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Welcome to Cash in the Attic. This is the show that searches out all those hidden treasures | 0:00:02 | 0:00:06 | |
around your home and then we sell them at auction. | 0:00:06 | 0:00:08 | |
Well, today we're going to be meeting a lady | 0:00:08 | 0:00:11 | |
who's hoping to banish away those winter blues | 0:00:11 | 0:00:13 | |
by setting sail for the sun. | 0:00:13 | 0:00:15 | |
Today on Cash In The Attic, | 0:00:35 | 0:00:37 | |
no-one likes to lose out on a chance to win a prize draw. | 0:00:37 | 0:00:42 | |
I bet you got daggers when you came back off the prize floor, didn't you? | 0:00:42 | 0:00:45 | |
-Yes. -LAUGHTER | 0:00:45 | 0:00:48 | |
It's going to be a day of strong reactions. | 0:00:48 | 0:00:52 | |
Very nice too! | 0:00:52 | 0:00:55 | |
Quite a surprise. | 0:00:55 | 0:00:57 | |
But it's not exactly plain sailing at auction. | 0:00:57 | 0:01:00 | |
£20, are you...? | 0:01:00 | 0:01:02 | |
A little bit disappointed, but... | 0:01:02 | 0:01:05 | |
-Hang in there till the final hammer falls. -No further interest? | 0:01:05 | 0:01:09 | |
Today I'm in Hampshire, where a hard-working lady | 0:01:09 | 0:01:13 | |
is hoping that we can help turn her keepsakes into cash. | 0:01:13 | 0:01:17 | |
Sally Nuth worked in financial accounting for 40 years, | 0:01:17 | 0:01:21 | |
where she met her good friend Carol, a fellow knitter, | 0:01:21 | 0:01:25 | |
who used to be her boss. | 0:01:25 | 0:01:27 | |
Sally moved to the Hampshire coast to enjoy the views | 0:01:27 | 0:01:30 | |
and this is the home she shared with her husband, Robert, | 0:01:30 | 0:01:33 | |
who lived until 2002. | 0:01:33 | 0:01:35 | |
Recently, Sally's been helping out at a local charity shop | 0:01:35 | 0:01:38 | |
but now she's raising funds for her one great passion, | 0:01:38 | 0:01:41 | |
an ocean-going adventure | 0:01:41 | 0:01:43 | |
'and she's invited myself and our expert John Cameron to help her out.' | 0:01:43 | 0:01:47 | |
-She's got lots of stuff for you to value. -Let's hope so. | 0:01:47 | 0:01:51 | |
-Good morning, ladies. -Good morning. | 0:01:51 | 0:01:53 | |
-Hello. -You look like you're ready and raring to go. -Yes. | 0:01:53 | 0:01:57 | |
That didn't sound right, shall we start again? | 0:01:57 | 0:01:59 | |
-Are you ready and raring to go? -Yes. | 0:01:59 | 0:02:01 | |
THEY LAUGH | 0:02:01 | 0:02:03 | |
Now, obviously, John's with me today, he's going to be your expert. | 0:02:03 | 0:02:06 | |
So if it's OK, maybe he can crack on and see if he can find any pieces. | 0:02:06 | 0:02:10 | |
We can press on, John, if that's OK. Go and have a look, see what you find. | 0:02:10 | 0:02:14 | |
-You get the tea, I get the marching orders. -Absolutely! | 0:02:14 | 0:02:17 | |
You called us in. What do you want the money for? | 0:02:17 | 0:02:19 | |
I want to make the money to go on a cruise. | 0:02:19 | 0:02:23 | |
Right, OK, why a cruise? | 0:02:23 | 0:02:25 | |
-This will be my 21st cruise. -Oh, really? | 0:02:25 | 0:02:28 | |
And I just want a bit of extra spending money so I can go to the spa and have things done. | 0:02:28 | 0:02:35 | |
-How wonderful. Now are you going on this as well? -No. | 0:02:35 | 0:02:38 | |
-No, I don't like cruises. -Oh, really? | 0:02:38 | 0:02:40 | |
-I've never been on one. -She doesn't like the water. | 0:02:40 | 0:02:42 | |
Oh, well, you'd not be much good company, would you, then? But you are here to help today? | 0:02:42 | 0:02:47 | |
-Yes. -Well, we're talking about spending money on the cruise, what sort of money do you want to raise? | 0:02:47 | 0:02:52 | |
About £300. | 0:02:52 | 0:02:54 | |
OK, well, if we're going to raise this £300 for your pocket money on the cruise, | 0:02:54 | 0:02:59 | |
we'd better see if John's found anything for us to have a look at. | 0:02:59 | 0:03:02 | |
So Sally is planning her 21st cruise. What a fabulous hobby. | 0:03:02 | 0:03:07 | |
Well, whatever happens, we'll do all we can to send her on her way in style. | 0:03:07 | 0:03:11 | |
Carol makes a start and it looks like John's got lucky, too. | 0:03:11 | 0:03:14 | |
Ah, John, have you found something already? | 0:03:14 | 0:03:18 | |
I have, something rather nice, in fact, Lorne, a Montblanc pen. | 0:03:18 | 0:03:21 | |
Now that's a very good name, so where did this come from? | 0:03:21 | 0:03:25 | |
I was on board the QM2 at an art auction | 0:03:25 | 0:03:30 | |
