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Welcome to the show that gives people a helping hand by rooting out their unwanted antiques | 0:00:02 | 0:00:05 | |
and collectables and taking them to auction. | 0:00:05 | 0:00:07 | |
Today we're going to meet a mother and daughter | 0:00:07 | 0:00:09 | |
who want their cash in the attic to make a real difference. | 0:00:09 | 0:00:13 | |
Coming up on Cash In The Attic... we're impressed by a gorgeous gown. | 0:00:32 | 0:00:36 | |
-Look, doesn't she look great?! -Like some Hollywood film star there. | 0:00:36 | 0:00:40 | |
-You really do. -That's amazing, look at that. | 0:00:40 | 0:00:42 | |
Our expert makes me an offer I CAN refuse. | 0:00:42 | 0:00:45 | |
I have a nice little engagement ring there. | 0:00:45 | 0:00:47 | |
Oh, Paul, I couldn't, I'm married! | 0:00:47 | 0:00:51 | |
And at the auction, could the excitement prove too much? | 0:00:51 | 0:00:55 | |
I thought you were going to go right through the ceiling! You were going up and up and up! | 0:00:55 | 0:01:00 | |
I got really excited, I'm afraid. | 0:01:00 | 0:01:03 | |
Find out when the hammer falls. | 0:01:03 | 0:01:04 | |
We're in Essex to meet a family who want the money | 0:01:05 | 0:01:08 | |
they raise at auction to fund a really special cause. | 0:01:08 | 0:01:12 | |
Joan Cook has lived in this impressive | 0:01:13 | 0:01:15 | |
and very comfortable home with her husband, Paul, for over 20 years. | 0:01:15 | 0:01:19 | |
It's where she can regularly be found enjoying a relaxing spot of yoga with her daughter, Gemma. | 0:01:19 | 0:01:25 | |
Now retired, Joan is a very active lady who also invests | 0:01:25 | 0:01:28 | |
a lot of time with her local Brownie pack. | 0:01:28 | 0:01:31 | |
It's because of one of her beloved Brownies that we're here today. | 0:01:31 | 0:01:35 | |
So while our expert, Paul, heads off to start the hunt for collectables, | 0:01:35 | 0:01:39 | |
I'm meeting the ladies of the house. | 0:01:39 | 0:01:41 | |
Hello. I'm interrupting your breakfast. | 0:01:44 | 0:01:48 | |
-I was just going to have a slice of toast. -Good for you. Joan? -It is. | 0:01:48 | 0:01:51 | |
-Gemma? -Hello. -Hi. | 0:01:51 | 0:01:52 | |
Often I find it's the daughter or the son of the house who's called us in. | 0:01:52 | 0:01:57 | |
-Am I right, or whose idea was it? -You are right. -Am I? Am I honestly? | 0:01:57 | 0:02:02 | |
That is so common! Yeah. | 0:02:02 | 0:02:04 | |
I decided - and Mum had wanted to do it, | 0:02:04 | 0:02:06 | |
but I just had to set the wheels in motion. | 0:02:06 | 0:02:09 | |
-So how did you feel when you knew we were coming? -Excited. -Oh, good. That's all right. | 0:02:09 | 0:02:14 | |
Because obviously we want the money to go towards | 0:02:14 | 0:02:17 | |
the Great Ormond Street Hospital. | 0:02:17 | 0:02:20 | |
Oh, I was told there was a very worthwhile cause but I didn't know what. | 0:02:20 | 0:02:23 | |
-It's charity? -One of our Brownies, she was diagnosed with a brain tumour, | 0:02:23 | 0:02:27 | |
so she is in there at the moment, and we were hoping that the money | 0:02:27 | 0:02:31 | |
could help that particular ward, which is Parrot Ward, | 0:02:31 | 0:02:33 | |
do something or buy something for the kids, maybe, you know. | 0:02:33 | 0:02:38 | |
How much money do you think we might be able to raise? | 0:02:38 | 0:02:41 | |
About £400. If we got anywhere near there we would be really pleased. | 0:02:41 | 0:02:44 | |
As much as possible, really, would be fantastic. | 0:02:44 | 0:02:47 | |
-Got some good pieces? -I hope so. | 0:02:47 | 0:02:49 | |
I think Paul has already made a start so shall we go and find him? | 0:02:49 | 0:02:53 | |
-Gemma, would you start rummaging elsewhere? -Definitely. -Good luck. | 0:02:53 | 0:02:57 | |
This sizeable property doesn't appear to be overflowing with pieces, | 0:02:57 | 0:03:02 | |
but if there's one man who can sniff out the finest auction-friendly items, | 0:03:02 | 0:03:06 | |
it's our expert, Paul Hayes. | 0:03:06 | 0:03:08 | |
-A-ha! -Hello. -I said he would make a start. Here's Joan. | 0:03:08 | 0:03:12 | |
I found a fantastic pair of vases. I love these. | 0:03:12 | 0:03:15 | |
-Do you like those? -I find the colour a bit subdued for me. -OK. | 0:03:15 | 0:03:19 | |
-You'd never guess! -I quite like subdued colours. -Oh! | 0:03:19 | 0:03:23 | |
Hence I like them. | 0:03:23 | 0:03:24 | |
The Victorians were all for subdued colours, | 0:03:24 | 0:03:28 | |
