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Hello and welcome to Cash In The Attic - | 0:00:02 | 0:00:04 | |
the programme that really enjoys helping you to search through your home | 0:00:04 | 0:00:08 | |
for unexpected or hidden treasures, and then, if you do decide to sell them, | 0:00:08 | 0:00:12 | |
we'll help you take them to auction so you can raise money for something really very special. | 0:00:12 | 0:00:17 | |
'Coming up on Cash In The Attic: Our expert, John, gets all bombastic with some vintage ammunition.' | 0:00:37 | 0:00:42 | |
-John, what on earth have you found there? -Incoming. Put your tin hats on. | 0:00:42 | 0:00:47 | |
'And I put in a bid for Strictly in front of this period juke box.' | 0:00:47 | 0:00:51 | |
We've even got the disco lights! | 0:00:51 | 0:00:54 | |
'Hope you're watching, Brucie! The auction brings even more surprises.' | 0:00:54 | 0:00:59 | |
-£50. -Amazing! | 0:00:59 | 0:01:02 | |
-'Find out why we got so excited when the hammer falls.' -£50. Thank you. | 0:01:02 | 0:01:07 | |
You join me deep in the heart of Essex, | 0:01:07 | 0:01:10 | |
where I'm about to meet a mother and son, who live in a house | 0:01:10 | 0:01:14 | |
that is full of inherited collectables. | 0:01:14 | 0:01:17 | |
They're going to sell some of them so the good fortune of a previous generation | 0:01:17 | 0:01:21 | |
can do something really good for the next generation. | 0:01:21 | 0:01:25 | |
Jean Chopping is downsizing. | 0:01:25 | 0:01:28 | |
After years in this beautiful house, which she shared with her late husband, Brian, | 0:01:28 | 0:01:33 | |
and their two sons, Mark and Darren, she's decided it's time to sell up and move on. | 0:01:33 | 0:01:37 | |
The trouble is, the house is stuffed to the rafters with mementoes | 0:01:39 | 0:01:42 | |
that Jean and Brian inherited, or acquired on their travels. | 0:01:42 | 0:01:45 | |
That's why Jean and Mark are in need of some expert help. | 0:01:45 | 0:01:49 | |
The least we can do is provide the expert. | 0:01:49 | 0:01:51 | |
-Hi, Jean, Mark. -Hello. -This is John Cameron, who's going to be our expert for today. | 0:01:54 | 0:01:59 | |
Now I've described this a house that's full of collectables, inherited collectables. | 0:01:59 | 0:02:06 | |
-Who was the great collector? -My husband. -What sort of things did he collect? | 0:02:06 | 0:02:10 | |
He collected glassware, antiques, anything that's collectable. | 0:02:10 | 0:02:14 | |
-Junk, people call it. -Sounds as if you've got your work cut out, John. | 0:02:14 | 0:02:18 | |
-Either that, or I'll have an easy day finding things. -You'd better get started. | 0:02:18 | 0:02:22 | |
-You get the sunshine? -Absolutely! | 0:02:22 | 0:02:24 | |
We'll be joining you in a moment when I've discovered from you | 0:02:24 | 0:02:28 | |
why you've called in Cash In The Attic today, Jean. | 0:02:28 | 0:02:31 | |
Well, I'm downsizing. The house is too big. | 0:02:31 | 0:02:33 | |
I've got two lovely grandchildren. Unfortunately, my husband never lived to see them. | 0:02:33 | 0:02:38 | |
If I sell some of his collectables, I'll give the money to them. | 0:02:38 | 0:02:42 | |
-How much exactly do you want to raise today? -£800. | 0:02:42 | 0:02:46 | |
So, that's £400 each. One of those grandchildren is yours, isn't it? | 0:02:46 | 0:02:50 | |
-One is mine, yes. -So, how do you feel about that? -I'm very excited. | 0:02:50 | 0:02:53 | |
Oliver will be happy with a nest egg from what we can raise at the auction. | 0:02:53 | 0:02:57 | |
John, as you know, is already started in the house, so why don't we go and join him | 0:02:57 | 0:03:01 | |
-and see some of these wonderful things your husband collected. -OK. | 0:03:01 | 0:03:05 | |
The first thing you notice about this house is that there is glassware everywhere. | 0:03:06 | 0:03:11 | |
Our expert, John Cameron, has more than 20 years experience in the trade. | 0:03:11 | 0:03:16 | |
He's found these pieces of textured and bubble glass in one of the sheds, | 0:03:16 | 0:03:20 | |
and some more interesting pieces in the front room. | 0:03:20 | 0:03:25 | |
John, it looks as if you've already found pure heaven for you. | 0:03:27 | 0:03:33 | |
I don't know about. I couldn't see the wood for the trees. | 0:03:33 | 0:03:36 | |
Jean, you have an amazing glass collection. What is the story with it? | 0:03:36 | 0:03:39 | |