and this was put in the raffle by the president of Montblanc | 0:03:30 | 0:03:35 | |
and my name got pulled out and I won the pen. | 0:03:35 | 0:03:38 | |
Never been used because... | 0:03:38 | 0:03:40 | |
I lose pens, so it was safer to keep it in the box. | 0:03:40 | 0:03:44 | |
I bet you got daggers when you came back off the prize floor, didn't you? | 0:03:44 | 0:03:47 | |
Yes, and I then went on to win artwork at that auction, as well. | 0:03:47 | 0:03:52 | |
Oh, my goodness, how wonderful. | 0:03:52 | 0:03:55 | |
The Montblanc brand is one typically associated with luxury goods. | 0:03:55 | 0:03:59 | |
They're very nice items and quite expensive items. | 0:03:59 | 0:04:02 | |
A pen like this today, new at a shop, would cost you £250-£300. | 0:04:02 | 0:04:07 | |
A pen like this. Um... | 0:04:07 | 0:04:09 | |
Nice history as well, they started at the turn of the last... About 1906. | 0:04:09 | 0:04:14 | |
Set up by engineer, a stationer and a banker, | 0:04:14 | 0:04:17 | |
to compete in a very competitive market of fountain pens | 0:04:17 | 0:04:20 | |
and they started as the Simplo Filler Company, | 0:04:20 | 0:04:22 | |
adopting the name Montblanc, which we can see. | 0:04:22 | 0:04:26 | |
This is their little emblem, this snowcap, | 0:04:26 | 0:04:28 | |
which is symbolic of the snowcap of the mountain, Mont Blanc. | 0:04:28 | 0:04:31 | |
You said that they retail around £250. Is that the sort of estimate you'd put on it for auction? | 0:04:31 | 0:04:37 | |
No, because this is now, I know it's new and it's not been used but effectively it's second-hand. | 0:04:37 | 0:04:43 | |
It is good that it's got its original box, packaging and paperwork. | 0:04:43 | 0:04:47 | |
-I'd say £80-£120. -Pleasantly shocked. | 0:04:47 | 0:04:51 | |
Well, it's not quite a blank cheque but at least the elegant Montblanc pen | 0:04:51 | 0:04:55 | |
has written a neat first line on our auction list. | 0:04:55 | 0:04:58 | |
Let's see how quickly we can fill in a second. | 0:04:58 | 0:05:01 | |
Tucked away in one of the bedrooms, I soon uncover a haul of ladies' wristwatches | 0:05:01 | 0:05:06 | |
and one of them was a present to Sally. | 0:05:06 | 0:05:08 | |
I can see all sorts of makes here, proof that styles come and go | 0:05:08 | 0:05:12 | |
but let's hope that this lot is in fashion at auction. | 0:05:12 | 0:05:15 | |
John thinks it will make £30-£40. | 0:05:15 | 0:05:19 | |
Carol's found something interesting, have you got a character jug? | 0:05:20 | 0:05:24 | |
-Yes, I have. -Got a couple more here. | 0:05:24 | 0:05:26 | |
There we are, there's another one. You take that one, I'll have this one. | 0:05:26 | 0:05:30 | |
Are they inherited or did you acquire these? | 0:05:30 | 0:05:32 | |
I acquired these two but that one came from my father, it was given to him on his wedding day. | 0:05:32 | 0:05:39 | |
As you know, they're Royal Doulton, | 0:05:39 | 0:05:40 | |
if we turn upside down, we see they've got the Doulton mark on the bottom. | 0:05:40 | 0:05:44 | |
That one there is called Paddy | 0:05:44 | 0:05:46 | |
and that was actually designed by Harry Fenton at Doulton | 0:05:46 | 0:05:50 | |
and they first issued that in about 1937 | 0:05:50 | 0:05:53 | |
and it continued in production up until about 1960, | 0:05:53 | 0:05:56 | |
so they would have made thousands of them. | 0:05:56 | 0:05:59 | |
This one here is Bacchus and he's the god of wine, if you have a look at him there, he's got a bunch of grapes | 0:05:59 | 0:06:04 | |
and looking at his eyes, it looks like he's been at the wine. | 0:06:04 | 0:06:07 | |
-He does look somewhat inebriated, doesn't he? -He does, doesn't he? | 0:06:07 | 0:06:10 | |
He's quite nice, and that one there doesn't need any introduction, | 0:06:10 | 0:06:14 | |
we can see exactly who that is, it's Winston Churchill. | 0:06:14 | 0:06:17 | |
But turn it upside down, I did notice on the Doulton Mark | 0:06:17 | 0:06:20 | |
we can see it's been drilled, that mark, right in the centre | 0:06:20 | 0:06:24 | |
and they often do that when they have seconds. | 0:06:24 | 0:06:27 | |
Apparently the colour of his coat is slightly wrong. | 0:06:27 | 0:06:31 | |
-Well, there we are, so you knew that? -Yeah. -OK. | 0:06:31 | 0:06:34 | |
Well, for the three of them, I'll be looking at about £30-£40, OK? | 0:06:34 | 0:06:37 | |
Yeah, that'll be fine. | 0:06:37 | 0:06:39 | |
Jugs like these Bacchus and Paddy examples, | 0:06:39 | 0:06:42 | |
