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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
I'm sure that at sometime in our lives, quite a few us have had an ambition to do something | 0:00:03 | 0:00:08 | |
really adventurous, like travel the world, maybe live in another country, perhaps somewhere where it | 0:00:08 | 0:00:13 | |
doesn't rain quite as often as it does here. The thing is, often it remains just that. | 0:00:13 | 0:00:18 | |
A dream. But if the dream ever does become a reality, then you have to | 0:00:18 | 0:00:22 | |
decide what you're going to keep, what you're going to get rid of and what you're going to sell. | 0:00:22 | 0:00:28 | |
Coming up on Cash In The Attic, everyone loves majolica, don't they? | 0:00:48 | 0:00:53 | |
I can see in your eyes, she doesn't like it. | 0:00:53 | 0:00:57 | |
It's got horrible eyes on it. | 0:00:57 | 0:00:59 | |
And the lady of the house has another name for an oak coffer. | 0:00:59 | 0:01:02 | |
Do you know what it is? | 0:01:02 | 0:01:04 | |
A nuisance. | 0:01:04 | 0:01:06 | |
At auction, our expert, David, just can't accept a compliment. | 0:01:06 | 0:01:10 | |
-I think you're a very clever boy. -Thank you. | 0:01:10 | 0:01:13 | |
Not me, that's a very clever vase, and I love it and I hope you three now love it, too. | 0:01:13 | 0:01:17 | |
But will we still be praising him when the hammer finally falls? | 0:01:17 | 0:01:21 | |
Today I'm in Leicestershire where I'm about to meet | 0:01:22 | 0:01:25 | |
Tracey Broughton, who's going to go to the other side of the world. | 0:01:25 | 0:01:29 | |
Tracey is about to embark on a new life. | 0:01:29 | 0:01:31 | |
She's leaving her home here in Leicestershire where she's lived all her life | 0:01:31 | 0:01:36 | |
and moving to New Zealand with her two children, Alex and Billy. | 0:01:36 | 0:01:40 | |
She's starting a new career, too, as a podiatrist, or foot specialist to you and me. | 0:01:40 | 0:01:45 | |
As she can't take everything with her, it all has to go. | 0:01:45 | 0:01:49 | |
Great news for our auction chances. | 0:01:49 | 0:01:51 | |
I wonder how she plans to splash her cash? | 0:01:51 | 0:01:54 | |
Well, helping Tracey with her search today is her Aunt Sandra, and I've | 0:01:54 | 0:01:58 | |
brought along our expert valuer, David Harper, who's had a passion for antiques since the age of five. | 0:01:58 | 0:02:03 | |
-Tracey, hello. -Hello. | 0:02:03 | 0:02:05 | |
-Hello. -Who's this? -This is my Aunt Sandra. | 0:02:05 | 0:02:08 | |
Hello, Sandra, and this is David Harper, who's your collectibles guru for the day. | 0:02:08 | 0:02:13 | |
OK, I better go and try and find something. | 0:02:13 | 0:02:15 | |
See you later. There we are, he's off looking for stuff that we can take to auction. | 0:02:15 | 0:02:19 | |
Tracey, you called in Cash In The Attic, why have you asked to us come and help you? | 0:02:19 | 0:02:25 | |
I'm planning to move to New Zealand and both the boys are into outdoor pursuits and outdoor activities. | 0:02:25 | 0:02:30 | |
The boys being your sons, Alex and Billy? | 0:02:30 | 0:02:32 | |
Yes, Alex's now 15, Bill's nine. | 0:02:32 | 0:02:34 | |
They've both had a pool session of scuba diving and both thoroughly enjoyed that. | 0:02:34 | 0:02:39 | |
I would like them to have a few lessons or a few more canoeing activities. | 0:02:39 | 0:02:43 | |
How much do you think it's going to cost to give the boys this adventure experience? | 0:02:43 | 0:02:47 | |
I would like to raise about £600 if possible. | 0:02:47 | 0:02:50 | |
Sandra, how do you feel about all the family going to the other side of the world? | 0:02:50 | 0:02:54 | |
Well, I shall miss them greatly, but I will be able to visit. | 0:02:54 | 0:02:58 | |
Maybe you can join them in these outdoor activities, go scuba diving. | 0:02:58 | 0:03:02 | |
I'd love to see her do that. | 0:03:02 | 0:03:04 | |
They'd all like to see me in a wetsuit! | 0:03:04 | 0:03:07 | |
Tracey's family home is packed to the rafters with their possessions, including many that she's inherited. | 0:03:08 | 0:03:14 | |
Perhaps David's found one already. | 0:03:14 | 0:03:17 | |
That's a mighty piece of porcelain. Where has this come from? | 0:03:19 | 0:03:22 | |
That was my great-grandma's. | 0:03:22 | 0:03:25 | |
-It's been in the family for four generations? -Yes. | 0:03:25 | 0:03:27 | |
