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Welcome to the show that searches your home for hidden treasures | 0:00:02 | 0:00:05 | |
which we then sell at auction. Most people at some time in their life | 0:00:05 | 0:00:08 | |
inherit various heirlooms, but which ones are valuable | 0:00:08 | 0:00:12 | |
and which ones can you afford to throw away? | 0:00:12 | 0:00:14 | |
That's the question everybody asks, and today we hope to find an answer. | 0:00:14 | 0:00:18 | |
Will we find some very valuable heirlooms | 0:00:18 | 0:00:21 | |
on today's Cash In The Attic? Time to find out. | 0:00:21 | 0:00:24 | |
'On today's Cash In The Attic, a 19th-century train timetable | 0:00:43 | 0:00:48 | |
'gives us a glimpse into the glamorous world of Victorian travel.' | 0:00:48 | 0:00:51 | |
I love the way they list all these really important people, | 0:00:51 | 0:00:54 | |
then we get "Third Class", and there's not a word! | 0:00:54 | 0:00:58 | |
And Jonty gets into his Peckham mode | 0:00:58 | 0:01:00 | |
when he assesses some gold-sovereign jewellery. | 0:01:00 | 0:01:04 | |
Somehow there's a Del Boy feel to wearing a sovereign. | 0:01:04 | 0:01:07 | |
What do you think? | 0:01:07 | 0:01:08 | |
On auction day, our expert's estimates are slightly out. | 0:01:08 | 0:01:13 | |
Jonty, you got that one wrong! | 0:01:13 | 0:01:15 | |
But it's great when you get it wrong that way round. | 0:01:15 | 0:01:18 | |
Find out if all comes right when the hammer falls. | 0:01:18 | 0:01:22 | |
I'm going to sell it for 50. | 0:01:22 | 0:01:24 | |
Today I've come to Buckinghamshire to meet Keith Davies. | 0:01:24 | 0:01:27 | |
He's called in the Cash In The Attic team to help him raise some funds | 0:01:27 | 0:01:31 | |
for one of his sons, who's flown the nest and gone to study abroad. | 0:01:31 | 0:01:36 | |
Keith is the only son of a wartime globetrotting couple | 0:01:36 | 0:01:41 | |
who liked to pick up a souvenir from every place they visited. | 0:01:41 | 0:01:45 | |
Keith's parents have now died, and he's inherited their collections | 0:01:45 | 0:01:48 | |
and those from their siblings, too. This means his home, | 0:01:48 | 0:01:52 | |
which he shares with his wife Penny and sons Leslie and Mark, | 0:01:52 | 0:01:55 | |
is absolutely full of exotic and eclectic items | 0:01:55 | 0:01:58 | |
from the four corners of the world. | 0:01:58 | 0:02:01 | |
Keith's son Leslie now has the family travelling bug, | 0:02:01 | 0:02:04 | |
and is in America. Keith's wife is at work today, | 0:02:04 | 0:02:07 | |
so it falls to his youngest son Mark to help with the rummage. | 0:02:07 | 0:02:10 | |
And joining me is our expert antique hunter, Jonty Hearnden. | 0:02:10 | 0:02:14 | |
He's certainly got his work cut out, as I've heard this family want to raise £1,000. | 0:02:14 | 0:02:20 | |
Tell me, who are you looking at there? | 0:02:22 | 0:02:25 | |
These are photographs of Leslie. Just looking and reminiscing, really, | 0:02:25 | 0:02:30 | |
of the old pictures of him before he went to America. | 0:02:30 | 0:02:34 | |
He's gone off to study and do a university course, | 0:02:34 | 0:02:38 | |
and we're looking to raise some money to pay for his fees | 0:02:38 | 0:02:41 | |
and help towards the fees, because it's so expensive in the States for education. | 0:02:41 | 0:02:45 | |
-Do you miss Leslie, I take it? -Oh, yes. Yes, we do. | 0:02:45 | 0:02:48 | |
So we need to raise £1,000 for Leslie's tuition fees in America. | 0:02:49 | 0:02:52 | |
Let's see if Jonty's found anything yet. Got a lot to get through! | 0:02:52 | 0:02:56 | |
'Jonty's been hard at work - and he's spotted something already.' | 0:02:56 | 0:03:01 | |
This is a lovely room. Ah, there's Jonty! | 0:03:01 | 0:03:04 | |
-I have been hard at work. -What have you found? | 0:03:04 | 0:03:08 | |
I've found a lovely little case here. This is a cigarette case. | 0:03:08 | 0:03:11 | |
-And a cigarette box. -Right. -Inside this one here | 0:03:11 | 0:03:15 | |
is a picture. Who's that? | 0:03:15 | 0:03:17 | |
That's a photograph of my mother. This was a cigarette case | 0:03:17 | 0:03:20 | |
that was given to my father, | 0:03:20 | 0:03:23 | |
I presume as maybe a wedding gift, or maybe an engagement gift. | 0:03:23 | 0:03:27 | |
And it says here, "To my darling Les, all my love, Nan". | 0:03:27 | 0:03:31 | |
Mum, from a very young age, was always called Nan | 0:03:31 | 0:03:34 | |
