Browse content similar to Grimsted. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, welcome to Cash In The Attic, | 0:00:02 | 0:00:03 | |
the show that searches for antiques and collectibles, | 0:00:03 | 0:00:06 | |
and takes them to auction. | 0:00:06 | 0:00:07 | |
Now today, I'm going to meet a woman | 0:00:07 | 0:00:09 | |
who is about to do something that we'd all like to do - | 0:00:09 | 0:00:11 | |
a little bit of home improvement. | 0:00:11 | 0:00:13 | |
Coming up on Cash In The Attic, | 0:00:32 | 0:00:34 | |
it's a question of geography as we come across | 0:00:34 | 0:00:37 | |
some unique watercolours. | 0:00:37 | 0:00:39 | |
I think this is Morcone, up in the mountains. | 0:00:39 | 0:00:42 | |
I thought you said Morecambe, for a minute! That's Lancashire! | 0:00:42 | 0:00:46 | |
We discover a watch that causes our expert, Paul, | 0:00:46 | 0:00:50 | |
a great deal of excitement. | 0:00:50 | 0:00:51 | |
I tell you, you have found some watches on this programme, | 0:00:51 | 0:00:54 | |
-but judging by his excitement, this must be special. -Something special. | 0:00:54 | 0:00:58 | |
And at auction, | 0:00:58 | 0:01:00 | |
some gifts from the past turn up some very unexpected results. | 0:01:00 | 0:01:04 | |
-Absolutely fantastic. -Your Franco is shining down on you today, isn't he? | 0:01:04 | 0:01:08 | |
Yes. | 0:01:08 | 0:01:09 | |
Find out more when the hammer falls. | 0:01:09 | 0:01:12 | |
I'll be honest, I love the seaside, even if it is raining. | 0:01:13 | 0:01:16 | |
But the woman we're about to meet is really interesting. | 0:01:16 | 0:01:19 | |
She's come back to the Kent coastline after many years abroad. | 0:01:19 | 0:01:22 | |
And she wants to make her new home even more comfortable. | 0:01:22 | 0:01:25 | |
This stylish seaside apartment is home to Rita Grimstead, | 0:01:27 | 0:01:31 | |
a lady who has led a very eventful life. | 0:01:31 | 0:01:33 | |
After living in Italy for almost 40 years, | 0:01:33 | 0:01:36 | |
she returned to the UK in 2008 following the death | 0:01:36 | 0:01:39 | |
of her lovely husband, Franco. | 0:01:39 | 0:01:41 | |
Rita is also currently recovering from cancer. | 0:01:41 | 0:01:45 | |
But luckily, has great support in the shape of her two sons | 0:01:45 | 0:01:48 | |
and cousin, Seb, who is here to help with the rummage today. | 0:01:48 | 0:01:51 | |
-Rita, I have been looking forward to meeting you. -How lovely. -How are you? -Fine. -Good. | 0:01:53 | 0:01:58 | |
-And this is Seb? -This is Seb. -Good-looking Seb, who's going to help you today. | 0:01:58 | 0:02:01 | |
-Yes. -A friend? -No, he's a cousin. -A cousin. OK, lovely. And this is our good-looking expert, Paul Hayes. | 0:02:01 | 0:02:08 | |
Hello. I'm your antiques fellow today. | 0:02:08 | 0:02:10 | |
Hi, Seb, nice to meet you. | 0:02:10 | 0:02:12 | |
You know, I was kind of laughing to myself | 0:02:12 | 0:02:14 | |
when I knew I was going to meet you in the kitchen, | 0:02:14 | 0:02:16 | |
because in Italy where you lived for 37 years, | 0:02:16 | 0:02:19 | |
you used to teach language in the kitchen? | 0:02:19 | 0:02:22 | |
I did. I did help the young ladies from the university. | 0:02:22 | 0:02:25 | |
Did they keep you right on your Italian? | 0:02:25 | 0:02:27 | |
I think they taught me Italian! | 0:02:27 | 0:02:29 | |
Do you mind if I make a start? Is that all right? | 0:02:29 | 0:02:32 | |
-It's about time you made a start! -Well, it is. | 0:02:32 | 0:02:35 | |
So, how much money would you like to raise, in an ideal world? | 0:02:35 | 0:02:38 | |
I think something towards my new kitchen, my new property. About 1,500. | 0:02:38 | 0:02:42 | |
-Is that possible? -I think that should buy you a few things for the kitchen. -It would help. -Marvellous. | 0:02:42 | 0:02:47 | |
Well, it looks like Rita's apartment | 0:02:47 | 0:02:49 | |
has got all sorts of collectibles squirreled away. | 0:02:49 | 0:02:52 | |
So fingers crossed we have a successful rummage. | 0:02:52 | 0:02:55 | |
Our expert, Paul Hayes, has over 20 years' experience in the antiques and collectible trade | 0:02:55 | 0:03:00 | |
and, ever keen to notch up his first find, has spied a possible item. | 0:03:00 | 0:03:04 | |
-Could it be a touch of divine intervention? -Rita? -Hello. | 0:03:04 | 0:03:09 | |
-Now then, I found an interesting item here. -What have you found? | 0:03:09 | 0:03:13 | |
-Something from Jerusalem. -That's come a long way, hasn't it? -That's beautiful. | 0:03:13 | 0:03:16 | |
So, where has that come from? | 0:03:16 | 0:03:18 | |
That was given to Franco by a lovely young man. | 0:03:18 | 0:03:21 | |
