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Welcome to Cash In The Attic, the show that searches out | 0:00:02 | 0:00:04 | |
all those hidden treasures around your home to sell at auction, | 0:00:04 | 0:00:08 | |
raising funds for whatever you have in mind. | 0:00:08 | 0:00:11 | |
Today we're going to be helping out one family | 0:00:11 | 0:00:14 | |
who've got a bit of a project in mind that they've already started. | 0:00:14 | 0:00:18 | |
'Coming up on Cash In The Attic, | 0:00:38 | 0:00:40 | |
'a stunning example of ornate Victorian silverware.' | 0:00:40 | 0:00:43 | |
Look at the decoration round the outside there. | 0:00:43 | 0:00:46 | |
It's quite amazing. Quite extraordinary, | 0:00:46 | 0:00:48 | |
the craftsmanship, the detail. | 0:00:48 | 0:00:50 | |
'And some beautiful porcelain that raises more questions than answers!' | 0:00:50 | 0:00:55 | |
Don't know whether you can see a massive question mark over my head, | 0:00:55 | 0:00:59 | |
because I've never seen anything quite like this. | 0:00:59 | 0:01:01 | |
But will the bidders appreciate our quality finds on auction day? | 0:01:01 | 0:01:05 | |
This is not cash in your attic. This is cash from your airing cupboard. | 0:01:05 | 0:01:10 | |
Find out when the final hammer falls. | 0:01:11 | 0:01:13 | |
Today I'm in Surrey to meet a lady who's called in the team | 0:01:14 | 0:01:18 | |
to help with a property renovation that's got a bit out of control. | 0:01:18 | 0:01:23 | |
Charlotte Neale has lived in her five-bedroom property | 0:01:23 | 0:01:26 | |
for the last seven years, but for the past six months | 0:01:26 | 0:01:29 | |
it's been a building site. | 0:01:29 | 0:01:31 | |
In a bid to take her mind off the renovations, | 0:01:31 | 0:01:33 | |
Charlotte's been busy learning upholstery, | 0:01:33 | 0:01:36 | |
and enjoys it so much she's now planning to make a career of it. | 0:01:36 | 0:01:40 | |
Charlotte's married to Richard, and the couple have two young children. | 0:01:40 | 0:01:44 | |
Now the building project is nearly done, | 0:01:44 | 0:01:46 | |
thoughts are turning to the look of their new home, | 0:01:46 | 0:01:49 | |
and Charlotte's hoping some family heirlooms might help fund this, | 0:01:49 | 0:01:53 | |
so she's called in her great friend Lara | 0:01:53 | 0:01:55 | |
and the Cash In The Attic team to help. | 0:01:55 | 0:01:58 | |
As ever, our antiques expert Jonty Hearnden | 0:01:58 | 0:02:00 | |
can't wait to start searching high and low for valuables. | 0:02:00 | 0:02:04 | |
Just watch out for the building work, Jonty. | 0:02:04 | 0:02:06 | |
You're not wearing your hard hat. | 0:02:06 | 0:02:09 | |
-Good morning, ladies! -Hi, there. -Morning. | 0:02:09 | 0:02:11 | |
So, what's made you decide to call in Cash In The Attic? | 0:02:11 | 0:02:15 | |
I've got a lot of stuff I want to get rid of. | 0:02:15 | 0:02:18 | |
Some of the items that I got were from inherited, | 0:02:18 | 0:02:21 | |
and some of them from my parents, but they both passed away, | 0:02:21 | 0:02:24 | |
so I've been keeping them in cupboards. | 0:02:24 | 0:02:26 | |
I haven't had them out on display. | 0:02:26 | 0:02:29 | |
-You've got some extensive building work going on. -Yeah. | 0:02:29 | 0:02:32 | |
It's been going on for about six months. | 0:02:32 | 0:02:34 | |
And is the money we'll be raising going towards the building work? | 0:02:34 | 0:02:37 | |
I'd like to buy some curtains and some wallpaper | 0:02:37 | 0:02:40 | |
and get some decorative bits and pieces for the house. | 0:02:40 | 0:02:43 | |
Where does the stuff come from? Are you collectors yourselves? | 0:02:43 | 0:02:46 | |
A little bit. A lot of Charlotte's things are from her mother | 0:02:46 | 0:02:50 | |
and her grandmother. | 0:02:50 | 0:02:51 | |
How much money would you like to make? | 0:02:51 | 0:02:54 | |
I'm hoping for between £500 and, say, £700 or £800 | 0:02:54 | 0:02:57 | |
-would be really nice. -OK. | 0:02:57 | 0:02:59 | |
So, if we say £500, then, towards getting some curtains | 0:02:59 | 0:03:02 | |
or what have you. Now, Jonty's already in the house, | 0:03:02 | 0:03:05 | |
so hopefully he might have found some of those items in the drawers, | 0:03:05 | 0:03:09 | |
in which case we can get on and hopefully make you that money! | 0:03:09 | 0:03:12 | |
-Shall we go and find him? -Lovely. -Come on, then. | 0:03:12 | 0:03:15 | |
I'm not surprised Charlotte's looking forward to seeing the back of the building work | 0:03:15 | 0:03:20 | |
so she can start transforming her house into a stylish family home. | 0:03:20 | 0:03:24 | |
And someone who hasn't struggled to make himself at home already | 0:03:24 | 0:03:28 | |
is our expert Jonty Hearnden. | 0:03:28 | 0:03:30 | |