which feature just the face, are known as character jugs | 0:06:42 | 0:06:45 | |
whereas full-body examples like Winston Churchill are known as Toby jugs. | 0:06:45 | 0:06:49 | |
I've no doubt this bunch of revellers will toast Sally's health and see her off in style. | 0:06:49 | 0:06:54 | |
And talking of style, how about costume jewellery? | 0:06:54 | 0:06:57 | |
It started to become popular during the 1930s, | 0:06:57 | 0:07:00 | |
producing glamorous fashion accessories available for prices that wouldn't disgrace your purse. | 0:07:00 | 0:07:06 | |
John's found this assortment in the study. | 0:07:06 | 0:07:08 | |
They belonged to Sally's mother and, as our host prefers not to wear any kind of jewellery, | 0:07:08 | 0:07:12 | |
this collection can go to auction with a price tag of £40-£60. | 0:07:12 | 0:07:16 | |
Now, John's busy rummaging away upstairs | 0:07:16 | 0:07:19 | |
so I thought I'd leave him to it for a moment and have a catch up with the two of you. | 0:07:19 | 0:07:23 | |
-How did you meet? -Ten years ago, we met, I met Carol through work. | 0:07:23 | 0:07:28 | |
I was Sally's boss... | 0:07:28 | 0:07:30 | |
and we seemed to click, didn't we? | 0:07:30 | 0:07:33 | |
Yeah. | 0:07:33 | 0:07:34 | |
Obviously, during your working life, you meet lots of people | 0:07:34 | 0:07:37 | |
but you don't necessarily stay friends with all of them, so why do you think you two have? | 0:07:37 | 0:07:41 | |
Similar interests, we like knitting and crocheting and things like that. | 0:07:41 | 0:07:47 | |
-We just have a good laugh together, don't we? -Yeah. | 0:07:47 | 0:07:50 | |
So in terms of your working life, | 0:07:50 | 0:07:52 | |
what did you actually start out doing? | 0:07:52 | 0:07:55 | |
I've worked in accounts practically all my life | 0:07:55 | 0:07:58 | |
but I have... Weekends and holidays, I helped my dad, he was a greyhound trainer. | 0:07:58 | 0:08:05 | |
So was this going on before you met your husband? | 0:08:05 | 0:08:08 | |
Well before. I...I led him astray. | 0:08:08 | 0:08:12 | |
Oh, did you? Dare I ask in what way? | 0:08:12 | 0:08:14 | |
If he wanted to see me, he had to come to the dog track. | 0:08:14 | 0:08:19 | |
Never been to a dog track before. | 0:08:19 | 0:08:21 | |
I met him in the British Legion and we became friends, always used to have the last dance together, | 0:08:21 | 0:08:27 | |
decided after being friends that we'd quite the like to go out and we did. | 0:08:27 | 0:08:33 | |
And within 18 months we were married. | 0:08:33 | 0:08:36 | |
We said that when we'd been married 25 years, we were going to do a cruise and not a party. | 0:08:36 | 0:08:41 | |
Unfortunately my husband died, we were married 21 years | 0:08:41 | 0:08:47 | |
and I still did it... | 0:08:47 | 0:08:49 | |
in memory of him. | 0:08:49 | 0:08:51 | |
That was very much to be admired. It must have been brave to do it on your own. | 0:08:51 | 0:08:55 | |
Initially, to do the first cruise, | 0:08:55 | 0:09:00 | |
but I've met friends and it's something I can do on my own with a sense of security. | 0:09:00 | 0:09:05 | |
Well, that all sounds very tempting, I can almost understand why Sally loves to go on a cruise. | 0:09:05 | 0:09:09 | |
Her friend Carol has never quite found her sea legs, though, | 0:09:09 | 0:09:13 | |
but here in the lounge, she has discovered some of Sally's cruise ship memorabilia. | 0:09:13 | 0:09:17 | |
The calendar and paperweights were Christmas presents given to her on the QE2, | 0:09:17 | 0:09:22 | |
while this plate commemorates the liner being taken out of commission in 2008, after 40 years' service. | 0:09:22 | 0:09:28 | |
Both are decorated with the famous Cunard insignia | 0:09:28 | 0:09:31 | |
and John reckons they could bring us a further £25-£40. | 0:09:31 | 0:09:35 | |
We're steaming along nicely now and I think I've located something worthy of John's attention. | 0:09:35 | 0:09:40 | |
John? Sally? | 0:09:40 | 0:09:44 | |
I found a lovely ring. | 0:09:46 | 0:09:48 | |
Look at that, is this the original box for it, as well? | 0:09:48 | 0:09:52 | |
-Possibly. But it came... The ring is my grandmother's. -Right. | 0:09:52 | 0:09:55 | |
And that was her engagement ring. | 0:09:55 | 0:09:57 | |
Well, stylistically, I'd certainly put it at the early part of the 20th century. | 0:09:57 | 0:10:03 | |
It's 18 carat gold and hallmarked in Chester, 1918, so end of the First World War. | 0:10:03 | 0:10:09 | |