They were friends for donkey's years. And this has always been over our bed. | 0:03:21 | 0:03:24 | |
-Right. So it's always had pride of place in your life? -Absolutely, yes. | 0:03:24 | 0:03:29 | |
I really don't know how old it is. | 0:03:29 | 0:03:31 | |
I was going to say, I think you're looking at a pre-war item here, 1920, 1930. | 0:03:31 | 0:03:35 | |
-This is very distinctive. This is olive wood. -Is it? | 0:03:35 | 0:03:37 | |
It was found on the banks of the rivers in Jerusalem. | 0:03:37 | 0:03:40 | |
It's a beautiful crucifix, and it's been decorated with mother-of-pearl. | 0:03:40 | 0:03:44 | |
-Absolutely lovely. -Gives a wonderful iridescence. -Beautiful. | 0:03:44 | 0:03:47 | |
Is it sentimental though, you had it all this time? | 0:03:47 | 0:03:50 | |
-If it's going to be appreciated by somebody, I'd be very pleased. -Yeah. | 0:03:50 | 0:03:53 | |
I mean, I could see that bringing towards the £100 mark. | 0:03:53 | 0:03:55 | |
Sort of £50 - £80 as an auction estimate. | 0:03:55 | 0:03:58 | |
-How does that sound? -It sounds wonderful. | 0:03:58 | 0:04:01 | |
-Let's keep looking and see what we can find. -Come on. | 0:04:01 | 0:04:03 | |
Not a bad start, but there's still plenty to do if we're going to reach Rita's target of £1,500. | 0:04:03 | 0:04:10 | |
Seb is certainly earning his place on the rummage team, | 0:04:10 | 0:04:13 | |
as he turns up a very exciting little collection. | 0:04:13 | 0:04:17 | |
These four sovereigns, including an impressive ring and pendant. | 0:04:17 | 0:04:21 | |
They were given to Rita's late husband, Franco, as a gift from the bank. | 0:04:21 | 0:04:24 | |
He worked there for almost 40 years. | 0:04:24 | 0:04:26 | |
Modern sovereigns like these are 22 carat gold | 0:04:26 | 0:04:30 | |
and weigh almost eight grams. | 0:04:30 | 0:04:32 | |
And because the price of gold has been so high of late, | 0:04:32 | 0:04:34 | |
Paul estimates that this hoard could raise as much as £500 - £600. | 0:04:34 | 0:04:39 | |
A huge amount of money towards our target. | 0:04:39 | 0:04:43 | |
-Paul? -Yes? -I love this. A good collection of paintings. | 0:04:43 | 0:04:48 | |
-But this one stands out. -Right. | 0:04:48 | 0:04:50 | |
I am desperate to know who exactly the artist is. | 0:04:50 | 0:04:53 | |
-Who was she? -A very dear friend of mine. | 0:04:53 | 0:04:55 | |
This one in particular, | 0:04:55 | 0:04:56 | |
this beggar came into her garden in the country, to her villa. | 0:04:56 | 0:05:01 | |
And she said, "I can't just give you money. | 0:05:01 | 0:05:03 | |
"If you pose for me, then I'll pay you." | 0:05:03 | 0:05:06 | |
And she gave quite a considerable sum. | 0:05:06 | 0:05:08 | |
Lovely. There's another nice one here. Can you look at this one? | 0:05:08 | 0:05:11 | |
This is... I think this is Morcone, I think, up in the mountains. | 0:05:11 | 0:05:15 | |
-I thought you said Morecambe then, for a minute! -No! No, not Morecambe! -That's in Lancashire. -No. | 0:05:15 | 0:05:20 | |
Morcone, OK. | 0:05:20 | 0:05:21 | |
-And who was the painter in this case? -That is her. | 0:05:21 | 0:05:23 | |
-I think she's written it Lina Prudente. -Oh, it's the same painter. | 0:05:23 | 0:05:27 | |
-Is this the same artist again? -There you go. -What do you think of that one? | 0:05:27 | 0:05:30 | |
What I do like is the palette. This wonderful turquoise sea. You know, you've got the greens. | 0:05:30 | 0:05:37 | |
it is very Mediterranean. Someone wanting that Mediterranean feel... If you've got an Italian kitchen, | 0:05:37 | 0:05:42 | |
it instantly gives you that sort of impression, doesn't it? | 0:05:42 | 0:05:45 | |
They are very attractive, but I don't think they're a long lost Picasso or anything like that. | 0:05:45 | 0:05:49 | |
So value wise, I could see these sort of £50 - £80. | 0:05:49 | 0:05:54 | |
-That sort of price. -For the three? -For the three. | 0:05:54 | 0:05:56 | |
Does seem a bit low but, Paul, I'm not so sure a painting of Morecambe would have fetched much more! | 0:05:56 | 0:06:01 | |
Still, it's a useful amount towards Rita's kitchen kitty. | 0:06:01 | 0:06:05 | |
I like the sound of that! | 0:06:05 | 0:06:07 | |
The search continues and our expert finds this Limoges tea set, | 0:06:07 | 0:06:10 | |
which Franco bought for Rita as a present back in Italy. | 0:06:10 | 0:06:13 | |
Exquisitely decorated, French Limoges porcelain has been | 0:06:13 | 0:06:16 | |
much admired and very keenly collected | 0:06:16 | 0:06:19 | |
since it was first manufactured in the late 18th century. | 0:06:19 | 0:06:22 | |