In the bedroom it looks like he's already struck gold - | 0:03:30 | 0:03:33 | |
or should I say silver? | 0:03:33 | 0:03:35 | |
-Hi, Jonty! -Hi! -So, what have you got for us? | 0:03:36 | 0:03:39 | |
I've got this fabulous dressing-table set here. | 0:03:39 | 0:03:41 | |
-Whose are those? -This belonged to a friend of mine, | 0:03:41 | 0:03:45 | |
who was given it by her grandparents. She's German-Austrian. | 0:03:45 | 0:03:48 | |
She originates from there, so I imagine that came from there as well. | 0:03:48 | 0:03:52 | |
Right. If you look closely, and it's difficult to see from where you are, | 0:03:52 | 0:03:56 | |
but it says that this box was made in Frankfurt, | 0:03:56 | 0:03:59 | |
so made in Germany. | 0:03:59 | 0:04:01 | |
Oh, yes! | 0:04:01 | 0:04:03 | |
As far as these items are concerned, they are in fact solid silver, | 0:04:03 | 0:04:07 | |
and there is an indication here that says that it's silver, | 0:04:07 | 0:04:10 | |
-not in the English sense... -Oh, right. OK. | 0:04:10 | 0:04:12 | |
I don't know if you've ever noticed that. It says 600, | 0:04:12 | 0:04:14 | |
which means that this is silver, because it's 600 parts per 1,000. | 0:04:14 | 0:04:18 | |
In this country we're so lucky to have hallmarks, | 0:04:18 | 0:04:21 | |
because we know clearly that an object is solid silver, | 0:04:21 | 0:04:23 | |
and it effectively protects us from fakes and forgeries. | 0:04:23 | 0:04:27 | |
It's a technicality, but we can't call it solid silver, | 0:04:27 | 0:04:30 | |
even though that it's marked accordingly. | 0:04:30 | 0:04:34 | |
It has to be called white metal. | 0:04:34 | 0:04:36 | |
But everyone knows it is solid silver. | 0:04:36 | 0:04:38 | |
In terms of the value, does it make much difference? | 0:04:38 | 0:04:41 | |
Will they pay the same value for it as they would if it had British hallmarks? | 0:04:41 | 0:04:45 | |
Everyone will understand that this is solid silver, | 0:04:45 | 0:04:48 | |
so it won't affect value. | 0:04:48 | 0:04:50 | |
What sort of value are we talking about? | 0:04:50 | 0:04:52 | |
-We're looking at £40 to £60. -What do you think of that? | 0:04:52 | 0:04:54 | |
Yeah, I'm quite happy with that. It's better that than nothing at all. | 0:04:54 | 0:04:58 | |
OK. Well, then, that's good, isn't it? | 0:04:58 | 0:05:00 | |
We need a few more items like this and we'll be well on our way. Come on. | 0:05:00 | 0:05:04 | |
'So, with one confirmed lot now destined for the saleroom, | 0:05:04 | 0:05:07 | |
'we split up to find more that we can take with us to auction. | 0:05:07 | 0:05:11 | |
'In the study, Charlotte digs out an early 20th century Mah Jongg set. | 0:05:11 | 0:05:16 | |
'The game Mah Jongg is thought to have originated in China | 0:05:16 | 0:05:19 | |
'in the 17th century, but it wasn't till the 1920s | 0:05:19 | 0:05:22 | |
'that its popularity began to spread.' | 0:05:22 | 0:05:25 | |
'Jonty thinks this set should fetch £30 to £50 at auction.' | 0:05:25 | 0:05:30 | |
-Aha! What you got there? -Look what I found! | 0:05:31 | 0:05:34 | |
I was hoping you'd find some chocolate biscuits in the kitchen, | 0:05:34 | 0:05:37 | |
but this looks wonderful. Look at the decoration. | 0:05:37 | 0:05:40 | |
It's quite amazing, isn't it? Quite extraordinary, | 0:05:40 | 0:05:43 | |
the craftsmanship, all the detail. | 0:05:43 | 0:05:45 | |
And everything you see here hasn't come from a mould. | 0:05:45 | 0:05:48 | |
This has all been hand-done. Look at the motifs on the outside here. | 0:05:48 | 0:05:52 | |
We've got three panels of flowers. And just look at the rim! | 0:05:52 | 0:05:55 | |
See the irregular rim? We have these tiny designed sea scrolls, | 0:05:55 | 0:06:01 | |
very rococo, very Victorian. Now, this is a little creamer jug. | 0:06:01 | 0:06:05 | |
Once upon a time it would've sat on a very posh tea table | 0:06:05 | 0:06:08 | |
along with a teapot and very grand cups and saucers, | 0:06:08 | 0:06:12 | |
so obviously of the finest English tradition. | 0:06:12 | 0:06:14 | |
Now, if we turn it upside down, | 0:06:14 | 0:06:16 | |
we can see that this is solid silver. | 0:06:16 | 0:06:19 | |
Can you see the head there? That's a lady's head. That's Queen Victoria. | 0:06:19 | 0:06:24 | |
Oh! | 0:06:24 | 0:06:25 | |
And the L tells us that this object here, | 0:06:25 | 0:06:28 | |
this little creamer jug, was made in 1886. | 0:06:28 | 0:06:31 | |
-Wow! -So that's absolutely superb. Now, look on the inside. | 0:06:31 | 0:06:34 | |
That's not dirt. That's not staining. | 0:06:34 | 0:06:37 | |
-That's gilding. -OK. -So that's gold leaf. | 0:06:37 | 0:06:40 | |
-Do you know where it came from? -Well, it belonged to Charlotte's mum | 0:06:40 | 0:06:44 | |
