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Hello and welcome to Cash In The Attic. | 0:00:02 | 0:00:04 | |
Now, today's story is about a father | 0:00:04 | 0:00:07 | |
who was obsessed with buying antiques | 0:00:07 | 0:00:10 | |
but when, sadly, he died last year | 0:00:10 | 0:00:13 | |
his two daughters inherited the products of his passion. | 0:00:13 | 0:00:17 | |
But now, one of the girls would like some extra cash, | 0:00:17 | 0:00:20 | |
which means that she's going to sell some of those items | 0:00:20 | 0:00:23 | |
and that's why I'm here. | 0:00:23 | 0:00:24 | |
Today on Cash In The Attic, | 0:00:46 | 0:00:47 | |
will our search for antiques be disrupted by sibling rivalry? | 0:00:47 | 0:00:51 | |
-I think your sister's just given you a challenge. -I think she has. -Definitely. | 0:00:51 | 0:00:55 | |
A little bit of good news seems to go a long way. | 0:00:56 | 0:00:59 | |
You might be able to go to the Maldives yet. | 0:00:59 | 0:01:02 | |
-I'm going with you. -Wow! | 0:01:03 | 0:01:05 | |
And at the auction, are things getting a little too personal? | 0:01:06 | 0:01:10 | |
My dad used to say, if something's ugly it probably means it's worth money. | 0:01:10 | 0:01:14 | |
I'm priceless, then. | 0:01:14 | 0:01:17 | |
Find out when the final hammer falls. | 0:01:17 | 0:01:20 | |
380... | 0:01:20 | 0:01:22 | |
I'm in Northamptonshire, on my way to meet Denise Fletton, | 0:01:22 | 0:01:25 | |
who would like to organise a very special day out | 0:01:25 | 0:01:28 | |
with her sister. | 0:01:28 | 0:01:30 | |
Denise was born and bred in Northamptonshire, | 0:01:30 | 0:01:33 | |
where she still lives with Bob, her husband of ten years. | 0:01:33 | 0:01:37 | |
Having worked for a famous breakfast cereal company for many years, | 0:01:37 | 0:01:41 | |
in 1996, Denise was diagnosed with multiple sclerosis, | 0:01:41 | 0:01:45 | |
a disease of the nervous system, | 0:01:45 | 0:01:46 | |
which has gradually affected her mobility. | 0:01:46 | 0:01:49 | |
Now retired, she likes to spend time with her nieces and nephews, | 0:01:50 | 0:01:53 | |
as well as her sister, Heather, who lives nearby | 0:01:53 | 0:01:56 | |
and is helping us out today. | 0:01:56 | 0:01:57 | |
With many years experience in the antiques and collectable trade, | 0:01:57 | 0:02:02 | |
Paul Hayes has a sixth sense for likely lots. | 0:02:02 | 0:02:05 | |
So whilst he gets things started, I'll go and meet the ladies. | 0:02:05 | 0:02:09 | |
-Hi, Denise. -Oh, hello. -Good to see you. | 0:02:11 | 0:02:14 | |
-This must be your sister, Heather. -It is. Hello. | 0:02:14 | 0:02:16 | |
You look so much alike. Are you very close as sisters? | 0:02:16 | 0:02:19 | |
-Yeah, we are. -We are very close, yes. | 0:02:19 | 0:02:22 | |
Clearly you get on really well, which is why you're both helping today | 0:02:22 | 0:02:27 | |
but you should tell us, Denise, why you've called in Cash In The Attic. | 0:02:27 | 0:02:31 | |
Well, I just thought that because of all the stuff that Dad collected, | 0:02:31 | 0:02:35 | |
they might be able to help me a bit. | 0:02:35 | 0:02:39 | |
-How much are you hoping to raise? -About £1,000 - about. -Yeah? | 0:02:39 | 0:02:44 | |
And what are you going to spend it on? | 0:02:44 | 0:02:46 | |
-Pamper. -Pampering. -Spa, massage. -Spa day. -Jacuzzi. -Yeah, yeah. | 0:02:46 | 0:02:52 | |
-You've got it all planned out, haven't you? -Oh, yes. -Clearly. | 0:02:52 | 0:02:57 | |
Well, before we do the pampering, we've got to do the searching | 0:02:57 | 0:03:00 | |
and we've already set Paul Hayes to work. | 0:03:00 | 0:03:03 | |
So shall we go and find him and see what he's come up with so far? | 0:03:03 | 0:03:06 | |
-He's going to enjoy finding what your dad bought. -Lovely. | 0:03:06 | 0:03:10 | |
I'll also bet that this comfortable home has much to offer, | 0:03:12 | 0:03:16 | |
with collectables at every turn. | 0:03:16 | 0:03:18 | |
Denise and Heather's father Robert was an avid collector | 0:03:18 | 0:03:22 | |
and it looks like Paul has already spotted a worthy piece. | 0:03:22 | 0:03:25 | |
-Oh, hello. -Hello. -How are you? All right? -Yes, thank you. | 0:03:26 | 0:03:30 | |
There you are. I told you he'd be hard at work already. | 0:03:30 | 0:03:33 | |
-You're stuck into a good book, there. -Look at the size of it. | 0:03:33 | 0:03:37 | |
-They're huge. -They're amazing, aren't they? Look at that. | 0:03:37 | 0:03:40 | |
-So is this part of your father's collection? -Yeah, he would have paid for those, yeah. | 0:03:40 | 0:03:46 | |
What can you tell us about the books, Paul? | 0:03:46 | 0:03:48 | |
It's The History And Antiquities Of Northamptonshire. | 0:03:48 | 0:03:51 | |
So it's everything that was happening in the area in 1720, that sort of time. | 0:03:51 | 0:03:56 | |
You've got all the churches, all the important buildings, | 0:03:56 | 0:04:00 | |
all the art collections - | 0:04:00 | 0:04:01 | |
everything is listed in here in tremendous detail. | 0:04:01 | 0:04:04 | |
I think it's a wonderful story. | 0:04:04 | 0:04:06 | |
John Bridges was a wealthy gentleman at the beginning of the 18th century. | 0:04:06 | 0:04:10 | |
He amassed all these volumes of diaries, of ordinary books. | 0:04:10 | 0:04:16 | |
He employed people to do sketches of towns and various buildings. | 0:04:16 | 0:04:20 | |
This is an original first edition | 0:04:20 | 0:04:22 | |
and you've got the Roman letter here for 1791, | 0:04:22 | 0:04:26 | |
the year this was published, even though it was written earlier. | 0:04:26 | 0:04:29 | |
This is important, it shows you the culture at that time. | 0:04:29 | 0:04:33 | |
There's a fascinating one here, if I can just find... Here we are. | 0:04:33 | 0:04:36 | |
It's a beautiful steel engraving, here. Done at the time. | 0:04:36 | 0:04:40 | |
This was done in 1720 and printed later. | 0:04:40 | 0:04:43 | |
It says the view of the Earl of Sunderland's seat at Althorp. | 0:04:43 | 0:04:49 | |
-That's where Princess Diana's buried, on the island in the lake. -That's right. | 0:04:49 | 0:04:54 | |
And it says August 11th, 1721. That's how it looked at that time. | 0:04:54 | 0:04:58 | |
That's the fascination. | 0:04:58 | 0:05:00 | |
-What might they be worth at auction? -I've never seen a set at auction. | 0:05:00 | 0:05:04 | |
I mean, if I was to say between £500-£800, how does that sound? | 0:05:04 | 0:05:10 | |
Yeah. Yeah. I'm amazed. I'm amazed. | 0:05:10 | 0:05:14 | |
I think they're wonderful. What a fantastic set of books. | 0:05:14 | 0:05:17 | |
What a terrific start. | 0:05:17 | 0:05:18 | |
Indeed, that wonderful book could bring us half of our £1,000 target all in one go. | 0:05:19 | 0:05:25 | |
But we can't rest on our laurels. There's still a lot to do. | 0:05:25 | 0:05:29 | |
This is an intriguing house, | 0:05:29 | 0:05:31 | |
with plenty of fascinating objects tucked away in drawers | 0:05:31 | 0:05:35 | |