And extraordinary that there's not a chip on it. | 0:03:27 | 0:03:31 | |
How have you managed to keep it in such good condition? | 0:03:31 | 0:03:34 | |
I don't know with having two boys bouncing around. | 0:03:34 | 0:03:37 | |
Do you love it, Tracey, because I think it's... | 0:03:37 | 0:03:40 | |
I can see it in your eyes, | 0:03:40 | 0:03:42 | |
-she doesn't like it. -It's got horrible eyes on it, something I don't like. | 0:03:42 | 0:03:47 | |
It's majolica, you either love it or hate it, I've always loved it. | 0:03:47 | 0:03:52 | |
Now, there is maiolica, majolica. What's the difference? | 0:03:52 | 0:03:56 | |
Maiolica is the earlier form of this kind of vibrant, | 0:03:56 | 0:03:59 | |
whacky colourful pottery that comes from Portugal, Spain, Italy that part of Southern Europe. | 0:03:59 | 0:04:04 | |
It was copied and made by potteries in England | 0:04:04 | 0:04:09 | |
and they corrupted the word and came up with majolica. | 0:04:09 | 0:04:13 | |
-Who made this one? -This is by Brannam, and it is signed. | 0:04:13 | 0:04:16 | |
-Who? -Brannam Pottery, formed in 1850 by Thomas Brannam. | 0:04:16 | 0:04:21 | |
The provenance that goes with it, goes back four generations, so we can say that | 0:04:21 | 0:04:26 | |
-we're talking about something that's 100 years old. -Absolutely. | 0:04:26 | 0:04:29 | |
The style is screaming Art Nouveau. | 0:04:29 | 0:04:33 | |
I'm going to say 150 to 250 | 0:04:33 | 0:04:34 | |
in the hope we get a couple of good dealers there and collectors. | 0:04:34 | 0:04:38 | |
It might just fly. | 0:04:38 | 0:04:40 | |
If they pick up on David's enthusiasm, the bidders won't be able to keep their hands off it. | 0:04:40 | 0:04:45 | |
We're keen to start exploring Tracey's house, and I soon find | 0:04:45 | 0:04:49 | |
a collection of Pendelfin figures that she's had for years. | 0:04:49 | 0:04:53 | |
Named after Pendle Hill near Burnley in Lancashire, | 0:04:53 | 0:04:56 | |
the Pendelfin range started as a hobby for two women in a garden shed in 1953. | 0:04:56 | 0:05:02 | |
Their rabbit family quickly became popular, and now the figures are | 0:05:02 | 0:05:05 | |
mass-produced in China, but early models are still much sought-after. | 0:05:05 | 0:05:11 | |
This collection includes a rabbit called Poppet, | 0:05:11 | 0:05:13 | |
originally made in 1964, which could be of great interest. | 0:05:13 | 0:05:18 | |
David's estimate for the lot is £40 to £70, | 0:05:18 | 0:05:21 | |
and when they get to the saleroom, will it be exciting news? | 0:05:21 | 0:05:25 | |
Includes Poppet, which is the rarest one amongst them. | 0:05:25 | 0:05:28 | |
I can start at £50. 55, do I see? | 0:05:28 | 0:05:31 | |
We'll have to wait a little longer to see just how popular Poppet really is. | 0:05:31 | 0:05:35 | |
As our search continues in Leicester, | 0:05:38 | 0:05:40 | |
Auntie Sandra looks like she's come across an intriguing collection. | 0:05:40 | 0:05:44 | |
Could this be something to send to auction? | 0:05:44 | 0:05:46 | |
What have you found, then, Sandra? | 0:05:46 | 0:05:48 | |
I've found this box with cards and medals. | 0:05:48 | 0:05:52 | |
And medals, OK. Who do the medals relate to? | 0:05:52 | 0:05:55 | |
These are Alex Parker's medals, Tracey's great-grandfather. | 0:05:55 | 0:06:00 | |
What we've got there, all First World War medals, | 0:06:00 | 0:06:04 | |
we've got the trio, these are the standard to the right-hand side. | 0:06:04 | 0:06:07 | |
We have the Star, the First World War Star, | 0:06:07 | 0:06:10 | |
then we've got the British War Medal | 0:06:10 | 0:06:12 | |
and British Victory Medal. | 0:06:12 | 0:06:14 | |
-However, this one here, do you know what that is? -No, I don't. | 0:06:14 | 0:06:19 | |
Distinguished Conduct Medal, | 0:06:19 | 0:06:21 | |
given only to men for gallantry and bravery. | 0:06:21 | 0:06:25 | |
So this character won that DCM for what, anything in here? | 0:06:25 | 0:06:29 | |
Cos it's vital. What have we got? | 0:06:29 | 0:06:32 | |
Oh, they're sweet. These are little postcards back to family. | 0:06:32 | 0:06:36 | |
Happy Christmas and all that. | 0:06:36 | 0:06:38 | |
What's this? | 0:06:43 | 0:06:45 | |
Private A Parker. Is that him? | 0:06:45 | 0:06:47 | |
That's Alex, yes, Alex Parker. | 0:06:47 | 0:06:51 | |
Wow, Private A Parker, | 0:06:51 | 0:06:53 | |
"1st/4th Battalion, Leicestershire Regiment, | 0:06:53 | 0:06:56 | |
