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Welcome to the show that finds hidden treasures in your home and helps to sell them at auction. | 0:00:02 | 0:00:06 | |
Now, when you've inherited lots of items from close relatives over the years, | 0:00:06 | 0:00:10 | |
it can be very difficult to part with them. | 0:00:10 | 0:00:13 | |
But today on Cash In The Attic, it's decision time. | 0:00:13 | 0:00:17 | |
'Coming up on Cash In The Attic, Paul breaks our golden rule of no puns when he sees a gold bracelet.' | 0:00:36 | 0:00:44 | |
-It's charming. -ALL: Ohh! | 0:00:44 | 0:00:47 | |
-I did warn you. -Sorry about that. | 0:00:47 | 0:00:49 | |
'And we learn that a piece of Royal Crown Derby was an unwanted Christmas present.' | 0:00:49 | 0:00:55 | |
I think he was disappointed it wasn't a bottle of Scotch. | 0:00:55 | 0:00:58 | |
'Talking of whisky, has Paul been drinking at the auction rooms.' | 0:00:58 | 0:01:02 | |
Yeah, these are from the Cairngorm Mountains. That's my best Scottish accent. | 0:01:02 | 0:01:07 | |
'Find out if his valuations fare any better when the hammer falls.' | 0:01:07 | 0:01:12 | |
Selling. | 0:01:12 | 0:01:13 | |
Today, I'm in the beautiful countryside of Surrey | 0:01:13 | 0:01:16 | |
and I'm off to meet Moya Miller, who wants to raise some money today | 0:01:16 | 0:01:20 | |
so she can see her best friend in Canada. | 0:01:20 | 0:01:23 | |
'Moya Miller has enlisted the help of her eldest daughter, Gayle, today. | 0:01:25 | 0:01:29 | |
'Luckily, she only lives a few miles away from her mum's house. | 0:01:29 | 0:01:34 | |
'Moya and her husband, Jack, moved here 25 years ago. | 0:01:34 | 0:01:39 | |
'The house was derelict at the time and architect Jack designed the extension himself. | 0:01:39 | 0:01:44 | |
'They were married for 50 years and had two daughters, Gayle and Helen, | 0:01:44 | 0:01:48 | |
'who each have two sons. Sadly, Jack passed away three years ago. | 0:01:48 | 0:01:53 | |
'The family have enjoyed lots of holidays in their caravan, making many friends, | 0:01:53 | 0:01:58 | |
'which is a bit of a clue to why we've been called in. | 0:01:58 | 0:02:02 | |
'Talking of pals, Paul Hayes is with me today, | 0:02:02 | 0:02:05 | |
'and while he gets the hunt for those much-needed collectables underway, I go and meet the ladies.' | 0:02:05 | 0:02:10 | |
Looks as if we're having some fun and games in the garden here. | 0:02:10 | 0:02:13 | |
-Hello. -Hello. You must be Moya. -And you must be Chris. -I am. Who's this? | 0:02:13 | 0:02:18 | |
-This is my daughter Gayle. -Ah. Nice to meet you, Gayle. | 0:02:18 | 0:02:21 | |
Who called the Cash In The Attic team? | 0:02:21 | 0:02:23 | |
-I'm afraid I did. -Why? -To clear out loads of junk. | 0:02:23 | 0:02:28 | |
Three generations of junk in the house. | 0:02:28 | 0:02:30 | |
I've inherited from two mothers and some of their family, as well. | 0:02:30 | 0:02:35 | |
-And are you willing to get your hands dirty, dig in for the cause? -I'll try. I'll do my best. | 0:02:35 | 0:02:40 | |
-What do you want to raise the money for? -For a fare to British Columbia. | 0:02:40 | 0:02:44 | |
I've got a very old friend out there and I'd love to go and see her again. | 0:02:44 | 0:02:48 | |
My goodness, that sounds expensive. Do we know how much we need to raise? | 0:02:48 | 0:02:52 | |
At least 500, I would think. | 0:02:52 | 0:02:54 | |
A lot of money, but we have the number-one man with us today, Paul Hayes. Do you want to meet him? | 0:02:54 | 0:02:59 | |
-Yes, let's do that. -Come on. | 0:02:59 | 0:03:01 | |
'Moya's garden covers a large area, but the house is more modest | 0:03:04 | 0:03:08 | |
'and doesn't look too daunting a space to search for antiques and collectables.' | 0:03:08 | 0:03:12 | |
-Hello! How are you? -Hello, Paul. -I'm your knight in shining armour. | 0:03:13 | 0:03:18 | |
THEY LAUGH Yes, could be. | 0:03:18 | 0:03:21 | |
You've been a busy bee already. What is this? | 0:03:21 | 0:03:24 | |
-A lovely old fire screen. -Do you know where it came from? | 0:03:24 | 0:03:26 | |
Erm, it belonged to my mother-in-law | 0:03:26 | 0:03:30 | |
and it was found in a junk yard by my father-in-law. It was completely green. | 0:03:30 | 0:03:35 | |
-And he cleaned it all up. -When I look at that, I think of myself, and I'm a bit lazy, | 0:03:35 | 0:03:39 | |
-and that takes a lot of cleaning. -That's why I'm not terribly keen on it any more. | 0:03:39 | 0:03:44 | |
It's a hell of a job to do all the copper cleaning. | 0:03:44 | 0:03:48 | |
This one's extremely Arts and Crafts. | 0:03:48 | 0:03:51 | |
You're looking at maybe 1890, 1920, that sort of time. | 0:03:51 | 0:03:54 | |
And it's been made deliberately to have that handmade effect. | 0:03:54 | 0:03:57 | |
If you look at this wonderful copper item, it's got these individual hammer marks here | 0:03:57 | 0:04:03 | |
and that's deliberately telling me this is a handmade item. I quite like it. Very attractive piece. | 0:04:03 | 0:04:09 | |
-You may have it. At a price. -Let's go home, then! | 0:04:09 | 0:04:12 | |
I don't think you've got the idea of Cash In The Attic. We want cash! | 0:04:12 | 0:04:15 | |
-You can't give it away! -I said at a price. -That's all right, then. | 0:04:15 | 0:04:19 | |
It's a very nice example. If I said £100 to £120, how does that sound? | 0:04:19 | 0:04:25 | |
-Sounds quite reasonable. -Is that more than you expected or less? | 0:04:25 | 0:04:29 | |
It's about what I'd hoped for. | 0:04:29 | 0:04:31 | |
-OK. -So we want around £100. He's normally quite conservative, aren't you? | 0:04:31 | 0:04:36 | |
-I try to be. -Cos you want to get it going in the auction. | 0:04:36 | 0:04:38 | |
-But not a bad start. -No, I think it's great. | 0:04:38 | 0:04:40 | |
Well done. And the good news is, if we do sell it, you won't have to clean it again. | 0:04:40 | 0:04:44 | |
-That's a very good idea. -See, I'm full of them. Let's see if we can find anything else. Follow me. | 0:04:44 | 0:04:50 | |
'Well, that's not a bad result for something found in a junk yard. | 0:04:50 | 0:04:54 | |
'We all decide to split up now and make sure each room is thoroughly explored. | 0:04:54 | 0:04:59 | |
'Gayle is in the garden room, looking at a Russian doll, | 0:04:59 | 0:05:02 | |
'while Paul heads upstairs and I make for the garage. | 0:05:02 | 0:05:06 | |
'You never know, there could be a little gem tucked away in there. | 0:05:06 | 0:05:10 | |
'Moya spots this silver-topped cut-glass sugar shaker. | 0:05:10 | 0:05:14 | |
'It was a wedding present to her parents in 1927 | 0:05:14 | 0:05:17 | |
'and it's hallmarked Birmingham 1912. | 0:05:17 | 0:05:20 | |