they had very dark parlours and rooms, so this would fit in, | 0:03:28 | 0:03:31 | |
add a bit of colour to it, and what I love is it's very clever. | 0:03:31 | 0:03:35 | |
While the clay was in its biscuit form, | 0:03:35 | 0:03:37 | |
they'd wrap around lace doilies or tablecloths | 0:03:37 | 0:03:40 | |
and that would leave this impression in the surface. | 0:03:40 | 0:03:43 | |
Isn't that fantastic? Very clever. | 0:03:43 | 0:03:46 | |
The artist would come and incisely decorate it so it was all done by hand. | 0:03:46 | 0:03:50 | |
If you looked at the pair, would there be individual differences? | 0:03:50 | 0:03:54 | |
Sometimes. They do tend to follow a rigid pattern. | 0:03:54 | 0:03:57 | |
-They'll have almost identical patterns. -Where do they come from? | 0:03:57 | 0:04:01 | |
These come from my husband's grandmother. So when were they dated? | 0:04:01 | 0:04:05 | |
-They're dated back... -You're looking at 1880, 1900, dead on the turn of the century. -Crikey. | 0:04:05 | 0:04:10 | |
-Nine times out of ten you find these with chips and damage. -No, they are in excellent condition. | 0:04:10 | 0:04:16 | |
So what we've got are two very attractive vases, | 0:04:16 | 0:04:19 | |
a popular style at the moment, they are by a very good factory | 0:04:19 | 0:04:22 | |
and potentially they could be by a very good artist. | 0:04:22 | 0:04:24 | |
So value-wise, I'd like to say a couple of hundred. | 0:04:24 | 0:04:29 | |
If I said £150 to £250 as an auction estimate, they could do very well. | 0:04:29 | 0:04:35 | |
Let's get them there in one piece. | 0:04:35 | 0:04:37 | |
That is a big chunk towards a very worthwhile cause. | 0:04:37 | 0:04:40 | |
And a great start to our rummage. | 0:04:40 | 0:04:42 | |
It's not long before Joan manages to unearth our next likely lot | 0:04:42 | 0:04:46 | |
in the shape of this 1950s tea set which was a gift from a neighbour. | 0:04:46 | 0:04:51 | |
It hails from the German state of Bavaria, which has produced | 0:04:51 | 0:04:55 | |
quality porcelain for hundreds of years. | 0:04:55 | 0:04:58 | |
Gilt examples like these can attract attention at auction | 0:04:58 | 0:05:02 | |
and while it's rather an acquired taste, it's in reasonable condition. | 0:05:02 | 0:05:06 | |
So Paul values it at a modest £20 to £30. | 0:05:06 | 0:05:10 | |
Meanwhile, Joan's daughter Gemma | 0:05:10 | 0:05:13 | |
is dressed to impress. | 0:05:13 | 0:05:15 | |
-What do we think about this little number? -Wow! -Look at you! Wow! Look. | 0:05:16 | 0:05:21 | |
-Doesn't she look great? -Like some Hollywood film star. | 0:05:21 | 0:05:24 | |
That is amazing. Look at that. | 0:05:24 | 0:05:25 | |
Thank you. This is a dress that belonged to my great-aunt | 0:05:25 | 0:05:30 | |
and she was very glam and into things like this, going to casinos | 0:05:30 | 0:05:34 | |
and used to give certain gifts to my nan so we've got this. | 0:05:34 | 0:05:37 | |
-Was it made by her, do you think? -She used to have it made by special tailors and apparently | 0:05:37 | 0:05:43 | |
-she had a fabulous wardrobe and this is one of the relics. -Oh. | 0:05:43 | 0:05:47 | |
I don't know if it's worth anything. | 0:05:47 | 0:05:49 | |
I must say it looks fantastic on you. You look a million dollars. | 0:05:49 | 0:05:53 | |
But trying to put a value on that is very difficult. | 0:05:53 | 0:05:56 | |
-You can't allow for the amount of hours that's gone into making that. -No. | 0:05:56 | 0:06:00 | |
And also fashion is extremely fickle - | 0:06:00 | 0:06:03 | |
what is in fashion at one moment is out of fashion. | 0:06:03 | 0:06:05 | |
You said it might be sort of handmade. | 0:06:05 | 0:06:08 | |
-You wouldn't know who made it? It wasn't like a couture? -Oh look, | 0:06:08 | 0:06:13 | |
Jacques Heim, Paris and London. | 0:06:13 | 0:06:17 | |
To me that looks like the 1950s, 1960s, very Audrey Hepburn, | 0:06:17 | 0:06:20 | |
that's very much of the moment. | 0:06:20 | 0:06:22 | |
You could be looking at £50 to £100 there. | 0:06:22 | 0:06:25 | |
We could certainly put it into the auction for that | 0:06:25 | 0:06:28 | |
if you decide you want to sell it. | 0:06:28 | 0:06:29 | |
-That would be a great contribution so...possibly. -OK. | 0:06:29 | 0:06:33 | |
Have a think about it. It's a fantastic thing. You look beautiful in it. | 0:06:33 | 0:06:37 | |
Well, she looks beautiful in anything, let's face it! OK. | 0:06:37 | 0:06:40 | |
-Go and get that dress off and we'll carry on rummaging. -OK. | 0:06:40 | 0:06:43 | |
