It's great when you get it wrong that way round! | 0:27:03 | 0:27:07 | |
'What a great start! More than double Jonty's top estimate. | 0:27:07 | 0:27:11 | |
'Let's hope this sale bodes well for the rest of Keith's heirlooms | 0:27:11 | 0:27:15 | |
'coming under the hammer today. Next up are the two teddies | 0:27:15 | 0:27:18 | |
'that belonged to Keith's mum, priced at £20 to £30.' | 0:27:18 | 0:27:22 | |
I think I've looked after them, | 0:27:22 | 0:27:24 | |
and Jonty seems to think I've over-loved them, | 0:27:24 | 0:27:27 | |
so they are a little worn. | 0:27:27 | 0:27:29 | |
I would rather see an over-loved teddy bear than an under-loved one. | 0:27:29 | 0:27:33 | |
Let's see what they make. | 0:27:33 | 0:27:34 | |
£10 to go for them. Surely, for £10? | 0:27:34 | 0:27:37 | |
Ten I'm bid there. In the middle, for £10. | 0:27:37 | 0:27:39 | |
And 12 I'll take from somebody else. At £10. | 0:27:39 | 0:27:42 | |
12. 14. | 0:27:42 | 0:27:44 | |
£14 here. At 14. Anybody else? | 0:27:44 | 0:27:47 | |
At £14. 16, standing. | 0:27:47 | 0:27:49 | |
18. 20. | 0:27:49 | 0:27:51 | |
22. £22, then. | 0:27:51 | 0:27:53 | |
With the lady at 22. At £22. You all done? | 0:27:53 | 0:27:55 | |
22. And going for 22. | 0:27:55 | 0:27:57 | |
£22! That's £11 a bear. | 0:27:57 | 0:28:00 | |
Oh, how do you feel? | 0:28:00 | 0:28:02 | |
I find it really sad when I see my childhood stuff go. | 0:28:02 | 0:28:06 | |
I guess after the excitement of the first one, we've got to have a few downers! | 0:28:06 | 0:28:10 | |
'It was still within Jonty's estimate, though, | 0:28:10 | 0:28:13 | |
'so not too disappointing. | 0:28:13 | 0:28:15 | |
'The next lot is the boxed Budgie van. | 0:28:15 | 0:28:18 | |
'Keith didn't play with it very much, so it's in good condition, | 0:28:18 | 0:28:21 | |
'and its price is £20 to £30.' | 0:28:21 | 0:28:24 | |
£10 for the lot. Ten I'm bid. 12 there. | 0:28:26 | 0:28:29 | |
14. 16. 18. 20. | 0:28:29 | 0:28:31 | |
-22. 24. 26. -There's lots of bidders in the room today. Fantastic. | 0:28:31 | 0:28:37 | |
34. 36. 38. | 0:28:37 | 0:28:39 | |
40. Five. | 0:28:39 | 0:28:41 | |
50. £50 in the doorway, then. Anybody else, at £50? | 0:28:41 | 0:28:44 | |
-£50. I'm going to sell it for 50. -Excellent! | 0:28:44 | 0:28:47 | |
-Happy with that? -That's good. -That's not bad, is it? | 0:28:47 | 0:28:51 | |
'£20 over the top estimate is very good indeed, | 0:28:51 | 0:28:54 | |
'and the box certainly helped. Keith seems delighted with that sale. | 0:28:54 | 0:28:58 | |
'Let's hope we can keep that smile on his face with the next lot, | 0:28:58 | 0:29:01 | |
'the inscribed silver cigarette box and case. | 0:29:01 | 0:29:04 | |
'The estimate is £60 to £80.' | 0:29:04 | 0:29:07 | |
Start me at £30 for the lot. Surely, for 30? | 0:29:09 | 0:29:11 | |
I'm bid 30. Five. | 0:29:11 | 0:29:14 | |
40. Five. | 0:29:14 | 0:29:16 | |
£45, not quite... £50. With Albert at £50. | 0:29:16 | 0:29:20 | |
And five. 55 in front of you, Albert. | 0:29:20 | 0:29:22 | |
60. £60 with Albert. | 0:29:22 | 0:29:24 | |
Anybody else at £60? At £60, and going, then, for 60. | 0:29:24 | 0:29:28 | |
'We're doing pretty well here today. | 0:29:28 | 0:29:31 | |
'The bidders certainly seem to like Keith and Mark's lots. | 0:29:31 | 0:29:34 | |
'Now, how will that Victorian cast-iron doorstop do, | 0:29:34 | 0:29:38 | |