'Unfortunately, the glass is chipped at the top. | 0:05:20 | 0:05:23 | |
'That's taken into account when Paul estimates £20 to £30. | 0:05:23 | 0:05:27 | |
'Now what's our expert up to? Has he found something special?' | 0:05:29 | 0:05:33 | |
Ah, now then, Gayle, I've found some interesting items here. | 0:05:34 | 0:05:38 | |
-Some nice brooches. Whose are these? -They're my grandmother's. | 0:05:38 | 0:05:42 | |
She was a lovely old lady. She passed away some years ago, but she used to wear them on scarves | 0:05:42 | 0:05:47 | |
and on the lapel of coats. I do remember her wearing those. | 0:05:47 | 0:05:51 | |
-Was she a character? Was she quite flamboyant? -She was. She married three times. | 0:05:51 | 0:05:55 | |
-OK. -She was quite a girl. -Great. -Can I say that about my grandmother? -I think you can! | 0:05:55 | 0:06:00 | |
-I think you can, yes. She was quite outgoing. -She was, yes. She was a lovely old lady. -That's lovely. | 0:06:00 | 0:06:05 | |
Are these sentimental? Are they the sort of thing you'd like to keep? | 0:06:05 | 0:06:09 | |
No, I don't think they're the style that anybody now would wear. | 0:06:09 | 0:06:13 | |
These would've been the height of fashion in the Victorian period | 0:06:13 | 0:06:16 | |
and these are Scottish Cairngorm brooches. | 0:06:16 | 0:06:19 | |
Queen Victoria based her family home in Balmoral in Scotland and because she was the celebrity of the day, | 0:06:19 | 0:06:26 | |
people followed her, so anything Scottish was extremely fashionable. Do you know what these stones are? | 0:06:26 | 0:06:32 | |
-No. -That's a big piece of solid amber. -Really? | 0:06:32 | 0:06:35 | |
-So that's over a million years old, that piece of amber, fossilised pine resin. -OK. | 0:06:35 | 0:06:40 | |
And these here are from the Cairngorm Mountains in the highlands. | 0:06:40 | 0:06:44 | |
These are cut from the face of them. So the whole thing is extremely Scottish. | 0:06:44 | 0:06:48 | |
There is a fashion for white metal nowadays. | 0:06:48 | 0:06:51 | |
I think, in the 70s and 80s, people wore lots of brassy gold, very flash stuff, | 0:06:51 | 0:06:55 | |
but the fashion at the moment is for the white metal or silver. | 0:06:55 | 0:06:59 | |
-These ones are both solid silver, both nice pieces of amber in the middle. This has a little chip. -Yes. | 0:06:59 | 0:07:04 | |
Unfortunate. Maybe she was in a battle with William Wallace, who knows? | 0:07:04 | 0:07:08 | |
If I said around the £50 mark, | 0:07:08 | 0:07:11 | |
£40 to £60 as an auction estimate, how does that sound? | 0:07:11 | 0:07:15 | |
-That sounds fine. -All right. Let's keep going. | 0:07:15 | 0:07:18 | |
'Moya's decided to tackle the lounge and wonders about her bronze bed warmer. | 0:07:20 | 0:07:25 | |
'I'm back inside and spot some piggy banks. | 0:07:25 | 0:07:28 | |
'Could they have some gold coins in them? No chance. | 0:07:28 | 0:07:32 | |
'Gayle's upstairs. Her searches have been worthwhile because she's noticed this gold slave bangle. | 0:07:32 | 0:07:38 | |
'It used to belong to her great aunt. It's 15-carat gold and at the moment, | 0:07:38 | 0:07:42 | |
'that is selling for about £15 per gram. Paul estimates this bangle at five grams | 0:07:42 | 0:07:48 | |
'and therefore is valued at £50 to £80. | 0:07:48 | 0:07:51 | |
'When it gets to auction, we are more than surprised by the response.' | 0:07:52 | 0:07:57 | |
-That's great, isn't it? -120. 130. | 0:07:57 | 0:07:59 | |
-140. 150. 160. -Fantastic! | 0:07:59 | 0:08:03 | |
'We'll find out later just how much it makes. | 0:08:03 | 0:08:06 | |
'As the search of Moya's house continues, I've had a quick tot up | 0:08:07 | 0:08:10 | |
'and by Paul's estimates so far, we stand to raise £210 at auction. | 0:08:10 | 0:08:15 | |
'So we're not quite at the halfway mark yet.' | 0:08:15 | 0:08:18 | |
As soon as I saw this motorhome in the garden, I wanted to come inside and check it out. | 0:08:19 | 0:08:27 | |
We look as if we're on our way. Where are we driving? | 0:08:27 | 0:08:30 | |
-How about Godalming? -No, I'd like to go a bit further. France? Germany? Anywhere. -Now you're talking! | 0:08:30 | 0:08:36 | |
So when did this caravanning start? | 0:08:36 | 0:08:39 | |
It's been going on since Gayle was four | 0:08:39 | 0:08:43 | |
and we've just caravanned and caravanned in England, France. | 0:08:43 | 0:08:50 | |
-So you've been on some great trips. Where's your favourite? -France. Definitely France. | 0:08:50 | 0:08:54 | |
And we had a friend down in the Bouin area, George. | 0:08:54 | 0:08:58 | |
Unfortunately, he's dead now. But we enjoyed a load of trips with him. | 0:08:58 | 0:09:04 | |
He had a lot of friends who were vintners and we had some wonderful drinks. | 0:09:04 | 0:09:12 | |
-Oh, it was lovely. -So it looked like a vineyard tour. | 0:09:12 | 0:09:16 | |
-There was that element in it, yes. -THEY LAUGH | 0:09:16 | 0:09:18 | |
So caravanning's played a big part in your life, then. | 0:09:18 | 0:09:21 | |
Absolutely, yes. All of my life, we've had family holidays in the caravan. | 0:09:21 | 0:09:25 | |
And now, that's my caravan behind us there, and we go away all together, which is great fun. | 0:09:25 | 0:09:32 | |
-So it's like a big convoy, is it? -Mm, sometimes. | 0:09:32 | 0:09:36 | |
-Have you got a CB radio? -No, we haven't, actually. | 0:09:36 | 0:09:40 | |
So what is it about caravanning that you like? | 0:09:40 | 0:09:43 | |
I like it because of the freedom. And it's cheap. Cheap sites. | 0:09:43 | 0:09:47 | |
And it's very, very free. | 0:09:47 | 0:09:50 | |
You can pretty well go anywhere and park it anywhere. | 0:09:50 | 0:09:53 | |
If you need someone to read the maps, I'm your man. I'm your co-driver, OK? | 0:09:53 | 0:09:57 | |
-I'll remember that. -OK. Cos the person that's going to guide us through | 0:09:57 | 0:10:01 | |
the next challenge of the antiques is still in there and I can just about hear him moaning. | 0:10:01 | 0:10:06 | |
-Shall we go and join him? -Yep. -Come on. -Better do that. | 0:10:06 | 0:10:09 | |
'Canada is calling and Moya is clearly an adventurous lady, | 0:10:09 | 0:10:13 | |
'but perhaps not as adventurous as we are, as we resume our antiques search. | 0:10:13 | 0:10:18 | |
'Paul's still hard at work and comes across something else he thinks should do well at auction, | 0:10:18 | 0:10:23 | |
'a couple of Edwardian mahogany side chairs with inlaid backs. | 0:10:23 | 0:10:27 | |
'They get a very healthy £60 to £100 valuation. | 0:10:27 | 0:10:30 | |
'I've noticed a mandolin on the wall. I wonder if Moya plays it. | 0:10:32 | 0:10:36 | |
'And it looks like Paul's found evidence of a habit rather than a hobby.' | 0:10:36 | 0:10:40 | |