So while Gemma gets changed, we get back to work. | 0:06:44 | 0:06:47 | |
Before long, Paul spots this brass barley twist lantern. | 0:06:47 | 0:06:52 | |
It's dated around 1920 and it belonged to Joan's aunt. | 0:06:52 | 0:06:56 | |
Lamps like these aren't uncommon, but this is a hefty piece | 0:06:56 | 0:07:00 | |
and we hope it'll catch a bidder's eye at £20 to £30. | 0:07:00 | 0:07:05 | |
While Paul continues his search for collectables, | 0:07:05 | 0:07:07 | |
I'm keen to hear a little more about Grace the Brownie | 0:07:07 | 0:07:11 | |
and about Joan and Gemma's fascinating family history. | 0:07:11 | 0:07:15 | |
-Uncle George. -This one's Auntie Wyn, is it? -That's Auntie Wyn. | 0:07:15 | 0:07:19 | |
This is the glamorous lady who had the glamorous gold frock? | 0:07:19 | 0:07:23 | |
The infamous gold frock, yes. She is the one. | 0:07:23 | 0:07:26 | |
She really was a party person. | 0:07:26 | 0:07:29 | |
I would love to know a little bit more about Grace. | 0:07:29 | 0:07:32 | |
It's one of our little Brownies, she's nine years of age, | 0:07:32 | 0:07:35 | |
an adorable little character, really a sweetie, | 0:07:35 | 0:07:39 | |
who's been diagnosed with a brain tumour, | 0:07:39 | 0:07:41 | |
and hopefully she is on the road to recovery, | 0:07:41 | 0:07:44 | |
and she's in a ward, the Parrot Ward, which is in | 0:07:44 | 0:07:48 | |
Great Ormond Street Hospital. | 0:07:48 | 0:07:50 | |
-What is little Grace like as a little girl? -She's a bundle of fun. | 0:07:50 | 0:07:53 | |
Her mum will say this - she's a cheeky little pickle, you know. | 0:07:53 | 0:07:58 | |
She's a real sweetie, yeah. | 0:07:58 | 0:08:01 | |
It's good to know we can contribute in some small way | 0:08:01 | 0:08:03 | |
towards the wonderful work at Great Ormond Street. | 0:08:03 | 0:08:06 | |
Luckily, it's not long before I unearth yet another glamorous find. | 0:08:06 | 0:08:10 | |
This collection of costume jewellery was handed down | 0:08:10 | 0:08:14 | |
to Joan's husband, Paul, from his grandmother. | 0:08:14 | 0:08:17 | |
It's a varied lot with pieces dating from throughout the 20th century. | 0:08:17 | 0:08:21 | |
There's always interest in jewellery - | 0:08:21 | 0:08:23 | |
not only from specialised dealers, | 0:08:23 | 0:08:25 | |
but from bidders who just fancy jazzing up an outfit - | 0:08:25 | 0:08:29 | |
so Paul estimates the collection at £30 to £40. | 0:08:29 | 0:08:32 | |
Now, here we are. There's a nice old watch here. | 0:08:32 | 0:08:35 | |
So is that one of yours? | 0:08:36 | 0:08:38 | |
-No, this is actually my husband's auntie's. -OK. | 0:08:38 | 0:08:42 | |
-Perhaps you can tell me more. -I shall look at it. First thing is | 0:08:42 | 0:08:46 | |
this was retailed by Garrard's, | 0:08:46 | 0:08:48 | |
the Queen's jewellers, so that is quite a high-end jewellery. | 0:08:48 | 0:08:52 | |
Let's have a look here. | 0:08:52 | 0:08:53 | |
It looks like a lady's gold cocktail watch. | 0:08:53 | 0:08:56 | |
These were very popular in the 1950s, '50s and '60s... | 0:08:56 | 0:08:59 | |
so would that fit in? | 0:08:59 | 0:09:00 | |
Yes, it would. | 0:09:00 | 0:09:02 | |
You've got a very good maker - | 0:09:02 | 0:09:04 | |
-have you heard of Longines? -No. | 0:09:04 | 0:09:07 | |
They're a fantastic Swiss manufacturer, | 0:09:07 | 0:09:09 | |
still making watches today, and they're on a par with Rolex, Omega. | 0:09:09 | 0:09:14 | |
Very good quality. So that's in its favour. | 0:09:14 | 0:09:16 | |
-Excellent. -Gold is doing extremely well. | 0:09:16 | 0:09:19 | |
People are taking their money out of banks and putting it into gold and silver. | 0:09:19 | 0:09:23 | |
-If I said £100, maybe £150...? -Oh, yeah! Excellent. | 0:09:23 | 0:09:28 | |
I think if someone takes a shine to it, if you find a lady that | 0:09:28 | 0:09:32 | |
goes out enjoying a few cocktails, you might get a few more. | 0:09:32 | 0:09:36 | |
OK, so that's £100. That's great. | 0:09:36 | 0:09:39 | |
Let's have a look at what else we can find. | 0:09:39 | 0:09:41 | |
A decent estimate for an elegant timepiece. | 0:09:41 | 0:09:44 | |
I wonder if the bidders will find it attractive when it goes under the hammer? | 0:09:44 | 0:09:49 | |
80 for the gold watch, £90, £100. 10, I'm bid for it - at 20, 30... | 0:09:49 | 0:09:54 | |
Before we know it, | 0:09:56 | 0:09:58 | |
we're almost halfway through today's rummage with Joan and Gemma. | 0:09:58 | 0:10:01 | |