and on shelves, | 0:05:35 | 0:05:36 | |
so we'd better keep our eyes peeled. | 0:05:36 | 0:05:38 | |
Now, has Heather made our next discovery? | 0:05:39 | 0:05:42 | |
Ah, now, then, Heather. Look at that. That's nice, isn't it? | 0:05:44 | 0:05:48 | |
A couple of Japanese bowls | 0:05:49 | 0:05:51 | |
that I think Dad picked up on his travels. | 0:05:51 | 0:05:55 | |
There's another one here. | 0:05:55 | 0:05:56 | |
Did he travel all over the world or all over the UK? | 0:05:56 | 0:06:00 | |
He started collecting these items | 0:06:00 | 0:06:03 | |
and then everybody he knew that were in shops, | 0:06:03 | 0:06:05 | |
they used to keep an eye out | 0:06:05 | 0:06:07 | |
and tell him that somebody had something or whatever. | 0:06:07 | 0:06:10 | |
In most of Europe we tend to like things in pairs - things that match. | 0:06:10 | 0:06:15 | |
What the Japanese tended to do was to put things to one side | 0:06:15 | 0:06:19 | |
so it's asymmetrical. I quite like that about it. It's quite quirky. | 0:06:19 | 0:06:23 | |
But the quality of the decoration is where the value is with any of these sort of things | 0:06:23 | 0:06:28 | |
and this is real powdered gold that they used. | 0:06:28 | 0:06:31 | |
They'd flick it with a brush and build up the picture. | 0:06:31 | 0:06:34 | |
He had a good eye, actually. | 0:06:34 | 0:06:35 | |
This is Satsuma. Have you heard of that before? | 0:06:35 | 0:06:38 | |
-I don't much, I must admit, about Japanese items. -Right. | 0:06:38 | 0:06:44 | |
The names don't mean a lot to me, I'm afraid. | 0:06:44 | 0:06:46 | |
-OK. -I just like what I see. | 0:06:46 | 0:06:48 | |
It's a region in Japan, the southernmost region of Japan, | 0:06:48 | 0:06:51 | |
and it's well-known for its creamy, crackle-glazed earthenware. | 0:06:51 | 0:06:56 | |
This is pottery, not porcelain. | 0:06:56 | 0:06:58 | |
The Chinese had the secret of porcelain for 2,000 years | 0:06:58 | 0:07:01 | |
but in this region of Japan, they were making pottery items. | 0:07:01 | 0:07:05 | |
But the main emphasis, really, was on decoration. | 0:07:05 | 0:07:08 | |
Just look at that. This is beautifully painted | 0:07:08 | 0:07:11 | |
and it has the Satsuma marks on the bottom there. | 0:07:11 | 0:07:14 | |
If I said between £70-£100 for those two, how does that sound? | 0:07:14 | 0:07:19 | |
Yeah, that sounds fine. | 0:07:19 | 0:07:20 | |
And we won't have to wait long to see just how they do at auction. | 0:07:20 | 0:07:25 | |
..55, 60, five. | 0:07:25 | 0:07:27 | |
-It's with me at 60. 65 for you? -£60 - it's what we wanted. | 0:07:27 | 0:07:32 | |
But will they make enough money to bring Denise and Helen their much-deserved day of pampering? | 0:07:32 | 0:07:37 | |
Well done. | 0:07:37 | 0:07:39 | |
Here in Northants, I take a look around the bedroom, | 0:07:40 | 0:07:43 | |
while Paul pores over a charming English bone china tea set. | 0:07:43 | 0:07:47 | |
Made by Royal Crown Derby, | 0:07:47 | 0:07:49 | |
it was part of their hand-painted Old Imari range. | 0:07:49 | 0:07:52 | |
Now, although fairly modern, it is currently very collectable | 0:07:52 | 0:07:56 | |
and Paul thinks this set should fetch £70-£100 in the saleroom. | 0:07:56 | 0:08:01 | |
We've had a heartening start to today's rummage, | 0:08:02 | 0:08:04 | |
so while Heather and Paul keep up the good work, | 0:08:04 | 0:08:07 | |
I want to find out a little more about our host. | 0:08:07 | 0:08:10 | |
So, Denise, you have MS. | 0:08:12 | 0:08:14 | |
How does that affect you physically and in your daily life? | 0:08:14 | 0:08:19 | |
It affects it because I had to give up work quite recently | 0:08:19 | 0:08:25 | |
and you just carry on, really, with what's going on. | 0:08:25 | 0:08:31 | |
So... Because it started quite early and then it's gone on, | 0:08:31 | 0:08:36 | |
as it goes on, you forget that it's going to get worse | 0:08:36 | 0:08:40 | |
and you just think day by day - that's all you can do, you know. | 0:08:40 | 0:08:44 | |
Your father had MS as well, didn't he, | 0:08:44 | 0:08:47 | |
so seeing how he coped with it, has that helped you? | 0:08:47 | 0:08:50 | |
Yes, yes. Because he went through it | 0:08:50 | 0:08:54 | |
and he lived through it quite a few years | 0:08:54 | 0:08:58 | |
and he just accepted it. | 0:08:58 | 0:09:01 | |
And it helped me, when I found out that I'd got it, | 0:09:01 | 0:09:04 | |
to accept things as they were, you know. | 0:09:04 | 0:09:09 | |
It's... Dad got round it in various ways and it's helped me, yeah. | 0:09:09 | 0:09:16 | |
-Well, obviously it hasn't stopped your enjoyment of life. -No. | 0:09:16 | 0:09:19 | |
What's your attitude been towards dealing with it? | 0:09:19 | 0:09:22 | |
Day by day, just do what you can do today | 0:09:23 | 0:09:27 | |
and forget about the rest of it. | 0:09:27 | 0:09:28 | |
Just do what you can do. | 0:09:28 | 0:09:30 | |
Because you don't know what's going to happen in the future, do you? | 0:09:30 | 0:09:33 | |
That's it, really. | 0:09:33 | 0:09:35 | |
Now, you're planning on spending the money that we hope to raise | 0:09:35 | 0:09:39 | |
-by going to a spa with your sister. -Yes. | 0:09:39 | 0:09:42 | |
Why that? The expression on your face says it all - but why? | 0:09:42 | 0:09:46 | |
Because the spa would be absolutely lovely. | 0:09:47 | 0:09:50 | |
I would love the massage that you get and anything to do with your face - | 0:09:50 | 0:09:55 | |
a facial, anything. | 0:09:55 | 0:09:57 | |
I love all the treats that you can get when you go to a spa day | 0:09:57 | 0:10:03 | |
and Heather, too. | 0:10:03 | 0:10:05 | |
-Ah! Enjoy it and share it together. -Yes, yes. | 0:10:05 | 0:10:08 | |
-All the more reason we have to make sure we make that target. -Yes. | 0:10:08 | 0:10:13 | |
So shall we go and find Paul | 0:10:13 | 0:10:15 | |
and let's make sure that he's finding things | 0:10:15 | 0:10:17 | |
-that are going to help us achieve that? -Yes. | 0:10:17 | 0:10:20 | |
Denise obviously isn't going to let anything stand in the way of that pampering day, | 0:10:22 | 0:10:26 | |
so let's hope that Paul does open a few more doors to auction success. | 0:10:26 | 0:10:30 | |
Our host rustles up this collection of Royal Worcester dessert plates, | 0:10:31 | 0:10:35 | |
painted with beautiful gilded edges. | 0:10:35 | 0:10:37 | |
These colourful pieces date from the late 1880s | 0:10:37 | 0:10:41 | |
and belonged to her father, Robert. | 0:10:41 | 0:10:44 | |
There's always a keen collectors' market for vintage Royal Worcester, | 0:10:44 | 0:10:48 | |
so Paul's estimate is conservative but sweet, at £150-£200. | 0:10:48 | 0:10:52 | |
You know, I think we're really on a roll today. | 0:10:52 | 0:10:55 | |
-Paul? -Uh-huh? | 0:11:00 | 0:11:01 | |
-Have you got Heather with you there? -I have. | 0:11:01 | 0:11:04 | |
-Yeah. -What have you got? -Well, some watches. | 0:11:04 | 0:11:08 | |