My husband collected it. | 0:03:39 | 0:03:41 | |
It started with an ashtray from his aunt's, | 0:03:41 | 0:03:44 | |
which he couldn't part with when she passed away, so brought it home. | 0:03:44 | 0:03:48 | |
Whenever he went out, he looked for something with bubbles | 0:03:48 | 0:03:51 | |
and it just grew and grew and grew. | 0:03:51 | 0:03:54 | |
How many pieces do you think you've got? | 0:03:54 | 0:03:56 | |
A couple of hundred pieces, if not more. | 0:03:56 | 0:03:59 | |
Was he looking for individual pieces of glass or did he just buy anything? | 0:03:59 | 0:04:03 | |
At first, it was anything but then he got that he liked Whitefriars. | 0:04:03 | 0:04:08 | |
He was told if you got the label on it, it was worth more because people realised it was more genuine. | 0:04:08 | 0:04:14 | |
-John, what can you tell us? -Interesting you said about Whitefriars and the label. | 0:04:14 | 0:04:19 | |
This is the only piece with the Whitefriars label on, | 0:04:19 | 0:04:21 | |
though a lot of them are, to me, Whitefriars pieces. | 0:04:21 | 0:04:24 | |
Very famous factory. | 0:04:24 | 0:04:26 | |
One of Britain's longest running and most diverse. Their output was huge. | 0:04:26 | 0:04:31 | |
And we've got this clear glass jug here. | 0:04:31 | 0:04:33 | |
That's more the Whitefriars we expect to see, isn't it, John? | 0:04:33 | 0:04:37 | |
These are the bark, the textured pieces, blown into wooden moulds. | 0:04:37 | 0:04:41 | |
Collectors within that area are looking for pieces | 0:04:41 | 0:04:44 | |
with sharp definition, which shows it was an early blown piece. | 0:04:44 | 0:04:47 | |
You've got great techniques here. | 0:04:47 | 0:04:50 | |
We've got crizzling glass, which was a desired effect, developed in Germany, | 0:04:50 | 0:04:54 | |
where glass, before it was cooled, was dipped into water so it almost shattered but stayed together. | 0:04:54 | 0:05:00 | |
Then it was reheated and gave this wonderful crazed effect. | 0:05:00 | 0:05:04 | |
So, you've got that and, as you've said, | 0:05:04 | 0:05:06 | |
your much-loved ashtrays with the bubbles in. | 0:05:06 | 0:05:09 | |
Are you going to take all of these pieces to auction? | 0:05:09 | 0:05:12 | |
-Hopefully, yes. -Crikey. How do you value something like that, John? | 0:05:12 | 0:05:15 | |
150 to 200 pieces, we have got to be looking at, for me, between £300 and £500 somewhere. | 0:05:15 | 0:05:21 | |
That's fantastic. I would have thrown it all away. | 0:05:21 | 0:05:25 | |
Well, we were overwhelmed by that sea of glassware. | 0:05:25 | 0:05:29 | |
Mark has uncovered a World War II survivor's kite. | 0:05:29 | 0:05:32 | |
He thinks it belonged to his grandad who served in the RAF. | 0:05:32 | 0:05:36 | |
The frame of the box kite acted as an antenna for a radio transmitter connected to the kite by string. | 0:05:36 | 0:05:43 | |
Downed airmen used it to alert spotters to their position. | 0:05:43 | 0:05:46 | |
Our expert's estimate, between £30 and £50 pounds. | 0:05:46 | 0:05:51 | |
John is not letting our good start distract him from the hunt. | 0:05:51 | 0:05:54 | |
John, what about this, please? | 0:05:56 | 0:05:59 | |
Right. Looks like a little diamond engagement ring. | 0:06:00 | 0:06:03 | |
-Did it belong to anyone? -An aunt. Inherited aunt's. | 0:06:03 | 0:06:06 | |
Let's have a look. If you hold on to that, let me take a look. | 0:06:06 | 0:06:10 | |
Got my loop out of here. | 0:06:10 | 0:06:12 | |
It's 18 carat and platinum. | 0:06:12 | 0:06:14 | |
OK, and on the top, got a flower design. | 0:06:14 | 0:06:18 | |
And whilst it looks as though the whole thing has been rub-over set, there are diamonds | 0:06:18 | 0:06:22 | |
but not as many as you'd think - called an illusion setting. | 0:06:22 | 0:06:26 | |
You've got Swiss-cut diamonds around the edges | 0:06:26 | 0:06:28 | |
of the petals, there. | 0:06:28 | 0:06:30 | |
And two rose-cut diamonds on the shoulders, tiny diamonds. | 0:06:30 | 0:06:33 | |
The rest of it are little nodules of platinum | 0:06:33 | 0:06:36 | |
which are almost similar to how you see a marcasite ring. | 0:06:36 | 0:06:39 | |
Something we can sell, not going to make vast sums | 0:06:39 | 0:06:42 | |
but definitely £50 to £70, something like that. | 0:06:42 | 0:06:45 | |
Yeah, that'd be fine. I mean, I shan't wear it, so... | 0:06:45 | 0:06:48 | |
