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Welcome to Cash In The Attic, the show that takes your unwanted antiques and sells them at auction. | 0:00:02 | 0:00:08 | |
Today, we're going to be helping a family raise money for a rather special renovation. | 0:00:08 | 0:00:14 | |
'Coming up on Cash In The Attic, | 0:00:35 | 0:00:37 | |
'our expert James tells us what Doulton were once famous for.' | 0:00:37 | 0:00:41 | |
Sanitary wear. They were making things like sewerage pipes and loos and things like that! | 0:00:42 | 0:00:47 | |
'And his musical interlude.' | 0:00:48 | 0:00:50 | |
-You can do your very own Jingle Bells. -We did try! | 0:00:50 | 0:00:54 | |
Santa's Sleigh might be a bit more difficult! | 0:00:54 | 0:00:57 | |
'And will our auction prove as enchanting as he hopes?' | 0:00:57 | 0:01:00 | |
-Just wave the magic wand. It'll be fine. -I've brought him as your fairy godfather. | 0:01:01 | 0:01:06 | |
'Stay with us until the final hammer falls.' | 0:01:06 | 0:01:10 | |
Today, I've come to Hemel Hempstead | 0:01:11 | 0:01:13 | |
to help a mum give her son a place of his own. | 0:01:13 | 0:01:16 | |
'Sandra Kidd has one son, Daniel, who's 16 years old. | 0:01:17 | 0:01:21 | |
'He's been almost entirely home-schooled by his mum and only recently started going to college, | 0:01:21 | 0:01:26 | |
'doing a life skills course. He now wants more independence | 0:01:26 | 0:01:30 | |
'at home, so we've been called in. | 0:01:30 | 0:01:33 | |
'On hand to help with the rummage today is Sandra's mother, Rita, | 0:01:33 | 0:01:37 | |
'and joining me is expert valuer James Rylands, | 0:01:37 | 0:01:40 | |
'who used to work for Sotheby's. | 0:01:40 | 0:01:42 | |
'While he sets to work, I head off to meet our hosts.' | 0:01:42 | 0:01:45 | |
-Good morning. Hello. You must be Daniel. -Yes, that's me. | 0:01:46 | 0:01:51 | |
-What are you doing behind there? -Gingerbread men. | 0:01:51 | 0:01:55 | |
-Making gingerbread men. -Yes. -Can I have one later? -Yes, you can. | 0:01:55 | 0:01:58 | |
-Thank you. Now, who called in Cash In The Attic? -I did. -Ah, OK. | 0:01:58 | 0:02:03 | |
-So why did you call us in? -Because we wanted to raise some money | 0:02:03 | 0:02:08 | |
to give Dan a new log cabin for a den. | 0:02:08 | 0:02:12 | |
Dan, tell me about your log cabin and what you want it to be like. | 0:02:12 | 0:02:15 | |
-Do you want it to be big or small? -Big. -Right. -Yes. | 0:02:15 | 0:02:20 | |
-Do you want a sign on the door saying "Keep Out"? -Yes! | 0:02:20 | 0:02:23 | |
-I've already been barred! -Have you? -Yes. -Aww! | 0:02:23 | 0:02:27 | |
-How much are you looking for us to help raise? -If we could get | 0:02:27 | 0:02:30 | |
£500 or anything really | 0:02:30 | 0:02:33 | |
to help towards it, £500 upwards would be nice. | 0:02:33 | 0:02:37 | |
'Well, I can see there are lots of bits and bobs dotted around here. | 0:02:37 | 0:02:42 | |
'It's taken James no time to find his first find of the day.' | 0:02:42 | 0:02:45 | |
James, the others are looking for items, but you've found something. | 0:02:46 | 0:02:51 | |
I've found quite a nice collection of jugs. Where did they come from? | 0:02:51 | 0:02:54 | |
-My grandparents, from both sides. -Both sides. -Yes. | 0:02:54 | 0:02:59 | |
-Which one do you think is your favourite? -Erm... This little one. -Good girl! | 0:02:59 | 0:03:05 | |
You have actually chosen the nicest of all. | 0:03:05 | 0:03:09 | |
It's actually made by Doulton, which in terms of 19th-century ceramics, | 0:03:09 | 0:03:14 | |
is probably one of THE most famous names. | 0:03:14 | 0:03:16 | |
They did start in the early part of the 19th century | 0:03:16 | 0:03:19 | |
with a John Doulton, but they weren't really well known | 0:03:19 | 0:03:23 | |
particularly for this sort of decorative wear. | 0:03:23 | 0:03:26 | |
-Do you know what they made most of? -No. -Sanitary wear. | 0:03:26 | 0:03:29 | |
They were making things like sewage pipes and loos and things like that, | 0:03:29 | 0:03:34 | |