Take a look. There's that one, there's another one in there | 0:11:08 | 0:11:12 | |
-and this one. -Oh, wow. | 0:11:12 | 0:11:13 | |
Your dad really loved collecting clocks and watches, didn't he? | 0:11:13 | 0:11:17 | |
They were his first love. | 0:11:17 | 0:11:18 | |
He diversified into other things | 0:11:18 | 0:11:20 | |
but he always still collected clocks and watches, | 0:11:20 | 0:11:23 | |
no matter what else he was interested in. | 0:11:23 | 0:11:25 | |
This one has got Chester 1848 written on the back and it's silver. | 0:11:25 | 0:11:30 | |
That's quite a standard pocket watch. | 0:11:30 | 0:11:32 | |
Every well-dressed gentleman would have had one of those | 0:11:32 | 0:11:35 | |
in the late 19th century, early 20th century. | 0:11:35 | 0:11:38 | |
This one is 18th century and it's called a pair case or a double case. | 0:11:38 | 0:11:42 | |
The watch actually sits inside this protective case. It has two cases. | 0:11:42 | 0:11:47 | |
This one is actually in a gold-plated case. | 0:11:47 | 0:11:51 | |
There's nothing really exuberant about the case itself, | 0:11:51 | 0:11:55 | |
it's when you get inside. | 0:11:55 | 0:11:56 | |
All clock and watchmakers were concerned with having accurate time | 0:11:56 | 0:12:00 | |
and the more elaborate the movements are, the better. | 0:12:00 | 0:12:03 | |
-Only the real academic would see inside here. -Look at that. -Amazing. | 0:12:03 | 0:12:07 | |
Can you see the workmanship in that? | 0:12:07 | 0:12:09 | |
-Now, you'd never see that. -And all that beautiful decoration. | 0:12:09 | 0:12:13 | |
Considering that's hidden away, it's almost a waste, | 0:12:13 | 0:12:16 | |
but that was the pride in the work they had. It's wonderful. | 0:12:16 | 0:12:19 | |
What I love is that these are all chain driven. | 0:12:19 | 0:12:22 | |
If you look there, you can see tiny chains running round the cogs. | 0:12:22 | 0:12:27 | |
It's like a bicycle wheel. That's all in there. | 0:12:27 | 0:12:30 | |
It's that fantastic? Something that small at that time, | 0:12:30 | 0:12:33 | |
considering the age of the item. | 0:12:33 | 0:12:35 | |
But if we said around the £300 mark, £250-£300? | 0:12:35 | 0:12:40 | |
If someone takes a shine to them, they could fetch more. | 0:12:40 | 0:12:43 | |
-How does that sound? -That sounds fine. | 0:12:43 | 0:12:45 | |
-All right. Wonderful things to have. -That's at least a good massage. | 0:12:45 | 0:12:49 | |
-Really? -Not for you, Paul. -Oh, sorry. | 0:12:49 | 0:12:52 | |
-It's crack the whip time for you. -Really? | 0:12:53 | 0:12:55 | |
We need to find some more of Dad's fabulous stuff. | 0:12:55 | 0:12:58 | |
-Things are looking up. -Thank you. | 0:12:58 | 0:13:00 | |
You may work very hard but there is a time and place for everything, Paul. | 0:13:00 | 0:13:05 | |
I think there must be untold treasures hidden away here, | 0:13:05 | 0:13:09 | |
so we need to keep up the good work. | 0:13:09 | 0:13:11 | |
Robert's fascination with all things Oriental | 0:13:11 | 0:13:15 | |
is reflected in these two bronze Japanese hand mirrors. | 0:13:15 | 0:13:18 | |
They're of a kind that were given as wedding gifts | 0:13:18 | 0:13:21 | |
and they're seen quite often at auction. | 0:13:21 | 0:13:23 | |
This pair probably date from the early 20th century | 0:13:23 | 0:13:26 | |
and as they're in good condition, complete with a walnut case, | 0:13:26 | 0:13:29 | |
Paul suggests an estimate of £50-£75. | 0:13:29 | 0:13:32 | |
Oh, look at that. These are nice, aren't they? | 0:13:39 | 0:13:42 | |
-Tsubas. -Tsubas, that's exactly right. Do you understand Japanese culture? | 0:13:42 | 0:13:48 | |
Oh, no, not really. It was my dad. It was my dad. | 0:13:48 | 0:13:53 | |
The way that they work... If you can pass me your sword there. | 0:13:53 | 0:13:57 | |
-This like a hand protector, so when... -Right. | 0:13:57 | 0:14:01 | |
The bigger swords are double-handed, like this | 0:14:01 | 0:14:03 | |
-and it would protect your hands when you're using it. -Right. | 0:14:03 | 0:14:07 | |
And of course what happens is that the blades can get damaged | 0:14:07 | 0:14:11 | |
or the handles can get damaged but this always stay intact | 0:14:11 | 0:14:16 | |
and what's really interesting is that the samurai sword | 0:14:16 | 0:14:19 | |
has been used really since the 1400s | 0:14:19 | 0:14:21 | |
-and what can happen is that these tsubas are passed down the family. -Yes. | 0:14:21 | 0:14:27 | |
They can vary so much. | 0:14:27 | 0:14:28 | |
Lots of them were gilded, or silver-gilt in this case. | 0:14:28 | 0:14:31 | |
Most of them tend to be bronze, like this one here. | 0:14:31 | 0:14:34 | |
They're just extremely collectable items. | 0:14:34 | 0:14:37 | |
Well, this is a wonderful example of what's called a tachi. | 0:14:37 | 0:14:42 | |
It's a bit shorter. A katana is a bit bigger | 0:14:42 | 0:14:45 | |
-and a bit more curved. -Right. | 0:14:45 | 0:14:47 | |
This is a small example and the handle's smaller. | 0:14:47 | 0:14:51 | |
But the steel work and the metalwork is second to none. | 0:14:51 | 0:14:55 | |
It's absolutely fantastic. | 0:14:55 | 0:14:56 | |
What's interesting about all of them is that they have a sharkskin grip. | 0:14:56 | 0:15:00 | |
-Can you see that? -Yes. | 0:15:00 | 0:15:02 | |
Well, it's been a while since I've seen a tsuba, | 0:15:02 | 0:15:05 | |
certainly not seven in one place. | 0:15:05 | 0:15:07 | |
It's amazing. | 0:15:07 | 0:15:08 | |
I think the sword itself, you're looking at £100-£150 | 0:15:08 | 0:15:12 | |
but you're looking at as much again if not more | 0:15:12 | 0:15:15 | |
for the actual tsubas. | 0:15:15 | 0:15:16 | |
So if I said £250-£300 as an auction estimate | 0:15:16 | 0:15:20 | |
and if one of these turns out to be quite good, | 0:15:20 | 0:15:23 | |
we could get quite a bit more. | 0:15:23 | 0:15:24 | |
-How does that sound? -Yeah, yeah, that sounds good. | 0:15:24 | 0:15:27 | |
Who'd have thought that the Land of the rising Sun would have had such a profound effect on the family? | 0:15:27 | 0:15:33 | |
But do bear in mind that items like those swords | 0:15:33 | 0:15:36 | |
are always best kept well out of the reach of children. | 0:15:36 | 0:15:39 | |
I'm certain that Robert would be pleased | 0:15:39 | 0:15:41 | |
to see his collectables going towards a treat for his beloved daughters. | 0:15:41 | 0:15:45 | |
Staying in the Far East, | 0:15:47 | 0:15:49 | |
Heather spies a small but attractive famille rose enamel vase | 0:15:49 | 0:15:53 | |
from Canton in southern China. | 0:15:53 | 0:15:55 | |
The 19th century piece has a distinctive pink and green pattern. | 0:15:55 | 0:16:00 | |
Vases like these were made in their thousands from the 18th to the 20th centuries | 0:16:00 | 0:16:05 | |
but they still command impressive sums at auction. | 0:16:05 | 0:16:08 | |
There is a small chip on it | 0:16:10 | 0:16:12 | |