-Never wore it in the past? -No. Never been worn. | 0:06:48 | 0:06:50 | |
One thing you soon realise about Jean is that she's very keen on dogs. | 0:06:50 | 0:06:55 | |
Over the years, she has owned and exhibited | 0:06:55 | 0:06:58 | |
a number of pedigree canines and she has the rosettes to prove it. | 0:06:58 | 0:07:02 | |
Now, with some fascinating finds under our belt, it's probably a good time to pause and take stock. | 0:07:02 | 0:07:08 | |
Jean, I know you are going to be downsizing, which is why you've sold the house, | 0:07:10 | 0:07:15 | |
but it means moving away from this wonderful garden, | 0:07:15 | 0:07:19 | |
which really has been very important in your life with your late husband. | 0:07:19 | 0:07:22 | |
It certainly was, yeah. We both loved gardening and spent hours and hours out here. | 0:07:22 | 0:07:27 | |
Him doing the vegetable patch and I did the flowers. | 0:07:27 | 0:07:30 | |
-You've won prizes with this garden, haven't you, Jean? -Yes, best garden, | 0:07:30 | 0:07:34 | |
village garden, and then I got a second prize this year with it. | 0:07:34 | 0:07:39 | |
The other great passion in your life is your dogs, | 0:07:39 | 0:07:41 | |
and in fact you can't move | 0:07:41 | 0:07:43 | |
in a single room in your house without a photograph of, or rosettes for, | 0:07:43 | 0:07:47 | |
the Pomeranians and the dogs that you won. How did that come about? | 0:07:47 | 0:07:52 | |
After I nursed my father and he passed away, my husband said, "Get yourself a hobby." | 0:07:52 | 0:07:56 | |
And I thought, "What can I do?" And a friend said to me, "Come to a dog show." | 0:07:56 | 0:08:00 | |
And that was it, I got hooked. | 0:08:00 | 0:08:02 | |
How many have you had? | 0:08:02 | 0:08:04 | |
We had 13 at one point. | 0:08:04 | 0:08:05 | |
So, Mark, did you get dragged in on this as well? | 0:08:05 | 0:08:08 | |
Showing the dogs when you were growing up. | 0:08:08 | 0:08:11 | |
As a teenager, it's not cool to be seen with a small ball of fluff | 0:08:11 | 0:08:14 | |
on the end of a lead, so I leave the showing to Mum. | 0:08:14 | 0:08:17 | |
We've left John to his own devices for long enough. | 0:08:17 | 0:08:19 | |
Shall we go and see what else he thinks we might take to auction? | 0:08:19 | 0:08:24 | |
While we've been nattering, John has been busy around the house, | 0:08:24 | 0:08:29 | |
digging up more treasures. | 0:08:29 | 0:08:30 | |
This NSM Galaxy 200 Jukebox can hold up to 200 records and might easily fetch £900 or more at auction, | 0:08:30 | 0:08:38 | |
but the family are not prepared to part with it. | 0:08:38 | 0:08:40 | |
But they are happy to part with this Edwardian round-back chair | 0:08:43 | 0:08:47 | |
with its stained walnut inlay and arabesque markings, this could be one to watch. | 0:08:47 | 0:08:51 | |
So, will John's £50 to £80 estimate be realised at auction? | 0:08:51 | 0:08:55 | |
Things are certainly hotting up. | 0:08:55 | 0:08:57 | |
What do you say to this one? £100 for this one? | 0:08:57 | 0:09:01 | |
£85, 100, yes. | 0:09:01 | 0:09:04 | |
100 bid...already. | 0:09:04 | 0:09:07 | |
'How high will it go?' | 0:09:07 | 0:09:08 | |
Thank you. | 0:09:08 | 0:09:10 | |
Our rummage through Jean's past continues. | 0:09:11 | 0:09:14 | |
So far we've uncovered some amazing mementos. | 0:09:14 | 0:09:16 | |
It's all hands on deck and our estimated total has climbed steadily upwards | 0:09:16 | 0:09:21 | |
to its current level of £430. | 0:09:21 | 0:09:24 | |
In the bedroom, I find this 22-carat gold wedding band | 0:09:24 | 0:09:28 | |
and as John is never shy of reminding us, the price of gold is really holding up at the moment. | 0:09:28 | 0:09:34 | |
This could achieve between £50 and £70. | 0:09:34 | 0:09:37 | |
At the end of the garden, John has stumbled across a painting and an artist's easel. | 0:09:37 | 0:09:42 | |
Don't tell me that after all these years on Cash In The Attic, he's finally found an old master! | 0:09:42 | 0:09:48 | |
-Jean? -Yes. | 0:09:49 | 0:09:51 | |
I was looking at this earlier. Is this something we can send to auction? | 0:09:51 | 0:09:55 | |
-It's interesting. -The easel, yes. But not the painting. I'd like to keep it. | 0:09:55 | 0:09:59 | |
Well, let's take that off of there and have a look at the actual easel. | 0:09:59 | 0:10:04 | |
-Well, have you ever noticed the maker's label at the top there? -Never. | 0:10:04 | 0:10:08 | |