which was a big necessity then, but later on in the 19th century, | 0:03:34 | 0:03:38 | |
they started making art pottery and I can sort of date it | 0:03:38 | 0:03:42 | |
because on the bottom, it's got Doulton Lambeth, | 0:03:42 | 0:03:45 | |
and I know that in 1901, they got given a Royal warrant | 0:03:45 | 0:03:48 | |
and after that, they called themselves Royal Doulton. | 0:03:48 | 0:03:52 | |
Probably 1880s, 1890s, something like that. But very collectable. | 0:03:52 | 0:03:56 | |
We've actually got a big collection here | 0:03:56 | 0:03:59 | |
that goes right the way through from blue and white in the 1850s | 0:03:59 | 0:04:02 | |
through to 1900, then these Art Deco jugs up at the top. | 0:04:02 | 0:04:06 | |
-I'm going to put something like £50-£100 on the whole lot. -OK. | 0:04:06 | 0:04:11 | |
-Anything helps. -Look at it this way, it's another log in Dan's cabin! | 0:04:11 | 0:04:15 | |
-That's what's important. -He'll be volunteering to build it. -I'm not a lumberjack, let me tell you. | 0:04:15 | 0:04:21 | |
'Rita's searching one of the bedrooms and comes across an old box which needs a closer look. | 0:04:22 | 0:04:28 | |
'It contains a Magic Lantern, a forerunner of the slide projector, | 0:04:28 | 0:04:32 | |
'plus a small collection of slides. | 0:04:32 | 0:04:34 | |
'Magic Lanterns have been entertaining people for hundreds of years, | 0:04:34 | 0:04:38 | |
'but this German model is from the early 20th century. | 0:04:38 | 0:04:42 | |
'Rita's husband remembers it being in his family since he was a child. | 0:04:42 | 0:04:45 | |
'The estimate for auction is £40-£60.' | 0:04:45 | 0:04:49 | |
-Ooh, what have you got there? -It was an old picture | 0:04:49 | 0:04:54 | |
that was in my mother-in-law's loft, but it was all in pieces | 0:04:54 | 0:04:58 | |
and we had it professionally put together | 0:04:58 | 0:05:02 | |
and that is how it is now, but we've never really been able | 0:05:02 | 0:05:07 | |
to find out really much about it. | 0:05:07 | 0:05:10 | |
Very interesting. It's certainly got some age to it. | 0:05:10 | 0:05:14 | |
I'm just looking because I can actually see a tiny signature | 0:05:14 | 0:05:19 | |
at the bottom, but even with my glass, | 0:05:19 | 0:05:22 | |
it's very difficult to read. | 0:05:22 | 0:05:24 | |
Basically, it's a nice marine scene | 0:05:24 | 0:05:28 | |
and would probably have been painted in the middle of the 19th century. | 0:05:28 | 0:05:33 | |
-So it's 150 years old. -Yes. -Now, do you like it? | 0:05:33 | 0:05:38 | |
Yes, I do. You've got to really look at it to see the detail. | 0:05:38 | 0:05:44 | |
But in a way, that's the joy of a picture like this | 0:05:44 | 0:05:47 | |
because there's lots going on, it absorbs the interest. | 0:05:47 | 0:05:50 | |
So value-wise, I think as a nameless picture | 0:05:50 | 0:05:54 | |
without an attribution, I still think we'd be talking about | 0:05:54 | 0:05:58 | |
-between £100-£200. -Oh, that's a start, isn't it? | 0:05:58 | 0:06:02 | |
'But as the artist's signature is difficult to see, | 0:06:02 | 0:06:04 | |
'will it put the bidders off?' | 0:06:04 | 0:06:05 | |
140. 150. 160. 170. 180. 190. 200. 210... | 0:06:05 | 0:06:12 | |
'Clearly not! Find out how much it makes later on.' | 0:06:12 | 0:06:15 | |
-..pounds. -GAVEL THUDS | 0:06:15 | 0:06:17 | |
'As the search in Hertfordshire continues, | 0:06:17 | 0:06:20 | |
'we decide to tackle one room each to make sure every object is thoroughly examined. | 0:06:20 | 0:06:25 | |
'And with five pairs of eyes and hands at work here, | 0:06:25 | 0:06:29 | |
'nothing will escape our notice. | 0:06:29 | 0:06:31 | |
'In a wardrobe, Rita recognises a patchwork quilt, | 0:06:31 | 0:06:34 | |
'which has been in her Dad's family for years. | 0:06:34 | 0:06:38 | |
'He remembers it being on his bed when he was a child. | 0:06:38 | 0:06:41 | |
'They think it must be over 100 years old. It's handmade and large, | 0:06:41 | 0:06:45 | |
'so there are many hours of work gone into making it. It could raise £30-£50 at auction. | 0:06:45 | 0:06:50 | |