but we hope that it goes to the right bidder for £50-£80. | 0:16:12 | 0:16:15 | |
Paul soon finds another Chinese piece, | 0:16:19 | 0:16:22 | |
this elegant 18th century ceramic kettle. | 0:16:22 | 0:16:25 | |
Chinese ceramics have a long and illustrious history, | 0:16:26 | 0:16:29 | |
dating back thousands of years, | 0:16:29 | 0:16:31 | |
but it was in the 18th and 19th centuries | 0:16:31 | 0:16:33 | |
that Chinese wares became fashionable in Britain, | 0:16:33 | 0:16:36 | |
to where they were exported in massive numbers. | 0:16:36 | 0:16:39 | |
When you consider this dates from around 1770, | 0:16:39 | 0:16:42 | |
this kettle is in excellent condition | 0:16:42 | 0:16:45 | |
and Paul's hoping it will give us £80-£120. | 0:16:45 | 0:16:48 | |
Heather and Denise, I've described your father as being obsessive | 0:16:51 | 0:16:56 | |
about buying antiques. | 0:16:56 | 0:16:57 | |
-Is that a fair description, Denise? -I think it is, yes. | 0:16:57 | 0:17:01 | |
He used to drive Mum crazy with all the... | 0:17:01 | 0:17:04 | |
He was always coming home with bits and they weren't that well off | 0:17:04 | 0:17:08 | |
and he... | 0:17:08 | 0:17:10 | |
But he used to love collecting. He went from one thing to the other | 0:17:10 | 0:17:14 | |
but just recently, he obviously liked the Japanese things. | 0:17:14 | 0:17:19 | |
He loved them. | 0:17:19 | 0:17:21 | |
He always bringing home tables and chests of drawers | 0:17:21 | 0:17:26 | |
-and bureaux... -Oh, yes. | 0:17:26 | 0:17:28 | |
..and corner cabinets and everything. | 0:17:28 | 0:17:33 | |
Well, when he sadly passed way, | 0:17:33 | 0:17:35 | |
you both inherited most of the things he'd collected. | 0:17:35 | 0:17:38 | |
Yeah and it was packed up in boxes. | 0:17:38 | 0:17:41 | |
We kept saying to him, "You should let us know what this is and what that is, | 0:17:41 | 0:17:46 | |
"so we know what we're doing." | 0:17:46 | 0:17:49 | |
-But you just never get around to that sort of thing. -No. | 0:17:49 | 0:17:52 | |
We don't really know an awful lot. We know some things | 0:17:52 | 0:17:56 | |
-and we've got vague ideas but not enough. -Not enough. | 0:17:56 | 0:18:01 | |
I already know what Denise feels about going to the spa but what do you think about it? | 0:18:01 | 0:18:05 | |
I'd like to go back to the Maldives, actually. | 0:18:05 | 0:18:08 | |
Sorry. | 0:18:08 | 0:18:10 | |
-Sorry. -Are you going to take me? | 0:18:10 | 0:18:13 | |
-Now... Now there's a challenge. -Yes. | 0:18:13 | 0:18:15 | |
But in order to go to the spa | 0:18:15 | 0:18:18 | |
or the Maldives or wherever you go, | 0:18:18 | 0:18:20 | |
-I think we'd better get back to work. -Yeah, I think so. | 0:18:20 | 0:18:24 | |
-I think your sister's just given you a challenge. -I think she has. -Definitely. | 0:18:24 | 0:18:28 | |
I hope we haven't caused a family disagreement. | 0:18:30 | 0:18:33 | |
Whatever the girls decide to do, we need to get a move on | 0:18:33 | 0:18:36 | |
because I have a feeling there are plenty more pieces stored away | 0:18:36 | 0:18:40 | |
that need to be checked out. | 0:18:40 | 0:18:41 | |
Heather has found these ornate carving knives | 0:18:43 | 0:18:46 | |
by Kay's of Worcester. | 0:18:46 | 0:18:47 | |
They started out making clocks and watches at the turn of the last century | 0:18:47 | 0:18:51 | |
before diversifying into homeware | 0:18:51 | 0:18:54 | |
and they're most famous now for their mail order catalogues. | 0:18:54 | 0:18:57 | |
This set is silver and probably dates from the Edwardian era | 0:18:57 | 0:19:02 | |
and Paul values them at a sparkling £50-£80. | 0:19:02 | 0:19:05 | |
-Oh, Heather? There you are. -Hello. | 0:19:08 | 0:19:11 | |
Now, then, where does this one come from? | 0:19:11 | 0:19:13 | |
Guess. | 0:19:13 | 0:19:15 | |
-From your dad. -It's Dad's, yeah, yeah. | 0:19:15 | 0:19:17 | |
It was one of Dad's, again. | 0:19:17 | 0:19:19 | |
I remember him picking this one up | 0:19:19 | 0:19:21 | |
from a shop in Finedon, I think it was. | 0:19:21 | 0:19:24 | |
This one dates maybe 1900, 1920. | 0:19:24 | 0:19:27 | |
This is a type of lacquer cabinet. | 0:19:27 | 0:19:30 | |
But it's a very, very difficult process | 0:19:30 | 0:19:32 | |
and the way it's made is wonderful. | 0:19:32 | 0:19:34 | |
The carpenter would make the item from wood, just carve the piece, | 0:19:34 | 0:19:38 | |
and then layer after layer of lacquer is placed onto the top | 0:19:38 | 0:19:42 | |
and it has to be in a very humidified room, a very steamy room. | 0:19:42 | 0:19:46 | |
And after a while, the lacquer dries and he places another coat | 0:19:46 | 0:19:49 | |
and another coat. | 0:19:49 | 0:19:50 | |
Eventually you build up this black lacquer background | 0:19:50 | 0:19:53 | |
and then it's gilded on top with this wonderful gold leaf. | 0:19:53 | 0:19:57 | |
This is very symbolic. There are lots of stories going on here. | 0:19:57 | 0:20:00 | |
The first one is the child at play, here, with the butterfly. | 0:20:00 | 0:20:04 | |
And the butterfly is a symbol of the soul in Japanese culture. | 0:20:04 | 0:20:09 | |
Another story going on here is the flaming pearl. Can you see that? | 0:20:09 | 0:20:12 | |
-Have you heard of that story? -No, I haven't. | 0:20:12 | 0:20:15 | |
Well, the basic idea is that you have the dragon here | 0:20:15 | 0:20:18 | |
which breathes fire | 0:20:18 | 0:20:19 | |
and the dragon can't get hold of the pearl because it's on fire already. | 0:20:19 | 0:20:23 | |
He can't destroy it with his breath because it wouldn't do any good, | 0:20:23 | 0:20:27 | |
so the moral of the story is, you can't fight fire with fire. | 0:20:27 | 0:20:31 | |
I really like it. It's a lovely Japanese cabinet. It's black lacquer work. | 0:20:31 | 0:20:35 | |
It's in nice condition. | 0:20:35 | 0:20:36 | |
Lots of the lacquer, by now, tends to get worn. | 0:20:36 | 0:20:39 | |
This one is OK, quite crisp. | 0:20:39 | 0:20:41 | |
If I said at least, maybe, £100-£150. | 0:20:41 | 0:20:45 | |
-Yeah. -How does that sound? -That sounds good, yeah. | 0:20:45 | 0:20:48 | |
A handsome piece with a very handsome price | 0:20:49 | 0:20:52 | |
but we're not clocking off just yet. | 0:20:52 | 0:20:54 | |
I'm certain that we have time for one last push. | 0:20:54 | 0:20:57 | |
Denise, I couldn't help but noticing | 0:21:02 | 0:21:04 | |
this rather lovely clock on your mantelpiece | 0:21:04 | 0:21:08 | |
because you said earlier how much your father loved clocks and watches | 0:21:08 | 0:21:14 | |
and this is obviously one of the pieces he bought, is it? | 0:21:14 | 0:21:17 | |
Yes, it is, yeah. | 0:21:17 | 0:21:18 | |
He had it for years, absolutely years, and he loved it. | 0:21:18 | 0:21:22 | |
-Paul? -Hello? -Have you got Heather with you? Oh, you have. | 0:21:22 | 0:21:26 | |
-Oh, good. -All right. -Come and take a look at this | 0:21:26 | 0:21:29 | |