'in the shape of Mr Punch?' | 0:29:38 | 0:29:40 | |
Question for you - how do you know that it's antique? | 0:29:40 | 0:29:43 | |
Because there are loads of reproductions of these around. | 0:29:43 | 0:29:46 | |
You can tell it's original because it has all the original paintwork. | 0:29:46 | 0:29:50 | |
It's Victorian paintwork. That's how you can tell the difference. | 0:29:50 | 0:29:55 | |
What do we want for this? £30 to £40? | 0:29:55 | 0:29:57 | |
-It's worth every penny. Don't be surprised if he makes more. -Right. Let's see! | 0:29:57 | 0:30:01 | |
There's a bit of interest in Punch. I've got a £30 left bid. | 0:30:01 | 0:30:04 | |
With me at £30 for Punch. 32. 35. | 0:30:04 | 0:30:07 | |
38. 40. 42. 45. | 0:30:07 | 0:30:11 | |
48. 50. | 0:30:11 | 0:30:12 | |
-55. In the room at 55. 60. -Lots of hands going up. | 0:30:12 | 0:30:15 | |
-Look at this. -£60 in the blue. 65. 70. | 0:30:15 | 0:30:19 | |
Five. 80. Five. | 0:30:19 | 0:30:21 | |
£85. With 85. | 0:30:21 | 0:30:22 | |
Anybody else? At £85. 90. | 0:30:22 | 0:30:25 | |
95. | 0:30:25 | 0:30:27 | |
-£95, then. At 95. -HE BANGS HAMMER | 0:30:28 | 0:30:31 | |
-Now, that's the way to do it! -That's amazing! £95. | 0:30:31 | 0:30:34 | |
-That is good! -Pretty good for a doorstop. | 0:30:34 | 0:30:38 | |
'Incredible! More than double the top estimate. | 0:30:38 | 0:30:41 | |
'Mr Punch certainly knows that's the way to do it at auction. | 0:30:41 | 0:30:44 | |
'Keith's next lot is the collection of war medals. | 0:30:44 | 0:30:47 | |
'Let's hope they can repeat Mr Punch's performance | 0:30:47 | 0:30:50 | |
'at £50 to £80.' | 0:30:50 | 0:30:52 | |
Be sorry to see them go, but what am I going to do with them - | 0:30:54 | 0:30:57 | |
leave them in a drawer and never look at them, | 0:30:57 | 0:30:59 | |
so we'll see what happens. | 0:30:59 | 0:31:02 | |
I'm bid £60. Straight off with me at £60. | 0:31:02 | 0:31:04 | |
65. 65. | 0:31:04 | 0:31:06 | |
70 with me. 75. 80 with me. | 0:31:06 | 0:31:08 | |
85. 90 with me. 95 in the room. Against commissions at 95. | 0:31:08 | 0:31:12 | |
-Wow! -Wow! | 0:31:12 | 0:31:13 | |
At 95. 100 there in the middle. Are you giving up? | 0:31:13 | 0:31:17 | |
-110. -Great. -120. | 0:31:17 | 0:31:19 | |
120 in the middle of the room. At 120. | 0:31:19 | 0:31:21 | |
In the hat, at 120. | 0:31:21 | 0:31:23 | |
-At 120, then... -HE BANGS HAMMER | 0:31:23 | 0:31:25 | |
-What a result! -That was great! -Another good one. | 0:31:25 | 0:31:28 | |
-We're on a roll, aren't we? -It's going well. | 0:31:28 | 0:31:31 | |
'We certainly have the sort of items the buyers are looking for today.' | 0:31:31 | 0:31:35 | |
We're halfway through the lots we're going to be selling. | 0:31:36 | 0:31:40 | |
So far we've made £427, so almost halfway there. | 0:31:40 | 0:31:45 | |
-Your items have done really well. -We're second-half players, as well, | 0:31:45 | 0:31:48 | |
so bring on the second half! | 0:31:48 | 0:31:51 | |
Jonty's got something he wants to show me, | 0:31:51 | 0:31:53 | |
so shall we leave you to get the sausages, as Mr Punch once said? | 0:31:53 | 0:31:57 | |
If you've been inspired by Keith's success | 0:31:59 | 0:32:01 | |
and would like to raise money at auction, remember there are charges to be paid, such as commission. | 0:32:01 | 0:32:07 | |