But there is still plenty of work to do if we are to hit that target of £400. | 0:10:01 | 0:10:05 | |
Luckily, Gemma seems to have quite a knack for spotting antiques and collectables. | 0:10:09 | 0:10:14 | |
She's drawn to this 1920s oak arch-top mantel clock, which | 0:10:14 | 0:10:19 | |
was a wedding present for Joan's mother-in-law almost 80 years ago. | 0:10:19 | 0:10:23 | |
First developed in France in the 1750s | 0:10:23 | 0:10:26 | |
when they were often highly ornate, | 0:10:26 | 0:10:28 | |
mantel clocks became popular during the 19th century | 0:10:28 | 0:10:31 | |
and can still be found in countless homes throughout Britain. | 0:10:31 | 0:10:35 | |
We're hoping someone will give this simple | 0:10:35 | 0:10:37 | |
but attractive example a good home, with an estimate of £20 to £30. | 0:10:37 | 0:10:43 | |
And Gemma's found another fascinating family heirloom. | 0:10:43 | 0:10:46 | |
Paul, what do you think of this? | 0:10:46 | 0:10:49 | |
I spotted that. What a fantastic thing! Look at that. | 0:10:49 | 0:10:53 | |
-Do you know what it is? -Possibly for displaying cakes and things. | 0:10:53 | 0:10:58 | |
You're almost exactly right. It's called a biscuit box, | 0:10:58 | 0:11:01 | |
and the idea is that in here would be your biscuits. | 0:11:01 | 0:11:04 | |
When you go back to the 19th century and before, lots of the biscuits | 0:11:04 | 0:11:08 | |
and cakes were individually made. People used to sell one chocolate | 0:11:08 | 0:11:11 | |
in a box, it was a very expensive and romantic thing to have. | 0:11:11 | 0:11:14 | |
So to have a large biscuit box on your sideboard | 0:11:14 | 0:11:17 | |
was a sign of real quality. | 0:11:17 | 0:11:18 | |
They are quite rare things. It should open almost like a butterfly. | 0:11:18 | 0:11:23 | |
Does it open up? Look at that! Isn't that absolutely beautiful? | 0:11:23 | 0:11:27 | |
It's very pretty. | 0:11:27 | 0:11:29 | |
The idea is that this would display your cakes, | 0:11:29 | 0:11:32 | |
if you like, but your biscuits - and your biscuits would sit | 0:11:32 | 0:11:35 | |
in the bottom here, you'd take one out, | 0:11:35 | 0:11:37 | |
put it on the top, all the crumbs | 0:11:37 | 0:11:38 | |
would drop through the grille, and you would have a crumb-free biscuit. | 0:11:38 | 0:11:43 | |
-Have you ever used this? You don't remember it as a child? -Never. | 0:11:43 | 0:11:47 | |
It's my great-great-grandmother's, | 0:11:47 | 0:11:48 | |
and everyone in the family hated it so it was left as purely ornamental. | 0:11:48 | 0:11:53 | |
Don't forget, this would be very highly polished - people would say, | 0:11:53 | 0:11:57 | |
"Look at the size of that biscuit box! | 0:11:57 | 0:11:59 | |
"They can afford biscuits." Is it sentimental at all to you? | 0:11:59 | 0:12:03 | |
Well, everyone in my dad's family hated it. | 0:12:03 | 0:12:05 | |
-They hated it? -Absolutely hated it. | 0:12:05 | 0:12:07 | |
-Why did they hate it? -I've no idea. It looks like doily-esque inside. | 0:12:07 | 0:12:11 | |
PAUL LAUGHS | 0:12:11 | 0:12:12 | |
Well, it's for show, it's a showy thing, | 0:12:12 | 0:12:15 | |
-and perhaps you're not a showy... -We're not very showy. -No. | 0:12:15 | 0:12:18 | |
So value-wise - it wants | 0:12:18 | 0:12:19 | |
a little bit of work, it wants to be re-silvered. | 0:12:19 | 0:12:21 | |
I mean, if I was to say... | 0:12:21 | 0:12:23 | |
-sort of £80 to £150? -Wow. -How does that sound? -Fantastic. | 0:12:23 | 0:12:27 | |
-It's a deal. -Great. | 0:12:27 | 0:12:29 | |
Well, that's a good result. | 0:12:29 | 0:12:31 | |
But time is moving on and there's still rummaging to do. | 0:12:31 | 0:12:35 | |
Gemma's eye for an investment is as keen as ever, as she spots | 0:12:35 | 0:12:38 | |
this brooch which belonged to her grandmother. | 0:12:38 | 0:12:41 | |
Dating from the 19th century, it's made of 15 carat gold | 0:12:41 | 0:12:45 | |
and is set with a single semi-precious garnet stone. | 0:12:45 | 0:12:47 | |
With an estimate of £30 to £50, | 0:12:47 | 0:12:50 | |
it should attract quite a bit of interest when it gets to auction. | 0:12:50 | 0:12:54 | |
Paul, I've just come across this very pretty little ring. | 0:12:55 | 0:13:00 | |
Isn't that beautiful? Was that something you've bought? | 0:13:00 | 0:13:04 | |
No, this is from a relative, this is from an old auntie. | 0:13:04 | 0:13:06 | |
Well, I can tell it's diamonds straight away. | 0:13:06 | 0:13:09 | |