rather beautiful clock. | 0:21:29 | 0:21:31 | |
It's quite heavy too, I have to say. | 0:21:31 | 0:21:33 | |
That's a beauty. Look at that. | 0:21:33 | 0:21:35 | |
What can you tell us about it? | 0:21:35 | 0:21:36 | |
First of all, when we were looking at those pocket watches, I mentioned they were chain driven, | 0:21:36 | 0:21:42 | |
little chains going round - that's a called fusee. | 0:21:42 | 0:21:44 | |
You see that ice-cream cone shaped example, | 0:21:44 | 0:21:47 | |
what that does, that compensates, | 0:21:47 | 0:21:49 | |
so it allows the chain to run down at a regular pace, | 0:21:49 | 0:21:52 | |
so it's an accurate clock. | 0:21:52 | 0:21:53 | |
Let's have a look at the front. | 0:21:53 | 0:21:55 | |
Well... Wow. Actually, we've got something very good here. | 0:21:55 | 0:21:59 | |
We've got a good maker. EJ Dent. | 0:21:59 | 0:22:01 | |
He's actually very famous in English clock manufacture | 0:22:01 | 0:22:04 | |
and he was the gentleman who made the Great Clock | 0:22:04 | 0:22:09 | |
-at the Houses of Parliament, which is now... -Big Ben. -..Big Ben. | 0:22:09 | 0:22:12 | |
-Big Ben. -Wow. | 0:22:12 | 0:22:14 | |
How amazing is that? So that's the same clock maker. | 0:22:15 | 0:22:18 | |
Isn't that wonderful? | 0:22:18 | 0:22:19 | |
But wasn't he also associated with some other famous clocks? | 0:22:19 | 0:22:22 | |
Yes. Why I'm looking a bit pensively here, actually, | 0:22:22 | 0:22:26 | |
is it has a number at the bottom - No. 174. | 0:22:26 | 0:22:28 | |
Now, if that's right, he was very famous in the work of chronometers. | 0:22:28 | 0:22:33 | |
A chronometer, basically, is a very accurate clock | 0:22:33 | 0:22:37 | |
that allows you to tell the exact time while on a boat - | 0:22:37 | 0:22:40 | |
a marine chronometer. | 0:22:40 | 0:22:41 | |
As the boat moves around with the roll of the tide | 0:22:41 | 0:22:44 | |
or through a change in temperature, | 0:22:44 | 0:22:46 | |
the clock actually compensates, so you get very accurate time. | 0:22:46 | 0:22:49 | |
That time determines whereabouts in the world you are - | 0:22:49 | 0:22:52 | |
you can work it out by the stars and what time it is | 0:22:52 | 0:22:55 | |
your longitude on the planet. | 0:22:55 | 0:22:56 | |
And they're all numbered. | 0:22:56 | 0:22:58 | |
Now, if this is a chronometer, we could be talking a fortune. | 0:22:58 | 0:23:02 | |
We've got number 174. | 0:23:02 | 0:23:03 | |
We could find out who owned this clock and what it was made for. | 0:23:03 | 0:23:07 | |
What a fantastic thing. | 0:23:07 | 0:23:09 | |
Well, clearly, it's got an amazing provenance, | 0:23:09 | 0:23:12 | |
just on the name of the manufacturer alone, | 0:23:12 | 0:23:15 | |
-so do you want to put a price on it? -Well, I wouldn't like to. | 0:23:15 | 0:23:18 | |
We could be talking very large amounts of money. | 0:23:18 | 0:23:22 | |
It is a numbered example. | 0:23:22 | 0:23:24 | |
We'll try and do as much research as we can. | 0:23:24 | 0:23:26 | |
We might even find out what vessel or who owned it originally. | 0:23:26 | 0:23:30 | |
Well, I tell you what, even if we leave the value of that up in the air for the moment, | 0:23:30 | 0:23:34 | |
I know you wanted to raise £1,000 for your day at the spa. | 0:23:34 | 0:23:39 | |
I think even looking at all the other things we've seen, | 0:23:39 | 0:23:43 | |
we know we're going to be able to make £1,620. | 0:23:43 | 0:23:49 | |
-Oh, lovely. -Great. -A day at the spa. | 0:23:49 | 0:23:51 | |
But I don't think I'm putting too fine a point on it when I say, | 0:23:51 | 0:23:56 | |
judging by Paul's reaction, | 0:23:56 | 0:23:57 | |
that, possibly, when we've done more research | 0:23:57 | 0:24:01 | |
and we get that clock to auction, | 0:24:01 | 0:24:03 | |
you might be able to go to the Maldives yet. | 0:24:03 | 0:24:05 | |
We're going with you. | 0:24:07 | 0:24:09 | |
But that is going to be a wonderful surprise, hopefully, | 0:24:10 | 0:24:14 | |
-that we're going to keep until we get to auction. -Exactly. | 0:24:14 | 0:24:17 | |
-Lovely. -Lovely, yeah. | 0:24:17 | 0:24:18 | |
Who would have thought that Kettering would deliver such an extravaganza | 0:24:18 | 0:24:23 | |
of Oriental delights? | 0:24:23 | 0:24:25 | |
Robert certainly had a great eye for Japanese and Chinese collectables | 0:24:25 | 0:24:29 | |
and wasn't that clock a beauty, too? | 0:24:29 | 0:24:32 | |
Also heading to auction are the impressive books | 0:24:33 | 0:24:36 | |
that he found at a local antique shop. | 0:24:36 | 0:24:37 | |
Published in 1791, | 0:24:37 | 0:24:39 | |
we're hoping they'll bring in a magnificent £500-£800. | 0:24:39 | 0:24:42 | |
The Japanese katana sword, complete with a set of hand guards or tsubas, | 0:24:45 | 0:24:50 | |
should point the way to an imperial £250-£300. | 0:24:50 | 0:24:54 | |
And the collection of pocket watches, | 0:24:55 | 0:24:58 | |
another of Robert's finds on the trawl through local antiques shops. | 0:24:58 | 0:25:01 | |
The estimate? Another £250-£300. | 0:25:01 | 0:25:05 | |
Still to come on Cash In The Attic, | 0:25:08 | 0:25:10 | |
the girls play the blame game with an imperfect item. | 0:25:10 | 0:25:13 | |
But it does have a tiny chip on it, so come on - which one of you two was responsible for that? | 0:25:13 | 0:25:19 | |
-Not me. -And not me, no, no. | 0:25:19 | 0:25:22 | |
Robert's forward thinking means we really could be cashing in. | 0:25:22 | 0:25:27 | |
I think your dad was absolutely right | 0:25:27 | 0:25:29 | |
to keep it and not let you two loose on it. | 0:25:29 | 0:25:32 | |
Be there when the final hammer falls. | 0:25:32 | 0:25:35 | |
I don't know about you but I think we had a wonderful day with Denise and her sister, | 0:25:40 | 0:25:45 | |
finding all those amazing items that her father had collected. | 0:25:45 | 0:25:49 | |
Well, we've brought all of them to Derby, to Bamford's auctioneers, | 0:25:49 | 0:25:53 | |
where she hopes she's going to be able to raise at least £1,000 | 0:25:53 | 0:25:58 | |
because she and her sister want to go off and have a wonderful day when they can be pampered. | 0:25:58 | 0:26:03 | |
The sale room isn't packed but there are still plenty of buyers here. | 0:26:05 | 0:26:09 | |
When Paul and I find Denise and Heather, | 0:26:09 | 0:26:12 | |
we have some great news about one of their most exciting lots. | 0:26:12 | 0:26:16 | |
Hi, Denise and Heather. | 0:26:17 | 0:26:19 | |
Clock watching? Clock watching? Well, not many minutes to go now | 0:26:19 | 0:26:22 | |
and all of your things are going to be going under the hammer. | 0:26:22 | 0:26:26 | |
When we were at the house we looked at 12 things to bring to auction. | 0:26:26 | 0:26:31 | |
Well, we're actually not going to sell all of them. | 0:26:31 | 0:26:33 | |
We're only going to sell ten of them today | 0:26:33 | 0:26:36 | |
because, first of all, that lovely clock you had on the mantelpiece. | 0:26:36 | 0:26:39 | |