These vary between salerooms, so it's always worth checking in advance. | 0:32:07 | 0:32:12 | |
While Keith and Mark take a break, Jonty's gone all teetotal | 0:32:12 | 0:32:15 | |
and is itching to show me something that reflects the tea-drinking tastes of a bygone era. | 0:32:15 | 0:32:20 | |
We're having a break, so I thought I'd invite you for a cup of tea. | 0:32:22 | 0:32:26 | |
Well, yes. A rather glamorous cup of tea, | 0:32:26 | 0:32:28 | |
because it's even featured on the front of the catalogue. | 0:32:28 | 0:32:32 | |
The distinctive decoration style of this tea caddy | 0:32:32 | 0:32:35 | |
tells us this is Tunbridge Ware, | 0:32:35 | 0:32:37 | |
and it's an amazing amount of work that's gone into this caddy. | 0:32:37 | 0:32:41 | |
The way this is done is that the people who put this together | 0:32:41 | 0:32:45 | |
had very long sticks, and cut them up into tiny, tiny shreds. | 0:32:45 | 0:32:50 | |
So here on the top here we have this castle, | 0:32:50 | 0:32:53 | |
and running round the outside we have this band of flowers and swags. | 0:32:53 | 0:32:58 | |
It really is stunning. | 0:32:58 | 0:33:00 | |
I like the shape of this. It's not just square on the sides. | 0:33:00 | 0:33:03 | |
It actually bends. It's wonderful. | 0:33:03 | 0:33:05 | |
Yes. That's a very Victorian shape, as well. | 0:33:05 | 0:33:08 | |
That's why you can sometimes date boxes | 0:33:08 | 0:33:11 | |
just by the style or the shape of the box itself. | 0:33:11 | 0:33:14 | |
So the date of this would be around the middle of the 19th century, | 0:33:14 | 0:33:17 | |
so we're looking at 1850, 1860. | 0:33:17 | 0:33:20 | |
It was very popular as a Victorian icon, | 0:33:20 | 0:33:24 | |
and it was all produced in Tunbridge in Kent. | 0:33:24 | 0:33:26 | |
That's the reason why we have the name. | 0:33:26 | 0:33:28 | |
If we open up the inside, you can see the colour it would originally have been. | 0:33:28 | 0:33:33 | |
So the outside has just faded naturally. | 0:33:33 | 0:33:36 | |
-So what sort of estimate has it got? -In the catalogue it's £300, | 0:33:36 | 0:33:39 | |
which I think is about the money, because once upon a time, these were very expensive in auction sales. | 0:33:39 | 0:33:45 | |
But I just wanted to show you a bit of quality. | 0:33:45 | 0:33:48 | |
Well, that distinctive piece pulls in the money, | 0:33:48 | 0:33:51 | |
as it sold for £480. | 0:33:51 | 0:33:54 | |
We're back in position, ready for Keith and Mark's next lot, | 0:33:54 | 0:33:57 | |
the 19th-century French mantel clock. | 0:33:57 | 0:34:00 | |
It's valued at £80 to £120. | 0:34:00 | 0:34:03 | |
I'm assuming you won't be sad to see this one go. Am I correct? | 0:34:05 | 0:34:09 | |
Not really. I think my dad was more upset when I broke the vase on it. | 0:34:09 | 0:34:12 | |
If we get some money for it, I'll be happy. | 0:34:12 | 0:34:14 | |
Bit of interest in that straight off. I'm bid £70. | 0:34:14 | 0:34:18 | |
At £70. 75. 80. | 0:34:18 | 0:34:20 | |
85. 90. In the corner at £90. Anybody else? | 0:34:20 | 0:34:23 | |
95, fresh bidding. £95. You all done? | 0:34:23 | 0:34:27 | |
At £95. Near the mirror, £95 and going. | 0:34:27 | 0:34:31 | |
95... | 0:34:31 | 0:34:33 | |
£95! That's not bad, is it? | 0:34:33 | 0:34:35 | |
Happy about that? That was in the middle of the estimate, | 0:34:35 | 0:34:38 | |