"for conspicuous gallantry when | 0:06:56 | 0:06:58 | |
"he assisted to uncharge an enemy mine | 0:06:58 | 0:07:01 | |
"which he discovered ready for explosion." | 0:07:01 | 0:07:03 | |
Oh, gosh. | 0:07:03 | 0:07:05 | |
That's amazing. | 0:07:05 | 0:07:07 | |
It really is quite emotive, isn't it? | 0:07:07 | 0:07:08 | |
-Yes. -So, we have to look at value, haven't we? | 0:07:08 | 0:07:13 | |
We have, really, because that's what we're here for, isn't it? | 0:07:13 | 0:07:16 | |
It is. So, valuation for that set | 0:07:16 | 0:07:18 | |
I would think £150 to £200 in auction. | 0:07:18 | 0:07:22 | |
How wonderful it would be if the collection and story | 0:07:22 | 0:07:25 | |
of her grandfather's bravery can attract high bids | 0:07:25 | 0:07:29 | |
and help her with her plan to cross the world. | 0:07:29 | 0:07:31 | |
It doesn't take Sandra long to discover something else that could do well. | 0:07:31 | 0:07:35 | |
It's a silver cigarette case and vesta case. | 0:07:35 | 0:07:39 | |
Vestas were small matches, | 0:07:39 | 0:07:41 | |
named after the Roman goddess of the hearth. | 0:07:41 | 0:07:44 | |
The cases were intended to keep them safe and dry. | 0:07:44 | 0:07:47 | |
These belonged to Tracey's great-grandfather again | 0:07:47 | 0:07:50 | |
and are both hallmarked, | 0:07:50 | 0:07:52 | |
one Birmingham and the other Sheffield. | 0:07:52 | 0:07:54 | |
The estimate is £20 to £40. | 0:07:54 | 0:07:56 | |
It looks like Sandra may be about to break into song. | 0:07:57 | 0:08:00 | |
Could it be because, going by David's lowest estimates on | 0:08:00 | 0:08:04 | |
the mementos we've found so far, we stand to make £360? | 0:08:04 | 0:08:08 | |
David, Tracey. | 0:08:12 | 0:08:14 | |
Tracey, forgive me for saying it, but this does not fit with this. | 0:08:16 | 0:08:21 | |
No. | 0:08:21 | 0:08:22 | |
-Where does it come from? -My mother's. -Why have you got it? | 0:08:22 | 0:08:26 | |
She kept it in the hallway, she kept banging her legs on it, she's had | 0:08:26 | 0:08:29 | |
numerous accidents, and I said it's one of the things that has to go. | 0:08:29 | 0:08:32 | |
-So you are very happy for it to go to auction? -Please. | 0:08:32 | 0:08:35 | |
I'm very pleased for it to go. | 0:08:35 | 0:08:38 | |
Well, I'm at your service. Now do you know what it is? | 0:08:38 | 0:08:41 | |
A nuisance. | 0:08:41 | 0:08:42 | |
-You could call it nuisance, but we call it a coffer. -Right. | 0:08:42 | 0:08:46 | |
The coffer is one of the oldest pieces of furniture we have, | 0:08:46 | 0:08:48 | |
used to store clothing, food, treasure. | 0:08:48 | 0:08:53 | |
Many coffers have been buried particularly during | 0:08:53 | 0:08:56 | |
the Civil War with gold and silver, waiting to be discovered. | 0:08:56 | 0:08:59 | |
Kids could sleep in them, they'd be used as a cradle. | 0:08:59 | 0:09:02 | |
You could use them as a seat. | 0:09:02 | 0:09:05 | |
An all-purpose bit of furniture. | 0:09:05 | 0:09:07 | |
-You don't need anything else in the house. -Are you sure you want to get rid of it? | 0:09:07 | 0:09:11 | |
We can put mother in it and take it to auction. | 0:09:11 | 0:09:13 | |
Guess what, they used to use them as coffins as well. | 0:09:13 | 0:09:17 | |
Now, how old do you think it is? | 0:09:17 | 0:09:19 | |
Ooh. Now you're asking, I should say | 0:09:19 | 0:09:23 | |
about 50 or 60 years old. | 0:09:23 | 0:09:26 | |
Bang on. I thought you were going to fall into the trap and say it was medieval or something. Damn it. | 0:09:26 | 0:09:32 | |
You're right. 1930s, 1940s. | 0:09:32 | 0:09:34 | |
So how much might it make at auction? | 0:09:34 | 0:09:36 | |
After all that, the big build-up on coffers, that's worth about £20 or £30. | 0:09:36 | 0:09:42 | |
Sorry! | 0:09:42 | 0:09:43 | |
Oh, I don't know. The description was worth at least a tenner. | 0:09:44 | 0:09:48 | |
David and Sandra keep up with their searches, but I want to | 0:09:48 | 0:09:51 | |
know a bit more about our host who's enjoyed a varied career. | 0:09:51 | 0:09:55 | |
I finished school with no qualifications as such and needed to do something. | 0:09:55 | 0:10:01 | |
I specialised in cakes, or tried to, | 0:10:01 | 0:10:02 | |
and still make wedding cakes and birthday cakes, any cakes, really. | 0:10:02 | 0:10:07 | |
Then you had another job which was quite different. | 0:10:07 | 0:10:09 | |