This tea set is probably mid-20th century | 0:06:22 | 0:06:26 | |
and Paul gives it an estimate of £30 - £50. | 0:06:26 | 0:06:29 | |
So, Rita, we're having a wonderful day. | 0:06:29 | 0:06:31 | |
I've even had a walk down by the sea, which was terrific. | 0:06:31 | 0:06:34 | |
Now, what were the events leading up to the fact | 0:06:34 | 0:06:36 | |
that you've just spent 37 years very happily married in Italy? | 0:06:36 | 0:06:40 | |
My friends tried to encourage me to go out to Italy with them on a holiday. | 0:06:40 | 0:06:45 | |
And we decided to go to Sorrento. | 0:06:45 | 0:06:47 | |
Well, I was swimming in the pool, you see, with my friends. | 0:06:47 | 0:06:50 | |
And my friends were saying, Rita, there's a man touching your bag. | 0:06:50 | 0:06:54 | |
So of course, I dash out and jump out and there's Franco, touching my handbag. | 0:06:54 | 0:06:59 | |
I said, "Do you mind?" "I'm not touching anything, Madam. | 0:06:59 | 0:07:02 | |
"My purse is here behind that bag," he said. | 0:07:02 | 0:07:05 | |
"Oh. Excuse me, why don't you go and sit over there? This is my seat." | 0:07:05 | 0:07:09 | |
-He said, "Madam, I like the sun also." -A rocky start! -Absolutely! You know, I was very rude. | 0:07:09 | 0:07:14 | |
How long did it take before you and Franco got together properly? | 0:07:14 | 0:07:18 | |
It sort of developed, you know. And of course, I came back to England | 0:07:18 | 0:07:21 | |
and there were all these letters and telegrams. | 0:07:21 | 0:07:25 | |
"You've got to come, I have hired a flat," you know. "You've got to come." | 0:07:25 | 0:07:28 | |
Tell me what your days were like, living in such a romantic place. | 0:07:28 | 0:07:32 | |
My days, they were lovely. Because he bought us a lovely apartment. Of course we had | 0:07:32 | 0:07:36 | |
all of flowers on the terraces. He was in the bank all day. Sometimes very late when he got home. | 0:07:36 | 0:07:43 | |
And I started to teach English. The word got around there was an English woman living there. | 0:07:43 | 0:07:49 | |
It was absolutely fantastic. | 0:07:49 | 0:07:51 | |
Very sadly, you lost this wonderful man, Franco, in fairly recent times. What happened in the end? | 0:07:51 | 0:07:58 | |
Unfortunately, he died of cancer. He suffered for two years. | 0:07:58 | 0:08:03 | |
But it did take me... | 0:08:03 | 0:08:04 | |
I'm writing a book, | 0:08:04 | 0:08:06 | |
and it took me three or four years to close the doors on Italy. | 0:08:06 | 0:08:10 | |
Are you enjoying your life, even though you're missing Italy? Enjoying being back? | 0:08:10 | 0:08:14 | |
Now I'm beginning to settle in. | 0:08:14 | 0:08:16 | |
Yes, yes, I'm having a laugh, actually. | 0:08:16 | 0:08:20 | |
Rita is adorable. And she's had such a fascinating life. So hopefully, | 0:08:20 | 0:08:23 | |
we can help her create a more comfortable home for herself. | 0:08:23 | 0:08:26 | |
But we have to get cracking | 0:08:26 | 0:08:29 | |
if we're going to hit that £1,500 target. | 0:08:29 | 0:08:31 | |
Rita is straight on the case, | 0:08:31 | 0:08:33 | |
as she unearths this collection of jewellery, including a coral necklace | 0:08:33 | 0:08:36 | |
and matching bracelet, along with an 18 carat gold ring. | 0:08:36 | 0:08:41 | |
It's another gift given to Rita by her late husband, Franco, | 0:08:41 | 0:08:44 | |
back in Italy. The decline in the availability of coral | 0:08:44 | 0:08:48 | |
means that jewellery like this can fetch very high prices. | 0:08:48 | 0:08:51 | |
So Paul has set an attractive £100 - £200 estimate. | 0:08:51 | 0:08:55 | |
But we won't have to wait too long to see what the bidders make of it. | 0:08:55 | 0:08:58 | |
90 and I'm straight in. 100. Do I see 120? | 0:08:58 | 0:09:02 | |
Will it help Rita reach her target towards that new kitchen? | 0:09:02 | 0:09:05 | |
All done. | 0:09:05 | 0:09:06 | |
As our rummage continues, it looks like Seb has struck gold. | 0:09:07 | 0:09:11 | |
Hey, Seb, you've done some good rooting around. Music to my ears. Jewellery. These are gorgeous. | 0:09:13 | 0:09:17 | |
Yes. I've heard about these, | 0:09:17 | 0:09:20 | |
I believe they're anniversary presents from Franco. | 0:09:20 | 0:09:23 | |
I believe this was the first one that Franco actually bought for Rita. | 0:09:23 | 0:09:27 | |
-Oh, that's lovely, isn't it? First anniversary. Isn't that gorgeous? -That's beautiful, yeah. | 0:09:27 | 0:09:31 | |
I mean, the first thing that strikes me is the colour. It's a very bright gold. | 0:09:31 | 0:09:35 | |
Here in the UK, we recognise nine carats. | 0:09:35 | 0:09:39 | |