-They're called a cluster ring. -Oh, right. | 0:13:09 | 0:13:12 | |
A cluster of diamonds in the shape of a daisy. | 0:13:12 | 0:13:15 | |
If that WAS one big diamond, | 0:13:15 | 0:13:16 | |
you'd be talking quite a lot of money, a couple of carat in weight. | 0:13:16 | 0:13:20 | |
This is quite an unusual one. It's 20 carat, can you see that? | 0:13:20 | 0:13:23 | |
20 carat? | 0:13:23 | 0:13:24 | |
Yeah, so that means it's possibly been made as a designer piece. | 0:13:24 | 0:13:28 | |
Sometimes people would bring in bits of gold that they no longer need, | 0:13:28 | 0:13:32 | |
-and had the shank made from that. -Oh, right. | 0:13:32 | 0:13:35 | |
Well, wedding and engagement rings | 0:13:35 | 0:13:37 | |
are worn on the third finger of the left hand, | 0:13:37 | 0:13:39 | |
and that goes back to the Roman times. | 0:13:39 | 0:13:41 | |
This is called the "venus amoris" - they reckon there was a vein that | 0:13:41 | 0:13:45 | |
ran from this finger directly to the heart. | 0:13:45 | 0:13:47 | |
-Oh, right. -Isn't that lovely? Well, it's a perfect start - | 0:13:47 | 0:13:51 | |
-it's very Art Deco, 1920, 1930. Would that fit in? -Yes, it would. | 0:13:51 | 0:13:55 | |
If I said at least £100, maybe £150, how does that sound? | 0:13:55 | 0:13:59 | |
Fantastic. Absolutely brilliant. | 0:13:59 | 0:14:01 | |
Great stuff. Jennie, Gemma - | 0:14:01 | 0:14:04 | |
we have found a lovely engagement ring here. | 0:14:04 | 0:14:06 | |
Oh, Paul... | 0:14:06 | 0:14:08 | |
I couldn't, I'm married! | 0:14:08 | 0:14:10 | |
-It's lovely, isn't it? -Isn't it beautiful? -Is it real diamond? | 0:14:10 | 0:14:14 | |
-Real diamonds, 20 carat and it could do quite well. -How much? | 0:14:14 | 0:14:18 | |
-At least £100. -OK... | 0:14:18 | 0:14:20 | |
-Have you enjoyed yourself? -Yeah, it's been fantastic. Thank you both. | 0:14:20 | 0:14:24 | |
Based on Paul's lowest estimates, | 0:14:24 | 0:14:26 | |
I'm going to tell you how much we think we might make. | 0:14:26 | 0:14:29 | |
£400 is what you're looking for for your charity, Great Ormond Street. | 0:14:29 | 0:14:33 | |
We reckon - with that ring, and any luck - | 0:14:33 | 0:14:36 | |
you'll get...£600. | 0:14:36 | 0:14:38 | |
-Yes! -Wow. | 0:14:38 | 0:14:40 | |
That would be fantastic. | 0:14:40 | 0:14:42 | |
Well, I've enjoyed spending time with Joan and Gemma, | 0:14:42 | 0:14:45 | |
and I've a good feeling about some of the pieces we've unearthed today. | 0:14:45 | 0:14:49 | |
I'm sure that pair of subtly decorated Victorian Doulton vases | 0:14:49 | 0:14:52 | |
will appeal to the bidders at £150 to £250. | 0:14:52 | 0:14:57 | |
Gemma modelled that elegant 1950s dress, | 0:14:57 | 0:15:00 | |
which belonged to her great-aunt. | 0:15:00 | 0:15:01 | |
At £50 to £100, we think it will bring some glamour to the saleroom. | 0:15:01 | 0:15:06 | |
And at £80 to £150, let's hope that Victorian shell-shaped biscuit box | 0:15:07 | 0:15:13 | |
will prove very tempting for someone on the day. | 0:15:13 | 0:15:17 | |
Still to come on Cash in the Attic - Joan's eager to get a sale... | 0:15:19 | 0:15:22 | |
You're getting very excited, standing on tiptoes. | 0:15:22 | 0:15:25 | |
I can't help it! I can't help it. | 0:15:25 | 0:15:27 | |
..and there's some really good news for the girls. | 0:15:27 | 0:15:30 | |
Hooray! Well done! | 0:15:30 | 0:15:33 | |
Oh crikey, that's fantastic! | 0:15:33 | 0:15:37 | |
Be there when the hammer falls. | 0:15:37 | 0:15:39 | |
Well, it's been just over a month now since we were with Joan and Gemma in Essex, | 0:15:43 | 0:15:47 | |
and today we've brought everything we found here to Tring Market Auctions in Hertfordshire. | 0:15:47 | 0:15:52 | |
There seem to be plenty of people gathering here, so we're hoping they've all got deep pockets | 0:15:52 | 0:15:57 | |
when Joan's items go under the hammer, so we can spread a little sunshine. | 0:15:57 | 0:16:02 | |
Any money we make today is of course going to Great Ormond Street Hospital, | 0:16:02 | 0:16:06 | |
where one of Joan's Brownie pack recently underwent treatment. | 0:16:06 | 0:16:09 | |
Fingers crossed our pieces get plenty of interest. | 0:16:09 | 0:16:13 | |
And Joan's already here with Gemma. | 0:16:13 | 0:16:16 | |
We've got some great selling items - | 0:16:16 | 0:16:18 | |
I love the biscuit box, your little diamond ring - | 0:16:18 | 0:16:21 | |
but just for my own satisfaction really | 0:16:21 | 0:16:23 | |
I'd like to put a reserve on your Longines watch. | 0:16:23 | 0:16:26 | |