and she used to keep it in the airing cupboard. | 0:06:44 | 0:06:48 | |
-In the airing cupboard? -Yes. I think she thought it was the safest place | 0:06:48 | 0:06:52 | |
in the house, and if anybody did break in, | 0:06:52 | 0:06:54 | |
they hopefully wouldn't go and look there and find it. | 0:06:54 | 0:06:57 | |
Funny story! Now, at auction, | 0:06:57 | 0:07:00 | |
this is worth between £80 and £120, and hopefully a lot more than that. | 0:07:00 | 0:07:03 | |
-Oh, good! -I'm not going to put that back in the airing cupboard. | 0:07:03 | 0:07:07 | |
-We'll carry on elsewhere. -OK. | 0:07:07 | 0:07:08 | |
'But will Jonty's high hopes for the silver creamer | 0:07:08 | 0:07:11 | |
'come true on sale day?' | 0:07:11 | 0:07:14 | |
We have a number of commission bids. I'm going to start at £80. | 0:07:14 | 0:07:18 | |
'Find out how much interest it gets later.' | 0:07:18 | 0:07:20 | |
As our rummage continues, Lara decides to tackle the dining room, | 0:07:22 | 0:07:25 | |
and her hard work pays off | 0:07:25 | 0:07:27 | |
when she discovers another dressing-table set. | 0:07:27 | 0:07:31 | |
Charlotte inherited this one from her grandmother. | 0:07:31 | 0:07:34 | |
The set is solid silver, and it was made in Birmingham in 1966. | 0:07:34 | 0:07:38 | |
But sadly the condition is not great, | 0:07:38 | 0:07:40 | |
so Jonty values it at just £30 to £50. | 0:07:40 | 0:07:43 | |
Guys, are you through there? | 0:07:44 | 0:07:46 | |
Just admiring this very, very handsome beast here. | 0:07:46 | 0:07:49 | |
Tell me about the family history of this one. | 0:07:49 | 0:07:51 | |
It belonged to my husband's grandfather, | 0:07:51 | 0:07:54 | |
and it was passed down to him when he passed away. | 0:07:54 | 0:07:57 | |
This clock is not only a timepiece | 0:07:57 | 0:08:00 | |
which obviously has a definite function, | 0:08:00 | 0:08:02 | |
it's also a work of art. | 0:08:02 | 0:08:04 | |
Just look at the painting at the top here of this dial. | 0:08:04 | 0:08:07 | |
It's so beautiful. The carcass itself is made of oak, | 0:08:07 | 0:08:10 | |
and because it was made in Walsingham, | 0:08:10 | 0:08:13 | |
this is a provincial longcase. | 0:08:13 | 0:08:15 | |
If we look at the actual style and the shape of the clock, | 0:08:15 | 0:08:19 | |
it's very Georgian, probably late 18th century. | 0:08:19 | 0:08:22 | |
-So this clock is 220, 220 years old. -Oh, wow! That's amazing! | 0:08:22 | 0:08:26 | |
I've looked at the workings at the back, as well, | 0:08:26 | 0:08:29 | |
and they're quite simple. There's no fusee movement, | 0:08:29 | 0:08:32 | |
which adds value to a clock, if you have fusee movements there. | 0:08:32 | 0:08:36 | |
Right. So what sort of value are we talking about, then, Jonty? | 0:08:36 | 0:08:39 | |
In this state, £400 to £600. | 0:08:39 | 0:08:42 | |
-That's amazing, yeah. -Is this something you'd sell? | 0:08:42 | 0:08:45 | |
I'm not too sure, really. It's something that has belonged to the family, | 0:08:45 | 0:08:49 | |
and so it makes me think maybe I should keep hold of it. | 0:08:49 | 0:08:52 | |
Right. We can't rely on this one at auction, I'm afraid, | 0:08:52 | 0:08:55 | |
whether it makes the target or not. Shall we go and find something that we CAN sell? | 0:08:55 | 0:08:59 | |
I have to say, I think the chances of seeing the stunning longcase at auction are slim. | 0:08:59 | 0:09:04 | |
Just think, we could stop work now! But better not take the risk. | 0:09:04 | 0:09:08 | |
In the lounge, Lara's gathered together an assortment of silver-plated items | 0:09:10 | 0:09:14 | |
that Charlotte has no qualms about packing off to auction. | 0:09:14 | 0:09:17 | |
It includes another creamer, a large assortment of cutlery, | 0:09:17 | 0:09:21 | |
and a pair of salt and pepper pots. Jonty values it collectively | 0:09:21 | 0:09:25 | |
at a very useful £40 to £50. | 0:09:25 | 0:09:29 | |
Well, I think we've managed to lose Jonty. | 0:09:29 | 0:09:31 | |
Not sure where he is, but he'll be busy finding things. | 0:09:31 | 0:09:34 | |
I thought we'd take a break and catch up. | 0:09:34 | 0:09:36 | |
So, tell me about the building work. | 0:09:36 | 0:09:39 | |
We've always had one house and a little bit of annexe, | 0:09:39 | 0:09:42 | |
and we decided we wanted to knock our house through | 0:09:42 | 0:09:46 | |
so it became one house rather than two little bits of house. | 0:09:46 | 0:09:49 | |
Given the situation, is it a job you wish you'd never started? | 0:09:49 | 0:09:52 | |
Absolutely, yes. They've been doing it about six or seven months now, | 0:09:52 | 0:09:56 | |
-and we're nowhere near finished. -Can you see the light at the end of the tunnel? | 0:09:56 | 0:10:00 | |
