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Welcome to Cash In The Attic. We're looking for antiques in your home | 0:00:02 | 0:00:06 | |
that we can help sell at auction to raise money for something special. | 0:00:06 | 0:00:10 | |
Today, we're in Wales and we're on a treasure trail that could be paved with drama. | 0:00:10 | 0:00:15 | |
'Coming up on Cash In The Attic, is our expert David casting aspersions?' | 0:00:35 | 0:00:39 | |
Look what you paid - £7.50. You're a bit tight, aren't you? | 0:00:39 | 0:00:44 | |
'Or getting a tad over-confident?' | 0:00:45 | 0:00:47 | |
-Then we're holding something worth... -Yes, Yes? -Hundreds of thousands of pounds. -If, if? -If. | 0:00:47 | 0:00:53 | |
-'Maybe the bidders will bring him down to earth.' -They should make the money. | 0:00:53 | 0:00:58 | |
-Please make the money! -OK, here we go. | 0:00:58 | 0:01:01 | |
'Find out when the hammer falls.' | 0:01:01 | 0:01:04 | |
I'm in Swansea and I'm on my way to meet two friends | 0:01:04 | 0:01:07 | |
with a theatrical flair. | 0:01:07 | 0:01:10 | |
'Dreena Harvey and Eleanor McLeod are both leading lights of the local theatre scene. | 0:01:10 | 0:01:16 | |
'Dreena worked for many years as a professional actress and now helps run the nearby Dylan Thomas Theatre. | 0:01:16 | 0:01:22 | |
'Eleanor is a published children's poet and international drama examiner, | 0:01:22 | 0:01:27 | |
'so I reckon we're in for a larger-than-life experience at Dreena's home today.' | 0:01:27 | 0:01:32 | |
-Good morning. -'Helping out on our dramatic treasure hunt is antiques expert David Harper. | 0:01:32 | 0:01:38 | |
'With over 20 years in the trade, he's the perfect man for the role.' | 0:01:38 | 0:01:42 | |
How very nice to be in Swansea, I must say. I love Wales. | 0:01:42 | 0:01:46 | |
-It's not the best month to come to Swansea, but it's lovely to see you. -When the sun shines, it looks nice. | 0:01:46 | 0:01:52 | |
I'll leave you three ladies to gossip. I'll go looking for things. | 0:01:52 | 0:01:56 | |
He likes to get started. We've got a big day of rummaging ahead of us. | 0:01:56 | 0:02:00 | |
-Yes, indeed. -You'll be helping us out, Eleanor? -Yes. | 0:02:00 | 0:02:03 | |
We wanted some money to treat each other because we have birthdays at the end of the year | 0:02:03 | 0:02:09 | |
and we never know what to buy for each other, | 0:02:09 | 0:02:12 | |
so I treat her to a trip away and she treats me, then we can go together, so we're raising money... | 0:02:12 | 0:02:18 | |
We're looking for a good London theatre weekend | 0:02:18 | 0:02:21 | |
with a nice meal and first-class train travel and go and see a show, so that's what we want. | 0:02:21 | 0:02:27 | |
-What is your target for today? -400? | 0:02:27 | 0:02:30 | |
-Yes, 400, 500, as much as we can get. -We'll go for 400, shall we? -Yes. | 0:02:30 | 0:02:35 | |
We'd better get going because there is going to be a lot to do today. | 0:02:35 | 0:02:39 | |
-We'll go find David, huh? -Right. | 0:02:39 | 0:02:42 | |
'Dreena's vibrant home is chock-a-block with antiques and theatrical mementoes, | 0:02:42 | 0:02:47 | |
'so David is in his element and he's quick off the mark with an interesting find in the front room.' | 0:02:47 | 0:02:53 | |
-Here he is. -Hello, you two. -Found something already. -Unusual shape. | 0:02:53 | 0:02:57 | |
Well, I bought these in a little island off Hong Kong called Cheung Chau. | 0:02:57 | 0:03:02 | |
I was told that they are Emperor wine glasses. | 0:03:02 | 0:03:06 | |
If we could categorically say that these were made for an Emperor, | 0:03:06 | 0:03:10 | |
-we're holding something worth... -Yes, Yes? -..hundreds of thousands of pounds. -If, if? -If, yeah. | 0:03:10 | 0:03:15 | |
If you have a good look at them, the shape and the size is absolutely bang-on. | 0:03:15 | 0:03:20 | |
A pair is lovely. Definitely Chinese, that cobalt blue, hand-decorated. | 0:03:20 | 0:03:26 | |
-And look at the Chinese marks. -What do you think that says? | 0:03:26 | 0:03:30 | |