but we've been used to selling way over the top! | 0:34:38 | 0:34:41 | |
-Spoiled us, hasn't it? -But it is... That's good. | 0:34:41 | 0:34:44 | |
'So, a good start to our second half, | 0:34:44 | 0:34:47 | |
'and we've still got lots of jewellery and gold to come. | 0:34:47 | 0:34:50 | |
'But up next is the pair of spelter figures of children.' | 0:34:50 | 0:34:54 | |
You do see these come up from time to time. | 0:34:54 | 0:34:56 | |
Yes. They were very popular in the turn of the century, | 0:34:56 | 0:34:59 | |
so they're about 100 years old, and most of them are made in France. | 0:34:59 | 0:35:04 | |
My great-grandmother had a pair of these, but she was from the East End of London. | 0:35:04 | 0:35:09 | |
Right. We want £50 to £80, then? Let's see what we can get. | 0:35:09 | 0:35:12 | |
Interest in those, surely. Start me at £30 for them. | 0:35:12 | 0:35:15 | |
£20 for the spelter figures. Unusual subject. For £20. | 0:35:15 | 0:35:18 | |
Does nobody want, for 20? 20 here. 22. | 0:35:18 | 0:35:22 | |
25. 28. 30. | 0:35:22 | 0:35:25 | |
32. 35. £35, near to me. At 35. | 0:35:25 | 0:35:29 | |
38. 38 in the middle of the room. | 0:35:30 | 0:35:32 | |
At 38. At £38. Is all I'm bid at 38? I'm going to sell them at £38. | 0:35:32 | 0:35:37 | |
At £38. All done? £38. | 0:35:37 | 0:35:40 | |
-Disappointing. -Shame. -We were doing so well, | 0:35:40 | 0:35:43 | |
-and that was just slightly lower. -Is it disappointing, | 0:35:43 | 0:35:46 | |
-or are we getting spoilt? -I think we're getting a little spoilt. | 0:35:46 | 0:35:49 | |
-What do you reckon, gents? -Possibly, yes. | 0:35:49 | 0:35:52 | |
'Well, that's a shame. The pair of spelter figurines | 0:35:52 | 0:35:55 | |
'are the first item today to disappoint. | 0:35:55 | 0:35:58 | |
'The next lot is the half-sovereigns. | 0:36:01 | 0:36:03 | |
'This year, gold has hit record highs, | 0:36:03 | 0:36:05 | |
'so now's a great time to sell and cash in.' | 0:36:05 | 0:36:08 | |
Right! Now, here we go. Into proper money now. | 0:36:10 | 0:36:14 | |
We've got two half-sovereigns set in a 15-carat ring, | 0:36:14 | 0:36:17 | |
and a 15-carat pin brooch. Now, where were these from? | 0:36:17 | 0:36:21 | |
These are from my great-aunt Maggie, and she used to wear the brooch | 0:36:21 | 0:36:25 | |
with a scarf, and I remember her, as a child, | 0:36:25 | 0:36:27 | |
when we used to visit her in Banbury, she would have this brooch with the scarf on. | 0:36:27 | 0:36:32 | |
-So, what do we want for these, then? -Prices are going up. | 0:36:32 | 0:36:35 | |
All of a sudden, £150 to £200. | 0:36:35 | 0:36:37 | |
I've got interest in these straight off. I'm bid £100 for them. | 0:36:37 | 0:36:41 | |
With me at £100. 110. 120. | 0:36:41 | 0:36:43 | |
130. 140. | 0:36:43 | 0:36:45 | |
-150. 160, everywhere. 160. -Everywhere! | 0:36:45 | 0:36:49 | |
180. 190. | 0:36:49 | 0:36:51 | |
200. And ten. | 0:36:51 | 0:36:53 | |
220. 230. | 0:36:53 | 0:36:55 | |
240. | 0:36:55 | 0:36:57 | |
240, further away. At 240. Anybody else? | 0:36:57 | 0:37:00 | |
At £240. 240 is the bid. | 0:37:00 | 0:37:03 | |
-£240! -£240! | 0:37:03 | 0:37:06 | |
The vast majority of that money | 0:37:06 | 0:37:09 | |
is in the fact that gold has risen so much, | 0:37:09 | 0:37:12 | |
because literally, in the last 18 months, | 0:37:12 | 0:37:14 | |
it's more or less quadrupled. | 0:37:14 | 0:37:16 | |