Well, if you have a look, it says, Reeves & Sons. | 0:10:08 | 0:10:11 | |
They're an important maker of artists' materials, but you get a variety of easels. | 0:10:11 | 0:10:15 | |
You'd think, "An easel's an easel," but they come in different forms and shapes | 0:10:15 | 0:10:19 | |
to accommodate different pictures. | 0:10:19 | 0:10:21 | |
I can see an artist buying it, somebody that is at college, who can't afford to buy this. | 0:10:21 | 0:10:25 | |
Because retail, this would cost you three figures definitely. | 0:10:25 | 0:10:29 | |
An auction house might buy it, because it's a great thing to display a painting on. | 0:10:29 | 0:10:33 | |
-Sure you've got no aspirations of being an artist? -No! | 0:10:33 | 0:10:36 | |
-And shall we get rid of the palettes as well? -Yeah, can we put them both together? | 0:10:36 | 0:10:39 | |
-Yeah. I've had a look. I can't see any makers' names on them. -No. | 0:10:39 | 0:10:43 | |
-And they're very well used, aren't they? -I know. | 0:10:43 | 0:10:46 | |
If you're not taking up a career in art, stick them in with the easel. | 0:10:46 | 0:10:50 | |
-At auction, I'd put it on at £40-60, something like that. -That's fine. | 0:10:50 | 0:10:53 | |
It may make a bit more, | 0:10:53 | 0:10:54 | |
-you never can tell. -No, that'd be lovely. | 0:10:54 | 0:10:56 | |
Back in the house, the quest for the rest continues. | 0:10:56 | 0:11:00 | |
In the bedroom, Jean finds this lovely porcelain box | 0:11:00 | 0:11:03 | |
with a painted lid. | 0:11:03 | 0:11:05 | |
It belonged to her husband's aunt and could be worth between £30-50. | 0:11:05 | 0:11:09 | |
Meanwhile, Mark has found some old ginger beer bottles that his dad once dug up in the garden. | 0:11:09 | 0:11:14 | |
They're priced at between £50-£60. | 0:11:14 | 0:11:17 | |
In total, Mark's dad dug up more than 1,000 bottles. | 0:11:17 | 0:11:21 | |
They discovered that their house is built on the site of an old ginger beer factory. | 0:11:21 | 0:11:25 | |
Our expert, John, has been nothing if not determined today. | 0:11:25 | 0:11:30 | |
There isn't a corner of the house he hasn't explored. And, yet again, that seems to have paid off. | 0:11:30 | 0:11:35 | |
It's difficult for Mark to move anywhere in the house or garden | 0:11:35 | 0:11:38 | |
without finding something that reminds him of his late father. | 0:11:38 | 0:11:42 | |
Mark, this is such a lovely thing to have in the garden, a seat in the garden in memory of your father. | 0:11:42 | 0:11:46 | |
Brian Chopp, which was his nickname. What's this on the end here? | 0:11:46 | 0:11:50 | |
That's a symbol he put in cards for my mother. | 0:11:50 | 0:11:52 | |
We're not quite sure what it means, it might be some sort of secret message to her. | 0:11:52 | 0:11:57 | |
-But that's what he used to put and he used to do it for years. -Yeah. | 0:11:57 | 0:12:00 | |
John, what on earth have you found there?! | 0:12:01 | 0:12:04 | |
-Incoming! Put your tin hats on. -Does that mean we've got to duck? | 0:12:04 | 0:12:07 | |
I think you'd want to if one of these was coming your way. Right, I found some war memorabilia. | 0:12:07 | 0:12:14 | |
-What's the story? -My father bought one on the back of two that we acquired from a Great Uncle Freddie, | 0:12:14 | 0:12:22 | |
who was involved in the First World War. | 0:12:22 | 0:12:24 | |
So having two, being my father, he wanted a collection and got a third one. | 0:12:24 | 0:12:29 | |
Well, I think you may well have got that mixed up, | 0:12:29 | 0:12:31 | |
which often happens with stories handed down. | 0:12:31 | 0:12:34 | |
This one is First World War and those two are Second World War. | 0:12:34 | 0:12:38 | |
-Right, OK. -You can see here, if we turn it up on the bottom, we've got a date on there. | 0:12:38 | 0:12:44 | |
See that? 1917. So that tells us that's when it's from. | 0:12:44 | 0:12:47 | |
And those two there have 1945 and 1944, respectively on them. | 0:12:47 | 0:12:51 | |
They're Second World War, so they're the ones he picked up later. | 0:12:51 | 0:12:54 | |
If you turn that one up, Mark, you can see it's a 25-pounder and this one a six-pounder. | 0:12:54 | 0:13:00 | |
What sort of money do they make at auction, John? | 0:13:00 | 0:13:03 | |
-Are there people who collect them? -No pun intended, won't make a bomb. | 0:13:03 | 0:13:07 | |