It's a Ming Dynasty mark, so the Ming period is 1350 to 1650 or thereabouts, that 300-year period. | 0:03:30 | 0:03:37 | |
-He said Ming! -Ming Dynasty. -He said Ming. -"Style". | 0:03:37 | 0:03:41 | |
LAUGHTER | 0:03:41 | 0:03:44 | |
-Can you see the double ring around the marks? -Yes. | 0:03:44 | 0:03:47 | |
That would also indicate that these things were made for an Emperor. | 0:03:47 | 0:03:52 | |
So why are you being so doubtful? | 0:03:52 | 0:03:54 | |
The first thing you look at with Chinese pieces is the quality. | 0:03:54 | 0:03:58 | |
The mark is secondary because the mark most of the time is wrong. | 0:03:58 | 0:04:02 | |
In all fairness, the young girl that sold them to me didn't say they were antique. | 0:04:02 | 0:04:07 | |
She didn't con me at all, so I can't blame her for that. | 0:04:07 | 0:04:11 | |
I just liked the colour and shape. They're unusual. | 0:04:11 | 0:04:14 | |
They're really sweet. Also you've got a Chinese teapot. | 0:04:14 | 0:04:17 | |
-Yes. -Very nice. Same place you bought it, did you? | 0:04:17 | 0:04:21 | |
No, this was left over from my mum and we've always had potpourri in it just to scent the room. | 0:04:21 | 0:04:27 | |
This falls into the same category. Whenever she bought it, it was new. | 0:04:27 | 0:04:31 | |
-An antique made in China. -Tell me about that one. -This was given to me by a dear friend from theatre. | 0:04:31 | 0:04:36 | |
I think it's very pretty. | 0:04:36 | 0:04:38 | |
It's oriental again. It's not Chinese. If you look at the base marks, that is not a Chinese mark. | 0:04:38 | 0:04:45 | |
That to me looks like a Japanese maker's mark, so it's more like a Japanese... | 0:04:45 | 0:04:50 | |
Again I think it's well into the 20th century. It's not particularly old, but it's very, very pretty. | 0:04:50 | 0:04:56 | |
-Very delicate. -Yes. As a collection of oriental pieces in an auction... | 0:04:56 | 0:05:00 | |
-It's a good idea to put them together. -What do you think we might get at auction as a lot? | 0:05:00 | 0:05:06 | |
Well, I think to be real, 30 to 50. | 0:05:06 | 0:05:09 | |
But if two people don't quite know | 0:05:09 | 0:05:11 | |
-what they are, they might just keep their hands in the air. -Let's see what else we can find. | 0:05:11 | 0:05:17 | |
'Well, we're up and running now on what promises to be a very colourful rummage. | 0:05:17 | 0:05:22 | |
'Dreena wants to know if three antique boxes inherited from her late partner Geoff | 0:05:22 | 0:05:27 | |
'will do well at auction. As the oldest of these is Victorian and banded with brass, | 0:05:27 | 0:05:32 | |
'David reckons they stand a good chance, giving all three a total estimate of £40 to £60. | 0:05:32 | 0:05:38 | |
'Meanwhile, Eleanor has been getting stuck in to a stack of vintage accessories | 0:05:38 | 0:05:43 | |
'she's brought along to help the cause.' | 0:05:43 | 0:05:46 | |
Hello. What have we got here, Eleanor? | 0:05:46 | 0:05:49 | |
Well, these actually came from my grandmother. | 0:05:49 | 0:05:53 | |
So these all belonged to Granny? | 0:05:53 | 0:05:55 | |
Some of the buckles I bought, but the combs are my grandmother's. | 0:05:55 | 0:05:59 | |
Nice, quality things. What else have we got? We've got some handbags. | 0:05:59 | 0:06:03 | |
Again I was attracted to things and I'd think, "If ever I do a play where I need a bag..." | 0:06:03 | 0:06:09 | |
So it was always something feminine and theatrical and... They've still got the prices on. | 0:06:09 | 0:06:15 | |
I know. Look what you paid - £7.50. You're a bit tight, aren't you? | 0:06:15 | 0:06:19 | |
LAUGHTER | 0:06:19 | 0:06:21 | |
The quality of that is amazing, heavy beadwork. Do you know how to tell if that's a real pearl or not? | 0:06:21 | 0:06:27 | |
-Do you bite it? -You scrape it on your teeth. Shall I do it for you? | 0:06:27 | 0:06:31 | |
-Yes. -If you scrape it on your teeth, if it's gritty, it's a real pearl. | 0:06:31 | 0:06:36 | |
If it's smooth, it's a fake, so shall we try it? | 0:06:36 | 0:06:40 | |
Oh! | 0:06:40 | 0:06:41 | |
It's a fake. | 0:06:41 | 0:06:43 | |
Sorry about that. It would have been worth seven quid just for the pearl. | 0:06:43 | 0:06:48 | |