-and was Nan Davies. -Lorne, I've been looking for a hallmark on here, | 0:03:34 | 0:03:37 | |
and I haven't been able to find one, but I do have a little number here - | 0:03:37 | 0:03:42 | |
833. | 0:03:42 | 0:03:44 | |
Now that obviously means that this case is solid silver, | 0:03:44 | 0:03:47 | |
but it wasn't made in the UK. | 0:03:47 | 0:03:49 | |
This possibly could have come from the Egyptian-jeweller friend | 0:03:49 | 0:03:55 | |
-that they had. -All sounds very exotic! | 0:03:55 | 0:03:57 | |
Yeah. When it comes to selling an object like this in an auction sale, | 0:03:57 | 0:04:01 | |
we cannot call it solid silver, by law. | 0:04:01 | 0:04:04 | |
We have to call it white metal. Whereas this box is. | 0:04:04 | 0:04:08 | |
If you look on the side here, lovely crisp, clean hallmarks, | 0:04:08 | 0:04:13 | |
and it's got the inscription "Thomas Hugh Davies". | 0:04:13 | 0:04:16 | |
That was my grandfather. That was a gift from the company he worked for, | 0:04:16 | 0:04:20 | |
for long service. | 0:04:20 | 0:04:21 | |
The problem we have is, it's been incredibly personalised, | 0:04:21 | 0:04:25 | |
so therefore they just have to be sold for their weight. | 0:04:25 | 0:04:29 | |
But, having said that, they're still worth £60, £80. | 0:04:29 | 0:04:32 | |
OK. Well, let's hope we can take these to auction | 0:04:32 | 0:04:35 | |
and get £60 to £100. That would be wonderful, wouldn't it? | 0:04:35 | 0:04:39 | |
-We're a tenth of the way there. -It's gone up! | 0:04:39 | 0:04:41 | |
THEY LAUGH Optimistic! | 0:04:41 | 0:04:43 | |
Absolutely! Well, why not? They're both lovely objects, | 0:04:43 | 0:04:47 | |
and to get £100 - let's be positive. | 0:04:47 | 0:04:50 | |
I really like Keith's enthusiasm. | 0:04:50 | 0:04:52 | |
Let's hope it does make nearer the £100 mark for him. | 0:04:52 | 0:04:56 | |
In the bedroom, Jonty finds a cameo brooch and ring | 0:04:56 | 0:04:59 | |
which belonged to Keith's aunt Ethel from Sunderland. | 0:04:59 | 0:05:02 | |
These examples are from the early 20th century, | 0:05:02 | 0:05:05 | |
but are quite good quality, so Jonty values them accordingly | 0:05:05 | 0:05:09 | |
at £80 to £100. | 0:05:09 | 0:05:11 | |
Also winging its way to the auction is this late 19th century | 0:05:11 | 0:05:14 | |
French mantel clock. It used to have a glass dome, | 0:05:14 | 0:05:18 | |
but Mark and Leslie accidentally broke it during a childhood game. | 0:05:18 | 0:05:22 | |
It's also missing its minute hand - | 0:05:22 | 0:05:24 | |
but Jonty still hopes it'll make £80 to £120. | 0:05:24 | 0:05:27 | |
-Ah, Jonty! -Yeah? | 0:05:29 | 0:05:32 | |
Look what I've got here! | 0:05:32 | 0:05:34 | |
Two fabulous pocket watches. | 0:05:34 | 0:05:36 | |
-So, where were these from? -That's Grandfather's, | 0:05:36 | 0:05:40 | |
and he gave them to me when I was about 13. | 0:05:40 | 0:05:43 | |
And the smaller pocket watch was from my great-aunt Maggie. | 0:05:43 | 0:05:46 | |
Let's have a look at this gent's one first. | 0:05:46 | 0:05:49 | |
Have you ever looked at the back of it? | 0:05:49 | 0:05:51 | |
-Yes. Little engravings on the back. -OK. | 0:05:51 | 0:05:54 | |
This is interesting. This is not a British-made pocket watch. | 0:05:54 | 0:05:58 | |
This is an American one, because we can see here | 0:05:58 | 0:06:01 | |
that it's the American Watch Company, | 0:06:01 | 0:06:03 | |
Waltham, Massachusetts. | 0:06:03 | 0:06:05 | |
They were a very big watchmaker. | 0:06:05 | 0:06:08 | |
In fact they made millions of watches | 0:06:08 | 0:06:11 | |
in the late 19th century. They went out of business in the 1950s. | 0:06:11 | 0:06:15 | |
The great news is - I've just had a look on the back here - | 0:06:15 | 0:06:18 | |
this is what they call ten-carat gold, | 0:06:18 | 0:06:20 | |
which we don't use in this country, which is very good news indeed. | 0:06:20 | 0:06:24 | |
Tell me about this small lady's pocket watch. | 0:06:24 | 0:06:27 | |
I would presume that was, sort of, late 1800s, type of... | 0:06:27 | 0:06:32 | |
-Over 100 years old. -Well, you're about right, | 0:06:32 | 0:06:35 | |
and you can tell that by looking at the decoration on the outside. | 0:06:35 | 0:06:38 | |
Look at all the chasing on the reverse and on the side here. | 0:06:38 | 0:06:42 | |
It's very, very busy, so this has to be late 19th century, | 0:06:42 | 0:06:45 | |