Because we've got such a good cause here today I wouldn't like to | 0:16:26 | 0:16:29 | |
see that go for any less than £100. Is that all right? | 0:16:29 | 0:16:31 | |
-We go with you, you're the expert. -Excellent. | 0:16:31 | 0:16:35 | |
As the auction gets started, first under the hammer | 0:16:35 | 0:16:38 | |
is that rather striking mid-20th- century Bavarian gilt tea set. | 0:16:38 | 0:16:42 | |
Tell me a bit about it. I don't remember where it's from. | 0:16:43 | 0:16:47 | |
This is from my grandmother, and I think it's been around | 0:16:47 | 0:16:50 | |
since pre-'60s, I think. | 0:16:50 | 0:16:52 | |
A very ornate and attractive piece. We're keeping our fingers crossed. | 0:16:52 | 0:16:57 | |
-She's a good saleswoman! -She is. -"Neat and attractive piece." | 0:16:57 | 0:17:00 | |
Am I on the shopping channel(?) | 0:17:00 | 0:17:02 | |
What about £30 for that? £20 bid, | 0:17:02 | 0:17:05 | |
-20 I'm bid for it... -We're in. | 0:17:05 | 0:17:08 | |
If there's no further bid, I'm going to have to sell it for £20. | 0:17:08 | 0:17:13 | |
Well, not quite what the glittering start we would have liked. | 0:17:13 | 0:17:17 | |
I wonder if our next lot | 0:17:17 | 0:17:18 | |
will have the bidders as full of admiration as Paul was on the rummage. | 0:17:18 | 0:17:23 | |
OK, one of my favourite items out of all your bits | 0:17:23 | 0:17:26 | |
and pieces was that fantastic dress! Which was well modelled, wasn't it? | 0:17:26 | 0:17:30 | |
Somebody was asking me about it before, | 0:17:30 | 0:17:32 | |
and I said it was a "Jackie Hames" - it's not, it's a Jacques Heim. | 0:17:32 | 0:17:36 | |
She corrected me on the pronunciation. | 0:17:36 | 0:17:38 | |
-It was a woman? -Yes. -This is good. | 0:17:38 | 0:17:40 | |
The cocktail dress, what about that one? | 0:17:40 | 0:17:43 | |
-I think possibly £50 for that one? £30, £20... -(100!) | 0:17:43 | 0:17:47 | |
Come along, girls, you must have got SOMEWHERE to go in this...? | 0:17:47 | 0:17:50 | |
-Ohhh, it's going to be sold! -20... | 0:17:50 | 0:17:54 | |
At £20 and 5. 20, it's going to be sold... | 0:17:55 | 0:17:58 | |
That's it, I'm afraid, for £20. | 0:17:58 | 0:18:00 | |
-Maybe you should have worn it here. -Would have made all the difference. | 0:18:01 | 0:18:04 | |
A disappointing result for the dress. | 0:18:04 | 0:18:07 | |
It just goes to show if the right bidder isn't in the room, | 0:18:07 | 0:18:10 | |
you won't get the price you want. | 0:18:10 | 0:18:12 | |
Next up is that 1920s brass lantern lamp, which was | 0:18:13 | 0:18:15 | |
handed down by Joan's husband's grandmother. | 0:18:15 | 0:18:18 | |
With such a modest start to the auction, | 0:18:18 | 0:18:20 | |
let's hope it brightens things up a little. | 0:18:20 | 0:18:23 | |
What about £30 for that one? Anybody got £20 for the lantern? | 0:18:23 | 0:18:27 | |
A tenner for it, then? We will have to sell it. | 0:18:27 | 0:18:30 | |
Tenner, 12, 15, 18, £20 now. | 0:18:30 | 0:18:32 | |
-That's more like it. -Up, up, up. -More, more. | 0:18:32 | 0:18:35 | |
30 for the lantern and I shall sell it for £30. Thank you very much. | 0:18:35 | 0:18:40 | |
-You're getting very excited. You keep standing on tiptoes. -I can't help it! | 0:18:40 | 0:18:44 | |
First time I've been. I find it more exciting. | 0:18:44 | 0:18:47 | |
-Electric atmosphere. -I love it. | 0:18:47 | 0:18:49 | |
A pleasing result. | 0:18:49 | 0:18:51 | |
But we're going to have to do better | 0:18:51 | 0:18:52 | |
if we're to reach that target of £400. | 0:18:52 | 0:18:54 | |
Fingers crossed that silver Victorian biscuit box | 0:18:54 | 0:18:58 | |
will serve us well. | 0:18:58 | 0:19:00 | |
Are we going to start at 50? We are. 60, 70, I'm bid. 80 I'm bid. | 0:19:00 | 0:19:05 | |
100 in the middle, £100 and 10... | 0:19:05 | 0:19:07 | |
110. 120 at the very back, 130, 140. | 0:19:07 | 0:19:13 | |
150, sir. 150... | 0:19:13 | 0:19:17 | |
160 at the back. 70? 170. | 0:19:17 | 0:19:19 | |
180 at the back. 190? | 0:19:19 | 0:19:23 | |
No? 180 then I sell... | 0:19:23 | 0:19:25 | |
I thought you were going to go through the ceiling - | 0:19:25 | 0:19:28 | |
-you were going up and up and up... -I would. Got really excited. | 0:19:28 | 0:19:32 | |
It just goes to show - rarity and quality, that's the thing. | 0:19:32 | 0:19:36 | |
That's more like it. | 0:19:36 | 0:19:38 | |
A terrific £30 over our upper estimate | 0:19:38 | 0:19:41 | |
puts us well on the road to our target. | 0:19:41 | 0:19:44 | |