-It's really taking shape, isn't it? -Definitely, | 0:10:00 | 0:10:03 | |
and we manage to lose ourselves in the house now | 0:10:03 | 0:10:06 | |
because we've got extra rooms that we didn't really have before. | 0:10:06 | 0:10:09 | |
I know you're interested in upholstery. How did that come about? | 0:10:09 | 0:10:13 | |
I'd been ill, and I was in and out of hospital, | 0:10:13 | 0:10:17 | |
and I was sent to a charity that are local to me, | 0:10:17 | 0:10:21 | |
and they give you some kind of empowerment | 0:10:21 | 0:10:23 | |
into a course of horticulture or upholstery, | 0:10:23 | 0:10:28 | |
and you get a professional that helps you along with it, | 0:10:28 | 0:10:30 | |
and you're also with like-minded people that have also been ill. | 0:10:30 | 0:10:34 | |
I think you've got an illustrious future, | 0:10:34 | 0:10:36 | |
because every time I've had anything reupholstered, it's cost a fortune! | 0:10:36 | 0:10:40 | |
It's very time consuming, isn't it? It's expensive, yes. | 0:10:40 | 0:10:43 | |
If we're going to make you the money you need | 0:10:43 | 0:10:46 | |
to fix some of the building work and get some decorations, | 0:10:46 | 0:10:49 | |
-I think we need to find Jonty. -Yes. -You know all the hiding places. | 0:10:49 | 0:10:53 | |
You can come and help me find him. Come on. | 0:10:53 | 0:10:56 | |
'Well, I'm pleased to say Jonty hasn't gone too far, | 0:10:56 | 0:10:58 | |
'as a silver teapot and coffee pot have stopped him in his tracks. | 0:10:58 | 0:11:03 | |
'They belonged to Charlotte's late father, | 0:11:03 | 0:11:05 | |
'and were retailed by the famous shop Mappin & Webb. | 0:11:05 | 0:11:09 | |
'Unfortunately they're only silver plate, | 0:11:09 | 0:11:11 | |
'so Jonty values them accordingly at just £20 to £30.' | 0:11:11 | 0:11:15 | |
Jonty, come and have a look at this. | 0:11:17 | 0:11:19 | |
-What, the table? -Yeah. | 0:11:19 | 0:11:21 | |
-OK, yeah. -This belonged to Charlotte's mum, | 0:11:21 | 0:11:24 | |
and she purchased this not long before she passed away, actually. | 0:11:24 | 0:11:28 | |
Well, let's take a closer look at it, then. | 0:11:28 | 0:11:31 | |
From a design perspective, this is an occasional piece of furniture. | 0:11:31 | 0:11:35 | |
It has flaps, so you've got one flap on this side, | 0:11:35 | 0:11:37 | |
and one on the other as well. | 0:11:37 | 0:11:39 | |
It's generically known as a Pembroke table, | 0:11:39 | 0:11:42 | |
and they were first introduced into the UK in the mid-18th century. | 0:11:42 | 0:11:46 | |
And it was the Earl of Pembroke who commissioned a table | 0:11:46 | 0:11:49 | |
of similar design, and therefore generically they've been known | 0:11:49 | 0:11:53 | |
-as Pembroke tables ever since. -OK. | 0:11:53 | 0:11:56 | |
You can date a table like this, not by the top | 0:11:56 | 0:11:59 | |
-but by looking at the legs. -Oh, right. | 0:11:59 | 0:12:01 | |
In the mid-18th century and beyond, they tended to be square legs, | 0:12:01 | 0:12:05 | |
but by the turn of the 18th into the 19th century, | 0:12:05 | 0:12:08 | |
they started turning legs on a lathe, | 0:12:08 | 0:12:12 | |
and this is what we're looking at here, | 0:12:12 | 0:12:14 | |
which means that this table is quite possibly 200 years old. | 0:12:14 | 0:12:18 | |
-Wow! -Which is quite extraordinary, if you think about it. -Yeah, it is! | 0:12:18 | 0:12:22 | |
Now, recently this table has been re-polished. | 0:12:22 | 0:12:25 | |
Can you see just how shiny that top is? | 0:12:25 | 0:12:27 | |
What happened, somebody's taken a layer off | 0:12:27 | 0:12:29 | |
and re-polished it, re-shellacked it, | 0:12:29 | 0:12:32 | |
which has probably devalued it somewhat, | 0:12:32 | 0:12:34 | |
and we've got a rather nasty ring-mark on the top. | 0:12:34 | 0:12:37 | |
That's either water or heat damage. | 0:12:37 | 0:12:39 | |
-That's the reason why I can only put £50 to £80 on it. -OK. | 0:12:39 | 0:12:42 | |
What do you think Charlotte might feel? | 0:12:42 | 0:12:44 | |
-She'll definitely go for it, yeah. -Let's go and tell her the good news. | 0:12:44 | 0:12:48 | |
'Downstairs, I've been searching the lounge, | 0:12:48 | 0:12:51 | |
'and come across this vintage child's sewing machine. | 0:12:51 | 0:12:54 | |
'It was bought for Charlotte's daughter, | 0:12:54 | 0:12:56 | |
'but she didn't possess the same passion for needlework as her mum. | 0:12:56 | 0:13:00 | |
'It dates back to the 1950s, | 0:13:00 | 0:13:02 | |
'and Jonty thinks could fetch upwards of £20.' | 0:13:02 | 0:13:06 | |
Ah, ladies and gentlemen! | 0:13:06 | 0:13:09 | |
I've found something very intriguing here. | 0:13:09 | 0:13:11 | |
Now, I absolutely love this. I think it's charming. | 0:13:11 | 0:13:15 | |