Right. Is it something you'd be prepared to sell? | 0:10:09 | 0:10:11 | |
Yes, it doesn't fit me. | 0:10:11 | 0:10:13 | |
It's very small, as many of those rings are. | 0:10:13 | 0:10:16 | |
And I haven't got any children to hand it on to, so, yes, | 0:10:16 | 0:10:21 | |
it can go and be enjoyed by someone else. | 0:10:21 | 0:10:23 | |
Well, commercially, not a terribly popular style | 0:10:23 | 0:10:27 | |
but they still sell at auction and it's in fairly good condition for its age, | 0:10:27 | 0:10:33 | |
it's got that late Victorian/Edwardian look about it, | 0:10:33 | 0:10:36 | |
claw set with little tiny rose-cut diamonds either side, two each side, | 0:10:36 | 0:10:40 | |
called rose cut because each one's different. | 0:10:40 | 0:10:42 | |
They are quite roughly cut, it's quite a crude cutting but it was very typical of that period. | 0:10:42 | 0:10:47 | |
In here we've got some semiprecious stones, which I think possibly tourmaline or topaz. | 0:10:47 | 0:10:54 | |
So I think, taking everything into consideration, we're looking at £60-£80. | 0:10:54 | 0:10:59 | |
-It's about what I expected. Pleased with that. -Phew. | 0:10:59 | 0:11:04 | |
Ah, but when this much-loved family heirloom goes under the hammer, will the bidders match John's estimate? | 0:11:04 | 0:11:11 | |
Topaz-set ring and what shall we sell this, start me £50? | 0:11:11 | 0:11:14 | |
Topaz ring. £50, start me? £40 then? | 0:11:14 | 0:11:17 | |
Surely somebody will bid me £40? | 0:11:17 | 0:11:19 | |
Let's hope someone steps in to deliver us a solid gold result. | 0:11:19 | 0:11:23 | |
Our search for hidden heirloom's in Hampshire | 0:11:25 | 0:11:28 | |
is racing along at a rate of knots, | 0:11:28 | 0:11:31 | |
a bit like this sleek greyhound statue. | 0:11:31 | 0:11:34 | |
And there are numerous dogs to be found. | 0:11:34 | 0:11:36 | |
Here's another pair of greyhound figurines. These little fellows are popping up everywhere. | 0:11:36 | 0:11:41 | |
What's Carol found in the kitchen? | 0:11:41 | 0:11:43 | |
A dinner service of collectable Poole pottery, | 0:11:43 | 0:11:47 | |
which was given to Sally as a wedding present. | 0:11:47 | 0:11:50 | |
She and Robert added to it over the years, | 0:11:50 | 0:11:52 | |
picking up pieces all over the place including Devon, near to where Poole is based. | 0:11:52 | 0:11:56 | |
Tastes change and sets like this sometimes struggle at auction, | 0:11:56 | 0:12:00 | |
so John's cautious with his estimate at £20-£40. | 0:12:00 | 0:12:03 | |
And it isn't the only item to attract his curiosity. | 0:12:03 | 0:12:07 | |
Carol, what about this? This looks interesting. | 0:12:08 | 0:12:11 | |
-What do you know about it? -Well, it belonged to Sally's father | 0:12:11 | 0:12:15 | |
and I believe it was on his first car he ever had. | 0:12:15 | 0:12:18 | |
They made it in the shape of a greyhound cos he was a greyhound trainer. | 0:12:18 | 0:12:21 | |
-Her father was a greyhound trainer? -Yes. -Oh, right. | 0:12:21 | 0:12:24 | |
It's an interesting thing, I love the styling of it, look at the body. | 0:12:24 | 0:12:28 | |
-And it's heavy, isn't it? -It is heavy. | 0:12:28 | 0:12:30 | |
The body, look how angular it is, the muscles, the definition. | 0:12:30 | 0:12:33 | |
Mascots, originally, were an optional extra | 0:12:33 | 0:12:37 | |
and they would have adorned the cap of the radiator, | 0:12:37 | 0:12:40 | |
which, on the very first cars, they sat on the top. | 0:12:40 | 0:12:43 | |
When they went under the bonnet, these became bonnet ornaments that were fixed actually to the bonnet. | 0:12:43 | 0:12:48 | |
But there are some very collectable examples, | 0:12:48 | 0:12:51 | |
certainly the early pieces from Rolls-Royce and Bentley and things like that, | 0:12:51 | 0:12:56 | |
and some of the ones by Lalique that were literally made of pressed glass and had a lighting element in them. | 0:12:56 | 0:13:02 | |
So they were attached to the radiator cap and wired up to the battery of the car, | 0:13:02 | 0:13:08 | |
when the lights were on at night, they actually glowed. | 0:13:08 | 0:13:11 | |
-That's quite a nice piece, isn't it? -Yes. | 0:13:11 | 0:13:13 | |
Well, there are a lot of collectors of car mascots or hood ornaments, as they're known in America. | 0:13:13 | 0:13:18 | |
Something like that, | 0:13:18 | 0:13:20 | |
I think at auction would easily make £50-£80. | 0:13:20 | 0:13:23 | |