But I still think we'll make about £20-£30, maybe even £40. | 0:13:07 | 0:13:10 | |
Excellent. Surprising, actually. | 0:13:10 | 0:13:12 | |
'We're coming to the end of our rummage, but we're £200 short of our target. | 0:13:12 | 0:13:16 | |
'Will our last find push us over the edge?' | 0:13:16 | 0:13:19 | |
Some great old tunes on this jukebox, John, aren't there? | 0:13:19 | 0:13:23 | |
We've even got the disco lights, John! | 0:13:23 | 0:13:27 | |
-Any change for the jukebox? -No, I haven't. | 0:13:27 | 0:13:29 | |
-No, me either. -I've got some change. -Oh. | 0:13:29 | 0:13:31 | |
-Oh, that's good. -Oh, I don't think | 0:13:31 | 0:13:34 | |
that's exactly change, Jean! | 0:13:34 | 0:13:36 | |
Blimey, look at that, John. A pocketful of sovereigns and half-sovereigns. | 0:13:36 | 0:13:41 | |
-Where have they come from? -My mother was given one on her wedding day for her first-born, which was me, | 0:13:41 | 0:13:47 | |
-and the rest were given to us by a neighbour. -It is a good time to sell them. | 0:13:47 | 0:13:51 | |
And what we've got are two full sovereigns and seven half-sovereigns. | 0:13:51 | 0:13:54 | |
And we've got a mixture of dates here, from Edward VII to George V, | 0:13:54 | 0:13:59 | |
so about the same time these all date from. | 0:13:59 | 0:14:01 | |
And on the other side, we've got the different monarchs. | 0:14:01 | 0:14:05 | |
All on the obverse, we've got the very iconic image of St George on the horse there slaying the dragon. | 0:14:05 | 0:14:11 | |
Before you tell us how much you think they might make, I'm going to call in Mark, | 0:14:11 | 0:14:15 | |
because he should hear this. Mark, have you got a minute? | 0:14:15 | 0:14:18 | |
Come and join us. Your mum's just brought us these amazing sovereigns. | 0:14:18 | 0:14:22 | |
So what do you reckon, John, when they go under the hammer? | 0:14:22 | 0:14:24 | |
Well, I certainly expect the full sovereigns to make £150 each. | 0:14:24 | 0:14:30 | |
Then we've got seven halves, | 0:14:30 | 0:14:32 | |
so adding them up, in total, I make that about £825. | 0:14:32 | 0:14:37 | |
I didn't think they'd be worth as much as that. I'd have said a couple of hundred. | 0:14:37 | 0:14:42 | |
If you think that's good news, let me give you a bit more good news. | 0:14:42 | 0:14:46 | |
Because adding that to the lowest figure John has given on everything that he's looked at today, | 0:14:46 | 0:14:51 | |
I think we should be able to raise a very respectable... | 0:14:51 | 0:14:54 | |
..£1,445. | 0:14:56 | 0:14:59 | |
-Good grief! -Gosh! -That's fantastic! | 0:14:59 | 0:15:01 | |
I'd never have said that! | 0:15:01 | 0:15:03 | |
That's at least £700 each for the grandchildren. | 0:15:03 | 0:15:07 | |
-Blimey! They'll need a bigger piggy bank! -Much bigger. | 0:15:07 | 0:15:09 | |
I can't believe that. Honestly, I can't believe it. | 0:15:09 | 0:15:12 | |
What a terrific day of searching we've had. | 0:15:12 | 0:15:16 | |
But what's going to take the bidders' fancy? | 0:15:16 | 0:15:19 | |
How about the collection of nearly 200 pieces of glassware | 0:15:19 | 0:15:22 | |
Jean and her late husband, Brian, collected over a lifetime, valued at up to £300? | 0:15:22 | 0:15:27 | |
Will the Second World War kite that saved lives soar higher than its £50 maximum? | 0:15:27 | 0:15:33 | |
Or will those wonderful sovereigns really turn out to be | 0:15:33 | 0:15:36 | |
worth their weight in gold, and break the £1,000 mark? | 0:15:36 | 0:15:40 | |
Still to come on Cash In The Attic, John gives us some gruesome facts... | 0:15:40 | 0:15:44 | |
A lot of times, these little rings are cut off of people's fingers as they grow. | 0:15:44 | 0:15:49 | |
..while Mark gives a definite maybe when quizzed about his future. | 0:15:49 | 0:15:53 | |
-Have you not got someone you might like to put this on their finger, Mark? -Not yet. | 0:15:53 | 0:15:58 | |
Will his loss be someone else's gain when the hammer falls? | 0:15:58 | 0:16:02 | |
You've now joined us at Tring Market Auctions in Hertfordshire, and this is going to be the setting | 0:16:08 | 0:16:15 | |
where, hopefully, Jean Chopping and her son Mark | 0:16:15 | 0:16:17 | |
are going to be able to raise that £800 that she wants | 0:16:17 | 0:16:21 | |
to put into a little nest-egg for her two much-loved grandsons. | 0:16:21 | 0:16:24 | |
So let's hope that the bidders will do the business | 0:16:24 | 0:16:28 | |