That tends to be what we make most of our jewellery from. And that has a high copper content. | 0:09:39 | 0:09:43 | |
So when you look at it, it looks quite an orange colour. | 0:09:43 | 0:09:46 | |
When you get this brass, very gold colour, it tends to be a higher carat. | 0:09:46 | 0:09:49 | |
Do you know whether it was bought in Italy, or bought here? | 0:09:49 | 0:09:52 | |
They're all from Napoli. In fact, this is in the original case. | 0:09:52 | 0:09:56 | |
It's got the original logo. | 0:09:56 | 0:09:58 | |
-I adore this one. Look. -Look at that. -I mean, it's such an unusual linking system, isn't it? | 0:09:58 | 0:10:03 | |
-Beautiful cut. -Yeah. -Quite light, though. -Don't forget, there's a lot of gold here. | 0:10:03 | 0:10:07 | |
This is all solid, it would cost an absolute fortune. | 0:10:07 | 0:10:09 | |
So they had this clever method of making it hollow. | 0:10:09 | 0:10:12 | |
At auction, my experience is that jewellery seems to sell quite well. Do you think this will go well? | 0:10:12 | 0:10:17 | |
-For those two, you're looking near the £500 mark. -Really? -Good, isn't it? | 0:10:17 | 0:10:22 | |
I think Rita would be ecstatic with that. | 0:10:22 | 0:10:24 | |
That sounds fantastic. That's a good find! | 0:10:24 | 0:10:27 | |
-Cracking. -That's a very good find, Seb. | 0:10:27 | 0:10:28 | |
We're all ecstatic, I think. You know, this modest apartment is turning out | 0:10:28 | 0:10:32 | |
to be quite the treasure trove, with precious metals at every turn. | 0:10:32 | 0:10:37 | |
Another find like that, and we'll make our target. | 0:10:37 | 0:10:39 | |
I think we must be really blessed today, because before you know it, I come across | 0:10:39 | 0:10:44 | |
this gorgeous solitaire diamond engagement ring. It was given to Rita by Franco | 0:10:44 | 0:10:48 | |
back in 1974 and indeed, the first piece of jewellery that he bought for her. | 0:10:48 | 0:10:53 | |
It's a 40 point diamond, set in 18 carat white gold | 0:10:53 | 0:10:58 | |
and it's absolutely wonderful. The truth is, I wouldn't mind it myself. | 0:10:58 | 0:11:01 | |
But it has to go to auction, where there's lots of interest for jewellery like this. | 0:11:01 | 0:11:06 | |
So Paul values it at a sparkling £400 - £500, with a £300 reserve. | 0:11:06 | 0:11:12 | |
-Rita. -Yes? -Can you just pop in here a second? Have a sit down. | 0:11:12 | 0:11:16 | |
-What have you found? -Have a rest for a minute. -Thank you. | 0:11:16 | 0:11:20 | |
I found a lovely medallion here. | 0:11:20 | 0:11:22 | |
It's got some Italian writing on it, if you could translate. | 0:11:22 | 0:11:25 | |
Can you read that? | 0:11:25 | 0:11:26 | |
A very long activity, faithful service to the bank. | 0:11:26 | 0:11:30 | |
-How long did he work at the bank for? -37 years. | 0:11:30 | 0:11:33 | |
-Gosh, that's a long time, isn't it? -From a boy. | 0:11:33 | 0:11:36 | |
-He must have seen some changes and done a lot of good work. -Yes, he did. | 0:11:36 | 0:11:39 | |
-Absolutely. -And I take it that building there, that's the bank? -Yes. | 0:11:39 | 0:11:43 | |
-In the centre of Milan. -So it's something that would have meant a lot to Franco? | 0:11:43 | 0:11:47 | |
Only to him, yes. Of course I'm very proud of him. | 0:11:47 | 0:11:51 | |
-I've got the memories. -Of course. | 0:11:51 | 0:11:53 | |
-Well, medals and medallions are highly collected. -Are they? | 0:11:53 | 0:11:58 | |
For all sorts of reasons. | 0:11:58 | 0:11:59 | |
I can imagine a collector would not have this example. | 0:11:59 | 0:12:02 | |
Gold is doing well. I know there's not much age to this, but there's quite a lot of gold in there. | 0:12:02 | 0:12:07 | |
If I said £300, maybe up to about £500. How would that sound? | 0:12:07 | 0:12:11 | |
Absolutely fantastic! | 0:12:11 | 0:12:14 | |
Such joy! Another exciting find. | 0:12:14 | 0:12:16 | |
And it's not over yet, because Seb spots | 0:12:16 | 0:12:18 | |
this collection of crystal and glass ornaments. Now, modern pieces like these can be expensive | 0:12:18 | 0:12:23 | |
to buy new, but tend not to have a large resale value. | 0:12:23 | 0:12:27 | |
Nevertheless, Paul thinks this varied lot could reach £30 - £50. | 0:12:27 | 0:12:31 | |
-Paul? -Uh-huh? -I think I've found something. | 0:12:32 | 0:12:37 | |
-Yes. -Oh, look at that. What we've got is a watch strap. | 0:12:37 | 0:12:41 | |
Now, that is a watch and a half, isn't it? Very special. Whose was this? | 0:12:41 | 0:12:45 | |
-Franco's. Passed by his father. -Gosh. -1940. -That is a beauty. | 0:12:45 | 0:12:52 | |
-Gloria? -Yes? -Seb? I think we've found a show stopper here, actually. | 0:12:52 | 0:12:55 | |