That's good, yeah. | 0:13:23 | 0:13:25 | |
As we've seen, there are greyhounds everywhere in this house. | 0:13:25 | 0:13:28 | |
Let's hope this specimen brings out the motor enthusiasts on sale day. | 0:13:28 | 0:13:32 | |
Sally is in the main bedroom, | 0:13:32 | 0:13:34 | |
where she's just remembered to more rings for the sale, | 0:13:34 | 0:13:36 | |
which were both once owned by her mother. | 0:13:36 | 0:13:39 | |
One is a nine-carat gold wedding ring | 0:13:39 | 0:13:41 | |
and the other is unmarked, with a diamond and amethyst. | 0:13:41 | 0:13:45 | |
John estimates their combined value at £20-£40. | 0:13:45 | 0:13:48 | |
Sally's won a few prizes at sea in her time and this has included several prints of modern artwork. | 0:13:48 | 0:13:54 | |
'I'm joining her for a private view of just some of the items in her collection.' | 0:13:54 | 0:13:58 | |
Now, these all look like a limited edition prints to me. | 0:13:58 | 0:14:01 | |
-They are. -Where are they from? | 0:14:01 | 0:14:03 | |
Either the QE2 or the Queen Mary 2. | 0:14:03 | 0:14:06 | |
They have an early bird raffle before the start of the auction. | 0:14:06 | 0:14:11 | |
-Now, did you pay for any of them? -Some of them but not all of them. | 0:14:11 | 0:14:14 | |
Most of these, I won. | 0:14:14 | 0:14:17 | |
This one, I paid for this one, which won't be going to the sale. | 0:14:17 | 0:14:22 | |
Tell me what made you decide to buy this one. | 0:14:22 | 0:14:24 | |
Well, it's called Celebration and I'd had a lot of family death in a very short time | 0:14:24 | 0:14:30 | |
and this is when I started to come out of that period in my life | 0:14:30 | 0:14:34 | |
and I thought this was an apt picture. | 0:14:34 | 0:14:36 | |
-So the rest of the paintings here, or prints should I say, are they going to be sold? -Yes, they are. | 0:14:36 | 0:14:42 | |
Lovely, well, let's see what John has to say about them. John? | 0:14:42 | 0:14:46 | |
Hello, Carol, come through. | 0:14:46 | 0:14:49 | |
Interesting, what have we got, a gallery going on? | 0:14:49 | 0:14:52 | |
-We found a lot of paintings here, all from different cruises, so what do you think? -OK. | 0:14:52 | 0:14:58 | |
Well, I've been on the cruises and seen these art auctions in action, | 0:14:58 | 0:15:02 | |
and often they are living artists. | 0:15:02 | 0:15:05 | |
I tend to find, at the moment, the resale value of them | 0:15:05 | 0:15:09 | |
doesn't reflect what they cost originally. | 0:15:09 | 0:15:11 | |
I think often people are paying for the marketing, as well. | 0:15:11 | 0:15:15 | |
But they are pretty pictures, after all, that's why people buy them, they like them, | 0:15:15 | 0:15:19 | |
not necessarily because it's an investment. | 0:15:19 | 0:15:21 | |
They are nice splashes of colour. | 0:15:21 | 0:15:23 | |
What determines how much each one goes for is the subject matter and we have some interesting colours. | 0:15:23 | 0:15:29 | |
But if we're just talking about this selection here, | 0:15:29 | 0:15:32 | |
you've got to be looking at upwards of £200. | 0:15:32 | 0:15:34 | |
Considering a lot of them were won in raffles, | 0:15:34 | 0:15:37 | |
that's not bad, is it? | 0:15:37 | 0:15:38 | |
Anything is a bonus, considering I've not had to pay anything for them. | 0:15:38 | 0:15:43 | |
Now, at the start of the day, of course, you were looking to raise some spending money | 0:15:43 | 0:15:47 | |
for your next cruise and how much did you want to raise? | 0:15:47 | 0:15:50 | |
About £300. | 0:15:50 | 0:15:51 | |
OK. Well, the value of everything going to auction comes to... | 0:15:51 | 0:15:56 | |
£555. | 0:15:56 | 0:16:00 | |
Very nice, too! | 0:16:00 | 0:16:02 | |
Quite a surprise. | 0:16:02 | 0:16:04 | |
Well, Sally seems pleased, so let's hope we do reach that target | 0:16:04 | 0:16:07 | |
and maybe even go beyond it when we take everything to auction. | 0:16:07 | 0:16:11 | |
The Montblanc pen that Sally is selling for £80-£120 was a prize from one of her cruises. | 0:16:11 | 0:16:17 | |
And the greyhound car mascot looks like a pedigree winner. | 0:16:17 | 0:16:21 | |
It has a very attractive estimate of £50-£80. | 0:16:21 | 0:16:24 | |
Let's hope we see some pottery collectors at the sale. | 0:16:24 | 0:16:26 | |
£30-£40 is the estimate for Bacchus, Winston, and Paddy. | 0:16:26 | 0:16:31 | |
They're being sold together in a single lot. | 0:16:31 | 0:16:34 | |