'Going by James's lowest estimate so far, | 0:06:50 | 0:06:54 | |
'we stand to make £220 towards that new log cabin for Daniel, | 0:06:54 | 0:06:59 | |
'so we still have quite a way to go. | 0:06:59 | 0:07:01 | |
'Daniel is Sandra's youngest son. | 0:07:01 | 0:07:04 | |
'She and husband Stuart have five children between them. | 0:07:04 | 0:07:07 | |
'They're all very supportive of the plan to set him up with a new den.' | 0:07:07 | 0:07:11 | |
As the others are looking around, I thought I'd catch up with you. | 0:07:12 | 0:07:16 | |
Firstly, Daniel, behind you there, is that your den? | 0:07:16 | 0:07:20 | |
-Yes. -Is it? It's a very nice, big room, isn't it? -Yes. | 0:07:20 | 0:07:25 | |
-What sort of things do you get up to in there? -I like to make things. | 0:07:25 | 0:07:29 | |
-Yes, your mum was saying you like to make things. -Yes. | 0:07:29 | 0:07:33 | |
-And you've started college recently. -Yes. -What's that like? | 0:07:33 | 0:07:38 | |
-It's nice. -Do you enjoy it? -I enjoy it. | 0:07:38 | 0:07:42 | |
-Because your mum taught you at home for a long time. -Yes. | 0:07:42 | 0:07:46 | |
-Do you miss your mum? -Yes. | 0:07:46 | 0:07:48 | |
-Yes. Miss lots. -Aww! | 0:07:48 | 0:07:53 | |
So the den, obviously you've got something there at the moment, | 0:07:53 | 0:07:57 | |
-what's wrong with what you've got? Why do you need this new one? -It's falling apart. | 0:07:57 | 0:08:01 | |
He couldn't go up in it this winter, I don't think. | 0:08:01 | 0:08:07 | |
I don't think it would last. It smells damp as well, which wouldn't be good for his chest. | 0:08:07 | 0:08:13 | |
-What would you like to replace it with? -We've looked at log cabins | 0:08:13 | 0:08:17 | |
because they're insulated better. | 0:08:17 | 0:08:20 | |
And hopefully, he'll have it more as a grown-up space. | 0:08:20 | 0:08:26 | |
It's his bit of independence. He can move things where he wants, | 0:08:26 | 0:08:31 | |
without me telling him off for moving my furniture around, | 0:08:31 | 0:08:36 | |
but we can also keep an eye on him, what's happening and where he is. | 0:08:36 | 0:08:42 | |
'We obviously need to get a move on | 0:08:42 | 0:08:44 | |
'if we're going to get that den for Daniel. | 0:08:44 | 0:08:47 | |
'Luckily, James isn't one to let the grass grow under his feet. | 0:08:47 | 0:08:51 | |
'He's taken a shine to this sizable collection of blue and gold banded crockery. | 0:08:51 | 0:08:56 | |
'It's part of a dinner service made by Myott and Son, | 0:08:56 | 0:08:59 | |
'which was a wedding gift to Sandra's Nan. | 0:08:59 | 0:09:02 | |
'There are similar pieces by Grimwades and Wedgwood. | 0:09:02 | 0:09:05 | |
'Some of them are chipped but the collection is so large, it gets an estimate | 0:09:05 | 0:09:09 | |
'of £80-£120.' | 0:09:09 | 0:09:11 | |
Now, Rita, I'm sure you're quite used to silver service, | 0:09:13 | 0:09:17 | |
so look what I've found here. | 0:09:17 | 0:09:19 | |
This is inscribed "RJ Ward, to commemorate 25 years' service | 0:09:19 | 0:09:23 | |
"with the Rickett family, 9th February 1971." | 0:09:23 | 0:09:26 | |
-What's that all about? -That's my father. | 0:09:26 | 0:09:28 | |
He was a gardener to this big house and he grew wonderful flowers | 0:09:28 | 0:09:35 | |
and it was a huge garden, he did all the vegetables and everything for the family. | 0:09:35 | 0:09:41 | |
He must have worked very hard for them to give him a silver salver, which is what this is. | 0:09:41 | 0:09:47 | |
He must have done. I can just see the hallmark here. | 0:09:47 | 0:09:51 | |
It's hallmarked in Birmingham in 1967, | 0:09:51 | 0:09:55 | |
but I can see... CSG - that's Charles S Green & Co, | 0:09:55 | 0:10:00 | |
the name of the company that made this. And they were... | 0:10:00 | 0:10:03 | |
They started actually in about 1905. | 0:10:03 | 0:10:06 | |
It was a real nice, small family business | 0:10:06 | 0:10:09 | |
because Charles's wife Winifred did all the company's early designs. | 0:10:09 | 0:10:13 | |