and we'll get some good money for her items when they go under the hammer. | 0:16:28 | 0:16:33 | |
Jean's at auction to raise money for a nest-egg for her two grandchildren, Harry and Oliver. | 0:16:33 | 0:16:38 | |
If only these bidders at Tring auction house were aware of the responsibility | 0:16:38 | 0:16:43 | |
on their shoulders. | 0:16:43 | 0:16:45 | |
Jean and Mark have already discovered that their sovereigns | 0:16:45 | 0:16:48 | |
have been split into three separate lots to make them more marketable. And that's not all. | 0:16:48 | 0:16:53 | |
Have you seen what they've done with the glass? | 0:16:53 | 0:16:56 | |
It's been split up into 16 lots, and the auction house have put it into sort of coloured groups. | 0:16:56 | 0:17:01 | |
I think it looks really good, don't you? | 0:17:01 | 0:17:03 | |
It does. I couldn't believe it when I saw it. | 0:17:03 | 0:17:06 | |
It looks fantastic, it really shows it to its best. | 0:17:06 | 0:17:08 | |
So, quietly confident, but still quite nervous. | 0:17:10 | 0:17:13 | |
I'm nervous - it's not going to sell! | 0:17:13 | 0:17:16 | |
Of course it will, keep your nerves under control! | 0:17:16 | 0:17:18 | |
And to prove it's going to sell, let's take our places over there and watch the bidding, come on. | 0:17:18 | 0:17:24 | |
The sale is underway, and the auctioneer is in full swing. | 0:17:26 | 0:17:31 | |
Let's see how the bidders react to the shell cases. | 0:17:31 | 0:17:33 | |
One of them was inherited from a grandparent who served in World War I. We're looking for at least £20. | 0:17:33 | 0:17:40 | |
What about those? I think we ought to be in the region of £40 for those. £40 for the shell cases. | 0:17:40 | 0:17:45 | |
£30? Will anyone bid for them? Do I bid, and five, for you, sir? | 0:17:45 | 0:17:50 | |
-£30 and 2 now. 30, they're going at £30... -30. -Both of you are in at £30, thank you. | 0:17:50 | 0:17:57 | |
-£30. -Not too bad. -Right in the middle of John's estimate. -It's not bad. | 0:17:57 | 0:18:01 | |
Jean's happy with that, and if it goes like this all day, we're quids in. | 0:18:01 | 0:18:06 | |
Next up is the World War II kite. | 0:18:06 | 0:18:08 | |
Handy if you're a pilot who's been shot down and you need to contact your chums. | 0:18:08 | 0:18:13 | |
We're looking for somewhere between £30 and £50. | 0:18:13 | 0:18:17 | |
50 has it then. £50. | 0:18:17 | 0:18:18 | |
-£50! -Yes or no? No, he says. | 0:18:18 | 0:18:20 | |
OK then, it's yours, sir, for £50. | 0:18:20 | 0:18:24 | |
-That's fantastic. -£50. -Amazing! | 0:18:24 | 0:18:27 | |
Fantastic indeed! Every bit extra goes into the pot | 0:18:27 | 0:18:32 | |
for Jean's grandchildren, Oliver and Harry. | 0:18:32 | 0:18:36 | |
Our next lot is the stately Reeves & Son easel. | 0:18:36 | 0:18:39 | |
A bit of a specialist item, this. | 0:18:39 | 0:18:42 | |
What about that one? £50 for it, £30. £20, I'm bid five. | 0:18:42 | 0:18:45 | |
£30. Five, 40? | 0:18:45 | 0:18:46 | |
Going down at £40. Five? At £40, then. Yes, at £40, then. | 0:18:46 | 0:18:50 | |
It is yours at £40, then. | 0:18:50 | 0:18:54 | |
I wonder if they were artist or dealer! | 0:18:54 | 0:18:57 | |
Well, let's hope it's gone to a good home. | 0:18:57 | 0:18:59 | |
The porcelain box with painted lid Jean found in the bedroom is next... | 0:18:59 | 0:19:04 | |
-Thank you. -..and it achieves the lower estimate of £30. | 0:19:04 | 0:19:09 | |
Coming up next are the gold sovereigns. | 0:19:09 | 0:19:12 | |
We're really banking on gold's current popularity. | 0:19:12 | 0:19:15 | |
John's estimate for these was a minimum of £825, | 0:19:15 | 0:19:19 | |
but we have to pay attention because they're not being sold as one lot. | 0:19:19 | 0:19:24 | |
So a bit of loose change, Mark? | 0:19:24 | 0:19:26 | |
It is. It's something we've sat on for some time and it's the time to sell it | 0:19:26 | 0:19:30 | |
and benefit from the money that we raise from them. | 0:19:30 | 0:19:33 | |
Even though more are coming up because the price is so good, | 0:19:33 | 0:19:36 | |
demand seems to still be outstripping supply, so the prices are holding up. | 0:19:36 | 0:19:40 | |
310? Just for you, 310, then. | 0:19:40 | 0:19:42 | |
20, 320 I'm bid. New bidder. 320, front row. Thank you. | 0:19:42 | 0:19:48 | |
These are George V sovereigns. | 0:19:48 | 0:19:50 | |