Yes, from the kitchens, at the fire brigade | 0:10:09 | 0:10:12 | |
I went on to the Prince's Trust where we'd take 16-25-year-olds on a personal development programme. | 0:10:12 | 0:10:17 | |
I enjoyed that that much, I stayed there for six years. | 0:10:17 | 0:10:21 | |
I've got this here because when we came in and saw this skeleton, | 0:10:21 | 0:10:25 | |
I thought, "What's that all about?" | 0:10:25 | 0:10:26 | |
But of course, this is representative | 0:10:26 | 0:10:29 | |
of the next phase in your life, isn't it? Tell me about that. | 0:10:29 | 0:10:32 | |
We used to go to Winged Fellowship, | 0:10:32 | 0:10:34 | |
which is caring for people with physical disabilities on holiday. | 0:10:34 | 0:10:38 | |
I wanted to go into the caring profession. | 0:10:38 | 0:10:40 | |
I didn't want to go back into the Prince's Trust | 0:10:40 | 0:10:43 | |
after I had the children, so podiatry was the answer. | 0:10:43 | 0:10:45 | |
So now you are a fully qualified podiatrist, | 0:10:45 | 0:10:48 | |
hoping to work not just here in Britain but also in New Zealand. | 0:10:48 | 0:10:53 | |
Where did the idea of going to New Zealand come from? | 0:10:53 | 0:10:56 | |
There will be a lot of opportunities for the boys with outdoor pursuits and everything. | 0:10:56 | 0:11:00 | |
Really, you are doing this for your sons? | 0:11:00 | 0:11:03 | |
As well as myself, but I think they'll have a better life out there | 0:11:03 | 0:11:06 | |
and more prospects out there than over here. | 0:11:06 | 0:11:09 | |
All being well, the collectibles we find today should make more than | 0:11:09 | 0:11:13 | |
enough on auction day to pay for that adventurous day out. | 0:11:13 | 0:11:16 | |
We don't want to miss anything that could help the cause. | 0:11:16 | 0:11:19 | |
Tracey wonders if an oil painting commissioned by her grandmother might be worth something. | 0:11:24 | 0:11:29 | |
She tells us the artist is a Mr Baxter, but he's unknown in the art world. | 0:11:29 | 0:11:33 | |
It gets an estimate of £20 to £30. | 0:11:33 | 0:11:36 | |
Oh, my goodness me. Sandra, why is there a Victorian miniature sideboard in the broom cupboard? | 0:11:36 | 0:11:42 | |
I don't know. I remember seeing this round at Tracey's mum's. | 0:11:42 | 0:11:46 | |
I think it was made by an old gentlemen, a friend, after the Second World War. | 0:11:46 | 0:11:52 | |
Do you know the story of miniatures? | 0:11:52 | 0:11:55 | |
I would assume they were sort of apprentice pieces or perhaps sales, for sales. | 0:11:55 | 0:12:00 | |
They could be, they could be that, | 0:12:00 | 0:12:02 | |
but also, there's another train of thought. | 0:12:02 | 0:12:04 | |
Often these miniature pieces of furniture were given as wedding gifts. So, you get married, | 0:12:04 | 0:12:09 | |
and on your wedding day, you would be given this sideboard | 0:12:09 | 0:12:12 | |
in miniature form, but you would know, when you go off on | 0:12:12 | 0:12:15 | |
your honeymoon, when you come back, the real one, the big one, | 0:12:15 | 0:12:18 | |
will be in the place of the miniature one. | 0:12:18 | 0:12:20 | |
-Oh, wow. That's wonderful. -A lovely story. -Mmm. | 0:12:20 | 0:12:24 | |
Something like this would be cheap, £50 to £80, | 0:12:24 | 0:12:27 | |
but that would be its auction estimate. | 0:12:27 | 0:12:29 | |
That's very good. | 0:12:29 | 0:12:30 | |
-You think that's OK? -Yes, I do. | 0:12:30 | 0:12:32 | |
-Shall we include it? -Yes. -Come on, then, let's continue. | 0:12:32 | 0:12:35 | |
I think we've examined almost every knick-knack in Tracey's home, but | 0:12:36 | 0:12:41 | |
David is not content until he has had a good root around in the loft. | 0:12:41 | 0:12:45 | |
I decide to head back upstairs too and see if there's anything I may have missed. | 0:12:45 | 0:12:50 | |
Our expert's persistence pays off when he comes across something that could be quite special - | 0:12:50 | 0:12:55 | |
a set of illustrations from children's books which he thinks date from the 1930s to '40s. | 0:12:55 | 0:13:00 | |
David wants to do a bit of research on them | 0:13:00 | 0:13:02 | |
before he gives us an estimate. | 0:13:02 | 0:13:05 | |
Ooh! | 0:13:08 | 0:13:09 | |
Tracey, David, Sandra! | 0:13:09 | 0:13:13 | |
Oh. | 0:13:15 | 0:13:16 | |
Now the gang's all here, where's this from? | 0:13:16 | 0:13:21 | |
That was again from my great-granddad Parker, Alex Parker. | 0:13:21 | 0:13:25 | |