Marvellous. So we've got a bag of bags. How many have we got in there? | 0:06:48 | 0:06:52 | |
-There must be at least a dozen. -And then what's in here? Fans? | 0:06:52 | 0:06:56 | |
We have got fans, yes. | 0:06:56 | 0:06:58 | |
Unfortunately, they're all a bit damaged now because they've been neglected over the years. | 0:06:58 | 0:07:04 | |
-Some of them have got nice sticks on them. -Yeah. | 0:07:04 | 0:07:07 | |
I'd have thought, as one big lot, | 0:07:07 | 0:07:09 | |
-50 to 100 for the lot. Is that all right? -Yes, that's fine. | 0:07:09 | 0:07:13 | |
'I knew our ladies' theatrical tastes would soon turn up trumps, | 0:07:13 | 0:07:17 | |
'but how many pounds will get fanned our way on auction day?' | 0:07:17 | 0:07:22 | |
-£70. With me at 70. 80 straight in... -Bidders all over the place. -100. -Come on! -110. 120... | 0:07:22 | 0:07:28 | |
'Find out later on. | 0:07:28 | 0:07:31 | |
'We're getting into our stride and it's not long before I uncover a collection of teapots. | 0:07:32 | 0:07:37 | |
'One of them is Kensington Cottage Ware and came from Dreena's mum. | 0:07:37 | 0:07:42 | |
'David gives all three a value of £20 to £40. | 0:07:42 | 0:07:46 | |
'While our expert continues the search, | 0:07:46 | 0:07:48 | |
'I grab a chance to find out more about Dreena and Eleanor's careers.' | 0:07:48 | 0:07:53 | |
-You're both steeped in a theatrical background? -Yes. -We've both been professional actresses. | 0:07:53 | 0:07:59 | |
-What's the biggest role you've played? -I worked for the British Council in the '70s and '80s | 0:07:59 | 0:08:04 | |
to take Shakespeare to schools in Africa, India, Sri Lanka. | 0:08:04 | 0:08:09 | |
And they were two-handed versions of the Shakespeare plays, | 0:08:09 | 0:08:13 | |
so we had one actor and one actress. | 0:08:13 | 0:08:16 | |
And we had to play as many parts as we could, | 0:08:16 | 0:08:20 | |
so I've played most of Shakespeare's women and quite a few men! | 0:08:20 | 0:08:24 | |
Good Lord! That's fantastic. | 0:08:24 | 0:08:27 | |
-A little bird told me that you've worked with Ken Dodd. -Yes, I did, my very first job in theatre. | 0:08:27 | 0:08:33 | |
He was wonderful. I do have a certificate of Tickleology from the University of Knotty Ash. | 0:08:33 | 0:08:39 | |
He could never remember my name | 0:08:39 | 0:08:42 | |
and I was the only Welsh girl in the show which was at the Palace Theatre in Manchester. | 0:08:42 | 0:08:49 | |
And he started off calling me Diddy Blodwyn because it was the only Welsh word he knew, | 0:08:49 | 0:08:54 | |
which got shortened to Didwyn, so for five months I was Didwyn. | 0:08:54 | 0:08:58 | |
But he's very, very nice. | 0:08:58 | 0:09:01 | |
-And you still love to go to the theatre? -We do. -Yes. -Which is what today is all about. -Yes. | 0:09:01 | 0:09:06 | |
We'd better get back to the rummage and see what David's found. | 0:09:06 | 0:09:10 | |
It was nice to sit down, though. | 0:09:10 | 0:09:12 | |
'Eleanor is soon back in the swing and uncovers this lovely silver charm bracelet. | 0:09:12 | 0:09:18 | |
'Dreena bought it 30 years ago in Swansea but hasn't worn it for ages, | 0:09:18 | 0:09:22 | |
'mainly because the charms kept snagging on her dress. | 0:09:22 | 0:09:25 | |
'Some of them are hallmarked silver, | 0:09:25 | 0:09:28 | |
'so David reckons £20 to £40 should get the bidding going. | 0:09:28 | 0:09:31 | |
'We're halfway through our rummage, | 0:09:31 | 0:09:34 | |
'but at £160, we're not quite on track for our £400 target. | 0:09:34 | 0:09:39 | |
'Maybe David's latest find will do the trick.' | 0:09:39 | 0:09:42 | |
Dreena! Now then... Whose are these? | 0:09:42 | 0:09:45 | |
-Ah, these are Eleanor's. -Oh! -She's had these a long time. | 0:09:45 | 0:09:49 | |
-They're sheet music, not posters. -These are the front covers of the sheet music? -Yeah. | 0:09:49 | 0:09:55 | |
So date-wise, what are you thinking? | 0:09:55 | 0:09:57 | |
Well, from the costumes, I would think they're sort of, I don't know... | 0:09:57 | 0:10:02 | |
Late '10s, '20s, that sort of thing? | 0:10:02 | 0:10:05 | |