It's so feminine, so pretty. Where did this come from, Charlotte? | 0:13:15 | 0:13:20 | |
It belonged to my godmother, | 0:13:20 | 0:13:22 | |
and she gave it to me as a wedding present, | 0:13:22 | 0:13:25 | |
so I've had it about ten years or so. | 0:13:25 | 0:13:28 | |
I used to keep it out on display for a laugh | 0:13:28 | 0:13:30 | |
when friends came round for dinner, and we'd all have a guess | 0:13:30 | 0:13:33 | |
as to what we thought it might be, but nobody really had a clue. | 0:13:33 | 0:13:36 | |
What is it for, then, Jonty? | 0:13:36 | 0:13:39 | |
Don't know whether you can see a massive question mark over my head. | 0:13:39 | 0:13:42 | |
because I've never seen anything quite like this. | 0:13:42 | 0:13:45 | |
All the decoration here is hand-done, | 0:13:45 | 0:13:48 | |
so the quality is all there, with this gilding running round the edge. | 0:13:48 | 0:13:51 | |
And even the lid here, the handle to the lid, | 0:13:51 | 0:13:54 | |
is a stylised flower head, and really beautiful. | 0:13:54 | 0:13:57 | |
If we turn it upside down, we've got a Berlin mark, | 0:13:57 | 0:14:00 | |
so that makes sense, that this came from Germany at some point. | 0:14:00 | 0:14:04 | |
So, Jonty, what sort of value are we talking about? | 0:14:04 | 0:14:07 | |
I think that we're looking between £150 and £250. | 0:14:07 | 0:14:10 | |
-Wow! -Crikey! -That's fantastic. | 0:14:10 | 0:14:13 | |
Quality is all there. | 0:14:13 | 0:14:15 | |
I expect you'd like to know how much you'll make at auction. | 0:14:15 | 0:14:18 | |
-Everything that's going to auction comes to £460. -Brilliant! | 0:14:18 | 0:14:22 | |
-Fantastic. -But, of course, if you did bring the grandfather clock, | 0:14:22 | 0:14:26 | |
-that would take us to £860. -Yes. -Right. The next time we'll see you | 0:14:26 | 0:14:30 | |
-and all these lovely things will be at auction. -Thank you. | 0:14:30 | 0:14:33 | |
Despite all the building work, we've had a highly productive day | 0:14:33 | 0:14:37 | |
in Surrey, where Charlotte's in the midst of transforming the family home into her dream pad. | 0:14:37 | 0:14:42 | |
And hoping to finance that vision we have... | 0:14:42 | 0:14:45 | |
the stunning solid-silver Victorian creamer | 0:14:45 | 0:14:48 | |
with intricate hand-crafted detailing. | 0:14:48 | 0:14:50 | |
Charlotte's mum adored it, and we're hoping the bidders will, too, | 0:14:50 | 0:14:54 | |
and pay far more than its £80 to £120 estimate. | 0:14:54 | 0:14:58 | |
This highly unusual collection of German porcelain. | 0:14:59 | 0:15:02 | |
None of us have ever seen anything quite like it before, | 0:15:02 | 0:15:05 | |
so what will the auction-goers make of it, | 0:15:05 | 0:15:07 | |
and will they be willing to pay the estimate of £150 to £250? | 0:15:07 | 0:15:11 | |
But a big question mark still hangs over the fate | 0:15:11 | 0:15:15 | |
of the magnificent longcase clock. | 0:15:15 | 0:15:17 | |
Jonty called it a work of art, and, with a £400 estimate, | 0:15:17 | 0:15:21 | |
it's got the highest value of all the things we've found today. | 0:15:21 | 0:15:24 | |
But will we see it at auction? Only time will tell. | 0:15:24 | 0:15:27 | |
Still to come on Cash In The Attic, | 0:15:31 | 0:15:32 | |
technology comes to our aid in the saleroom. | 0:15:32 | 0:15:35 | |
It's quite extraordinary how, all of a sudden, | 0:15:35 | 0:15:38 | |
internet bidding is involved in this area of the market. | 0:15:38 | 0:15:41 | |
'But not even the World Wide Web can guarantee great results on all our lots.' | 0:15:41 | 0:15:46 | |
-HE BANGS HAMMER -Sold that, has he? | 0:15:46 | 0:15:48 | |
Yes, because there's only one buyer in the room. | 0:15:48 | 0:15:51 | |
'So, will Charlotte's dream for a home makeover turn into a nightmare? | 0:15:51 | 0:15:55 | |
'Find out when the final hammer falls.' | 0:15:55 | 0:15:57 | |
It's been a few weeks since we met Charlotte at her home in Surrey. | 0:15:59 | 0:16:03 | |
She'd renovated her property and she wanted some new curtains, | 0:16:03 | 0:16:06 | |
and for that she needed £500. So we found plenty of antiques | 0:16:06 | 0:16:10 | |
and collectables to bring here to Andrew Smith & Son's auction house | 0:16:10 | 0:16:14 | |
in Hampshire. Now, the bidders are already arriving in force, | 0:16:14 | 0:16:17 | |
so let's just hope they're prepared to splash the cash | 0:16:17 | 0:16:20 | |
and help us reach that target today. | 0:16:20 | 0:16:22 | |
This popular saleroom close to the historic town of Winchester | 0:16:24 | 0:16:27 | |
hosts regular auctions, and, with close to 900 lots, | 0:16:27 | 0:16:31 | |
there's a huge variety on offer in today's auction. | 0:16:31 | 0:16:34 | |