-Just look at that. -Woooh! You, you have found some watches on this programme | 0:12:55 | 0:12:59 | |
-over the years, but judging by his excitement, this must be very, very special. -Something special, yeah. | 0:12:59 | 0:13:04 | |
It certainly looks special. | 0:13:04 | 0:13:05 | |
I mean, this is a chronograph and a tachometer, | 0:13:05 | 0:13:08 | |
which I think measures how far you've walked. | 0:13:08 | 0:13:12 | |
And a chronograph is like a stopwatch. | 0:13:12 | 0:13:14 | |
But for a watch of this age to have this complex a movement, | 0:13:14 | 0:13:19 | |
that's what makes it special. Have you ever had it valued before? Anybody have a look at it before? | 0:13:19 | 0:13:23 | |
Yes, I have, actually. In Italy. | 0:13:23 | 0:13:25 | |
-OK. -I wouldn't let it go under 1,500. -Right. -Because it's worth a lot more. | 0:13:25 | 0:13:30 | |
Well, it wouldn't surprise me whatsoever. | 0:13:30 | 0:13:32 | |
I think what we need to do is to make sure of how much | 0:13:32 | 0:13:35 | |
exactly this is worth before we do consider selling it, all right? | 0:13:35 | 0:13:38 | |
What is your estimate at the moment, then? | 0:13:38 | 0:13:40 | |
-I think you'd be happy with 1,500. -As a reserve. -As a reserve. | 0:13:40 | 0:13:43 | |
I think we'll put it in with that. | 0:13:43 | 0:13:45 | |
But when it comes to the auction, | 0:13:45 | 0:13:47 | |
we'll have done more homework on it. Found out more about it. | 0:13:47 | 0:13:49 | |
-I hope so. -Put a more realistic value on it. -If you could, yes. | 0:13:49 | 0:13:52 | |
What a fantastic thing. | 0:13:52 | 0:13:53 | |
Well, about my person, I have the totals. You're not allowed to peep! | 0:13:53 | 0:13:58 | |
-Do you want to know? -Go on then. -All right. | 0:13:58 | 0:14:00 | |
So, let's assume the watch doesn't hit its mark. | 0:14:00 | 0:14:04 | |
You already have £1,960. | 0:14:04 | 0:14:08 | |
That's absolutely wonderful! | 0:14:08 | 0:14:10 | |
If the watch goes in and sells for at least £1,500, | 0:14:10 | 0:14:13 | |
-you've got a minimum of £3,460. -You're joking! | 0:14:13 | 0:14:17 | |
Yay! £3,460! | 0:14:17 | 0:14:20 | |
-Let's put it back, quick! -Right. OK. | 0:14:20 | 0:14:22 | |
I hope I haven't peaked too soon, it could be a very exciting auction. | 0:14:22 | 0:14:26 | |
The colourful collection of Italian paintings could put us in the frame | 0:14:26 | 0:14:29 | |
for at least £50-£80. | 0:14:29 | 0:14:32 | |
At a whopping £500-£600, I wonder if those | 0:14:32 | 0:14:35 | |
impressive gold bracelets will make the grade with bidders. | 0:14:35 | 0:14:38 | |
And I was so taken with the diamond solitaire ring, | 0:14:38 | 0:14:41 | |
which was a gift from Rita's late husband. | 0:14:41 | 0:14:43 | |
At an estimate of £400-£500, | 0:14:43 | 0:14:46 | |
it means it should certainly sparkle in the sale room. | 0:14:46 | 0:14:49 | |
And still to come... | 0:14:49 | 0:14:51 | |
will Rita's collection of gold dazzle the crowd at auction? | 0:14:51 | 0:14:55 | |
-190, 200, 220, 240... -It's still going. | 0:14:55 | 0:14:59 | |
-..220 I have. -I had no idea. -That's brilliant. | 0:14:59 | 0:15:02 | |
And emotions run high, | 0:15:03 | 0:15:04 | |
-as some very prized possessions go under the hammer. -..85 I have. | 0:15:04 | 0:15:08 | |
I'm sorry. | 0:15:08 | 0:15:09 | |
No, it's all right, | 0:15:09 | 0:15:11 | |
I could feel you just couldn't bear to look at it. | 0:15:11 | 0:15:14 | |
Here comes that gavel. | 0:15:14 | 0:15:15 | |
It's not very often I get to physically lie-down on the job, | 0:15:20 | 0:15:24 | |
but I have made that journey from Folkestone along the coast | 0:15:24 | 0:15:27 | |
to the Rye Auction Galleries. | 0:15:27 | 0:15:29 | |
And, of course, Rita is trying to raise £1,500 | 0:15:29 | 0:15:33 | |
towards a kitchen in her new, cosy little seaside apartment. | 0:15:33 | 0:15:37 | |
She has, I have to say, | 0:15:37 | 0:15:38 | |
a pot of gold in terms of all of her jewellery, | 0:15:38 | 0:15:41 | |
so let's hope that when her items go under the hammer | 0:15:41 | 0:15:44 | |
she raises a lot of money. | 0:15:44 | 0:15:46 | |
With any luck at all, the bidders here | 0:15:46 | 0:15:48 | |
at Rye Auction Galleries have brought their chequebooks, | 0:15:48 | 0:15:51 | |
as Rita's got some items here that are real quality. | 0:15:51 | 0:15:54 | |
With the price of gold currently strong, | 0:15:54 | 0:15:57 | |
the auctioneer's decided to split up those four gold sovereigns into four separate lots. | 0:15:57 | 0:16:02 | |
With more bidders in the game, | 0:16:02 | 0:16:04 | |