Yeah, bang on. Down there it says 1917. | 0:10:05 | 0:10:09 | |
-Really? -Yes, so that's bang on, First World War. | 0:10:09 | 0:10:12 | |
-Another period altogether, I mean, well before television. -Oh, yes. | 0:10:12 | 0:10:17 | |
Before radio. This is entertainment. | 0:10:17 | 0:10:19 | |
On a Saturday evening, what would we do? | 0:10:19 | 0:10:22 | |
We'd get out the sheet music, invite all of our friends | 0:10:22 | 0:10:26 | |
and have a whale of a time entertaining ourselves, | 0:10:26 | 0:10:29 | |
playing music and having a blinking good old knees-up. | 0:10:29 | 0:10:33 | |
Look at the titles of the songs - Supper Dance, Hello Stranger, I'll Be Nice To You. | 0:10:33 | 0:10:39 | |
THEY LAUGH | 0:10:39 | 0:10:41 | |
And this one, she is absolutely gorgeous. | 0:10:41 | 0:10:45 | |
Totally of her time. She almost looks like an Art Nouveau statue. | 0:10:45 | 0:10:50 | |
-Yes. -Of 1890, 1900. | 0:10:50 | 0:10:52 | |
So this again, date-wise, very early 20th century. | 0:10:52 | 0:10:56 | |
That's a piece of art, so value for the pair, I would have thought 20 to 40. | 0:10:56 | 0:11:01 | |
-Oh, really? I think she'll be very pleased with that. -Do you think so? -I think so. | 0:11:01 | 0:11:06 | |
'Normally, sheet music doesn't command a high price at auction, | 0:11:06 | 0:11:10 | |
'but the Edwardian illustrations make a striking lot. | 0:11:10 | 0:11:15 | |
'It's not long before David makes another eye-catching find - | 0:11:15 | 0:11:18 | |
'these four little jugs by Royal Doulton. | 0:11:18 | 0:11:21 | |
'Doulton have produced character designs like this since the 19th century, | 0:11:21 | 0:11:26 | |
'usually in three different sizes. | 0:11:26 | 0:11:28 | |
'These miniature chaps are only 20 to 30 years old, but should still prove appealing at £40 to £60.' | 0:11:28 | 0:11:35 | |
-David, there you are. -Caught me! | 0:11:35 | 0:11:37 | |
Eleanor showed me these. They're some rather lovely medals. Where are they from? | 0:11:37 | 0:11:42 | |
They're my father-in-law's. He gave them to me many years ago. | 0:11:42 | 0:11:46 | |
He said, "Have these because they bring back very sad memories." | 0:11:46 | 0:11:50 | |
I said, "Why?" He said, "Because I was so good at sport in school, I won all the prizes." | 0:11:50 | 0:11:56 | |
He said, "I was bullied by the boys because the boys said, 'You win everything. You're...'" | 0:11:56 | 0:12:02 | |
-He was too successful? -He was too successful as a sportsman. -What a sad story! -It is rather, isn't it? | 0:12:02 | 0:12:08 | |
-That's a really sad story. -And they're lovely. | 0:12:08 | 0:12:11 | |
They are very, very lovely and they're silver. Let me just check the hallmarks on one of them. | 0:12:11 | 0:12:18 | |
-They're probably Birmingham. -What would you be looking for? -I can see that they're hallmarked. | 0:12:18 | 0:12:24 | |
Yeah, it's hallmarked Birmingham and I would imagine most of them are | 0:12:24 | 0:12:28 | |
because Birmingham was and is the big area for producing silver items. | 0:12:28 | 0:12:35 | |
The anchor mark tells us it was made in Birmingham. I'd better give you a price. | 0:12:35 | 0:12:41 | |
-40 to 60, I would have said. -Really? | 0:12:41 | 0:12:43 | |
-Do you think that's good or bad? -That's good. -OK. | 0:12:43 | 0:12:46 | |
'We're making good progress, but we're not ready to call it a day just yet. | 0:12:46 | 0:12:51 | |
'Eleanor makes another discovery with this clutch of pocket watches. | 0:12:51 | 0:12:55 | |
'They're a legacy from Dreena's late partner Geoff | 0:12:55 | 0:12:58 | |
'whose father was a managing director at Smiths Industries. | 0:12:58 | 0:13:02 | |
'Sadly, these ex-demonstration models aren't especially rare, | 0:13:02 | 0:13:06 | |
'so Dreena's happy to see them go to auction with a £50 to £75 estimate. | 0:13:06 | 0:13:11 | |
'And with a night out in London's Theatre Land at stake, | 0:13:11 | 0:13:14 | |
'our drama-loving hostess is keen to ensure no drawer is left unopened.' | 0:13:14 | 0:13:18 | |
David, what do you think of these? Would these be worth anything? | 0:13:18 | 0:13:23 | |