The idea of these silver salvers go way back to the 17th century | 0:10:13 | 0:10:17 | |
when they first became popular, but they were a real status symbol. | 0:10:17 | 0:10:22 | |
It's got a bit of weight to it, which is good | 0:10:22 | 0:10:25 | |
because silver is quite expensive at the moment. | 0:10:25 | 0:10:27 | |
I'd probably expect this to be worth £40-£60, something like that. | 0:10:27 | 0:10:32 | |
-Are you happy with that? -Yes. Yes, I am. | 0:10:32 | 0:10:36 | |
It's more money in the pot. Let's see what else we can find. | 0:10:36 | 0:10:39 | |
'Sandra's grandfather was really well liked by his employers | 0:10:39 | 0:10:43 | |
'and she's come across some more solid silver items given to him. | 0:10:43 | 0:10:47 | |
'This hip flask has the initials of his employer engraved on it. | 0:10:47 | 0:10:51 | |
'There's an inkwell too. They're hallmarked in Sheffield in the '30s. | 0:10:51 | 0:10:56 | |
'The estimate for the two together is £70-£100. | 0:10:56 | 0:11:00 | |
'I spot an old wireless in the lounge. | 0:11:01 | 0:11:03 | |
'It's been in Sandra's father's family since the 1940s | 0:11:03 | 0:11:07 | |
'and still works, so they don't want to let it go.' | 0:11:07 | 0:11:09 | |
-BELLS RING -Sounds like I'm in church! | 0:11:12 | 0:11:16 | |
What's going on here? | 0:11:16 | 0:11:17 | |
-Ringing some bells! -Where did they all come from? | 0:11:17 | 0:11:21 | |
My Dad, he was a builder. He was converting a large house into flats. | 0:11:21 | 0:11:27 | |
And these were going to be thrown away, | 0:11:27 | 0:11:30 | |
so he was going to put some wooden handles on them, | 0:11:30 | 0:11:33 | |
so I could play with them. I just got to play with them. | 0:11:33 | 0:11:37 | |
-Do you know what they were used for? -He said they were servants' bells. | 0:11:37 | 0:11:41 | |
I don't know whether the biggest bell was for the most important person in the house or... | 0:11:41 | 0:11:46 | |
In the big Victorian house, you'd have the servants' quarters, | 0:11:46 | 0:11:51 | |
which would be downstairs and then there would be a board up | 0:11:51 | 0:11:55 | |
with the names of each reception room or bedroom or whatever it was | 0:11:55 | 0:11:59 | |
and then a bell underneath, so if the lady of the house | 0:11:59 | 0:12:02 | |
was in the green drawing room and she required tea in the afternoon, she'd ring the bell | 0:12:02 | 0:12:07 | |
and a complicated system of wires | 0:12:07 | 0:12:09 | |
would go down, it would ring and then the parlour maid or butler | 0:12:09 | 0:12:14 | |
-would go upstairs. Do you like these, Dan? Do you play with them? -Yes, I do. | 0:12:14 | 0:12:18 | |
-What do they remind you of? -They're like Jingle Bells. -Jingle Bells. | 0:12:18 | 0:12:22 | |
-You could do your very own Jingle Bells! -We did try. | 0:12:22 | 0:12:27 | |
Santa's sleigh might be a bit more difficult, | 0:12:27 | 0:12:30 | |
but they're good fun and I think we'll put them at £20-£40, | 0:12:30 | 0:12:35 | |
knowing that there's a bit of a project here for somebody | 0:12:35 | 0:12:39 | |
because somebody will either rig them up, or just like your dad | 0:12:39 | 0:12:43 | |
nearly got round to doing, putting wooden handles on them. | 0:12:43 | 0:12:46 | |
'Sandra's father, Eric, apparently built the house she grew up in, | 0:12:46 | 0:12:50 | |
'so it's no wonder he never managed to put the handles on those bells. | 0:12:50 | 0:12:54 | |
'He also collected antique golf clubs with hickory shafts. | 0:12:54 | 0:12:57 | |
'These were made before 1935 | 0:12:57 | 0:13:00 | |
'when steel shafts took over in popularity. | 0:13:00 | 0:13:03 | |
'There are more than 20 here, many from car boot sales. | 0:13:03 | 0:13:06 | |
'They could prove a hit in the sale room with an estimate of £50-£75.' | 0:13:06 | 0:13:09 | |
Ooh, you've discovered me. I'm guilty. I've got your all your jewellery out here, Sandra! | 0:13:09 | 0:13:15 | |
You've got quite a little stash here. Where does it come from? | 0:13:15 | 0:13:19 | |