possibly early 20th century. Let's see if we can get to the back of it. | 0:06:45 | 0:06:49 | |
Ah! That's really very good news indeed. | 0:06:49 | 0:06:51 | |
I suspected so. Because this casing here is nine-carat gold. | 0:06:51 | 0:06:56 | |
But look at the condition of that on the inside! Isn't that wonderful? | 0:06:56 | 0:06:59 | |
-That's almost mint. -Why should it not be? | 0:06:59 | 0:07:02 | |
It's always been enclosed. | 0:07:02 | 0:07:04 | |
That lady's pocket watch is in very good condition, | 0:07:04 | 0:07:07 | |
this not so, so as far as value is concerned, | 0:07:07 | 0:07:10 | |
on a poor day we're looking at £200, but on a good day, | 0:07:10 | 0:07:14 | |
as much as £400, so that's a very good find. | 0:07:14 | 0:07:17 | |
In the bedroom, Keith has come across something from his childhood. | 0:07:17 | 0:07:22 | |
It's a toy van made by Budgie, | 0:07:22 | 0:07:23 | |
one of the British die-cast toymakers of the 1960s. | 0:07:23 | 0:07:27 | |
It's not as valuable as other well known makes | 0:07:27 | 0:07:29 | |
such as Dinky and Matchbox, so it gets a slightly lower valuation | 0:07:29 | 0:07:33 | |
of just £20 to £30. | 0:07:33 | 0:07:35 | |
Hi, Jonty. I've found something of interest for you. | 0:07:36 | 0:07:39 | |
Good. That's what I'd like to hear. | 0:07:39 | 0:07:41 | |
-A ring and a pennant-type brooch. -Yes, OK. | 0:07:41 | 0:07:45 | |
Oh, wow! They've got sovereigns inset inside them, | 0:07:45 | 0:07:47 | |
in the middle there. Where are they from? | 0:07:47 | 0:07:50 | |
They were originally my great-aunt's. | 0:07:50 | 0:07:52 | |
She used to wear them quite often. The brooch she would wear daily | 0:07:52 | 0:07:55 | |
with scarves and things like that. | 0:07:55 | 0:07:57 | |
We're not sure she wore the ring, but she did wear the brooch. | 0:07:57 | 0:08:00 | |
It was very fashionable, in the late 19th century | 0:08:00 | 0:08:03 | |
and throughout the 20th century, for many people | 0:08:03 | 0:08:06 | |
to convert their sovereigns into jewellery. | 0:08:06 | 0:08:10 | |
You were simply wearing your money, wearing your wealth. | 0:08:10 | 0:08:13 | |
If you could afford to buy a sovereign, or a half-sovereign, | 0:08:13 | 0:08:17 | |
why not turn it into a ring, because it is solid gold after all. | 0:08:17 | 0:08:21 | |
But somehow there's a touch of the Del Boy about them. | 0:08:21 | 0:08:24 | |
I certainly wouldn't be caught wearing that. | 0:08:24 | 0:08:26 | |
-You sure? -No. It's not for me, I'm afraid. | 0:08:26 | 0:08:29 | |
-So can we sell this pair? -Oh, for sure. Yeah. | 0:08:29 | 0:08:33 | |
They're not strictly a pair. I imagine they were converted | 0:08:33 | 0:08:36 | |
probably at the same time. | 0:08:36 | 0:08:38 | |
So in the brooch, the half-sovereign here is 1905, | 0:08:38 | 0:08:41 | |
so that's Edwardian, | 0:08:41 | 0:08:43 | |
and this one is a similar age. This is 1914, | 0:08:43 | 0:08:46 | |
so the beginning of the First World War. | 0:08:46 | 0:08:48 | |
We're selling just at the right time, | 0:08:48 | 0:08:51 | |
because the market is really at an all-time high as we speak. | 0:08:51 | 0:08:55 | |
Five years ago, I would value these | 0:08:55 | 0:08:58 | |
at between £60 and £80. In today's market, at auction, | 0:08:58 | 0:09:01 | |
-we're looking between £150 and £200. -Brilliant! | 0:09:01 | 0:09:05 | |
-So that is very good news. -Good job you came now, then! | 0:09:05 | 0:09:07 | |
Good job you showed them to me! | 0:09:07 | 0:09:09 | |
-I'll give those back to you for safekeeping. We'll carry on. -OK. | 0:09:09 | 0:09:12 | |
At auction, will the gold have the Midas touch with the bidders? | 0:09:15 | 0:09:20 | |
110, 120, 130, 140. | 0:09:20 | 0:09:23 | |
-Will it reach Jonty's estimate? -150. In the room at 150. 160. | 0:09:23 | 0:09:27 | |
Will it go higher still? Find out later. | 0:09:27 | 0:09:30 | |
All that excitement is still to come. | 0:09:32 | 0:09:34 | |
In my search, I spot these two old teddy bears | 0:09:34 | 0:09:37 | |
that belonged to Keith's mother. | 0:09:37 | 0:09:39 | |
Unfortunately they're not very valuable, | 0:09:39 | 0:09:41 | |
only getting a £20 to £30 estimate from Jonty. | 0:09:41 | 0:09:46 | |
-Here we are, Lorne. -Oh, what have you got there? | 0:09:47 | 0:09:50 | |
-Jonty? -Let's have a look. | 0:09:50 | 0:09:52 | |
This is a silk time-bill, it's described as, | 0:09:52 | 0:09:57 | |