-Moya. -Yes, Paul? | 0:10:42 | 0:10:44 | |
-Now, who's been the smoker in the house? -My husband. | 0:10:44 | 0:10:47 | |
-Oh, right. It wasn't you? -Yes, I did, for quite a few years. -Right. | 0:10:47 | 0:10:52 | |
You've got quite a set here. A nice lighter, an ashtray, cigarette case and a couple of cigarette boxes. | 0:10:52 | 0:10:57 | |
-Yes. -Quite a lot, isn't it? -It is a lot, yes. | 0:10:57 | 0:11:00 | |
-Were these items that he collected? -No, he acquired those for being with the firm for 25 years. | 0:11:00 | 0:11:07 | |
-So when did he celebrate his 25th anniversary? -Let me think. | 0:11:07 | 0:11:13 | |
His 25 years must have been up in about '88, I think. | 0:11:13 | 0:11:17 | |
These are obviously a lot earlier than that. This one dates from 1930, typically Art Deco. | 0:11:17 | 0:11:22 | |
You can see the way that it's geometric in shape. I don't think I've ever seen | 0:11:22 | 0:11:27 | |
a silver lighter like that, so it's very unusual. | 0:11:27 | 0:11:30 | |
And one of the trademarks of the 1930s is this engine turning. | 0:11:30 | 0:11:35 | |
This is done by a machine to give it a finish rather than a flat surface, to give this ridged effect. | 0:11:35 | 0:11:40 | |
And what you do tend to see, and a bit more attractive in my opinion, is more the Victoriana. | 0:11:40 | 0:11:46 | |
This is a lovely old cigarette case which has been hand-chased. | 0:11:46 | 0:11:50 | |
The silversmith would have a little tiny die and hammer | 0:11:50 | 0:11:54 | |
and he would chase this decoration all the way round, all by hand. Beautiful. | 0:11:54 | 0:11:58 | |
But these can have another use. I actually use one of these now for credit cards. | 0:11:58 | 0:12:03 | |
You can put your credit cards in there and it stays nice and rigid so you don't break them. | 0:12:03 | 0:12:08 | |
So there's also a multitude of uses for items like this. | 0:12:08 | 0:12:11 | |
OK, you've got two cigarette boxes, as well, | 0:12:11 | 0:12:14 | |
and I think they could be used more for jewellery items, | 0:12:14 | 0:12:17 | |
little knickknacks, that sort of thing. So you don't have to use them for cigarettes. | 0:12:17 | 0:12:21 | |
They're nice things to have. If I said at least £100, maybe up to £150 | 0:12:21 | 0:12:27 | |
for that lot, how does that sound? | 0:12:27 | 0:12:30 | |
-That'd be fine. -That sound all right? -Yes, it sounds very well. -OK. Let's keep looking. | 0:12:30 | 0:12:35 | |
'There are plenty of places to explore in Moya's lovely old house | 0:12:36 | 0:12:40 | |
'but I must admit, I'm struggling to find anything that would do well at auction. | 0:12:40 | 0:12:44 | |
'In the garden room, Moya wonders if this Victorian willow pattern china bowl could be a winner. | 0:12:44 | 0:12:50 | |
'It's part of a small collection that belonged to her mother-in-law, | 0:12:50 | 0:12:54 | |
'but they're not to Moya's taste. Paul gives them the thumbs up | 0:12:54 | 0:12:57 | |
'and says a valuation of £40 to £60 should appeal to the bidders. | 0:12:57 | 0:13:02 | |
'And then at long last, my perseverance finally pays off.' | 0:13:02 | 0:13:06 | |
-Mm. Paul, Gayle! -Yeah? | 0:13:06 | 0:13:09 | |
-I might have found something at long last! -Hey! | 0:13:09 | 0:13:13 | |
-I might be quite useful for a change! -Do you need to have a sit down? -Yeah! | 0:13:13 | 0:13:17 | |
Come and have a look at this. | 0:13:17 | 0:13:20 | |
I've seen the two words Derby and china. | 0:13:20 | 0:13:23 | |
Of course, Derby isn't in China, it's in Derbyshire. | 0:13:23 | 0:13:26 | |
But the reason we actually use the word china is that, originally, all the porcelain came from China | 0:13:26 | 0:13:31 | |
and it was imported, since the 16th century, | 0:13:31 | 0:13:34 | |
and, of course, when you looked at your old porcelain, you said it's "me old china". | 0:13:34 | 0:13:39 | |
And Crown Derby are actually one of the firms that developed using animal bones from the meat industry | 0:13:39 | 0:13:46 | |
and the whiteness of the bones give this wonderful white porcelain finish. | 0:13:46 | 0:13:51 | |
-So whose are these? -That was given to my father. It was a present from a contractor. | 0:13:51 | 0:13:56 | |
-I think he was quite disappointed that it wasn't a bottle of scotch. -THEY LAUGH | 0:13:56 | 0:14:01 | |
-Do you like it? -Not very much, no. -Oh. -Sorry. | 0:14:01 | 0:14:05 | |
This is an Imari style, which comes from Japan, | 0:14:05 | 0:14:08 | |
and it always has the brick-red colour, the dark blue and the gilded decoration. | 0:14:08 | 0:14:12 | |
Very elaborate, very fancy. That's actually 22-carat gold leaf, which is lovely. | 0:14:12 | 0:14:18 | |
And it's known in the trade as the cigar pattern. | 0:14:18 | 0:14:21 | |
-Any ideas why? -No, go on. | 0:14:21 | 0:14:23 | |
If you look at the pattern around the edge, this very distinctive border, | 0:14:23 | 0:14:27 | |
that also looks like the wrapper you get on a fancy cigar, | 0:14:27 | 0:14:30 | |
so that's why it's called the cigar pattern. | 0:14:30 | 0:14:32 | |
But it was originally the Derby factory, since about 1750, | 0:14:32 | 0:14:35 | |
but then King George III visited the factory | 0:14:35 | 0:14:39 | |
and he put the crown, so it became Crown Derby. | 0:14:39 | 0:14:42 | |
And then Victoria visited again in the late 19th century | 0:14:42 | 0:14:45 | |
and she let them use the word Royal. | 0:14:45 | 0:14:47 | |
So Royal Crown Derby is all to do with the royal family. | 0:14:47 | 0:14:51 | |
I'm looking around, there's another plate there. Would it be in a set? | 0:14:51 | 0:14:55 | |
People do buy them as individual items. They're not designed to be used, they're purely for decoration. | 0:14:55 | 0:15:00 | |
This would go in a cabinet, purely for show. | 0:15:00 | 0:15:02 | |
But an average cup and saucer like this, from the '70s or '80s, | 0:15:02 | 0:15:07 | |
you're looking at maybe £30 to £50. | 0:15:07 | 0:15:10 | |
-How does that sound? -It's never been one of my favourite things. Sounds fine. | 0:15:10 | 0:15:14 | |
'Well, looking outside, there are plenty of reminders of Moya's love of caravanning | 0:15:14 | 0:15:20 | |
'and I want to know more about her holiday plans for the future.' | 0:15:20 | 0:15:24 | |
It's time for a little break for you and me, and I think we deserve it. | 0:15:24 | 0:15:28 | |
I want to know what we're raising this money for. Tell me about this trip. Where do you want to go? | 0:15:28 | 0:15:32 | |
To fly out to British Columbia | 0:15:32 | 0:15:35 | |
and then go to Peachland, which is further inland, to see my friend. | 0:15:35 | 0:15:42 | |