It was his original watch chain. | 0:13:25 | 0:13:27 | |
So David, take a look at that. Certainly two quite interesting little charms, aren't they? | 0:13:27 | 0:13:32 | |
We've got some nice weight as well, as good as gold. | 0:13:32 | 0:13:36 | |
Gold is a very lovely material. | 0:13:36 | 0:13:39 | |
It's doing so well now. | 0:13:39 | 0:13:40 | |
So well, let's see. | 0:13:40 | 0:13:42 | |
Yes, obviously, originally a watch chain. That'll be nine carat. | 0:13:42 | 0:13:46 | |
Two gold coins, a gold sovereign, | 0:13:46 | 0:13:48 | |
dated 1907, so Edwardian, then we've a gold American coin. | 0:13:48 | 0:13:53 | |
It's a 5 coin, which makes it a half eagle. | 0:13:53 | 0:13:57 | |
-And that's gold. -Solid gold. | 0:13:57 | 0:13:59 | |
What are we talking about in value, if we were to take this to auction? | 0:13:59 | 0:14:02 | |
Well, I would think quite a lot. | 0:14:02 | 0:14:04 | |
Gold has absolutely rocketed, and in times of hardness and strife, people | 0:14:04 | 0:14:09 | |
put money into tangible assets, and gold being one of the most important. | 0:14:09 | 0:14:13 | |
I would say £300 to £400. | 0:14:13 | 0:14:15 | |
Wow. Lovely. | 0:14:15 | 0:14:18 | |
If we take that as the last item we're going to look at today | 0:14:18 | 0:14:21 | |
let me tell you how much you think you are going to make, | 0:14:21 | 0:14:24 | |
because you want to raise £600 on these different adventures. | 0:14:24 | 0:14:27 | |
I can't add into this those amazing pictures that you looked at that we | 0:14:27 | 0:14:33 | |
think are, what, children's illustrations? | 0:14:33 | 0:14:35 | |
Well, they have got to be blown-up children's illustrations from a book. | 0:14:35 | 0:14:39 | |
I don't know. I've never seen them before. | 0:14:39 | 0:14:41 | |
I'm going to discount them from the total because we're not sure | 0:14:41 | 0:14:44 | |
what they are and therefore how much they are likely to make. | 0:14:44 | 0:14:47 | |
What I am going to do is tell you that by adding this to what we've already looked at and taking | 0:14:47 | 0:14:52 | |
the lowest estimate on everything that David has looked at, we should confidently be able to make £750. | 0:14:52 | 0:14:59 | |
-Lovely. -I tell you what, never mind the adventures you're going to take | 0:14:59 | 0:15:02 | |
the boys on, I think our auction's going to be a bit of an adventure. | 0:15:02 | 0:15:06 | |
I for one certainly can't wait to find out | 0:15:06 | 0:15:09 | |
how the auction pans out for everything that we've found today. | 0:15:09 | 0:15:13 | |
Like that Victorian-style miniature sideboard made by a family friend in | 0:15:13 | 0:15:16 | |
the 1940s, we're hoping it's going to bring in £50 to £80. | 0:15:16 | 0:15:20 | |
Or the medals belonging to Tracey's great grandfather. | 0:15:20 | 0:15:24 | |
They're valued at £150 to £200. | 0:15:24 | 0:15:27 | |
And what about that majolica vase? | 0:15:27 | 0:15:31 | |
Tracey really wants rid of it, so finger crossed, | 0:15:31 | 0:15:34 | |
a bidder will like it and pay between £150 to £250 for it. | 0:15:34 | 0:15:39 | |
Still to come on Cash In The Attic, David has no need to be so defensive. | 0:15:40 | 0:15:45 | |
I didn't make it, you know. | 0:15:45 | 0:15:46 | |
I just looked at it. | 0:15:46 | 0:15:48 | |
The majolica vase is still causing discord. | 0:15:50 | 0:15:53 | |
You three have no taste whatsoever. | 0:15:53 | 0:15:55 | |
Will we be back in harmony when the hammer finally falls? | 0:15:55 | 0:15:58 | |
It's been a couple of weeks since we were with Tracey when she told us | 0:16:04 | 0:16:07 | |
all about her plans to take her boys out on an adventure day | 0:16:07 | 0:16:11 | |
by selling some of the items that she's inherited. | 0:16:11 | 0:16:15 | |
Before the adventure of the day, we've got the adventure of the auction. | 0:16:15 | 0:16:19 | |
There might be a few thrills and spills, but importantly | 0:16:19 | 0:16:22 | |
at the end of it, we will have that £600, so she can fund that day. | 0:16:22 | 0:16:27 | |
The county town of Derby, home to one of the great pottery | 0:16:29 | 0:16:33 | |
companies, Royal Crown Derby, lies on the banks of the River Derwent. | 0:16:33 | 0:16:36 | |
It's here that Bamfords hold their regular general auctions. | 0:16:36 | 0:16:41 | |
Hi, Tracey, Auntie Sandra. | 0:16:41 | 0:16:44 | |