and it's an old Indian train journey | 0:09:57 | 0:09:59 | |
that took place in 1876, I think. | 0:09:59 | 0:10:02 | |
-That's right. Yes. -For the Prince of Wales'... | 0:10:02 | 0:10:06 | |
journey through from Delhi to Lahore. | 0:10:06 | 0:10:10 | |
If you look here, it has all these carriages, and it tells you who's... | 0:10:10 | 0:10:14 | |
-Who's in every one. -Oh, yeah! Carriage! | 0:10:14 | 0:10:17 | |
I love the way they list all these important people, | 0:10:17 | 0:10:21 | |
and then we get "Third Class", and there's not a word! | 0:10:21 | 0:10:24 | |
You have second class, third class, and that's it. | 0:10:24 | 0:10:26 | |
-That's it. They won't mention those. -THEY LAUGH | 0:10:26 | 0:10:28 | |
How did this come into your possession, then? | 0:10:28 | 0:10:31 | |
This probably came from my great-uncle Rich, | 0:10:31 | 0:10:33 | |
who was a bit of an eccentric and went travelling around the world | 0:10:33 | 0:10:37 | |
in the mid-'60s, and went from Victoria Coach Station to Bombay | 0:10:37 | 0:10:42 | |
-on a bus. -I think that was just insane. | 0:10:42 | 0:10:45 | |
-He did rather stupid things. -He got there, did he? -Yeah! | 0:10:45 | 0:10:48 | |
I can only presume that he's picked this up on his travels. | 0:10:48 | 0:10:52 | |
Now, the condition is pretty poor, because it's made of silk, | 0:10:52 | 0:10:55 | |
and silk does perish quite badly. Now, this is a rare item, | 0:10:55 | 0:11:00 | |
but it doesn't necessarily make it incredibly valuable. | 0:11:00 | 0:11:03 | |
I just find it fascinating, and a lot of other people will, too. | 0:11:03 | 0:11:07 | |
So what sort of price do you think? | 0:11:07 | 0:11:09 | |
I would put £20 to £30 on it, | 0:11:09 | 0:11:11 | |
and just see what happens in the auction sale. | 0:11:11 | 0:11:13 | |
I think we go for it. | 0:11:13 | 0:11:15 | |
Jonty makes the next discovery in the hall - | 0:11:15 | 0:11:18 | |
two French spelter figures of children. | 0:11:18 | 0:11:21 | |
Jonty reckons this pair should attract some attention | 0:11:21 | 0:11:24 | |
at £50 to £80. | 0:11:24 | 0:11:26 | |
Keith's son Leslie is the person we're raising the money for today. | 0:11:26 | 0:11:31 | |
But, as he's now living in America, I get the low-down on him from his brother Mark. | 0:11:31 | 0:11:35 | |
So, this was Leslie's bedroom before he went away. | 0:11:35 | 0:11:38 | |
-It's big, isn't it? -Nice and big. He got the bigger room of the two. | 0:11:38 | 0:11:41 | |
-SHE LAUGHS -Right. So, what's this? | 0:11:41 | 0:11:44 | |
This is a wakeboard. It's the snowboarding equivalent of water-skiing. | 0:11:44 | 0:11:48 | |
You're behind a boat, and you get towed at 30 miles an hour, | 0:11:48 | 0:11:51 | |
and it's all about doing the biggest, baddest trick you can do. | 0:11:51 | 0:11:55 | |
-Your parents must have a fit. -Not the best thing to watch your child do, | 0:11:55 | 0:11:59 | |
but as a participant, it's exhilarating. It's great fun. | 0:11:59 | 0:12:02 | |
You've got lots of medals here. These are Leslie's medals? | 0:12:02 | 0:12:05 | |
Came second in one competition, third in another, | 0:12:05 | 0:12:08 | |
and the best one we have of him | 0:12:08 | 0:12:10 | |
is Best Crash award, where he completely totalled himself | 0:12:10 | 0:12:13 | |
in a competition and had memory loss for a day, | 0:12:13 | 0:12:17 | |
so we had a lot of fun taking the mick out of him. | 0:12:17 | 0:12:20 | |
What has he gone to America to do? Is it linked to this sport? | 0:12:20 | 0:12:24 | |
He's doing physiotherapy, and it connects with this, | 0:12:24 | 0:12:27 | |
because in wakeboarding there's a lot of impact injuries, | 0:12:27 | 0:12:31 | |
and it helps to know a good physiotherapist | 0:12:31 | 0:12:33 | |
once you get out of those crutches and get walking again, | 0:12:33 | 0:12:36 | |
so it's quite linked, really. | 0:12:36 | 0:12:38 | |
It's been quite tough for your mum and dad. | 0:12:38 | 0:12:40 | |
They get quite emotional talking about it. | 0:12:40 | 0:12:43 | |
Every time Les comes up in conversation, they're welling up. | 0:12:43 | 0:12:46 | |
But they're pleased for him because this is an avenue for him to follow. | 0:12:46 | 0:12:50 | |
So they were pleased. | 0:12:50 | 0:12:51 | |
What are your plans for going out there? | 0:12:51 | 0:12:53 | |
Hopefully in August the whole family will be going out, | 0:12:53 | 0:12:56 | |