-I want to know a bit more about Margaret. How did you meet her? -We met her on our first motorhome trip | 0:15:42 | 0:15:48 | |
in 1991, I think it was, | 0:15:48 | 0:15:51 | |
on a camping site | 0:15:51 | 0:15:55 | |
and Jack was wandering around outside the van | 0:15:55 | 0:15:59 | |
and a voice said, "Are you English?" | 0:15:59 | 0:16:02 | |
And that was Margaret. And from then on, we teamed up with them, | 0:16:02 | 0:16:07 | |
went to their home eventually, she and her husband, Alan, who has since died. | 0:16:07 | 0:16:13 | |
And, yeah, from then on, we were friends. | 0:16:13 | 0:16:17 | |
-Lifelong friends. How long ago was that? -Oh, '91. | 0:16:17 | 0:16:21 | |
So, you and Margaret, do you share the same sense of adventure? What sort of person is she? | 0:16:21 | 0:16:26 | |
Oh, she's batty. She... I think she's a little bit old now, but she was | 0:16:26 | 0:16:32 | |
an overland skier. | 0:16:32 | 0:16:34 | |
But, yeah, she was very active indeed. | 0:16:34 | 0:16:38 | |
-What sort of trip are you planning? -Well, that really depends on Margaret. | 0:16:38 | 0:16:42 | |
We've never had a holiday on our own, so I really don't know. | 0:16:42 | 0:16:46 | |
But I rather feel that she's got a few quirky things up her sleeve. | 0:16:46 | 0:16:51 | |
-Well, I'm sold on her. -Good! You should do it. | 0:16:51 | 0:16:54 | |
-If we raise a bit more money, will you take me, as well? -Oh, yeah. | 0:16:54 | 0:16:57 | |
-OK, excellent. Hard work, I'm in. Let's go and find Paul, come on. -Fair enough. | 0:16:57 | 0:17:03 | |
'As you can tell, I don't get out much, and neither does poor old Paul. | 0:17:03 | 0:17:07 | |
'Gayle's spotted this silver batch dressing table set. | 0:17:07 | 0:17:10 | |
'It belonged to her great aunt and has a Birmingham hallmark from 1925. | 0:17:10 | 0:17:15 | |
'Sadly, Paul thinks the condition is poor and their estimate is £40 to £60. | 0:17:15 | 0:17:22 | |
'And then Moya notices a large collection of books that needs an expert opinion.' | 0:17:22 | 0:17:28 | |
Ah, what have we found? | 0:17:28 | 0:17:30 | |
-I've got some Dickens here. -Oh, right. -I think I've got the whole set. | 0:17:30 | 0:17:35 | |
-The complete works of Dickens. -Wow. -What was it about Dickens that fascinated you? | 0:17:35 | 0:17:40 | |
-It wasn't me, it was my step-father. -OK. -He collected the whole lot and he loved Dickens. -Right. | 0:17:40 | 0:17:46 | |
He read them, he spouted bits out of them. He was quite a character. | 0:17:46 | 0:17:49 | |
Well, Charles Dickens has to be one of Britain's best-known authors, if not the most popular, | 0:17:49 | 0:17:55 | |
-and we're all familiar with the stories. Did you have a favourite? -Erm, well, we all know Oliver Twist. | 0:17:55 | 0:18:02 | |
-Yes, of course. -And Pickwick Papers. | 0:18:02 | 0:18:05 | |
I think Oliver Twist is in everybody's mind. The wonderful Artful Dodger and Fagin. | 0:18:05 | 0:18:09 | |
A fantastic story and, of course, it was made into a very famous musical. | 0:18:09 | 0:18:13 | |
But the books themselves were started almost be accident. | 0:18:13 | 0:18:16 | |
What happened was, Charles Dickens came from quite a wealthy family, | 0:18:16 | 0:18:20 | |
but they fell onto hard times, and from the age of 12, | 0:18:20 | 0:18:23 | |
he actually worked in a boot polish factory. | 0:18:23 | 0:18:26 | |
So he saw first-hand what it was like to work in these workhouses. | 0:18:26 | 0:18:30 | |
And he started to do some stories about events that had happened in his own life and fictitious events, | 0:18:30 | 0:18:36 | |
and the rest is history. Dickens, Shakespeare and the teachings of Chairman Mao | 0:18:36 | 0:18:41 | |
-are the three most produced books in the world. -Really? Gosh! | 0:18:41 | 0:18:45 | |
Lots of those around. But people do buy them. | 0:18:45 | 0:18:47 | |
The one that's really interesting, that's fascinated people, here we are, Master Humphrey Clock. | 0:18:47 | 0:18:52 | |
-Yes? -Edwin Drood. -Oh, yes. -Do you know what's fascinating about that? -I've heard of Edwin Drood. | 0:18:52 | 0:18:59 | |
That was his last one, and Edwin Drood in the story disappears. | 0:18:59 | 0:19:02 | |
But nobody actually knows what happened to him. | 0:19:02 | 0:19:05 | |
So it's open to speculation. Unfortunately, Charles died before he had a chance to finish that book. | 0:19:05 | 0:19:11 | |
-If I said maybe £100, £120, how does that sound? -Ooh. | 0:19:11 | 0:19:15 | |
-Do you think a little more, a little bit less? -Can we set a reserve? -Of course. -100? | 0:19:15 | 0:19:19 | |
-So a minimum of £100? -Yes. -And if they don't sell, we'll send Fagin and the boys in and bring them back. | 0:19:19 | 0:19:25 | |
-OK. Right. -Let's keep looking. -Right. | 0:19:25 | 0:19:29 | |
'Moya's lovely house is a real joy to explore. | 0:19:29 | 0:19:33 | |
'In the dining room, I've noticed this oil lamp base on the sideboard. | 0:19:33 | 0:19:37 | |
'It's Victorian black pottery with flora decoration | 0:19:37 | 0:19:40 | |
'and it belonged to Jack's mother. | 0:19:40 | 0:19:42 | |
'Although Moya doesn't like it, Paul says the bidders might, | 0:19:42 | 0:19:46 | |
'and gives it a £30 to £50 estimate. | 0:19:46 | 0:19:50 | |
'And Paul and Gayle are having one last search for treasure.' | 0:19:50 | 0:19:54 | |
Ah. Now then. | 0:19:54 | 0:19:57 | |
This is a nice item. A nice old charm bracelet. | 0:19:57 | 0:20:00 | |
Look at that. Is that your mum's? | 0:20:00 | 0:20:02 | |
-No, I think that was my grandmother's. -Really? -Mm. | 0:20:02 | 0:20:05 | |
-Right, OK, that's interesting. It's definitely worth something. -Great. -Let's hear the story. Moya, Chris. | 0:20:05 | 0:20:11 | |
-Whoops. We're being called. -What do you think? Just fits me nicely. | 0:20:11 | 0:20:15 | |
Oh, beautiful! THEY LAUGH | 0:20:15 | 0:20:18 | |
-Isn't that a cracker? -Is that a charm bracelet? -It's an old charm bracelet, yes. | 0:20:18 | 0:20:22 | |
-I take it this was yours, Moya? -My mother's. -Your mother's. OK. | 0:20:22 | 0:20:26 | |
Actually, it could've been your grandfather's. | 0:20:26 | 0:20:29 | |
Bear with me, because I know charm bracelets are predominantly worn by ladies. | 0:20:29 | 0:20:34 | |
-This is actually part of an Albert chain. -Oh. | 0:20:34 | 0:20:36 | |
So you had your pocket watch here and two lengths of this type of chain. | 0:20:36 | 0:20:40 | |
And when they went out of fashion, when the wrist watch came along, | 0:20:40 | 0:20:43 | |
they started to recycle them and they would make them into items exactly like this. | 0:20:43 | 0:20:47 | |
-So do you know who would've collected all these charms? -Er, Mum. | 0:20:47 | 0:20:51 | |
Her husband bought her one every year for her birthday | 0:20:51 | 0:20:56 | |