'I think Keith is just delighted that they've sold | 0:37:16 | 0:37:20 | |
'for such a good price - £40 over the top estimate. | 0:37:20 | 0:37:24 | |
'The next lot is more jewellery, an early 20th-century cameo brooch and ring | 0:37:24 | 0:37:28 | |
'that belonged to Keith's other aunt, Ethel, who lived in Sunderland. | 0:37:28 | 0:37:32 | |
'We'd like to get our £80 to £120 for these two.' | 0:37:32 | 0:37:35 | |
What are they worth? Start me at £50. Surely, for 50? | 0:37:36 | 0:37:39 | |
The two cameos, for £50. Does nobody want them? | 0:37:39 | 0:37:41 | |
-I'm bid £50. -£50. OK. | 0:37:41 | 0:37:45 | |
£55. All I'm bid now, at 55? | 0:37:45 | 0:37:47 | |
At £55. Not quite enough, for 55. | 0:37:47 | 0:37:50 | |
At £55. No? Not sold. Sorry. | 0:37:50 | 0:37:53 | |
-We have an unsold. -My goodness! Not sold! | 0:37:53 | 0:37:56 | |
I never thought I was going to be saying that to you today. | 0:37:56 | 0:37:59 | |
-In fact, there we are. -Bit of a surprise, isn't it? | 0:37:59 | 0:38:01 | |
Bit of a shock. | 0:38:01 | 0:38:04 | |
'Well, the auctioneer obviously used his discretion, | 0:38:04 | 0:38:07 | |
'and decided that the two cameos were worth more than the £55 | 0:38:07 | 0:38:10 | |
'offered in the room. | 0:38:10 | 0:38:12 | |
'How will the next lot fare? It's the two watches, | 0:38:12 | 0:38:15 | |
'on sale for £200 to £400.' | 0:38:15 | 0:38:17 | |
For my money, this is one of the star items, | 0:38:18 | 0:38:21 | |
the two watches. We've got the gent's pocket watch, | 0:38:21 | 0:38:24 | |
the American one, but the beautiful ladies' one, as well. | 0:38:24 | 0:38:27 | |
I think they've got to go, because they'll only stay in a drawer, | 0:38:27 | 0:38:30 | |
but the little one is beautifully engraved, | 0:38:30 | 0:38:33 | |
and I do like it. I'm beginning to think I'm going to miss it, | 0:38:33 | 0:38:38 | |
but what's the point of having them in a drawer? | 0:38:38 | 0:38:41 | |
Start me, £100 to go for the lot. £100 for them, surely. | 0:38:41 | 0:38:45 | |
-£100. 110. 120. 130. 140. -Come on! | 0:38:45 | 0:38:48 | |
£130? Is that 130? | 0:38:48 | 0:38:50 | |
At 130 for the watches. | 0:38:50 | 0:38:52 | |
£130. | 0:38:52 | 0:38:54 | |
130, not quite enough. | 0:38:54 | 0:38:55 | |
-Gosh! -Unsold! -That's unbelievable. | 0:38:55 | 0:38:59 | |
-Unbelievable! -We've gone right back. -What happened there? | 0:39:00 | 0:39:03 | |
-No interest in the room whatsoever. -That's just bizarre! | 0:39:03 | 0:39:06 | |
I'm stunned. I'm absolutely stunned. | 0:39:06 | 0:39:09 | |
'Poor old Jonty! He was so sure those watches would fly. | 0:39:09 | 0:39:13 | |
'But at least the auctioneer didn't let them go for a silly price, | 0:39:13 | 0:39:16 | |
'and Keith can try and sell them on another day. | 0:39:16 | 0:39:19 | |
'And now we have the final lot. It's that large Egyptian engagement ring | 0:39:19 | 0:39:23 | |
'with ten diamonds, that was Keith's mother's. | 0:39:23 | 0:39:26 | |
'Jonty valued it at £500 to £600.' | 0:39:26 | 0:39:29 | |
-Have you put a reserve on that? -I think we did, | 0:39:32 | 0:39:35 | |
because I was concerned that it might go for not enough | 0:39:35 | 0:39:39 | |
as to what I thought it was. | 0:39:39 | 0:39:41 | |
-So there is a reserve on it. -Do we know what that is? | 0:39:41 | 0:39:43 | |