But that hasn't stopped eagle-eyed Jonty Hearnden | 0:16:34 | 0:16:37 | |
from spotting his favourite of our collection out on display. | 0:16:37 | 0:16:40 | |
Isn't this lovely quality? | 0:16:42 | 0:16:43 | |
I know. This really is an object of real beauty. | 0:16:43 | 0:16:46 | |
This was, of course, from Britain. | 0:16:46 | 0:16:49 | |
What's so amazing about this little creamer here | 0:16:49 | 0:16:51 | |
is that the aunt kept this in her airing cupboard for safekeeping, | 0:16:51 | 0:16:55 | |
-which is a lovely story. -The one thing we don't know is here | 0:16:55 | 0:16:58 | |
is the grandfather clock, | 0:16:58 | 0:17:00 | |
and it will make a big difference if it's not, | 0:17:00 | 0:17:02 | |
because she wants to raise that money for the curtains. | 0:17:02 | 0:17:05 | |
Shall we go and find out? Come on. | 0:17:05 | 0:17:07 | |
'Well, I haven't seen the longcase clock so far, | 0:17:07 | 0:17:10 | |
'but there are plenty of other clocks in the auction room, | 0:17:10 | 0:17:13 | |
'and one of them's caught Charlotte's eye.' | 0:17:13 | 0:17:16 | |
-This isn't your clock, is it? -No, it's not. -It's shrunk! | 0:17:16 | 0:17:19 | |
-Completely, yes. -So, is your grandfather clock here? | 0:17:19 | 0:17:22 | |
No. We decided not to bring it in the end. We've kept it at home. | 0:17:22 | 0:17:25 | |
My husband really would rather keep it in the family. | 0:17:25 | 0:17:29 | |
-OK. -Well, that's going to be quite a difference, isn't it, | 0:17:29 | 0:17:32 | |
-in terms of our valuation. -A wee bit of a difference, absolutely. | 0:17:32 | 0:17:36 | |
-Have you brought everything else? -Yes, everything else. | 0:17:36 | 0:17:39 | |
Have you had any more ideas on what those little pots might be used for? | 0:17:39 | 0:17:43 | |
No, no idea. I did ask a few older people in our family | 0:17:43 | 0:17:47 | |
if they knew what it would be for, and nobody knows. | 0:17:47 | 0:17:49 | |
Well, the auction's started. We've got a little bit of time | 0:17:49 | 0:17:52 | |
before our lots go under the hammer, so follow me. | 0:17:52 | 0:17:56 | |
Well, that's not surprising. They were fond of the clock, | 0:17:58 | 0:18:01 | |
but it does mean the pressure is firmly on for the rest of the lots | 0:18:01 | 0:18:04 | |
to do well if we're to reach that £500 target. | 0:18:04 | 0:18:08 | |
If, like Charlotte, you're thinking of heading to auction, | 0:18:08 | 0:18:11 | |
then, do remember that fees such as commission and VAT | 0:18:11 | 0:18:14 | |
may be added to your bill, so check the details with your auction house | 0:18:14 | 0:18:18 | |
to avoid any unwelcome surprises. | 0:18:18 | 0:18:22 | |
With the auctioneer in position and the sale under way, | 0:18:22 | 0:18:26 | |
we take our places as our first lot of the day goes under the hammer. | 0:18:26 | 0:18:30 | |
'It's the Mappin & Webb teapot and coffee pot.' | 0:18:30 | 0:18:32 | |
You've only put £20 to £30 on this. They are Mappin & Webb, darling. | 0:18:34 | 0:18:38 | |
That's because they're silver plated. | 0:18:38 | 0:18:40 | |
If they had not had Mappin & Webb on them, | 0:18:40 | 0:18:42 | |
they may not be worth entering into the sale at all. | 0:18:42 | 0:18:45 | |
We have a commission bid of £20. Is there two in the room? | 0:18:45 | 0:18:48 | |
At £20 and selling. Is there two? | 0:18:48 | 0:18:51 | |
Great. Straight in there. | 0:18:51 | 0:18:53 | |
-For the last time... -HE BANGS HAMMER | 0:18:53 | 0:18:55 | |
-Sold. -It's a lovely buy. £10 a pot, isn't it, really? | 0:18:55 | 0:18:59 | |
Anyway, it's £20 in our pot. That's the important thing. | 0:18:59 | 0:19:02 | |
That was short and sweet! Right on estimate, and not a penny more. | 0:19:02 | 0:19:05 | |
Now, it's the Georgian sewing machine up next. | 0:19:05 | 0:19:08 | |
Charlotte's daughter didn't think much of it. | 0:19:08 | 0:19:11 | |
Let's hope the bidders show a little bit more interest. | 0:19:11 | 0:19:14 | |
Not so long ago, people were just throwing these away. | 0:19:14 | 0:19:17 | |
There was not the opportunity to even car-boot anything. | 0:19:17 | 0:19:20 | |
All of a sudden, a little boxed sewing kit like this, | 0:19:20 | 0:19:23 | |
or sewing machine like that, was worth £20 to £30. | 0:19:23 | 0:19:26 | |
-Let's see what we can get for it. -£10, then, surely. £10. | 0:19:26 | 0:19:29 | |
£10 I have. Is there 12? £10 and selling. | 0:19:29 | 0:19:32 | |
Is there 12? 12 right up at the top. | 0:19:32 | 0:19:35 | |
£15. £17. | 0:19:35 | 0:19:36 | |
-20. -LARA GASPS | 0:19:36 | 0:19:38 | |
At £17, then, right up at the top there. | 0:19:38 | 0:19:41 | |
At £17, and we are selling. Is there 20? | 0:19:41 | 0:19:44 | |