over several years, as you can see. | 0:20:56 | 0:20:59 | |
-Is that a squirrel and a duck? -We've got a cat and a duck | 0:20:59 | 0:21:02 | |
and we've got this one, like a tambourine and a pair of maracas. | 0:21:02 | 0:21:06 | |
But what I like is you can actually see the two different types of gold. | 0:21:06 | 0:21:10 | |
This one is a rose gold, typically Victorian, | 0:21:10 | 0:21:13 | |
and this is more modern, this very bright, brassy gold. | 0:21:13 | 0:21:16 | |
And the reason for that is, if you made an item from pure gold, 24-carat gold, | 0:21:16 | 0:21:21 | |
it's too soft, the whole thing disintegrates. | 0:21:21 | 0:21:24 | |
So what you have to do is mix it with another metal, to give it strength. | 0:21:24 | 0:21:28 | |
And in the Victorian times, what was very popular was copper. | 0:21:28 | 0:21:31 | |
So the charms are later than the actual chain, which is why I think it's been part of an Albert. | 0:21:31 | 0:21:37 | |
Gold is doing particularly well at the moment, and it's always popular, | 0:21:37 | 0:21:41 | |
so if I stuck my neck out and said around the 200 mark, | 0:21:41 | 0:21:44 | |
for an auction estimate, £150 to £200, how does that sound? | 0:21:44 | 0:21:48 | |
-Really? -Sounds fantastic. -Extraordinary. -It's charming. | 0:21:48 | 0:21:51 | |
-ALL: Ohh! -I did warn you. -Sorry about that. | 0:21:51 | 0:21:56 | |
I've got some good news and bad news now. The good news is, no more gags from Paul. | 0:21:56 | 0:22:00 | |
-That's good. -Cos the day is over. The bad news is, it's the moment of truth, it's the tally up. | 0:22:00 | 0:22:05 | |
I know you wanted to raise about £500 to £600. | 0:22:05 | 0:22:09 | |
Well, I think we've done a really good job | 0:22:09 | 0:22:11 | |
because, conservatively, if we take all of your items to auction, | 0:22:11 | 0:22:16 | |
-we reckon we could make around £760. -Wow! -How do you feel about that? | 0:22:16 | 0:22:21 | |
That's good! That's very good! | 0:22:21 | 0:22:23 | |
-I think that's an excellent day's work. What about you, Paul? -Fantastic. -Very good! | 0:22:23 | 0:22:28 | |
We've got some great items and it's been a real pleasure. | 0:22:28 | 0:22:31 | |
Oh, good. I'm very glad you came, then. | 0:22:31 | 0:22:33 | |
'And so are we. Those two pieces of gold really made a difference to Moya's total today. | 0:22:33 | 0:22:38 | |
'I'm looking forward to finding out if Paul's estimates are close to the eventual sale prices. | 0:22:38 | 0:22:43 | |
'We have the silver cigarette set which was given to her husband Jack | 0:22:43 | 0:22:47 | |
'after 25 years of service. | 0:22:47 | 0:22:49 | |
'The guide price here is £100 to £150. | 0:22:49 | 0:22:53 | |
'And that copper fire screen which Moya's father-in-law found in a junk yard. | 0:22:53 | 0:22:58 | |
'That was given an estimate of £100 to £120. | 0:22:58 | 0:23:02 | |
'And finally, we have the collection of books by Charles Dickens. | 0:23:02 | 0:23:06 | |
'They're in such good condition that we have great expectations of them making £100 to £120. | 0:23:06 | 0:23:13 | |
'Still to come in Cash In The Attic, could we be off to a shaky start?' | 0:23:14 | 0:23:19 | |
Surely £10 for the silver top. Nobody want it for £10? | 0:23:19 | 0:23:23 | |
'But it's not too long before the bidders take a shine to our lots.' | 0:23:23 | 0:23:27 | |
-Yes! -Excellent. -Very good. | 0:23:27 | 0:23:30 | |
'And what could be the object of Paul and Moya's affections?' | 0:23:30 | 0:23:34 | |
-You hate this, don't you? -I hated it. | 0:23:34 | 0:23:36 | |
-What is it about it that you dislike so much? -It's just ugly. | 0:23:36 | 0:23:40 | |
'We'll find out when the final hammer falls.' | 0:23:40 | 0:23:43 | |
We had a great time at Moya's house, but now it's down to business, | 0:23:48 | 0:23:52 | |
so we've brought all the items here to the Chiswick Auction Rooms | 0:23:52 | 0:23:55 | |
and we want to raise around £500. Fingers crossed now as those items go under the hammer. | 0:23:55 | 0:24:00 | |
'Moya wants to use her takings to fund a special trip. She'd like to visit her friend, | 0:24:01 | 0:24:06 | |
'who lives near Vancouver in Canada. | 0:24:06 | 0:24:09 | |
'The lots have been on view in the auction room for several days. I'm sure they've attracted interest.' | 0:24:09 | 0:24:14 | |
-Hello, Paul. I didn't know you smoked. -I don't smoke, actually. | 0:24:15 | 0:24:19 | |
-You can't help but notice the quality. Isn't that fantastic? -It's a beautiful quality item. | 0:24:19 | 0:24:23 | |
-We're hoping for a busy room today. -Let's hope so. Don't forget, we're recycling, as well. | 0:24:23 | 0:24:28 | |
You can use these for credit cards. | 0:24:28 | 0:24:31 | |
-What a good idea. -Move it on to the 21st century. -Got to get some credit cards now! Let's find Moya. | 0:24:31 | 0:24:37 | |
'Since our last meeting, I hear Moya's been uncertain about selling that copper fire screen. | 0:24:37 | 0:24:43 | |
'But it looks like it's made it here after all.' | 0:24:43 | 0:24:47 | |
-Hello, you two! -Hello! -Hello. | 0:24:47 | 0:24:50 | |
I'm very pleased to see you two, but I'm also quite pleased to see this. | 0:24:50 | 0:24:54 | |
-You've brought it along. -Yes. -Were there any umming and ahhings about this? | 0:24:54 | 0:24:59 | |
Well, there is a little bit of a hole where I removed it, | 0:24:59 | 0:25:03 | |
but I expect I can find a large plant to put in there. THEY LAUGH | 0:25:03 | 0:25:08 | |
-So it can go at any price? -Erm, fixed price. -Ooh. Fixed price of? | 0:25:08 | 0:25:12 | |
I'd like 120. | 0:25:12 | 0:25:15 | |
That's fine, it's within estimate. If it's any more than that, it can be a problem for the auctioneer. | 0:25:15 | 0:25:20 | |
-£120 fixed reserve on that one. -Have you been to an auction before? -Never. -No. | 0:25:20 | 0:25:24 | |
-You're about to find out how our items get on. Ready? -Yep. -Fingers crossed. Let's get in position. | 0:25:24 | 0:25:30 | |
'If you have a special project in mind and you'd like to try buying or selling in this way, | 0:25:32 | 0:25:37 | |
'it's worth remembering that there are charges to be paid, such as commission. | 0:25:37 | 0:25:41 | |
'These vary from one saleroom to another, so it's always worth checking in advance. | 0:25:41 | 0:25:45 | |
'Let's get started. The first lot is the silver-topped sugar shaker.' | 0:25:45 | 0:25:50 | |
-Where was this from? -From my mother. -And how long have you had this? | 0:25:50 | 0:25:54 | |
She had it from the time she was married | 0:25:54 | 0:25:56 | |
and I just inherited it when she died. | 0:25:56 | 0:25:59 | |
Well, it's ready to go. What do you reckon? | 0:25:59 | 0:26:01 | |