-What have we got here? A bit of bling? -This was my mum's old watch. | 0:13:23 | 0:13:27 | |
Let's have a look at that. | 0:13:27 | 0:13:29 | |
The strap itself looks like rolled gold. | 0:13:29 | 0:13:32 | |
-You know what rolled gold is? -Yes. -Effectively, a thick gold plate. | 0:13:32 | 0:13:37 | |
-But the case, looking at the colour, is nine-carat gold. -Oh! | 0:13:37 | 0:13:41 | |
Rotary, not a bad maker, is it? | 0:13:41 | 0:13:43 | |
It's a neat little cocktail watch for a lady. | 0:13:43 | 0:13:46 | |
-That's bonnie, but these are more commercial, aren't they? -Yes. -Let's have a look. | 0:13:46 | 0:13:52 | |
-The old gold sovereigns, eh? -Yes. -That's a half sovereign and that's a full sovereign. | 0:13:52 | 0:13:57 | |
Edward VII. It's the Edwardian period, 1904. | 0:13:58 | 0:14:03 | |
These things are still currency. | 0:14:03 | 0:14:05 | |
You could go anywhere with a couple of these in your pocket and exchange them for local currency. | 0:14:05 | 0:14:11 | |
Everybody in the world will want them. A full sovereign is making 150, a half sovereign 75 to 80. | 0:14:11 | 0:14:17 | |
The watch should be up to 50 quid. | 0:14:17 | 0:14:20 | |
So if we said £200 to £300 for the lot, would that be good? | 0:14:20 | 0:14:24 | |
Wonderful. Oh, yes. Wait till I tell Eleanor. Oh-ho-ho! | 0:14:24 | 0:14:29 | |
-Hello, you two. -Hello, hello. | 0:14:29 | 0:14:32 | |
-Oh, yes, the sovereigns. -Yes. | 0:14:32 | 0:14:34 | |
-Are they sovereigns? -Yes, one half sovereign, one full sovereign. -What valuation did you give? | 0:14:34 | 0:14:40 | |
-200 to 300. -Oh! -That's half our total. -That's good, isn't it? | 0:14:40 | 0:14:44 | |
-Marvellous. -Front row seats! | 0:14:44 | 0:14:46 | |
That is good because I was getting a bit worried. We've found some lovely things, but no huge valuations. | 0:14:46 | 0:14:52 | |
But that does the business, it really does. | 0:14:52 | 0:14:55 | |
-I think we could quit at that point. We've done enough rummaging for the day. -Lovely. -All right. | 0:14:55 | 0:15:01 | |
-£400 we said at the start. -We did. | 0:15:01 | 0:15:04 | |
Based on David's lowest valuations through the day, | 0:15:04 | 0:15:07 | |
we reckon at the auction you should make £510. | 0:15:07 | 0:15:11 | |
-Oh, wow! -That's great. -Terrific. -Lovely. | 0:15:11 | 0:15:14 | |
'We've good reason to feel optimistic about our finds today. | 0:15:14 | 0:15:18 | |
'That mixed lot of vintage bags, fans and hair combs should bring us a vibrant result at £50 to £100. | 0:15:18 | 0:15:25 | |
'And those hallmarked medals could put a smile on someone's face | 0:15:25 | 0:15:29 | |
'with an appealing £40 to £60 estimate. | 0:15:29 | 0:15:32 | |
'Let's hope the bidders are willing to go for gold | 0:15:32 | 0:15:35 | |
'when our nine-carat 1950s watch and sovereigns go under the hammer. | 0:15:35 | 0:15:40 | |
'Still to come, at least one lot deserves a standing ovation.' | 0:15:40 | 0:15:45 | |
Yes! | 0:15:45 | 0:15:47 | |
'But not everything wows the crowd.' | 0:15:47 | 0:15:49 | |
Cheap. They were cheap for somebody, weren't they? | 0:15:49 | 0:15:53 | |
'Will we have a hit on our hands? Find out when the final hammer falls.' | 0:15:53 | 0:15:58 | |
I had a hoot with Dreena and Eleanor sorting through all those boxes of theatrical memorabilia in Swansea. | 0:16:01 | 0:16:08 | |
A few weeks have gone by and we've brought everything we found to Peter Francis Auctioneers in Carmarthen. | 0:16:08 | 0:16:14 | |
The girls cannot wait to treat themselves to a West End production with the proceeds, | 0:16:14 | 0:16:19 | |
so let's hope their items get a really warm reception here today when they go under the hammer. | 0:16:19 | 0:16:25 | |
-Hi, girls. -Hello. -Hello. -Hello, you two. -All right? -These are lovely, aren't they? | 0:16:26 | 0:16:32 | |
-You're not regretting putting them in the sale? -Not at all. | 0:16:32 | 0:16:35 | |
-Have you brought everything along? -Not quite. | 0:16:35 | 0:16:39 | |
I'm afraid a teapot got broken, so we decided not to bring the set. | 0:16:39 | 0:16:43 | |