this should fetch them a higher price overall. | 0:16:04 | 0:16:07 | |
Ah, my beady eye goes immediately to the watch. | 0:16:07 | 0:16:11 | |
-You brought it after all. -It's quite something, isn't it? | 0:16:11 | 0:16:14 | |
My husband's wish was that it was sold and went to a collector. | 0:16:14 | 0:16:18 | |
-Are you sure you want to part with it? -I have to, yes. | 0:16:18 | 0:16:22 | |
Yeah, that really is a fantastic watch. It dates to 1940, | 0:16:22 | 0:16:24 | |
it's oversized, it's very visual. | 0:16:24 | 0:16:27 | |
I've had a chat to the auctioneer and a few watch specialists, we think around £2,000. | 0:16:27 | 0:16:32 | |
I think if you put a reserve of £2,000 on it, | 0:16:32 | 0:16:34 | |
you'll either sell the watch or it'll come back home. | 0:16:34 | 0:16:37 | |
That's some reserve. The gallery's filling up nicely, so it's time to take our places, | 0:16:37 | 0:16:41 | |
as Rita's first lot is about to go under the hammer. | 0:16:41 | 0:16:45 | |
The first of your items, it says here, is a "part tea set." | 0:16:45 | 0:16:48 | |
This is 20th century, French, a good example, | 0:16:48 | 0:16:51 | |
and we're looking for about £30. | 0:16:51 | 0:16:53 | |
Who's got 50 to start me? 30, then? | 0:16:53 | 0:16:55 | |
Start me at 10, I don't mind, let's get it going. | 0:16:55 | 0:16:58 | |
-Come on, there must be somebody here. -10 you've got. | 0:16:58 | 0:17:01 | |
12 I have. 15. | 0:17:01 | 0:17:02 | |
Do I see 18? 15, I'm going to sell it. | 0:17:02 | 0:17:04 | |
At £15... | 0:17:04 | 0:17:07 | |
That is awful. | 0:17:08 | 0:17:10 | |
-That is terrible. -£15 for Limoges? | 0:17:10 | 0:17:12 | |
Uh-oh, that was a very disappointing start, | 0:17:12 | 0:17:15 | |
and things don't get any better when these crystal pieces | 0:17:15 | 0:17:18 | |
Rita accumulated over the years from her English students | 0:17:18 | 0:17:22 | |
only make £15. | 0:17:22 | 0:17:24 | |
Who knows? | 0:17:24 | 0:17:25 | |
Maybe this crowd are holding on to their money for Rita's fantastic collection of gold. | 0:17:25 | 0:17:30 | |
This next item is interesting, because it's the crucifix. | 0:17:30 | 0:17:33 | |
I know you've got a history behind this, where did you get it? | 0:17:33 | 0:17:36 | |
It was presented to Franco when he came back from Jerusalem | 0:17:36 | 0:17:41 | |
from a friend of his, and it's been with us all these years. | 0:17:41 | 0:17:44 | |
Yeah, let's hope there's two people who like this. | 0:17:44 | 0:17:46 | |
We're looking for around £50. | 0:17:46 | 0:17:48 | |
-I like it. -Yeah, fingers crossed. -Is this something that would appeal to you, Seb? | 0:17:48 | 0:17:52 | |
I know this is one of the more important items, | 0:17:52 | 0:17:54 | |
sentimentally I think this is going to be hard to part with. | 0:17:54 | 0:17:57 | |
I have 40 here. 0. 2. 45. 48. 50 I've got, sir. | 0:17:57 | 0:18:03 | |
52. Do I see 55? 58. | 0:18:03 | 0:18:07 | |
-60. 2... -That's more like it. -65. | 0:18:07 | 0:18:10 | |
68. 70. 2. 75... | 0:18:10 | 0:18:14 | |
-You can't look, can you? -78. 80. | 0:18:14 | 0:18:16 | |
2. 85. 88... | 0:18:16 | 0:18:19 | |
85 I have. At £85, we're all done. | 0:18:19 | 0:18:24 | |
-I could... -I could cry. -No, it's all right, | 0:18:26 | 0:18:29 | |
I could feel you couldn't bear to look at it on the screen. | 0:18:29 | 0:18:32 | |
-But it got a good price. -I hope it's got a good home. | 0:18:32 | 0:18:35 | |
-It has got a good home. -Somebody I'm sure will appreciate it. | 0:18:35 | 0:18:38 | |
Very understandable. | 0:18:39 | 0:18:41 | |
Rita has such a strong personal connection to these collectibles, | 0:18:41 | 0:18:44 | |
many gifts from her dear husband, Franco. | 0:18:44 | 0:18:46 | |
I'm sure, though, the new owner of the crucifix | 0:18:46 | 0:18:50 | |
will treasure it as much as Rita has. | 0:18:50 | 0:18:52 | |
Now we move on to the gold. | 0:18:52 | 0:18:54 | |
I'm holding your hand for this one, | 0:18:54 | 0:18:56 | |
because you have a lot of very emotional items. | 0:18:56 | 0:18:58 | |
We were saying it's very profound, parting with some of these things. | 0:18:58 | 0:19:02 | |
I've got numerous bids here. | 0:19:02 | 0:19:05 | |
They start at 100, 200, 300. I've got 320... | 0:19:05 | 0:19:09 | |
320. 330. 340. 350. 360. 370. | 0:19:09 | 0:19:15 | |
370 I have. 370. Do I see 380? | 0:19:15 | 0:19:18 | |
380. 390. 400. | 0:19:18 | 0:19:21 | |
410. 420. | 0:19:21 | 0:19:23 | |
At 410 on my left. | 0:19:23 | 0:19:26 | |
At £410, are we all done here now? | 0:19:26 | 0:19:29 | |
-Woah! -£410! -Absolutely fantastic. | 0:19:29 | 0:19:33 | |