so it'll be good to get back together again. | 0:12:56 | 0:12:59 | |
It will be. There'll be lots of tears then. | 0:12:59 | 0:13:02 | |
I'm sure there will be. Lots of hugs and kisses. | 0:13:02 | 0:13:04 | |
There'll be tears if Jonty doesn't find some more stuff to sell. Let's see how he's doing. | 0:13:04 | 0:13:09 | |
I'm not sure where our expert's got to, | 0:13:11 | 0:13:13 | |
but Mark makes an interesting discovery downstairs. | 0:13:13 | 0:13:16 | |
It's a Victorian cast-iron doorstop | 0:13:16 | 0:13:19 | |
in the shape of the puppet, Mr Punch. | 0:13:19 | 0:13:21 | |
It belonged to Keith's great-aunt Maggie, | 0:13:21 | 0:13:24 | |
who worked as a governess for families in France and England. | 0:13:24 | 0:13:28 | |
Jonty values it at £30 to £40. | 0:13:28 | 0:13:31 | |
In the bedroom, it looks like Keith might have found something sparkling, | 0:13:31 | 0:13:35 | |
but there's no stopping Mark at the moment. | 0:13:35 | 0:13:38 | |
In the snug, he's come across something else that has family connections. | 0:13:38 | 0:13:41 | |
It's the war medals that were given to Keith's father | 0:13:42 | 0:13:45 | |
and his great-uncle Oswald for their services during the wars. | 0:13:45 | 0:13:50 | |
These war medals, however, are fairly common, | 0:13:50 | 0:13:52 | |
and that is reflected in Jonty's estimate, | 0:13:52 | 0:13:55 | |
as he values them at £50 to £80. | 0:13:55 | 0:13:58 | |
-Hello! Oh, do I see diamonds? -We do. -Oh, hello! | 0:14:01 | 0:14:05 | |
And whose ring is this? | 0:14:05 | 0:14:06 | |
This is actually my mother's engagement ring. | 0:14:06 | 0:14:10 | |
It was made for her by a jeweller in Cairo | 0:14:10 | 0:14:14 | |
who was a personal friend of hers. | 0:14:14 | 0:14:16 | |
That's a proper knuckleduster! Excuse me. | 0:14:16 | 0:14:18 | |
-Can I have a look? -Certainly. | 0:14:18 | 0:14:19 | |
-So, how many diamonds have we got in here? -Ten. | 0:14:19 | 0:14:22 | |
Yes, you're right. We've got eight smaller ones, | 0:14:22 | 0:14:26 | |
and two large ones on the ends. | 0:14:26 | 0:14:28 | |
And those diamonds are inset in a very fine platinum ridge. | 0:14:28 | 0:14:33 | |
The band itself, the ring itself, is gold, probably nine-carat gold. | 0:14:33 | 0:14:37 | |
I would hazard a guess that we're looking between two and three carats. | 0:14:37 | 0:14:41 | |
We would have to properly assess the clarity of those diamonds, | 0:14:41 | 0:14:45 | |
because I think they're not the best, | 0:14:45 | 0:14:48 | |
but as far as value is concerned, an auction value is concerned, | 0:14:48 | 0:14:52 | |
we're looking at between £500 and £600. | 0:14:52 | 0:14:55 | |
-What do you think about that? -Superb. I think that's good. | 0:14:55 | 0:14:58 | |
I'm quite pleased that we've got nearer our target, | 0:14:58 | 0:15:01 | |
and £1,000... Nearer to £1,000. | 0:15:01 | 0:15:05 | |
Well, it certainly has taken us a lot nearer our target, | 0:15:05 | 0:15:08 | |
because, as you say, you wanted £1,000 | 0:15:08 | 0:15:10 | |
towards Leslie's education, or the fees for him studying in America, | 0:15:10 | 0:15:14 | |
and thanks to the ring, the value of everything going to auction | 0:15:14 | 0:15:18 | |
comes to £1,260! | 0:15:18 | 0:15:22 | |
-Oh, really? -That's pretty good. -That is good, isn't it? | 0:15:22 | 0:15:25 | |
That's fantastic. | 0:15:25 | 0:15:27 | |
There was certainly a Middle Eastern flavour to our items today. | 0:15:27 | 0:15:31 | |
I can't wait to see how they all do when we take them to auction. | 0:15:31 | 0:15:35 | |
There's the two gold pocket watches. | 0:15:35 | 0:15:37 | |
Will they tick all the boxes for the bidders, | 0:15:37 | 0:15:40 | |
with an estimate of £200 to £400? | 0:15:40 | 0:15:42 | |
The early 20th-century sovereign ring and pin | 0:15:44 | 0:15:47 | |
which belonged to Keith's aunt. With the price of gold being so high, | 0:15:47 | 0:15:51 | |
they should reach their £150 to £200 estimate. | 0:15:51 | 0:15:55 | |
And not forgetting the silk train timetable | 0:15:57 | 0:15:59 | |
for the Prince of Wales's journey from Delhi to Lahore in 1876. | 0:15:59 | 0:16:04 | |
His valuation was only £20 to £30, | 0:16:04 | 0:16:06 | |
but who knows what it might fetch on the day. | 0:16:06 | 0:16:08 | |
Still to come on Cash In The Attic - I think Jonty is punch-drunk | 0:16:15 | 0:16:19 | |