We were able to tell you quite a lot about it when we were with you. | 0:26:39 | 0:26:43 | |
It turns out to be a very beautiful timepiece | 0:26:43 | 0:26:46 | |
and the auctioneers think it has to go into a fine art sale, Paul. | 0:26:46 | 0:26:51 | |
Yes, it is a very early timepiece by Dent. | 0:26:51 | 0:26:54 | |
The auctioneers said 1829, which is very early for that type of clock. | 0:26:54 | 0:26:57 | |
The other thing we're not going to sell is this | 0:26:57 | 0:27:01 | |
and its two companions | 0:27:01 | 0:27:03 | |
because again, we've done some research since we were at the house | 0:27:03 | 0:27:06 | |
and we've out something exciting about the maker. | 0:27:06 | 0:27:09 | |
This is a good 18th century pair case pocket watch | 0:27:09 | 0:27:13 | |
but the maker was the maker to George III, | 0:27:13 | 0:27:16 | |
and that royal pedigree makes a massive difference. | 0:27:16 | 0:27:19 | |
We've suggested that goes into the fine art sale to give it its best chance, | 0:27:19 | 0:27:23 | |
get it on the internet and give it a good plug. | 0:27:23 | 0:27:26 | |
-How do you feel now? -Oh, it's... -Can we come to next one as well? | 0:27:26 | 0:27:30 | |
Now, you may remember that set of ornate carving knives | 0:27:32 | 0:27:35 | |
that Heather found on the rummage. | 0:27:35 | 0:27:37 | |
They decided they want to hold onto them for now | 0:27:37 | 0:27:39 | |
but in its place, they've brought this 19th century Chinese soapstone carving, | 0:27:39 | 0:27:45 | |
which Paul has estimated at £60-£80. | 0:27:45 | 0:27:47 | |
But as the auction begins, first under the hammer is | 0:27:49 | 0:27:51 | |
that miniature Imari pattern Crown Derby tea set, | 0:27:51 | 0:27:55 | |
valued at £70-£100. | 0:27:55 | 0:27:58 | |
This is the first of Robert's items | 0:27:58 | 0:28:00 | |
and one which the girls always wanted to play with when they were children. | 0:28:00 | 0:28:04 | |
We've got loads of bidding on it. | 0:28:04 | 0:28:07 | |
-PAUL CHUCKLES -Lots of bidding. -The initial bid is above the estimate. -Wow! | 0:28:07 | 0:28:11 | |
110 bid, 130 bid, 150 bid, 175, 180, 185... | 0:28:11 | 0:28:15 | |
-Wow! -..190. 200 starts it. | 0:28:15 | 0:28:18 | |
At 210 now. At 200. 210, sir, in the room. | 0:28:18 | 0:28:22 | |
-Wow! -220, 230. | 0:28:22 | 0:28:24 | |
-At 220 with me. -It's amazing, isn't it? | 0:28:24 | 0:28:27 | |
At 220. 230, is it? At £220. Any advance? At 220... | 0:28:27 | 0:28:34 | |
-How's that? 220. -Very good. How's that? | 0:28:35 | 0:28:38 | |
I think your dad was right to keep it and not let you two loose on it. | 0:28:38 | 0:28:43 | |
At a whopping £120 over Paul's upper estimate, | 0:28:44 | 0:28:49 | |
that tea set certainly served up a terrific start. | 0:28:49 | 0:28:53 | |
I wonder if this set of late Victorian Royal Worcester dessert dishes | 0:28:53 | 0:28:57 | |
will prove the perfect accompaniment? | 0:28:57 | 0:28:59 | |
I think the colour of this next set of Worcester, the dessert set, | 0:29:00 | 0:29:06 | |
is so striking, so clear and beautiful. | 0:29:06 | 0:29:08 | |
-That lovely shade of turquoise. -It's a lovely colour. -It's beautiful. | 0:29:08 | 0:29:12 | |
Did you ever eat off this? | 0:29:12 | 0:29:14 | |
No, we weren't allowed to use anything like that. | 0:29:14 | 0:29:17 | |
Furniture, because it was big, we were allowed to use it | 0:29:17 | 0:29:20 | |
because we couldn't fit anything else in the house | 0:29:20 | 0:29:23 | |
but anything like that, they used to get put away or on display | 0:29:23 | 0:29:27 | |
in cabinets so people could look at them but that was it. | 0:29:27 | 0:29:30 | |
-£100 I can start it at. -It's started at £100. -110 do I see? | 0:29:30 | 0:29:34 | |
At £100. And 10 now? 110, 120, 130, 140. And 150, for you? | 0:29:34 | 0:29:40 | |
-That's it. -We're almost there. Go on, one more. | 0:29:40 | 0:29:43 | |
At 150, lady at the front then, at 150. It's against you. | 0:29:43 | 0:29:47 | |
-Yay! -£150, so we made the lowest end estimate, there. | 0:29:47 | 0:29:52 | |
A sweet result indeed. | 0:29:52 | 0:29:54 | |
It just goes to show that keeping your collectables in tip-top condition | 0:29:54 | 0:29:58 | |
will always pay off in the end. | 0:29:58 | 0:30:00 | |
As we've seen, Robert was fascinated with all things Oriental | 0:30:00 | 0:30:04 | |
and up next is the first lot from that part of the world, | 0:30:04 | 0:30:07 | |
those attractive bronze Japanese hand mirrors. | 0:30:07 | 0:30:10 | |
I have to say that the mirror is rubbish. | 0:30:11 | 0:30:14 | |
-You couldn't do your make-up in them. -No! | 0:30:14 | 0:30:16 | |
-But they're very attractive things. -They're lovely. | 0:30:16 | 0:30:19 | |
And we've got the box that they go in and yes, they're lovely, they are. | 0:30:19 | 0:30:24 | |
I wonder what Japanese women did do. Their make-up is quite complicated. | 0:30:24 | 0:30:28 | |
How the devil did they see what they were doing? | 0:30:28 | 0:30:30 | |
I'm sure when they were new they were a lot shinier. | 0:30:30 | 0:30:33 | |
I think you're probably right. | 0:30:33 | 0:30:35 | |
Nice quality. Two bids on it, one at 50, one at 55. | 0:30:35 | 0:30:39 | |
-60 do I see? -Right. -At 55 and 60 now. -60 in the room. -There you go. | 0:30:39 | 0:30:43 | |
At 60. You're behind somebody, I can only just see you. 60. | 0:30:43 | 0:30:47 | |
Five. 70. 70? Nodding. And five. | 0:30:47 | 0:30:50 | |
-75? 75, 80. -80 in the room. | 0:30:50 | 0:30:54 | |
-85? At £80, in the blue... Yours, sir. -There you go. | 0:30:54 | 0:30:58 | |
Over our top estimate, Paul. Good call on that one. | 0:30:58 | 0:31:01 | |
It's great, isn't it? | 0:31:01 | 0:31:03 | |
I don't think our interest in Far Eastern collectables | 0:31:03 | 0:31:06 | |
will ever really dwindle. | 0:31:06 | 0:31:08 | |
Robert's certainly didn't. | 0:31:08 | 0:31:10 | |
Up next, the pair of Victorian era Satsuma bowls, | 0:31:11 | 0:31:14 | |
named after the region of Japan in which they were made. | 0:31:14 | 0:31:17 | |
55, 60, five. | 0:31:19 | 0:31:21 | |
It's with me at 60. 65 for you. | 0:31:21 | 0:31:24 | |
That's the lower end of the estimate. At £60. | 0:31:24 | 0:31:27 | |
-£60, it's what we wanted. -At £60, then. It's with me at 60... | 0:31:27 | 0:31:31 | |
The bowls may not have made Paul's lowest estimate | 0:31:33 | 0:31:36 | |
but we're not doing too badly, I think. | 0:31:36 | 0:31:38 | |
The pampering pot is certainly growing larger | 0:31:38 | 0:31:41 | |
with each successful sale. | 0:31:41 | 0:31:43 | |
Let's put the kettle on. | 0:31:43 | 0:31:44 | |
One of my favourite items amongst your bits and pieces | 0:31:44 | 0:31:48 | |
-has to be that blue and white kettle or water pot. -Yeah, yeah. | 0:31:48 | 0:31:52 | |
For me there's a fascination because it's made about 1770, 1800. | 0:31:52 | 0:31:56 | |
Chinese blue and white, it's in nice condition, | 0:31:56 | 0:31:59 | |