-Not one of our most valuable items. -No. -No. -And anything reserved? | 0:16:43 | 0:16:48 | |
Yes, we've put a reserve on the sovereigns of £200. | 0:16:48 | 0:16:52 | |
It probably didn't need reserving as it would make the money anyway. Gold buyers are in every saleroom. | 0:16:52 | 0:16:58 | |
-But as a double protection, it's not a bad idea. -You're sounding very confident. -Thank you. | 0:16:58 | 0:17:04 | |
-That's very good, isn't it? -Excellent. | 0:17:04 | 0:17:07 | |
-The sale's about to start, so we'd better get going. -Yes, indeed. -Great. -Follow us. | 0:17:07 | 0:17:12 | |
'A general sale is at Carmarthen every couple of weeks and a great variety of lots are on offer today. | 0:17:12 | 0:17:19 | |
'Dreena and Eleanor's pieces should fit in splendidly. | 0:17:19 | 0:17:23 | |
'We take our places just as our first lot goes under the hammer. | 0:17:23 | 0:17:27 | |
'Dreena got fed up with this bracelet as it snagged her clothes, | 0:17:27 | 0:17:31 | |
'so £20 to £40 should please her.' | 0:17:31 | 0:17:34 | |
A silver charm bracelet this time, various charms, heart-shaped padlock. | 0:17:35 | 0:17:39 | |
Nice mixed charms on there. What shall we say for it? | 0:17:39 | 0:17:43 | |
£40 to start me? Good Christmas present here. £20 to get on then? | 0:17:43 | 0:17:47 | |
10? 10 straight in, front of the room. 15. 20... | 0:17:47 | 0:17:50 | |
-Come on, yes! -5. 30. 5. | 0:17:50 | 0:17:53 | |
-40. -Yes! | 0:17:53 | 0:17:55 | |
Lost you at the back now. 42 bid. 42 takes it. | 0:17:55 | 0:17:58 | |
45 if you will? Are you finished and done at 42...? | 0:17:58 | 0:18:02 | |
-Good start. -Great start. -That's all right. | 0:18:02 | 0:18:06 | |
-I was delighted the auctioneer sold it quite well. -He described it really nicely. -Yeah. | 0:18:06 | 0:18:12 | |
'£2 over our top estimate is a promising start. | 0:18:12 | 0:18:15 | |
'I only hope Dreena is as impressed with the auctioneer when our next lot goes on sale. | 0:18:15 | 0:18:21 | |
'It's the china bowl, teapot and drinking cups from the front room.' | 0:18:21 | 0:18:25 | |
-£30 seems very reasonable. -I think so. | 0:18:25 | 0:18:27 | |
-For anything that remotely looks Ming Dynasty, 30 quid is a bargain. -OK. -So let's hope, yeah. | 0:18:27 | 0:18:33 | |
£20 then. 5 then? 25 in the room. | 0:18:33 | 0:18:36 | |
30 do I see? At £25, gentleman's bid, right-hand side. | 0:18:36 | 0:18:39 | |
Finished and done at £25...? | 0:18:39 | 0:18:42 | |
-Yes! -All right then, if you're pleased... -What did we put on them? | 0:18:42 | 0:18:47 | |
-30. -30 to 50. -I love it. David's saying no and you're saying yes! -It's the wrong way round. | 0:18:47 | 0:18:54 | |
'That's more good news as far as Dreena's concerned, | 0:18:54 | 0:18:57 | |
'even though we were £5 under estimate. | 0:18:57 | 0:19:00 | |
'I hope our next lot does better. These silver medals were assayed in Birmingham | 0:19:00 | 0:19:05 | |
'and awarded to Eleanor's father-in-law at school.' | 0:19:05 | 0:19:09 | |
-How are you feeling about parting with these? -I've kept the Victor Ludorum medal | 0:19:09 | 0:19:14 | |
and I've put it on a silver chain, so I've got that, that's fine. | 0:19:14 | 0:19:18 | |
-I do hope they do well for you. -Yeah. | 0:19:18 | 0:19:21 | |
At £25 with me for all the silver medals. Surely 30 now? | 0:19:21 | 0:19:25 | |
At £25 with me. Are you finished and done? 30 now surely...? | 0:19:25 | 0:19:29 | |
BANGS GAVEL | 0:19:29 | 0:19:32 | |
-Cheap. They were cheap for somebody, weren't they? -That is cheap. | 0:19:32 | 0:19:37 | |
-What can you do? You have to let the market decide, don't you? -Yes. | 0:19:37 | 0:19:41 | |
'What a shame, but hopefully our next lot is less sentimental - | 0:19:42 | 0:19:47 | |
'the three wooden boxes Dreena used for storing her bits and bobs.' | 0:19:47 | 0:19:51 | |
-You put £40 to £60 on them. -40 to 60. Boxes can do very well. | 0:19:51 | 0:19:56 | |
-Well, I say that now. I'll tell you what I think in a minute or so. -Righty-ho. -Here we go. | 0:19:56 | 0:20:02 | |