after the sale of the Victorian doorstop. | 0:16:19 | 0:16:21 | |
That's the way to do it! | 0:16:21 | 0:16:23 | |
'And what has us reacting like this?' | 0:16:23 | 0:16:27 | |
-That's just bizarre. -I'm stunned. | 0:16:27 | 0:16:29 | |
I'm absolutely stunned. | 0:16:29 | 0:16:31 | |
'All will be revealed when the hammer finally falls.' | 0:16:31 | 0:16:34 | |
Now, it's been a few weeks since we met Keith and his son Mark, | 0:16:39 | 0:16:43 | |
and we found some lovely items in their home, | 0:16:43 | 0:16:46 | |
including that Indian railway timetable with a royal touch | 0:16:46 | 0:16:49 | |
and the Egyptian ring. We've brought those and other items here | 0:16:49 | 0:16:53 | |
to Chiswick Auction House in West London. | 0:16:53 | 0:16:55 | |
Remember, Keith's looking to raise around £1,000 | 0:16:55 | 0:16:58 | |
so he can send the money to his other son, Leslie, | 0:16:58 | 0:17:01 | |
for his tuition fees in America. | 0:17:01 | 0:17:03 | |
Let's hope today the bidders are feeling very adventurous | 0:17:03 | 0:17:07 | |
and help us make our money. | 0:17:07 | 0:17:08 | |
These general auctions take place every Tuesday. | 0:17:08 | 0:17:12 | |
Today there are almost 800 lots, | 0:17:12 | 0:17:14 | |
and dealers and experts alike are eyeing up everything on offer. | 0:17:14 | 0:17:18 | |
Keith and Mark have never been to an auction before, | 0:17:20 | 0:17:23 | |
and I wonder if they're feeling anxious about how well all their family heirlooms will do. | 0:17:23 | 0:17:28 | |
How are you looking forward to the auction? | 0:17:28 | 0:17:30 | |
I'm a little bit nervous, not knowing what's going to happen. | 0:17:30 | 0:17:33 | |
So we'll wait and see. | 0:17:33 | 0:17:36 | |
I'm not nervous, but we never know what will happen at auction either. | 0:17:36 | 0:17:40 | |
-How are you feeling, Mark? -It's going to go well. | 0:17:40 | 0:17:42 | |
We'll make a lot of money and it should be good fun. | 0:17:42 | 0:17:45 | |
The show is under way, so let's hope Mr Punch gets us a good audience. | 0:17:45 | 0:17:48 | |
Come on! | 0:17:48 | 0:17:50 | |
The auction room is packed, and with all the lots available online too, | 0:17:51 | 0:17:56 | |
let's hope there'll be plenty of interest in Keith's belongings. | 0:17:56 | 0:17:59 | |
The first to come up is my favourite - that Victorian train timetable | 0:17:59 | 0:18:04 | |
with the royal connection. | 0:18:04 | 0:18:06 | |
There's interest in this straight off, I'm glad to say. | 0:18:06 | 0:18:09 | |
I'm bid £20. Straight off with me at 20. | 0:18:09 | 0:18:11 | |
22, everywhere. 22. | 0:18:11 | 0:18:12 | |
25. 28. | 0:18:12 | 0:18:15 | |
30. 32. | 0:18:15 | 0:18:16 | |
£32, the middle there. 35. | 0:18:16 | 0:18:19 | |
38. 40. Five. | 0:18:19 | 0:18:22 | |
50. Five. | 0:18:22 | 0:18:24 | |
£60 with Terry. | 0:18:24 | 0:18:26 | |
Anybody else? 65 here. 70. | 0:18:26 | 0:18:30 | |
Five. 80. £80 there, further away. At 80. | 0:18:30 | 0:18:33 | |
Anybody else? At £80. I'm going to sell it for 80. | 0:18:33 | 0:18:36 | |
-There it goes. -£80! That's really good, isn't it? | 0:18:36 | 0:18:40 | |
How about that? That put a smile on your face. | 0:18:40 | 0:18:42 | |
-Jonty, you got that one wrong! -It's great when I get it wrong that way round! | 0:18:42 | 0:18:47 | |
'What a great start! More than double Jonty's top estimate. | 0:18:47 | 0:18:50 | |
'Let's hope this sale bodes well for the rest of Keith's heirlooms | 0:18:50 | 0:18:54 | |
'coming under the hammer today. Next up are the two teddies, | 0:18:54 | 0:18:57 | |
'priced at £20 to £30.' | 0:18:57 | 0:19:00 | |
£14 here. At 14. Anybody else? | 0:19:00 | 0:19:03 | |
At £14. 16, standing. | 0:19:03 | 0:19:05 | |
18. 20. | 0:19:05 | 0:19:07 | |
22. £22, then. | 0:19:07 | 0:19:09 | |
With the lady at 22. At £22. You all done? | 0:19:09 | 0:19:12 | |
22. And going for 22. | 0:19:12 | 0:19:13 | |
£22! That's £11 a bear. | 0:19:13 | 0:19:16 | |
Oh, how do you feel? | 0:19:16 | 0:19:19 | |
I find it really sad when I see my childhood stuff go. | 0:19:19 | 0:19:22 | |
I guess after the excitement of the first one, we've got to have a few downers! | 0:19:22 | 0:19:27 | |
'It was still within Jonty's estimate, though, | 0:19:27 | 0:19:30 | |
'so not too disappointing. | 0:19:30 | 0:19:31 | |
' The bidders seem pretty keen on our lots, | 0:19:31 | 0:19:35 | |
'as the boxed Budgie van and the silver cigarette box and case | 0:19:35 | 0:19:38 | |