Your Franco's shining down on you today, isn't he? | 0:19:33 | 0:19:35 | |
Yes, he is. | 0:19:35 | 0:19:37 | |
I think we've just turned a corner, | 0:19:37 | 0:19:39 | |
because Rita's gold seems to be a real hit with the crowd here today. | 0:19:39 | 0:19:43 | |
These four gold sovereigns that belonged to Franco | 0:19:43 | 0:19:46 | |
have been split into separate lots. Let's hope the bidders go for them. | 0:19:46 | 0:19:50 | |
140. 150. 160. | 0:19:50 | 0:19:52 | |
160 I have. At £160. | 0:19:52 | 0:19:56 | |
Fantastic. That's only the one! Next one. | 0:19:56 | 0:19:59 | |
-140 I have. -140! -At 140. 150. 160. | 0:19:59 | 0:20:03 | |
At £160... | 0:20:03 | 0:20:05 | |
Fantastic! | 0:20:05 | 0:20:06 | |
At £160, we're all done... | 0:20:06 | 0:20:10 | |
-There we go. -Another 160! | 0:20:10 | 0:20:12 | |
200. 220. 240. | 0:20:12 | 0:20:15 | |
220 I have. £220. | 0:20:15 | 0:20:18 | |
-Isn't that brilliant? -That's fantastic. | 0:20:18 | 0:20:22 | |
That is just brilliant. Give us a kiss! | 0:20:22 | 0:20:24 | |
Well, if my maths is correct, for those four sovereigns, | 0:20:24 | 0:20:28 | |
they fetched £700. | 0:20:28 | 0:20:31 | |
That is a spectacular result. | 0:20:31 | 0:20:33 | |
Franco obviously was a man who knew what he was doing | 0:20:33 | 0:20:36 | |
when it came to investing in valuables. | 0:20:36 | 0:20:39 | |
But I hope the bidders haven't spent all their cash, | 0:20:39 | 0:20:41 | |
because there's plenty more where that came from. | 0:20:41 | 0:20:44 | |
At the halfway point, what have we made? | 0:20:44 | 0:20:46 | |
So far, you have 1,225! | 0:20:46 | 0:20:50 | |
And we're only halfway through! | 0:20:50 | 0:20:53 | |
Just fantastic. | 0:20:54 | 0:20:55 | |
If you'd like a go at selling at auction, | 0:20:55 | 0:20:57 | |
Do remember that there are fees, such as commission, that apply, | 0:20:57 | 0:21:01 | |
so make sure you check in advance. | 0:21:01 | 0:21:03 | |
Many of these belongings of Rita have a huge sentimental value, so it's just as important | 0:21:03 | 0:21:08 | |
the prices she gets for them make it all worthwhile, | 0:21:08 | 0:21:11 | |
particularly in the case of her diamond engagement ring. | 0:21:11 | 0:21:15 | |
-I couldn't bring myself to wear it any more. -Haven't had the heart to wear it? | 0:21:15 | 0:21:19 | |
No, no, I don't go out much, and it's something you wear when you go out dressed. | 0:21:19 | 0:21:23 | |
Seb, you're a great family friend of Rita's. | 0:21:23 | 0:21:26 | |
Do you think this is a wise decision for Rita to sell the ring? | 0:21:26 | 0:21:29 | |
Yes, I totally understand it. | 0:21:29 | 0:21:30 | |
I'm glad we took Paul's advice and put the reserve on it. | 0:21:30 | 0:21:33 | |
280. Do I see 300? 280 I've got. 300 here. | 0:21:33 | 0:21:37 | |
You're out. 300 I have. I will sell it at 300. | 0:21:37 | 0:21:42 | |
-OK, happiness all round, that's good. -That's really good, isn't it? -That's very good. | 0:21:42 | 0:21:47 | |
And it's romantic to think this ring may get used again for another special occasion. | 0:21:47 | 0:21:52 | |
Thinking of Franco, he seems to have been such a generous man | 0:21:52 | 0:21:55 | |
who lavished his wife with a lot of lovely gifts, | 0:21:55 | 0:21:58 | |
this coral jewellery was originally bought as a necklace, but it was too long | 0:21:58 | 0:22:02 | |
so Franco had it made into a bracelet as well. | 0:22:02 | 0:22:05 | |
Let's hope his good taste continues. | 0:22:05 | 0:22:07 | |
100, I'm straight in. | 0:22:07 | 0:22:08 | |
100. Do I see 120? | 0:22:08 | 0:22:11 | |
-120. 130. 140. -Come on! -I'm out. | 0:22:11 | 0:22:14 | |
140. 150. 160. 170. 180. | 0:22:14 | 0:22:18 | |
170, I have. All done? | 0:22:18 | 0:22:21 | |
-You got a good price. -I think that's a really good price, actually, yeah. | 0:22:21 | 0:22:25 | |
With this type of jewellery so rare, | 0:22:25 | 0:22:28 | |
I'm sure Rita's coral necklace, bracelet and ring | 0:22:28 | 0:22:31 | |
will be a welcome set of accessories to someone's outfit. | 0:22:31 | 0:22:34 | |
We've actually got an item now that wasn't a gift from Franco. | 0:22:34 | 0:22:37 | |
These Mediterranean pictures were painted by Rita's friend, | 0:22:37 | 0:22:40 | |
but there's no room for them in her new home so it's time to go. | 0:22:40 | 0:22:45 | |
I quite like these, actually. | 0:22:45 | 0:22:46 | |
I couldn't find anything about Lina Prudente, the artist. | 0:22:46 | 0:22:49 | |
She's not a listed artist in Italy or anything like that. | 0:22:49 | 0:22:52 | |
We're looking for 50-80 for these | 0:22:52 | 0:22:54 | |