It's just a little box that came from my nan's. | 0:13:19 | 0:13:22 | |
You've got quite a collection here. What have we got? One, two... | 0:13:22 | 0:13:26 | |
three, four watches, and basically they all date | 0:13:26 | 0:13:30 | |
to the early part of the 20th century. | 0:13:30 | 0:13:33 | |
Although they're interesting, that's not really where the value is. | 0:13:33 | 0:13:38 | |
It's actually the gold I'm interested in here. | 0:13:38 | 0:13:41 | |
I've had a quick rootle through here | 0:13:41 | 0:13:43 | |
and you've got all this broken jewellery, | 0:13:43 | 0:13:46 | |
but the good news is that it's all hallmarked. 18 carat gold, that one. | 0:13:46 | 0:13:51 | |
This, I was looking at, which is the Albert or the watch chain... | 0:13:51 | 0:13:55 | |
-So where did this come from? -That belonged to my granddad. | 0:13:55 | 0:14:00 | |
Your grandfather. Well, every one of those links is 9 carat gold. | 0:14:00 | 0:14:05 | |
The good news, for you, is that gold is doing very well at the moment. | 0:14:05 | 0:14:11 | |
And the fact that a lot of it is broken doesn't matter. | 0:14:11 | 0:14:15 | |
-We're probably looking at £250-£350. -Wow! That's a few logs. | 0:14:15 | 0:14:19 | |
-That is a few logs, even the odd window for Daniel's log cabin! -That's right, yeah. | 0:14:19 | 0:14:24 | |
So although it doesn't look much, | 0:14:24 | 0:14:27 | |
-it's funny, that's proved to be a real...gold mine. -Hello! | 0:14:27 | 0:14:31 | |
-Oh, there you are! -You've found some gold, I hear. | 0:14:31 | 0:14:34 | |
-We have. You know, all that glitters IS gold! We like that. -That's great. | 0:14:34 | 0:14:38 | |
We wanted to raise £500, didn't we? And it's all for your den, isn't it? | 0:14:38 | 0:14:43 | |
-Yes. -It's going to cost more, so if we made any extra, that'd be good. | 0:14:43 | 0:14:48 | |
So you might be pleased to hear | 0:14:48 | 0:14:51 | |
-the value of everything going to auction comes to...£730. -Oh, good! -Gosh! -Half a den, nearly. | 0:14:51 | 0:14:58 | |
-Yes, absolutely. -Maybe it'll be a DIY den! | 0:14:58 | 0:15:01 | |
One with lots of windows! | 0:15:01 | 0:15:04 | |
'We've found some fascinating pieces and I hope they all sell well. | 0:15:04 | 0:15:10 | |
'There's a German made Magic Lantern | 0:15:10 | 0:15:12 | |
'which Rita's husband remembers being in his family for many years. | 0:15:12 | 0:15:16 | |
'£40-£60 is the projected figure. | 0:15:16 | 0:15:19 | |
'And there's the 1930's hip flask and inkwell, | 0:15:19 | 0:15:22 | |
'which were given to Rita's father when he worked as a gardener | 0:15:22 | 0:15:25 | |
'for a large house. They're both solid silver | 0:15:25 | 0:15:28 | |
'and should reach their £70-£100 estimate. | 0:15:28 | 0:15:31 | |
'And James really liked the 19th century nautical painting, | 0:15:31 | 0:15:35 | |
'which came from Rita's mother-in-law. | 0:15:35 | 0:15:38 | |
'We couldn't make out the artist's name, but it could reach £100 | 0:15:38 | 0:15:41 | |
'when it goes before the bidders. | 0:15:41 | 0:15:44 | |
'Still to come on Cash In The Attic, one of our sales leaves Sandra floored.' | 0:15:44 | 0:15:49 | |
-Have we really sold it for £35? -I think swings and roundabouts. | 0:15:51 | 0:15:56 | |
-How do you feel? -Gutted! Absolutely gutted! | 0:15:56 | 0:15:59 | |
'But another lot goes through the roof.' | 0:16:00 | 0:16:02 | |
-Higher, higher, higher! -410. | 0:16:02 | 0:16:05 | |
420. 450. 460... | 0:16:05 | 0:16:08 | |
'We're in for a roller-coaster ride until the final hammer falls.' | 0:16:08 | 0:16:12 | |
It's been a few months since we saw Sandra, Rita and, of course, Daniel, | 0:16:17 | 0:16:21 | |
and they were looking to make money so Daniel can get a place of his own | 0:16:21 | 0:16:26 | |
at the bottom of the garden. | 0:16:26 | 0:16:27 | |
We've brought them here to Sworders auction house in Stansted Mountfitchet, | 0:16:27 | 0:16:32 | |
so let's just hope the buyers help us achieve our goal. | 0:16:32 | 0:16:37 | |