Yes, please, please! Some more! | 0:19:44 | 0:19:46 | |
HE BANGS HAMMER | 0:19:46 | 0:19:48 | |
-£17. -Oh, just £3 under! | 0:19:48 | 0:19:50 | |
-Was that all right? -No, that's fine. Yes. Yeah. | 0:19:50 | 0:19:54 | |
Well, I was hoping for a better result | 0:19:54 | 0:19:56 | |
for the sewing machine, but with no toy-collectors in the room, | 0:19:56 | 0:20:00 | |
it wasn't to be. | 0:20:00 | 0:20:03 | |
Now, our next item is a bit more conventional. | 0:20:03 | 0:20:06 | |
It's the mahogany Pembroke table, | 0:20:06 | 0:20:09 | |
and we're hoping it will bring upwards of £50. | 0:20:09 | 0:20:11 | |
Are you sad to see this table go, or was it a bit in the way? | 0:20:11 | 0:20:14 | |
Yes. We never really used it, and it was kept in the spare bedroom. | 0:20:14 | 0:20:18 | |
Here it comes. | 0:20:18 | 0:20:19 | |
We have a commission bid of £50. | 0:20:19 | 0:20:21 | |
-Great! Straight in. -That's good! | 0:20:21 | 0:20:24 | |
60. And five. 70. And five. | 0:20:24 | 0:20:27 | |
Ooh, that's good. | 0:20:27 | 0:20:29 | |
90. And five. At £90 and selling. Is there five? | 0:20:29 | 0:20:32 | |
At £90, then, for the very last time... | 0:20:32 | 0:20:35 | |
-Great! -You must be pleased with that, aren't you? -Very. | 0:20:36 | 0:20:39 | |
Now, that's much more like it! | 0:20:39 | 0:20:42 | |
Selling for £10 over Jonty's top estimate. | 0:20:42 | 0:20:44 | |
After three lots, we've made £127, | 0:20:45 | 0:20:49 | |
but the Mah Jongg sells for £5 below estimate, | 0:20:49 | 0:20:53 | |
which isn't very sporting! | 0:20:53 | 0:20:56 | |
It's the first of Charlotte's two dressing-table sets up next, | 0:20:56 | 0:21:00 | |
and sadly this one has seen better days. | 0:21:00 | 0:21:02 | |
-So, where's that from? -That belonged to my granny, | 0:21:04 | 0:21:07 | |
and she passed away about three years ago. | 0:21:07 | 0:21:10 | |
I was sorry to see this one go, because I was very fond of her. | 0:21:10 | 0:21:13 | |
Ah, OK. What do we want for this, Jonty? | 0:21:13 | 0:21:15 | |
I put £30 to £50 on this particular set, | 0:21:15 | 0:21:18 | |
because this is a relatively modern one. | 0:21:18 | 0:21:20 | |
We have a commission bid. I shall start the bidding at £25. | 0:21:20 | 0:21:24 | |
25. Come on. Yes, the silver dealers are bidding. There they are. | 0:21:24 | 0:21:28 | |
At £27. Any more? All done at £27? | 0:21:28 | 0:21:32 | |
At £27, then, last time... | 0:21:32 | 0:21:36 | |
-That was a bit less than we wanted, wasn't it? -Never mind. | 0:21:36 | 0:21:39 | |
-Are you happy with that? -Yeah, it's fine. Yes. | 0:21:39 | 0:21:42 | |
Well, just £3 shy of its lowest estimate. | 0:21:42 | 0:21:46 | |
But Charlotte's not too disappointed, | 0:21:46 | 0:21:48 | |
and it's another, albeit modest, contribution to the fund. | 0:21:48 | 0:21:52 | |
I wonder if Charlotte's second set will fare better. | 0:21:52 | 0:21:55 | |
How do you feel about this one selling? | 0:21:55 | 0:21:57 | |
I'm not too bothered about this one going. | 0:21:57 | 0:21:59 | |
Let's see if we can make sure someone's bothered enough to buy it. | 0:21:59 | 0:22:03 | |
We have a commission bid. I'm going to start the bidding at £30. | 0:22:03 | 0:22:06 | |
£30, commission bid. Gosh, I hope it goes higher than that! | 0:22:06 | 0:22:09 | |
32. 35. 37. | 0:22:09 | 0:22:13 | |
Commission bid's out. 37 in the room. | 0:22:14 | 0:22:16 | |
Is there 40? At £37 and selling. Make it 40. | 0:22:16 | 0:22:20 | |
All done at £37, then? Last time... | 0:22:20 | 0:22:22 | |
-He's sold that, has he? -Yes, because there was only one buyer in the room. | 0:22:24 | 0:22:28 | |
£3 short of Jonty's lowest estimate. | 0:22:28 | 0:22:30 | |
There are plenty of dealers in the room today, | 0:22:30 | 0:22:33 | |
but they're just not putting their hands in the air, | 0:22:33 | 0:22:36 | |
which is a worry, because our next lot was put together | 0:22:36 | 0:22:38 | |
specifically with dealers in mind. | 0:22:38 | 0:22:41 | |
These are all the plated items I gathered up from your house, | 0:22:41 | 0:22:45 | |
-so this is a proper dealer's lot. -I'll start the bidding at £25. | 0:22:45 | 0:22:48 | |
Is there seven in the room? £25 and selling. | 0:22:48 | 0:22:51 | |
-Oh, look! Bids everywhere! -Is there 30? At £27, then. | 0:22:51 | 0:22:55 | |
Any more? At £27. | 0:22:55 | 0:22:57 | |
30, right at the back. 32. | 0:22:57 | 0:22:59 | |
35. 37. | 0:22:59 | 0:23:02 | |
-40. 42 to the internet. -Ooh! | 0:23:02 | 0:23:05 | |
-Internet buyers now. -Make it seven. At £45. | 0:23:05 | 0:23:09 | |
-At £45. Any more? -Come on, come on. | 0:23:09 | 0:23:12 | |
All done, then? At £45 for the very last time... | 0:23:12 | 0:23:15 | |
-That was good, wasn't it? -Fantastic! | 0:23:17 | 0:23:19 | |