The gold brooch belonged to Joan's mother-in-law. | 0:19:44 | 0:19:46 | |
It's set with a garnet, the birthstone of January, | 0:19:46 | 0:19:49 | |
which was her birthday. | 0:19:49 | 0:19:50 | |
I wonder if it will give US cause for celebration. | 0:19:50 | 0:19:54 | |
I think nowadays people tend to be more for the white gold or the silver colours... | 0:19:54 | 0:19:58 | |
-Yes, I think you're right. -But we're looking for £30 upwards. | 0:19:58 | 0:20:01 | |
What about £40 for that one, 30, £20 I'm bid for it then... | 0:20:01 | 0:20:04 | |
20 I'm bid for it. | 0:20:04 | 0:20:07 | |
22, 5, 8, at £30 now, in the middle for £30... | 0:20:07 | 0:20:11 | |
£30. That is the bottom of the estimate. | 0:20:11 | 0:20:13 | |
-Well, yeah. -Is that all right with you? -Oh, yeah, yeah. | 0:20:13 | 0:20:17 | |
It's all about fashion, apparently. I'll get there one day! | 0:20:17 | 0:20:21 | |
Perhaps brooches just aren't in vogue at the moment. | 0:20:21 | 0:20:24 | |
Hopefully, the jewellery collection coming up later will do better. | 0:20:24 | 0:20:27 | |
-You're enjoying it. -Really am. First time, so it's great. -I'm delighted. | 0:20:27 | 0:20:33 | |
Your target's £400 - at the halfway point, you've made £280. | 0:20:33 | 0:20:38 | |
Yes! 280! | 0:20:38 | 0:20:40 | |
-That's brilliant. -You're ahead of the game. -That is brilliant. | 0:20:41 | 0:20:44 | |
If YOU want to have a go at selling some unwanted belongings, | 0:20:44 | 0:20:47 | |
remember auction houses do charge various fees such as commission. | 0:20:47 | 0:20:51 | |
Your local saleroom will advise you on any extra costs. | 0:20:51 | 0:20:56 | |
As the auction continues, it's time for that | 0:20:56 | 0:20:58 | |
Art Deco diamond cluster ring. | 0:20:58 | 0:21:00 | |
Could this be the piece that really sparkles for us today? | 0:21:00 | 0:21:05 | |
It's very traditional. The Art Deco style's quite pleasing. | 0:21:05 | 0:21:08 | |
It's called a daisy ring in the way that the jewels are set out. | 0:21:08 | 0:21:10 | |
-It's very pretty. -And it's 20 carat, which is unusual. | 0:21:10 | 0:21:13 | |
50 I'm bid, 60 I'm bid, 70, 80, 90, | 0:21:13 | 0:21:16 | |
-100 I'm bid. -There you go. -110 I'm bid, 110... | 0:21:16 | 0:21:20 | |
20, sir? 120 I'm bid. | 0:21:20 | 0:21:22 | |
40 he says - 140, and 50 I'm bid. Madam...? | 0:21:22 | 0:21:27 | |
Sir has it, then, I'm selling to Sir for £150, then... Thank you. | 0:21:27 | 0:21:33 | |
Hooray! Well done! | 0:21:33 | 0:21:35 | |
-Oh crikey, that's fantastic! -Brilliant. | 0:21:35 | 0:21:40 | |
-Would it be right to say you're pleased? -Really pleased. | 0:21:40 | 0:21:45 | |
Well, that really is a fabulous result. | 0:21:45 | 0:21:48 | |
And it is so great to see Joan and Gemma enjoying themselves. | 0:21:48 | 0:21:51 | |
But will they still be smiling | 0:21:51 | 0:21:53 | |
after their collection of costume jewellery has gone under the hammer? | 0:21:53 | 0:21:58 | |
30 to 40 quid, and it's a good selection, a good job lot. | 0:21:58 | 0:22:01 | |
What shall we say...? £30, 20 I'm bid, 20 - and 5 anywhere? | 0:22:01 | 0:22:06 | |
£20 and 5, the whole boxful? | 0:22:06 | 0:22:09 | |
At £20, you've got them... 25 - you haven't any more. | 0:22:09 | 0:22:12 | |
30 I'm bid, and 5 now. I sell, at the very back, for £30. | 0:22:12 | 0:22:16 | |
Thank you very much. | 0:22:16 | 0:22:18 | |
Another lot to reach its bottom estimate, | 0:22:18 | 0:22:20 | |
and some more cash for Joan - which has to be a good thing. | 0:22:20 | 0:22:24 | |
OK, a real Art Deco clock now. | 0:22:24 | 0:22:27 | |
The golden age of clockwork clocks, 1920s, 1930s. | 0:22:27 | 0:22:31 | |
-We're looking between £20 and £30, it's a nice example. -OK. -Yeah. | 0:22:31 | 0:22:36 | |
What about £40 for it, 30? 20 I'm bid for it, am I? | 0:22:36 | 0:22:39 | |
20 I'm bid, and 2, 5, 8... 30. | 0:22:39 | 0:22:42 | |
-30, there you go. -Go on! | 0:22:42 | 0:22:44 | |
35...? | 0:22:44 | 0:22:46 | |
£32 on my left, then - Sir in front has it for £32. | 0:22:46 | 0:22:49 | |
Sir... | 0:22:49 | 0:22:52 | |
-It was the right TIME to sell it. -Yes... -He couldn't resist it! | 0:22:52 | 0:22:57 | |
Well, we'll have to forgive him | 0:22:57 | 0:22:58 | |
because £2 over his top estimate is a good result. | 0:22:58 | 0:23:02 | |
Hopefully there'll be no more puns with this gold Longines watch, | 0:23:02 | 0:23:06 | |
which Paul has suggested putting a reserve of £100 on. | 0:23:06 | 0:23:09 | |