'This Essex auction house holds regular general sales. | 0:16:37 | 0:16:40 | |
'The treasures that Sandra, Rita and Daniel have brought along should fit in well, including the jewellery. | 0:16:40 | 0:16:46 | |
'but it looks like one of the gold chains we found won't be going under the hammer.' | 0:16:46 | 0:16:51 | |
-I see you're wearing what's one of our lot numbers. -Ooh, that's our star lot! -I did say | 0:16:51 | 0:16:56 | |
-I wasn't sure. -So you've decided to keep it. -Yes. | 0:16:56 | 0:17:00 | |
I took Daniel on holiday and I played bingo a couple of evenings and I won twice. | 0:17:00 | 0:17:06 | |
-Did you? How much did you win? -£275. -I thought you were going to say millions for a moment. | 0:17:06 | 0:17:12 | |
-Anyway, £275, so you decided to keep it. -I'm going to keep it and hand it down to my daughter. | 0:17:12 | 0:17:18 | |
-I don't blame you. That's really nice. -Bingo necklace. -Absolutely! | 0:17:18 | 0:17:22 | |
-You look nervous. Are you worried? -Only that we won't sell anything. | 0:17:22 | 0:17:26 | |
Don't worry, Sandra. Just wave the magic wand. It'll be fine. | 0:17:26 | 0:17:30 | |
I've brought him as your fairy godfather, so we'll be fine! | 0:17:30 | 0:17:33 | |
Right, come this way and we'll get into position. I know. Come on. | 0:17:33 | 0:17:37 | |
'If James can't work his magic, perhaps Sandra's luck will rub off on us today. | 0:17:37 | 0:17:43 | |
'It's eyes down for a full house when our first lot goes up - | 0:17:43 | 0:17:46 | |
'that solid silver salver, assayed in Birmingham and given to Daniel's great-granddad on his retirement.' | 0:17:46 | 0:17:52 | |
We want £40-£60. Do you think it will sell for that, Daniel? | 0:17:52 | 0:17:56 | |
-Yes? Good! -Confidence, that's what we like! | 0:17:56 | 0:17:59 | |
At 55. 60. 5. 70. 5. 80. 5. | 0:17:59 | 0:18:07 | |
-90. 5. 100. -Woah! -£100, I'm bid. I'll take 10, if you want it. | 0:18:07 | 0:18:14 | |
-I'm selling then at £100. -'That resounding result | 0:18:14 | 0:18:18 | |
'bodes well for our next lot, | 0:18:18 | 0:18:21 | |
'the silver inkwell and hip flask, | 0:18:21 | 0:18:23 | |
'more gifts given to Daniel's great-granddad by his employers. | 0:18:23 | 0:18:27 | |
'These beautiful 1930's pieces were hallmarked in Sheffield. | 0:18:27 | 0:18:32 | |
'At £70-£100, let's hope the bidders like them as much as James does.' | 0:18:32 | 0:18:36 | |
On a cold day like today, hip flask for a quick nip, | 0:18:37 | 0:18:41 | |
should go down quite well. | 0:18:41 | 0:18:43 | |
At £50. 55. 60. 5. 70. 5. | 0:18:43 | 0:18:48 | |
80. 5. 90. 5. 100. | 0:18:48 | 0:18:52 | |
-110. 120. 130, bid's in the room. -Oh, that's great! -140. | 0:18:52 | 0:18:57 | |
150. | 0:18:57 | 0:18:59 | |
On the pillar, the bid at 150. You're out on the right. | 0:18:59 | 0:19:02 | |
-£150! -£150. | 0:19:02 | 0:19:06 | |
Wow! That's not bad at all, is it? | 0:19:06 | 0:19:10 | |
I tell you, Lorne, I think the hip flask must have been full! | 0:19:10 | 0:19:14 | |
'Our fund for Daniel's den is certainly filling up nicely. | 0:19:14 | 0:19:18 | |
'It's time now to see what our bidders make of Sandra's jug collection, | 0:19:18 | 0:19:22 | |
'dating from the 1850s right through to the 1930s.' | 0:19:22 | 0:19:25 | |
Have you got a lot of empty spaces now, as a result? | 0:19:25 | 0:19:28 | |
-Yes. -Is that quite nice? -Yes! | 0:19:28 | 0:19:31 | |
It is quite a big collection. The real value is on the Doulton one. | 0:19:31 | 0:19:36 | |
-That really is a collector's piece. -20. | 0:19:36 | 0:19:39 | |
20, I'm bid. 22. 5. 8. | 0:19:39 | 0:19:43 | |
30. 2. 5. 8. 40. 2. Lady's bid on my left of 42. | 0:19:43 | 0:19:49 | |
45 anywhere? At £42. | 0:19:49 | 0:19:54 | |
42, that's not a lot for all those jugs, is it? | 0:19:55 | 0:19:59 | |
'£8 under our bottom estimate. | 0:19:59 | 0:20:01 | |
'Perhaps our Magic Lantern will light up the saleroom. | 0:20:01 | 0:20:04 | |
'It's complete and boxed, although it has seen better days. | 0:20:04 | 0:20:09 | |
'Hopefully this won't affect our £40-£60 estimate.' | 0:20:09 | 0:20:13 | |