Something we don't really use any more, but I always think these are perfect for Wimbledon, | 0:26:01 | 0:26:06 | |
-for your strawberries. -Definitely. -To sift your sugar on top. | 0:26:06 | 0:26:10 | |
Solid silver top, some time around the turn of the century, glass base. | 0:26:10 | 0:26:13 | |
-It's in nice condition, so £20, £30 easily. -OK. -Good. | 0:26:13 | 0:26:18 | |
Is it worth £10 to go for that? Surely £10 for the silver top. | 0:26:18 | 0:26:22 | |
Nobody want it for £10? I'm bid £10 down there. At £10. | 0:26:22 | 0:26:25 | |
£12 now. 14? 14. | 0:26:25 | 0:26:28 | |
£14 here. At 14. Anybody else? | 0:26:28 | 0:26:30 | |
At £14. 16. | 0:26:30 | 0:26:33 | |
-£16 to my left. At £16. Anybody else? At £16 it goes. -HAMMER BANGS | 0:26:33 | 0:26:38 | |
-Ohh. -Are you happy with that? -It'll do. | 0:26:38 | 0:26:42 | |
'A slightly disappointing start, but at least it's sold. | 0:26:42 | 0:26:46 | |
'Next up is some china. It's the Royal Crown Derby cup and saucer with a matching side plate. | 0:26:46 | 0:26:52 | |
'They were a present to Jack from someone he once worked for. | 0:26:52 | 0:26:55 | |
'We're hoping for £30 to £50 for them.' | 0:26:55 | 0:26:58 | |
-What do you reckon, Paul? -Derby's very interesting. Who collected all these bits and pieces? | 0:26:59 | 0:27:04 | |
-You've got a cup and saucer and a small plate, as well. -Yes. | 0:27:04 | 0:27:08 | |
It was given to my husband as a Christmas box by a contractor. | 0:27:08 | 0:27:13 | |
They're known in the trade as the cigar pattern cos of that ribbon around the edge. Very popular. | 0:27:13 | 0:27:18 | |
-£30 to £50 for a cup, saucer and side plate. -Fine. -Let's see how we go. | 0:27:18 | 0:27:23 | |
I'm straight in here at £30. | 0:27:23 | 0:27:26 | |
-Ooh. -That's great. | 0:27:26 | 0:27:28 | |
35. 40. On the book at £40. | 0:27:28 | 0:27:31 | |
-Still at 40. 45. 50. -Wow. -Still with me at £50. | 0:27:31 | 0:27:35 | |
On the book still at 50. Are you all done? At £50 with me, on the book at £50 and selling. | 0:27:35 | 0:27:39 | |
-£50! That's great! -Good. | 0:27:39 | 0:27:41 | |
-Upper limit there, Paul. That's good. -Mm! | 0:27:41 | 0:27:44 | |
-Brilliant, isn't it? You've no more in a cupboard? -No. | 0:27:44 | 0:27:47 | |
'That's a great result. I think Moya was very impressed with how quickly it was snapped up. | 0:27:47 | 0:27:52 | |
'Our third lot is a Victorian oil lamp base which once belonged to her mother-in-law. | 0:27:52 | 0:27:58 | |
'It has a estimate of £30 to £50.' | 0:27:58 | 0:28:02 | |
OK, Moya, one of your favourite items is this next item. | 0:28:02 | 0:28:06 | |
-It's that lovely black ceramic lamp base. -Yes. -You hate this, don't you? -I hated it! | 0:28:06 | 0:28:12 | |
-What is it about it that you dislike so much? -It's just ugly. | 0:28:12 | 0:28:16 | |
Is it worth £20? £20 for a lamp base, surely. £10 to start me. | 0:28:16 | 0:28:20 | |
-I think everyone agrees with you, Moya. -I think so. | 0:28:20 | 0:28:23 | |
No interest at all? Passing the lot, I'm afraid. | 0:28:23 | 0:28:26 | |
Drat! | 0:28:26 | 0:28:29 | |
Now, I'm not saying that is unpopular. | 0:28:29 | 0:28:32 | |
It's unpopular with you two and it's unpopular with everybody here. | 0:28:32 | 0:28:35 | |
-I liked it! -We'll use it as a door stop. | 0:28:35 | 0:28:38 | |
Not heavy enough. Oh, dear! | 0:28:38 | 0:28:41 | |
'Hm. Oh, dear, indeed! | 0:28:41 | 0:28:43 | |
'Poor Moya. The one item she really wanted to get rid of today | 0:28:43 | 0:28:46 | |
'and she's got to take it back with her. | 0:28:46 | 0:28:48 | |
'Will she have more luck with those Victorian Scottish brooches? | 0:28:48 | 0:28:52 | |
'They belonged to her mother and include some stones | 0:28:52 | 0:28:55 | |
'from the Cairngorm Mountains, as well as some pieces of amber. | 0:28:55 | 0:28:59 | |
'They're in the catalogue at £40 to £60.' | 0:28:59 | 0:29:01 | |
You're hoping for quite a lot for this. It's got gemstones. | 0:29:03 | 0:29:06 | |
Yeah, these are from the Cairngorm Mountains. That's my best Scottish accent. | 0:29:06 | 0:29:11 | |
Queen Victoria was very fond of Scotland, so these things were highly collectable. | 0:29:11 | 0:29:15 | |
-You don't wear these now, do you? -No. -When's the last time you wore them? -I didn't. They were Mum's. | 0:29:15 | 0:29:21 | |
-Almost new! -Almost new. -THEY LAUGH | 0:29:21 | 0:29:24 | |
Start me these, £20 for them. Must be worth £10 each, surely. | 0:29:24 | 0:29:28 | |
10 I'm bid. £20 I'm bid, rather. Thank you. At 20. | 0:29:28 | 0:29:32 | |
22. 25. 28. | 0:29:32 | 0:29:35 | |
30. 2. 35. | 0:29:35 | 0:29:37 | |
-£35 on that sofa there. -Just a little, please. | 0:29:37 | 0:29:40 | |
Anybody else? £35 for the Scottish brooches. At £35. 35. I'm going to sell them, then. 35. | 0:29:40 | 0:29:46 | |
-Ooh, just under. -35. -That's not too bad, is it? | 0:29:46 | 0:29:50 | |
'I think Moya would've preferred a little bit more for those brooches, | 0:29:50 | 0:29:54 | |
'but it has put another £35 in the kitty towards that trip to Canada. | 0:29:54 | 0:29:58 | |
'The silver-backed dressing table set is coming up now. It's hallmarked Birmingham 1925 | 0:29:59 | 0:30:05 | |
'and it belonged to Moya's aunt. Will it reach its estimate?' | 0:30:05 | 0:30:09 | |
This is a thing of the past, when they used to be all lovely and polished on the dressing table. | 0:30:09 | 0:30:14 | |
-Reminds me of Hercule Poirot. -Yeah. -Not that he combed his hair often. | 0:30:14 | 0:30:19 | |
-Definitely the 30s. -Definitely 1930s. | 0:30:19 | 0:30:21 | |
But it does say AF, which means "at fault". | 0:30:21 | 0:30:24 | |
-There must be one of two that are a little bit... -One little tiny bit, yes, on a mirror. | 0:30:24 | 0:30:30 | |
Plenty of silver there. Start me at £20 for the lot, please. | 0:30:30 | 0:30:33 | |
20 I'm bid down below. 22. | 0:30:33 | 0:30:36 | |
25. 28. | 0:30:36 | 0:30:39 | |
30. £30 there in the middle of the room. | 0:30:39 | 0:30:42 | |
At 30. At £30. Are you bidding upstairs? 32. | 0:30:42 | 0:30:47 | |
32 upstairs. 35. | 0:30:47 | 0:30:50 | |
-38. -Yes! | 0:30:50 | 0:30:52 | |
He's hiding behind the bush. 40. | 0:30:52 | 0:30:55 | |
42. | 0:30:55 | 0:30:57 | |
42 upstairs, then. 42. | 0:30:57 | 0:31:00 | |
-45. -New bidder. -48. | 0:31:00 | 0:31:02 | |
50. £50 down below. | 0:31:02 | 0:31:05 | |
At £50. You all done? 55. | 0:31:05 | 0:31:08 | |
-60. -60. -Lovely. | 0:31:08 | 0:31:10 | |
No? £60 in the middle, then. At £60. I'm going to sell it, then. £60 and going. | 0:31:10 | 0:31:15 | |
-Yes! -Excellent! -Very good! | 0:31:15 | 0:31:18 | |
-Top estimate, that. -Oh, that's great! | 0:31:18 | 0:31:21 | |