Still to come on Cash In The Attic, selling antiques at auction can prove very satisfying. | 0:16:37 | 0:16:43 | |
-I think that's good, don't you? -Lovely. -Are you pleased with that? | 0:16:43 | 0:16:47 | |
Yes, very pleased with that. | 0:16:47 | 0:16:48 | |
But don't flog all your best china. | 0:16:48 | 0:16:51 | |
What are you eating off now, then? | 0:16:51 | 0:16:53 | |
Er...cardboard plates. | 0:16:53 | 0:16:55 | |
Be there when the final hammer falls. | 0:16:56 | 0:16:59 | |
Now, it's been a few weeks since we visited Sally at her house | 0:17:03 | 0:17:06 | |
and found some very nice items that we've brought here, | 0:17:06 | 0:17:09 | |
to Chiswick Auction Rooms in West London. | 0:17:09 | 0:17:11 | |
Now, remember, she's looking to raise around £300 towards her next cruise. | 0:17:11 | 0:17:16 | |
We've had the valuations done by our expert, | 0:17:16 | 0:17:18 | |
let's just hope today that the bidders agree with his valuations. | 0:17:18 | 0:17:23 | |
Sally's collectables have been on show for several days, | 0:17:23 | 0:17:26 | |
which means the bidders have had plenty of time to inspect everything up close. | 0:17:26 | 0:17:30 | |
Sally and Carol are saying farewell to that rather smart Montblanc pen. | 0:17:30 | 0:17:35 | |
-Good morning. -Good morning. -Morning. | 0:17:35 | 0:17:38 | |
-Looking at one of your items, I see. -Yes, we are, yeah. | 0:17:38 | 0:17:41 | |
How do you feel about it being in the sale today? | 0:17:41 | 0:17:44 | |
-Quite excited, really. -Yeah? | 0:17:44 | 0:17:46 | |
Cos you've got a lot of modern items, aren't they, today? | 0:17:46 | 0:17:49 | |
Yeah, we have some interesting items and you have a big bunch of prints | 0:17:49 | 0:17:52 | |
I had to put a bit of a guesstimate on those but they could be our wild card today. | 0:17:52 | 0:17:56 | |
-Right, lovely. -Shall we put it back in the cabinet and get ready for the sale? | 0:17:56 | 0:18:00 | |
-Yes. -Right, follow me. | 0:18:00 | 0:18:01 | |
The auctioneer is already at work and as we take our places, | 0:18:01 | 0:18:05 | |
the first of Sally's items under the hammer is her dinner service. | 0:18:05 | 0:18:09 | |
So where was this from? | 0:18:09 | 0:18:10 | |
Half of it was a wedding present | 0:18:10 | 0:18:13 | |
and we added the rest of it later on, when we were in Poole. | 0:18:13 | 0:18:18 | |
What are you eating off now, then? | 0:18:18 | 0:18:20 | |
Er...cardboard plates. | 0:18:20 | 0:18:23 | |
Start me £10, surely? | 0:18:23 | 0:18:24 | |
At £10, I'm bid...and 12 I'll take, now. 12, there. 15, 18, | 0:18:24 | 0:18:27 | |
20, 22, 25. | 0:18:27 | 0:18:29 | |
At £22 to my left, take 25, now. | 0:18:29 | 0:18:33 | |
At £22. All done and selling at 22. | 0:18:33 | 0:18:36 | |
Not a startling result at £22 | 0:18:36 | 0:18:39 | |
but one we can live with, | 0:18:39 | 0:18:41 | |
as it kicks off Sally's fund for her next cruise. | 0:18:41 | 0:18:44 | |
Next, we have our three Royal Doulton pieces. | 0:18:44 | 0:18:46 | |
We have the large character jug, Paddy. | 0:18:46 | 0:18:49 | |
The little Bacchus one. The one with the one-eyed wine thing. | 0:18:49 | 0:18:52 | |
-And the little Churchill which was a second, wasn't it? -Yes. | 0:18:52 | 0:18:55 | |
OK, well, we want £30-£40 for them. | 0:18:55 | 0:18:57 | |
Let's see what the room thinks of our estimate. | 0:18:57 | 0:18:59 | |
Start me £20, somebody. | 0:18:59 | 0:19:01 | |
£20 start me, £20 I'm bid. | 0:19:01 | 0:19:03 | |
22, 25, 28 and 30. 32, 35, | 0:19:03 | 0:19:06 | |
38 and 40. | 0:19:06 | 0:19:09 | |
42. Thank you very much, at £40 at the back of the room. | 0:19:09 | 0:19:12 | |
-42 there, 45, 48. -That's good. | 0:19:12 | 0:19:16 | |
At £48 there. Take 50, now, £48. | 0:19:16 | 0:19:18 | |
Are we done? Someone make it round money. | 0:19:18 | 0:19:20 | |
At £48, I'll sell it. Last chance, 48 and gone. 392... | 0:19:20 | 0:19:24 | |
-I think that's very good, don't you? -Lovely. -Pleased with that? | 0:19:24 | 0:19:27 | |
Yes, very pleased with that. | 0:19:27 | 0:19:29 | |
At £48 for the three, Bacchus looks pleased with that outcome, too. | 0:19:29 | 0:19:34 | |
I expect he'll celebrate with a tipple or two, | 0:19:34 | 0:19:37 | |
as he heads off with Churchill and Paddy to pastures new. | 0:19:37 | 0:19:40 | |
Sally must be sad to be parting with this Cunard memorabilia. | 0:19:40 | 0:19:44 | |
There's a calendar, commemorative plate and a paperweight, all mementoes of her recent trips. | 0:19:44 | 0:19:48 | |