I put this reserve on because I think it's worth every penny of £100 | 0:23:09 | 0:23:13 | |
and it's such a good cause I want it to fetch that sort of price. | 0:23:13 | 0:23:16 | |
So if it doesn't sell here today | 0:23:16 | 0:23:18 | |
-you could sell it for the charity another time. -Right. | 0:23:18 | 0:23:21 | |
What about 80 for it? 80 I'm bid for that one... | 0:23:21 | 0:23:25 | |
£80 for the gold watch. £90, £100. | 0:23:25 | 0:23:27 | |
10 I'm bid for it, at 20 I'm bid, and 30? | 0:23:27 | 0:23:30 | |
£120 for the watch then, at £120... | 0:23:30 | 0:23:35 | |
-There you go. -Yes! -Is that all right? -Yes. -Lovely. | 0:23:35 | 0:23:38 | |
A wonderful result. | 0:23:38 | 0:23:40 | |
And a reminder that a reserve price is always | 0:23:40 | 0:23:43 | |
worth considering for your more valuable items. | 0:23:43 | 0:23:45 | |
Now, Joan is very fond of our final lot. | 0:23:45 | 0:23:49 | |
I wonder if some healthy bidding will help us finish with a flourish. | 0:23:49 | 0:23:53 | |
Two lovely vases, your Doulton vases. | 0:23:53 | 0:23:56 | |
I rather rudely said they weren't my sort of bag, | 0:23:56 | 0:23:59 | |
they weren't my colour scheme... but they're worth a lot of money. | 0:23:59 | 0:24:03 | |
-You like them, don't you? -I do. I think they are very attractive. | 0:24:03 | 0:24:07 | |
In the right place, I think they would look really good. | 0:24:07 | 0:24:10 | |
-I am sure you're right! -I hope so. | 0:24:10 | 0:24:12 | |
-Looking at 150, around that sort of price. -What about £150 for them? | 0:24:12 | 0:24:17 | |
£150 for them? 100 bid, then. | 0:24:17 | 0:24:19 | |
100 I'm bid for them, and 10, I have it. | 0:24:19 | 0:24:21 | |
120 I'm bid - are you 30, sir? | 0:24:21 | 0:24:24 | |
£130 we're bid now. £140... | 0:24:24 | 0:24:27 | |
-We're here. 140, we're there. -Yes! | 0:24:27 | 0:24:31 | |
£150, £160. At £170 on the left... | 0:24:31 | 0:24:34 | |
-How much did you set it for? -£150. | 0:24:34 | 0:24:36 | |
They go on the left there for £170... | 0:24:36 | 0:24:41 | |
Yes! 170! | 0:24:41 | 0:24:44 | |
Ooof... | 0:24:44 | 0:24:46 | |
That was a bit scary, wasn't it? | 0:24:46 | 0:24:48 | |
Well, there we are. | 0:24:49 | 0:24:50 | |
Someone obviously agreed with you that they are beautiful pieces | 0:24:50 | 0:24:53 | |
and the colour scheme is just perfect. | 0:24:53 | 0:24:55 | |
And I'm more than happy to be proved wrong about those vases, | 0:24:55 | 0:24:59 | |
because that's a great amount to end with. | 0:24:59 | 0:25:01 | |
The big question now is how much have we made? | 0:25:01 | 0:25:04 | |
OK... Well, it went very well, didn't it? | 0:25:05 | 0:25:08 | |
Just the one mishap was the dress. Everything else went fine. | 0:25:08 | 0:25:11 | |
That was a bit of a disappointment. | 0:25:11 | 0:25:13 | |
We started out saying we would like £400, and it's all for the very good | 0:25:13 | 0:25:17 | |
cause of your charity, all for the Parrot Ward at Great Ormond Street. | 0:25:17 | 0:25:21 | |
It is, yeah. | 0:25:21 | 0:25:23 | |
Well, you HAVE made your target. | 0:25:23 | 0:25:25 | |
You've very nearly doubled it - | 0:25:25 | 0:25:27 | |
-you've got £782! -No... | 0:25:27 | 0:25:29 | |
-Really?! -That's fantastic! | 0:25:29 | 0:25:32 | |
-Oh, that's brilliant! How much was that? -782! | 0:25:32 | 0:25:36 | |
-782! Oh, well done, Paul. -Well done to you. -That's fantastic. | 0:25:36 | 0:25:41 | |
Be careful with your arms - I think you've just bought something(!) | 0:25:41 | 0:25:44 | |
Joan's back with her Brownie pack in Essex, | 0:25:50 | 0:25:53 | |
and she knows that the £782 she made at auction will help | 0:25:53 | 0:25:57 | |
Great Ormond Street continue to make a big difference to children's lives. | 0:25:57 | 0:26:03 | |
The money's going to the Parrot Ward, where one of our Brownies had a stay | 0:26:03 | 0:26:08 | |
for quite a while, little Gracie, and now she's out and we thought | 0:26:08 | 0:26:12 | |
it would be rather a nice gesture if the money went towards that. | 0:26:12 | 0:26:16 | |
At the moment everything is absolutely brilliant for her - | 0:26:16 | 0:26:19 | |
she went to Great Ormond Street last Wednesday, | 0:26:19 | 0:26:22 | |
and I gather from the scan, things are all looking very good for her. | 0:26:22 | 0:26:26 | |
So it's fantastic news. | 0:26:26 | 0:26:28 | |
-ALL: -Well done, well done, well done! | 0:26:28 | 0:26:32 | |
Subtitles by Red Bee Media Ltd | 0:26:42 | 0:26:45 |