and it's great - it's 200 years old and an interesting item to have. | 0:31:59 | 0:32:03 | |
And I can start the bidding at £80. 90 do I see? | 0:32:03 | 0:32:06 | |
90 on the phone. Somebody's come straight in. 90. | 0:32:06 | 0:32:09 | |
100, 110. | 0:32:09 | 0:32:11 | |
-Takes it on the phone at 110. -Keep your eye on the paddle. | 0:32:12 | 0:32:15 | |
-He's on the telephone. -In the room at 120. | 0:32:15 | 0:32:18 | |
130. 130 for you. | 0:32:18 | 0:32:21 | |
-Oh, he's gone. -Oh, the telephone bidder is out. | 0:32:21 | 0:32:23 | |
At 120. 130, new place. | 0:32:23 | 0:32:26 | |
140, 150. | 0:32:26 | 0:32:28 | |
160, 170. | 0:32:28 | 0:32:30 | |
-In the room. -At 160, still in the room. | 0:32:30 | 0:32:33 | |
At £160. 170 now? | 0:32:33 | 0:32:35 | |
-At 160. -That's great. -All done? | 0:32:35 | 0:32:38 | |
At £160. Any advance? At 160... | 0:32:38 | 0:32:41 | |
-381. -That's brilliant. | 0:32:42 | 0:32:43 | |
I tell you what, your dad had a great eye for stuff, didn't he? | 0:32:43 | 0:32:47 | |
-Don't you reckon, Paul? -He certainly did. | 0:32:47 | 0:32:49 | |
The kettle brings the first half of our sale to a close | 0:32:50 | 0:32:53 | |
but we're not going off the boil just yet | 0:32:53 | 0:32:56 | |
because there are still plenty of lots to go under the hammer. | 0:32:56 | 0:32:59 | |
£1,000 is what you wanted to raise, isn't it, OK? | 0:32:59 | 0:33:03 | |
And you're going to spend it on pampering, yes? | 0:33:03 | 0:33:08 | |
Well, you're going to be able to do that easily, I think, | 0:33:08 | 0:33:11 | |
because it's only halfway and we've got some fab things still to come | 0:33:11 | 0:33:14 | |
and you've already made £670. | 0:33:14 | 0:33:17 | |
-Lovely. -Very good. | 0:33:17 | 0:33:19 | |
-So, thank you, Dad. -Yeah. -Thanks, Dad. | 0:33:19 | 0:33:22 | |
And let's see what else we can come up with in the second half of the auction. | 0:33:22 | 0:33:27 | |
Denise and Heather take a well-earned break | 0:33:27 | 0:33:30 | |
and it looks as if the bidders are keeping their eyes peeled for an extra special lot. | 0:33:30 | 0:33:36 | |
Now, if you'd like to have a go at buying or selling in this way, | 0:33:36 | 0:33:40 | |
do keep in mind that sale rooms charge fees, such as commission. | 0:33:40 | 0:33:44 | |
These vary from one sale room to another, so check in advance. | 0:33:44 | 0:33:47 | |
Eyes down now for the second house. | 0:33:48 | 0:33:50 | |
Our next lot comprises those hefty but impressive books, | 0:33:50 | 0:33:55 | |
featuring scenes of Northamptonshire in around 1791. | 0:33:55 | 0:33:58 | |
We were all quite taken with the beautiful engravings, | 0:33:58 | 0:34:02 | |
particularly that view of Althorp from the early 18th century. | 0:34:02 | 0:34:05 | |
Lot 300A, the History And Antiquities Of Northamptonshire, | 0:34:06 | 0:34:10 | |
-and a very good, two volume account of Northamptonshire. -He liked them. | 0:34:10 | 0:34:16 | |
-They are quality, aren't they? That's why. -Yeah. | 0:34:16 | 0:34:19 | |
If we don't get a good bid on these, | 0:34:19 | 0:34:22 | |
-we will put them into the specialist book sale. -That's what he's going to do. | 0:34:22 | 0:34:26 | |
So £500 do I see, please? £500? £500 for them? | 0:34:26 | 0:34:31 | |
500. No? I think they're going to be better off in a specialist sale. | 0:34:32 | 0:34:37 | |
-Is that OK with you guys? -That's great. | 0:34:37 | 0:34:39 | |
-Are you happy what that? -Yes. -They're not sold for the moment. | 0:34:39 | 0:34:43 | |
Well, they may be unsold today | 0:34:43 | 0:34:46 | |
but I'm sure that those stunning books will find the right buyer | 0:34:46 | 0:34:49 | |
in a future sale. | 0:34:49 | 0:34:51 | |
It just goes to show, it's best not to sell such valuable items for less than they're worth. | 0:34:51 | 0:34:56 | |
There is always another day and another sale. | 0:34:56 | 0:34:58 | |
We've got a very pretty vase coming up now, the famille rose, | 0:35:00 | 0:35:03 | |
that lovely pink and rose colour within the porcelain. | 0:35:03 | 0:35:07 | |
But it does have a tiny chip on it, | 0:35:07 | 0:35:10 | |
so come on - which one of you two was responsible for that? | 0:35:10 | 0:35:13 | |
-Not me. -Not me, no, no. | 0:35:13 | 0:35:16 | |
But it's still a very pretty example | 0:35:16 | 0:35:19 | |
and what sort of price is on it, Paul? | 0:35:19 | 0:35:21 | |
I put this in at between £50-£80. All right? | 0:35:21 | 0:35:24 | |
-And I can start it at £42. -We've got a bid of 42 already. | 0:35:24 | 0:35:28 | |
45 do I see? | 0:35:28 | 0:35:29 | |
At 45. 50 with me. 50 and five? It's against you. | 0:35:29 | 0:35:33 | |
At £50 with me. Are you sure? | 0:35:33 | 0:35:36 | |
-£50. -Pretty good. It's gone. | 0:35:38 | 0:35:39 | |
Even with the small section of damage, | 0:35:39 | 0:35:43 | |
someone was still willing to part with our lowest estimate, | 0:35:43 | 0:35:46 | |
so that's another £50 towards the girls' pampering, | 0:35:46 | 0:35:49 | |
which should pay for a massage at least. | 0:35:49 | 0:35:51 | |
Next up, the girls have brought along | 0:35:51 | 0:35:53 | |
this lovely Victorian Chinese soapstone carving, | 0:35:53 | 0:35:56 | |
which Paul has estimated at £60-£80. | 0:35:56 | 0:35:59 | |
I must say I am always fascinated by and in awe of the craftsmanship | 0:36:01 | 0:36:05 | |
of Chinese carvers | 0:36:05 | 0:36:07 | |
and you've got a particularly lovely example of it here. | 0:36:07 | 0:36:11 | |
It's flowering stems and a bird and quite tall | 0:36:11 | 0:36:15 | |
but in a colour that I'm not familiar with, a brown colour. | 0:36:15 | 0:36:19 | |
-It's unusual, isn't it? -Yeah, yeah. | 0:36:19 | 0:36:21 | |
I find it quite ugly, the colour, and a bit depressing. | 0:36:21 | 0:36:25 | |
It's very pretty, as in decoratively wise, | 0:36:25 | 0:36:29 | |
but, no, I don't like it. | 0:36:29 | 0:36:31 | |
My dad used to say if something's ugly, it probably means it's worth money. | 0:36:31 | 0:36:35 | |
I'm priceless, then. | 0:36:36 | 0:36:37 | |
There we are. It's a good lot. Nicely carved and good to have a 19th century one. | 0:36:38 | 0:36:43 | |
-And £50 is bid and five wanted. -£50 bid. -£50 already bid on it. | 0:36:43 | 0:36:48 | |
55, 60. | 0:36:48 | 0:36:50 | |
Against you. At £60. | 0:36:50 | 0:36:52 | |
-With me at £60. -That's what we wanted. | 0:36:52 | 0:36:55 | |
-GAVEL BANGS -There you go. -Terrific. | 0:36:55 | 0:36:56 | |
And another £60 in the kitty. | 0:36:56 | 0:36:59 | |
Next, the ornate 20th-century Chinese coffer, | 0:37:00 | 0:37:03 | |
another of Robert's discoveries. | 0:37:03 | 0:37:05 | |
It's lacquered, with a finely detailed illustration | 0:37:05 | 0:37:08 | |
of the ancient proverb, "You can't fight fire with fire." | 0:37:08 | 0:37:11 | |
Paul thought this was terrific when he saw it, | 0:37:11 | 0:37:14 | |