£30 is all I'm bid. At £30, commission bidder again. 5 do I see? | 0:20:02 | 0:20:06 | |
The three jewellery boxes at 30. | 0:20:06 | 0:20:08 | |
Seems a little cheap, £30. 35 in the room now, second row. 40 do I see? | 0:20:08 | 0:20:13 | |
Are you finished and done at 35...? | 0:20:13 | 0:20:16 | |
-£35. That's all right, isn't it? -It's £35 I didn't think I had, so... -Exactly. -Exactly. | 0:20:16 | 0:20:21 | |
'We're struggling to make a serious dent in our target, so come on, Carmarthen. | 0:20:21 | 0:20:27 | |
'What will you make of Eleanor's collection of vintage accessories? | 0:20:27 | 0:20:31 | |
'Many are Edwardian and were used in theatrical productions over the years.' | 0:20:31 | 0:20:36 | |
If you get a couple of really interested bidders, they could fly. | 0:20:36 | 0:20:40 | |
I think of all the items, this is the lot that might just surprise. | 0:20:40 | 0:20:44 | |
-One way or the other. -Exactly. I can guarantee that! -All right, let's see. | 0:20:44 | 0:20:49 | |
I've got two interested bidders here, starting me away... Where are we? | 0:20:49 | 0:20:53 | |
50, 60, 70. With me at 70. | 0:20:53 | 0:20:56 | |
-Yes, bidders all over the place! -100... -Come on! -Yes! | 0:20:56 | 0:21:00 | |
120. 130. | 0:21:00 | 0:21:02 | |
140. 150. 160... | 0:21:02 | 0:21:06 | |
They're scrapping it out. I love it. | 0:21:06 | 0:21:09 | |
190, fresh bidder. 200. | 0:21:09 | 0:21:12 | |
And 20. 240. | 0:21:12 | 0:21:14 | |
240, standing. 260 if you'd like now? | 0:21:14 | 0:21:17 | |
In the middle of the room at £240. Are you finished and done...? | 0:21:17 | 0:21:21 | |
Oh, that's brilliant! | 0:21:21 | 0:21:23 | |
-There you go. Marvellous surprise. -What do you think? | 0:21:25 | 0:21:28 | |
I'm delighted because I would have been so sad for those to go for less than that. | 0:21:28 | 0:21:34 | |
It was great seeing people sticking their hands in the air, scrapping it out. There is no finer sight! | 0:21:34 | 0:21:41 | |
'Finally, a real hit with the bidders and a huge boost | 0:21:41 | 0:21:44 | |
'to our total so far. | 0:21:44 | 0:21:46 | |
'Halfway through the auction, we've now made £367, just £33 away from our target, | 0:21:46 | 0:21:52 | |
'so despite the mercurial crowd, we're not doing too badly. | 0:21:52 | 0:21:56 | |
'If you're considering selling at auction, do remember that extra charges like commission will apply. | 0:21:56 | 0:22:02 | |
'Your local saleroom will advise you on any costs involved. | 0:22:02 | 0:22:06 | |
'Time to get back to the fray and we're eager to see | 0:22:06 | 0:22:09 | |
'how Dreena's pocket watch collection fares under the hammer.' | 0:22:09 | 0:22:13 | |
So you reckon 50 to 75. That seems extremely reasonable for 12 watches, most of which work. | 0:22:13 | 0:22:19 | |
-Yes, they do. -That's, well... -Somebody's got to buy the lot and then sell them individually. | 0:22:19 | 0:22:25 | |
-It might take them ten years to sell the lot. -OK. | 0:22:25 | 0:22:29 | |
Pocket watches, 12 in the lot, £30 to start me? | 0:22:29 | 0:22:32 | |
-20 then? -Oh! -Any interest here at 20? | 0:22:32 | 0:22:34 | |
I'll take them back! | 0:22:34 | 0:22:36 | |
£10 with me. 15 I have, right-hand side. 20 now surely? | 0:22:36 | 0:22:40 | |
£15, gentleman's bid in the aisle. 20 do I see? £15, are you finished? | 0:22:40 | 0:22:44 | |
20 just beats the hammer. 5 now? | 0:22:44 | 0:22:47 | |
I've lost you up front. At £20, back of the room, selling... | 0:22:47 | 0:22:51 | |
-Oh! -That's a very cheap lot. | 0:22:51 | 0:22:53 | |
-Very cheap lot. -That was quite disastrous, wasn't it? | 0:22:53 | 0:22:57 | |
-That's about £1.20 each. -Oh, my gosh! -Ouch! | 0:22:57 | 0:23:00 | |
'It's certainly a tricky crowd today. Will we do any better | 0:23:00 | 0:23:04 | |
'with our next lot, those little character jugs?' | 0:23:04 | 0:23:07 | |
The Royal Doulton has such good quality, amazing quality. | 0:23:07 | 0:23:12 | |
-So they should make the money. Please make the money! -OK, here we go. | 0:23:12 | 0:23:18 | |
At 30 is all I'm bid for the five character jugs. £30 I have. 5 now surely? | 0:23:18 | 0:23:23 | |