-It's a discretionary reserve. -Discretionary. OK. | 0:39:43 | 0:39:46 | |
The auctioneer is selling. Let's see what happens. | 0:39:46 | 0:39:49 | |
Is it worth... Start me, 400. 400 for the ring. Surely, 400? And 20. | 0:39:49 | 0:39:54 | |
-440. 460. -Come on! | 0:39:54 | 0:39:55 | |
£460 for that ring. | 0:39:55 | 0:39:57 | |
At £460. 460. Anybody else? | 0:39:57 | 0:40:00 | |
-At 460. Not quite enough, 460. -SHE GASPS | 0:40:00 | 0:40:03 | |
-No! -Oh, my word! | 0:40:03 | 0:40:06 | |
-£460, and it's not sold. -We were doing so well, | 0:40:06 | 0:40:10 | |
and all of a sudden we've come to a full stop. | 0:40:10 | 0:40:13 | |
What do you think about the ring not selling? | 0:40:13 | 0:40:15 | |
Everything that we thought was going to do really well hasn't done well, | 0:40:15 | 0:40:20 | |
and some of the items we were not expecting to do well | 0:40:20 | 0:40:23 | |
has done fantastic. | 0:40:23 | 0:40:25 | |
'I think Keith has just summed up how unpredictable an auction can be. | 0:40:25 | 0:40:30 | |
'But you have to take the good with the bad. What we need to know now | 0:40:30 | 0:40:33 | |
'is whether our unsolds have affected our target.' | 0:40:33 | 0:40:37 | |
Well, you wanted £1,000, didn't you, to send over | 0:40:38 | 0:40:42 | |
to the tuition in America. | 0:40:42 | 0:40:44 | |
We've got two major things that haven't sold - | 0:40:44 | 0:40:47 | |
the gold pocket watches and the gold ring. | 0:40:47 | 0:40:50 | |
-But you have made £800. -Much better than nothing, | 0:40:50 | 0:40:53 | |
because we've still got those items, and I know we can put them somewhere, | 0:40:53 | 0:40:57 | |
and I'm sure we will get our thousand or more, so that's fine. | 0:40:57 | 0:41:02 | |
-Thoroughly enjoyed the experience. -It's like a roller coaster. | 0:41:02 | 0:41:06 | |
Is it like this when you're body-boarding? | 0:41:06 | 0:41:08 | |
It's a bit different. I'm keeping my hands in my pockets so I don't buy anything silly, | 0:41:08 | 0:41:13 | |
but it's been a really enjoyable day. | 0:41:13 | 0:41:15 | |
Hi. How are you? | 0:41:18 | 0:41:20 | |
A few days later, Keith and Penny break the news of their earnings | 0:41:20 | 0:41:24 | |
to son Leslie by webcam. | 0:41:24 | 0:41:26 | |
Mark and I went to the auctions, | 0:41:26 | 0:41:28 | |
and we've managed to raise you a healthy amount of money. | 0:41:28 | 0:41:32 | |
So when I send this £800 over to you, | 0:41:32 | 0:41:36 | |
don't spend it on anything other than your tuition fees, | 0:41:36 | 0:41:42 | |
and look after the money carefully. | 0:41:42 | 0:41:45 | |
"Thank you very much. I really appreciate it." | 0:41:45 | 0:41:48 | |
That's fine, son. You're welcome. | 0:41:48 | 0:41:50 | |
Leslie originally went to the States on a gap year, | 0:41:50 | 0:41:53 | |
but decided to stay, and is now studying physiotherapy in Texas. | 0:41:53 | 0:41:57 | |
-Mind how you go! -See you soon. Bye! | 0:41:57 | 0:42:00 | |
What he's doing now is a life ambition for him. | 0:42:00 | 0:42:04 | |
He's got some good results. He's got some good grades. | 0:42:04 | 0:42:07 | |
It looks as though he's going to stay the distance, | 0:42:07 | 0:42:10 | |
and it's fantastic, so I'm over the moon. Proud, really proud. | 0:42:10 | 0:42:14 | |
-Me, too. -You, too? | 0:42:14 | 0:42:16 | |
Subtitles by Red Bee Media Ltd | 0:42:40 | 0:42:44 |