as decorative paintings. | 0:22:54 | 0:22:56 | |
£20. | 0:22:56 | 0:22:57 | |
20 I've got, and 2. 25. 28. | 0:22:57 | 0:23:01 | |
30, I'm out. | 0:23:01 | 0:23:03 | |
It's here at 30. | 0:23:03 | 0:23:04 | |
30. Do I see 32? | 0:23:04 | 0:23:06 | |
At £30. | 0:23:06 | 0:23:08 | |
-I think that's probably realistic. -Really? | 0:23:08 | 0:23:11 | |
I think we got carried away with the moment. | 0:23:11 | 0:23:13 | |
With paintings, it's all on the artist. | 0:23:13 | 0:23:15 | |
You know, those oil paintings will certainly brighten up | 0:23:15 | 0:23:19 | |
the right room for someone. | 0:23:19 | 0:23:21 | |
Our next item is the one that we've all been waiting for, | 0:23:21 | 0:23:24 | |
the spectacular 18 carat chronograph watch that belonged to Franco. | 0:23:24 | 0:23:28 | |
This really is a super watch. There's no batteries here, | 0:23:30 | 0:23:33 | |
no quartz, a real watch movement, | 0:23:33 | 0:23:35 | |
it's a chronograph, | 0:23:35 | 0:23:36 | |
it has the tachometer on the edge, | 0:23:36 | 0:23:38 | |
It's a complex movement for the time, | 0:23:38 | 0:23:40 | |
1938-1940. It's 18 carat gold so to buy this today would cost you quite a lot of money. | 0:23:40 | 0:23:45 | |
2,000 I have to start. | 0:23:45 | 0:23:48 | |
Please? 2000, do I see? | 0:23:48 | 0:23:51 | |
1,000 I'll start it, then. 1,000 with me. | 0:23:51 | 0:23:53 | |
And 50. 11. 50. 1,200. 1250. 13. 1,500, sir? | 0:23:53 | 0:24:00 | |
13 with me. Do I see 1,400? | 0:24:00 | 0:24:04 | |
It's come back. 1,400. 1,500? 15 I have. | 0:24:04 | 0:24:08 | |
At £1,500. | 0:24:08 | 0:24:10 | |
No, don't want it to go, no. | 0:24:10 | 0:24:12 | |
I'm afraid that's not sold. | 0:24:12 | 0:24:14 | |
-Good. -Is that good? -Good. -That's the first time I've seen anyone happy about not being sold. | 0:24:14 | 0:24:19 | |
Normally when something doesn't sell at auction, I'm disappointed. | 0:24:19 | 0:24:23 | |
But in this instance, I think we're all quite glad | 0:24:23 | 0:24:25 | |
that Rita will be taking this fond memory back home. | 0:24:25 | 0:24:28 | |
Our final items are the two | 0:24:28 | 0:24:29 | |
18 carat gold bracelets that were, | 0:24:29 | 0:24:32 | |
you've guessed it, a gift from Franco. They've been split into separate plots | 0:24:32 | 0:24:36 | |
for the bidders but we're hoping for £500-£600 overall. | 0:24:36 | 0:24:39 | |
-250. 260. 270. -Going well. | 0:24:42 | 0:24:46 | |
280. 290? | 0:24:46 | 0:24:48 | |
280? | 0:24:48 | 0:24:49 | |
-Other one here. -Here we go. | 0:24:49 | 0:24:51 | |
270. 280. 290. | 0:24:51 | 0:24:54 | |
-300? -300. -Yeah! | 0:24:54 | 0:24:55 | |
-At £300. -Yes! | 0:24:55 | 0:24:58 | |
I think I would have liked your Franco a lot. | 0:24:58 | 0:25:01 | |
I'm quite sure he would have liked you. | 0:25:01 | 0:25:04 | |
What a way to end a very emotional day | 0:25:04 | 0:25:07 | |
with this pair of bracelets making £580, | 0:25:07 | 0:25:10 | |
but just how much has Rita made altogether? | 0:25:10 | 0:25:14 | |
Well, you wanted £1,500 to go towards your new kitchen | 0:25:14 | 0:25:17 | |
and actually, as kitchens go these days, you can buy quite wisely, | 0:25:17 | 0:25:20 | |
and that could do very well. However, we don't want to give you £1,500. | 0:25:20 | 0:25:24 | |
We don't want to give you...£2,000. | 0:25:24 | 0:25:28 | |
We don't want to give you £2,200. | 0:25:28 | 0:25:31 | |
We want to give you... | 0:25:31 | 0:25:32 | |
-£2,305. -That's fantastic, that's really lovely. -Isn't that good? -Yes. | 0:25:32 | 0:25:37 | |
-And will you invite Paul and I for tea in your kitchen when you get it we done? -I will. | 0:25:37 | 0:25:41 | |
-Thank you, Rita, you're a lovely lady and, Seb, thank you for all your support. -Thank you. | 0:25:41 | 0:25:46 | |
I'm sure you'd like to know that Rita's now bought an apartment | 0:25:50 | 0:25:53 | |
where she's already looking at new kitchen ideas. | 0:25:53 | 0:25:55 | |
'No way could I live with somebody else's' | 0:25:57 | 0:25:59 | |
kitchen and bathroom so out it comes. We just do our best to make this into | 0:25:59 | 0:26:04 | |
'absolutely new. And it should be rather nice, actually. | 0:26:04 | 0:26:08 | |
'My friends have come around to help me, to give suggestions, | 0:26:08 | 0:26:11 | |
'and they're helping an awful lot.' | 0:26:11 | 0:26:14 | |
What it's going to cost, I've no idea. | 0:26:14 | 0:26:16 | |
Rita, let's hope the total raised at auction is a very good start. | 0:26:16 | 0:26:21 | |
For me, it was a very big experience, you know. And I loved it. | 0:26:22 | 0:26:27 | |
It's helped me a lot. | 0:26:27 | 0:26:29 |