£35 only. 8, anywhere? | 0:20:13 | 0:20:16 | |
I'll sell them at £35. | 0:20:16 | 0:20:20 | |
'Another treasure that falls short of expectations. | 0:20:20 | 0:20:24 | |
'Maybe we can ring the changes with one of Daniel's favourite lots, | 0:20:24 | 0:20:28 | |
'those Victorian servants' bells. | 0:20:28 | 0:20:29 | |
'£20-£40 would do us nicely.' | 0:20:29 | 0:20:33 | |
40? 20? 10? 10, I'm bid. | 0:20:33 | 0:20:36 | |
At £10. 12, anywhere? 12. 15. | 0:20:36 | 0:20:39 | |
-Selling them at 15... 18. 20. -Ooh! We're there. | 0:20:39 | 0:20:44 | |
-Selling at £20. -Well, Quasimodo obviously wasn't here, was he? | 0:20:44 | 0:20:48 | |
All those bells for £20. Crikey! | 0:20:48 | 0:20:51 | |
I'm sure I recognised the buyer. | 0:20:51 | 0:20:54 | |
-I know his face rang a bell. -Oh, no! | 0:20:54 | 0:20:57 | |
'Well, I suppose someone had to say it, James. | 0:20:57 | 0:21:00 | |
'We're around halfway through our lots, | 0:21:00 | 0:21:02 | |
'so it's a good time to check on our progress. | 0:21:02 | 0:21:05 | |
'So far, we've made £347. | 0:21:05 | 0:21:07 | |
'Well shy of our £500 target. | 0:21:07 | 0:21:10 | |
'But there's plenty to look forward to. | 0:21:10 | 0:21:13 | |
'If you're considering selling your treasures, it's worth remembering | 0:21:13 | 0:21:17 | |
'certain charges, such as commission, will apply. | 0:21:17 | 0:21:20 | |
'Your local saleroom will advise you on the costs involved. Our next lot | 0:21:20 | 0:21:24 | |
'is our handmade patchwork quilt valued at £30-£50. | 0:21:24 | 0:21:27 | |
'This has been in the family for years and has sentimental value, | 0:21:27 | 0:21:31 | |
'so Sandra's opted for a reserve at the bottom end of James's estimate.' | 0:21:31 | 0:21:36 | |
20, I start. At £20. 22. | 0:21:36 | 0:21:39 | |
4. 6. 8. 30. | 0:21:39 | 0:21:42 | |
2. 5. 8. 40. | 0:21:42 | 0:21:45 | |
2. 5. 8. 50. | 0:21:45 | 0:21:49 | |
5. 60. £60 to the lady. 5 anywhere? | 0:21:49 | 0:21:55 | |
At £60. | 0:21:55 | 0:21:58 | |
-£60. -So double your reserve. -Yes. Yes. | 0:21:58 | 0:22:02 | |
'It's always good to see a valued family heirloom | 0:22:02 | 0:22:05 | |
'get the attention it deserves in the saleroom. | 0:22:05 | 0:22:08 | |
'When Sandra's dad's golf clubs, estimated at | 0:22:08 | 0:22:11 | |
'£50-£75 go under the hammer, | 0:22:11 | 0:22:13 | |
'the bidders are equally quick off the mark.' | 0:22:13 | 0:22:17 | |
£90 in front of me. At £90. | 0:22:17 | 0:22:20 | |
'That £90 result is well above par | 0:22:20 | 0:22:23 | |
'and it seems there's no stopping us today. | 0:22:23 | 0:22:25 | |
'Surely our next lot, the huge collection of crockery, will make its presence felt | 0:22:25 | 0:22:30 | |
'in the crowd. At £80-£120, it should prove | 0:22:30 | 0:22:33 | |
'a fantastic buy for one of our bidders.' | 0:22:33 | 0:22:36 | |
10 is all I'm bid. 12. 15. 18. 20. | 0:22:36 | 0:22:40 | |
2. 5. 8. 30. 2. 5? | 0:22:40 | 0:22:44 | |
-At £35. -No! | 0:22:44 | 0:22:48 | |
Selling, then, at £35. | 0:22:48 | 0:22:51 | |
Someone got a bargain. | 0:22:51 | 0:22:54 | |
Have we really sold it for £35? | 0:22:54 | 0:22:56 | |
Yes. I think swings and roundabouts. | 0:22:56 | 0:22:58 | |
I mean, that is a bargain. | 0:22:58 | 0:23:00 | |
-How do you feel about that? -Gutted. Absolutely gutted. | 0:23:00 | 0:23:04 | |
'£45 under our bottom estimate. | 0:23:04 | 0:23:06 | |
'And just when we thought we'd got the measure of the crowd. | 0:23:06 | 0:23:09 | |
'Perhaps that mysterious oil painting | 0:23:09 | 0:23:13 | |
'of a Victorian clipper in full sail will bring us a better result. But unfortunately, | 0:23:13 | 0:23:17 | |
'though the auction house doesn't shares James's confidence in it.' | 0:23:17 | 0:23:22 | |
The auction house hasn't attributed this | 0:23:23 | 0:23:26 | |
to any particular artist, which is a bit of a pity. | 0:23:26 | 0:23:28 | |
Because of that, they've come in at less than us. | 0:23:28 | 0:23:31 | |
We were looking at 100 plus, they're hovering around 70. | 0:23:31 | 0:23:34 | |