It kept stopping, then someone else appeared! | 0:31:21 | 0:31:24 | |
-I keep peering up there at them. -£60! -£60! | 0:31:24 | 0:31:28 | |
'So, despite the damage, that set did really well. | 0:31:28 | 0:31:31 | |
'It's probably down to the fact that it had so much silver in it. | 0:31:31 | 0:31:35 | |
'Up next, for £40 to £60, the Victorian willow pattern china, | 0:31:35 | 0:31:39 | |
'which belonged to Moya's mother-in-law.' | 0:31:39 | 0:31:42 | |
-One of the items I like amongst this is that meat strainer. -Yes. | 0:31:42 | 0:31:46 | |
-You said that. -Have you ever used that? -No. -None of it. | 0:31:46 | 0:31:49 | |
The one that's pierced with lots of holes in it. It sits on top of your meat plate | 0:31:49 | 0:31:55 | |
-and allows the juices... -For the gravy? -For the gravy. | 0:31:55 | 0:31:57 | |
Fantastic. People use those as display items on their own merit. | 0:31:57 | 0:32:01 | |
So it's quite a collection, four or five items in the lot. | 0:32:01 | 0:32:04 | |
Start me at £10 for the lot, the blue and white. 10 I'm bid. | 0:32:04 | 0:32:07 | |
£12. 14. | 0:32:07 | 0:32:10 | |
16. 18. 20. 22. | 0:32:10 | 0:32:13 | |
25. 28. 28 to my left, at £28. | 0:32:13 | 0:32:17 | |
£28. Anybody else? 28. | 0:32:17 | 0:32:20 | |
-At 28 it goes. -HAMMER BANGS | 0:32:20 | 0:32:22 | |
-28. -Not bad. -Not too bad, is it, that? | 0:32:22 | 0:32:25 | |
-Gets it out of Mother's sideboard. -Yes. -You didn't like it, anyway. -No. | 0:32:25 | 0:32:29 | |
-Why have you got all this stuff in the house that you don't like? -I could never get rid of it. | 0:32:29 | 0:32:35 | |
'And now she has, and Moya looks relieved that it's been | 0:32:35 | 0:32:38 | |
'taken off her hands at last. It's been an auction of mixed fortunes | 0:32:38 | 0:32:42 | |
'and I think we're all interested to know how much money we've banked so far.' | 0:32:42 | 0:32:48 | |
-OK, gang, we've reached the halfway mark. -Mm. | 0:32:49 | 0:32:51 | |
-How are you feeling so far? -Mm. It's reasonable. | 0:32:51 | 0:32:55 | |
-I think it's not too bad. We've had some ups and downs, haven't we? -We certainly have. | 0:32:55 | 0:33:00 | |
-We want to raise £500 today? -Mm. | 0:33:00 | 0:33:03 | |
Well, at the halfway mark, we're at £189. | 0:33:03 | 0:33:08 | |
-Mm, not bad. -Not bad. -That is a "mm". It's a "not bad". | 0:33:08 | 0:33:12 | |
-But we have got some big items to come. -Yeah, you've got the smoking accessories, the fire screen, | 0:33:12 | 0:33:17 | |
the Dickens books, the chairs. So it's early days yet. | 0:33:17 | 0:33:23 | |
'It sure is. And there's plenty more to come. I have high hopes for the next lot | 0:33:23 | 0:33:27 | |
'and I think Moya has, too. She's put a reserve of £120 on her Arts and Crafts copper fire screen.' | 0:33:27 | 0:33:35 | |
-You said you were fed up with cleaning this, weren't you? -I don't like cleaning copper, no. | 0:33:37 | 0:33:41 | |
Did you give it one last clean before bringing it here? | 0:33:41 | 0:33:44 | |
-No, I didn't. -You didn't? That's disgraceful! | 0:33:44 | 0:33:48 | |
Paul, do you reckon we'll have any interest on that item? | 0:33:48 | 0:33:51 | |
I like this. It's a good example. I think you're right to put your reserve at 120, | 0:33:51 | 0:33:56 | |
-because it tugs at the heart strings a little bit. -It was a family thing, yeah. -OK. | 0:33:56 | 0:34:00 | |
-So we want a knight in shining armour to buy it. -Ohh! -Oh, well. | 0:34:00 | 0:34:04 | |
-Give it up. -Sorry. | 0:34:04 | 0:34:07 | |
What's it worth for the fire screen? £80 to go for it. | 0:34:07 | 0:34:10 | |
-80 I'm bid. -80. -85. 90. 95. | 0:34:10 | 0:34:12 | |
£95 for the fire screen. £95. 100 I'll take. At 95. | 0:34:12 | 0:34:17 | |
-He won't sell it. -Ohh. | 0:34:17 | 0:34:19 | |
At 95. Not quite enough, I'm afraid. | 0:34:19 | 0:34:22 | |
-No. Goes home. -You quite happy with that? -Yes. | 0:34:22 | 0:34:25 | |
-You're going to have to clean it now. -Oh, well, never mind. | 0:34:25 | 0:34:28 | |
'Oh, no, that's a bit of a blow to our Canada fund. | 0:34:28 | 0:34:31 | |
'We've got five lots left now. Everything rests on these making over £300 between them. | 0:34:31 | 0:34:36 | |
'First, then, it's the 15-carat gold slave bangle. | 0:34:36 | 0:34:41 | |
'Its estimate is £50 to £80.' | 0:34:41 | 0:34:44 | |
-Whose was this? -My mum's. -It was mine. -And you both like it? | 0:34:44 | 0:34:48 | |
-Yes, it's showy. -It's pretty. -It's quite nice. | 0:34:48 | 0:34:53 | |
-You used to wear it on your arm up here. -Right up. | 0:34:53 | 0:34:55 | |
A nice bangle. £50 to £80. | 0:34:55 | 0:34:58 | |
I'm straight in at £60. | 0:34:58 | 0:35:00 | |
With me at £60. 65. 70. 5. 80. 5. | 0:35:00 | 0:35:04 | |
-90. 5. 100. -That's great! -110. 120. | 0:35:04 | 0:35:07 | |
130. 140. 150. 160. | 0:35:07 | 0:35:10 | |
-Fantastic! -Come on! | 0:35:10 | 0:35:12 | |
180. 190. 200. 210. | 0:35:12 | 0:35:15 | |
-In the doorway at £210. -I don't believe it. -At 210. | 0:35:15 | 0:35:18 | |
220 now. Seated at 220. | 0:35:18 | 0:35:22 | |
-230. -Fantastic! | 0:35:22 | 0:35:24 | |
230 in that doorway. At 230. Are you all done? Are you bidding? 240. | 0:35:24 | 0:35:30 | |
-Go on, bid 240. -240 nearer to me now. 240. | 0:35:30 | 0:35:33 | |
-At 240. I'm going to sell at 240. -HAMMER BANGS | 0:35:33 | 0:35:35 | |
-Fantastic! -Well done! -Fantastic! | 0:35:35 | 0:35:38 | |
HE MIMES | 0:35:38 | 0:35:41 | |
-That's great. Just goes to show how gold is doing at the moment. -Absolutely. | 0:35:41 | 0:35:45 | |
-£240. -Well, that's whooped it up a bit. | 0:35:45 | 0:35:48 | |
-I cannot believe that! -Nor me. | 0:35:48 | 0:35:52 | |
'Well, that took us completely by surprise. An astonishing result. | 0:35:52 | 0:35:56 | |
'Paul's estimate was based on the value of the precious metal, | 0:35:56 | 0:35:59 | |
'but as 15-carat gold is no longer made, it's become very popular. | 0:35:59 | 0:36:04 | |
'I'm sure that would explain the extraordinary sale price. | 0:36:04 | 0:36:08 | |
'Next we have the complete works of Charles Dickens, 22 volumes in fact. | 0:36:09 | 0:36:14 | |
'They belonged to Moya's step-father, who used to recite pieces from them. | 0:36:14 | 0:36:18 | |
'The estimate is £100 to £120.' | 0:36:18 | 0:36:23 | |
I've got quite a collection of old books myself, | 0:36:23 | 0:36:25 | |
so I'm anxious to see this get a decent price. | 0:36:25 | 0:36:27 | |
We want around £100. That's the reserve, Paul. | 0:36:27 | 0:36:31 | |
This is an interesting set. But Dickens is one of the most printed authors out there, | 0:36:31 | 0:36:35 | |
so it's not a rare set. It looks in wonderful condition. I don't think these have ever been read. | 0:36:35 | 0:36:40 | |