£30 with me, commission bidder again. 35? 35. 38. | 0:23:23 | 0:23:27 | |
40 for you, sir? £40? 40 is bid, second row. And 5 do I see now? | 0:23:27 | 0:23:31 | |
In the room selling at 40... | 0:23:31 | 0:23:34 | |
-233. -That's not too bad. | 0:23:34 | 0:23:37 | |
I'm happy. They were in the back of a cupboard. | 0:23:37 | 0:23:40 | |
-Think of the greater cause, getting you to the West End. -Yes. | 0:23:40 | 0:23:44 | |
'Theatre Land is calling and I'm hoping Eleanor's framed sheet music | 0:23:44 | 0:23:48 | |
'will help the girls on their way.' | 0:23:48 | 0:23:50 | |
You like these a bit too much, I thought. | 0:23:50 | 0:23:54 | |
They're very much of an era and again theatrical, so they're absolutely fascinating, | 0:23:54 | 0:23:59 | |
but time for them to go. | 0:23:59 | 0:24:01 | |
-What do we think they might be worth? -20 to 40. | 0:24:01 | 0:24:05 | |
Two in the lot and I can start at 5. | 0:24:05 | 0:24:07 | |
£10 with me. At £10. 15 now in the room, right-hand side. £20 now surely? | 0:24:07 | 0:24:12 | |
£15 on the right-hand side... | 0:24:12 | 0:24:14 | |
-Oh, they're worth more! -Are you finished and done at 15...? | 0:24:14 | 0:24:19 | |
Well, a fiver under. That's all right, isn't it? | 0:24:19 | 0:24:22 | |
-They've gone, haven't they? -Yes, but they're a nice buy. -Yeah, absolutely. | 0:24:23 | 0:24:28 | |
'Yet another sale below our bottom estimate. | 0:24:28 | 0:24:31 | |
'I think our ladies were sensible to put a £200 reserve | 0:24:31 | 0:24:35 | |
'on our final and most precious lot, the gold sovereign, half sovereign | 0:24:35 | 0:24:40 | |
'and nine-carat watch inherited from Dreena's mum.' | 0:24:40 | 0:24:43 | |
-So this is going to be a good news lot. -We hope so. -A firm prediction. -I promise you. | 0:24:43 | 0:24:49 | |
At £200 with me. | 0:24:49 | 0:24:51 | |
£200 I'm bid. 220. | 0:24:51 | 0:24:53 | |
240. 260. 280. | 0:24:53 | 0:24:56 | |
300 in the room now. At the back of the room, lady's bid, 300. Do I see any advance on 300? 320 if you will? | 0:24:56 | 0:25:03 | |
Are you finished and done at 300...? | 0:25:03 | 0:25:06 | |
Yes! That's marvellous. | 0:25:06 | 0:25:08 | |
There you go, a golden lot. | 0:25:08 | 0:25:11 | |
-£300! Well done. -Great. | 0:25:11 | 0:25:13 | |
I could do this again. We've got to have another rummage. | 0:25:13 | 0:25:17 | |
-It is fun, isn't it? -It is. | 0:25:17 | 0:25:19 | |
It always is such a hairy ride because sometimes you're elated | 0:25:19 | 0:25:23 | |
like with the theatrical memorabilia, how brilliant was that, and the sovereigns, | 0:25:23 | 0:25:28 | |
then other things you really treasured went for a song. | 0:25:28 | 0:25:32 | |
But your target was £400 to get you down to the West End and have a really good time. | 0:25:32 | 0:25:38 | |
-You know you've made it. -Yes. -But you've almost doubled it. | 0:25:38 | 0:25:41 | |
You've made £742. | 0:25:41 | 0:25:44 | |
-Wow! -No! | 0:25:44 | 0:25:46 | |
-London, here we come! -Oh! | 0:25:46 | 0:25:49 | |
Just a few weeks after the sale, | 0:25:53 | 0:25:56 | |
the bright lights of the capital prove an irresistible draw for Dreena and Eleanor. | 0:25:56 | 0:26:01 | |
Tonight, we're going to do a really good drama. Because of Cash In The Attic, we've done it in style. | 0:26:01 | 0:26:08 | |
We've travelled first-class, we've had a beautiful meal, some lovely cocktails. | 0:26:08 | 0:26:13 | |
-Oh, yes. -And now we're going to enjoy a good night in the theatre. | 0:26:13 | 0:26:18 | |
That was a suitably dramatic result for Dreena and Eleanor. | 0:26:23 | 0:26:27 | |
Something tells me they'll be going to auctions again in the future. | 0:26:27 | 0:26:31 | |
If you'd like to raise money for something special and you've got antiques hidden around your home, | 0:26:31 | 0:26:37 | |
why not apply to come on the show? You'll find the form on our website. | 0:26:37 | 0:26:41 | |
Good luck and maybe see you next time on Cash In The Attic. | 0:26:43 | 0:26:47 | |
Subtitles by Subtext for Red Bee Media Ltd 2011 | 0:27:07 | 0:27:11 | |
Email [email protected] | 0:27:11 | 0:27:14 |