260 and 70 is in. £260. | 0:19:50 | 0:19:55 | |
Thank you. Two good sovereigns there. £300 for those. 300 I'm bid. | 0:19:55 | 0:20:00 | |
320, I'm bid, 320. | 0:20:00 | 0:20:03 | |
Madam, are you going to bid? I've got 330 now, and it's going at £330. | 0:20:03 | 0:20:09 | |
£910 for your three sets of gold sovereigns. That's not bad, John. | 0:20:09 | 0:20:17 | |
-It was quite within our estimate as well, wasn't it, I'm pleased to say. -Fantastic. | 0:20:17 | 0:20:21 | |
Well, it turns out that John does know his onions, or rather his gold, after all. | 0:20:21 | 0:20:27 | |
-You're looking for £800 in total, aren't you? -Yeah. | 0:20:27 | 0:20:30 | |
-400 each? -Yes. -In the piggy bank. | 0:20:30 | 0:20:32 | |
Well, we're only halfway through and we're up to £1,060. | 0:20:32 | 0:20:37 | |
-Wow! -Fabulous! -That's fantastic, thank you. | 0:20:37 | 0:20:40 | |
Remember, that items sold at auction | 0:20:40 | 0:20:43 | |
are subject to the auction house's rate of commission. | 0:20:43 | 0:20:47 | |
So if you have items you're thinking of selling in this way, do bear in mind that the total amount bid | 0:20:47 | 0:20:52 | |
will not necessarily be the amount you take home. | 0:20:52 | 0:20:55 | |
Next up for us, the first of our two rings. | 0:20:55 | 0:20:58 | |
It's the diamond-platinum engagement ring at 50 to £70. | 0:20:58 | 0:21:02 | |
-Have you not got someone you might like to put this on their finger, Mark? -Not yet. | 0:21:02 | 0:21:08 | |
-He's gone all pink! -Maybe! | 0:21:08 | 0:21:10 | |
-At £65... -GAVEL FALLS | 0:21:10 | 0:21:12 | |
A slightly more modest return there, but we won't say no. | 0:21:12 | 0:21:16 | |
Now, it's time to see if John's oft-repeated mantra | 0:21:16 | 0:21:20 | |
that the price of gold is holding these days is true. | 0:21:20 | 0:21:23 | |
We're after at least £50 for this 22-carat gold wedding band. | 0:21:23 | 0:21:27 | |
A lot of times, these little rings are cut off of people's fingers as they grow, | 0:21:27 | 0:21:32 | |
and these languish in boxes. | 0:21:32 | 0:21:33 | |
People bring them into you and are surprised that this broken wedding ring is worth £100. | 0:21:33 | 0:21:38 | |
I'm bid 80...90... | 0:21:38 | 0:21:40 | |
-Gosh, it went up with a clip. -110, I bid. 120, 130 and 40. 150? | 0:21:40 | 0:21:45 | |
No, 140. Starting, then, back at 140, then. It's going for £140. Thank you. | 0:21:45 | 0:21:52 | |
There you are, and you just left it lying in a drawer! | 0:21:52 | 0:21:55 | |
That's incredible. | 0:21:55 | 0:21:57 | |
Almost three times John's minimum. The price of gold really IS holding up. | 0:21:57 | 0:22:03 | |
Next, the ginger beer bottles that Mark's dad | 0:22:03 | 0:22:06 | |
unearthed in the back garden. Our target, £50 to £60. | 0:22:06 | 0:22:09 | |
It's going, then, for £30... Thank you. | 0:22:09 | 0:22:13 | |
That was under John's estimate, but every little counts. | 0:22:13 | 0:22:18 | |
What will the bidders make of the round-backed Edwardian chair? | 0:22:18 | 0:22:22 | |
-And it's not something, Mark, that you'd like in your home? -No. | 0:22:22 | 0:22:25 | |
What don't you like about it? | 0:22:25 | 0:22:27 | |
I'm not a big fan of old, brown furniture. | 0:22:27 | 0:22:29 | |
-It's quite old-fashioned now. -But it's pretty! | 0:22:29 | 0:22:33 | |
What shall we say for this one? Are we going to beat 100 plus for this one? 84, 90, 100, yes. | 0:22:33 | 0:22:38 | |
100 bid already. | 0:22:38 | 0:22:40 | |
£120, 30. | 0:22:40 | 0:22:43 | |
£40, 50, 60. Five, 70. | 0:22:43 | 0:22:47 | |
Number one, 170 on my left. | 0:22:47 | 0:22:49 | |
-Good Lord! -I'm selling to sir on my left, then, for £170. | 0:22:49 | 0:22:55 | |
-I told you it was a pretty chair. -It really is, but this shocked me. That's quite a large amount. -It is. | 0:22:55 | 0:23:01 | |
That wonderful result well and truly busted John's maximum estimate. | 0:23:01 | 0:23:05 | |
So far, so good, but things are about to get tricky. | 0:23:05 | 0:23:09 | |
The auction house has broken down Jean's collection of glassware | 0:23:09 | 0:23:12 | |
into 16 separate lots. | 0:23:12 | 0:23:15 | |
Now, I think this is where we sort of hold on to our hats, | 0:23:15 | 0:23:19 | |
because we've got this huge amount of glass to sell. | 0:23:19 | 0:23:24 | |
Is it going to go one right after the other? | 0:23:24 | 0:23:27 | |