I hope the bidders are impressed. | 0:19:48 | 0:19:52 | |
I'm going to sell it, then, at £20. A maiden bid. No further interest? | 0:19:52 | 0:19:56 | |
-£20, are you...? -A little bit disappointed. -Yeah. | 0:19:56 | 0:20:00 | |
We have to take an overview and hope that by the time we've finished selling our pieces, | 0:20:01 | 0:20:05 | |
we have the money you want. | 0:20:05 | 0:20:07 | |
That bid procured a modest £20 towards Sally's trip. | 0:20:07 | 0:20:11 | |
Next up, this Art Deco greyhound car mascot from 1929. | 0:20:11 | 0:20:15 | |
Sally has added some greyhound racing medals to the lot. | 0:20:15 | 0:20:19 | |
They all came from her father. | 0:20:19 | 0:20:21 | |
At £65 standing in the doorway. At 65. | 0:20:21 | 0:20:24 | |
No further bidding on 65, I'm going to sell it. | 0:20:24 | 0:20:27 | |
£65, so it's a bit more than the bottom estimate. | 0:20:27 | 0:20:30 | |
-Yeah, quite happy with that. -Yeah? | 0:20:30 | 0:20:32 | |
-Yes. -Good, good. | 0:20:32 | 0:20:33 | |
Yes, that's more like it. | 0:20:33 | 0:20:34 | |
The mascot was a firm favourite, bringing home the £65 prize. | 0:20:34 | 0:20:39 | |
Up next is this collection of seven ladies' timepieces. | 0:20:39 | 0:20:42 | |
In the marketplace, it's a known fact that... | 0:20:42 | 0:20:46 | |
ladies' watches are harder to sell than gents', for some reason. | 0:20:46 | 0:20:49 | |
However, we're looking for £30-£40 for these. | 0:20:49 | 0:20:52 | |
£10 I'm bid and 12 now, surely? At £10, 12 there, 15, 18, 20, | 0:20:52 | 0:20:57 | |
22, 25, 28 and 30... | 0:20:57 | 0:21:00 | |
At £28, seated to the left. Take 30 now, one more. At £28 to my left, take 30, now. | 0:21:00 | 0:21:04 | |
All done? £28 and selling. | 0:21:04 | 0:21:07 | |
Another £28 for the kitty, it seems John was right about the watches. | 0:21:07 | 0:21:12 | |
But at the halfway stage, I'm wondering how close that's brought us to our £300 goal. | 0:21:12 | 0:21:19 | |
We've got lots of things to go this afternoon but so far, | 0:21:19 | 0:21:22 | |
in the morning part of the sale, we've actually made £183. | 0:21:22 | 0:21:26 | |
Oh, lovely. | 0:21:26 | 0:21:27 | |
-You're pleased with that? -Yeah, very. | 0:21:27 | 0:21:29 | |
OK, so not too far to go to reach our target of £300. | 0:21:29 | 0:21:33 | |
-We're nearly there. We're more than halfway there. I think that's good news! -Very. | 0:21:33 | 0:21:37 | |
Sally and Carol seemed pleased with how the auction's going so far | 0:21:37 | 0:21:42 | |
and if their experience inspires you to think about selling some bric-a-brac in this way, | 0:21:42 | 0:21:46 | |
bear in mind that auction houses charge fees, such as commission. | 0:21:46 | 0:21:50 | |
Your local saleroom will advise you on these extra costs. | 0:21:50 | 0:21:54 | |
There's plenty to come in Sally's sale but first, | 0:21:54 | 0:21:57 | |
a pair of rings from her mother's belongings. | 0:21:57 | 0:21:59 | |
One is a diamond and amethyst, the other a nine-carat gold wedding ring. | 0:21:59 | 0:22:03 | |
Somebody start me £20. £20 I'm bid. | 0:22:03 | 0:22:05 | |
22, I'll take now. At 22 there, 25, 28. | 0:22:05 | 0:22:09 | |
And 30, 32, 35, | 0:22:09 | 0:22:11 | |
That's good. | 0:22:11 | 0:22:13 | |
40, 42, 45, at £42 in the doorway, then. | 0:22:13 | 0:22:17 | |
I'll take 45 now. At £42. All done and selling at 42 in the doorway. | 0:22:17 | 0:22:21 | |
-£42. -Not bad at all. | 0:22:21 | 0:22:24 | |
-That's good, isn't it? -Very good. -Excellent. | 0:22:24 | 0:22:27 | |
£42 is a good result to start the second half of Sally's sale. | 0:22:27 | 0:22:32 | |
I wonder if this elegant Montblanc pen will write another positive figure, | 0:22:32 | 0:22:36 | |
somewhere near the estimate of £80-£120. | 0:22:36 | 0:22:39 | |
It'll make more, this. | 0:22:39 | 0:22:41 | |
Start me, £50 somebody? Montblanc £50, start me, surely? | 0:22:41 | 0:22:44 | |
At £50 I'm bid. And 5 I'll take now. Surely? | 0:22:44 | 0:22:46 | |
55? 55, there. | 0:22:46 | 0:22:49 | |
60, 5, | 0:22:49 | 0:22:50 | |
70, 5, 80. | 0:22:50 | 0:22:53 | |
At £75 at the back of the room. Ridiculously cheap for a Montblanc at £75. | 0:22:53 | 0:22:57 | |
Come on, a bit more than that. | 0:22:57 | 0:22:58 | |
80 next to you. And 5, | 0:22:58 | 0:23:00 | |
90. At £85, standing. My original bidder at £85. | 0:23:00 | 0:23:05 | |
I'll take a 90 now, still cheap at £85. | 0:23:05 | 0:23:07 | |