I seem to remember, David, that you were the only person who actually liked this vase. | 0:16:44 | 0:16:49 | |
I still like it. I love it to bits. | 0:16:49 | 0:16:52 | |
Not my taste, and second thoughts about it? | 0:16:52 | 0:16:54 | |
I still don't like those eyes. | 0:16:54 | 0:16:57 | |
-So, it's definitely going. -It is. | 0:16:57 | 0:16:59 | |
Is there anything you haven't brought? | 0:16:59 | 0:17:01 | |
We haven't brought the war medals. | 0:17:01 | 0:17:03 | |
-Why was that? -With the valuation, I thought, with the family | 0:17:03 | 0:17:06 | |
history and everything, that they were more precious at home than at the auction. | 0:17:06 | 0:17:11 | |
-It's a nice thought, isn't it, to keep it in the family. -It is, yes. | 0:17:11 | 0:17:14 | |
Oh, dear, but that has reduced our possible takings by at least £150 | 0:17:14 | 0:17:17 | |
and alas, the crowd is a little thin on the ground today. | 0:17:17 | 0:17:21 | |
We can but hope for a good result. | 0:17:21 | 0:17:25 | |
The first lot to come up is the coffer | 0:17:25 | 0:17:27 | |
that Tracey referred to as a nuisance. | 0:17:27 | 0:17:31 | |
I do love the description of this item, it's | 0:17:31 | 0:17:34 | |
-the 1940s oak three-panelled coffer, linen fold-top with bun feet. -Hmm. | 0:17:34 | 0:17:40 | |
It makes you hungry, just in the shape of buns, as simple as that. | 0:17:40 | 0:17:45 | |
I have 20 and 2, do I see? 22, 25, 28 has it. | 0:17:45 | 0:17:48 | |
At £28, 30 do I see? | 0:17:48 | 0:17:50 | |
-New bidder. -Top end of the estimate, David. | 0:17:50 | 0:17:52 | |
32, 35, 35, 38. | 0:17:52 | 0:17:55 | |
-38 and 40. -Yeah. | 0:17:55 | 0:17:57 | |
Near me at £38. | 0:17:57 | 0:17:59 | |
501. | 0:17:59 | 0:18:00 | |
-Clever boy. -Thank you very much. I didn't make it, you know. | 0:18:00 | 0:18:04 | |
I just looked at it. | 0:18:04 | 0:18:05 | |
What a great start to the day. | 0:18:05 | 0:18:07 | |
Almost double David's lower estimate. | 0:18:07 | 0:18:11 | |
Will her great-grandfather's silver vesta case and cigarette case | 0:18:11 | 0:18:14 | |
do as well here at £20 to £40? | 0:18:14 | 0:18:16 | |
They have always been really nice tactile things and very collected. | 0:18:16 | 0:18:21 | |
So it doesn't make any difference whether it's got a smoking-related | 0:18:21 | 0:18:24 | |
feel to it at all, it's silver, | 0:18:24 | 0:18:26 | |
it's hallmarked and it's collected and it will always do well. | 0:18:26 | 0:18:30 | |
I can start the bidding here at £35, 38 do I see? | 0:18:30 | 0:18:34 | |
Already a bid in. | 0:18:34 | 0:18:36 | |
45, 50, at 45 here. | 0:18:36 | 0:18:40 | |
50 at the back. 55. | 0:18:40 | 0:18:41 | |
At £50 at the back. | 0:18:41 | 0:18:44 | |
50 and 5, new place. At 55, are you sure? | 0:18:44 | 0:18:46 | |
55. | 0:18:46 | 0:18:48 | |
Terrific, a good result. | 0:18:49 | 0:18:51 | |
That's way over your top limit. | 0:18:51 | 0:18:53 | |
Someone obviously wanting to collect the pieces rather than just buy it for the silver scrap value. | 0:18:53 | 0:18:58 | |
Absolutely right. You've hit the nail on the head. | 0:18:58 | 0:19:00 | |
-The beauty of the piece has overtaken the value in weight. -Exactly! | 0:19:00 | 0:19:05 | |
I wonder if the buyer intends to use them for storing matches or just to make a fine display? | 0:19:05 | 0:19:10 | |
Either way, a very good result. | 0:19:10 | 0:19:13 | |
Now it's the turn of the Pendelfin figures, which Tracey's collected the since the age of eight. | 0:19:13 | 0:19:18 | |
One of the rabbits is an early example of this make | 0:19:18 | 0:19:20 | |
and has a very cute name. | 0:19:20 | 0:19:23 | |
Includes Poppet, which is the rarest one amongst them | 0:19:23 | 0:19:26 | |
and sad that I know that, really, but there we are. | 0:19:26 | 0:19:29 | |
And 24 of them altogether. | 0:19:29 | 0:19:32 | |
-And one, two, three, four, five bids. -Good. | 0:19:32 | 0:19:36 | |
-We will start at £50. -Oh, yes. | 0:19:36 | 0:19:38 | |
-Great. -At 50 and 5 now. | 0:19:38 | 0:19:41 | |
At 50 and 5 anywhere? 55. | 0:19:41 | 0:19:44 | |
-60 with me. -Come on. -65 for you. | 0:19:44 | 0:19:47 | |
-65, the lady's bid. 70 we're bid. -Yes! | 0:19:47 | 0:19:52 | |
£70 takes it. £70. | 0:19:52 | 0:19:55 | |
How wonderful if this delightful set | 0:19:55 | 0:19:58 | |
is intended to join a larger collection. | 0:19:58 | 0:20:00 | |
But now for that majolica vase which David loves so much. | 0:20:01 | 0:20:05 | |