so let's hope that it sparks plenty of interest among the bidders. | 0:37:14 | 0:37:19 | |
-What did he use the drawers for? -It's been under a table somewhere. | 0:37:19 | 0:37:23 | |
-Dad used it. -Did he? -He kept things in the drawers. | 0:37:23 | 0:37:26 | |
It's very pretty. It should really be used more. | 0:37:26 | 0:37:29 | |
And I can start the bidding here at £85. | 0:37:29 | 0:37:32 | |
We've already got a bid of 85. | 0:37:32 | 0:37:34 | |
90 do I see? 90, five. 100 do I see now? | 0:37:34 | 0:37:38 | |
At £95. It's with me. Do I see 100? | 0:37:38 | 0:37:40 | |
At 95. 100, you're back. Nodding. | 0:37:40 | 0:37:43 | |
-Good. -110. -110. There you go. | 0:37:43 | 0:37:45 | |
It's against you. Do you want 120? | 0:37:45 | 0:37:47 | |
At 110, it's with me. At 110. | 0:37:48 | 0:37:51 | |
Yay! There you go. How's that? Just in there. | 0:37:51 | 0:37:54 | |
-Terrific. -There you go. | 0:37:54 | 0:37:56 | |
I've a feeling that we could be in for some very good news at the end of today, | 0:37:56 | 0:37:59 | |
even with one item unsold and others being put into a future auction, | 0:37:59 | 0:38:04 | |
because today's bidders are clearly very keen on our Oriental objects. | 0:38:04 | 0:38:08 | |
And I think we might have saved the most impressive lot until last. | 0:38:08 | 0:38:11 | |
Robert must have cherished that samurai sword, | 0:38:11 | 0:38:14 | |
complete with a set of hand guards known as tsubas. | 0:38:14 | 0:38:18 | |
They're more than 200 years old | 0:38:18 | 0:38:20 | |
and we're hoping that the dealers are sharp enough | 0:38:20 | 0:38:23 | |
to spot real treasure. | 0:38:23 | 0:38:24 | |
I would be fascinated to know whether or not this wakizashi blade | 0:38:26 | 0:38:32 | |
was ever actually owned by a samurai | 0:38:32 | 0:38:35 | |
and if so, who he was, when he lived, what he did. | 0:38:35 | 0:38:39 | |
Because there's always that hidden history behind these items. | 0:38:39 | 0:38:43 | |
And we were also fascinated by, I want to say tubas, | 0:38:43 | 0:38:47 | |
but they're not, they're tsubas, aren't they? The little guards. | 0:38:47 | 0:38:51 | |
They have a great history, don't they? | 0:38:51 | 0:38:53 | |
Yeah, I think for me, really, the value has to be in the tsubas | 0:38:53 | 0:38:58 | |
because they've come down generations | 0:38:58 | 0:39:00 | |
and some of those may have belonged to somebody from 1780, 1800 | 0:39:00 | 0:39:04 | |
and the name of the family could be on them, which is great. | 0:39:04 | 0:39:08 | |
I just think that's fascinating, actually. | 0:39:08 | 0:39:11 | |
So let's hope that we get some keen collectors for these. | 0:39:11 | 0:39:14 | |
-So we've got £250-£300. -£250-£300, yeah, for the lot, | 0:39:14 | 0:39:18 | |
so let's see how we get on. | 0:39:18 | 0:39:19 | |
We've got one, two, three, four, five, six, seven bids on it. | 0:39:19 | 0:39:23 | |
-Seven bids already. -That's good. | 0:39:23 | 0:39:25 | |
-And £250. 260, now. -260. -260 in the room? | 0:39:25 | 0:39:29 | |
260? At 250. 260 on the phone. | 0:39:29 | 0:39:32 | |
260 on the phone. 270. 280. | 0:39:32 | 0:39:36 | |
290, 300? | 0:39:36 | 0:39:38 | |
£300 has it on the phone. | 0:39:39 | 0:39:41 | |
310 here. | 0:39:41 | 0:39:43 | |
320 for you? | 0:39:43 | 0:39:44 | |
At 310. 320 now? | 0:39:46 | 0:39:48 | |
320? At 310. | 0:39:48 | 0:39:51 | |
Front row at £310. | 0:39:51 | 0:39:53 | |
-310. -310. -Wow! | 0:39:55 | 0:39:58 | |
-£10 over your top estimate, Paul. -That's excellent. | 0:39:58 | 0:40:00 | |
-What a great result. -Lovely. Thank you. | 0:40:00 | 0:40:02 | |
What a magnificent payoff to a very successful auction. | 0:40:02 | 0:40:07 | |
The question is just how much has | 0:40:07 | 0:40:10 | |
Denise and Heather's inheritance of Oriental riches realised? | 0:40:10 | 0:40:14 | |
Before I tell you how much you've made, let me just remind you | 0:40:16 | 0:40:19 | |
that we've got the books, that have been withdrawn. | 0:40:19 | 0:40:22 | |
We withdrew those beautiful pocket watches | 0:40:22 | 0:40:25 | |
because one of them we know was made by the watchmaker to George III, | 0:40:25 | 0:40:30 | |
and again, we think they'll do really well in a specialist sale. | 0:40:30 | 0:40:33 | |
And most importantly, that beautiful Dent clock | 0:40:33 | 0:40:37 | |
has got, we think, several noughts on the end of it... | 0:40:37 | 0:40:42 | |
-Really? -..and will do really well in a specialist sale, | 0:40:42 | 0:40:45 | |
so without putting your hopes up, | 0:40:45 | 0:40:47 | |
there's going to be considerably more than £1,000, | 0:40:47 | 0:40:51 | |
especially when, just today, you've made £1,200. | 0:40:51 | 0:40:56 | |
-Oh, brilliant! Great. -Wow! | 0:40:56 | 0:40:58 | |
-And there's all that other stuff still to come. -Yeah. | 0:40:58 | 0:41:01 | |
A few weeks later, the girls entered the timepieces in a specialist sale. | 0:41:05 | 0:41:09 | |
Robert's watches sold for £450 | 0:41:09 | 0:41:12 | |
and the clock made an incredible £5,500. | 0:41:12 | 0:41:16 | |
Which brings their total sale income to £7,150. | 0:41:17 | 0:41:22 | |
Quite a spa trip for Denise and Heather, | 0:41:22 | 0:41:25 | |
who are now being pampered in this beautiful converted stately home | 0:41:25 | 0:41:29 | |
on the edge of Sherwood Forest. | 0:41:29 | 0:41:31 | |
The massage was absolutely wonderful. | 0:41:33 | 0:41:36 | |
I loved it. I could have gone on for ages because I loved it so much. | 0:41:36 | 0:41:41 | |
Oh, it was lovely. | 0:41:41 | 0:41:42 | |
It was all over my shoulders and my back | 0:41:42 | 0:41:45 | |
and it was smashing. | 0:41:45 | 0:41:47 | |
All I wanted to do was eat and go to sleep. | 0:41:47 | 0:41:51 | |
I loved the manicure. I like being pampered. | 0:41:53 | 0:41:56 | |
My hands feel nice and soft and my nails are nice and shiny, | 0:41:56 | 0:41:59 | |
so hopefully I'll keep them like that - for at least a week. | 0:41:59 | 0:42:03 | |
No washing up, no typing, no housework. | 0:42:04 | 0:42:09 | |
Yes! | 0:42:09 | 0:42:10 | |
They're staying here for a few days | 0:42:11 | 0:42:14 | |
and they've got plenty more treats in store. | 0:42:14 | 0:42:16 | |
I'm most looking forward to lots of food, | 0:42:16 | 0:42:20 | |
lots of treatments and chilling out. | 0:42:20 | 0:42:23 | |
-Lots of food? -Yes. | 0:42:23 | 0:42:25 | |
-We'll gain about a stone and we'll wobble up the walkway. -I know. | 0:42:25 | 0:42:30 | |
-Yeah, it'll be great, won't it? -Yeah. | 0:42:30 | 0:42:33 | |
If there's something that you would like to raise money for | 0:42:38 | 0:42:42 | |
and you think you have things that you could send to auction, get in touch. | 0:42:42 | 0:42:46 | |
You'll find all of our details on our website: | 0:42:46 | 0:42:51 | |
And we look forward to seeing you on Cash In The Attic. | 0:42:51 | 0:42:53 | |
Subtitles by Red Bee Media Ltd | 0:43:16 | 0:43:18 | |
E-mail [email protected] | 0:43:18 | 0:43:20 |