But selling, all done, last chance. | 0:23:07 | 0:23:10 | |
£85, are you pleased with that? | 0:23:10 | 0:23:12 | |
Yeah, considering I got it for nothing. | 0:23:12 | 0:23:14 | |
Yes, you didn't pay a penny for it, did you? | 0:23:14 | 0:23:16 | |
From Sally and Carol's perspective, that's 100% profit. Not bad. | 0:23:16 | 0:23:21 | |
Now then, a large collection of costume jewellery, | 0:23:21 | 0:23:24 | |
which belonged to Sally's mother, | 0:23:24 | 0:23:26 | |
John's estimate was £40-£60 so let's hope the bidders take a shine to it. | 0:23:26 | 0:23:31 | |
And I'm already bid £30, I'll take 2 in the room. | 0:23:31 | 0:23:34 | |
The costume jewellery, £30. 2 now, £32, beats commission. 35. | 0:23:34 | 0:23:38 | |
38 and 40, 42. At £40, seated, then. | 0:23:38 | 0:23:41 | |
Take 42 now, a lot for the money. At £40 in the middle of the room. | 0:23:41 | 0:23:46 | |
Are we all done then? Last chance at £40 and selling. | 0:23:46 | 0:23:49 | |
-£40, that's good, isn't it? -Yeah, lovely. -That's really good. | 0:23:49 | 0:23:52 | |
Bang on our lower estimate, I was hoping for a little bit more but £40. | 0:23:52 | 0:23:57 | |
It's all good news, Sally's money for the cruise grows ever larger with each successful sale. | 0:23:57 | 0:24:03 | |
How about her grandmother's engagement ring? | 0:24:03 | 0:24:05 | |
John thinks it's worth £60-£80. | 0:24:05 | 0:24:07 | |
The 18 carat gold and topaz set ring. And what shall we sell this for? Start me, £50. | 0:24:07 | 0:24:13 | |
Topaz ring £50, start me. £40, then. | 0:24:13 | 0:24:16 | |
Surely? £40 I'm bid, thank you, and 5 I'll take now. At £40 only for a ring... | 0:24:16 | 0:24:21 | |
-At £40. -Crikey. | 0:24:21 | 0:24:23 | |
£40. Someone give me 5. At £40, then. | 0:24:23 | 0:24:25 | |
All done and selling at 40 and gone. One and only bidder.. | 0:24:25 | 0:24:28 | |
Well, I'm surprised at that, it was 18 carat, quite a bit less than I thought it might go for | 0:24:28 | 0:24:34 | |
-but it's still £40, are you OK with that? -Yeah. | 0:24:34 | 0:24:38 | |
Nonetheless, Sally is happy to let it go as we sail towards our final lot, | 0:24:38 | 0:24:43 | |
the series of modern art prints, | 0:24:43 | 0:24:45 | |
some of which Sally acquired on previous cruises. | 0:24:45 | 0:24:48 | |
Start me £100, we'll see where they go. Surely £100 start me? | 0:24:48 | 0:24:51 | |
£100 bid surely? £100, start me? £50, we'll see where they go. | 0:24:51 | 0:24:56 | |
No bids of £50? £50 is bid. 55. | 0:24:56 | 0:24:59 | |
60, 5, 70, 5. | 0:24:59 | 0:25:02 | |
We want more than this, don't we? | 0:25:02 | 0:25:04 | |
At £75, I'll take 80 now. At £75. No further bidding then at £75. | 0:25:04 | 0:25:09 | |
I'm going to sell it. 80, thank you. And 5, 90. | 0:25:09 | 0:25:12 | |
5, 100. | 0:25:12 | 0:25:14 | |
That's at look away, at £95 at the back of the room. | 0:25:14 | 0:25:17 | |
£95. Someone make it round money if you like, at £95, then. | 0:25:17 | 0:25:21 | |
My biggest bid at £95 and selling. | 0:25:21 | 0:25:23 | |
£95, that's a lot less than we were hoping for. | 0:25:25 | 0:25:29 | |
Well, that's a bit of a disappointment | 0:25:29 | 0:25:31 | |
but Sally shouldn't be too downhearted. It's still £95 she didn't have a minute ago. | 0:25:31 | 0:25:36 | |
Plus it's not a bad return considering she won them all as prizes in a raffle. | 0:25:36 | 0:25:41 | |
After that stormy sea of sales, let's hope we've come close to Sally's target. | 0:25:41 | 0:25:44 | |
-Now you wanted £300, didn't you, towards you cruise? -Yes. | 0:25:44 | 0:25:47 | |
-Hopefully a bit more. -Yeah. | 0:25:47 | 0:25:49 | |
-OK, well, I know there were some disappointments today. -Right. | 0:25:49 | 0:25:53 | |
But you have raised... | 0:25:53 | 0:25:56 | |
£485. | 0:25:56 | 0:25:58 | |
Oh, lovely. Great, smashing. | 0:25:58 | 0:26:01 | |
-So you're happy with that? -Yeah, very happy. Yeah, that's wonderful. | 0:26:01 | 0:26:04 | |
Aboard the new Queen Elizabeth, Sally had a fabulous time cruising around the Mediterranean. | 0:26:09 | 0:26:16 | |
It was a fabulous experience to go on a new ship | 0:26:16 | 0:26:20 | |
and your days are filled with quizzes and lectures | 0:26:20 | 0:26:24 | |
and a choice of where you dine, evening entertainment. | 0:26:24 | 0:26:28 | |
There's never a dull moment on board a ship. | 0:26:28 | 0:26:31 | |
Subtitles by Red Bee Media Ltd | 0:26:41 | 0:26:45 |