And I'm not even going to try and keep up with how much it's going to make until we get to the very end, | 0:23:27 | 0:23:33 | |
but I think that this could be quite surprising. | 0:23:33 | 0:23:36 | |
50, I have it at £50. Five, £50, at £50. | 0:23:36 | 0:23:41 | |
That's 50 for the amber. | 0:23:41 | 0:23:42 | |
90, I'm bid. 100, sir? | 0:23:42 | 0:23:44 | |
There you are, the collection of ruby. £55. | 0:23:44 | 0:23:48 | |
£45? £55. Thank you. | 0:23:48 | 0:23:50 | |
You've got this one, sir, for your £60. Thank you. £30, thank you. | 0:23:50 | 0:23:56 | |
Guess what? Some more glass! £30. Your turn. | 0:23:56 | 0:23:58 | |
For £50, yours, sir. There we are. Some more bubble dishes(!) | 0:23:58 | 0:24:04 | |
£45. | 0:24:04 | 0:24:05 | |
£55. You're out, sir, at £30. | 0:24:05 | 0:24:08 | |
At £20, the lemonade set. | 0:24:08 | 0:24:11 | |
To anyone at £20. That's it, you've got them. | 0:24:11 | 0:24:14 | |
Hello, we have yet more! £45, thank you very much. | 0:24:14 | 0:24:19 | |
Got your breath back? | 0:24:19 | 0:24:21 | |
-Just about! -That was a bit of a roller-coaster, wasn't it? | 0:24:21 | 0:24:25 | |
Have you any idea how much your husband paid for that glass | 0:24:25 | 0:24:28 | |
when he bought any of it? Just a kind of ballpark? | 0:24:28 | 0:24:31 | |
-A few pounds for each piece, but I wouldn't like to hazard a guess at adding them up together. -No. | 0:24:31 | 0:24:37 | |
Because the way that it was sold, it means that just the glass alone, | 0:24:37 | 0:24:43 | |
you might need to go and lie down after I've told you this again, £883. | 0:24:43 | 0:24:48 | |
Oh, my goodness! | 0:24:48 | 0:24:50 | |
-That's fantastic! -Brilliant! | 0:24:50 | 0:24:52 | |
Well, the bidders at Tring really took a shine to Jean's pieces. | 0:24:52 | 0:24:57 | |
But now for the amount we've all been waiting for. | 0:24:57 | 0:25:01 | |
Now, we had some amazing things come through. | 0:25:01 | 0:25:03 | |
-The gold sovereigns - that left you shocked. -It did! | 0:25:03 | 0:25:07 | |
-The glass - that left you shocked. The chair - that left you shocked! -It did. | 0:25:07 | 0:25:11 | |
Well, I tell you what, I think you're in line | 0:25:11 | 0:25:14 | |
for a few more shocks, because you originally wanted to raise £800 for the two grandsons, £400 each. | 0:25:14 | 0:25:19 | |
What are you going to do with... | 0:25:19 | 0:25:22 | |
-£2,348? -That's brilliant. | 0:25:22 | 0:25:25 | |
-I never thought we'd make that sort of money. Never. -No. Over the moon. | 0:25:25 | 0:25:29 | |
Over the moon! Thank you so much. | 0:25:29 | 0:25:32 | |
Have you thought how you might spread this out and give the little ones a start in life now? | 0:25:32 | 0:25:38 | |
-Definitely. -How are you going to do it? -I'm going to open a bank account. | 0:25:38 | 0:25:42 | |
There you are, you see. | 0:25:42 | 0:25:43 | |
And that's exactly what Jean did. | 0:25:46 | 0:25:49 | |
With the £2,348 burning a hole in her pocket, | 0:25:49 | 0:25:53 | |
Jean headed straight to open accounts for her grandchildren, Harry, and Oliver, who lives abroad. | 0:25:53 | 0:25:58 | |
A lovely feeling that I've been able to give them something and hopefully they'll enjoy it when they're older. | 0:25:58 | 0:26:05 | |
Unfortunately, Oliver lives in Miami so he can't be with us, but I treat them both the same, so... | 0:26:05 | 0:26:11 | |
What one has the other has. | 0:26:11 | 0:26:13 | |
But Harry and his dad Darren, Jean's other son, were on hand to show their appreciation. | 0:26:13 | 0:26:18 | |
Obviously with losing his grandad and never knowing him, | 0:26:18 | 0:26:22 | |
I think it's a fitting end to all his antiques going to the two people he would have cared most about now. | 0:26:22 | 0:26:29 | |
HARRY BLOWS A RASPBERRY | 0:26:29 | 0:26:31 | |
Jean's generosity is going to give her two little grandsons such a wonderful start in life. | 0:26:35 | 0:26:40 | |
If there's something special that you would like to raise money for | 0:26:40 | 0:26:43 | |
and you think you have things at home you'd be happy to take to auction, | 0:26:43 | 0:26:47 | |
then why not get in touch with the programme? | 0:26:47 | 0:26:50 | |
You'll find all of our details on our website. | 0:26:50 | 0:26:53 | |
And it'll be nice to have you with us here on Cash In The Attic. | 0:26:53 | 0:26:57 | |
Subtitles by Red Bee Media Ltd | 0:27:16 | 0:27:20 |