It's gorgeous. You three have no taste whatsoever. | 0:20:05 | 0:20:08 | |
He's going to smile because it sells well. | 0:20:08 | 0:20:10 | |
-You're going to smile because it's not going to go in the house any more. True? -Quite right. | 0:20:10 | 0:20:15 | |
You've put a reserve on it. You do realise if it doesn't | 0:20:15 | 0:20:17 | |
make that, you've got to take it home? | 0:20:17 | 0:20:19 | |
I think we can have an accident on the way back with it. | 0:20:19 | 0:20:22 | |
-No, no, no accidents. Just a very happy result when the hammer comes down. Here it goes. -Yes. | 0:20:22 | 0:20:28 | |
-Lots of bidding. -A phone bidder. -Lots of bidding. | 0:20:28 | 0:20:32 | |
I can start at, well, we will start at the low-end estimate of 150, 160 now. | 0:20:32 | 0:20:36 | |
160 in the room. At 150. 160 on the phone. | 0:20:36 | 0:20:41 | |
160 bid. 170 with me. 180 for you. | 0:20:41 | 0:20:44 | |
180 on the phone. | 0:20:46 | 0:20:47 | |
190 with me. 200 for you. | 0:20:47 | 0:20:49 | |
Yes! | 0:20:49 | 0:20:51 | |
-See, you three. -200 bid. On the phone at 200. 210 now. | 0:20:51 | 0:20:55 | |
At £200 and 10 do I see? | 0:20:55 | 0:20:57 | |
Mid-estimate at £200. | 0:20:57 | 0:21:00 | |
Any advance on 200? | 0:21:00 | 0:21:01 | |
If you just look at it from a practical point of view, it's a great piece of work. £200. | 0:21:01 | 0:21:08 | |
Yes, 200, Sandra, what do you think about that? | 0:21:08 | 0:21:10 | |
-I think you're a very clever boy. -Thank you. | 0:21:10 | 0:21:12 | |
Not me, that's a very clever vase. | 0:21:12 | 0:21:14 | |
I love it. I hope you three now love it, too. | 0:21:14 | 0:21:17 | |
That phone bidder certainly did, | 0:21:17 | 0:21:19 | |
and that's added a healthy amount to our running total. | 0:21:19 | 0:21:22 | |
Well, you're over the halfway point at the halfway point! | 0:21:22 | 0:21:27 | |
We've got in the kitty so far, £363. | 0:21:27 | 0:21:30 | |
-Fantastic. -Brilliant. | 0:21:30 | 0:21:32 | |
And a couple of really nice pieces to come. | 0:21:32 | 0:21:35 | |
If you'd like to raise money by selling at auction, do remember | 0:21:35 | 0:21:38 | |
that charges such as commission will be added to your bills, so it is best to check these fees in advance. | 0:21:38 | 0:21:43 | |
The sale continues with the painting Tracey's grandmother commissioned in 1962. | 0:21:43 | 0:21:48 | |
Will it reach the £20 to £30 estimate? | 0:21:48 | 0:21:51 | |
£20 for it. 20. | 0:21:51 | 0:21:53 | |
-It's got no bids, has it? -£20 for it. | 0:21:53 | 0:21:56 | |
15. | 0:21:56 | 0:21:59 | |
-10, then. -Oh, dear. | 0:21:59 | 0:22:00 | |
Oh, dear. | 0:22:00 | 0:22:02 | |
No. | 0:22:02 | 0:22:04 | |
I think granny's painting's going home with you. | 0:22:04 | 0:22:05 | |
Oh dear, another no-sale. | 0:22:05 | 0:22:08 | |
Mind you, family heirloom or not, it is a rather challenging picture | 0:22:08 | 0:22:12 | |
to love, certainly as far as the auctioneer is concerned. | 0:22:12 | 0:22:15 | |
It is great to know that the people of Derbyshire have taste. | 0:22:15 | 0:22:19 | |
If anyone had bid on that picture, they not only needed a new pair of glasses, they also needed to go and | 0:22:19 | 0:22:24 | |
see a psychiatrist, because it was awful. | 0:22:24 | 0:22:26 | |
The best thing you could have done is paint it black and cover a window with it. | 0:22:26 | 0:22:30 | |
Oh, go on, James, tell us what you really think! | 0:22:30 | 0:22:33 | |
Tracey's next lot is the mid-20th century pine sideboard. | 0:22:33 | 0:22:37 | |
The estimate is £50 to £80. | 0:22:37 | 0:22:39 | |
-And £50 I have. -We've got 50 on it. | 0:22:39 | 0:22:42 | |
£50 and 5 do I see? | 0:22:42 | 0:22:44 | |
At £50 absentee bid, then, we'll take it. At 50. | 0:22:44 | 0:22:47 | |
Oh, 55. 60. | 0:22:47 | 0:22:49 | |
5? At £60 with me and 5 now? | 0:22:49 | 0:22:52 | |
£60. | 0:22:52 | 0:22:53 | |
All done? Finished here as well. | 0:22:53 | 0:22:55 | |
£60. All sure at 60? | 0:22:55 | 0:22:58 | |
£60. | 0:22:58 | 0:23:00 | |
After the painting, it's quite a relief to make a sale again. | 0:23:00 | 0:23:04 | |
We've got a bit of a mystery here still, | 0:23:05 | 0:23:08 | |
because that wonderful folio of 1930s and '40s children's paintings, | 0:23:08 | 0:23:13 | |
-have you found out any more about them? -Nothing, not even the author. | 0:23:13 | 0:23:16 | |