-So let's hope it gets £100 to £120. But there's a £100 reserve on this. -Yeah. | 0:36:40 | 0:36:44 | |
-I've got great expectations of this one. -Oh, wow. -Stop it! | 0:36:44 | 0:36:48 | |
THEY LAUGH | 0:36:48 | 0:36:50 | |
Start me, £50 to go. | 0:36:50 | 0:36:52 | |
Surely for 50. 50 I'm bid. 55. | 0:36:52 | 0:36:54 | |
-60. 5. -Here we go. -70. 5. 80. | 0:36:54 | 0:36:57 | |
5. 90. 5. | 0:36:57 | 0:37:00 | |
-100. -OK. -The lady there at £100. | 0:37:00 | 0:37:02 | |
At £100 for the lady. £100 for Charles Dickens. At £100. | 0:37:02 | 0:37:06 | |
All done? At £100, the full works. | 0:37:06 | 0:37:08 | |
-Good. -We got the money. -We did. -That's fine. | 0:37:08 | 0:37:12 | |
They knew that you wanted £100, they were flying and then they went, "That's it". | 0:37:12 | 0:37:17 | |
'Well, my great expectations were slightly blunted | 0:37:17 | 0:37:21 | |
'and, like Oliver Twist, we could've wished for more! | 0:37:21 | 0:37:23 | |
'But these family heirlooms achieved their reserve | 0:37:23 | 0:37:26 | |
'and there's no grumbling about that. | 0:37:26 | 0:37:28 | |
'The two mahogany side chairs are coming up next. | 0:37:28 | 0:37:32 | |
'They belonged to Moya's in-laws, who were great collectors. | 0:37:32 | 0:37:35 | |
'We're looking for £60 to £100. Let's see how they did.' | 0:37:35 | 0:37:39 | |
-A little bit of interest in these. I'm bid £30. -We're bid 30 already. | 0:37:39 | 0:37:43 | |
35 now. 40. 45. 50. | 0:37:43 | 0:37:46 | |
£50 for those chairs. At £50 for the two little chairs. | 0:37:46 | 0:37:49 | |
-£50. I'm selling at 50. -HAMMER BANGS | 0:37:49 | 0:37:53 | |
-Ohh. £10 less than we wanted. -Never mind. | 0:37:53 | 0:37:56 | |
'Moya's got the right attitude here. Those chairs didn't do too badly after all. | 0:37:56 | 0:38:00 | |
'Now it's back to some silver, the lighter, ashtray, cigarette case and two cigarette boxes. | 0:38:00 | 0:38:06 | |
'Some are Victorian and some are Art Deco. | 0:38:06 | 0:38:08 | |
'They were presented to Jack in the late 1980s after 25 years service to his firm. | 0:38:08 | 0:38:14 | |
'The estimate is £100 to £150.' | 0:38:14 | 0:38:17 | |
Just a bit of social history, a bit of memorabilia, really. | 0:38:17 | 0:38:21 | |
These would make a nice present for somebody, nice things to keep. | 0:38:21 | 0:38:24 | |
-And £100 seems quite reasonable. -Mm. | 0:38:24 | 0:38:26 | |
I'm bid 65. 70. 5. | 0:38:26 | 0:38:29 | |
Do you want 80, Howard? 80. 5. | 0:38:30 | 0:38:33 | |
90. £90 there with Howard, at 90. | 0:38:33 | 0:38:36 | |
5 I'll take. Doesn't seem a lot of money at £90. 95 fresh bidder. 100. | 0:38:36 | 0:38:41 | |
-Yes. -110. 120. | 0:38:41 | 0:38:44 | |
-120 there, original bidder at 120. 120 it goes. -HAMMER BANGS | 0:38:44 | 0:38:48 | |
-Brilliant! -That's great, isn't it? -Yes. -Straight in the middle. -Lovely. | 0:38:48 | 0:38:52 | |
Put that in your pipe and smoke it! | 0:38:52 | 0:38:55 | |
'The second half of the auction is definitely making up for the first, | 0:38:55 | 0:38:59 | |
'and Moya has just one more lot to go, | 0:38:59 | 0:39:01 | |
'that nine-carat gold charm bracelet on an Albert chain. | 0:39:01 | 0:39:05 | |
'The last lot of gold did incredibly well, so we hope this one follows suit. | 0:39:05 | 0:39:08 | |
'£150 to £200 is the estimate.' | 0:39:08 | 0:39:12 | |
-Where's this from? -My mother. It was from her third husband. | 0:39:14 | 0:39:19 | |
-These are fashionable, aren't they? Or have they gone out of fashion? -They are in at the moment. | 0:39:19 | 0:39:24 | |
You see lots of girls with silver bracelets. | 0:39:24 | 0:39:27 | |
-And gold is doing tremendously well at the minute. -Yes. | 0:39:27 | 0:39:30 | |
So I've put this in at £150 to £200. | 0:39:30 | 0:39:32 | |
-It's nine-carat, not a high carat, but let's see how it goes. -Yep. | 0:39:32 | 0:39:36 | |
And there's interest in that straight off. I'm bid £140. | 0:39:36 | 0:39:39 | |
-140. -Wow! | 0:39:39 | 0:39:41 | |
At £140. 150, thank you. | 0:39:41 | 0:39:44 | |
160 now. 170. | 0:39:44 | 0:39:46 | |
180. Are you bidding 190? 190 I'm bid. | 0:39:46 | 0:39:51 | |
190 in the doorway. At 190. Anybody else? | 0:39:51 | 0:39:53 | |
£190. 200. 210. | 0:39:53 | 0:39:56 | |
220. 230. | 0:39:57 | 0:40:00 | |
240. 250. | 0:40:00 | 0:40:02 | |
260. 270. | 0:40:03 | 0:40:06 | |
-270, then, in the doorway at 270. 270. -HAMMER BANGS | 0:40:06 | 0:40:10 | |
-Amazing! -Whoa! -That's brilliant, isn't it? | 0:40:10 | 0:40:13 | |
-Fantastic! -We need to dig out more gold. | 0:40:13 | 0:40:16 | |
We do! Have you got any more gold, Mum? | 0:40:16 | 0:40:19 | |
THEY LAUGH | 0:40:19 | 0:40:22 | |
'Well, it's another indicator of the top prices that gold collectables are making at the present time. | 0:40:22 | 0:40:28 | |
'Moya's picked the perfect time to sell and I'm sure it's made all the difference to her target.' | 0:40:28 | 0:40:34 | |
-We're just recovering, I think, from the last gold sale, aren't we? -Absolutely! Thank you! | 0:40:35 | 0:40:40 | |
-We wanted to raise £500 today. -Yes, we did. | 0:40:40 | 0:40:44 | |
If I remember correctly, you were a bit disappointed at the halfway stage at £189. | 0:40:44 | 0:40:48 | |
-It was a bit low. -Yeah. And we were hoping for some good news in the second half. -And we got it! | 0:40:48 | 0:40:54 | |
-And we did get it. -We did. | 0:40:54 | 0:40:56 | |
Because the grand total from today is £969! | 0:40:56 | 0:41:03 | |
-No! -Incredible! -Really? -That's amazing! | 0:41:03 | 0:41:06 | |
-Fantastic! -That's wonderful! -I can't believe it! | 0:41:06 | 0:41:09 | |
-Do you want me to say that again? -Go on. -£969. -Hold me up. | 0:41:09 | 0:41:14 | |
-A brilliant, brilliant effort. -Really good. -Really good! -Excellent. | 0:41:14 | 0:41:19 | |
'Moya is hoping to take a long train journey when she visits her friend Margaret in Canada. | 0:41:23 | 0:41:28 | |
'Her younger daughter, Helen, is helping her plan the trip.' | 0:41:28 | 0:41:32 | |
Where would it start from? | 0:41:32 | 0:41:34 | |
I was hoping it would start from Newfoundland | 0:41:34 | 0:41:39 | |
and go right the way across. There is a train that does that. | 0:41:39 | 0:41:43 | |
'And where better to make plans than in the retro glamour | 0:41:44 | 0:41:47 | |
'of a vintage steam railway?' | 0:41:47 | 0:41:49 | |
Oh, it was fantastic. Beautiful scenery, | 0:41:49 | 0:41:53 | |
chugging along and it was really nice. | 0:41:53 | 0:41:56 | |
It's been very interesting doing Cash In The Attic | 0:41:56 | 0:41:59 | |
and, of course, the money I've made at the auction will help towards the fare. | 0:41:59 | 0:42:05 | |
Subtitles by Red Bee Media Ltd | 0:42:35 | 0:42:39 |