I think it's a nice, decorative 19th-century marine picture, | 0:23:34 | 0:23:38 | |
-so I've still got high hopes for this. -Good. | 0:23:38 | 0:23:41 | |
I start the bidding at £100. | 0:23:41 | 0:23:44 | |
-I'll take 10 anywhere. -Great! Good! -At 100. | 0:23:44 | 0:23:47 | |
Or the maiden bid will take it at 100. I'm selling at 100. And 10. | 0:23:47 | 0:23:51 | |
Look, Dan, there's our picture. | 0:23:51 | 0:23:53 | |
130. 140. 150. 160. | 0:23:53 | 0:23:56 | |
170. 180. 190. 200. 210... | 0:23:56 | 0:24:00 | |
-Somebody knows what it is. -..230. 240. | 0:24:00 | 0:24:03 | |
Commissions are away at 240. | 0:24:03 | 0:24:06 | |
250 anywhere? Selling, then, at £240. | 0:24:06 | 0:24:12 | |
'There were buyers present who spotted the value of that painting. | 0:24:12 | 0:24:16 | |
'But they were too camera-shy | 0:24:16 | 0:24:18 | |
'to tell us what was so special about it. | 0:24:18 | 0:24:20 | |
'After that fabulous result, I can't wait to see | 0:24:20 | 0:24:22 | |
'how our final lot does for the family. | 0:24:22 | 0:24:25 | |
'Even though Sandra's decided to keep hold of the gold necklace, | 0:24:25 | 0:24:28 | |
'James is still sticking to his estimate | 0:24:28 | 0:24:30 | |
'of £250-£350 | 0:24:30 | 0:24:33 | |
'for this collection of hallmarked gold watches and jewellery.' | 0:24:33 | 0:24:37 | |
100. 100. | 0:24:37 | 0:24:40 | |
110. | 0:24:40 | 0:24:41 | |
120. 130. 140. 150. | 0:24:41 | 0:24:45 | |
160. 170. 180. | 0:24:45 | 0:24:48 | |
190. 200. | 0:24:48 | 0:24:51 | |
210. 220. 230. | 0:24:51 | 0:24:54 | |
240. 250. | 0:24:54 | 0:24:56 | |
260. 270. | 0:24:56 | 0:24:59 | |
-It's taking ages to get there. -280. 290. 300. | 0:24:59 | 0:25:02 | |
-310. 320. 330... -Go on. | 0:25:02 | 0:25:05 | |
..340. 350. 360. 370... | 0:25:05 | 0:25:09 | |
-Are you really excited? -Higher, higher, higher. | 0:25:09 | 0:25:12 | |
..410. 420. 430. 440. 450. 460. 470. | 0:25:12 | 0:25:20 | |
480. At £480. Take 490 anywhere. | 0:25:20 | 0:25:25 | |
-Go on. -Selling by the doorway at £480. | 0:25:25 | 0:25:31 | |
-That was without my necklace. -That was without the necklace. | 0:25:31 | 0:25:34 | |
It's worth even more now, isn't it? | 0:25:34 | 0:25:36 | |
'Well, what a thrilling auction its been here in Essex today. | 0:25:36 | 0:25:40 | |
'And it's time to reveal the grand total.' | 0:25:40 | 0:25:44 | |
Now, we've done quite well. You wanted £500 as a contribution towards Daniel's den. | 0:25:44 | 0:25:49 | |
The good news is you've actually banked... | 0:25:49 | 0:25:51 | |
-£1,252. -Oh, wow! -Brilliant! | 0:25:52 | 0:25:58 | |
Absolutely brilliant, that is! | 0:25:58 | 0:26:00 | |
'A few weeks after the auction | 0:26:04 | 0:26:06 | |
'and finally it's time to start looking at new cabins | 0:26:06 | 0:26:08 | |
'to replace Daniel's tired old den.' | 0:26:08 | 0:26:11 | |
He's got used to the independence he gets | 0:26:11 | 0:26:16 | |
by having his own sort of space with the shed at the bottom of the garden. | 0:26:16 | 0:26:19 | |
-Where's your TV going? -In here. -Just there. | 0:26:19 | 0:26:24 | |
-'I'm excited. -You're excited' | 0:26:24 | 0:26:26 | |
about being able to do your models | 0:26:26 | 0:26:27 | |
and your painting without me nagging you. | 0:26:27 | 0:26:30 | |
You're going to have a sofa in there, aren't you, so you can chill? | 0:26:30 | 0:26:33 | |
-Chill and relax when I'm bored. -Chill and relax when you're bored. -Yeah. | 0:26:33 | 0:26:39 | |
Thanks to the auction, Daniel's going to get a fantastic new den. | 0:26:42 | 0:26:46 | |
If you've got some antiques and collectables lying around your house | 0:26:46 | 0:26:50 | |
you'd like to sell at auction to raise some money, | 0:26:50 | 0:26:52 | |
why not get in touch with Cash In The Attic? | 0:26:52 | 0:26:55 | |
You'll find more details at our website, which is: | 0:26:55 | 0:26:57 | |
And I'll see you again next time. | 0:26:59 | 0:27:01 | |
Subtitles by Red Bee Media Ltd | 0:27:11 | 0:27:15 | |
E-mail [email protected] | 0:27:15 | 0:27:19 |