'both sell on or over estimate...' | 0:19:38 | 0:19:41 | |
£60 and going, then, for 60. | 0:19:41 | 0:19:44 | |
'..adding £110 to our kitty between them. | 0:19:44 | 0:19:48 | |
'Now, how will that Victorian cast-iron doorstop do, | 0:19:49 | 0:19:53 | |
'in the shape of Mr Punch?' | 0:19:53 | 0:19:55 | |
What do we want for this? £30 to £40? | 0:19:55 | 0:19:58 | |
-It's worth every penny. Don't be surprised if he makes more. -Right. Let's see! | 0:19:58 | 0:20:01 | |
There's a bit of interest in Punch. I've got a £30 left bid. | 0:20:01 | 0:20:06 | |
With me at £30 for Punch. 32. | 0:20:06 | 0:20:08 | |
35. 38. 40. 42. 45. | 0:20:08 | 0:20:11 | |
48. 50. | 0:20:11 | 0:20:13 | |
-55. In the room at 55. 60. -Lots of hands going up. | 0:20:13 | 0:20:16 | |
-Look at this. -£60 in the blue. 65. 70. | 0:20:16 | 0:20:20 | |
Five. 80. Five. | 0:20:20 | 0:20:21 | |
£85. With 85. | 0:20:21 | 0:20:23 | |
Anybody else? At £85. 90. | 0:20:23 | 0:20:26 | |
95. | 0:20:26 | 0:20:28 | |
-£95, then. At 95. -HE BANGS GAVEL | 0:20:29 | 0:20:31 | |
-Now, that's the way to do it! -That's amazing! £95. | 0:20:31 | 0:20:35 | |
-That is good! -Pretty good for a doorstop. | 0:20:35 | 0:20:39 | |
'Incredible! More than double the top estimate. | 0:20:39 | 0:20:42 | |
'Keith's next lot is the collection of war medals. | 0:20:42 | 0:20:44 | |
'Let's hope they can repeat Mr Punch's performance | 0:20:44 | 0:20:47 | |
'at £50 to £80.' | 0:20:47 | 0:20:49 | |
I'm bid £60. Straight off with me at £60. | 0:20:49 | 0:20:51 | |
65. 65. | 0:20:51 | 0:20:53 | |
70 with me. 75. 80 with me. | 0:20:53 | 0:20:55 | |
85. 90 with me. 95 in the room. Against commissions at 95. | 0:20:55 | 0:20:59 | |
-Wow! -Wow! | 0:20:59 | 0:21:00 | |
At 95. 100 there in the middle. Are you giving up? | 0:21:00 | 0:21:04 | |
-110. -Great. -120. | 0:21:04 | 0:21:06 | |
120 in the middle of the room. At 120. | 0:21:06 | 0:21:08 | |
In the hat, at 120. | 0:21:08 | 0:21:10 | |
-At 120, then... -HE BANGS GAVEL | 0:21:10 | 0:21:12 | |
-What a result! -That was great! -Another good one. | 0:21:12 | 0:21:15 | |
-We're on a roll, aren't we? -It's going well. | 0:21:15 | 0:21:17 | |
'We certainly have the sort of items the buyers are looking for today.' | 0:21:18 | 0:21:22 | |
We're halfway through the lots we're going to be selling. | 0:21:23 | 0:21:27 | |
So far we've made £427, so almost halfway there. | 0:21:27 | 0:21:32 | |
-Your items have done really well. -We're second-half players, as well, | 0:21:32 | 0:21:36 | |
so bring on the second half! | 0:21:36 | 0:21:37 | |
If you've been inspired by Keith's success | 0:21:39 | 0:21:42 | |
and would like to raise money at auction, remember there are charges to be paid, such as commission. | 0:21:42 | 0:21:48 | |
These vary between salerooms, so it's always worth checking in advance. | 0:21:48 | 0:21:52 | |
Keith and Mark's next lot is the 19th-century French mantel clock. | 0:21:52 | 0:21:56 | |
We're looking for £80 to £120. | 0:21:56 | 0:21:58 | |
Bit of interest in that straight off. I'm bid £70. | 0:22:00 | 0:22:03 | |
At £70. 75. 80. | 0:22:03 | 0:22:05 | |
85. 90. In the corner at £90. Anybody else? | 0:22:05 | 0:22:09 | |
95, fresh bidding. £95. You all done? | 0:22:09 | 0:22:12 | |
At £95. Near the mirror, £95 and going. | 0:22:12 | 0:22:16 | |
95... | 0:22:16 | 0:22:18 | |
£95! That's not bad, is it? | 0:22:18 | 0:22:20 | |
'That's a good start to our second half, | 0:22:20 | 0:22:22 | |
'but the pair of spelter figures don't prove quite as popular...' | 0:22:22 | 0:22:27 | |
I'm going to sell them for £38. | 0:22:27 | 0:22:29 | |
-At £38. All done? £38. -Disappointing. | 0:22:29 | 0:22:32 | |
'..selling well under Jonty's £50 estimate. | 0:22:32 | 0:22:35 | |
'The next lot is the two half-sovereigns. | 0:22:37 | 0:22:39 | |
'This year, gold has hit record highs, | 0:22:39 | 0:22:42 | |
'so now's a great time to sell and cash in.' | 0:22:42 | 0:22:45 | |
I've got interest in these straight off. I'm bid £100 for them. | 0:22:45 | 0:22:48 | |
With me at £100. 110. 120. | 0:22:48 | 0:22:50 | |
130. 140. | 0:22:50 | 0:22:52 | |
-150. 160 everywhere. 160. -Everywhere! -170. | 0:22:52 | 0:22:56 | |
180. 190. | 0:22:56 | 0:22:59 | |
200. And ten. | 0:22:59 | 0:23:01 | |
220. 230. | 0:23:01 | 0:23:02 | |
240. | 0:23:02 | 0:23:04 | |
240, further away. At 240. Anybody else? | 0:23:04 | 0:23:07 | |