Interesting to see internet bidding going on there. | 0:23:19 | 0:23:22 | |
It's quite extraordinary how, all of a sudden, | 0:23:22 | 0:23:24 | |
internet bidding is involved in this area of the market. Amazing! | 0:23:24 | 0:23:29 | |
Well, that was a bit of a struggle, | 0:23:29 | 0:23:31 | |
but with a little bit of help from online buyers, | 0:23:31 | 0:23:33 | |
we sell bang in the middle of Jonty's estimate. | 0:23:33 | 0:23:36 | |
Now it's time for a lot that we've all got really high hopes for. | 0:23:36 | 0:23:39 | |
It's that stunning solid-silver creamer from 1886, | 0:23:39 | 0:23:43 | |
and the auction house has displayed it fittingly | 0:23:43 | 0:23:46 | |
in pride of place in the saleroom. | 0:23:46 | 0:23:49 | |
All the items of, you know, top-end value | 0:23:49 | 0:23:52 | |
go behind the glass cabinets, and it really does look quite magnificent. | 0:23:52 | 0:23:56 | |
Well, I've put £80 to £120, so this is not cash in your attic. | 0:23:56 | 0:23:59 | |
This is cash from your airing cupboard, yeah? | 0:23:59 | 0:24:03 | |
We have a number of commission bids here. | 0:24:03 | 0:24:05 | |
I'm going to start the bidding at £80. | 0:24:05 | 0:24:07 | |
Is there five in the room? At £80 and selling. | 0:24:07 | 0:24:10 | |
-Commission bid. Is there five? -Here we go. | 0:24:10 | 0:24:12 | |
-£80. And any more? -£80. That's what we wanted, wasn't it? | 0:24:12 | 0:24:16 | |
-At £80. Last time... -HE BANGS HAMMER | 0:24:16 | 0:24:18 | |
-Sold! -Well, it made £80 on commission, | 0:24:18 | 0:24:20 | |
so no bidding, just straight to a commission. | 0:24:20 | 0:24:23 | |
Thank goodness for commission, | 0:24:23 | 0:24:25 | |
though I'm surprised there wasn't more interest in the saleroom | 0:24:25 | 0:24:28 | |
for such a lovely piece of silver. | 0:24:28 | 0:24:30 | |
It's our last lot of the day up next, and it's very unusual, | 0:24:31 | 0:24:34 | |
because it's something that we've never seen before | 0:24:34 | 0:24:38 | |
on Cash In The Attic. In fact, we don't exactly know what it is! | 0:24:38 | 0:24:42 | |
I just think it's so wonderfully decorative. | 0:24:44 | 0:24:46 | |
The quality is all there. I wonder what the room will decide? | 0:24:46 | 0:24:49 | |
-It's going to be fascinating. -Start me at £200 for these. £200. | 0:24:49 | 0:24:53 | |
150, then. £150. | 0:24:53 | 0:24:55 | |
£100 to get it going. | 0:24:55 | 0:24:57 | |
£100? £100 bid, thank you. And ten. | 0:24:57 | 0:25:01 | |
And £100. And 110. 120. | 0:25:01 | 0:25:03 | |
130. £120 and selling. | 0:25:03 | 0:25:06 | |
-Is there 130? 120... -HE BANGS HAMMER | 0:25:06 | 0:25:09 | |
I hoped they'd go for a bit more than that. | 0:25:09 | 0:25:11 | |
I thought they were really fabulous quality. | 0:25:11 | 0:25:13 | |
Whatever they were, they were fabulous quality. | 0:25:13 | 0:25:16 | |
Somebody obviously wants them, anyway. | 0:25:16 | 0:25:18 | |
I wonder if the buyer knows what they are and what they're for! | 0:25:18 | 0:25:22 | |
One thing's for certain, though - it's been a pretty tough auction. | 0:25:22 | 0:25:25 | |
So at the end of the day, how much have we raised towards that £500 target? | 0:25:25 | 0:25:29 | |
Well, the good news is that, altogether, | 0:25:30 | 0:25:33 | |
-it means you've made £461! -Oh! -Excellent! | 0:25:33 | 0:25:36 | |
-That's really good. -Well done. I'm really pleased for you. | 0:25:36 | 0:25:39 | |
Thank you very much. | 0:25:39 | 0:25:41 | |
It's been a few weeks since we sold Charlotte's heirlooms and collectables at auction. | 0:25:44 | 0:25:49 | |
She made just under £500. So how has she spent the money? | 0:25:49 | 0:25:52 | |
Are the home renovations finished, and have the builders finally gone? | 0:25:52 | 0:25:56 | |
'We've just been finishing our kitchen.' | 0:25:56 | 0:25:58 | |
We've had a great time, because our work surfaces arrived last week, | 0:25:58 | 0:26:02 | |
and we've put those down, and we've got new flooring in our kitchen, | 0:26:02 | 0:26:06 | |
and suddenly I feel like things are coming together. | 0:26:06 | 0:26:10 | |
I'm relieved the kitchen is finished, at any rate. | 0:26:12 | 0:26:15 | |
But there's still a lot to be done, so how does Charlotte feel | 0:26:15 | 0:26:18 | |
about the building project and what lies ahead? | 0:26:18 | 0:26:21 | |
It's so nice to see, whenever something is finished in one room, | 0:26:22 | 0:26:26 | |
to see the beginning and the end, | 0:26:26 | 0:26:28 | |
and to know there is light at the end of the tunnel, | 0:26:28 | 0:26:31 | |
and that all the grief we've gone through to get to this point has been worth it. | 0:26:31 | 0:26:35 | |
Subtitles by Red Bee Media Ltd | 0:26:56 | 0:26:59 |