I suppose, £30-50, which is what you have put on them, | 0:23:16 | 0:23:19 | |
you have taken a bit of a flier there. | 0:23:19 | 0:23:20 | |
That's a good thing with an auction. Hundreds of people | 0:23:20 | 0:23:23 | |
have looked at that, not just us, so someone might have more knowledge. | 0:23:23 | 0:23:26 | |
Three bids on them. One bid of 30, one of 38 and one higher. | 0:23:26 | 0:23:31 | |
So £40 has it. At 40, 42 do I see? | 0:23:31 | 0:23:34 | |
At £40, 42 anywhere? | 0:23:34 | 0:23:37 | |
At £40, absentee bid. | 0:23:37 | 0:23:39 | |
All the bids on the book, then, at 40. | 0:23:39 | 0:23:42 | |
-GAVEL BANGS -40 takes it. | 0:23:42 | 0:23:44 | |
Somebody must have seen them and recognised where they came from | 0:23:44 | 0:23:47 | |
-or thought that individually they will make wonderful prints for a children's bedroom. -Yes. | 0:23:47 | 0:23:52 | |
So it was well worth David scrambling around | 0:23:52 | 0:23:56 | |
in the loft for them. | 0:23:56 | 0:23:57 | |
That's brought us | 0:23:57 | 0:23:58 | |
to the final lot of the day, and it's the big one - | 0:23:58 | 0:24:01 | |
the gold chain and the two gold coins | 0:24:01 | 0:24:03 | |
which belonged to Tracey's great-grandfather. | 0:24:03 | 0:24:06 | |
We're hoping they're going to fetch between £300 and £400. | 0:24:06 | 0:24:09 | |
Let's hope they pay more than the scrap value, | 0:24:09 | 0:24:11 | |
because it's a lovely thing, and they want to wear it or sell it on. | 0:24:11 | 0:24:15 | |
Here it goes. | 0:24:15 | 0:24:17 | |
Gosh, lots of bids, and with all the gold, bids are always close together. | 0:24:17 | 0:24:21 | |
-320 bid. -Yes! -320. | 0:24:21 | 0:24:24 | |
So we've already made more than your reserve. | 0:24:24 | 0:24:27 | |
340. 350. | 0:24:27 | 0:24:28 | |
355. 360. 365 anywhere? | 0:24:28 | 0:24:32 | |
365 do I see? | 0:24:32 | 0:24:35 | |
At £360? | 0:24:35 | 0:24:37 | |
Come on. | 0:24:37 | 0:24:38 | |
All sure at £360? | 0:24:38 | 0:24:40 | |
Bang in the middle again. | 0:24:41 | 0:24:43 | |
Terrific. | 0:24:43 | 0:24:45 | |
A big smile on your face. | 0:24:45 | 0:24:48 | |
-I can relax now. -Both of you have a smile on your face. -Yes. | 0:24:48 | 0:24:51 | |
That's the last thing we brought to go under the hammer, and £600 was what you wanted? | 0:24:51 | 0:24:57 | |
-What are you going to do with that, exactly? -We are going white-water canoeing. | 0:24:57 | 0:25:01 | |
Kayaking, as the boys keep telling me. | 0:25:01 | 0:25:04 | |
Well, if that's what you're planning to do with £600, | 0:25:04 | 0:25:07 | |
what are you going to do with nearly a third more, £823? | 0:25:07 | 0:25:11 | |
Oh, my goodness! That's amazing! | 0:25:11 | 0:25:14 | |
Wonderful, well done. | 0:25:14 | 0:25:16 | |
Well done, you two. | 0:25:16 | 0:25:17 | |
Auntie Sandra going as well? | 0:25:17 | 0:25:20 | |
Auntie Sandra in a canoe, with the boys? | 0:25:20 | 0:25:23 | |
I think we'll both be in a canoe. | 0:25:23 | 0:25:25 | |
Tracey plans to emigrate to New Zealand where she hopes her two sons | 0:25:29 | 0:25:34 | |
will be able it make more of the active hobbies they currently enjoy. | 0:25:34 | 0:25:37 | |
With her auction earnings, she's brought them to | 0:25:37 | 0:25:40 | |
the National Water Sports Centre in Nottingham | 0:25:40 | 0:25:42 | |
for a day of kayaking practice. | 0:25:42 | 0:25:44 | |
I like to keep them entertained and active and fit and out in the fresh air. | 0:25:47 | 0:25:52 | |
Bill's been paddling now for about a year, but he's not | 0:25:52 | 0:25:55 | |
been on white water before, | 0:25:55 | 0:25:57 | |
so I thought it would be a good experience for him. | 0:25:57 | 0:26:00 | |
Alex has been kayaking now for about four years, I think it is. | 0:26:00 | 0:26:04 | |
He's really passionate. | 0:26:08 | 0:26:10 | |
We go three times a week, which is just on the rivers or a few weirs. | 0:26:10 | 0:26:14 | |
We'll shoot down this flow here and try and stop where the guy in the blue and white is. | 0:26:14 | 0:26:18 | |
It's an expensive hobby. | 0:26:18 | 0:26:20 | |
The kit is quite expensive. I'm glad I called Cash In The Attic to help us raise some funds to keep the boys | 0:26:20 | 0:26:27 | |
equipped with all the things they need and to keep them out in the fresh air and enjoying themselves. | 0:26:27 | 0:26:32 | |
Subtitles by Red Bee Media Ltd | 0:26:52 | 0:26:56 |