At £240. 240 is the bid. | 0:23:07 | 0:23:11 | |
'I think Keith is just delighted that they've sold | 0:23:11 | 0:23:14 | |
'for such a good price - £40 over the top estimate. | 0:23:14 | 0:23:18 | |
'The cameo brooch and ring don't hit the same chord with the bidders, though.' | 0:23:18 | 0:23:23 | |
At £55. No? Not sold. | 0:23:23 | 0:23:26 | |
'And that's our first. unsold lot of the day | 0:23:26 | 0:23:30 | |
'I hope it's not a bad omen, | 0:23:30 | 0:23:31 | |
'as we've got two more jewellery lots to come. | 0:23:31 | 0:23:34 | |
'First up, the two pocket watches, with a sizeable £200 estimate.' | 0:23:34 | 0:23:38 | |
Start me, £100 to go for the lot. £100 for them, surely. | 0:23:39 | 0:23:43 | |
-£100. 110. 120. 130. 140. -Come on! | 0:23:43 | 0:23:46 | |
£130? Is that 130? | 0:23:46 | 0:23:48 | |
At 130 for the watches. | 0:23:48 | 0:23:50 | |
£130. | 0:23:50 | 0:23:52 | |
130, not quite enough. | 0:23:52 | 0:23:53 | |
-Gosh! -Unsold! -That's unbelievable. | 0:23:53 | 0:23:57 | |
-Unbelievable! -We've gone right back. -What happened there? | 0:23:58 | 0:24:01 | |
-No interest in the room whatsoever. -That's just bizarre! | 0:24:01 | 0:24:04 | |
I'm stunned. I'm absolutely stunned. | 0:24:04 | 0:24:07 | |
'Poor old Jonty! He was so sure those watches would fly. | 0:24:07 | 0:24:11 | |
'But at least the auctioneer didn't let them go for a silly price. | 0:24:11 | 0:24:13 | |
'And now we have the final lot. It's that large Egyptian engagement ring | 0:24:13 | 0:24:18 | |
'with ten diamonds that was Keith's mother's. | 0:24:18 | 0:24:21 | |
'Jonty valued it at £500 to £600.' | 0:24:21 | 0:24:24 | |
-Have you put a reserve on that? -I think we did, | 0:24:27 | 0:24:30 | |
because I was concerned that it might go for not enough | 0:24:30 | 0:24:34 | |
as to what I thought it was. | 0:24:34 | 0:24:36 | |
-So there is a reserve on it. -Do we know what that is? | 0:24:36 | 0:24:39 | |
-It's a discretionary reserve. -Discretionary. OK. | 0:24:39 | 0:24:42 | |
The auctioneer is selling. Let's see what happens. | 0:24:42 | 0:24:45 | |
Is it worth... Start me, 400. 400 for the ring. Surely, 400? And 20. | 0:24:45 | 0:24:49 | |
-440. 460. -Come on! | 0:24:49 | 0:24:51 | |
£460 for that ring. | 0:24:51 | 0:24:53 | |
At £460. 460. Anybody else? | 0:24:53 | 0:24:56 | |
-At 460. Not quite enough, 460. -SHE GASPS | 0:24:56 | 0:24:59 | |
-No! -Oh, my word! | 0:24:59 | 0:25:01 | |
-£460, and it's not sold. -We were doing so well, | 0:25:01 | 0:25:06 | |
and all of a sudden we've come to a full stop. | 0:25:06 | 0:25:08 | |
What do you think about the ring not selling? | 0:25:08 | 0:25:11 | |
Everything that we thought was going to do really well hasn't done well, | 0:25:11 | 0:25:15 | |
and some of the items we were not expecting to do well | 0:25:15 | 0:25:19 | |
has done fantastic. | 0:25:19 | 0:25:20 | |
'I think Keith has just summed up how unpredictable an auction can be. | 0:25:20 | 0:25:26 | |
'But you have to take the good with the bad. What we need to know now | 0:25:26 | 0:25:29 | |
'is whether our unsolds have affected our target.' | 0:25:29 | 0:25:32 | |
Well, you wanted £1,000, didn't you, to send over | 0:25:34 | 0:25:37 | |
for the tuition in America. | 0:25:37 | 0:25:39 | |
We've got two major things that haven't sold - | 0:25:39 | 0:25:42 | |
the gold pocket watches and the gold ring. | 0:25:42 | 0:25:45 | |
-But you have made £800. -Much better than nothing, | 0:25:45 | 0:25:49 | |
because we've still got those items, and I know we can put them somewhere, | 0:25:49 | 0:25:53 | |
and I'm sure we will get our thousand or more, so that's fine. | 0:25:53 | 0:25:58 | |
Thoroughly enjoyed the experience. | 0:25:58 | 0:25:59 | |
Hi. How are you? | 0:26:03 | 0:26:05 | |
A few days later, Keith and Penny break the news of their earnings | 0:26:05 | 0:26:09 | |
to son Leslie by webcam. | 0:26:09 | 0:26:11 | |
Mark and I went to the auctions, | 0:26:11 | 0:26:13 | |
and we've managed to raise you a healthy amount of money. | 0:26:13 | 0:26:17 | |
So when I send this £800 over to you, | 0:26:17 | 0:26:21 | |
don't spend it on anything other than your tuition fees, | 0:26:21 | 0:26:27 | |
and look after the money carefully. | 0:26:27 | 0:26:30 | |
'Thank you very much. I really appreciate it.' | 0:26:30 | 0:26:33 | |
That's fine, Son. You're welcome. | 0:26:33 | 0:26:35 |